مجلة البناء العدد ٣٢٠

320

June 2017 / Volume 37

Economical Housing ‫اﻟﻤﺴﻜﻦ ا ﻗﺘﺼﺎدي‬

‫ﻫـ‬١٤٣٨ ‫ رﻣﻀﺎن‬/ ٣٧ ‫اﻟﺴﻨﺔ‬

٣٢٠

‫اﻟﻤﺤﺘﻮﻳﺎت‬ ‫« ‪≥≤∞ œbF « ¨5Łö¦ «Ë WFÐU « WM‬‬ ‫— ‪ ≤∞±∑ uO½u¹ Ø?¼ ±¥≥∏ ÊUC‬‬ ‫« ‪d¹dײ « fOz—Ë dýUM‬‬ ‫«*‪qO)« UÐ√ tK « b³Ž rO¼«dÐ≈ ”bMN‬‬ ‫«*‪ÂUF « d¹b‬‬ ‫«*‪qO)« UÐ√ tK « b³Ž e¹eF « b³Ž ”bMN‬‬ ‫«*‪ÍcOHM² « d¹b‬‬ ‫ ×‪qO)« UÐ√ tK « b³Ž rO¼«dÐ≈ bL‬‬ ‫ ‪W U)« «—«b ù« …d¹b‬‬ ‫«*‪qO)« UÐ√ tK « b³Ž rO¼«dÐ≈ …u u WÝbMN‬‬ ‫«‪wMH « ëdšù‬‬ ‫ ‪WO½«dLF « ÊËRAK ¡UM³ « WK−‬‬ ‫«‪∫l¹“u² «Ë U «d²ýô‬‬ ‫’ ‪±±¥≤± ÷U¹d « μ≤≤ » Æ‬‬ ‫«*‪W¹œuF « WOÐdF « WJKL‬‬ ‫« ‪¥∂μ ? π∑¥π ¨ ¥∂¥ ? ≤μμ∂ ÷U¹d‬‬ ‫ ‪¥∂¥ ? ∂≥¥∏ f U‬‬ ‫‪info@albenaamag.com‬‬ ‫‪ÆÊ«bK³ « q w «bM² *« q sŽ WþuH× dAM « ‚uIŠ‬‬ ‫«‪ ôUI*UÐ …œ—«u « UDD *«Ë —u?B «Ë U uKF*«Ë ¡«—ü‬‬ ‫‪WK−*« ÁcNÐ WHK² *« UŽËd?A*«Ë U?Ý«—b «Ë Àu׳ «Ë‬‬ ‫‪¨UÎ OK Ë√ UÎ Ozeł U¼d?A½ …œUŽ≈ Ë√ ¨UNM ”U³² ôUÐ `L? ¹ ô‬‬ ‫√‪vKŽ ‰uB(« bFÐ ô≈ ¨X½U U?LN WI¹dÞ ÍQÐ U?NM¹e ð Ë‬‬ ‫ ‪Æd¹dײ « fOz— s WOÐU² WI «u‬‬

‫ا ﻓﺘﺘﺎﺣﻴﺔ‬ ‫اﻟﻤﺴﻜﻦ ا ﻗﺘﺼﺎدي واﻟﻌﻤﻞ اﻟﻤﻌﻤﺎري‬

‫أﺧﺒﺎر اﻟﻤﺸﺎرﻳﻊ‬ ‫ﻣﺸﺎرﻳﻊ ﻣﺤﻠﻴﺔ و ﻋﺎﻟﻤﻴﺔ ﺣﺪﻳﺜﺔ‬

‫‪ISSN: 1319 - 206 X‬‬ ‫∞∞ « ‪¡UM³‬‬

‫‪00 Albenaa‬‬

‫∂‪±‬‬

‫اﻟﺠﺪﻳﺪ ﻓﻲ اﻟﺒﻨﺎء‬ ‫اﻟﺴﻮاﺗﺮ اﻟﺬﻛﻴﺔ‬ ‫ﺳﻘﺎﻻت ﺳﻬﻠﺔ اﻟﺘﺮﻛﻴﺐ‬ ‫ﺑﻠﻮك ﻋﺎزل‬

‫∏≤‬ ‫∞≥‬ ‫∞≥‬

‫ﻣﺸﺎرﻳﻊ ﺣﺪﻳﺜﺔ‬ ‫ﻣﺮﻛﺰ إﺟﺘﻤﺎﻋﻲ ﺟﺪﻳﺪ‬ ‫ﻣﺘﺤﻒ اﻟﻔﻦ اﻟﺤﺪﻳﺚ‬ ‫ﻣﺮﻛﺰ ﻣﺆﺗﻤﺮات وﻓﻨﺪق‬

‫اﻟﻤﺴﻜﻦ ا ﻗﺘﺼﺎدي‬ ‫ﻛﻴﻒ ﻧﺤﻘﻖ اﻟﻤﺴﻜﻦ ا ﻗﺘﺼﺎدي‬ ‫ﻣﺴﺎﻛﻦ إﺳﺘﺜﻤﺎرﻳﺔ‬ ‫اﻟﺨﻴﻤﺔ اﻟﺴﻜﻨﻴﺔ‬ ‫ﻣﺴﻜﻦ داﺧﻞ ﻣﺴﻜﻦ‬ ‫ﻣﺴﻜﻦ ﻳﻄﻞ ﻋﻠﻰ اﻟﻄﺒﻴﻌﺔ‬ ‫ﻗﻮس ذو ﻛﻘﺎءة ﺑﻴﺌﻴﺔ‬

‫‪∫…bŠ«u « W M « dFÝ‬‬ ‫—‪Î U¹‬‬ ‫‪UÎ ¹œuFÝ ô‬‬ ‫«*‪≥∞ W¹œuF « WOÐdF « WJKL‬‬ ‫‪w²¹u —UM¹œ ≤[μ‬‬ ‫« ‪X¹uJ‬‬ ‫‪WOM¹d×Ð dO½U½œ‬‬ ‫‪π‬‬ ‫« ‪s¹d׳‬‬ ‫‪UÎ Oð«—U ≈ UÎ L¼—œ‬‬ ‫‪≥∞ WOÐdF « «—U ù« W Ëœ‬‬ ‫—‪Î U¹‬‬ ‫‪ÎU¹dD ô‬‬ ‫∞≥‬ ‫ ‪dD‬‬ ‫—‪Î U¹‬‬ ‫‪UÎ O½ULŽÔ ô‬‬ ‫‪π‬‬ ‫‪ÊULŽÔ‬‬ ‫‪UÎ ¹dB UÎ NOMł‬‬ ‫∞∂‬ ‫ ‪dB‬‬ ‫‪—ôËœ‬‬ ‫∏‬ ‫ ‪ÊUM³‬‬ ‫‪w½œ—√ —UM¹œ‬‬ ‫≤‬ ‫«_—‪Êœ‬‬ ‫‪Ë—u¹‬‬ ‫∂‬ ‫√*‪UO½U‬‬ ‫‪Ë—u¹‬‬ ‫∂‬ ‫ ‪U ½d‬‬ ‫‪wMO d²Ý« tOMł‬‬ ‫∂‬ ‫«‪«d²K$‬‬ ‫« ‪—ôËœ ∏ Èdš_« ‰Ëb « lOLłË …bײ*« U¹ôu‬‬

‫‪±¥‬‬

‫ﺣﺎوﻳﺎت ﻧﻘﻞ ﺳﻜﻨﻴﺔ‬ ‫وﺣﺪات ﻣﻨﺰﻟﻴﺔ ﻣﺘﺤﺮﻛﺔ‬ ‫اﻟﻔﻴﻼ اﻟﻤﺴﺘﺪاﻣﺔ‬ ‫اﻟﺘﻮﻓﻴﺮ ﻓﻲ اﻟﻤﺴﺎﺣﺔ‬

‫‪≥¥‬‬ ‫∏≥‬ ‫∞‪¥‬‬ ‫)ﻗﺴﻢ ﺧﺎص ﺑﺎﻟﻤﺸﺘﺮﻛﻴﻦ(‬

‫‪±Â‬‬ ‫‪∂Â‬‬ ‫‪±≤Â‬‬ ‫‪±∏Â‬‬ ‫‪≤≤Â‬‬ ‫‪≤∏Â‬‬ ‫‪≥¥Â‬‬ ‫‪≥∏Â‬‬ ‫‪¥≤Â‬‬ ‫‪¥¥Â‬‬

‫ﻣﺸﺮوﻋﺎت ﺳﻌﻮدﻳﺔ‬ ‫ﻣﻦ أﻋﻤﺎل ﻣﻜﺘﺐ اﻟﺮﻛﻦ ﻟﻼﺳﺘﺸﺎرات اﻟﻬﻨﺪﺳﻴﺔ‬ ‫ﻣﻦ أﻋﻤﺎل ﻣﻜﺘﺐ ﻋﻠﻢ اﻟﻤﻌﻤﺎر ﻟﻠﻬﻨﺪﺳﺔ‬ ‫ﻣﻦ أﻋﻤﺎل ﻣﻜﺘﺐ أدوار ﻟ‪K‬ﺳﺘﺸﺎرات اﻟﻬﻨﺪﺳﻴﺔ‬

‫∏‪π‬‬ ‫∞∞‪±‬‬ ‫≤∞‪±‬‬

‫ﻣﻠﺤﻖ اﻟﺒﻨﺎء‬ ‫ﻣﻘﺎﻻت ﻋﻦ أﺣﺪث ﻣﻨﺘﺠﺎت وﻣﺸﺎرﻳﻊ اﻟﺸﺮﻛﺎت‬

‫‪±∞¥‬‬

WOŠU²² ù«

Economical Housing & Architectural Design

From an architect’s perspective, economical housing is very difficult to achieve. Many groups are drawn into it. There is the government that use it as a political tool to achieve social equality.

Then there are the businessmen from realtors and developers who finds in it an ambit of investment opportunities through achieving high returns with lower cost. In addition, there are the residents who aspires for promoting their living standards through the economical housing.

These aspirations in relation to the economical housing are translated into spaces and areas that is the result of urban planning and economical housing projects overseen by architects and field specialists.

The difficulty of economical housing, though, is embedded in its ability to provide all the essentials a residence must provide. If we only take the house from an economic view it losses its human value whether cultural or social.

And architectural efforts come in handy hear to achieve these human values economically, exerting more pressure on architects to find innovative solutions and yet economical.

This pressure becomes even stronger when building markets do not offer suitable materials and skills.

Faced with these difficulties, architects are divided into two views. On one hand, there are some who focuses on satisfying the owner’s requirements without getting thorough with human values. The result will be that the house losses its value overtime and the architect ends up with tarnished credibility. On the other hand, there are architects who put more effort into achieving these human values and sell it to the owners resulting in achieving the economical house with investment value. Add to it the trust the architect will enjoy from the society.

Editor in Chief

‫اﻟﻤﺴﻜﻦ ا ﻗﺘﺼﺎدي‬ ‫واﻟﻌﻤﻞ اﻟﻤﻌﻤﺎري‬ s UNIOI% VFB¹ w² « w½U³*« d¦ √ s ÍœUB² ù« sJ? *« d³²F¹ »c−¹ l?Ý«Ë ‰U− ÍœUB² ù« sJ? *U ¨W¹—ULF*« d?EM « WNłË w² « WO uJ(« «—«œù«Ë ‰Ëb « „UMN ¨ s¹bOH²? *« s dO¦J « tO ≈ 5Ð WOŽUL²łô« W «bF « oOIײ W¹u WO?ÝUOÝ …«œ√ ÁdO uð w Èdð cOHMð v ≈ 5O uJ(« 5 u¾? *« l b¹ U Î ULz«œ p c Ë ¨lL²−*√ œ«d √ ¨UNM WOŽUL²łô« ·«b¼_« oOIײ WKłUŽ WHBÐ W¹œUB² ù« s U *« Î U¹—UL¦²Ý« ÎôU− tO 5¹—UIŽË s¹—uD s ‰ULŽ_« ‰Uł— b−¹ UL W¹—UL¦²Ý« WLO Ë– ŸËdA t½uJ Ë tOKŽ dO³J « VKDK W−O²½ Î UFÝ«Ë ÊuF b¹ ¡ôR¼Ë ¨X u « —Ëd l t²LO œ«œeð ©ÊuJ¹ V−¹ «cJ¼ Ë√® ¨UNM bzUŽ d³ √ o?OIײ WHKJð q QÐ ÍœUB² ù« sJ? *« cOHMð v? ≈ oI×¹ Ê√ ÍœU?B² ù« sJ? *« s ÊËdE²M¹ s?¹c « ÊUJ? « „UM¼Ë vKŽ …œuIF*« ‰U? ü« Ác¼ ÆrN²?AOF Èu²? l — ‰öš s r?N öŠ√ s oIײð Už«d Ë «¡UC v ≈ l «u « w rłd²ð ÍœUB² ù« sJ? *« w² « ¨W¹œUB² ô« WOMJ « UŽËdA*« ¡UMÐË ¡UOŠ_«Ë Êb*« jOD ð ‰öš WŽuL− Ë s¹cHM Ë 5¹—ULF Ë 5?DD s 5BB ²*« UNOKŽ Âu?I¹ Æ WHK² ôU− w 5BB ²*« s W U oI×¹ Ê√ V?−¹ t½u w? sLJð ÍœUB² ù« sJ? *« W?ÐuF

Ê√ UL ¨W¹œUB² ≈ W?I¹dDÐ sJ Ë sJ? *« UN³KD²¹ w² « UłUO²Šô« rO bIH¹ jI WKłUF «Ë W¹œUB² ù« dEM « WNłË s cš√ «–≈ sJ? *« W¹—UL¦²Ý« WLO t sLCð W¹—Ëd{ ©WO UI¦ «Ë WOŽUL²łô«® WO½U ½≈ rOI « Ác¼ oI×O Í—ULF*« qLF « —Ëœ w?ðQ¹ UM¼ Ë ¨s e « —Ëd l? b¹b?ý jG{ X% 5¹—ULF*« lC¹ Íc « d _« ¨W¹œUB² ≈ W?I¹dDÐ ¨X u « fH½ w? W¹œUB² ù«Ë WOŽ«bÐù« W?¹—ULF*« ‰uK(« œU?−¹ù ¡UM³ « ‚u?Ý w Í—ULF*« b?−¹ r «–≈ WÐuF d?¦ √ WLN*« Êu?JðË Æ U¼cOHM² W³ÝUM*« «—UN*«Ë UOMI² « ÂbI¹ r? ∫ 5L? v ≈ Êu¹—ULF*« r? IM¹ UÐuFB « Ác¼ ÂU √ U³KD²*« q?LN¹ tMJ Ë WHKJ² « W?CH M Ë c?OHM² « WF¹d?Ý ‰uKŠ iFÐ ¡U{—ù W?O UIŁË WOŽUL²ł«Ë WO½U? ½≈ rO s Î U?ILŽ d?¦ _« t²LO sJ *« bIH¹ Ê√ W−O²M « ÊuJðË ¨WOMJ? « l¹—U?A*« »U× √ ÆÍ—ULF*« qLF « w lL²−*« W?IŁ Í—ULF*« bIH¹Ë s e « —Ëd l? l¹—UA*« »U× √ ŸUM ≈Ë WO½U ½ù« rOI « oOIײ bN²−¹ dš¬ r Ë b−¹ô b Íc « bN'«Ë qLF « s dO¦J « tM VKD²¹ Íc « d _« ¨U?NÐ ÍœUB² ù« sJ? *« oI×¹ Ê√ W−O²M « ÊuJð sJ Ë ¨ t Î U¹œU ÎöÐUI Í—ULF*« qLF « V J¹ Ë Æt½UJ?Ý UNF u²¹ sJ¹ r W¹—UL¦²?Ý« WLO Æ t «d²Š«Ë lL²−*« WIŁ d¹dײ « fOz—

14 Albenaa

¡UM³ « ±¥

‫√‪l¹—UA*« —U³š‬‬

‫ﻣﺸﺮوع ﻣﺪﻳﻨﺔ اﻟﻌﻼج واﻟﺘﺄﻫﻴﻞ اﻟﻄﺒﻲ ﻓﻲ اﻟﺮﻳﺎض ﺑﺘﻜﻠﻔﺔ ﻣﻠﻴﺎر و‪ 200‬ﻣﻠﻴﻮن رﻳﺎل‬ ‫اﻃﻠﻊ ﺻﺎﺣﺐ اﻟﺴﻤﻮ اﻟﻤﻠﻜﻲ ا ﻣﻴﺮ‬ ‫ﻓﻴﺼﻞ ﺑﻦ ﺑﻨﺪر ﺑﻦ ﻋﺒﺪ اﻟﻌﺰﻳﺰ أﻣﻴﺮ‬ ‫ﻣﻨﻄﻘﺔ اﻟﺮﻳﺎض ﻋﻠﻰ ﻣﺸﺮوع ﻣﺪﻳﻨﺔ‬ ‫اﻟﻌﻼج واﻟﺘﺄﻫﻴﻞ اﻟﻄﺒﻲ اﻟﺬي ﺳﻴﻘﺎم‬ ‫ﻏﺮب ﻣﻨﻄﻘﺔ اﻟﺮﻳﺎض ﺑﺘﻜﻠﻔﺔ إﺟﻤﺎﻟﻴﺔ‬ ‫ﺗﺒﻠﻎ اﻟﻤﻠﻴﺎر و‪ ٢٠٠‬ﻣﻠﻴﻮن رﻳﺎل وﻋﻠﻰ‬ ‫ﻣﺴﺎﺣﺔ ﺗﻘﺪر ﺑﻤﻠﻴﻮن و‪ ٢٠٠‬أﻟﻒ ﻣﺘﺮ‬ ‫ﻣﺮﺑﻊ‪ .‬ﻧﺸﺄت ﻓﻜﺮة اﻟﻤﺸﺮوع ﺑﺴﺒﺐ‬ ‫اﻟﻄﻠﺐ اﻟﻤﺘﺰاﻳﺪ ﻋﻠﻰ ﺧﺪﻣﺎت ﻋﻼج‬ ‫ا‪I‬ﻋﺎﻗﺔ اﻟﺤﺮﻛﻴﺔ واﻟﻌﻼج اﻟﻮﻇﻴﻔﻲ‬ ‫ﻓﻲ اﻟﻤﻤﻠﻜﺔ ودول اﻟﺨﻠﻴﺞ ﻣﻊ‬ ‫اﻟﺘﺮﻛﻴﺰ ﻋﻠﻰ إﻧﺸﺎء ﻣﺮاﻛﺰ ﺗﻘﻮم‬ ‫ﻋﻠﻰ اﻟﺒﺤﺚ اﻟﻌﻠﻤﻲ وﺧﺎﺻﺔ ﻓﻴﻤﺎ‬ ‫ﻳﺘﻌﻠﻖ ﺑﻤﺠﺎل ا‪I‬ﻋﺎﻗﺔ اﻟﺤﺮﻛﻴﺔ ﻟﺨﺪﻣﺔ‬ ‫اﻟﻤﺮﺿﻰ ﻣﻦ ﻣﺨﺘﻠﻒ اﻟﺪول اﻟﻌﺮﺑﻴﺔ‬ ‫وﺗﻘﺪﻳﻢ اﻟﺮﻋﺎﻳﺔ اﻟﻄﺒﻴﺔ اﻟﺸﺎﻣﻠﺔ‬ ‫و اﻟﻤﺘﻤﻴﺰة وﻓﻖ اﻟﻤﻌﺎﻳﻴﺮ اﻟﻌﺎﻟﻴﺔ‬ ‫ﻓﻲ اﻟﻤﺠﺎل اﻟﻄﺒﻲ وﻣﻮاﻛﺒﺔ ﺧﺮ ﻣﺎ‬ ‫ﺗﻮﺻﻞ ﻟﻪ اﻟﻌﻠﻢ اﻟﺤﺪﻳﺚ ﻓﻲ ذﻟﻚ‪.‬‬ ‫وﺳﻮف ﻳﺪﺷﻦ اﻟﻤﺸﺮوع اﻟﺴﻴﺎﺣﺔ‬ ‫اﻟﻌﻼﺟﻴﺔ ﻓﻲ اﻟﻤﻨﻄﻘﺔ وﺳﻴﺘﻢ ﻃﺮح‬ ‫اﻟﻤﺮﺣﻠﺘﻴﻦ اﻟﺜﺎﻧﻴﺔ واﻟﺜﺎﻟﺜﺔ ﻟﻠﻤﺸﺮوع‬ ‫ﺑﺸﻜﻞ ﺧﺎص‪ .‬وﻗﺪ ﺗﻢ اﺧﺘﻴﺎر ﻣﻮﻗﻊ‬ ‫اﻟﻤﺸﺮوع ﻓﻲ ﻣﻨﻄﻘﺔ ﻫﺎدﺋﺔ ﺗﻮﻓﺮ‬ ‫اﻟﺮاﺣﺔ ﻟﻠﻤﺮﺿﻰ ﺑﻌﻴﺪا ﻋﻦ ﺿﻮﺿﺎء‬ ‫اﻟﻤﺪﻳﻨﺔ وازدﺣﺎم اﻟﺴﻴﺮ‪ .‬وﺗﺘﻀﻤﻦ‬

‫اﻟﻤﺪﻳﻨﺔ ﻣﺴﺘﺸﻔﻰ ﻟﻠﺘﺄﻫﻴﻞ واﻟﻌﻼج‬ ‫اﻟﺤﺮﻛﻲ وﻧﺎدي ﻟﻠﻌﻼج ﺑﺴﻌﺔ ‪٦٠٠‬‬ ‫ﺳﺮﻳﺮ‪ ،‬وﻣﺴﺘﺸﻔﻰ ﻋﺎم ﺑﺴﻌﺔ ‪٢٥٠‬‬ ‫ﺳﺮﻳﺮ‪ ، a‬وﻣﺴﺘﺸﻔﻰ ﻟﻠﺮﻋﺎﻳﺔ اﻟﺼﺤﻴﺔ‬ ‫واﻟﻨﻘﺎﻫﺔ ﺑﺴﻌﺔ ‪ ٢٥٠‬ﺳﺮﻳﺮ‪ ،a‬وﻓﻨﺪق‬ ‫ﺳﻴﺎﺣﻲ ﺑﺴﻌﺔ ‪ ١٢٠‬ﻏﺮﻓﺔ ﻓﻨﺪﻗﻴﺔ و‪١٢‬‬ ‫ﺟﻨﺎﺣ‪ ،d‬إﺿﺎﻓﺔ إﻟﻰ ﻓﻠﻞ ﺳﻴﺎﺣﻴﺔ ﺑﻌﺪد‬

‫‪ ٢٢٣‬ﻓﻴﻼ‪ ،‬و‪ ١٥٢‬ﻓﻴﻼ ﻓﻨﺪﻗﻴﺔ‪ ،‬وﺷﻘﻖ‬ ‫ﻓﻨﺪﻗﻴﺔ ﺑﻌﺪد ‪ ٤٤٨‬ﺷﻘﺔ ﻣﻮزﻋﺔ‬ ‫ﻋﻠﻰ ‪ ٥٦‬ﺑﻨﺎﻳﺔ‪ ،‬وﻋﺪد ﻣﻦ اﻟﻤﺮاﻓﻖ‬ ‫اﻟﺘﻲ ﺗﻠﺒﻲ اﺣﺘﻴﺎﺟﺎت اﻟﻤﺮﺿﻰ‬ ‫وﻣﺮاﻓﻘﻴﻬﻢ‪ ،‬وﺗﺸﺘﻤﻞ اﻟﻤﺪﻳﻨﺔ ﻋﻠﻰ‬ ‫ﻣﻮل ﺗﺠﺎري وﺧﺪﻣﺎت ﺗﺮﻓﻴﻬﻴﺔ وﻣﺮاﻛﺰ‬ ‫ﺧﺪﻣﻴﺔ وﺻﺎﻻت ﻟ‪i‬ﻧﺸﻄﺔ اﻟﺮﻳﺎﺿﻴﺔ ‪،‬‬

‫وﺳﻴﻨﺸﺄ ﺑﻬﺎ ﻛﻠﻴﺔ ﻃﺒﻴﺔ ﻣﺘﺨﺼﺼﺔ‬ ‫ﻓﻲ اﻟﻌﻼج اﻟﺘﺄﻫﻴﻠﻲ ‪ ،‬وﺧﺪﻣﺎت‬ ‫ﻣﺴﺎﻧﺪة وﺳﻜﻦ ﻟﻠﻤﻮﻇﻔﻴﻦ‪،‬‬ ‫وﻣﺤﻄﺔ ﻟﺘﻮﻟﻴﺪ اﻟﻜﻬﺮﺑﺎء وﺗﻨﻘﻴﺔ‬ ‫اﻟﻤﻴﺎه وﻣﺤﻄﺔ ﺗﺒﺮﻳﺪ وﺗﺪﻓﺌﺔ‪.‬‬ ‫اﻟﻤﺼﺪر‪ :‬اﻟﻬﻴﺌﺔ اﻟﻌﻠﻴﺎ ﻟﺘﻄﻮﻳﺮ‬ ‫ﻣﺪﻳﻨﺔ اﻟﺮﻳﺎض‬

‫‪1.2 Billion Riyals for Rehabilitation Medical City in Riyadh‬‬ ‫‪The project will be a‬‬ ‫‪first step to establish‬‬ ‫‪health tourism in the‬‬ ‫‪country and will be‬‬ ‫‪tendered over two‬‬ ‫‪phases. It contains a‬‬ ‫‪hospital with 600 beds,‬‬ ‫‪a public hospital with‬‬ ‫‪250 beds, a rehabilitation‬‬ ‫‪hospital with 250 beds,‬‬ ‫‪a hotel with 120 rooms,‬‬ ‫‪223 vacation villas,‬‬ ‫‪152 hotel villas, and‬‬ ‫‪448 hotel apartments.‬‬ ‫‪In addition, the city will‬‬ ‫‪accommodate a shopping‬‬ ‫‪mall, recreational activities,‬‬ ‫‪and services centre.‬‬

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‫‪His Royal Highness‬‬ ‫‪Prince Faisal Bin Bander‬‬ ‫‪had a look at the Medical‬‬ ‫‪City project in Riyadh‬‬ ‫‪that will cost 1.2 Billion‬‬ ‫‪Riyals and will be built‬‬ ‫‪over 1.2 SQM. The‬‬ ‫‪project is being built‬‬ ‫‪because of the growing‬‬ ‫‪demand in Saudi Arabia‬‬ ‫‪for health services‬‬ ‫‪relating to rehabilitation‬‬ ‫‪and physical therapy.‬‬ ‫‪There is also a great‬‬ ‫‪demand for research‬‬ ‫‪centres in the field of‬‬ ‫‪handicap and world class‬‬ ‫‪health services.‬‬

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‫ ﻫﻮﻟﻨﺪا‬- ‫اﻟﻤﻠﺤﻘﻴﺔ اﻟﺜﻘﺎﻓﻴﺔ اﻟﺴﻌﻮدﻳﺔ‬ Saudi Cultural Bureau - Netherland ‫ﻳﻌﺪ ﻣﺸﺮوع اﻟﻤﻠﺤﻘﻴﺔ اﻟﺜﻘﺎﻓﻴﺔ اﻟﺴﻌﻮدﻳﺔ ﻣﻦ أﺣﺪث اﻟﻤﺸﺎرﻳﻊ اﻟﺘﻲ‬ ‫ وﺣﺎول‬،‫م ﻋﻨﺪ ﺷﺮاء اﻟﻤﺒﻨﻰ‬٢٠١٥ ‫ ﺑﺪأ اﻟﻤﺸﺮوع ﻋﺎم‬.1‫ﺗﻢ اﻓﺘﺘﺎﺣﻬﺎ ﻣﺆﺧﺮ‬ ‫اﻟﻤﺼﻤﻢ أن ﻳﻤﺰج اﻟﺜﻘﺎﻓﻴﺔ اﻟﺴﻌﻮدﻳﺔ ﻓﻲ اﻟﻤﺒﻨﻰ اﻟﻘﺎﺋﻢ ﻣﻊ اﻟﺜﻘﺎﻓﺔ‬ ‫ ﻋﻠﻰ‬Inside Outside ‫ ﻋﻤﻞ اﻟﻤﺼﻤﻢ ﺑﺎﻟﺘﻌﺎون ﻣﻊ ﻣﻜﺘﺐ‬.‫اﻟﻬﻮﻟﻨﺪﻳﺔ‬ ‫ ﻓﺨﺎرﺟﻴ@ ﻳﻀﻢ اﻟﻤﺒﻨﻰ ﺣﺪﻳﻘﺔ‬،@‫إﻋﺎدة ﺗﺼﻤﻴﻢ اﻟﻤﺒﻨﻰ داﺧﻠﻴ@ وﺧﺎرﺟﻴ‬ ‫ﺿﺎءة اﻟﺠﻴﺪة ﻟﻬﺎ وﻋﻤﻞ ﻧﻈﺎم ري وﻧﻈﺎم‬J‫ﺗﻢ إﻋﺎدة ﺗﺮﺗﻴﺒﻬﺎ وإﺿﺎﻓﺔ ا‬ ‫ ﻛﻤﺎ ﺗﻢ اﻟﺤﻔﺎظ ﻋﻰ واﺟﻬﺔ اﻟﻤﺒﻨﻰ‬،‫أﻣﻦ ﺟﺪﻳﺪان ﺟﻤﻴﻌﻬﺎ ﻣﺨﻔﻴﺔ‬ ‫ﻣﻦ واﻟﻌﺰل اﻟﺤﺮاري واﻟﺼﻮﺗﻲ ﻓﻲ واﺟﻬﺔ‬N‫ وﺗﻢ دﻋﻢ ا‬،‫ﺳﺎﺳﻴﺔ‬N‫ا‬ ‫ أﻣﺎ‬.‫اﻟﻤﺒﻨﻰ ﻣﻦ ﺧﻼل اﺳﺘﺨﺪام ﻧﻮاﻓﺬ ذات زﺟﺎج ﻣﺰدوج وﻋﺰل اﻟﺴﻄﺢ‬ ‫داﺧﻠﻴ@ ﻓﻘﺪ ﺗﻢ ﺗﺮﻣﻴﻢ اﻟﻤﺒﻨﻰ ﻣﻊ إﺑﻘﺎء اﻟﻄﺎﺑﻊ اﻟﻬﻮﻟﻨﺪي اﻟﺘﺎرﻳﺨﻲ‬ ‫وإﺿﺎﻓﺔ ﻟﻤﺴﺎت ﻣﻦ اﻟﺘﺼﻴﻤﻢ اﻟﻌﺼﺮي اﻟﺤﺪﻳﺚ واﺳﺘﺨﺪاﻣﺖ أﻗﻤﺸﺔ‬ ‫ وﻗﺪ ﻗﺎم اﻟﻤﺼﻤﻢ ﻋﻠﻰ دﻣﺞ اﻟﺜﻘﺎﻓﺔ‬.@‫وﻣﻔﺮوﺷﺎت ﻣﺼﻨﻮﻋﺔ ﻳﺪوﻳ‬ ‫ﺧﺮى واﻟﻌﻤﻞ‬N‫اﻟﺴﻌﻮدﻳﺔ واﻟﻬﻮﻟﻨﺪﻳﺔ واﻟﺴﻤﺎح ﻟﻜﻞ ﻫﻮﻳﺔ أن ﺗﻜﻤﻞ ا‬ ،‫ ﻣﻨﺎﻃﻖ اﻟﻤﺪﺧﻞ‬٤ ‫ ﻛﻤﺎ ﺑﺮزت اﻟﺜﻘﺎﻓﺔ اﻟﺴﻌﻮدﻳﺔ ﻓﻲ‬.‫ﻣﻌ@ ﺑﺎﻧﺴﺠﺎم‬ ‫ ﻓﻘﺪ اﺳﺘﺨﺪﻣﺖ ﺳﺠﺎدة ﻣﻦ اﻟﺮﺧﺎم‬.‫ اﻟﻤﺼﻠﻰ واﻟﻤﺴﺮح‬،‫ﻏﺮﻓﺔ اﻟﻄﻌﺎم‬ ‫ وﻓﻲ‬،‫ﻋﻨﺪ اﻟﻤﺪﺧﻞ ﺗﻤﻴﺰت ﺑﻨﻘﻮش ﻣﺴﺘﻮﺣﺎة ﻣﻦ اﻟﺘﺼﺎﻣﻴﻢ اﻟﻌﺮﺑﻴﺔ‬ ‫ اﻟﺤﺴﻨﻰ ﻓﻲ‬b‫رﺿﻲ زﻳﻨﺖ اﻟﺠﺪران ﺑﺄﺳﻤﺎء ا‬N‫ﻏﺮﻓﺔ اﻟﻄﻌﺎم واﻟﻄﺎﺑﻖ ا‬ ‫ﺣﻴﻦ ﺗﻤﻴﺰ اﻟﻤﺼﻠﻰ ﺑﺠﺪران وأﺳﻘﻒ ﺗﻢ دﻫﺎﻧﻬﺎ ﻳﺪوﻳ@ ﺗﺤﺘﻮي ﻋﻠﻰ‬ ‫ أﻣﺎ اﻟﻤﺴﺮح ﻓﻴﻘﻊ ﻓﻲ اﻟﻄﺎﺑﻖ‬.‫راﺑﻴﺴﻚ‬N‫أﻧﻤﺎط ﺑﺄﺷﻜﺎل ﻣﺴﺘﻮﺣﺎة ﻣﻦ ا‬ .‫ ﻣﻘﻌﺪ واﺳﺘﻮﺣﻰ ﺗﺼﻤﻴﻤﻪ ﻣﻦ ﺧﻴﻤﺔ اﻟﺒﺪو‬٤٨ ‫اﻟﺜﺎﻟﺚ وﻳﺘﺴﻊ ﻟـ‬ Saudi Cultural Bureau, had officially be opened in May 2017. The project began in 2015 with the purchase of a monumental villa. The project is characterized by a harmonious duality between Dutch and Saudi culture. AAArchitects had collaborated with designer firm Inside Outside for Inteior and exterior design. The garden had the least amount of restrictions to contend with, thus giving greatest freedom for the harmonious integration of each functional aspect of the design: repaving, lighting, water management, security, the concealment of services, and the planting. Without tampering with the aesthetic of the elevations, the facade was improved through extensive restoration.

Security, thermal and acoustic properties of the building skin were improved by double glazing all windows and insulating the roof. In the majority of the building’s outdated interior AAArchitects took an existing Dutch interior and restored it in a modern manner while reviving their historic grandeur. Within this Dutch context AAArchitects infuses Saudi spirit, allowing each identity to complement the other and work together in complete harmony. 4 areas in particular were redeveloped in accordance to Saudi cultural influences: the entrance, dining room, prayer room, and the auditorium. The narrow entrance A marble carpet was then introduced into this space. Its diamond lattice pattern, an abstraction of patterns common in Arabic design, is mirrored directly by the lighting above the reception area, a duality that further directs visitors firstly towards the reception. The ground floor dining room is decorated with the 99 beautiful names of God printed on the walls. In the newly formed prayer room, the walls and ceilings are hand-painted with a continuous Arabesque pattern. The building is crowned by the third-floor auditorium. This 48 seat capacity space was inspired by the shape of the traditional Bedouin tent.

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Optics Valley Center Complex - China

Goettsch Partners Architect recently won the design competition for the new Optics Valley Center complex, located in Wuhan, China, which it designed to symbolize the future vision of Wuhan .

The Project Features a 400 meter office building which is fluid form combining rounded corners with a graceful taper that, together, aid in reducing wind pressures on the structure. A rhythmic pattern of exterior shades wraps the building. The use of color in the façade further reinforces the “digital” rhythm and provides a subtle reference to the local technology culture.

‫ﺑﺮج ﻣﻜﺘﺒﻲ ـ اﻟﺼﻴﻦ‬ : ‫اﻟﻤﺼﻤﻢ‬ Architect : Gottsch Partners

‫ ﻓﻲ ﻣﺴﺎﺑﻘﺔ ﻋﺎﻟﻤﻴﺔ‬Gottsch Partners ‫ﻓﺎز اﻟﻤﻜﺘﺐ اﻟﻤﻌﻤﺎري‬ ‫ ﻓﻲ اﻟﺼﻴﻦ ﺻﻤﻢ ﻟﻴﻜﻮن رﻣﺰ‬Optics Vallery ‫ﻟﺘﺼﻤﻴﻢ ﻣﺮﻛﺰ‬ !‫ وﻳﻀﻢ اﻟﻤﺸﺮوع ﺑﺮﺟ! ﻣﻜﺘﺒﻴ‬.‫ﻟﻠﺮؤﻳﺔ اﻟﻤﺴﺘﻘﺒﻠﻴﺔ ﻟﻠﻤﻨﻄﻘﺔ‬ ‫ ﻣﺘﺮ وﻳﺘﻤﻴﺰ ﺑﺘﺼﻤﻴﻢ ﺳﻠﺲ ﺑﺰاوﻳﺔ داﺋﺮﻳﺔ ﺗﺴﺎﻋﺪ‬٤٠٠ ‫ﺑﻄﻮل‬ ‫ﻓﻲ اﻟﺤﺪ ﻣﻦ ﺿﻐﻂ اﻟﺮﻳﺎح ﻋﻠﻰ اﻟﺒﺮج ﺑﺎﻟﺮﺿﺎﻓﺔ واﺟﻬﺎت زﺟﺎﺟﻴﺔ‬ ‫ﻣﺤﺎﻃﺔ ﺑﺄﻋﻤﺪة ﻣﻌﺪﻧﻴﺔ ذات ﻧﻤﻂ ﻣﺘﻨﺎﻏﻢ ﻟﺘﻮﻓﻴﺮ اﻟﻈﻼل‬ ‫ وﺗﻈﻬﺮ اﻟﺜﻘﺎﻓﺔ‬،‫ﻟﻮان ﻟﺘﻌﺰﻳﺰ اﻟﺘﻨﺎﻏﻢ اﻟﺘﻘﻨﻴﺔ‬J‫واﺳﺘﺨﺪام ا‬ ‫ وﻳﻀﻢ اﻟﻤﺸﺮوع أﻧﻈﻤﺔ‬. ‫اﻟﺘﻘﻨﻴﺔ واﻟﺘﻜﻨﻮﻟﻮﺟﻴﺎ اﻟﻤﺤﻠﻴﺔ‬ ‫ﻧﺘﺎج اﻟﻄﺎﻗﺔ‬O ‫ﻟﻮاح اﻟﻀﻮﺋﻴﺔ‬J‫وﺗﻘﻨﻴﺎت ﻣﺴﺘﺪاﻣﺔ ﻣﺜﻞ اﺳﺘﺨﺪام ا‬ .‫ﻋﻤﺪة اﻟﻤﻌﺪﻧﻴﺔ ﻓﻲ اﻟﻮاﺟﻬﺎت ﻟﻠﺘﻬﻮﻳﺔ‬J‫واﺳﺘﺨﺪام ا‬

20 Albenaa

¡UM³ « ≤∞

l¹—UA*« —U³š√

‫ﻣﺘﺠﺮ أﺑﻞ اﻟﺠﺪﻳﺪ ـ دﺑﻲ‬ : ‫اﻟﻤﺼﻤﻢ‬ Architect : Foster + Partners

‫أﻧﺘﻬﻰ ﻣﺆﺧﺮ ﺗﺼﻤﻴﻢ ﻣﺒﻨﻰ‬ ‫ﻟﻤﺘﺠﺮ أﺑﻞ ﺑﺎﻟﻘﺮب ﻣﻦ ﺑﺮج ﺧﻠﻴﻔﺔ‬ ‫واﻟﻨﺎﻓﻮرة اﻟﺮاﻗﺼﺔ ﺗﺤﺪﻳﺪ ﻓﻲ دﺑﻲ‬ ‫ ﺻﻤﻢ اﻟﻤﺸﺮوع اﻟﻤﻜﺘﺐ‬.‫ﻣﻮل‬ ‫ وﻳﺘﻤﻴﺰ‬،Foster + Partners ‫اﻟﻌﺎﻟﻤﻲ‬ ‫ أﺟﻨﺤﺔ‬١٨ ‫اﻟﺘﺼﻤﻴﻢ ﺑﺘﺮاس ﻳﻀﻢ‬ ‫ ﻫﺬه‬. (Solar wings) ‫ﺷﻤﺴﻴﺔ‬ ‫ﺟﻨﺤﺔ اﺳﺘﻮﺣﺖ ﺗﺼﻤﻴﻤﻬﺎ ﻣﻦ‬F‫ا‬ ‫اﻟﻤﺸﺮﺑﻴﺎت ﺣﻴﺚ ﺗﻐﻠﻖ ﻓﻲ اﻟﻨﻬﺎر‬ ‫ﻟﺘﻮﻓﻴﺮ اﻟﻈﻞ وﺗﺤﻤﻲ ﻣﻦ أﺷﻌﺔ‬ ‫ وﻓﻲ اﻟﻤﺴﺎء ﺗﻨﻔﺘﺢ ﻫﺬه‬، ‫اﻟﺸﻤﺲ‬ ‫ﺟﻨﺤﺔ ﻟﺘﻮﻓﺮ إﻃﻼﻟﺔ ﻋﻠﻰ ﻣﺤﻴﻂ‬F‫ا‬ .‫ﺷﺨﺎص داﺧﻞ اﻟﻤﺒﻨﻰ‬V‫اﻟﻤﺒﻨﻰ ﻟ‬ W‫ﺟﻨﺤﺔ اﻟﺸﻤﺴﻴﺔ آﻟﻴ‬F‫ﺗﻌﻤﻞ ﻫﺬه ا‬ ‫ ﺻﻨﻌﺖ ﻫﺬه‬. ‫ﺑﺎﺳﺘﺨﺪام ﻣﺤﺮﻛﺎت‬ ‫ ﻗﻀﻴﺐ ﻣﻦ أﻟﻴﺎف‬٣٤٠ ‫ﺟﻨﺤﺔ ﻣﻦ‬F‫ا‬ ‫اﻟﻜﺮﺑﻮن ﺣﻴﺚ ﺗﻢ اﺧﺘﻴﺎر ﻫﺬه اﻟﻤﺎدة‬ ‫ ﻳﺘﻜﻮن اﻟﻤﺒﻨﻰ‬.‫ﺑﺴﺒﺐ ﺧﻔﺔ وزﻧﻬﺎ‬ .‫م‬٢٧٤ ‫ﻣﻦ ﻃﺎﺑﻘﻴﻦ وﻳﺮﺗﻔﻊ ﺣﺘﻰ‬

New Apple Store Dubai Foster + Partners recently completed a new flagship Apple Store near the Burj Khalifa, the world`s tallest skyscraper, and the Dubai Fountain, the world`s largest choreographed fountain. The store`s design is quite interesting and its terrace features 18 motorized «Solar Wings» reinterpreting the traditional Arabic Mashrabiya, it gently shade the outside terrace during the day and open majestically during the evening. Each Solar Wing is made from 340 carbon fiber rods.

The material was chosen because it doesn`t rust and is lightweight.

22 Albenaa

¡UM³ « ≤≤

‫√‪l¹—UA*« —U³š‬‬

‫ﺗﻮﺳﻌﺔ ﻟﻤﺴﻜﻦ ﻗﺪﻳﻢ ‪ -‬ﻟﻨﺪن‬ ‫اﻟﻤﺼﻤﻢ ‪:‬‬ ‫‪Architect : Nimtim‬‬

‫ﻗﺎم اﻟﻤﺼﻤﻢ ‪ Nimtim‬ﺑﺘﺼﻤﻴﻢ ﺗﻮﺳﻌﺔ ﻟﻤﻨﺰل ﻗﺪﻳﻢ ﻓﻲ ﻣﺪﻳﻨﺔ‬ ‫ﻟﻨﺪن *ﻧﺸﺎء ﻣﻄﺒﺦ وﻏﺮﻓﺔ ﻃﻌﺎم ﻳﺮﺗﺒﻄﺎن ﺑﺤﺪﻳﻘﺔ ﺗﺘﻜﻮن ﻣﻦ‬ ‫ﺳﻠﺴﻠﺔ ﻣﻦ ا‪5‬ﻟﻮاح اﻟﺨﺸﺒﻴﺔ ﺧﻔﻴﻔﺔ اﻟﻮزن ﺗﻀﻢ ﻓﺘﺤﺎت ﻋﻠﻰ ﻃﻮل‬ ‫اﻟﺴﻘﻒ ﺗﻄﻞ ﻋﻠﻰ ﺣﺪﻳﻘﺔ ﺧﻠﻔﻴﺔ ‪ .‬ﺗﻤﻴﺰ اﻟﺘﺼﻤﻴﻢ ﺑﺪﻣﺞ اﻟﻤﺴﺎﺣﺎت‬ ‫اﻟﺪاﺧﻠﻴﺔ واﻟﺨﺎرﺟﻴﺔ دون ا*ﺣﺴﺎس ﺑﺎﻟﻔﺼﻞ ﺑﻴﻨﻬﻢ وﺗﻨﺪﻣﺞ اﻟﺘﻮﺳﻌﺔ‬ ‫ﻣﻊ اﻟﻤﺒﻨﻰ اﻟﻘﺪﻳﻢ ‪ .‬ﺗﻐﻄﻲ اﻟﻔﺘﺤﺎت ﺑﻴﻦ اﻟﻬﻴﺎﻛﻞ اﻟﺨﺸﺒﻴﺔ أﺑﻮاب‬ ‫ﻧﻮاﻓﺬ اﻧﺰﻻﻗﻴﺔ ﻣﻦ اﻟﺰﺟﺎج ﺗﻮﻓﺮ اﻣﻜﺎﻧﻴﺔ اﻟﻮﺻﻮل ﻣﺒﺎﺷﺮة إﻟﻰ اﻟﺤﺪﻳﻘﺔ‬ ‫وﺗﺴﻤﺢ ﺑﺈﺿﺎءة اﻟﺘﻮﺳﻌﺔ ﻣﻦ اﻟﺪاﺧﻞ ﺑﺎ*ﺿﺎءة اﻟﻄﺒﻴﻌﻴﺔ ‪ ،‬وﻳﺮﺗﺒﻂ‬ ‫اﻟﻤﻨﺰل اﻟﻘﺪﻳﻢ ﺑﺎﻟﺘﻮﺳﻌﺔ ﻣﻦ ﺧﻼل إزاﻟﺔ اﻟﺠﺪار اﻟﺨﻠﻔﻲ ﻟﻠﻤﻨﺰل ورﺑﻄﻪ‬ ‫ﺑﺎﻟﺘﻮﺳﻌﺔ ﻣﻦ ﺧﻼل ﺳﻠﺴﻠﺔ ﻣﻦ ا‪5‬ﻟﻮح اﻟﺨﺸﺒﻴﺔ واﻟﺘﻲ ﺗﺮﺗﻜﺰ ﻋﻠﻰ‬ ‫ﺟﺪار ﻣﻦ اﻟﻄﻮب ﻋﻠﻰ ﺟﺎﻧﺐ واﺣﺪ‪ .‬ﻣﻦ اﻟﺪاﺧﻞ اﺳﺘﺨﺪﻣﺖ ﻣﻮاد‬ ‫ﺑﺴﻴﻄﺔ ﻟﺘﺘﻨﺎﺳﺐ ﻣﻊ ا‪5‬ﻟﻮح اﻟﺨﺸﺒﻴﺔ ﺣﻴﺚ اﺳﺘﺨﺪﻣﺖ اﻟﺨﺮﺳﺎﻧﺔ‬ ‫ﻟﻌﻤﻞ ا‪5‬رﺿﻴﺎت وﺗﺮك اﻟﺠﺪران ﻣﻦ اﻟﻄﻮب ﻋﻠﻰ ﻫﻴﺌﺘﻬﺎ اﻟﻄﺒﻴﻌﻴﺔ‪.‬‬ ‫ﻛﻤﺎ ﺗﻢ اﺳﺘﺨﺪام اﻟﺨﺸﺐ ﻓﻲ ﺧﺰاﺋﻦ وأﺳﻄﺢ اﻟﻤﻄﺒﺦ واﻟﺮﺧﺎم ‪ .‬ﻛﻤﺎ‬ ‫اﺳﺘﺨﺪﻣﺖ ﻣﺼﺎﺑﻴﺢ إﺿﺎءة ﺑﺎﻟﻠﻮن ا‪5‬ﺳﻮد ﻋﻠﻘﺖ ﻓﻮق ﻃﺎوﻟﺔ اﻟﻄﻌﺎم‬ ‫اﻟﺨﺸﺒﻴﺔ وﻛﺮاﺳﻲ ﻣﻠﻮﻧﺔ ﺑﺎﻟﻠﻮن ا‪5‬زرق واﻟﻮردي وا‪5‬ﺧﻀﺮ‪.‬‬

‫‪¡UM³ « ≤¥‬‬

‫‪24 Albenaa‬‬

‫‪Arbour House‬‬ ‫‪in London‬‬ ‫‪The client approached us to extend their 1950’s‬‬ ‫‪terraced house to create a more usable kitchen‬‬ ‫‪and dining area with a better connection to the‬‬ ‫‪rear garden.‬‬ ‫‪Nimtim proposed an addition formed with a series‬‬ ‫‪of lightweight timber portals running both front to‬‬ ‫‪back and side to side. The timber structure defines‬‬ ‫‪a series of openings along the roof and onto the‬‬ ‫‪rear garden. This timber grid extends both into the‬‬ ‫‪garden and into the house blurring the boundary‬‬ ‫‪between inside and out. The enclosed part of‬‬ ‫‪the extension steps in plan, reflecting the historic‬‬ ‫‪footprint of the site and allowing the garden to‬‬ ‫‪extend into the living space.‬‬ ‫‪This project was granted Planning Approval from‬‬ ‫‪Southwark in January 2016 and completed in‬‬ ‫‪Spring 2017.‬‬

¡UM³ « w b¹b'«

SolarGaps World`s First Solar Smart Blinds SolarGaps are smart blinds that automatically track the sun and generate electricity from its energy. Simply plug in SolarGaps and solar energy starts to power all devices in your home. It can even store power in your home battery storage solution so you can use it as an emergency power supply. With SolarGaps, you produce your own electricity to save on your electricity bills. With our smartphone app, you can monitor and control SolarGaps from anywhere in the world.

‫اﻟﺴﻮاﺗﺮ اﻟﺬﻛﻴﺔ‬ ‫ ﻫﻲ ﺳﻮاﺗﺮ ذﻛﻴﺔ ﻣﺒﺘﻜﺮة ﺗﻌﻤﻞ ﻋﻠﻰ ﺗﻮﻟﻴﺪ اﻟﻜﻬﺮﺑﺎء‬Solar gaps ‫ وﻳﻤﻜﻨﻬﺎ ﺗﺨﺰﻳﻦ اﻟﻄﺎﻗﺔ اﻟﻤﻜﺘﺴﺒﺔ ﻣﻦ‬، ‫ﻣﻦ ﺧﻼل اﻟﺨﻼﻳﺎ اﻟﺸﻤﺴﻴﺔ‬ ‫ ﺗﺘﻤﻴﺰ ﻫﺬه اﻟﺴﻮاﺗﺮ ﺑﺈﻣﻜﺎﻧﻴﺔ اﻟﺘﺤﻜﻢ ﺑﻬﺎ‬.‫اﻟﺸﻤﺲ ﻓﻲ ﺑﻄﺎرﻳﺎت‬ ،‫ﻋﻦ ﺑﻌﺪ ﻣﻦ ﺧﻼل اﺳﺘﺨﺪام ا;ﺟﻬﺰة اﻟﺬﻛﻴﺔ ﻋﺒﺮ ﺗﻄﺒﻴﻘﺎت ﺧﺎﺻﺔ ﺑﻬﺎ‬ ،‫وﻳﻤﻜﻦ اﺳﺘﺨﺪام ﻫﺬه اﻟﺴﻮاﺗﺮ ﻓﻲ أﻣﺎﻛﻦ ﻣﺨﺘﻠﻔﺔ ﻣﺜﻞ اﻟﻤﻜﺎﺗﺐ‬ .‫اﻟﻤﺴﺎﻛﻦ وﻏﻴﺮﻫﺎ‬

www.solargaps.com

28 Albenaa

¡UM³ « ≤∏

¡UM³ « w b¹b'«

‫ﺳﻘﺎﻻت ﺳﻬﻠﺔ اﻟﺘﺮﻛﻴﺐ‬ ‫ ﻣﻦ ا ﻟﻮﻣﻨﻴﻮم ﺳﻬﻠﺔ اﻟﺘﺮﻛﻴﺐ واﻟﺘﺠﻤﻴﻊ ﻓﻲ وﻗﺖ‬Kiloutou ‫ﺳﻘﺎﻻت‬ 5.10 ‫ ﻣﺘﺮ و ﻳﺼﻞ ﻋﺮﺿﻬﺎ إﻟﻰ‬13.80 ‫ﻗﺼﻴﺮ ﻳﻤﻜﻦ أن ﻳﺼﻞ ارﺗﻔﺎﻋﻬﺎ إﻟﻰ‬ ‫رﺗﻔﺎﻋﺎت اﻟﻌﺎﻟﻴﺔ ﻣﺜﻞ ﺗﺮﻣﻴﻢ اﻟﻮاﺟﻬﺎت‬6‫ﻋﻤﺎل ذات ا‬:‫ﻣﺘﺮ< ﻓﻬﻲ ﻣﻨﺎﺳﺒﺔ ﻟ‬ ‫ ﻛﻤﺎ ﻳﻤﻜﻦ أن ﺗﺴﺘﺨﺪم داﺧﻞ‬، ‫وﻟﺘﺴﻬﻴﻞ اﻟﻮﺻﻮل إﻟﻰ اﻟﺴﻄﺢ‬ ‫ ﻛﻤﺎ ﺗﺘﻤﻴﺰ ﻫﺬه اﻟﺴﻘﺎﻻت ﺑﺄﻧﻬﺎ ﻗﺎﺑﻠﺔ ﻟﻠﺘﻌﺪﻳﻞ ﻟﺘﺘﻨﺎﺳﺐ ﻣﻊ‬.‫اﻟﻤﺒﺎﻧﻲ‬ . ‫ ﻣﺴﺘﻮﻳﺎت‬6 ‫ وﻳﻤﻜﻦ أن ﺗﻘﺴﻢ إﻟﻰ وﺣﺪات ﻟﺘﻜﻮﻳﻦ‬،‫ﻛﺎﻓﺔ ا ﻋﻤﺎل‬

scaffolding Kiloutou Easy to install, this aluminum scaffolding Kiloutou can reach up to 13,80 meters in height and 5,10 meters in width. It is therefore suitable for work at heights such as facade repairs and allows easy access to the roof of buildings but can also be used indoors. Its adjustable tray makes it ideal for any maintenance or renovation work, even the most meticulous ones. Its adjustable tray makes it ideal for any maintenance or renovation work, even the most meticulous ones. Modular, it accepts up to 6 levels. Multifunctional, it can also be used for the implementation of a lighting or sound tower. Thanks to its speed of assembly, it is a tool suitable for all types of work, even those of short duration.

www.kiloutou.fr

‫ﺑﻠﻮك ﻋﺎزل‬ ‫ ﻳﺘﻤﻴﺰ ﺑﺠﻮدﺗﻪ اﻟﻌﺎﻟﻴﺔ ﻓﻲ ﻋﺰل اﻟﻤﺒﺎﻧﻲ اﻟﺴﻜﻨﻴﺔ‬Climat ‫ﺑﻠﻮك‬ ‫ﺿﺎﻓﺔ إﻟﻰ ﻛﻮﻧﻪ ﻋﺎزل ﻓﻬﻮ‬6‫ ﺑﺎ‬،‫وﻳﺴﺎﻋﺪ ﻓﻲ ﺧﻔﺾ اﺳﺘﻬﻼك اﻟﻄﺎﻗﺔ‬ ‫ ﺳﻬﻞ اﻻﺳﺘﺨﺪام وﻫﻮ ﻣﻨﺘﺞ ﺻﺪﻳﻖ ﻟﻠﺒﻴﺌﺔ ﻣﻦ ﺧﻼل اﺳﺘﺨﺪام‬W‫أﻳﻀ‬ ‫ وﻫﻲ ﺗﺘﻜﻮن ﻣﻦ ﺧﻼﻳﺎ ﺻﻐﻴﺮة ﺗﻤﻨﺢ‬.‫اﻟﺼﺨﻮر اﻟﺒﺮﻛﺎﻧﻴﺔ ﻓﻲ ﺻﻨﺎﻋﺘﻪ‬ ‫ وﻟﺘﻌﺰﻳﺰ ﻗﻮة اﻟﻌﺰل ﻳﺘﻢ ﻣﻠﺊ اﻟﻔﺮاﻏﺎت‬.‫ﻟﻠﻤﻨﺘﺞ اﻟﻘﺪرة ﻋﻠﻰ اﻟﻌﺰل‬ ‫ ﺳﻢ‬٢٠ x ٥٢ ‫ ﻳﺘﻮﻓﺮ اﻟﺒﻠﻮك ﺑﻘﻴﺎس‬.‫ﻓﻲ اﻟﺒﻠﻮك ﺑﺎﻟﺼﻮف اﻟﺼﺨﺮي‬ ‫ ﺑﺄﻧﻪ‬Climat ‫ وﻳﺘﻤﻴﺰ ﺑﻠﻮك‬.‫ ﻛﻠﺠﻢ‬12 ‫ ﺳﻢ وﻳﺰن ﻛﻞ ﺑﻠﻮك‬20 ‫وﺳﻤﺎﻛﺔ‬ . ‫ وﻋﺎزل ﺻﻮﺗﻲ وﻣﻘﺎوﻣﺔ ﻟﻠﺤﺮاﺋﻖ‬، ‫ذو أداء ﻋﺎﻟﻲ ﻓﻲ ﺗﺤﻤﻞ ا وزان‬

Block Climat Highly insulating construction block for low-energy single-family houses. In addition to its insulating properties, the Climate Block is also easy to install in glued, resistant and environmentally friendly installation thanks to the volcanic rock used for its manufacture.

It available in dimension 52X20 cm and thickness of 20 cm and weight 12 kg. The volcanic rock that constitutes the Climate block is formed by multiple micro-alveoli which give the product its insulating power. Rock wool inserted at the factory in the alveoli reinforces the level of insulation.

www.alkern.fr

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ÂUŽ —uEM Build Toronto, in partnership with the City of Toronto, has announced Henning Larsen, Adamson Associates Architects and PMA Landscape Architects as the winning design team selected to design the new 46,500-squaremetre (500,000-square-foot) Etobicoke Civic Centre. The team was one of five shortlisted teams in the international design competition. The five-member jury made the recommendation for this proposal based on its ability to meet four key concepts: • Environmental Sustainability – This proposal demonstrates an ability to achieve a net zero target, and the implementation of a progressive wellness standard for the future workforce occupying the new facility.

• Flexibility – The design of interior and exterior public spaces and related programs enables a broad range and size of community activities. As well, the proposed office floor plate offers the greatest flexibility in support of achieving the City’s office modernization program.

• Community Identity – This design builds its story upon the context and diversity of Etobicoke, creating an animated

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visual signature of “a place of many homes” that is both welcoming and dynamic. The resulting integrity of design concept will frame future neighbourhood growth with its distinctive landmark presence.

• Pedestrian Scale – The design has sculpted a large program into a contextsensitive cascade of articulated smaller built forms and spaces, resulting in an inviting interior and exterior pedestrian scale and animated street presence.

This approach also enables ease of phasing development over time. As well. the landscape architecture’s promise of a spectrum of public outdoor activity spaces has the potential to infuse the poetic yet pragmatic building design story throughout the site.

The new Etobicoke Civic Centre is composed of five program elements – municipal offices including gathering and civic function space, a community recreation centre, a Toronto Public Library district branch, a child care centre and an outdoor civic plaza. A new urban park, south of the civic plaza, will complement the outdoor civic function for new and existing residents.

‫ﻣﺮﻛﺰ إﺟﺘﻤﺎﻋﻲ‬ ‫ﺟﺪﻳﺪ‬ ‫اﻟﻤﺼﻤﻢ ‪ :‬ﻓﺮﻳﻖ ﻣﻜﻮن ﻣﻦ اﻟﻤﻜﺘﺐ اﻟﻬﻨﺪﺳﻲ‬ ‫‪Architect Henning Larsen‬‬ ‫و اﻟﺸﺮﻛﺔ اﻟﻬﻨﺪﺳﻴﺔ ‪Adamson‬‬ ‫ﺑﺎﻟﺘﻌﺎون ﻣﻊ ﻣﻜﺘﺐ ‪ PMA‬ﻟﻠﻤﻨﺎﻇﺮ اﻟﻄﺒﻴﻌﻴﺔ‬ ‫اﻟﻤﻮﻗﻊ ‪Toronto :‬‬

‫ﻓﺎز ﻫﺬا اﻟﻤﺸﺮوع ﺑﺎﻟﻤﺮﻛﺰ ا(ول ﻓﻲ ﻣﺴﺎﺑﻘﺔ ﻣﻌﻤﺎرﻳﺔ ﻋﺎﻟﻤﻴﺔ‬ ‫ﻟﺘﺼﻤﻴﻢ ﻣﺮﻛﺰ إﺟﺘﻤﺎﻋﻲ ﺟﺪﻳﺪ‪ .‬ﻳﻘﻊ اﻟﻤﺸﺮوع ﻋﻠﻰ ﻣﺴﺎﺣﺔ‬ ‫‪ 46.500‬م‪ 2‬وﻳﺘﻜﻮن ﻣﻦ ﻣﺠﻤﻮﻋﺔ ﻣﻦ اﻟﻜﺘﻞ ﻣﺨﺘﻠﻔﺔ ا(ﺣﺠﺎم‬ ‫وا(ﻃﻮال ﺗﻤﻴﺰت ﺑﺴﻄﺢ أﺧﻀﺮ ﺑﻤﺴﺎﺣﺎت ﻣﺨﺘﻠﻔﺔ وﻣﺘﻨﻮﻋﺔ‬ ‫ﻟﻤﺴﺘﺨﺪﻣﻲ اﻟﻤﺒﻨﻰ‪.‬‬ ‫ﻳﺤﻘﻖ اﻻﻗﺘﺮاح اﻻﺳﺘﺪاﻣﺔ ﻣﻦ ﺧﻼل اﻟﻘﺪرة ﻋﻠﻰ ﺗﺤﻘﻴﻖ ﻫﺪف‬ ‫اﻟﺘﻘﻠﻴﻞ ﻣﻦ اﺳﺘﻬﻼك اﻟﻄﺎﻗﺔ إﻟﻰ اﻟﺼﻔﺮ‪ .‬ﻳﺘﻤﻴﺰ اﻟﻤﺸﺮوع‬ ‫ﺑﺎﻟﻤﺮوﻧﺔ ﺣﻴﺚ ﺻﻤﻤﺖ اﻟﻤﺴﺎﺣﺎت اﻟﺪاﺧﻠﻴﺔ واﻟﺨﺎرﺟﻴﺔ وﺑﺮاﻣﺞ‬ ‫اﻟﻤﺸﺮوع ﻟﺘﻘﺪﻳﻢ ﻣﺠﺎل واﺳﻊ وﻣﺴﺎﺣﺎت أﻛﺜﺮ ﻟ‪S‬ﻧﺸﻄﺔ‬ ‫اﻻﺟﺘﻤﺎﻋﻴﺔ‪ .‬ﻳﻬﺪف اﻟﻤﻘﺘﺮح إﻟﻰ إﻧﺸﺎء ﻣﺮﻛﺰ ﻟﺨﺪﻣﺔ اﻟﻤﻨﻄﻘﺔ‬ ‫ﻳﺘﻤﺎﺷﻰ ﻣﻊ اﻟﺘﻐﻴﺮات اﻟﻤﺴﺘﻘﺒﻠﻴﺔ ﻟﻠﻤﻨﻄﻘﺔ واﻟﻤﺠﺘﻤﻊ‪.‬‬ ‫ﻳﻀﻢ اﻟﻤﺸﺮوع ﻣﺴﺎﺣﺎت ﻣﻜﺘﺒﻴﺔ ﻟﻤﻜﺎﺗﺐ اﻟﺒﻠﺪﻳﺔ ‪ ،‬ﻣﺮﻛﺰ‬ ‫ﻟﻠﺘﺮﻓﻴﻪ وﻣﺴﺎﺣﺎت ﻟ‪Y‬ﻟﺘﻘﺎء‪ ،‬وﻓﺮع ﻟﻤﻜﺘﺒﺔ ﺗﻮرﻧﺘﻮ اﻟﻌﺎﻣﺔ ‪،‬‬ ‫وﻣﺮﻛﺰ ﻟﺮﻋﺎﻳﺔ ا(ﻃﻔﺎل‪.‬‬

‫«*‪ÂUF « l u‬‬ ‫‪¡UM³ « ≥¥‬‬

‫ ‪ŸUD‬‬ ‫‪34 Albenaa‬‬

ŸËdALK WHK² dOþUM 37 Albenaa

¡UM³ « ≥∑

ŸËdALK WOLOLB² « …dJH «

ŸËdALK WHK² *« ôULF²Ýû WO×O{uð U uÝ—

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‫ﻣﺘﺤﻒ اﻟﻔﻦ اﻟﺤﺪﻳﺚ‬

‫‪Odunpazari Modern Art Museum‬‬ ‫اﻟﻤﺼﻤﻢ ‪:‬‬ ‫‪Architect : Kingo Kuma & Associates‬‬ ‫اﻟﻤﻮﻗﻊ ‪Eskisehir, Turkey :‬‬

‫ﻳﻘﻊ ﻣﺘﺤﻒ اﻟﻔﻦ اﻟﺤﺪﻳﺚ ﻓﻲ ﻣﺪﻳﻨﺔ »إﺳﻜﻲ ﺷﻬﺮ« ﺷﻤﺎل‬ ‫ﻏﺮب ﺗﺮﻛﻴﺎ ‪ ،‬وﻳﻌﺮض ﻣﺠﻤﻮﻋﺔ واﺳﻌﺔ ﻣﻦ ا ﻋﻤﺎل اﻟﻔﻨﻴﺔ‬ ‫اﻟﺤﺪﻳﺜﺔ اﻟﺘﺮﻛﻴﺔ ‪ ،‬وﻳﻬﺪف اﻟﻤﺸﺮوع إﻟﻰ ﺗﺤﻘﻴﻖ ﻃﻤﻮح اﻟﺠﻬﺔ‬ ‫اﻟﻤﺎﻟﻜﺔ ﻟﻠﻤﺠﻤﻮﻋﺔ اﻟﻔﻨﻴﺔ اﻟﻤﻌﺮوﺿﺔ ﻓﻲ ﺗﻌﺰﻳﺰ اﻟﻔﻦ اﻟﺘﺮﻛﻲ‬ ‫اﻟﺤﺪﻳﺚ وإﻳﺠﺎد ﻣﺮﻛﺰ ﺛﻘﺎﻓﻲ ﻓﻲ اﻟﻤﺪﻳﻨﺔ‪.‬‬ ‫ﻳﻘﻊ اﻟﻤﺘﺤﻒ ﻓﻲ ﻣﻨﻄﻘﺔ اودﻧﺒﺎزاري ﻣﻦ اﻟﻤﺪﻳﻨﺔ وﺗﻌﻨﻲ ﺳﻮق‬ ‫اﻟﺨﺸﺐ ﺑﺎﻟﻠﻐﺔ اﻟﺘﺮﻛﻴﺔ ‪ .‬ﺗﺤﻴﻂ ﺑﺎﻟﻤﺸﺮوع ﻣﺒﺎﻧﻲ ذات ﻋﻤﺎرة‬ ‫ﺗﻘﻠﻴﺪﻳﺔ ﻋﺜﻤﺎﻧﻴﺔ ﺑﻨﻴﺖ ﻋﻠﻰ ﻃﻮل ﻃﺮﻗﺎت ﺻﻐﻴﺮة ﻣﺘﻌﺮﺟﺔ‪،‬‬ ‫ﺗﺄﺛﺮت ﻋﻤﺎرة اﻟﻤﺘﺤﻒ ﺑﻬﺬا اﻟﻨﺴﻴﺞ اﻟﺘﻘﻠﻴﺪي وﺗﻢ ﺗﺼﻤﻴﻢ‬ ‫ﻣﻜﻮﻧﺎت اﻟﻤﺘﺤﻒ ﻋﻠﻰ ﻫﻴﺌﺔ ﺻﻨﺎدﻳﻖ ﺧﺸﺒﻴﺔ ﻣﺨﺘﻠﻔﺔ‬ ‫ا ﺣﺠﺎم ﺗﻮﻓﺮ ﻣﺴﺎﺣﺎت ﻣﺘﻨﻮﻋﺔ ﻟﻠﻌﺮض وﺗﺤﺘﺮم أﺣﺠﺎﻣﻬﺎ‬ ‫ﻗﻴﺎس اﻟﻤﺒﺎﻧﻲ اﻟﻤﺤﻴﻄﺔ ‪.‬‬ ‫ﻓﻲ اﻟﻄﺎﺑﻖ ا رﺿﻲ ﺗﻮﺟﺪ ا ﻋﻤﺎل اﻟﻔﻨﻴﺔ ذات ا ﺣﺠﺎم اﻟﻜﺒﻴﺮة‬ ‫وﺗﺼﻐﺮ اﻟﺼﻨﺎدﻳﻖ ﻓﻲ اﻟﺤﺠﻢ ﻛﻠﻤﺎ أرﺗﻔﻌﻨﺎ ﻟﻜﻲ ﺗﻀﻢ‬ ‫أﻋﻤﺎل ﻓﻨﻴﺔ ذات أﺣﺠﺎم ﺻﻐﻴﺮة ‪ .‬ﻳﻘﻊ ﻓﻨﺎء ﻣﻐﻄﻰ ﺑﺴﻘﻒ‬ ‫ذو ﻓﺘﺤﺎت زﺟﺎﺟﻴﺔ وﺳﻂ اﻟﻤﺸﺮوع و ﻳﻮﻓﺮ ا‪Z‬ﺿﺎءة اﻟﻄﺒﻴﻌﻴﺔ‬ ‫ﻟﻜﺎﻓﺔ ﻣﺴﺘﻮﻳﺎت اﻟﻤﺘﺤﻒ ‪ ،‬ﺑﻴﻨﻤﺎ ﺻﻨﻌﺖ اﻟﻮاﺟﻬﺎت اﻟﺨﺎرﺟﻴﺔ‬ ‫ﻟﻠﻤﺘﺤﻒ ﻣﻦ اﻟﺨﺸﺐ ﻟﻠﺪﻻﻟﺔ ﻋﻠﻰ ﺗﺎرﻳﺦ اﻟﻤﻜﺎن وﻣﻌﻨﺎه‪.‬‬

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Odunpazari Modern Art Museum is to exhibit the owner’s collection of Turkish modern art. The Museum is planned in the city of Eskisehir where the owner was born and raised.

The project is to realize the owner’s ambition to promote Turkish art and to make cultural contribution to the city of Eskisehir. Eskisehir is known as university town where young population is large and the city has lively and active atmosphere. The site is in the area called Odunpazari. It is situated at the threshold of newly developed urban area and small scale town scape of traditional Ottoman wooden houses. These wooden house, with cantilevered volume at upper level, were built in lines along the meandering small streets that makes the street scape and walk though experience quite unique and unexpected. We aim to reflect this street scape quality into the new architectural design of the museum that stands in the urban scale. Our design strategy is to make the volume in aggregation; stacking

small boxes to create the urban scale architecture. Stacked boxes at the street level is read in the scale of surrounding houses and it grows taller towards the center of the museum to stands in the urban scape that announces itself as new cultural landmark of the area.

The stacked and interlocked boxes are designed in various sizes to create diverse scales of exhibition space inside.

Boxes at the ground level offers opportunities for large scale art works and installation. The boxes get smaller at upper levels to exhibit smaller, intimate scale art works.

The central atrium, composed with timber blocks, connects each level to let the natural light through skylight above.

The name of this area “Odunpazari” means “wood market” in Turkish. The exterior envelop of the museum is composed with timber in full extent signifying the history and memory of the place that used to function as market in trading wood.

(Yuki Ikeguchi, Partner in charge)

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© Moreno Maggi

© Leonardo Finotti

© Leonardo Finotti

wł—Uš —uEM

e d*« sŽ qBHM*« ‚bMH « vM³ ∫ The Blade …dHA « 41 Albenaa

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‫ﻣﺮﻛﺰ ﻣﺆﺗﻤﺮات وﻓﻨﺪق‬ ‫‪New Rome - EUR Convention‬‬

‫‪Centre and Hotel‬‬

‫اﻟﻤﺼﻤﻢ ‪:‬‬ ‫‪Architect : Massimiliano and Doriana Fuksas‬‬ ‫ا‪-‬ﻧﺘﻬﺎء ﻣﻦ اﻟﺘﻨﻔﻴﺬ ‪ 2016 :‬م‬ ‫اﻟﻤﻮﻗﻊ ‪ :‬روﻣﺎ‬ ‫اﻟﻤﺴﺎﺣﺔ ‪ 55 :‬أﻟﻒ ﻣﺘﺮ ﻣﺮﺑﻊ‬

‫∞‪¡UM³ « ¥‬‬

‫‪40 Albenaa‬‬

‫‪© Leonardo Finotti‬‬

‫ﻳﻌﺪ ﻣﺮﻛﺰ ‪ The Cloud‬ﻣﻦ أﻛﺒﺮ اﻟﻤﺸﺎرﻳﻊ ﻓﻲ ﻣﺪﻳﻨﺔ روﻣﺎ ‪ ،‬وﻫﻮ‬ ‫ﻣﺮﻛﺰ ﻣﺆﺗﻤﺮات وﻓﻨﺪق‪ ،‬وﻳﺤﺘﻮي ﻋﻠﻰ ﻣﺴﺮح‪ ،‬ﻗﺎﻋﺔ ﻣﻌﺎرض‬ ‫وﻓﻨﺪق‪ .‬ﻳﺘﺒﻊ اﻟﺘﺼﻤﻴﻢ ﺧﻄﻮط ﻣﺘﻌﺎﻣﺪة ﺑﺴﻴﻄﺔ ﻣﺴﺘﻮﺣﺎة‬ ‫ﻣﻦ اﻟﻌﻤﺎرة ا‪5‬ﻳﻄﺎﻟﻴﺔ اﻟﻤﺤﻴﻄﺔ‪ .‬ﻳﺤﻴﻂ ﺑﺎﻟﻤﺮﻛﺰ ﻣﺴﺎﺣﺎت ﻋﺎﻣﺔ‬ ‫ﺟﺰء ﻻﻳﺘﺠﺰأ ﻣﻦ اﻟﻤﺸﺮوع واﻟﺤﻲ‪ ،‬وﺳﺘﻮﻓﺮ ﻫﺬه اﻟﻤﺴﺎﺣﺎت‬ ‫ﻫﻲ ً‬ ‫أﻣﺎﻛﻦ ‪I‬ﻧﺸﻄﺔ ﻣﺨﺘﻠﻔﺔ ‪ ،‬ﻳﺘﺄﻟﻒ اﻟﻤﺮﻛﺰ ﻣﻦ ﺛﻼث ﻋﻨﺎﺻﺮ ﻣﻌﻤﺎرﻳﺔ ‪:‬‬ ‫اﻟﻄﺎﺑﻖ ﺗﺤﺖ ا رﺿﻲ‪ :‬ﻳﺘﻢ اﻟﻮﺻﻮل إﻟﻰ اﻟﻄﺎﺑﻖ ﺗﺤﺖ ا‪I‬رﺿﻲ‬ ‫ﻋﻦ ﻃﺮﻳﻖ ﺳﻼﻟﻢ ﺧﺎرﺟﻴﺔ ﺗﺆدي إﻟﻰ داﺧﻞ اﻟﻤﺒﻨﻰ ﻋﻨﺪ اﻟﺮدﻫﺔ‬ ‫اﻟﺮﺋﻴﺴﺔ وا‪5‬ﺳﺘﻌﻼﻣﺎت ‪ ،‬وﻣﻨﻄﻘﺔ إﻟﺘﻘﺎء ﺗﻘﻮد إﻟﻰ ﻗﺎﻋﺔ‬ ‫ﻣﺆﺗﻤﺮات واﺳﻌﺔ وﻗﺎﻋﺔ ﻋﺮض ﺗﺴﺘﻮﻋﺐ ‪ 6000‬ﺷﺨﺺ‪.‬‬ ‫اﻟﻐﻼف واﻟﺴﺤﺎﺑﺔ )‪(The Theca and the Cloud‬‬ ‫‪ The Theca‬او اﻟﻐﻼف وﻫﻮ ﻣﻜﻮن ﻣﻦ اﻟﻬﻴﻜﻞ اﻟﺨﺎرﺟﻲ واﻟﻮاﺟﻬﺔ‬ ‫اﻟﺮاﺋﻌﺔ ﻟﻤﺮﻛﺰ اﻟﻤﺆﺗﻤﺮات واﻟﻔﻨﺪق‪ ،‬وﻫﻮﻣﺰﻳﺞ ﻣﻦ اﻟﺰﺟﺎج‬ ‫واﻟﻤﻌﺪن واﻟﺨﺮﺳﺎﻧﺔ ‪ .‬داﺧﻞ ﻫﺬا اﻟﻬﻴﻜﻞ او اﻟﻐﻼف ﻳﻮﺟﺪ ‪7800‬‬ ‫ﻣﺘﺮ ﻣﺮﺑﻊ ﻣﻦ ﻣﺴﺎﺣﺎت ﻋﺎﻣﺔ ﻻﺳﺘﻀﺎﻓﺔ اﻟﻤﺆﺗﻤﺮات واﻟﻤﻌﺎرض‬ ‫وﺑﺪاﺧﻞ ﻫﺬا اﻟﻬﻴﻜﻞ ﻳﻮﺟﺪ ﻫﻴﻜﻞ آﺧﺮ أﺷﺒﻪ ﺑﺎﻟﺴﺤﺎﺑﺔ ‪The‬‬ ‫‪ ، Cloud‬وﻳﺮﻣﺰ ا‪5‬رﺗﺒﺎط ﺑﻴﻦ ﻫﺬﻳﻦ اﻟﻬﻴﻜﻠﻴﻦ إﻟﻰ ارﺗﺒﺎط ﻣﺪﻳﻨﺔ‬ ‫روﻣﺎ ﺑﺎﻟﻤﺮﻛﺰ ‪ .‬وﻳﺘﻤﻴﺰ ﻫﻴﻜﻞ اﻟﺴﺤﺎﺑﺔ ﺑﺄﻧﻪ ﻣﺴﺘﻘﻞ ﻛﺄﻧﻪ‬ ‫ﺷﺮﻧﻘﺔ وﻫﻲ ﻣﻐﻄﺎة ﺑﻐﺸﺎء ﻏﻴﺮ ﺷﻔﺎف ﻣﻦ ا‪I‬ﻟﻴﺎف اﻟﺰﺟﺎﺟﻴﺔ‬ ‫وﺷﺮاﺋﻂ ﻣﻦ اﻟﻤﻄﺎط واﻟﺴﻴﻠﻜﻮن‪ ،‬وﺗﻘﻊ اﻟﺨﻴﻤﺔ ﻓﻲ وﺳﻂ اﻟﻤﻤﺮ‬ ‫وﻳﺘﻢ ﺗﺜﺒﻴﺘﻬﺎ ﻣﻦ أﻋﻠﻰ ﻓﻲ اﻟﻬﻴﻜﻞ )‪ (Theca‬وﻳﺘﻢ اﻟﻮﺻﻮل‬ ‫إﻟﻴﻬﺎ ﻋﺒﺮ ﻣﻤﺮات ﺗﺮﺑﻂ اﻟﻬﻴﻜﻠﻴﻦ ﺑﺒﻌﻀﻬﻤﺎ‪ .‬ﺗﺤﺘﻮي اﻟﺴﺤﺎﺑﺔ‬ ‫ﻋﻠﻰ ‪ 5‬ﻣﺴﺘﻮﻳﺎت ﻣﺪﻋﻤﺔ ﺑﺴﻼﻟﻢ ﻛﻬﺮﺑﺎﺋﻴﺔ وﻣﻤﺮات ﺗﻘﻮد إﻟﻰ‬ ‫اﻟﻤﺴﺮح ﺑﻄﺎﻗﺔ اﺳﺘﻴﻌﺎﺑﻴﺔ ‪ 1800‬ﺷﺨﺺ ‪.‬‬ ‫اﻟﺸﻔﺮة ‪ :The Blade‬وﻫﻮ ﻓﻨﺪق ﻣﻨﻔﺼﻞ ﻋﻦ اﻟﻤﺮﻛﺰ ذو ‪17‬‬ ‫ﻃﺎﺑﻖ وﻳﻀﻢ ‪ 439‬ﻏﺮﻓﺔ وﻳﻀﻢ ﻣﻄﻌﻢ وﻣﺮﻛﺰ ﺻﺤﻲ و ‪7‬‬ ‫ﻣﺤﻼت ﺗﺠﺎرﻳﺔ‪.‬‬ ‫وﻳﻌﺪ اﻟﻤﺮﻛﺰ ﺑﺄﻧﻪ ﺻﺪﻳﻖ ﻟﻠﺒﻴﺌﺔ ﻣﻦ ﺧﻼل اﺳﺘﺨﺪام أﻧﻈﻤﺔ‬ ‫وﺗﻘﻨﻴﺎت ﻣﺴﺘﺪاﻣﺔ‪ ،‬ﻓﻘﺪ ﺗﻢ ﺗﻜﻴﻴﻒ اﻟﻤﺒﻨﻰ ﺑﺎﻟﻜﺎﻣﻞ ﻣﻦ‬ ‫أداء ﻋﺎﻟﻴ‪r‬‬ ‫ﺧﻼل ﻣﻀﺨﺎت ﺣﺮارﻳﺔ ﻋﻜﺴﻴﺔ وﻫﻮ ﻧﻈﺎم ﻳﺤﻘﻖ ً‬ ‫ﻓﻲ ﺧﻔﺾ ﻣﻌﺪل اﺳﺘﻬﻼك اﻟﻄﺎﻗﺔ‪ ،‬ﺑﺎ‪5‬ﺿﺎﻓﺔ إﻟﻰ ﻧﻈﺎم‬ ‫ﺗﻬﻮﻳﺔ ﻳﻘﻮم ﺑﺎﺳﺘﺨﺮاج اﻟﻤﻴﺎه اﻟﺒﺎردة ﻣﻦ ﺑﺤﻴﺮة ﻣﺠﺎورة‬ ‫وﺗﺼﻔﻴﺘﻬﺎ ﺑﺎﻟﻨﻈﺎم‪ .‬وﻳﺘﻤﻴﺰ ﺳﻄﺢ اﻟﻤﺒﻨﻰ ﺑﺘﻐﻄﻴﺘﻪ ﺑﺄﻟﻮاح‬ ‫ﺷﻤﺴﻴﺔ )رﻗﺎﺋﻖ ﻣﻦ اﻟﺰﺟﺎج واﻟﺴﻴﻠﻜﻮن( ‪.‬‬

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From the Architect Report: The largest building in Rome in over 50 years. the New Rome /EUR Convention Centre and Hotel ‘the Cloud’. It will host auditoriums, exhibition spaces and a hotel - amassing 55,000 square metres in new public space. Located south of the city’s core, the complex follows the simple orthogonal lines of the surrounding 1930s rationalist architecture.

The spaces surrounding the centre will serve as two public squares. Integral to the new complex and the neighbourhood, these new spaces will provide citizens with places for various leisure and outdoor activities, offering a new meeting area in this busy part of Rome.

The New Rome/EUR Convention Centre and Hotel ‘the Cloud’ comprises three distinct architectural concepts: the basement, the ‘Theca’ and ‘Cloud’, and the ‘Blade’.

The basement is accessed on Viale Cristoforo Colombo, via a staircase that leads into the building’s main foyer and information point. Past this area, a large concourse feeds into an expansive congress and exhibition hall that can host up to 6000 people.

The ‘Theca’ is the stunning outershell and façade of the convention Hall and Hotel, which has been made from a combination of metal, glass and re-enforced concrete.

Inside the building, 7,800 square metres of new public space will play host to public and private conferences, exhibitions and large-scale events. Suspended inside the ‘Theca’ is the ‘Cloud’ - the interplay between these two spaces is essential to the complex. The ‘Cloud’ is an independent cocoon-like structure that is covered in 15,000 square metres of highly advanced membrane fiber glass and flame-retardant silicone and is supported laterally at points by the ‘Theca’. It lies at the heart of the complex and is accessed by the ‘Forum’ – an artery walkway that fuses the two structures together. Inside the ‘Cloud’, five levels (supported by escalators and walkways) lead to a 1,800 capacity auditorium, it is clad in wooden cherry panels.

The final architectural concept is the ‘Blade’ - an autonomous building split into 17 floors and containing a new 439-room hotel built to provide accommodation to visitors to the centre and the city of Rome. Spread over 18,000 square metres, the ‘Blade’ will also include seven boutique suites, a spa and a restaurant.

The building has been constructed from 37,000 tons of steel- the equivalent weight of four and a half Eiffel Towers.

Additionally, 58,000 metres of glass has been used for the centre’s exterior and interior design.

An eco-friendly approach underscores the design of the centre, with integrated air-conditioning that will be carried out by a reversible heat pump. This system is capable of achieving high energy performances whilst reducing electricity consumption. A natural ventilation system is also in place - with the cool water of the nearby EUR lake extracted and filtered into the system. The roof’s photovoltaic panels(glass and silicon wafer)help to produce energy and protects the building from overheating through the mitigation of solar radiation. The centre’s eco features also comprise a rain water harvesting system, where exterior panels collect rainwater and filter it into a storage tank. The water can then be pumped, on demand, from the tank to the internal water system.

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‫اﻟﻤﻘﺪﻣﺔ‬ ‫ﻳﺮى اﻟﺒﻌﺾ أن اﻟﻤﺴﻜﻦ ا ﻗﺘﺼﺎدي ﻫﻮ اﻟﻤﺴﻜﻦ اﻟﺬي ﻳﺘﻢ‬ ‫ﺗﻘﻠﻴﻞ ﻣﺴﺎﺣﺘﻪ و ﻧﻮﻋﻴﺘﻪ إﻻ أن ا‪$‬ﻣﺮ ﻟﻴﺲ ﺑﻬﺬه اﻟﺒﺴﺎﻃﺔ‬ ‫ﻓﺎﻟﻤﺴﻜﻦ إذا ﻗﻠﺖ ﻣﺴﺎﺣﺘﻪ ﻓﺈﻧﻬﺎ ﻻﺷﻚ ﺗﻮﻓﺮ ﻓﻲ ﺗﻜﻠﻔﺘﻪ‬ ‫وﻟﻜﻦ ﻫﻞ ﻳﻀﻤﻦ ﺗﻘﻠﻴﻞ اﻟﻤﺴﺎﺣﺔ ﺗﻮﻓﻴﺮ ا ﺣﺘﻴﺎﺟﺎت‬ ‫اﻟﻀﺮورﻳﺔ ﻟﻠﺴﻜﺎن ؟ وﻫﻞ ﺗﻘﻞ ﻗﻴﻤﺔ اﻟﻤﺴﻜﻦ ؟ وﻫﻞ‬ ‫ﺗﻘﻠﻴﻞ اﻟﻤﺴﺎﺣﺔ ﺑﻤﻔﺮدﻫﺎ ﻫﻮ اﻟﺸﺊ اﻟﻮﺣﻴﺪ اﻟﺬي ﻳﺠﻌﻞ‬ ‫اﻟﻤﺴﻜﻦ إﻗﺘﺼﺎدﻳ‪A‬؟ وﻫﻞ ﻳﻤﻜﻦ ﻟﻠﺘﺼﻤﻴﻢ اﻟﻤﻌﻤﺎري‬ ‫أن ﻳﺠﻌﻞ اﻟﻤﺴﻜﻦ ﻣﺴﻜﻨ‪ A‬إﻗﺘﺼﺎدﻳ‪ A‬ذو ﻧﻮﻋﻴﺔ وﻳﻠﺒﻲ‬ ‫اﺣﺘﻴﺎﺟﺎت ﺳﻜﺎﻧﻪ‪ .‬اﻟﻴﻮم ﻧﺤﻦ ﻧﺤﺘﺎج أﻛﺜﺮ ﻣﻦ أي وﻗﺖ ﻣﻀﻰ‬ ‫إﻟﻰ ا ﻗﺘﺼﺎد ﻓﻲ اﻟﻤﺴﻜﻦ ﺧﺎﺻﺔ وأن ﻣﻨﻄﻘﺘﻨﺎ ﺗﺸﻬﺪ‬ ‫ﺗﺤﻮﻻت إﻗﺘﺼﺎدﻳﺔ رﺋﻴﺴﺔ ﺳﻮف ﺗﺆﺛﺮ وﺗﻐﻴﺮ ﻣﻦ ﻧﻤﻂ ﺣﻴﺎة‬ ‫ا ﻧﺴﺎن وﻣﺴﻜﻨﻪ ‪ ،‬و ﻫﻲ ﻣﺮﺣﻠﺔ ﺗﺘﺴﻢ ﺑﺈﻧﺨﻔﺎض ﻓﻲ اﻟﻤﻮارد‬ ‫ا ﻗﺘﺼﺎدﻳﺔ وﺗﺪﻓﻊ إﻟﻰ ﺿﺮورة اﻟﻌﻤﻞ ﻋﻠﻰ وﺿﻊ ﺧﻄﻂ‬ ‫إﻗﺘﺼﺎدﻳﺔ ﺟﺪﻳﺪة ﺗﺸﻤﻞ ﻛﺎﻓﺔ اﻟﻤﺠﺎﻻت وﻣﻦ ﺑﻴﻨﻬﺎ اﻟﻤﺪن‬ ‫واﻟﻤﺒﺎﻧﻲ ﺑﻜﺎﻓﺔ أﻧﻮاﻋﻬﺎ‪.‬‬ ‫ﻋﻨﺪﻣﺎ ﺗﻜﻮن اﻟﻤﻮارد ﻛﺎﻓﻴﺔ وﺗﻔﻮق اﻟﺤﺎﺟﺔ ﻻ ﻳﺤﺘﺎج ا ﻧﺴﺎن‬ ‫إﻟﻰ ا ﻗﺘﺼﺎد ‪ ،‬ﻓﺎﻟﺤﺎﺟﺔ إﻟﻰ ا ﻗﺘﺼﺎد ﺗﻈﻬﺮ ﻋﻨﺪﻣﺎ ﻳﻜﻮن‬ ‫ﻫﻨﺎك ﺷﺢ ﻓﻲ اﻟﻤﻮارد ‪ ،‬ﻓﻴﺄﺗﻲ دور ا ﻗﺘﺼﺎد ﻟﺘﺤﻘﻴﻖ ﺣﻴﺎة‬ ‫أﻓﻀﻞ ﻟ`ﻧﺴﺎن‪ .‬وﻫﺬا ﻫﻮ ﻣﺎ ﻧﺤﺘﺎج أن ﻳﺤﻘﻘﻪ اﻟﻤﺴﻜﻦ‬ ‫ا ٍ ﻗﺘﺼﺎدي ‪ ،‬ﺣﻴﺚ ﻟﻢ ﻳﻌﺪ اﻟﺤﺼﻮل ﻋﻠﻰ اﻟﻤﺴﻜﻦ أﻣﺮ‪ c‬ﺳﻬ ً‬ ‫ﻼ‪.‬‬ ‫ﺧﺎﺻﺔ وأن ﺗﻮﻓﻴﺮ اﻟﻤﺴﻜﻦ ﻫﻮ أﺣﺪ اﻟﻀﺮورات ا ﻧﺴﺎﻧﻴﺔ اﻟﺘﻲ‬ ‫ﺗﺒﻨﺘﻬﺎ ﻣﻌﻈﻢ دول اﻟﻌﺎﻟﻢ ﻣﻨﺬ زﻣﻦ ﺑﻌﻴﺪ‪ ،‬وأﺻﺒﺤﺖ ﺗﺸﻜﻞ‬ ‫ﻋﺒﺌ‪ A‬إﻗﺘﺼﺎدﻳ‪ A‬ﻛﺒﻴﺮ‪ c‬ﻋﻠﻰ اﻟﺪول ﻧﻈﺮا رﺗﻔﺎع ﺗﻜﻠﻔﺔ إﻧﺸﺎء‬ ‫اﻟﻤﺸﺮوﻋﺎت اﻟﺴﻜﻨﻴﺔ ‪.‬‬ ‫ﻣﺮاﺣﻞ ﺗﻄﻮر اﻟﻤﺴﻜﻦ ا إﻗﺘﺼﺎدي‬ ‫ﻓﻜﺮة اﻟﻤﺴﻜﻦ ا ﻗﺘﺼﺎدي ﻟﻴﺴﺖ ﻓﻜﺮة ﺟﺪﻳﺪة ﺑﻞ ﻧﺸﺄت‬ ‫ﻣﻨﺬ ﺑﺪاﻳﺔ ﻣﺎ ﻳﻌﺮف ﺑﺎﻟﺜﻮرة اﻟﺼﻨﺎﻋﻴﺔ ‪ ،‬ﻋﻨﺪﻣﺎ ﻇﻬﺮت‬ ‫اﻟﺤﺎﺟﺔ إﻟﻰ ﺑﻨﺎء ﻣﺴﺎﻛﻦ ﻟﻠﻌﻤﺎل ﻓﻲ اﻟﻤﺪن اﻟﺼﻨﺎﻋﻴﺔ ‪،‬‬ ‫وﺗﺘﻄﻠﺐ ا‪$‬ﻣﺮ ﺑﻨﺎء ﻣﺴﺎﻛﻦ ﺑﺄﻋﺪاد ﻛﺒﻴﺮة وﺑﻄﺮﻳﻘﺔ ﺳﺮﻳﻌﺔ‪،‬‬ ‫وﻟﺘﺤﻘﻴﻖ ذﻟﻚ ﺷﺮع اﻟﻤﻬﺘﻤﻮن ﺑﺈﺟﺮاء أﺑﺤﺎث ﺗﻬﺪف إﻟﻰ‬ ‫ﺑﻨﺎء ﻣﺴﺎﻛﻦ أﻗﻞ ﺗﻜﻠﻔﺔ ‪ ،‬و رﻛﺰت ا‪$‬ﺑﺤﺎث ﻋﻠﻰ إﻋﺎدة اﻟﻨﻈﺮ‬ ‫ﻓﻲ ﻣﻜﻮﻧﺎت اﻟﻤﺴﻜﻦ واﻟﻌﻼﻗﺎت ﻓﻴﻤﺎ ﺑﻴﻨﻬﺎ‪ ،‬ﻓﺘﻢ إﻋﺎدة‬ ‫ﺗﺼﻤﻴﻢ ﻣﻜﻮﻧﺎت اﻟﻤﻄﺒﺦ واﻟﺤﺮﻛﺔ ﺑﻴﻨﻬﺎ‪ ،‬و ﺗﺤﺪﻳﺪ ﻋﻼﻗﺎت‬ ‫ﺟﺪﻳﺪة ﺑﻴﻦ اﻟﻤﻄﺒﺦ وﻏﺮﻓﺔ اﻟﻄﻌﺎم ‪ ،‬وإﻋﺎدة اﻟﻨﻈﺮ ﻓﻲ‬ ‫ﺗﺼﻤﻴﻢ اﻟﺤﻤﺎﻣﺎت‪ ،‬وإﻟﻐﺎء ﺑﻌﺾ اﻟﺤﻮاﺋﻂ اﻟﺪاﺧﻠﻴﺔ ﻟﻔﺘﺢ‬ ‫اﻟﻔﺮاﻏﺎت ﻋﻠﻰ ﺑﻌﻀﻬﺎ ﻟﺘﺤﻘﻴﻖ وﻓﺮة ﻓﻲ اﻟﻤﺴﺎﺣﺎت وﻟﺠﻌﻞ‬ ‫اﻟﻤﺴﻜﻦ أﻛﺜﺮ ﻛﻔﺎءة وإﻧﺘﺎﺟ‪ A‬و أﻛﺜﺮ راﺣﺔ‪ ،‬ﻛﻤﺎ ﺗﻢ ﺗﺼﻤﻴﻢ‬ ‫وﺳﺎﺋﻞ ﺗﺪﻓﺌﺔ ﺗﺨﺪم ﻛﺎﻓﺔ أﻧﺤﺎء اﻟﻤﺴﻜﻦ ﺑﻌﺪ أن ﻛﺎن ﻣﺰود‬ ‫ﺑﻤﺪﻓﺄة واﺣﺪة ﻳﺘﺠﻤﻊ أﻓﺮاد ا‪$‬ﺳﺮة ﺣﻮﻟﻬﺎ‪.‬‬ ‫اﻟﻬﺪف اﻟﻌﺎم ﻋﺎدة اﻟﻨﻈﺮ ﻓﻲ ﺗﺼﻤﻴﻢ اﻟﻤﺴﻜﻦ وﺟﻌﻠﻪ‬ ‫أﻛﺜﺮ اﻗﺘﺼﺎد‪ c‬رﻛﺰ ﻋﻠﻰ ﺟﻌﻞ ﻣﺴﺎﺣﺔ اﻟﻤﺴﻜﻦ ﺗﺘﺒﻊ‬

‫ا‪$‬ﻧﺸﻄﺔ اﻟﻤﻤﺎرﺳﺔ ﺑﺪاﺧﻠﻪ ‪ ،‬وﻟﻘﺪ أدى ذﻟﻚ إﻟﻰ ﺣﺎﻟﺔ ﻓﻜﺮﻳﺔ‬ ‫ﺟﺪﻳﺪة‪ ،‬وﺗﻮﺟﻪ ﻧﺤﻮ ﺟﻌﻞ اﻟﻤﺴﻜﻦ أﻛﺜﺮ ﻣﺮوﻧﺔ وأﻛﺜﺮ‬ ‫اﺳﺘﻤﺘﺎﻋ‪ A‬وﺗﺤﻮل اﻟﻤﺴﻜﻦ إﻟﻰ ﻣﻨﺘﺞ ﻣﻊ ﺗﺤﻮل اﻟﻤﺠﺘﻤﻊ‬ ‫إﻟﻰ ﻣﺎ ﻋﺮف ﺑﻌﺪ ذﻟﻚ ﺑﺎﻟﻤﺠﺘﻤﻊ ا ﺳﺘﻬﻼﻛﻲ اﻟﺬي ﻳﻌﺘﻤﺪ‬ ‫ﻋﻠﻰ ﺗﺼﻨﻴﻊ اﻟﻤﻨﺘﺠﺎت وإﺳﺘﻬﻼﻛﻬﺎ ﺑﻜﻤﻴﺎت ﻛﺒﻴﺮة ‪.‬‬ ‫ﻟﻘﺪ ﺷﺎرك اﻟﻤﻌﻤﺎرﻳﻮن ﻓﻲ ﻫﺬه اﻟﺘﺤﻮﻻت ﻓﻄﺒﻖ ﺑﻌﻀﻬﻢ‬ ‫ﻫﺬه ا‪$‬ﻓﻜﺎر ااﻟﺠﺪﻳﺪة ﻣﺜﻞ ﻓﺮاﻧﻚ ﻟﻮﻳﺪ راﻳﺖ وﻣﻴﺲ ﻓﺎﻧﺪوره‬ ‫ﻣﻦ ﺧﻼل إﻟﻐﺎء اﻟﺤﻮاﺋﻂ أو اﻟﻔﻮاﺻﻞ اﻟﺪاﺧﻠﻴﺔ وﻓﺘﺢ اﻟﻔﺮاﻏﺎت‬ ‫ﻋﻠﻰ ﺑﻌﻀﻬﺎ ‪ ،‬ﻛﻤﺎ اﻗﺘﺮح اﻟﻤﻌﻤﺎري وﻟﺘﺮ ﺟﺮﺑﻴﻮس ﺗﺼﻨﻴﻊ‬ ‫اﻟﻤﺴﻜﻦ ﺑﻜﻤﻴﺎت ﺿﺨﻤﺔ ﻣﺘﺄﺛﺮ‪ c‬ﺑﺄﻓﻜﺎر ﻫﻨﺮي ﻓﻮرد وإﺑﺘﻜﺎره‬ ‫ﻟﺨﻄﻮط إﻧﺘﺎج اﻟﺴﻴﺎرات ﻓﻲ اﻟﻮﻻﻳﺎت اﻟﻤﺘﺤﺪة ا‪$‬ﻣﺮﻳﻜﻴﺔ‪.‬‬ ‫ﻟﻨﺪن ﻛﺎﻧﺖ أول اﻟﻤﺪن اﻟﺘﻲ أﻋﺘﻤﺪت ﻓﻜﺮة اﻟﺘﺼﻨﻴﻊ اﻟﻤﺘﻜﺮر‬ ‫ﺑﻬﺪف ا ﻗﺘﺼﺎد ﻓﻲ ﺗﻜﺎﻟﻴﻒ إﻋﺎدة ﺑﻨﺎء اﻟﻤﺴﺎﻛﻦ اﻟﺘﻲ‬ ‫دﻣﺮﺗﻬﺎ اﻟﺤﺮب اﻟﻌﺎﻟﻤﻴﺔ اﻟﺜﺎﻧﻴﺔ وﺳﺮﻋﺔ اﻟﺤﺼﻮل ﻋﻠﻴﻬﺎ‪،‬‬ ‫وﻛﺎﻧﺖ ﺧﻄﻮة إﻗﺘﺼﺎدﻳﺔ ﻛﺒﻴﺮة ﻟﺤﻞ ﻣﺸﻜﻠﺔ ﺷﺢ اﻟﻤﺴﺎﻛﻦ‪.‬‬ ‫ﻣﺎ ﻳﻤﻜﻦ ﻣﻼﺣﻈﺘﻪ ﻫﻨﺎ ﻫﻮ أن ﺗﺼﻨﻴﻊ اﻟﻤﺴﺎﻛﻦ اﻟﻤﺘﻜﺮر ﻗﺪم‬ ‫ﻧﻤﻮذﺟﻴﻦ ﻣﻦ أﻧﻈﻤﺔ اﻟﺘﺼﻨﻴﻊ ‪:‬‬ ‫اﻟﻨﻤﻮذج ا‪$‬ول ﻛﺎن ﻧﻈﺎم ﺑﻨﺎء ﻣﻘﻔﻮل وﻳﻌﻨﻲ أن اﻟﻨﻈﺎم‬ ‫ﻻﻳﻘﺒﻞ اﻟﺘﻔﺎﻋﻞ ﻣﻊ ﻣﻜﻮﻧﺎت أي ﻧﻈﺎم آﺧﺮ ‪ .‬ﻓﻼ ﻳﻘﺒﻞ اﻟﺘﻐﻴﻴﺮ‬ ‫أو اﻟﺘﺒﺪﻳﻞ ﻓﻲ ﻣﻜﻮﻧﺎﺗﻪ‪.‬‬ ‫اﻟﻨﻤﻮذج اﻟﺜﺎﻧﻲ ﻛﺎن ﻧﻈﺎم ﻣﻔﺘﻮح ﻳﻘﺒﻞ دﻣﺞ ﻣﻜﻮﻧﺎﺗﻪ‬ ‫ﺑﻤﻜﻮﻧﺎت أﻧﻈﻤﺔ أﺧﺮى ‪ ،‬وﻳﺴﻤﺢ ﺑﺎﻟﺘﻐﻴﻴﺮ أو اﻟﺘﺒﺪﻳﻞ‪.‬‬ ‫اﻟﻤﻌﻤﺎرﻳﻮن ﻛﺎﻧﻮا ﻳﻔﻀﻠﻮن اﻟﻨﻈﺎم اﻟﻤﻔﺘﻮح ﻛﻮﻧﻪ أﻛﺜﺮ‬ ‫ﻣﺮوﻧﺔ وﻗﺎﺑﻞ ﻟﻠﺘﻄﻮﻳﺮ ﻣﻊ ﺗﻄﻮر ﺣﻴﺎة ا ﻧﺴﺎن ‪.‬‬ ‫اﻟﻨﻈﺎم اﻟﻤﻘﻔﻮل ﻟﻘﻰ رواﺟ‪ A‬ﻛﺒﻴﺮ‪ c‬ﻛﻮﻧﻪ أﻗﻞ ﺗﻜﻠﻔﺔ‪ .‬إﻻ أن‬ ‫ا‪$‬ﻣﺮ أدى ﻓﻲ ﻧﻬﺎﻳﺔ اﻟﻤﻄﺎف إﻟﻰ رﻓﻀﻪ ﻛﻮﻧﻪ ﻏﻴﺮ ﻣﺮن وﻏﻴﺮ‬ ‫ﻗﺎﺑﻞ ﻟﻠﺘﻄﻮر‪ .‬ﻟﻘﺪ أﺛﺮ ﻛﺜﻴﺮ‪ c‬ﻫﺬا اﻟﻨﻈﺎم ﻋﻠﻰ ﻓﻜﺮة اﻟﺘﺼﻨﻴﻊ‬ ‫اﻟﻤﺘﻜﺮر اﻟﺘﻲ ﺑﺪت ﻣﻊ ﻣﺮور اﻟﺰﻣﻦ ﻋﻠﻰ أﻧﻬﺎ ﻓﻜﺮة ﺗﺆﺛﺮ ﻋﻠﻰ‬ ‫ﺣﻴﺎة اﻟﺴﻜﺎن ﺳﻠﺒ‪. A‬‬ ‫ﻓﻲ ﻋﺎم ‪1972‬م ﺗﻢ إﻋﺪاد ﺗﻘﺮﻳﺮ ﺣﻮل ﺣﺪود اﻟﺘﻄﻮر‬ ‫اﻻﻗﺘﺼﺎدي ﻟﻠﻌﺎﻟﻢ ﻣﻦ ﻗﺒﻞ ﻧﺎدي روﻣﺎ ‪ ،‬ﻫﺬا اﻟﺘﻘﺮﻳﺮ أﺛﺎر‬ ‫ﺿﺠﺔ ﻛﺒﻴﺮة ‪$‬ﻧﻪ ﺗﻨﺒﺄ ﺑﺎﻟﺰﻳﺎدة اﻟﻤﺴﺘﻤﺮة ﻟﻠﺴﻜﺎن وﺗﻨﺎﻣﻰ‬ ‫اﻟﻨﺸﺎط اﻟﺼﻨﺎﻋﻲ وإﻧﺘﺎج ا‪$‬ﻏﺬﻳﺔ‪ ،‬وإن ذﻟﻚ ﺳﻮف ﻳﺆدي‬ ‫إﻟﻰ ﺷﺢ اﻟﻤﻮارد اﻟﻄﺒﻴﻌﻴﺔ اﻟﺬي ﺳﻮف ﻳﺆدي ﺑﺪوره إﻟﻰ‬ ‫ﺗﺮاﺟﻊ اﻟﻨﻤﻮ اﻟﺼﻨﺎﻋﻲ واﻟﻤﻘﺪرة اﻟﺼﻨﺎﻋﻴﺔ ﻟﺘﻠﺒﻴﺔ اﺣﺘﻴﺎﺟﺎت‬ ‫اﻟﻨﺎس‪ ،‬وﻟﻘﺪ ﺗﺰاﻣﻦ ذﻟﻚ ﻣﻊ ﺑﺪاﻳﺔ ارﺗﻔﺎع أﺳﻌﺎر اﻟﻄﺎﻗﺔ‬ ‫واﻟﻤﻮارد ﻧﺘﻴﺠﺔ إﻟﻰ ﺑﺪاﻳﺔ ﻧﻀﻮب اﻟﻤﻮارد اﻟﻄﺒﻴﻌﻴﺔ‬ ‫واﻟﻮﻗﻮد ا‪$‬ﺣﻔﻮري ﺑﺸﻜﻞ ﺧﺎص‪ ،‬ا‪$‬ﻣﺮ اﻟﺬي دﻓﻊ اﻟﺪول‬ ‫ا‪$‬ﻛﺜﺮ ﺗﻀﺮر‪ c‬ﻣﻦ اﻟﺸﺢ ﻓﻲ اﻟﻮﻗﻮد إﻟﻰ ﺗﺼﻤﻴﻢ ﻣﺴﺎﻛﻦ‬ ‫ﺗﻘﺘﺼﺪ ﻓﻲ اﺳﺘﻬﻼك اﻟﻄﺎﻗﺔ‪ ،‬وﻣﻦ ﺑﻴﻦ ا‪$‬ﻣﺜﻠﺔ اﻟﺘﻲ‬ ‫ﻃﺮﺣﺖ ﻓﻲ ذﻟﻚ اﻟﻮﻗﺖ ﻣﺎ ﻗﺎم ﺑﻪ اﻟﻤﻌﻤﺎري اﻟﺒﺮﻳﻄﺎﻧﻲ‬ ‫‪ Alexandre Pick‬ﻟﺘﺼﻤﻴﻢ ﻣﺴﻜﻦ ﻻ ﻳﺤﺘﺎج إﻟﻰ أي‬ ‫إﻣﺪادات ) ﻃﺎﻗﺔ ‪ ،‬ﻣﺎء( ﺑﻞ ﻳﻨﺘﺠﻬﺎ ذاﺗﻴ‪ . A‬ا‪$‬ﻣﺮ ﻟﻢ ﻳﺘﻮﻗﻒ‬ ‫ﻋﻨﺪ ﻫﺬا اﻟﺤﺪ ﺣﻴﺚ ﺑﺪأ اﻟﻌﺎﻟﻢ ﻳﻌﻲ ﻣﺸﺎﻛﻞ اﻟﺒﻴﺌﺔ ﻣﻦ‬

‫‪¡UM³ « ±Â‬‬

‫‪S1 Albenaa‬‬

‫ﻛﻴﻒ ﻳﻤﻜﻦ ﺗﺤﻘﻴﻖ‬ ‫اﻟﻤﺴﻜﻦ ا ﻗﺘﺼﺎدي‬ ‫إﻋﺪاد ‪ :‬اﻟﻤﻬﻨﺪس إﺑﺮاﻫﻴﻢ ﻋﺒﺪ ا‪ J‬أﺑﺎ اﻟﺨﻴﻞ‬

‫اﻟﻤﻘﺪﻣﺔ ‪:‬‬

‫‪S1‬‬

‫ـ ﻣﺮاﺣﻞ ﺗﻄﻮر اﻟﻤﺴﻜﻦ ا إﻗﺘﺼﺎدي ‪.‬‬ ‫ـ ﺗﺤﻘﻴﻖ اﻟﻤﺴﻜﻦ ا ﻗﺘﺼﺎدي ﻋﻠﻰ ﻣﺴﺘﻮى اﻟﻤﺪﻳﻨﺔ واﻟﺤﻲ واﻟﻮﺣﺪة اﻟﺴﻜﻨﻴﺔ ‪.‬‬ ‫ـ أﻫﻢ ا‪1‬ﻓﻜﺎر اﻟﺘﻲ ﺗﻀﻤﻨﺘﻬﺎ اﻟﻤﺸﺎرﻳﻊ اﻟﻤﻌﺮوﺿﺔ‪.‬‬ ‫ـ ﻣﻌﺎﻳﻴﺮ ﺗﺼﻤﻴﻢ اﻟﻤﺴﻜﻦ ا ﻗﺘﺼﺎدي ﻓﻲ ﻣﻨﻄﻘﺘﻨﺎ ‪.‬‬

‫اﻟﻤﺸﺎرﻳﻊ ‪:‬‬ ‫ﻣﺴﺎﻛﻦ إﺳﺘﺜﻤﺎرﻳﺔ ‪Quinta Monroy Housing‬‬

‫‪S6‬‬

‫اﻟﻤﺼﻤﻢ ‪ Elemental :‬اﻟﻤﻮﻗﻊ ‪ :‬ﺗﺸﻴﻠﻲ‬

‫اﻟﺨﻴﻤﺔ اﻟﺴﻜﻨﻴﺔ ‪Wall House‬‬

‫‪S 12‬‬

‫اﻟﻤﺼﻤﻢ ‪ FAR frohn&rojas :‬اﻟﻤﻮﻗﻊ ‪ :‬اﻟﻤﻜﺴﻴﻚ‬

‫ﻣﺴﻜﻦ داﺧﻞ ﻣﺴﻜﻦ ‪Black Box‬‬

‫‪S 18‬‬

‫اﻟﻤﺼﻤﻢ ‪ Weysen and De BaereArchitecten :‬اﻟﻤﻮﻗﻊ ‪ :‬ﺑﻠﺠﻴﻜﺎ‬

‫ﻣﺴﻜﻦ ﻳﻄﻞ ﻋﻠﻰ اﻟﻄﺒﻴﻌﺔ ‪Home View – Visions of Living‬‬

‫‪S 22‬‬

‫اﻟﻤﺼﻤﻢ ‪ Alfredo Haeberli :‬اﻟﻤﻮﻗﻊ ‪ :‬ﺳﻮﻳﺴﺮا‬

‫ﻗﻮس ذو ﻛﻔﺎءة ﺑﻴﺌﻴﺔ ‪Natura Dome‬‬

‫‪S 28‬‬

‫اﻟﻤﻮﻗﻊ ‪ :‬ﻓﺮﻧﺴﺎ‬

‫ﺣﺎوﻳﺎت ﻧﻘﻞ ﺳﻜﻨﻴﺔ ‪Container Housing‬‬

‫‪S 34‬‬

‫اﻟﻤﺼﻤﻢ ‪ BIG :‬اﻟﻤﻮﻗﻊ ‪ :‬اﻟﺪﻧﻤﺎرك‬

‫وﺣﺪات ﻣﻨﺰﻟﻴﺔ ﻣﺘﺤﺮﻛﺔ ‪5 to 1 Apartment‬‬

‫‪S 38‬‬

‫اﻟﻤﺼﻤﻢ ‪ Micheal K. Chen Architecture :‬اﻟﻤﻮﻗﻊ ‪ :‬اﻟﻮﻻﻳﺎت اﻟﻤﺘﺤﺪة‬

‫اﻟﻔﻴﻼ اﻟﻤﺴﺘﺪاﻣﺔ‬

‫‪S 42‬‬

‫اﻟﻤﻮﻗﻊ ﻣﺪﻳﻨﺔ ﻣﺼﺪر ـ ا ﻣﺎرات اﻟﻌﺮﺑﻴﺔ اﻟﻤﺘﺤﺪة‬

‫اﻟﺘﻮﻓﻴﺮ ﻓﻲ اﻟﻤﺴﺎﺣﺔ ‪That House‬‬ ‫اﻟﻤﺼﻤﻢ ‪ Austin Maynard Architects :‬اﻟﻤﻮﻗﻊ ‪ :‬اﺳﺘﺮاﻟﻴﺎ‬

‫∏‪¡UM³ « ¥‬‬

‫‪48 Albenaa‬‬

‫‪S 44‬‬

тАл┘А я║Чя╗Шя║кя╗│я╗в я║Чя║╝я║Оя╗гя╗┤я╗в ╪ея╗зя║╕я║Оя║Ля╗┤я║Ф я║Чя║Шя╗ия║Оя║│я║Р я╗гя╗К ╪з я╗гя╗Ья║Оя╗зя╗┤я║О╪к ╪зя╗Яя╗дя║О╪пя╗│я║ФтАм тАл╪зя╗Яя╗дя╗оя║┐я╗оя╗Ля║Ф я╗гя╗ж я╗Чя║Тя╗Ю ╪зя╗Яя╗дя║Оя╗Яя╗Ъ ╪г┘И ╪зя╗Яя║ая╗мя║О╪к ╪зя╗Яя╗дя╗дя╗оя╗Яя║Ф я╗Яя╗ая║┤я╗Ья╗ж тАк.тАмтАм тАл┘А я║Чя╗Шя║кя╗│я╗в я║гя╗ая╗о┘Д я╗гя╗Мя╗дя║О╪▒я╗│я║Ф я║Чя║┤я║Оя╗Ля║к ╪зя╗Яя║┤я╗Ья║О┘Ж )╪гя║╗я║дя║О╪и ╪зя╗Яя╗дя║┤я║Оя╗Ыя╗ж(тАм тАля╗гя╗ж ╪зя╗Яя║дя║╝я╗о┘Д я╗Ля╗ая╗░ я╗Ля║Оя║Ля║к ╪зя║│я║Шя║Ья╗дя║О╪▒┘К я╗гя╗К я╗гя║о┘И╪▒ ╪зя╗Яя║░я╗гя╗жтАк.тАмтАм тАл┘А я║┐я╗дя║О┘Ж я╗Ыя╗Фя║О╪б╪й ╪зя╗Яя║Шя║╝я╗дя╗┤я╗в ╪зя╗Яя╗дя╗Мя╗дя║О╪▒┘К я╗Яя╗ая╗дя║┤я╗Ья╗ж ╪з я╗Чя║Шя║╝я║О╪п┘КтАм тАл┘И╪зя╗Яя║Шя╗Шя╗ая╗┤я╗Ю я╗гя╗ж ╪зя╗Яя╗дя║ия║Оя╗Гя║о я║Чя║ая║О┘З ╪зя╗Яя╗дя╗╝┘ГтАк.тАмтАм тАл╪гя╗ля╗в ╪з я╗Уя╗Ья║О╪▒ ╪зя╗Яя║Шя╗▓ я║Чя╗Ая╗дя╗ия║Шя╗мя║О ╪зя╗Яя╗дя║╕я║О╪▒я╗│я╗К ╪зя╗Яя╗дя╗Мя║о┘Ия║┐я║ФтАм тАля╗Уя╗▓ я╗ля║м╪з ╪зя╗Яя╗Мя║к╪п я╗зя║┤я║Шя╗Мя║о╪╢ я╗Ля║к╪п я╗гя╗ж ╪зя╗Яя╗дя║┤я║Оя╗Ыя╗ж ╪зя╗Яя║Шя╗▓ я║Чя╗Шя║к┘ЕтАм тАля║гя╗ая╗о┘Д ╪ея╗Чя║Шя║╝я║О╪пя╗│я║Ф я╗Ыя╗Ю я╗гя╗ия╗мя║О я╗│я╗ия╗Ия║о я╗ЯтАкMтАмя╗Чя║Шя║╝я║О╪п я║гя║┤я║Р я║гя║Оя║Яя║Шя╗ктАм тАл╪зя╗Яя║Тя╗┤я║Мя╗┤я║Ф ┘И╪зя╗╗я║Яя║Шя╗дя║Оя╗Ля╗┤я║Ф ┘И╪зя╗Яя║Ья╗Шя║Оя╗Уя╗┤я║ФтАк.тАмтАм тАля╗гя║┤я║Оя╗Ыя╗ж ╪ея║│я║Шя║Ья╗дя║О╪▒я╗│я║ФтАм тАлтАкQuinta Monroy HousingтАмтАм тАл╪зя╗Яя╗дя║╝я╗дя╗в тАкElemental :тАмтАм тАля╗│я╗Шя╗К ╪зя╗Яя╗дя║╕я║о┘И╪╣ я╗Уя╗▓ я║│я╗ия║Шя╗┤я║Оя║Яя╗о ┘А я║Чя║╕я╗┤я╗ая╗▓тАк .тАмя╗ля║м╪з ╪зя╗Яя╗дя║╕я║о┘И╪╣тАм тАл╪з я║│я╗Ья║Оя╗зя╗▓ ╪зя╗╗я║Яя║Шя╗дя║Оя╗Ля╗▓ я║гя║╝я║к я╗Ля║к╪п я╗Ыя║Тя╗┤я║о я╗гя╗ж ╪зя╗Яя║ая╗о╪зя║Ля║о ╪зя╗Яя╗Мя║Оя╗Яя╗дя╗┤я║ФтАк╪МтАмтАм тАля╗Ыя╗дя║О я║гя║╝я╗Ю я╗гя║╝я╗дя╗дя╗к я╗гя╗дя║Ь ┘ЛтАм тАля╗╝ я╗Уя╗▓ ╪зя╗Яя╗дя╗Мя╗дя║О╪▒┘К тАкAlejandro AravenaтАмтАм тАля╗Ля╗ая╗░ ╪гя╗Ыя║Тя║о я║Яя║Оя║Ля║░╪й я╗гя╗Мя╗дя║О╪▒я╗│я║Ф я╗Ля║Оя╗Яя╗дя╗┤я║Ф я║Чя╗Шя║кя╗│я║отАкU VтАмя╗Ля╗дя║Оя╗Яя╗к ┘Ия║Чя╗оя║Яя╗мя║Оя║Чя╗ктАм тАл╪зя╗╗я║Яя║Шя╗дя║Оя╗Ля╗┤я║Ф ┘И╪з я╗Чя║Шя║╝я║О╪пя╗│я║Ф ┘Ия╗гя║┤я║Оя╗Ля║к╪й ╪зя╗Яя╗Фя║Мя║О╪к ╪зя╗Яя╗Фя╗Шя╗┤я║о╪й я╗Уя╗▓ ╪▒я╗Уя╗КтАм тАля╗гя║┤я║Шя╗о┘Й я╗гя╗Мя╗┤я║╕я║Шя╗мя╗в )тАк .(Pritzker Prize 2016тАм╪зя╗Яя║Шя║╝я╗дя╗┤я╗втАм тАля╗│я╗мя║к┘Б ╪ея╗Яя╗░ я╗гя╗Мя║Оя╗Яя║ая║Ф я╗гя║╕я╗Ья╗ая║Ф я║Чя║кя╗зя╗▓ я╗Чя╗┤я╗дя║Ф ╪зя╗Яя╗дя║┤я║Оя╗Ыя╗жтАм тАл╪зя╗╗я║Яя║Шя╗дя║Оя╗Ля╗┤я║Ф я╗гя╗К я╗гя║о┘И╪▒ ╪зя╗Яя║░я╗гя╗ж я╗зя╗Ия║отАк VтАмя╗Яя╗ая║┤я╗┤я║Оя║│я║Ф ╪зя╗Яя╗дя║Шя║Тя╗Мя║Ф я╗Уя╗▓тАм тАля║Чя║╕я╗┤я╗ая╗▓ ┘И╪зя╗Яя║Шя╗▓ я║Чя╗мя║к┘Б ╪ея╗Яя╗░ я║Чя╗оя╗Уя╗┤я║о я╗гя║┤я║Оя╗Ыя╗ж ╪зя║Яя║Шя╗дя║Оя╗Ля╗┤я║Ф я╗Уя╗▓тАм тАл╪гя╗гя║Оя╗Ыя╗ж я║Ся╗Мя╗┤я║к╪й я╗Ля╗ж я╗гя║оя╗Ыя║░ ╪зя╗Яя╗дя║кя╗│я╗ия║Ф ┘И╪зя╗Яя╗Мя╗дя╗Ю ┘И╪зя╗Яя║ия║кя╗гя║О╪ктАк .тАм┘Ия╗│я╗Мя║Оя╗Яя║ЮтАм тАл╪зя╗Яя╗дя║╝я╗дя╗в я╗ля║м┘З ╪зя╗Яя╗дя║╕я╗Ья╗ая║Ф я║Ся╗дя║┤я║Оя╗зя║к╪й ╪зтАкUтАмя╗ля║Оя╗Яя╗▓ я║гя║Шя╗░ я╗│я║╝я║Тя║втАм тАля╗Яя╗ая╗дя║┤я╗Ья╗ж я╗Чя╗┤я╗дя║Ф ╪зя║│я║Шя║Ья╗дя║О╪▒я╗│я║Ф я╗│я║┤я║Шя╗Фя╗┤я║к я╗гя╗ия╗мя║О я║│я╗Ья║О┘Ж я╗ля║м┘ЗтАм тАл╪зя╗Яя╗дя║┤я║Оя╗Ыя╗ж ╪зя╗╗я║Яя║Шя╗дя║Оя╗Ля╗┤я║Ф ┘Ия╗│я║┤я╗дя║в ╪зя╗Яя║Шя║╝я╗дя╗┤я╗в я║Ся║Шя╗Дя╗оя╗│я║о ╪зя╗Яя╗дя║┤я╗Ья╗жтАм тАля╗Ля╗ая╗░ я╗гя║о╪зя║гя╗Ю я║гя║┤я║Р я║гя║Оя║Яя║Ф ╪зтАкUтАмя╗ля║Оя╗Яя╗▓тАк.тАмтАм тАл╪зя╗Яя║ия╗┤я╗дя║Ф ╪зя╗Яя║┤я╗Ья╗ия╗┤я║ФтАм тАлтАкWall HouseтАмтАм тАл╪зя╗Яя╗дя║╝я╗дя╗в тАкFAR frohn&rojas :тАмтАм тАля╗│я╗Шя╗К ╪зя╗Яя╗дя║╕я║о┘И╪╣ я╗Уя╗▓ ╪зя╗Яя╗дя╗Ья║┤я╗┤я╗ЪтАк ╪МтАмя╗ля║м╪з ╪зя╗Яя╗дя║┤я╗Ья╗ж я╗│я╗оя╗Уя║о я╗зя╗Ия║О┘Е я║Ся╗ия║О╪бтАм тАля║│я╗мя╗Ю я╗│я╗дя╗Ья╗ж я║Чя╗ия╗Фя╗┤я║м┘З я║Ся╗Мя╗дя║Оя╗Яя║Ф я╗Пя╗┤я║о я╗гя║к╪▒я║Ся║Ф тАк ╪МтАмя╗Ыя╗дя║О ╪гя╗зя╗к я╗│я║┤я║Шя║ия║к┘ЕтАм тАля╗Ля╗ия║Оя║╗я║о ╪з я╗зя║╕я║О╪б я╗Яя╗Ья╗▓ я║Чя╗Ья╗о┘Ж я╗Уя╗▓ я╗зя╗Фя║▓ ╪зя╗Яя╗оя╗Чя║Ц я╗Ля╗ия║Оя║╗я║о я╗гя╗Мя╗дя║О╪▒я╗│я║ФтАк╪МтАмтАм тАля╗Уя║Оя╗Яя╗Фя╗о╪зя║╗я╗Ю ╪зя╗Яя║к╪зя║зя╗ая╗┤я║Ф я╗ля╗▓ я╗Ля║Тя║О╪▒╪й я╗Ля╗ж ╪г╪▒я╗Уя╗Т я║Чя║ия║░я╗│я╗ж ┘И╪зя╗Яя╗Ря╗╝┘БтАм тАля╗зя║╝я╗Т ╪зя╗Яя║╕я╗Фя║О┘Б я╗│я╗оя╗Уя║о ╪з я║┐я║О╪б╪й ╪зя╗Яя╗Дя║Тя╗┤я╗Мя╗┤я║Ф я╗│я║Тя╗ия╗дя║О ╪зя╗Яя║ия╗┤я╗дя║Ф ╪зя╗Яя║ия║О╪▒я║Яя╗┤я║ФтАм тАля║Чя╗Мя╗Ья║▓ тАк ┘к 70тАмя╗гя╗ж ╪гя║╖я╗Мя║Ф ╪зя╗Яя║╕я╗дя║▓ тАк .тАм┘И╪з я╗Чя║Шя║╝я║О╪п я╗ля╗ия║О я╗│я║Шя╗дя║Ья╗Ю я╗Уя╗▓тАм тАл╪г┘Ж я║Чя╗Шя╗о┘Е я╗гя╗Ья╗оя╗зя║О╪к ╪зя╗Яя╗дя║┤я╗Ья╗ж я║Ся║Дя╗Ыя║Ья║о я╗гя╗ж ┘Ия╗Зя╗┤я╗Фя║Ф я╗Уя╗▓ ╪в┘Ж ┘И╪зя║гя║к тАк╪МтАмтАм тАл╪зтАкUтАмя╗гя║о ╪зя╗Яя║м┘К я╗│я╗Шя╗ая╗Ю я╗гя╗ж я╗Ля║к╪п ╪зя╗Яя╗дя╗Ья╗оя╗зя║О╪к ╪з я╗зя║╕я║Оя║Ля╗┤я║Ф ┘И╪зя╗Яя╗дя╗Мя╗дя║О╪▒я╗│я║ФтАк.тАмтАм тАля╗гя║┤я╗Ья╗ж ╪п╪зя║зя╗Ю я╗гя║┤я╗Ья╗жтАм тАлтАкBlack BoxтАмтАм тАл╪зя╗Яя╗дя║╝я╗дя╗в тАкWeysen and De Baere Architecten :тАмтАм тАля╗│я╗Шя╗К я╗Уя╗▓ я║Ся╗ая║ая╗┤я╗Ья║О тАк ╪МтАмя╗ля║м╪з ╪зя╗Яя╗дя║╕я║о┘И╪╣ я╗│я╗мя║к┘Б ╪ея╗Яя╗░ ╪зя╗Яя║Шя╗оя╗Уя╗┤я║о я╗Уя╗▓тАм

тАл╪зя║│я║Шя╗мя╗╝┘Г ╪зя╗Яя╗Дя║Оя╗Чя║Ф я╗гя╗К я║Чя╗оя╗Уя╗┤я║о я╗гя║┤я║Оя║гя║Ф я║│я╗Ья╗ия╗┤я║Ф я╗Ыя║Тя╗┤я║о╪й я╗Уя╗▓тАм тАля╗гя╗Мя╗Ия╗в ╪г┘Ия╗Чя║О╪к ╪зя╗Яя║┤я╗ия║Ф ┘Ия╗│я╗Мя╗┤я║к я║Чя║оя║Чя╗┤я║Р ┘Ия╗гя╗Ья╗оя╗зя║О╪к ╪зя╗Яя╗дя║┤я╗Ья╗жтАм тАл┘Ия╗│я╗Шя║┤я╗дя╗мя║О ╪ея╗Яя╗░ я╗Уя║о╪зя╗Пя╗┤я╗ж я║гя║┤я║Р я╗Уя║╝я╗о┘Д ╪зя╗Яя║┤я╗ия║ФтАк .тАмя╗Уя╗мя╗ия║О┘Г я╗Уя║о╪з╪║тАм тАля╗Ля║Тя║О╪▒╪й я╗Ля╗ж я║╗я╗ия║к┘И┘В я║Яя╗дя╗Мя║Ц я╗Уя╗┤я╗к ╪зя╗Яя║ия║кя╗гя║О╪к ╪зтАкUтАмя║│я║Оя║│я╗┤я║Ф ┘Ия╗Уя║о╪зя╗Пя║О╪ктАм тАля╗Яя╗ая╗ия╗о┘Е ┘И╪зя╗Яя╗дя╗Мя╗┤я║╕я║Ф ┘Ия╗ля╗о я╗Уя║о╪з╪║ ╪░┘И я╗гя║┤я║Оя║гя║Ф я║╗я╗Ря╗┤я║о╪й я╗Яя╗ая╗Мя╗┤я║╢ я╗Уя╗┤я╗ктАм тАля╗Уя╗▓ я╗Уя║╝я╗Ю ╪зя╗Яя║╕я║Шя║О╪б ┘Ия╗гя║░┘И╪п я║Ся╗оя║│я║Оя║Ля╗Ю я║Чя║кя╗Уя║Мя║Ф тАк ╪МтАм┘Ия╗ля╗ия╗Ъ я╗Уя║о╪з╪║ ╪вя║зя║отАм тАля╗Ыя║Тя╗┤я║о я╗│я╗Шя╗К я║Ся║к╪зя║зя╗ая╗к ╪зя╗Яя║╝я╗ия║к┘И┘В )╪зя╗Яя╗оя║гя║к╪й ╪зя╗Яя║┤я╗Ья╗ия╗┤я║Ф ╪зя╗Яя║╝я╗Ря╗┤я║о╪й(тАм тАля╗│я╗дя╗Ья╗ж ╪зя╗Яя╗Мя╗┤я║╢ я╗Уя╗┤я╗к я╗Уя╗▓ я╗Уя║╝я╗о┘Д ╪зя╗Яя║┤я╗ия║Ф ╪░╪з╪к ╪зя╗Яя╗дя╗ия║О╪о ╪зя╗Яя╗дя╗Мя║Шя║к┘ДтАм тАл╪зя╗Яя║Шя╗▓ я╗╗я╗│я║дя║Шя║О╪м я╗Уя╗┤я╗к ╪зя╗Яя║┤я╗Ья║О┘Ж я╗Яя╗ая║Шя║кя╗Уя║Мя║ФтАк.тАмтАм тАля╗гя║┤я╗Ья╗ж я╗│я╗Дя╗Ю я╗Ля╗ая╗░ ╪зя╗Яя╗Дя║Тя╗┤я╗Мя║ФтАм тАлтАкHome View тАУ Visions of LivingтАмтАм тАл╪зя╗Яя╗дя║╝я╗дя╗в тАкAlfredo Haeberli :тАмтАм тАля╗│я╗Шя╗К я╗Уя╗▓ я║│я╗оя╗│я║┤я║о╪зтАк ╪МтАмя╗ля║м╪з ╪зя╗Яя╗дя║┤я╗Ья╗ж я╗╗я╗│я╗дя║Ья╗Ю я╗гя║┤я╗Ья╗итАк pтАм╪ея╗Чя║Шя║╝я║О╪пя╗│тАкpтАмтАм тАля╗гя╗ж я║гя╗┤я║Ъ я║Чя╗Ья╗ая╗Фя║Шя╗к ╪з я╗зя║╕я║Оя║Ля╗┤я║Ф ╪ея╗╗ ╪гя╗зя╗к я║╗я╗дя╗в я║Ся║дя╗┤я║Ъ я╗│я╗оя╗Уя║о я╗гя║о┘Ия╗зя║ФтАм тАл┘И╪зя╗гя╗Ья║Оя╗зя╗┤я║О╪к я╗Уя║о╪зя╗Пя╗┤я║Ф я║Чя╗ая║Тя╗▓ ╪зя╗╗я║гя║Шя╗┤я║Оя║Яя║О╪к ╪зя╗Яя╗дя║Шя╗Дя╗о╪▒╪й я╗Яя╗ая║┤я╗Ья║О┘ЖтАм тАля╗Ля╗ая╗░ я╗гя║к┘Й я╗Ля╗дя║о┘К я╗Гя╗оя╗│я╗ЮтАк .тАмя╗Ыя╗дя║О ╪гя╗зя╗к я╗│я╗Шя║Шя║о╪н ╪ея╗Ля║О╪п╪й я║╗я╗┤я║Оя╗Пя║Ф я╗ЯтАкtтАмя║Ыя║О╪лтАм тАл╪зя╗Яя║к╪зя║зя╗ая╗▓ я╗Яя╗┤я║┤я╗дя║в я║Ся║Шя╗Мя║к╪п ╪гя╗Пя║о╪зя║┐я╗к тАк ╪МтАмя╗Уя║Оя╗Яя║дя╗о╪зя║Ля╗В ╪зя╗Яя╗Фя║Оя║╗я╗ая║Ф я╗ля╗▓тАм тАля╗Ля║Тя║О╪▒╪й я╗Ля╗ж я║зя║░╪зя╗зя║О╪к я╗Ыя║Тя╗┤я║о╪й я╗Ыя╗дя║О я║Чя╗оя║Яя║к ╪зя╗Яя║ия║░я╗зя║О╪к я╗Уя╗▓ ╪зя╗Яя║ая╗ая║┤я║О╪ктАм тАля╗Ля╗ая╗░ я╗гя║дя╗┤я╗В ╪зя╗Яя╗Ря║о┘БтАк ╪МтАм┘И я║Чя╗в ╪зя║Ся║Шя╗Ья║О╪▒ я║Яя╗ая║┤я║О╪к я║Чя╗ия║Оя║│я║Р ╪зя╗╗я║│я║Шя╗Мя╗дя║Оя╗╗╪ктАм тАл╪зя╗Яя║ая║кя╗│я║к╪й я╗Яя╗ая╗дя║┤я╗Ья╗ж я╗гя╗дя║О я╗│я║┤я╗дя║в я║Ся║░я╗│я║О╪п╪й я╗гя║┤я║Оя║гя║О╪к ╪зя╗Яя╗дя║┤я╗Ья╗жтАм тАл┘Ия╗гя║о┘Ия╗зя║Шя╗мя║ОтАк ╪МтАмя╗Ыя╗дя║О я╗│я║┤я║Шя║ия║к┘Е ╪зя╗Яя╗дя║┤я╗Ья╗ж я╗гя╗о╪з╪п ╪ея╗зя║╕я║Оя║Ля╗┤я║Ф я╗Гя║Тя╗┤я╗Мя╗┤я║ФтАм тАля╗гя║Ья╗Ю ╪зя╗Яя║ия║╕я║Р ┘И╪зя╗Яя║дя║ая║о ┘Ия╗│я╗Мя║Шя╗дя║к я╗Ля╗ая╗░ я║Чя╗оя╗Уя╗┤я║о ╪зя║гя║Шя╗┤я║Оя║Яя║Оя║Чя╗к я╗гя╗жтАм тАл╪зя╗Яя╗Дя║Оя╗Чя║Ф ╪░╪зя║Чя╗┤тАк.pтАмтАм тАля╗Чя╗о╪│ ╪░┘И я╗Ыя╗Фя║О╪б╪й я║Ся╗┤я║Мя╗┤я║ФтАм тАлтАкNatura DomeтАмтАм тАля╗│я╗Шя╗К я╗Уя╗▓ я╗Уя║оя╗зя║┤я║ОтАк .тАм┘Ия╗ля╗о я╗зя╗Ия║О┘Е я║Ся╗ия║О╪б я╗зя╗Фя║м я╗гя╗ия╗к я╗Ля║к╪п я╗гя╗ж ╪зя╗Яя╗ия╗дя║О╪░╪м тАк╪МтАмтАм тАля╗│я╗Мя║Шя╗дя║к ╪зя╗Яя╗дя║╕я║о┘И╪╣ я╗Уя╗▓ ╪ея╗Чя║Шя║╝я║О╪п┘З я╗Ля╗ая╗░ ╪ея╗Ля║О╪п╪й ╪зя║│я║Шя║ия║к╪з┘Е я╗Ля╗ия║Оя║╗я║отАм тАля║Ся╗ия║О╪б я╗│я║┤я║Шя║ия║оя║Яя╗мя║О я╗гя╗ж я╗гя║Тя║Оя╗зя╗▓ я╗Чя║кя╗│я╗дя║Ф ╪г┘И я╗гя╗мя║ая╗о╪▒ я║Ся║О я║┐я║Оя╗Уя║Ф ╪ея╗Яя╗░тАм тАл╪зя║│я║Шя║ия║к╪з┘Е ╪зя╗Яя║Шя║оя║Ся║Ф ╪зя╗Яя╗дя║░╪▒┘Ия╗Ля║Ф я╗Ыя╗Ря╗╝┘Б я╗Яя╗ая╗дя║┤я╗Ья╗ж ┘Ия╗Ля╗о╪з╪▓┘Д я╗гя╗ж я╗гя╗о╪з╪птАм тАля╗Гя║Тя╗┤я╗Мя╗┤я║Ф )╪зя╗Яя║ия║╕я║Р( я║Чя╗оя╗Уя║о я╗Ля║░┘Д я║гя║о╪з╪▒┘К я╗Ля║Оя╗Яя╗▓ ╪зя╗Яя╗Шя╗┤я╗дя║Ф тАк ╪МтАм╪зя╗Яя╗дя║┤я╗Ья╗жтАм тАля╗│я╗Дя║Тя╗Ц ╪зя╗Яя╗дя║Тя║О╪п╪ж ╪зя╗╗я║│я║Шя║к╪зя╗гя╗┤я║Ф ┘Ия╗│я╗оя╗Уя║о я╗гя║┤я╗Ья╗ж ╪ея╗Чя║Шя║╝я║О╪п┘К я╗│я║Шя╗Фя║Оя╗Ля╗ЮтАм тАля╗гя╗К ╪зя╗Яя╗Дя║Тя╗┤я╗Мя║Ф ╪зя╗Яя║ия╗Ая║о╪з╪б ╪зтАкUтАмя╗гя║о ╪зя╗Яя║м┘К я╗│я╗Мя╗Дя╗▓ я╗Яя╗ая╗дя║┤я╗Ья╗ж я╗Чя╗┤я╗дя║ФтАм тАл╪ея║┐я║Оя╗Уя╗┤я║Ф я╗Ля║Оя╗Яя╗┤я║ФтАк.тАмтАм тАля║гя║О┘Ия╗│я║О╪к я╗зя╗Шя╗Ю я║│я╗Ья╗ия╗┤я║ФтАм тАлтАкContainer HousingтАмтАм тАл╪зя╗Яя╗дя║╝я╗дя╗в тАкBig :тАмтАм тАля╗│я╗Шя╗К ╪зя╗Яя╗дя║╕я║о┘И╪╣ я╗Уя╗▓ я╗Ыя╗оя║Ся╗ия╗мя║Оя║Яя╗ж я║Ся║Оя╗Яя║кя╗зя╗дя║О╪▒┘Г тАк ╪МтАмя╗ля║м╪з ╪зя╗Яя╗дя║╕я║о┘И╪╣ я╗ля╗отАм тАля╗Ля║Тя║О╪▒╪й я╗Ля╗ж я╗гя║┤я║Оя╗Ыя╗ж ╪ея╗Чя║Шя║╝я║О╪пя╗│я║Ф я╗Яя╗ая╗Дя╗ая║Тя║Ф я║гя╗┤я║Ъ я╗│я╗Шя╗К я╗Уя╗▓ я╗гя╗оя╗Чя╗КтАм тАля╗Чя║оя╗│я║Р я╗гя╗ж ╪зя╗Яя║ая║Оя╗гя╗Мя║Ф ┘И я╗│я╗оя╗Уя║о я╗Уя╗▓ я╗Ля╗дя╗ая╗┤я║Ф я╗зя╗Шя╗Ю ╪зя╗Яя╗Дя╗ая║Тя║Ф тАк ╪МтАмя╗Ыя╗дя║О ╪гя╗зя╗ктАм тАля╗│я╗Мя╗┤я║к ╪зя║│я║Шя║ия║к╪з┘Е я║гя║О┘Ия╗│я║О╪к ╪зя╗Яя╗ия╗Шя╗Ю ╪зя╗Яя║Шя╗▓ я║Чя╗Мя║Шя║Тя║о я╗Чя╗┤я╗дя║Шя╗мя║О я╗гя╗ия║ия╗Фя╗Ая║ФтАм тАл╪е╪░╪з я╗Чя╗о╪▒я╗зя║Ц я║Ся║Дя╗зя╗Ия╗дя║Ф ╪зя╗Яя║Тя╗ия║О╪б ╪зя╗Яя║Шя╗Шя╗ая╗┤я║кя╗│я║ФтАк .тАм╪зя╗Яя╗дя║ая╗дя╗К ╪зя╗Яя║┤я╗Ья╗ия╗▓ я╗│я╗оя╗Уя║отАм тАля╗Ыя║мя╗Яя╗Ъ я╗Чя╗┤я╗дя║Ф я║Чя║оя╗Уя╗┤я╗мя╗┤я║Ф я╗Ыя╗оя╗зя╗к я╗│я╗Шя╗К я╗Ля╗ая╗░ ╪зя╗Яя╗дя║О╪б я╗Уя╗▓ я╗гя╗ия╗Дя╗Шя║Ф я╗Пя╗┤я║отАм тАля╗гя║┤я║Шя╗Ря╗ая║Ф я╗гя╗ж я╗гя╗┤я╗ия║О╪б я╗Ыя╗оя║Ся╗ия╗мя║Оя║Яя╗жтАк.тАмтАм

тАлтАк┬бUM┬│ ┬л тЙе├ВтАмтАм

тАлтАкS3 AlbenaaтАмтАм

‫ﺣﻴﺚ اﻟﺘﻠﻮث اﻟﺼﻨﺎﻋﻲ واﻻﺣﺘﺒﺎس اﻟﺤﺮاري ﻧﺘﻴﺠﺔ اﻧﺒﻌﺎﺛﺎت‬ ‫اﻟﻐﺎزات اﻟﺪﻓﻴﺌﺔ ‪.‬‬ ‫وﻣﻨﺬ ذﻟﻚ اﻟﻴﻮم ﺑﺪأ اﻟﺘﻮﺟﻪ إﻟﻰ ﺗﻄﺒﻴﻖ ﻣﺎ ﻳﻌﺮف اﻟﻴﻮم‬ ‫ﺑﻤﺒﺎدئ اﻻﺳﺘﺪاﻣﺔ اﻟﺘﻲ ﺗﺤﺎول أن ﺗﻌﺎﻟﺞ ﺟﻤﻠﺔ اﻟﻤﺸﺎﻛﻞ‬ ‫اﻻﺟﺘﻤﺎﻋﻴﺔ واﻟﺒﻴﺌﺔ ﺑﻄﺮﻳﻘﺔ إﻗﺘﺼﺎدﻳﺔ ﻋﻠﻰ اﻟﻤﺴﺘﻮى‬ ‫اﻟﻌﺎﻟﻤﻲ واﻟﻤﺤﻠﻲ وﻣﻦ أﻫﻢ ﻫﺬه اﻟﻤﺒﺎدئ ‪:‬‬ ‫ـ رﻓﻊ اﻟﻤﺴﺘﻮى اﻟﻤﻌﻴﺸﻲ ﻟﻜﺎﻓﺔ ﻓﺌﺎت اﻟﻤﺠﺘﻤﻊ ‪.‬‬ ‫ـ ا‪N‬ﻗﺘﺼﺎد ﻓﻲ اﺳﺘﻬﻼك اﻟﻄﺎﻗﺔ‪.‬‬ ‫ـ ﺗﻄﺒﻴﻖ ا‪N‬ﻗﺘﺼﺎد اﻟﺪاﺋﺮي ﻋﻠﻰ اﻟﻤﻨﺘﺠﺎت اﻟﺼﻨﺎﻋﻴﺔ ‪.‬‬ ‫ـ اﻟﻤﺤﺎﻓﻈﺔ ﻋﻠﻰ اﻟﻤﻮارد وﺣﻤﺎﻳﺔ اﻟﺒﻴﺌﺔ اﻟﻄﺒﻴﻌﻴﺔ‪.‬‬ ‫ﻟﻘﺪ ﻓﺘﺤﺖ اﻻﺳﺘﺪاﻣﺔ اﻟﺒﺎب واﺳﻌ‪ R‬ﻟﻠﺒﺤﺚ ﻋﻦ ﺣﻠﻮل ﺟﺪﻳﺪة‬ ‫ﻟﻠﻤﺴﻜﻦ ا‪N‬ﻗﺘﺼﺎدي ‪ ،‬ﻓﺄﻣﺎم ﻫﺬا اﻟﻜﻢ ﻣﻦ اﻟﻤﺸﺎﻛﻞ أﺻﺒﺢ‬ ‫ﻣﻦ اﻟﻀﺮوري ﺗﻄﺒﻴﻖ ﻣﺒﺎدئ اﻻﺳﺘﺪاﻣﺔ ﻋﻠﻰ ﻛﻞ اﻟﻤﺒﺎﻧﻲ‬ ‫وﻣﻨﻬﺎ اﻟﻤﺴﺎﻛﻦ ‪ ،‬ﻓﻠﻢ ﻳﻌﺪ ﻫﻨﺎك ﻣﺴﻜﻦ إﻗﺘﺼﺎدي وآﺧﺮ‬ ‫ﻏﻴﺮ إﻗﺘﺼﺎدي‪ ،‬ﺑﻞ أﺻﺒﺤﺖ ﻛﻞ اﻟﻤﺴﺎﻛﻦ إﻗﺘﺼﺎدﻳﺔ‪ ،‬ﻛﻤﺎ‬ ‫ﻇﻬﺮ واﺿﺤ‪ R‬أن ﻣﺸﺎﻛﻞ اﻟﻤﺴﻜﻦ ا‪N‬ﻗﺘﺼﺎدي ﻟﻴﺴﺖ ﻓﻘﻂ‬ ‫ﻣﺸﺎﻛﻞ إﻗﺘﺼﺎدﻳﺔ ﺑﻞ ﻫﻲ ﻛﺬﻟﻚ ﻣﺸﺎﻛﻞ اﺟﺘﻤﺎﻋﻴﺔ‬ ‫وﺛﻘﺎﻓﻴﺔ وﺑﻴﺌﻴﺔ‪ .‬وﻟﻘﺪ ﻇﻬﺮت ﻣﺆﺳﺴﺎت ﺷﺒﻪ رﻗﺎﺑﻴﺔ‬ ‫وﺿﻌﺖ ﻣﻌﺎﻳﻴﺮ ﺗﻬﺪف إﻟﻰ ﺗﺤﻘﻴﻖ اﻟﻤﺒﺎﻧﻲ ﻟﻠﻤﺒﺎدئ‬ ‫اﻻﺳﺘﺪاﻣﻴﺔ ﻣﺜﻞ ‪ LEED‬ﻓﻲ اﻟﻮﻻﻳﺎت اﻟﻤﺘﺤﺪة ا‪b‬ﻣﺮﻳﻜﻴﺔ‬ ‫و ‪ BREEAM‬ﻓﻲ ﺑﺮﻳﻄﺎﻧﻴﺎ و ‪ HQE‬ﻓﻲ ﻓﺮﻧﺴﺎ وﻏﻴﺮﻫﺎ ﻓﻲ‬ ‫ﻣﻨﺎﻃﻖ ﻣﺨﺘﻠﻔﺔ ﻣﻦ اﻟﻌﺎﻟﻢ‪.‬‬ ‫ﺗﻬﺪف اﻟﻤﻌﺎﻳﻴﺮ اﻻﺳﺘﺪاﻣﻴﺔ اﻟﺨﺎﺻﺔ ﺑﺎﻟﻤﺒﺎﻧﻲ اﻟﺤﺪ ﻣﻦ‬ ‫اﻣﺘﺪاد اﻟﻤﺪن وﺗﺤﻘﻴﻖ ﻣﺴﺎﻛﻦ إﻗﺘﺼﺎدﻳﺔ ﺗﻘﺘﺼﺪ ﻓﻲ‬ ‫اﻟﻄﺎﻗﺔ وﺗﺒﻨﻰ ﺑﻤﻮاد ﻻﺗﻀﺮ ﺑﺎﻟﺒﻴﺌﺔ ‪ ،‬ﻣﺴﺎﻛﻦ ﻣﺮﻧﺔ ﻗﺎﺑﻠﺔ‬ ‫ﻟﻠﺘﻄﻮر ﻣﻊ ﺗﻄﻮر اﺣﺘﻴﺎﺟﺎت اﻟﺴﻜﺎن‪ ،‬ﻣﺴﺎﻛﻦ ﺗﻜﻮن ﻗﺮﻳﺒﺔ‬ ‫ﻣﻦ أﻣﺎﻛﻦ اﻟﻌﻤﻞ واﻟﺨﺪﻣﺎت واﻟﻤﺮاﻓﻖ ﺑﺤﻴﺚ ﺗﻘﻠﻞ ﻣﻦ‬ ‫اﺳﺘﺨﺪام وﺳﺎﺋﻞ اﻟﻨﻘﻞ اﻟﺘﻲ ﺑﺪورﻫﺎ ﺗﺰﻳﺪ ﻣﻦ اﺳﺘﻬﻼك اﻟﻄﺎﻗﺔ‪،‬‬ ‫وﺑﺤﻴﺚ ﻳﻤﻜﻦ ﻟﻜﺎﻓﺔ ﻓﺌﺎت اﻟﻤﺠﺘﻤﻊ اﻟﻐﻨﻴﺔ واﻟﻔﻘﻴﺮة واﻟﻤﺴﻨﻴﻦ‬ ‫وا‪b‬ﻃﻔﺎل ﻋﻠﻰ ﺣﺪ ﺳﻮاء اﻟﻮﺻﻮل ﻟﻠﺨﺪﻣﺎت واﻟﻤﺮاﻓﻖ ‪.‬‬ ‫ﻫﺬه اﻟﻤﻌﺎﻳﻴﺮ ﺗﺮﻓﻊ ﻣﻦ ﻛﻠﻔﺔ اﻟﻤﺴﺎﻛﻦ ﻓﻲ اﻟﺒﺪاﻳﺔ وﻟﻜﻨﻬﺎ‬ ‫ﺗﻌﻤﻞ ﻣﻊ ﻣﺮور اﻟﺰﻣﻦ ﻋﻠﻰ ﺗﺤﻘﻴﻖ ﻣﺒﺎﻧﻲ إﻗﺘﺼﺎدﻳﺔ‪ ،‬وﻫﻲ‬ ‫ﺗﺸﻜﻞ ﺗﺤﺪﻳ‪ R‬ﻟﻤﺼﻤﻤﻲ اﻟﻤﺴﺎﻛﻦ ا‪N‬ﻗﺘﺼﺎدﻳﺔ وﺗﺪﻓﻌﻬﻢ إﻟﻰ‬ ‫اﻟﺒﺤﺚ ﻋﻦ ﺣﻠﻮل إﻗﺘﺼﺎدﻳﺔ ﺗﺮاﻋﻲ ﻫﺬه اﻟﻤﻌﺎﻳﻴﺮ‪ .‬ﻣﻤﺎ ﻳﺠﻌﻞ‬ ‫ﺗﺤﻘﻴﻖ اﻟﻤﺴﻜﻦ ا‪N‬ﻗﺘﺼﺎدي اﻟﻤﺴﺘﺪام ﻣﺸﻜﻠﺔ ﻳﺠﺐ ﺣﻠﻬﺎ‬ ‫ﻋﻠﻰ اﻟﻤﺴﺘﻮﻳﺎت ﻣﺨﺘﻠﻔﺔ ا‪N‬ﻗﺘﺼﺎدﻳﺔ واﻟﻌﻤﺮاﻧﻴﺔ واﻟﺘﻘﻨﻴﺔ ‪.‬‬ ‫ﺗﺤﻘﻴﻖ اﻟﻤﺴﻜﻦ ا ﻗﺘﺼﺎدي ﻋﻠﻰ ﻣﺴﺘﻮى‬ ‫اﻟﻤﺪﻳﻨﺔ واﻟﺤﻲ واﻟﻮﺣﺪة اﻟﺴﻜﻨﻴﺔ‬ ‫ﻓﻌﻠﻰ ﻣﺴﺘﻮى اﻟﻤﺪﻳﻨﺔ وﻧﺘﻴﺠﺔ إﻟﻰ زﻳﺎدة ﻫﺠﺮة اﻟﺴﻜﺎن‬ ‫إﻟﻴﻬﺎ وﺿﺮورة ﺗﺤﻘﻴﻖ اﻟﻌﺪاﻟﺔ اﻻﺟﺘﻤﺎﻋﻴﺔ ﺑﻴﻦ ﻣﺨﺘﻠﻒ‬ ‫اﻟﻔﺌﺎت وا‪b‬ﻋﻤﺎر وﺗﻮﻓﻴﺮ ﻣﺴﺘﻮى ﻣﻌﻴﺸﻲ ﻣﻘﺒﻮل ﻟﻜﻞ ﻓﺌﺎت‬ ‫اﻟﻤﺠﺘﻤﻊ ‪ ،‬ﺗﻬﺪف اﻟﻤﺪن إﻟﻰ اﻟﺤﺪ ﻣﻦ ﺗﻮﺳﻌﻬﺎ وﻣﺤﺎرﺑﺔ‬ ‫اﻟﻔﻘﺮ واﻟﺒﻄﺎﻟﺔ وﺗﻮﻓﻴﺮ ا‪b‬ﻣﻦ وا‪b‬ﻣﺎن وﺗﻮﻓﻴﺮ اﻟﺴﻜﻦ‬

‫‪¡UM³ « ≤Â‬‬

‫‪S2 Albenaa‬‬

‫وﺧﺪﻣﺎت اﻟﺘﻌﻠﻴﻢ واﻟﺼﺤﺔ واﻟﺘﺮﻓﻴﻪ وأن ﺗﻜﻮن ﻓﻲ ﻣﺘﻨﺎول‬ ‫ﻛﺎﻓﺔ ﻓﺌﺎت اﻟﻤﺠﺘﻤﻊ ‪.‬‬ ‫وﻋﻠﻰ ﻣﺴﺘﻮى ا‪b‬ﺣﻴﺎء ﻓﺈن ا‪N‬ﻋﺘﻨﺎء ﺑﺘﺼﻤﻴﻢ اﻟﻤﺸﺮوﻋﺎت‬ ‫اﻟﺴﻜﻨﻴﺔ ا‪N‬ﻗﺘﺼﺎدﻳﺔ ﻳﺠﺐ أن ﻳﺮاﻋﻲ ﻋﻠﻰ ﻣﺴﺘﻮى اﻟﻤﺨﻄﻂ‬ ‫اﻟﻌﺎم ﻣﻦ ﺣﻴﺚ ﺷﻜﻞ وﺗﺮﺗﻴﺐ اﻟﻤﺴﺎﻛﻦ وﺗﻨﻈﻴﻤﻬﺎ ﻓﻲ‬ ‫اﻟﻤﻮﻗﻊ اﻟﻌﺎم‪ ،‬ﺑﺤﻴﺚ ﻻ ﺗﺆﺛﺮ ﺳﻠﺒ‪ R‬ﻋﻠﻰ اﻟﺘﻄﻮر اﻟﻤﺴﺘﻘﺒﻠﻲ‬ ‫ﻟ‪m‬ﺣﻴﺎء و اﻟﺘﻮاﺻﻞ ﺑﻴﻦ اﻟﺴﻜﺎن و اﻧﺪﻣﺎج اﻟﺴﻜﺎن اﻟﺠﺪد‪،‬‬ ‫واﻟﻤﺰج ﺑﻴﻦ اﻟﻔﺌﺎت اﻟﻤﺨﺘﻠﻔﺔ ﻓﻲ اﻟﻤﺠﺘﻤﻊ وﺗﺤﻘﻴﻖ‬ ‫اﻟﺨﺼﻮﺻﻴﺔ ﺑﻴﻦ اﻟﻤﺴﺎﻛﻦ ‪ ،‬وﺗﺤﻘﻴﻖ ﻛﺜﺎﻓﺔ ﺳﻜﺎﻧﻴﺔ‬ ‫ﻣﻨﺎﺳﺒﺔ ﺗﻀﻤﻦ ﺣﻴﻮﻳﺔ ا‪b‬ﺣﻴﺎء‪.‬‬ ‫وﻋﻠﻰ ﻣﺴﺘﻮى اﻟﺘﺼﻤﻴﻢ اﻟﻤﻌﻤﺎري ﻟﻠﻮﺣﺪات اﻟﺴﻜﻨﻴﺔ‬ ‫ﻓﺈن اﻟﻌﻤﻞ اﻟﻤﻌﻤﺎري ﻳﺠﺐ أن ﻳﻜﻮن ﻣﺮﺗﺒﻂ إرﺗﺒﺎﻃ‪ R‬وﺛﻴﻘ‪R‬‬ ‫ﺑﺎ‪N‬ﻗﺘﺼﺎد‪ ،‬ﻓﺎﻟﻤﻌﻤﺎري ﻳﻜﻮن داﺋﻤ‪ R‬ﺗﺤﺖ ﺿﻐﻂ ﻋﻨﺪ ﺗﺼﻤﻴﻢ‬ ‫اﻟﻤﺴﻜﻦ ا‪N‬ﻗﺘﺼﺎدي ﻟﻠﺒﺤﺚ ﻋﻦ أﻛﺜﺮ اﻟﺤﻠﻮل ا‪N‬ﻗﺘﺼﺎدﻳﺔ‬ ‫اﻟﺘﻲ ﺗﻠﺒﻲ اﺣﺘﻴﺎﺟﺎت اﻟﺴﻜﺎن ‪ ،‬وﻋﺎدة ﻣﺎ ﺗﺼﻄﺪم ﻣﺤﺎوﻻﺗﻪ‬ ‫ا‪N‬ﺑﺪاﻋﻴﺔ ﺑﺎﻟﻤﺴﺘﻮى اﻟﺘﻘﻨﻲ اﻟﻤﺘﺪﻧﻲ ﻓﻲ ﺳﻮق اﻟﺒﻨﺎء ﻣﻦ‬ ‫ﺣﻴﺚ اﻟﻤﻮاد اﻟﻤﻌﺮوﺿﺔ واﻟﻤﺴﺘﻮى اﻟﺤﺮﻓﻲ ﻟﻌﻤﺎل اﻟﺒﻨﺎء‪،‬‬ ‫ﻣﻤﺎ ﻻ ﻳﺴﺎﻋﺪ ﻋﻠﻰ ﺗﺤﻘﻴﻖ ا‪N‬ﻗﺘﺼﺎد اﻟﻤﺄﻣﻮل ﻓﻲ اﻟﻤﺴﻜﻦ ‪.‬‬ ‫إن اﻟﻨﻈﺮة ا‪N‬ﻗﺘﺼﺎدﻳﺔ إذا أﺧﺬت ﺑﻤﻔﺮدﻫﺎ ﻋﻨﺪ ﺗﺼﻤﻴﻢ‬ ‫اﻟﻤﺴﻜﻦ ا‪N‬ﻗﺘﺼﺎدي ﺗﺆدي إﻟﻰ ﺣﻠﻮل ﺗﻔﺘﻘﺪ إﻟﻰ اﻟﻘﻴﻢ‬ ‫اﻻﺟﺘﻤﺎﻋﻴﺔ واﻟﺜﻘﺎﻓﻴﺔ‪ ،‬ﺑﻞ وﻗﺪ ﺗﻔﻘﺪ اﻟﻤﺴﻜﻦ ﻣﻦ ﻗﻴﻤﺘﻪ‬ ‫اﻟﺘﺠﺎرﻳﺔ واﻻﺳﺘﺜﻤﺎرﻳﺔ‪ ،‬وﻫﻮ ا‪b‬ﻣﺮ اﻟﺬي ﻳﺠﺐ أن ﻳﻌﻤﻞ‬ ‫اﻟﻤﻌﻤﺎري ﻋﻠﻰ ﻣﻌﺎﻟﺠﺘﻪ وﺗﻮﻓﻴﺮه ﻓﻲ اﻟﻤﺴﻜﻦ ‪.‬‬ ‫وﻣﻦ أﻫﻢ اﻟﻘﻴﻢ اﻟﺘﻲ ﻳﺠﺐ أن ﺗﺘﻮﻓﺮ ﻓﻲ اﻟﻤﺴﻜﻦ ا‪N‬ﻗﺘﺼﺎدي ‪:‬‬ ‫ﻗﻴﻢ إﺟﺘﻤﺎﻋﻴﺔ ‪:‬‬ ‫ـ ﻳﺠﺐ أن ﻳﻌﻤﻞ اﻟﻤﻌﻤﺎري ﻋﻠﻰ ﺗﻐﻴﻴﺮ اﻟﻨﻈﺮة اﻟﺴﻠﺒﻴﺔ‬ ‫ﻋﻦ اﻟﻤﺴﻜﻦ ا‪N‬ﻗﺘﺼﺎدي ﺣﻴﺚ ﻋﺎدة ﻣﺎ ﻳﺘﻮﻗﻊ اﻟﺴﻜﺎن أن‬ ‫اﻟﻤﺴﻜﻦ ا‪N‬ﻗﺘﺼﺎدي ﻫﻮ ﻣﺴﻜﻦ ﻻ ﻳﺤﻘﻖ ﻣﺴﺘﻮى ﺑﻨﺎﺋﻲ‬ ‫ﻧﻮﻋﻲ ‪ ،‬وﺑﺎﻟﺘﺎﻟﻲ ﻓﺈﻧﻪ ﻟﻦ ﻳﺮﻓﻊ ﻣﻦ ﻣﺴﺘﻮى ﻣﻌﻴﺸﺘﻬﻢ‪.‬‬ ‫ـ ﻳﺠﺐ أن ﻳﺒﺤﺚ اﻟﻤﻌﻤﺎري ﻋﻦ ﻓﺘﺢ ﻗﻨﻮات ﺗﻮاﺻﻞ ﺑﻴﻨﻪ وﺑﻴﻦ‬ ‫اﻟﻤﺠﺘﻤﻊ وإﻳﺠﺎد ﻗﻴﻢ وأﺷﻜﺎل ﺟﺪﻳﺪة ﻟﻠﺘﻔﺎﻋﻞ ﻣﻊ اﻟﺴﻜﺎن‪.‬‬ ‫ﻗﻴﻢ ﺛﻘﺎﻓﻴﺔ ‪:‬‬ ‫ـ ﻳﺠﺐ أن ﻳﻘﺪم اﻟﻤﻌﻤﺎري ﺣﻠﻮﻻً ﻣﻌﻤﺎرﻳﺔ ذات ﻗﻴﻢ ﺟﻤﺎﻟﻴﺔ‬ ‫واﻟﺒﺤﺚ ﻋﻦ دﻣﺞ رﻣﻮز ﺛﻘﺎﻓﻴﺔ ذات دﻻﻟﺔ ﻋﻨﺪ اﻟﺴﻜﺎن‬ ‫ﻟﺮﻓﻊ ﻗﻴﻤﺘﻪ ﻓﻲ ﻧﻈﺮ ﺳﻜﺎﻧﻪ وا‪p‬ﺧﺮﻳﻦ ﺑﺸﻜﻞ ﻋﺎم‪ .‬اﻟﻴﻮم‬ ‫ﻓﻲ ﺑﻌﺾ اﻟﺪول ﻳﺄﺗﻲ رﻓﻊ ﻫﺬه اﻟﻘﻴﻤﺔ ﻋﺒﺮ ﺗﺼﻤﻴﻢ‬ ‫ﻣﺴﺎﻛﻦ ذات ﻣﻌﺎﻳﻴﺮ اﺳﺘﺪاﻣﻴﺔ ﻛﻮن ﺗﻄﺒﻴﻘﻬﺎ أﺻﺒﺢ‬ ‫ﻳﻤﺜﻞ ﻣﻴﺰة ﻫﺎﻣﺔ‪.‬‬ ‫ـ اﻟﺘﻌﺮﻳﻒ ﺑﺎﻟﺤﻠﻮل اﻟﻤﻘﺘﺮﺣﺔ ﻟﻠﻤﺴﻜﻦ وﻋﺮﺿﻬﺎ ﻟﻠﻨﻘﺎش‬ ‫واﻟﺤﻮار ﻋﺒﺮ اﻟﻮﺳﺎﺋﻞ ا‪N‬ﻋﻼﻣﻴﺔ‪.‬‬ ‫ـ ﺗﻘﺪﻳﻢ ﺣﻠﻮل اﺑﺘﻜﺎرﻳﺔ ﺗﻘﻨﻴ‪ R‬وذات ﻣﻈﻬﺮ ﻳﺼﺒﻎ اﻟﻤﺴﻜﻦ‬ ‫ﺑﻄﺎﺑﻊ ﻣﻌﻤﺎري ﻳﻤﻴﺰه ﻋﻦ ﺑﺎﻗﻲ اﻟﻤﺴﺎﻛﻦ‪.‬‬ ‫ﻗﻴﻢ ﺗﺠﺎرﻳﺔ ‪:‬‬ ‫ـ ﺗﻘﺪﻳﻢ ﺣﻠﻮل ذات ﻗﺎﺑﻠﻴﺔ ﻟﻠﺘﻨﻔﻴﺬ ﺑﻄﺮﻳﻘﺔ إﻗﺘﺼﺎدﻳﺔ ‪.‬‬

How to Achieve Economical Housing Arch. Ibrahim Abaalkhail There is a misconception about how to achieve economical houses. Some believe that economical houses can be achieved by reducing its area. Though its correct that the area will reduce the cost of building these houses; but does reducing it really guarantee providing essential needs for its residents? Is the area the only element to make a house economical? Can architectural design play a role in achieving economical housing that provide the essentials to residents? We now need economical housing more than ever due to the economical changes our region experiencing that definitely will change our lifestyle for ever.

Economical housing, though, is not a new thing. Since the beginning of the industrial revolution, there were a need to provide housing in mass and rapidly to accommodate the labour groups working in industrial areas. Several researches studied the idea of providing mass houses with low costs and how to rapidly provide it. These studies focused on the relationships between the spaces within the house itself and how to reduce it. A new view towards housing had ensued. This view aimed at making the house more flexible and enjoyable and transformed the house into a consumable product. People lifestyle changed to consumption one based on producing and consuming in mass. Architects soon took part in these societal transformations. Frank Lloyd Wright & Ludwig Mies Van der Rohe experimented with new ways to achieve economical housing by eliminating the wall partitions and produced designs with open spaces. Other architects such as Walter Gropius experimented with mass production of houses and applied Henry Ford’s ideas of production lines into the housing construction. London was the first city to adopt the mass production concept in order to build in mass to achieve lower costs and achieve economies of scale. Two ideas were predominant during this era. The first is the closed building system that does not allow for any modifications. The second idea is the open system that allows for modifications. Architects favoured the later as it is conducive to the evolvement of human lifestyles.

Not until 1972 that the view of economical housing started to take a shift. The energy crises and fossil fuel supply shortages played a huge role in shifting the view in economical houses towards energy efficiency. Threats of global warming soon ensued. Since then, sustainability came to be the trend in solving all social, environmental and economical problems facing the world. Principals including promoting the living standards of the society, energy efficiency, circular economy, and preserving natural resources all opened the door for finding new solutions to economical housing. Now there is no such a thing called economical and non economical house. Rather there is a necessity to have all our houses economical.

Social equality among people and improving living standards to all have become imperatives to achieve economical housing. At the neighbourhood level, diligence is essential in the design of economical housing projects,

S5 Albenaa

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its arrangements and considering future developments. At the housing unit level, architectural design must be aligned with economical views and should achieve three sets of values. The social values should assert on the importance of sharing the ideas with the society to find solutions.

The cultural values focuses on achieving aesthetics and opening dialogues through media. The economical values advocates for applicable solutions and return for investment to residents. In this issue we showcase several houses that provides economical solutions with varying view depending on the social, environmental and economical conditions.

Investment Houses: The Quinta Monroy Housing designed

by Elemental (led by Alejandro Aravena who received the pritzker award back in 2016). The design aims at solving the problem of plummeting value of social housing in Chile. The designer succeeded in increasing the value of investment to residents and in making the houses able to evolve based on the residents’ needs.

The housing tent: the Wall House designed by FAR frohn & rojas. The house provides an easy to built system and utilised the construction elements as architectural ones.

The economics in this house is the multi-tasking feature for each of the house components.

A house within a house: The Black Box designed by Weysen and De Baere Architecten. The project aims at achieving energy efficiency while providing a spacious living area utilising boxes one with two spaces for the essential services and for living used only during cold weather conditions. The other box contains a bigger space that can be added to the smaller box during periods of warm weather.

A house with natural view: The Home View- Visions of Living: designed by Alfredo Haeberli. Thought this project does not achieve economical housing through cost reduction, the design achieves flexibility and capacity to meet evolving needs of tenants over a longer periods. It also proposes different uses for furniture and interior design. This allows for creating extra flexible spaces. The use of natural materials such as wood will also increase energy efficiency.

An arch with environmental efficiency: The Nature Dome is a house that represents a building system that utilises building materials extracted from older building in addition to soil as a cover and insulation to the house.

This house applies sustainability principles and provides an example for economical houses that relates to nature adding value to it.

The Container Housing designed by BIG, is an economical housing project made for student. Its proximity to the university in Copenhagen reducing transportation and utilises the container system to achieve lower cost. By introducing the container system, tis housing project proposes a solution that will keep students at the heart of the city.

Movable housing units: The 5 to 1 Apartment introduces a solution for economical housing with small areas through several types of furniture that contains all of the house services and are able to be moved to create living spaces.

The Sustainable Villa is a project that was announced in the UAE in 2016, and represents the continuous efforts by Masdar to provide a 100% sustainable urbanism.

Thrift in housing space: That House introduces solutions for space that are flexible and economical while insuring privacy.

тАл┘Ия║гя║к╪з╪к я╗гя╗ия║░я╗Яя╗┤я║Ф я╗гя║Шя║дя║оя╗Ыя║ФтАм тАлтАк5 to 1 ApartmentтАмтАм тАл╪зя╗Яя╗дя║╝я╗дя╗в тАкMicheal K. Chen Architecture :тАмтАм тАля╗│я╗Шя╗К я╗ля║м╪з ╪зя╗Яя╗дя║╕я║о┘И╪╣ я╗Уя╗▓ я╗зя╗┤я╗оя╗│я╗о╪▒┘Г я╗│я╗Шя║к┘Е я╗ля║м╪з ╪зя╗Яя╗дя║╕я║о┘И╪╣ я║гя╗╝┘ЛтАм тАл╪ея╗Чя║Шя║╝я║О╪пя╗│тАк /тАмя╗Яя╗ая╗дя║┤я║Оя╗Ыя╗ж ╪░╪з╪к ╪зя╗Яя╗дя║┤я║Оя║гя║О╪к ╪зя╗Яя║╝я╗Ря╗┤я║о╪й я╗гя╗ж я║зя╗╝┘ДтАм тАля╗зя╗дя║О╪░╪о я╗гя║ия║Шя╗ая╗Фя║Ф я╗Яя╗Шя╗Дя╗К ╪гя║Ыя║О╪л я║Чя║Шя╗оя╗Уя║о я╗Уя╗┤я╗мя║О я╗Ыя║Оя╗Уя║Ф я║зя║кя╗гя║О╪ктАм тАл╪зя╗Яя╗дя║┤я╗Ья╗ж ┘Ия╗│я╗дя╗Ья╗ж я║Чя║дя║оя╗│я╗Ья╗мя║О я╗Яя║Шя╗Ья╗оя╗│я╗ж я╗Уя║о╪зя╗Пя║О╪к ╪зя╗Яя╗дя║┤я╗Ья╗ж я╗│я║Шя╗втАм тАл╪зя║│я║Шя║ия║к╪зя╗гя╗мя║О я║гя║┤я║Р ┘Ия╗Ля╗ия║к ╪зя╗Яя║дя║Оя║Яя║ФтАк.тАмтАм тАл╪зя╗Яя╗Фя╗┤я╗╝ ╪зя╗Яя╗дя║┤я║Шя║к╪зя╗гя║ФтАм тАля║Чя╗Шя╗К я╗Уя╗▓ я╗гя║кя╗│я╗ия║Ф я╗гя║╝я║к╪▒ ╪зтАкDтАмя╗гя║О╪▒╪з╪к ╪зя╗Яя╗Мя║оя║Ся╗┤я║Ф ╪зя╗Яя╗дя║Шя║дя║к╪й ┘Ия║Чя╗в ╪зтАкDтАмя╗Ля╗╝┘ЖтАм тАля╗Ля╗ия╗мя║О я╗Уя╗▓ я╗Ля║О┘Е тАк2016тАм┘Е ┘Ия║Чя╗дя║Ья╗Ю ╪зя╗Яя╗дя║ая╗мя╗о╪п╪з╪к ╪зя╗Яя╗дя║┤я║Шя╗дя║о╪й я╗Яя╗дя║кя╗│я╗ия║ФтАм тАля╗гя║╝я║к╪▒ я╗Яя║Шя╗оя╗Уя╗┤я║о я╗Ля╗дя║о╪з┘Ж я╗гя║┤я║Шя║к╪з┘Е тАк ┘к 100тАмя╗зя║┤я║Шя╗Мя║о╪╢ я╗Уя╗▓ я╗ля║м╪зтАм тАл╪зя╗Яя╗Мя║к╪п ╪зя╗Яя╗дя╗Мя╗ая╗о╪з╪к ╪зя╗Яя╗дя║Шя╗оя╗Уя║о╪й я╗Ля╗ия╗к ┘И╪зя╗Яя║Шя╗▓ я║Чя╗в я║Чя║░┘Ия╗│я║кя╗зя║О я║Ся╗мя║О ╪вя╗гя╗ая╗┤я╗жтАм тАл╪зя╗Яя║дя║╝я╗о┘Д я╗Ля╗ая╗░ я╗гя╗Мя╗ая╗оя╗гя║О╪к ╪гя╗Ыя║Ья║о я╗Ля╗ия╗к я╗Уя╗▓ ╪зя╗Яя╗дя║┤я║Шя╗Шя║Тя╗ЮтАкR .тАмя╗зя╗к я╗│я╗дя║Ья╗ЮтАм тАля╗Ля╗ая╗░ я╗гя║┤я║Шя╗о┘Й ╪зя╗Яя╗дя╗ия╗Дя╗Шя║Ф я╗гя║Ья║Оя╗╗┘Л ╪▒╪зя║Ля║ктАк UтАмя╗Яя╗дя║┤я║Оя╗Ыя╗ж ╪зя╗Яя╗дя║┤я║Шя╗Шя║Тя╗ЮтАк.тАмтАм тАл╪зя╗Яя║Шя╗оя╗Уя╗┤я║о я╗Уя╗▓ я╗гя║┤я║Оя║гя║О╪к ╪зя╗Яя╗дя║┤я╗Ья╗жтАм тАлтАкThat HouseтАмтАм тАл╪зя╗Яя╗дя║╝я╗дя╗в тАкAustin Maynard Architects :тАмтАм тАл┘Ия╗│я╗Шя╗К я╗Уя╗▓ ╪зя║│я║Шя║о╪зя╗Яя╗┤я║О тАк ╪МтАмя╗│я╗Шя║к┘Е я╗ля║м╪з ╪зя╗Яя╗дя║╕я║о┘И╪╣ я║гя╗ая╗о┘Д я╗Уя║о╪зя╗Пя╗┤я║Ф я╗гя║оя╗зя║ФтАм тАля║Чя╗оя╗Уя║о я╗Уя╗▓ ╪зя╗Яя╗дя║┤я║Оя║гя║О╪к я╗гя╗К я║┐я╗дя║О┘Ж ╪зя╗Яя║ия║╝я╗оя║╗я╗┤я║Ф я╗Ля╗ая╗░ я╗гя║┤я║Шя╗о┘ЙтАм тАл╪зя╗Яя╗Мя╗╝я╗Чя║Ф я║Ся╗┤я╗ж ╪зя╗Яя╗дя║┤я╗Ья╗ж ┘И╪зя╗Яя║дя╗▓ ┘Ия╗Ыя║мя╗Яя╗Ъ я╗Ля╗ая╗░ я╗гя║┤я║Шя╗о┘Й я║гя║Оя║Яя║ФтАм тАл╪гя╗Уя║о╪з╪п ╪зтАкRтАмя║│я║о╪й я╗Я]я╗зя╗Фя║о╪з╪п ╪г┘И ╪зя╗╗я║Яя║Шя╗дя║О╪╣ ╪п╪зя║зя╗Ю ╪зя╗Яя╗дя║┤я╗Ья╗жтАк.тАмтАм тАля╗гя╗Мя║Оя╗│я╗┤я║о я║Чя║╝я╗дя╗┤я╗в ╪зя╗Яя╗дя║┤я╗Ья╗ж ╪з я╗Чя║Шя║╝я║О╪п┘К я╗Уя╗▓ я╗гя╗ия╗Дя╗Шя║Шя╗ия║ОтАм тАл╪зя╗Яя║дя║Оя║Яя║Ф ╪ея╗Яя╗░ ╪зя║Ся║Шя╗Ья║О╪▒ я╗гя║┤я║Оя╗Ыя╗ж ╪ея╗Чя║Шя║╝я║О╪пя╗│я║Ф ╪гя║╗я║Тя║в я╗гя╗ая║дтАк /тАмя╗Уя╗▓тАм тАля╗гя╗ия╗Дя╗Шя║Шя╗ия║О ┘Ия╗гя╗ж я║зя╗╝┘Д я╗ля║м┘З ╪зя╗Яя╗дя╗Шя║кя╗гя║Ф ╪зя╗Яя║Шя╗▓ я║гя║О┘Ия╗Яя╗ия║О я╗Уя╗┤я╗мя║ОтАм тАл╪зя╗Яя║Шя╗Мя║оя╗│я╗Т я║Ся║Оя╗Яя╗дя║┤я╗Ья╗ж ╪зтАкDтАмя╗Чя║Шя║╝я║О╪п┘К я╗Уя║Ия╗зя╗ия║О я╗│я╗дя╗Ья╗ж ╪г┘Ж я╗зя║┤я║Шя║ия╗ая║║тАм тАля╗Ля║к╪п я╗гя╗ж ╪зя╗Яя╗дя╗Мя║Оя╗│я╗┤я║о ╪зя╗Яя║Шя╗▓ я╗│я╗дя╗Ья╗ж ╪зтАкDтАмя║│я║Шя║оя║╖я║О╪п я║Ся╗мя║О я╗Ля╗ия║ктАм тАля║Чя║╝я╗дя╗┤я╗в ╪зя╗Яя╗дя║┤я╗Ья╗ж ╪зтАкDтАмя╗Чя║Шя║╝я║О╪п┘К тАк :тАм┘Ия╗гя╗ж ╪гя╗ля╗дя╗мя║О тАк:тАмтАм тАл┘А ╪зя╗Яя║дя║╝я╗о┘Д я╗Ля╗ая╗░ ╪зя╗Яя╗дя║┤я╗Ья╗ж ╪зтАкDтАмя╗Чя║Шя║╝я║О╪п┘К я╗╗ я╗│я║Дя║Чя╗▓ я║Ся╗дя║ая║о╪п ╪зтАкDтАмя╗Чя║Шя║╝я║О╪птАм тАля╗Уя╗▓ я╗гя║┤я║Оя║гя║Шя╗к я║Ся╗Ю я╗│я║ая║Р ╪г┘Ж я╗│я║Дя║Чя╗▓ я║Ся╗Мя║к я║Чя║дя║кя╗│я║к ╪зя╗Яя╗оя╗Зя║Оя║Ля╗Т ╪зя╗Яя╗дя╗Мя║Оя║╗я║о╪йтАм тАля╗Яя╗ая╗дя║┤я╗Ья╗ж ┘И╪ея╗Ля║О╪п╪й я║Чя║оя║Чя╗┤я║Р ╪зя╗Яя╗Мя╗╝я╗Чя║О╪к я║Ся╗┤я╗ж ╪зя╗Яя╗Фя║о╪зя╗Пя║О╪к я║гя║┤я║РтАм тАл╪зя╗Яя╗оя╗Зя║Оя║Ля╗Т ┘Ия╗Ля╗╝я╗Чя║Шя╗мя║О я╗Уя╗┤я╗дя║О я║Ся╗┤я╗ия╗мя║О ┘И╪ея╗Ля║О╪п╪й ╪п╪▒╪зя║│я║Ф ╪зя╗Яя║дя║оя╗Ыя║Ф я║Ся║дя╗┤я║ЪтАм тАля╗│я║Жя║зя║м я╗Уя╗▓ ╪зтАкDтАмя╗Ля║Шя║Тя║О╪▒ ╪▒╪зя║гя║Ф ╪зя╗Яя║┤я╗Ья║О┘Ж ┘И╪▒я╗Уя╗К я╗гя║┤я║Шя╗о┘Й я╗гя╗Мя╗┤я║╕я║Шя╗мя╗втАк.тАмтАм тАл┘А я║Чя╗Ья╗ая╗Фя║Ф ╪зя╗Яя╗дя║┤я╗Ья╗ж ╪зтАкDтАмя╗Чя║Шя║╝я║О╪п┘К я╗Яя╗┤я║┤я║Ц я╗Уя╗Шя╗В я║Чя╗Ья╗ая╗Фя║Ф ╪ея╗зя║╕я║Оя║Ля╗ктАм тАля║Ся╗Ю я║Чя║Шя║Дя║Ыя║о я║Ся╗Ья║Оя╗Уя║Ф ╪зя╗Яя╗дя║о╪зя║гя╗Ю ╪зя╗Яя╗дя║Жя║Ыя║о╪й я╗Ля╗ая╗┤я╗к я╗Чя║Тя╗Ю я║Ся╗ия║Оя║Ля╗к ┘Ия║Ся╗Мя║ктАм тАля║Ся╗ия║Оя║Ля╗к ┘Ия║гя║Шя╗░ ╪ея╗зя║Шя╗мя║О╪б я║╗я╗╝я║гя╗┤я║Шя╗к ┘И╪зя╗Яя║Шя║ия╗ая║║ я╗гя╗ия╗ктАк.тАмтАм тАл┘А я╗│я║Шя╗в я║Чя║дя╗Шя╗┤я╗Ц ╪зя╗Яя╗дя║┤я╗Ья╗ж ╪зтАкDтАмя╗Чя║Шя║╝я║О╪п┘К я╗Ля║Тя║о я╗гя║о╪зя║гя╗Ю я╗гя║ия║Шя╗ая╗Фя║ФтАм тАля║Ся║к╪бтАк UтАмя╗гя╗ж ╪зя╗Яя╗дя║ия╗Дя╗Дя║О╪к ╪зтАкDтАмя╗Чя║Шя║╝я║О╪пя╗│я║Ф я╗Яя╗ая╗дя╗ия║Оя╗Гя╗Ц я╗гя║о┘И╪▒тАкUтАмтАм тАля║Ся║Оя╗Яя║Шя║ия╗Дя╗┤я╗В ╪зя╗Яя║дя╗Ая║о┘К я╗Яя╗ая╗дя║к┘Ж я║Ыя╗в ╪зя╗Яя║Шя║ия╗Дя╗┤я╗В ╪зя╗Яя╗Мя╗дя║о╪зя╗зя╗▓тАм тАля╗ЯтАкpтАмя║гя╗┤я║О╪б ┘И╪зя╗Яя╗дя║╕я║о┘Ия╗Ля║О╪к ╪зя╗Яя║┤я╗Ья╗ия╗┤я║Ф я║Ыя╗в я║Чя║╝я╗дя╗┤я╗в ╪зя╗Яя╗оя║гя║к╪йтАм тАл╪зя╗Яя║┤я╗Ья╗ия╗┤я║Ф ┘Ия╗гя║о┘И╪▒тАк UтАмя║Ся╗дя║о╪зя║гя╗Ю ╪зя║│я║Шя╗Мя╗дя║Оя╗Яя╗мя║О я║гя║Шя╗░ я║Ся╗Мя║к ╪ея╗зя║Шя╗мя║О╪бтАм тАл╪зя╗Яя║дя║Оя║Яя║Ф я╗гя╗ия╗к я╗Уя║Ия╗зя╗к я╗│я║ая║Р ╪зя╗Яя║Шя╗Фя╗Ья╗┤я║о я╗Уя╗▓ я║Чя║╝я╗дя╗┤я╗дя╗к я║Ся║дя╗┤я║Ъ я╗│я╗дя╗Ья╗жтАм

тАлтАк┬бUM┬│ ┬л ┬е├ВтАмтАм

тАлтАкS4 AlbenaaтАмтАм

тАл╪ея╗Ля║О╪п╪й ╪зя║│я║Шя║ия║к╪зя╗гя╗к тАкRтАмя╗Пя║о╪з╪╢ я║Яя║кя╗│я║к╪й ╪г┘И я╗Яя║Шя╗Дя╗оя╗│я║о┘З я╗Яя╗┤я╗о╪зя╗Ыя║РтАм тАл╪зя╗Яя╗дя║Шя╗Дя╗ая║Тя║О╪к ╪зя╗Яя║ая║кя╗│я║к╪й я╗Яя╗ая║┤я╗Ья║О┘Ж ╪г┘И ╪ея╗Ля║О╪п╪й я║Чя║к┘Ия╗│я║о я╗гя╗о╪з╪п┘ЗтАк ╪МтАм┘Ия╗Яя║мя╗Яя╗ЪтАм тАля╗╗я╗│я║ая║Р ┘Ия║╗я╗Т я╗Яя╗ая╗дя║┤я╗Ья╗ж я╗Ля╗ая╗░ ╪гя╗зя╗к я╗гя╗ия║Шя║Ю я╗гя║Ья╗Ю ╪зя╗Яя║┤я╗┤я║О╪▒╪й ╪зя╗Яя║Шя╗▓тАм тАля║Чя║Шя╗ия║Оя╗Чя║║ я╗Чя╗┤я╗дя║Шя╗мя║О я║Чя║Тя╗МтАк /тАмя╗Яя╗Мя╗дя║оя╗ля║О ┘Ия╗гя╗Мя║к┘Д ╪зя║│я║Шя╗мя╗╝я╗Ыя╗мя║ОтАк .тАмя║Ся╗ЮтАм тАля╗│я║ая║Р ╪г┘Ж я╗│я║Шя╗в ╪зя╗Яя╗дя║┤я╗Ья╗ж я╗гя╗ж я║зя╗╝┘Д я╗гя║о╪зя║гя╗Ю ┘И╪ея║Яя║о╪з╪б╪з╪к я║Чя╗Дя╗оя╗│я║оя╗│я║ФтАм тАля║Чя║ая╗Мя╗ая╗к я╗Чя║О╪п╪▒тАк UтАмя╗Ля╗ая╗░ я║зя║кя╗гя║Ф ╪зя╗Яя║┤я╗Ья║О┘Ж я╗гя╗К я╗гя║о┘И╪▒ ╪зя╗Яя║░я╗гя╗ж ┘И╪▓я╗│я║О╪п╪йтАм тАля╗Ля╗дя║о┘З ╪зтАкRтАмя╗гя║о ╪зя╗Яя║м┘К я╗│я║кя╗Уя╗К ╪ея╗Яя╗░ я╗зя╗дя╗о я╗Чя╗┤я╗дя║Шя╗к я╗гя╗К я╗гя║о┘И╪▒ ╪зя╗Яя║░я╗гя╗ж тАк.тАмтАм тАл┘А я║Ся║Оя╗Яя╗ия║┤я║Тя║Ф я╗Я]я╗Чя║Шя║╝я║О╪п я╗Уя╗▓ ╪зя╗Яя╗Дя║Оя╗Чя║Ф я╗Уя║Ия╗зя╗ия║О я╗Уя╗▓ я╗гя╗ия╗Дя╗Шя║Шя╗ия║О я╗гя║О╪▓я╗Яя╗ия║ОтАм тАля╗зя║дя║Шя║О╪м ╪ея╗Яя╗░ ╪зя╗Яя╗дя║░я╗│я║к я╗гя╗ж ╪зя╗Яя║Тя║дя║Ъ я╗Ля╗ж ╪зя╗Яя║дя╗ая╗о┘Д ╪зтАкDтАмя╗Чя║Шя║╝я║О╪пя╗│я║Ф ╪зя╗Яя║Шя╗▓тАм тАля╗│я╗дя╗Ья╗ж ╪г┘Ж я╗│я╗Ья╗о┘Ж ╪зтАкDтАмя╗зя║┤я║О┘Ж ╪зя╗Яя╗Мя║О╪п┘К я╗Чя║О╪п╪▒ я╗Ля╗ая╗░ я║Чя║дя╗Шя╗┤я╗Шя╗мя║О тАк╪МтАмтАм тАля╗Уя╗дя║О╪▓╪з┘Д ╪зя║│я║Шя║ия║к╪з┘Е ╪зя╗Яя╗Дя║Оя╗Чя║Ф ╪зя╗Яя║╕я╗дя║┤я╗┤я║Ф ╪г┘И ╪зя╗Яя╗Дя║Оя╗Чя║О╪к ╪зя╗Яя╗дя║Шя║ая║к╪п╪йтАм тАля╗гя║оя║Чя╗Фя╗К ╪зя╗Яя║Шя╗Ья╗ая╗Фя║Ф тАк ╪МтАмя╗Ыя╗дя║О ╪г┘Ж я╗гя╗о╪з╪п ┘Ия╗Гя║о┘В я║Ся╗ия║О╪б ╪зя╗Яя╗Мя║░┘Д ╪зя╗Яя║дя║о╪з╪▒┘КтАм тАля╗гя║О╪▓╪зя╗Яя║Ц я║Чя╗Фя║Шя╗Шя║к ╪ея╗Яя╗░ ╪зя╗Яя║дя╗ая╗о┘Д ╪зя╗Яя║Шя║╝я╗дя╗┤я╗дя╗┤я║Ф ╪зя╗Яя║Шя╗Фя║╝я╗┤я╗ая╗┤я║ФтАм тАл╪зя╗Яя╗дя╗ия║Оя║│я║Тя║Ф ┘И╪зя╗Яя║ия║Тя║о╪з╪к ╪зя╗Яя║Шя║╝я╗ия╗┤я╗Мя╗┤я║Ф я╗Яя║Шя║дя╗Шя╗┤я╗Ц я╗Ля║░┘Д я║гя║о╪з╪▒┘КтАм тАля╗гя╗Ая╗дя╗о┘Ж ┘Ия╗Ыя║Оя╗гя╗Ю я╗Яя╗ая╗дя║Тя║Оя╗зя╗▓тАк ╪МтАмя╗гя╗ж я║Яя╗мя║Ф ╪гя║зя║о┘Й я╗│я║ая║Р ╪г┘Ж я╗│я╗Мя╗дя╗ЮтАм тАл╪зя╗Яя╗дя╗Мя╗дя║О╪▒я╗│я╗┤я╗ж я╗Ля╗ая╗░ ╪ея╗│я║ая║О╪п я║гя╗ая╗о┘Д я║Чя║╝я╗дя╗┤я╗дя╗┤я║Ф я╗гя╗Мя╗дя║О╪▒я╗│я║Ф я║Чя╗оя╗Уя║отАм тАля╗Уя╗▓ ╪зя╗Яя╗Дя║Оя╗Чя║Ф ┘И ╪зя╗Яя╗Мя║░┘Д ╪зя╗Яя║дя║о╪з╪▒┘К )╪гя╗зя╗Ия║о я║Ся╗Мя║╛ ╪зя╗Яя║дя╗ая╗о┘Д ╪зя╗Яя║Шя╗▓тАм тАля╗│я║┤я║Шя╗Мя║оя║┐я╗мя║О ╪зя╗Яя╗Мя║к╪п(тАк.тАмтАм тАл┘А я║Чя╗Мя║Шя║Тя║о я╗гя║Тя║О╪п╪ж ╪зтАкDтАмя║│я║Шя║к╪зя╗гя║Ф я║Чя║дя║кя╗│тАк /тАмя╗Яя╗ая╗дя╗Мя╗дя║О╪▒я╗│я╗┤я╗ж тАкRтАмя╗зя╗мя║О ╪░╪з╪ктАм тАля╗Ыя╗ая╗Фя║Ф я╗Ля║Оя╗Яя╗┤я║Ф ┘Ия║Ся║Оя╗Яя║Шя║Оя╗Яя╗▓ я╗╗я╗│я║Шя╗в я║Чя╗Дя║Тя╗┤я╗Шя╗мя║О ┘Ия╗Яя║мя╗Яя╗Ъ я╗│я║ая║Р ╪г┘ЖтАм тАля╗│я╗Мя╗дя╗Ю ╪зя╗Яя╗дя╗Мя╗дя║О╪▒я╗│я╗о┘Ж я╗Ля╗ая╗░ ╪ея║Ся║Шя╗Ья║О╪▒ я║гя╗ая╗о┘Д я╗гя╗Мя╗дя║О╪▒я╗│я║Ф ╪ея╗Чя║Шя║╝я║О╪пя╗│я║ФтАм тАля║Яя║кя╗│я║к╪й я╗Яя║Шя╗Дя║Тя╗┤я╗Шя╗мя║ОтАк.тАмтАм тАл┘А я╗Яя║Шя║дя╗Шя╗┤я╗Ц я╗гя║┤я║Оя╗Ыя╗ж ╪ея╗Чя║Шя║╝я║О╪пя╗│я║Ф я╗Уя╗▓ я╗гя╗ия╗Дя╗Шя║Шя╗ия║О я╗Уя║Ия╗зя╗к я╗гя╗жтАм тАл╪зя╗Яя╗Ая║о┘И╪▒┘К ╪зтАкDтАмя╗Чя║Шя║Тя║О╪│ я╗гя╗ж ╪зя╗Яя║ия║Тя║о╪й ┘И╪зтАкDтАм╪▒╪л ╪зя╗Яя╗дя╗Мя╗дя║О╪▒┘К ╪зя╗Яя║Шя╗Шя╗ая╗┤я║к┘КтАм тАл╪зя╗Яя║м┘К я╗Чя║к┘Е я╗зя╗дя║О╪░╪м я║│я╗Ья╗ия╗┤я║Ф ╪ея╗Чя║Шя║╝я║О╪пя╗│я║Ф ┘Ия║Ся╗┤я║Мя╗┤я║Ф ┘И╪зя║Яя║Шя╗дя║Оя╗Ля╗┤я║ФтАм тАля╗гя║Ья║Оя╗Яя╗┤я║Ф я╗Уя╗▓ ╪зя╗Яя╗дя║Оя║┐я╗▓тАк.тАмтАм тАл┘А я║Чя╗Мя║Шя║Тя║о я╗гя║╕я║О╪▒я╗Ыя║Ф ╪зтАкRтАмя╗ля║Оя╗Яя╗▓ я╗Уя╗▓ я║Чя║╝я╗дя╗┤я╗в ┘Ия║Ся╗ия║О╪б я╗гя║┤я║Оя╗Ыя╗ия╗мя╗втАм тАл╪гя║гя║к ╪гя╗ля╗в ╪гя║│я║Тя║О╪и я╗зя║ая║О╪н ╪зя╗Яя╗дя║╕я║о┘Ия╗Ля║О╪к ╪зтАкDтАмя║│я╗Ья║Оя╗зя╗┤я║Ф ┘И╪зя╗Яя║Шя╗▓тАм тАля║Чя╗Ая╗дя╗ж я╗Уя╗▓ я╗зя╗Фя║▓ ╪зя╗Яя╗оя╗Чя║Ц я║Чя║дя╗Шя╗┤я╗Ц я╗гя║┤я║Оя╗Ыя╗ж ╪ея╗Чя║Шя║╝я║О╪пя╗│я║ФтАм тАля╗Ыя╗оя╗зя╗мя║О я║Чя╗ая║Тя╗▓ ╪зя║гя║Шя╗┤я║Оя║Яя║О╪к ╪зя╗Яя║┤я╗Ья║О┘Ж я║Ся║╕я╗Ья╗Ю я╗гя║Тя║Оя║╖я║отАк.тАмтАм тАл╪е┘Ж ╪гя╗ля╗в я╗гя║О я╗│я║ая║Р ╪г┘Ж я╗│я╗Шя║кя╗гя╗к ╪зя╗Яя╗дя║┤я╗Ья╗ж ╪зя╗╗я╗Чя║Шя║╝я║О╪п┘К я╗ля╗отАм тАля║Чя║дя╗Шя╗┤я╗Ц ╪зя╗Яя║оя╗Уя║Оя╗ля╗┤я║Ф я╗Яя╗ая║┤я╗Ья║О┘Ж я╗Уя║И╪░╪з я╗Яя╗в я╗│я║┤я║Шя╗Дя╗К ╪░я╗Яя╗ЪтАм тАля╗Уя╗мя╗о я╗гя║╕я║о┘И╪╣ я║│я╗Ья╗ия╗▓ я╗Уя║Оя║╖я╗Ю тАк .тАмя╗Чя╗┤я║О╪│ я╗зя║ая║О╪н ╪зя╗Яя╗дя║┤я╗Ья╗жтАм тАл╪зя╗╗я╗Чя║Шя║╝я║О╪п┘К ╪г┘И я╗Уя║╕я╗ая╗к я║Чя║Шя╗дя║Ья╗Ю я╗Уя╗▓ я║Чя║дя╗Шя╗┤я╗Ц ╪зя╗Яя║оя╗Уя║Оя╗ля╗┤я║ФтАм тАл┘И╪зя╗Яя╗Мя╗┤я║╢ ╪зя╗Яя╗дя║дя║Шя║о┘Е я╗Яя╗ая║┤я╗Ья║О┘ЖтАк.тАмтАм тАл╪е╪░╪з ╪г╪▒╪з╪п ╪зя╗Яя╗дя╗Мя╗дя║О╪▒я╗│я╗о┘Ж я║Чя║дя╗Шя╗┤я╗Ц я╗гя║┤я║Оя╗Ыя╗ж ╪зя╗Чя║Шя║╝я║О╪пя╗│я║Ф я╗зя║Оя║Яя║дя║Ф я╗│я║ая║РтАм тАл╪г┘Ж я╗│я╗Ья╗о┘Ж я╗Яя║кя╗│я╗мя╗в ╪зя╗Яя╗Шя║к╪▒╪й я╗Ля╗ая╗░ ╪ея╗Чя╗ия║О╪╣ ╪зтАкRтАмя║╖я║ия║О╪╡ ╪зя╗Яя╗Мя║О╪пя╗│я╗┤я╗жтАм тАля║Ся║Дя╗Уя╗Ья║О╪▒я╗ля╗в ┘И╪ея║Ся║Шя╗Ья║О╪▒╪зя║Чя╗мя╗в ┘И╪пя╗Ля╗оя║Чя╗мя╗в я╗Яя╗ая╗дя║╕я║О╪▒я╗Ыя║Ф я╗гя╗Мя╗мя╗в я╗Уя╗▓тАм тАля║Чя║╝я╗дя╗┤я╗в я╗ля║м┘З ╪зя╗Яя╗дя║┤я║Оя╗Ыя╗жтАк ╪МтАмя╗Уя╗мя╗ия║О┘Г ╪гя╗гя║Ья╗ая║Ф я║Чя║к┘Д я╗Ля╗ая╗░ ╪г┘Ж я╗гя║╕я║О╪▒я╗Ыя║ФтАм тАл╪зтАкRтАмя╗ля║Оя╗Яя╗▓ я╗Уя╗▓ я║Чя║╝я╗дя╗┤я╗в я╗гя║┤я║Оя╗Ыя╗ия╗мя╗в я║Чя╗оя╗Уя║о я╗Уя╗▓ я║Чя╗Ья╗ая╗Фя║Шя╗мя║ОтАк.тАмтАм тАля╗Ыя╗дя║О ╪г┘Ж ╪зя╗Яя║Шя╗Мя╗ая╗┤я╗в ╪зя╗Яя╗дя╗Мя╗дя║О╪▒┘К я╗Яя╗к ╪п┘И╪▒ ╪▒я║Ля╗┤я║▓ я╗Уя╗▓ я║Чя║ия║оя╗│я║Ю я╗гя╗Мя╗дя║О╪▒я╗│я╗┤я╗жтАм тАля╗Чя║О╪п╪▒я╗│я╗ж я╗Ля╗ая╗░ я║Чя║дя╗Шя╗┤я╗Ц я║Чя║╝я║Оя╗гя╗┤я╗в ╪ея╗Чя║Шя║╝я║О╪пя╗│я║Ф ┘И╪░╪з╪к я╗Ыя╗Фя║О╪б╪й я╗Ля║Оя╗Яя╗┤я║ФтАк.тАмтАм тАля╗Ыя╗дя║О я╗│я║ая║Р ╪г┘Ж я║Чя║кя╗Уя╗К ╪зя╗Яя╗дя╗мя╗ия║Ф ┘Ия║Чя╗мя║к┘Б я║Ся║Оя╗Яя║Шя║дя║кя╗│я║к ┘Ия║Ся╗оя║┐я╗о╪н ╪ея╗Яя╗░тАм тАл╪зя╗Яя║Шя║Дя╗ля╗┤я╗Ю ╪зя╗Яя╗дя╗ия║Оя║│я║Р я╗Яя╗ая╗дя╗Мя╗дя║О╪▒я╗│я╗┤я╗ж я╗Яя║Шя║дя╗Шя╗┤я╗Ц я╗гя║┤я║Оя╗Ыя╗ж ╪зя╗Чя║Шя║╝я║О╪пя╗│я║ФтАк.тАмтАм

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‫ﻣﺴﺎﻛﻦ إﺳﺘﺜﻤﺎرﻳﺔ‬ ‫‪Quinta Monroy Housing‬‬ ‫اﻟﻤﺼﻤﻢ ‪:‬‬ ‫‪Architect : Elemental‬‬ ‫ا ﻧﺘﻬﺎء ﻣﻦ اﻟﺘﻨﻔﻴﺬ ‪ 2004 :‬م‬ ‫اﻟﻤﻮﻗﻊ ‪Iquique - Chile :‬‬

‫اﻟﺘﻜﻠﻔﺔ ‪ :‬ﻛﺎﻣﻞ اﻟﻮﺣﺪات )‪ 93‬وﺣﺪة( ‪ 700000 :‬دوﻻر‬ ‫اﻟﻮﺣﺪة ‪ 7500 :‬دوﻻر‬ ‫اﻟﻤﺴﺎﺣﺔ ‪ :‬اﻟﻮﺣﺪة ) دور واﺣﺪ( ‪ 36‬م‪2‬‬ ‫ﺑﻌﺪ اﻟﺘﻮﺳﻌﺔ ‪ 70 :‬م‪2‬‬ ‫اﻟﻮﺣﺪة )دوﺑﻠﻜﺲ( ‪ 25 :‬م‪2‬‬ ‫ﺑﻌﺪ اﻟﺘﻮﺳﻌﺔ ‪ 72 :‬م‪2‬‬

‫ﺗﻮﺟﺪ ﻫﻨﺎك وﺳﻴﻠﺘﻴﻦ ﻟﻤﺴﺎﻋﺪة اﻟﻤﻮاﻃﻨﻴﻦ ‪:‬‬ ‫ــ ﻣﺴﺎﻋﺪﺗﻬﻢ ﺑﻄﺮﻳﻘﺔ ﺗﺒﻘﻴﻬﻢ ﻓﻲ ﻣﺴﺘﻮى ﻻﻳﺠﻌﻠﻬﻢ‬ ‫ﻳﺸﻜﻠﻮن ﻋﺒﺌ? ﻋﻠﻰ اﻟﻤﺠﺘﻤﻊ وﻟﻜﻨﻬﺎ ﺗﺒﻘﻴﻬﻢ ﻓﻲ ﻣﺴﺘﻮى‬ ‫ﻣﺘﺪﻧﻲ ﻣﺴﺘﺪام‪.‬‬ ‫ــ ﻣﺴﺎﻋﺪﺗﻬﻢ وﻓﺘﺢ ﻣﺠﺎﻻت ﺗﺠﻌﻠﻬﻢ ﻳﻌﺘﻤﺪون ﻋﻠﻰ‬ ‫أﻧﻔﺴﻬﻢ ﻓﻲ رﻓﻊ ﻣﺴﺘﻮى ﻣﻌﻴﺸﺘﻬﻢ اﻟﻤﺘﺪﻧﻲ‪.‬‬ ‫ﻣﻦ ﺟﻬﺔ أﺧﺮى ﻫﻨﺎك أﻫﺪاف ﻣﺨﺘﻠﻔﺔ ﺗﻘﻒ ﺧﻠﻒ ﺑﻨﺎء‬ ‫اﻟﻤﺴﻜﻦ أﺣﺪ ﻫﺬه ا‪P‬ﻫﺪاف ﻫﻮ ﺗﺤﻘﻴﻖ ﻋﺎﺋﺪ ﻣﺘﻨﺎﻣﻲ ﻣﻦ‬ ‫اﻻﺳﺘﺜﻤﺎر ﻓﻲ اﻟﻤﺴﻜﻦ ‪ .‬ﻓﺎﻟﻤﺴﻜﻦ ﻫﻮ اﺳﺘﺜﻤﺎر ﻃﻮﻳﻞ‬ ‫ا‪P‬ﺟﻞ ﻳﻤﻜﻦ اﻻﻋﺘﻤﺎد ﻋﻠﻴﻪ ﺧﺎﺻﺔ ﺑﺎﻟﻨﺴﺒﺔ ﻟﻠﻤﺴﻨﻴﻦ‪.‬‬ ‫ﻓﻲ ﺗﺸﻴﻠﻲ ﻳﺤﺪث اﻟﻌﻜﺲ إذ أن اﻟﻤﺴﻜﻦ ﻻﻳﺸﻜﻞ‬ ‫ﻼ ﺛﻘﻴﻼً‬ ‫اﺳﺘﺜﻤﺎر\ ﻃﻮﻳﻞ ا‪P‬ﻣﺪ ﻣﻤﺎ ﻳﺠﻌﻞ ﺗﻮﻓﻴﺮ اﻟﺴﻜﻦ ﺣﻤ ً‬ ‫ﻋﻠﻰ اﻟﺪوﻟﺔ ‪ .‬ﻓﻲ ﺗﺸﻴﻠﻲ ﺗﻔﻘﺪ اﻟﻤﺴﺎﻛﻦ ﻗﻴﻤﺘﻬﺎ ﺑﻤﺠﺮد‬ ‫إﻧﺸﺎﺋﻬﺎ‪ ،‬ﻓﻌﺎدة ﻣﺎ ﺗﺒﻨﻰ اﻟﻤﺸﺮوﻋﺎت اﻟﺴﻜﻨﻴﺔ اﻟﺤﻜﻮﻣﻴﺔ‬ ‫ﻓﻲ أراﺿﻲ ﻏﻴﺮ ﻣﺮﻏﻮب اﻟﺴﻜﻦ ﻓﻴﻬﺎ ﺧﺎرج اﻟﻤﺪﻳﻨﺔ وﺑﻌﻴﺪ\‬

‫ﻋﻦ اﻟﺨﺪﻣﺎت وأﻣﺎﻛﻦ اﻟﻌﻤﻞ‪ ،‬وﺑﺎﻟﺘﺎﻟﻲ ﻳﺸﻜﻞ اﻟﻨﻘﻞ أﻋﺒﺎء‬ ‫ﻣﺎﻟﻴﺔ ﻋﻠﻰ ﺳﻜﺎن ﻫﺬه اﻟﻤﺸﺮوﻋﺎت ‪ ،‬وﻗﺪ ﻳﻔﻘﺪ اﻟﺴﻜﺎن‬ ‫ﻋﻤﻠﻬﻢ ﻛﻮﻧﻬﻢ ﺑﻌﻴﺪﻳﻦ ﻋﻦ أﻣﺎﻛﻦ اﻟﻌﻤﺎل ‪ ،‬ﺑﺎ‪c‬ﺿﺎﻓﺔ إﻟﻰ‬ ‫أن ا‪P‬ﺳﺮ ﺗﻀﻄﺮ إﻟﻰ إرﺳﺎل ا‪P‬ﺑﻨﺎء إﻟﻰ اﻟﻤﺪارس اﻟﺤﻜﻮﻣﻴﺔ‬ ‫اﻟﻘﺮﻳﺒﺔ ذات ﻣﺴﺘﻮى اﻟﺘﻌﻠﻴﻢ اﻟﻤﺘﺪﻧﻲ ا‪P‬ﻣﺮ اﻟﺬي ﻳﺆدي إﻟﻰ‬ ‫إﻧﻌﺰال ﻫﺬه اﻟﻤﺸﺎرﻳﻊ ﻋﻦ ﺑﺎﻗﻲ أﺣﻴﺎء اﻟﻤﺪﻳﻨﺔ‪.‬‬ ‫ﻳﻬﺪف ﻫﺬا اﻟﺘﺼﻤﻴﻢ إﻟﻰ ﻋﻜﺲ ﻫﺬا اﻟﻤﺴﺎر ﻣﻦ ﺧﻼل‬ ‫ﺧﻄﻮات ﻗﺎم ﺑﻬﺎ اﻟﻤﻜﺘﺐ اﻟﻤﺴﺌﻮل ﻋﻦ اﻟﺘﺼﻤﻴﻢ‬ ‫‪ Elemental‬ﻟﻴﺘﻢ ﺗﻄﻮﻳﺮ اﻟﻤﺸﺮوع ﻋﻠﻰ أﺳﺎس ﻣﺸﺮوع‬ ‫اﺳﺘﺜﻤﺎري ﻟـ ﺛﻼث و ﺗﺴﻌﻴﻦ ﻋﺎﺋﻠﺔ ﻛﺨﻄﻮة أوﻟﻰ ﻟﻴﺒﺪأو ﺣﻴﺎة‬ ‫ﺟﺪﻳﺪة ﻳﺘﺤﺼﻨﻮن ﻓﻴﻬﺎ ﻣﻦ اﻟﻔﻘﺮ ‪.‬‬ ‫ﻳﺮﺟﻊ ﺗﺎرﻳﺦ اﻟﺤﻲ إﻟﻰ اﻟﺨﻤﺴﻴﻨﻴﺎت اﻟﻤﻴﻼدﻳﺔ ﻋﻨﺪﻣﺎ ﺗﻢ ﺑﻨﺎؤه‬ ‫ﺑﻄﺮﻳﻘﺔ ﻋﺸﻮاﺋﻴﺔ ﻏﻴﺮ ﺷﺮﻋﻴﺔ وﻛﺎن ﻳﺴﻜﻨﻪ ﻋﻤﺎل اﻟﻤﻨﺎﺟﻢ‬ ‫اﻟﻤﺠﺎورة اﻟﺘﻲ ﺳﺮﻋﺎن ﻣﺎ أﻏﻠﻘﺖ‪ ،‬وﻋﻨﺪﻣﺎ ﺑﻴﻌﺖ ا‪P‬رض إﻟﻰ‬ ‫ﻣﺎﻟﻚ ﺟﺪﻳﺪ أراد ﻫﺬا ا‪P‬ﺧﻴﺮ ﻃﺮد ﻫﺆﻻء اﻟﺴﻜﺎن و إﻋﻤﺎر‬

‫ ‪lÝu² «Ë ¡UM³ « w w U¼_« W —UA0 `L ¹ Íc « Õd²I*« q(« Ë s U *« ¡UM³ W¹bOKI² « UM¹uJ² « ŸuL−‬‬ ‫«*‪Holestic House, Detail ∫ —bB‬‬ ‫‪¡UM³ « ∂Â‬‬

‫‪S6 Albenaa‬‬

WFÝu² « q³ w½U¦ « —Ëb « jI WFÝu² « q³ w{—_« —Ëb « jI

ÂUF « l u*« WFÝu² « q³ ‰Ë_« —Ëb « jI

w uÞ ŸUD

w{dŽ ŸUD

WO U √ WNł«Ë

S9 Albenaa

WOHKš WNł«Ë

¡UM³ « πÂ

‫ا رض ﻣﻦ ﺟﺪﻳﺪ‪ ،‬ﻛﻮﻧﻬﺎ ﺗﻘﻊ ﻓﻲ ﻣﻨﻄﻘﺔ ﻣﺮﻛﺰﻳﺔ ﻣﺮﺗﻔﻌﺔ‬ ‫اﻟﺴﻌﺮ ‪ .‬إﻻ أن اﻟﺴﻜﺎن أﺣﺘﺠﻮا ﻋﻠﻰ ﻣﺤﺎوﻟﺔ ﻃﺮدﻫﻢ‬ ‫ﺧﺎﺻﺔ ﻟﻤﺎ ﺳﻮف ﻳﻔﻘﺪوﻧﻪ ﻣﻦ ﻣﻤﻴﺰات ﻗﺮب اﻟﺤﻲ ﻣﻦ‬ ‫اﻟﺨﺪﻣﺎت اﻟﻤﺨﺘﻠﻔﺔ ‪.‬‬ ‫ﻓﻲ ﻋﺎم ‪2000‬م أﻗﺘﺮح اﻟﻤﻜﺘﺐ اﻟﻤﺼﻤﻢ ‪Elemental‬‬ ‫اﻟﻤﺘﺨﺼﺺ ﻓﻲ اﻟﻤﺸﺎرﻳﻊ ا‪C‬ﺳﻜﺎﻧﻴﺔ اﻻﺟﺘﻤﺎﻋﻴﺔ دراﺳﺔ‬ ‫وﺿﻊ ﻫﺬا اﻟﺤﻲ‪ ،‬واﻗﺘﺮاح ﺣﻠﻮل ﺳﻜﻨﻴﺔ ﻟﻪ ‪ .‬وﺣﺼﻞ ﻓﻲ ﻋﺎم‬ ‫‪ 2001‬ﻋﻠﻰ ﻣﻨﺤﺔ ﻣﻦ اﻟﺤﻜﻮﻣﺔ اﻟﺘﺸﻴﻠﻴﺔ ﻟﺘﻄﻮﻳﺮ ﻣﻘﺘﺮﺣﺎﺗﻪ‪،‬‬ ‫وﺑﺎﻟﺘﻌﺎون ﻣﻊ إﺣﺪى اﻟﺠﺎﻣﻌﺎت ﻓﻲ ﺳﺎﻧﺘﻴﺎﺟﻮ اﻟﻌﺎﺻﻤﺔ‬ ‫وﺑﻤﺸﺎرﻛﺔ ا ﻫﺎﻟﻲ ﺗﻢ اﻗﺘﺮاح ﺗﺼﻤﻴﻢ اﻟﻮﺣﺪات اﻟﺴﻜﻨﻴﺔ‪.‬‬ ‫وﻧﻈﺮ‪ O‬ﻟﻠﺜﻘﺔ اﻟﺘﻲ اﻛﺘﺴﺒﻬﺎ اﻟﻤﻜﺘﺐ اﻟﻤﺼﻤﻢ ﻣﻊ ا ﻫﺎﻟﻲ‬ ‫ﺗﻢ اﻗﻨﺎﻋﻬﻢ ﺑﺎﻟﺴﻜﻦ ﻓﻲ ﻣﺴﺎﻛﻦ ﻣﺆﻗﺘﺔ ﺣﺘﻰ ﻳﺘﻢ ﺑﻨﺎء‬ ‫اﻟﻮﺣﺪات اﻟﺠﺪﻳﺪة ‪ ،‬و ﺗﻢ ا‪C‬ﻧﺘﻬﺎء ﻣﻦ اﻟﺒﻨﺎء ودﺧﻮل ا ﻫﺎﻟﻲ‬ ‫إﻟﻴﻬﺎ ﻣﻦ ﺟﺪﻳﺪ ﻓﻲ ﻋﺎم ‪2004‬م‪.‬‬ ‫ﻛﺎن اﻟﻬﺪف ا ول ﻟﺘﺼﻤﻴﻢ اﻟﻮﺣﺪات ﻫﻮ ﺗﻄﻮﻳﺮ ﻣﻌﺎﻳﻴﺮ‬ ‫ﺗﺼﻤﻴﻤﻴﺔ ﺗﺆدى إﻟﻰ زﻳﺎدة ﻗﻴﻤﺔ اﻟﻤﺴﺎﻛﻦ ﻣﻊ ﻣﺮور اﻟﺰﻣﻦ‬ ‫ﺣﺘﻰ ﻟﻮ ﻛﺎﻧﺖ ﻫﺬه اﻟﻤﺴﺎﻛﻦ ﻣﺴﺎﻛﻦ اﺟﺘﻤﺎﻋﻴﺔ‪ ،‬ﻛﻤﺎ ﻛﺎن‬

‫اﻟﻬﺪف أن ﻳﺴﻤﺢ اﻟﻤﺴﻜﻦ ﻟ[ﺳﺮة اﻟﻮاﺣﺪة ﺑﺄن ﺗﻨﻤﻮ وذﻟﻚ‬ ‫ﻣﻦ ﺧﻼل ﺑﻨﺎء ﻫﻴﻜﻞ إﻧﺸﺎﺋﻲ ﻳﻤﻜﻦ أن ﻳﺘﻮﺳﻊ اﻟﻤﺴﻜﻦ ﻓﻴﻪ‬ ‫ﻟﻴﻮاﻛﺐ ﻧﻤﻮ ا ﺳﺮة ‪ ،‬ﻋﻠﻰ أن ﻳﺘﻢ ﺑﻨﺎء ﻧﺼﻒ اﻟﻤﺴﺎﺣﺔ ﻣﻦ‬ ‫ﻗﺒﻞ اﻟﺪوﻟﺔ واﻟﻨﺼﻒ ا`ﺧﺮ ﻣﻦ ﻗﺒﻞ اﻟﺴﻜﺎن‪.‬‬ ‫ﺗﻢ ﺗﻨﻔﻴﺬ اﻟﺪﻓﻌﺔ ا وﻟﻰ ﻣﻦ اﻟﻤﺴﺎﻛﻦ ﻓﻲ ﻏﻀﻮن ﺳﺘﺔ‬ ‫أﺷﻬﺮ ﺑﻴﻨﻤﺎ اﺳﺘﻐﺮق اﻟﺤﻲ ﺳﺖ ﺳﻨﻮات ﻟﻴﺘﻢ ﺗﻄﻮﻳﺮه‬ ‫وﺗﻮﺳﻌﺘﻪ ﻣﻦ ﻗﺒﻞ ا ﻫﺎﻟﻲ‪ .‬ﺗﺘﻜﻮن ﻛﺘﻠﺔ اﻟﺒﻨﺎء اﻟﻮاﺣﺪة ﻣﻦ‬ ‫ﻣﺴﻜﻨﻴﻦ ﻓﻮق ﺑﻌﻀﻬﻤﺎ‪ ،‬ﺑﺤﻴﺚ ﻳﺘﻮﺳﻊ ﻓﻴﻬﺎ اﻟﻤﺴﻜﻦ‬ ‫ﻓﻲ اﻟﺪور ا رﺿﻲ ﻣﻦ ‪ 36‬إﻟﻰ ‪ 70‬م‪ 2‬ﺑﻤﺎ ﻓﻲ ذﻟﻚ ﺣﺪﻳﻘﺔ‬ ‫أﻣﺎﻣﻴﺔ‪ .‬أﻣﺎ اﻟﻤﺴﻜﻦ اﻟﺬي ﻳﻌﻠﻮه ﻓﻴﺘﻜﻮن ﻣﻦ دورﻳﻦ وﻳﺘﻮﺳﻊ‬ ‫ﻣﻦ ‪ 25‬إﻟﻰ ‪72‬م‪.‬‬ ‫ﺧﺼﺺ ﻟﺒﻨﺎء اﻟﻮﺣﺪة اﻟﺴﻜﻨﻴﺔ اﻟﻮاﺣﺪة ﻣﺎ ﻳﻌﺎدل ‪ 7500‬دوﻻر‬ ‫أﻣﺮﻳﻜﻲ‪ ،‬ﺑﻴﻨﻤﺎ ﻛﺎن ﻫﺬا اﻟﻤﺒﻠﻎ ﻳﺴﻤﺢ ﺑﺒﻨﺎء وﺣﺪة ﺳﻜﻨﻴﺔ‬ ‫ﺑﻤﺴﺎﺣﺔ ‪ 35‬م‪ 2‬ﻓﻲ ﻣﻮﻗﻊ ﺧﺎرج اﻟﻤﺪﻳﻨﺔ‪ .‬ﻓﻲ اﻟﻤﺸﺮوع‬ ‫اﻟﺠﺪﻳﺪ ﻗﺎم ﺑﻌﺾ اﻟﺴﻜﺎن ﺑﺒﻴﻊ ﻣﺴﺎﻛﻨﻬﻢ ﺑﻌﺪ أن ﻗﺎﻣﻮا‬ ‫ﺑﺘﻄﻮﻳﺮﻫﺎ ‪ ،‬وﺑﻠﻎ ﺳﻌﺮ اﻟﻤﺴﻜﻦ آﻧﺬاك ‪ 40‬أﻟﻒ دوﻻر أﻣﺮﻳﻜﻲ‬ ‫وﻫﺬا ﻳﻌﻨﻲ ﻧﻤﻮ ﻓﻲ ﻗﻴﻤﺔ اﻟﻤﺴﻜﻦ ﺑﻨﺴﺒﺔ ‪. ٪ 300‬‬

‫ ‪w U¼_« ‰ušœ q³‬‬

‫‪w U¼_« ‰ušœ q³ w U¼_« q³ s s U *« d¹uDð bFÐ‬‬

‫ ‪q³‬‬

‫‪bFÐ‬‬

‫‪¡UM³ « ∏Â‬‬

‫‪S8 Albenaa‬‬

Providing help for disadvantaged people comes in two ways. The first is by providing support to put them on the minimum level without overburden on the society in general.

The consequence of such is that the recipient will be forever in the same less desirable situation. The other way is to promote self-help by showing the disadvantaged how to rise above poverty levels forever.

And this what happened in Chile.

Several objectives are behind building a house. One of these is to have a secure investment for the future. A house is a long-term investment that increases in value over time.

However, in Chile this is not the case for social housing as it is considered a burden on the state. Social houses are mostly built on the outskirts of the city adding transportation cost to people who live in these areas and making living more expensive to those people who might end up losing their jobs in addition to sending their children to state schools that offer low standard of education. This creates segregation from other areas.

The aim of the Quinta Monroy, designed by Elemental, is to reverse this situation. The area of Quinta Monroy was established in 1950s and was an illegal informal settlement.

The land was sold later to a new owner who wanted to evict the residents who fought against being evicted from their homes and lose their social environment, schools, nursery, health facilities etc..

In 2000, Alejandro Aravena, one of the principles in Elemental along with his student at Harvard University examined social housing in terms of conditions and requirements. Later in 2001 they were awarded the development and planning of social housing by the Chilean government together with students from the Universidad de Chile in Santiago.

The main objective of the project is to develop a design criteria that would guarantee an increase in the value of houses over time even for social housing. In addition, the design should allow families to grow by providing enough physical space. Half of each house was conceived as a structure open and spacious enough that could be completed by the families as a do-it-yourself allowing for expansions from within. This made it possible for the state to build a house of 30-35m2 on a plot for family of five with only $7500USD. Each Building consists of two units: the ground floor singlestorey units can be expanded laterally in the courtyard garden area from 36 to 70m2. The other unit is the above duplex unit that can be expanded from 25 to 72m2 in the terrace area. With these possibilities some families opted to sell their houses for $40,000 USD achieving a value increase of 300%.

w U¼_« q³ s W U{ù« bFÐ W&UM « öOJA²K —u ÀöŁ S11 Albenaa

¡UM³ « ±±Â

¥

±

μ ≤

∂ ≥

∑

WO U{ù« WFÝu² «Ë ¡UM³ « qŠ«d «uDš wwwÆmomaÆorg ∫ —bB*« S10 Albenaa

¡UM³ « ±∞Â

±

≤

≥

¥ W UHý nB½ U½uÐd w u³ « Õ«u √ s ·öž ? ≥ …—«d×K f UŽ ZO ½ s WLOš ? ¥ S13 Albenaa

¡UM³ « ±≥Â

∫ WOzUA½≈ d UMŽ ¥ s sJ *« ÊuJ²¹ WO½UÝdš W¹e d …bŠË ? ± U½«eš UNKš«bÐ WO³Aš WOKš«œ q «u ? ≤

‫اﻟﺨﻴﻤﺔ اﻟﺴﻜﻨﻴﺔ‬ ‫‪Wall House‬‬ ‫اﻟﻤﺼﻤﻢ ‪:‬‬ ‫‪Architect : FAR frohn&rojas‬‬ ‫ا ﻧﺘﻬﺎء ﻣﻦ اﻟﺘﻨﻔﻴﺬ ‪ 2007 :‬م‬ ‫اﻟﻤﻮﻗﻊ ‪Santiago de Chile Mexico :‬‬

‫اﻟﻤﺴﺎﺣﺔ ‪ 230 :‬م‪ 2‬ﺗﻘﺮﻳﺒ‪f‬‬ ‫اﻟﺘﻜﻠﻔﺔ ‪ 100 :‬أﻟﻒ ﻳﻮرو ﺗﻘﺮﻳﺒ‪f‬‬

‫ﻫﻮ ﻣﺴﻜﻦ ﻣﻜﻮن ﻣﻦ ‪ 4‬ﻋﻨﺎﺻﺮ إﻧﺸﺎﺋﻴﺔ ﺻﻤﻤﺖ وﻧﻔﺬت‬ ‫ﺑﻤﻮاد ﻣﺨﺘﻠﻔﺔ وﺑﺄﺷﻜﺎل ﻣﺨﺘﻠﻔﺔ ﺗﺆدي ﻛﻞ ﻣﻨﻬﺎ دور ﻣﻦ‬ ‫ا‪8‬دوار اﻟﺬي ﻳﺆدﻳﻪ اﻟﺤﺎﺋﻂ ﻓﻲ اﻟﺒﻨﺎء‪ ،‬ﻓﺪور اﻟﺤﺎﺋﻂ ﻣﺘﻌﺪد‬ ‫ﻓﻬﻮ ﺗﺎرة ﻳﻘﻮم ﺑﺪور إﻧﺸﺎﺋﻲ وﺗﺎرة ﻳﻜﻮن دوره ﺗﺤﻘﻴﻖ‬ ‫اﻟﺨﺼﻮﺻﻴﺔ أو ﻳﻜﻮن ﻟﻠﻌﺰل اﻟﺤﺮاري واﻟﺼﻮﺗﻲ‪.‬‬ ‫ﻳﺘﻜﻮن اﻟﻤﺴﻜﻦ ﻣﻦ دورﻳﻦ وﺗﻢ ﺗﻘﺴﻴﻤﻪ ﺑﻮاﺳﻄﺔ ‪4‬‬ ‫أﻧﻮاع ﻣﻦ اﻟﻌﻨﺎﺻﺮ ا‪G‬ﻧﺸﺎﺋﻴﺔ ‪ :‬اﻟﻌﻨﺼﺮ ا‪8‬ول ﻫﻮ ﺣﺎﺋﻂ‬ ‫ﺧﺮﺳﺎﻧﻲ ﻳﻘﻊ ﻓﻲ ﻣﺮﻛﺰ اﻟﻤﺴﻜﻦ وﻳﺤﻮي اﻟﺤﻤﺎﻣﺎت ‪ ،‬ﺛﻢ‬ ‫ﻋﻠﻰ ﻣﺤﻴﻂ آﺧﺮ ﻳﻮﺟﺪ ﺣﺎﺋﻂ ﻣﻦ ﻫﻴﻜﻞ ﺧﺸﺒﻲ ﻳﻌﻤﻞ‬ ‫ﻛﻔﺎﺻﻞ ﺧﺼﻮﺻﻴﺔ وﻳﺤﺘﻮي ﻋﻠﻰ أرﻓﻒ ﻟﻠﺘﺨﺰﻳﻦ وﻳﻮﺟﺪ‬ ‫ﻓﻲ ﻛﻞ ﻣﻦ اﻟﺪور ا‪8‬رﺿﻲ وا‪8‬ول ‪ ،‬ﻓﻔﻲ اﻟﺪور ا‪8‬رﺿﻲ ﺗﻮﺟﺪ‬

‫ﻏﺮف اﻟﻤﻌﻴﺸﺔ واﻟﻤﻄﺒﺦ‪ ،‬ﺑﻴﻨﻤﺎ ﻓﻲ اﻟﺪور ا‪8‬ول ﺗﻮﺟﺪ‬ ‫ﻏﺮف اﻟﻨﻮم ‪ ،‬ﻳﺄﺗﻲ ﺑﻌﺪ ذﻟﻚ ﻏﻼف ﻧﺼﻒ ﺷﻔﺎف ﻣﻜﻮن ﻣﻦ‬ ‫أﻟﻮاح اﻟﺒﻮﻟﻲ ﻛﺮﺑﻮﻧﺎت اﻟﻤﻌﺰول ﺗﻮﺟﺪ ﺑﻪ ﻧﻮاﻓﺬ ﻛﺒﻴﺮة ‪،‬‬ ‫وﻳﻐﻄﻲ ﺳﻘﻒ وواﺟﻬﺎت اﻟﻤﺴﻜﻦ و ﻳﻮﻓﺮ إﺿﺎءة ﻃﺒﻴﻌﻴﺔ‬ ‫ﺟﻴﺪة وﻳﻤﻨﻊ ﻣﺮور اﻟﻬﻮاء وا‪8‬ﺗﺮﺑﺔ‪ ،‬أﻣﺎ اﻟﻌﻨﺼﺮ ا‪8‬ﺧﻴﺮ ﻓﻬﻮ‬ ‫ﺧﻴﻤﺔ ﻣﻦ ﻧﺴﻴﺞ ﻧﺼﻒ ﺷﻔﺎف ﺗﺤﻤﻲ اﻟﻤﺴﻜﻦ ﻣﻦ ﺣﺪة‬ ‫اﻟﺸﻤﺲ وﺗﻌﻜﺲ ‪ ٪ 70‬ﻣﻦ ﺣﺮارﺗﻬﺎ ‪.‬‬ ‫ﻳﺘﺼﻒ اﻟﻤﺴﻜﻦ ﺑﻨﻈﺎم ﺑﻨﺎء ﺳﻬﻞ ﻳﻤﻜﻦ اﻟﻘﻴﺎم ﺑﺘﻨﻔﻴﺬ‬ ‫ﻣﻌﻈﻤﻪ ﺑﻌﻤﺎﻟﺔ ﻏﻴﺮ ﻣﺪرﺑﺔ‪ .‬ﻓﻜﺮة اﻟﻤﺴﻜﻦ ﻗﺪ ﺗﻜﻮن‬ ‫ﻣﻨﺎﺳﺒﺔ ﻟﻠﺘﻨﻔﻴﺬ ﻓﻲ اﻟﻤﻨﺎﻃﻖ اﻟﺤﺎرة ‪8‬ﻧﻪ ﻳﺤﻘﻖ ﻋﺰﻻً ﺟﻴﺪ‪a‬‬ ‫ﺑﻴﻨﻤﺎ ﻳﻮﻓﺮ ﻣﺴﺘﻮى ﻋﺎﻟﻲ ﻣﻦ ا‪G‬ﺿﺎءة اﻟﻄﺒﻴﻌﻴﺔ‪.‬‬

‫‪¡UM³ « ¥∞Â‬‬

‫‪S40 Albenaa‬‬

×U)« s WLO)« From the Architect report : As opposed to the general notion that our living environments can be properly described and designed “in plan”, this project is a design investigation into how the qualitative aspects of the wall, as a complex membrane, structure our social interactions and climatic relationships and enable specific ecologies to develop. The project breaks down the “traditional” walls of a house into a series of four delaminated layers ( concrete cave, stacked shelving, milky shell, soft skin ) in between which the different spaces of the house slip. Each layer is characterized by very specific climatic, atmospheric, structural, material and functional properties and through that becomes part of the intelligent hierarchy underlying this low-budget project: while the innermost zones host the most demanding areas (e.g. kitchen and bathroom) the house and its materials roughen up toward the outside From the inside out the layers build upon one another, both materially, in terms of the climate concept and geometrically, blurring the boundary between the interior and the exterior and creating, through the specificity of the different materials used (many of which are not common in architectural applications), a series of qualitatively distinct environments. The building‘s most standout feature, an energy screen typically used in greenhouse construction, constitutes the outermost layer, creating not only a diffused lighting and comfortably climatized zone inside but also, through its folding and sometimesreflective/sometimes-translucent surface, contributes to the diamond-cut appearance of the structure.

S15 Albenaa

¡UM³ « ±μÂ

UNz«eł√ UŠU Ë WOł—U)« WLO K qOBHð

ÂUF « l u*«

U½uÐd w u³ « Õ«u √ s ŸuMB*« ·öG «

WOłUłe « c «uM « w{—_« —Ëb « jI

U½«eš vKŽ Íu²%Ë VA)« s WŽuMB*« jz«u(«

‰Ë_« —Ëb « jI

ŸUD WO½UÝd)« …bŠu «

S42 Albenaa

¡UM³ « ¥≤Â

μ

±

∂

≤

∑

≥

∏

¥

S17 Albenaa

¡UM³ « ±∑Â

WOzUA½ù« d UMF « dNEð WHK² UDI ∫ WKÐUI*« W×HB « WLO)« ZO ½Ë WO³A)« q «uH « lOMBðË ¡UM³ « «uDš

S16 Albenaa

¡UM³ « ±∂Â

…dO³J « WOMJ « WŠU *« w WAOF*« WŠU

…dO³J « WOMJ « WŠU *« qš«œ …dOGB « WOMJ « …bŠu « S19 Albenaa

¡UM³ « ±πÂ

sJ *« UłUO²Š« W U …dOGB « …bŠu « d uð

‫ﻣﺴﻜﻦ داﺧﻞ ﻣﺴﻜﻦ‬ ‫‪Black Box‬‬ ‫اﻟﻤﺼﻤﻢ ‪:‬‬ ‫‪Architect : Weysen and De Baere Architecten‬‬ ‫ا ﻧﺘﻬﺎء ﻣﻦ اﻟﺘﻨﻔﻴﺬ ‪ 2007 :‬م‬ ‫اﻟﻤﻮﻗﻊ ‪Ghent - Belgium :‬‬ ‫اﻟﺘﻜﻠﻔﺔ ‪ 81 :‬أﻟﻒ ﻳﻮرو‬ ‫اﻟﻤﺴﺎﺣﺔ ‪ :‬اﻟﻤﺴﺎﺣﺔ اﻟﺴﻜﻨﻴﺔ ‪ 500‬م‪ / 2‬اﻟﻮﺣﺪة اﻟﺴﻜﻨﻴﺔ ‪ 70 :‬م‪2‬‬

‫ﻫﺬا اﻟﻤﺴﻜﻦ ﻳﺤﻘﻖ اﻟﺘﻮازن ﺑﻴﻦ اﻟﻤﺘﻄﻠﺒﺎت اﻟﺒﻴﺌﻴﺔ‬ ‫واﻻﺟﺘﻤﺎﻋﻴﺔ ﺑﻄﺮﻳﻘﺔ إﻗﺘﺼﺎدﻳﺔ‪ ،‬وﻫﻲ اﻟﻤﺘﻄﻠﺒﺎت‬ ‫اﻟﺘﻲ ﺗﺘﺒﻨﺎﻫﺎ اﻟﻌﻤﺎرة اﻟﻤﺴﺘﺪاﻣﺔ‪ ،‬ﺑﺈﺳﺘﻐﻼل اﻟﻤﺒﺎﻧﻲ‬ ‫اﻟﻘﺎﺋﻤﺔ وإﺣﻴﺎء ا‪8‬ﺣﻴﺎء اﻟﻤﻬﺠﻮرة ﺑﻄﺮﻳﻘﺔ ﻣﺒﺘﻜﺮة‬ ‫وإﻗﺘﺼﺎدﻳﺔ‪ .‬ﻓﺎﻟﻜﺜﻴﺮ ﻣﻦ اﻟﺤﻠﻮل اﻟﺤﺪﻳﺜﺔ اﻟﺘﻲ ﺗﺤﺴﺐ‬ ‫ﻋﻠﻲ اﻟﻌﻤﺎرة اﻟﻤﺴﺘﺪاﻣﺔ ﺗﻜﻮن ـ ﻓﻲ أﻏﻠﺐ ا‪8‬ﺣﻴﺎن ـ‬ ‫ﺣﻠﻮل ﻣﻜﻠﻔﺔ ﻣﺎدﻳﺎ‪ .‬اﻟﻤﺴﻜﻦ ﻳﺘﻜﻮن ﻣﻦ وﺣﺪة ﺳﻜﻨﻴﺔ‬ ‫ﻣﺴﺎﺣﺘﻬﺎ ﻣﺎ ﻳﻘﺎرب ‪ 63‬م‪ 2‬ﻓﻘﻂ ‪ ،‬ﺗﺘﻮﺳﻂ ﻫﺬه اﻟﻮﺣﺪة ﻓﻲ‬ ‫ﻣﺴﺎﺣﺔ ﺳﻜﻨﻴﺔ اﻛﺒﺮ ‪ 500‬م‪ 2‬داﺧﻞ أﺣﺪ اﻟﻤﺒﺎﻧﻲ اﻟﺼﻨﺎﻋﻴﺔ‬ ‫اﻟﻤﻬﺠﻮرة‪ ،‬اﻟﻮﺣﺪة اﻟﺴﻜﻨﻴﺔ ﻣﺰودة ﺑﻜﺎﻓﺔ اﻟﻤﺘﻄﻠﺒﺎت‬ ‫اﻟﻤﻌﻴﺸﻴﺔ ﻣﻦ ﻓﺮاﻏﺎت ﻟﻠﻨﻮم واﻟﻌﻤﻞ واﻟﻤﻌﻴﺸﺔ وﻣﺠﻬﺰة‬ ‫ﺑﺨﺪﻣﺎت ﻣﺘﻜﺎﻣﻠﺔ ‪ ،‬وﻫﻲ ﻣﺼﻨﻮﻋﺔ ﺑﻄﺮﻳﻘﺔ ﺳﻬﻠﺔ اﻟﺘﺮﻛﻴﺐ‪،‬‬ ‫ﻓﺎﻟﺤﻮاﺋﻂ ﻣﻜﻮﻧﺔ ﻣﻦ ﻫﻴﻜﻞ ﺧﺸﺒﻲ وﺣﺸﻮة ﻣﻦ ﻋﺎزل‬ ‫ﺣﺮاري ﻋﺎﻟﻲ اﻟﺠﻮدة‪ .‬ﻓﻲ ﻓﺼﻞ اﻟﺸﺘﺎء ﻳﺘﻢ اﻟﻌﻴﺶ داﺧﻞ‬ ‫اﻟﻮﺣﺪة اﻟﻤﻌﺰوﻟﺔ ﺟﻴﺪا ﺧﺎﺻﺔ وأﻧﻬﺎ ﺗﻘﻊ داﺧﻞ ﻓﻀﺎء ﻣﻘﻔﻮل‬ ‫وﻣﺴﺎﺣﺘﻬﺎ ﺻﻐﻴﺮة‪ ،‬وﻟﺬﻟﻚ ﻻ ﻳﺤﺘﺎج ﺗﺪﻓﺌﺘﻬﺎ إﻻ ﻓﻲ‬ ‫ا‪8‬ﻳﺎم اﻟﺸﺪﻳﺪة اﻟﺒﺮودة ﻣﻦ اﻟﺸﺘﺎء‪ ،‬وذﻟﻚ ﺑﻮاﺳﻄﺔ ﺟﻬﺎز‬ ‫ﺗﺪﻓﺌﺔ ﻛﻬﺮﺑﺎﺋﻲ ﺻﻐﻴﺮ ‪ .‬ﻓﻲ ﻓﺼﻮل اﻟﺴﻨﺔ ا‪8‬ﺧﺮى وﺧﺎﺻﺔ‬ ‫ﻓﻲ ﻓﺼﻞ اﻟﺼﻴﻒ ﻳﺘﻢ اﻟﺘﻮﺳﻊ واﻟﻌﻴﺶ ﻓﻲ اﻟﻤﺴﺎﺣﺔ‬ ‫اﻟﺴﻜﻨﻴﺔ اﻟﻜﺒﻴﺮة‪ .‬ﻛﻤﺎ ﻳﻤﻜﻦ إﺿﺎﻓﺔ وﺣﺪات ﻓﺮﻋﻴﺔ إﺿﺎﻓﻴﺔ‬ ‫ﻟﺘﻮﺳﻌﺔ اﻟﻮﺣﺪة اﻟﺴﻜﻨﻴﺔ اﻟﺼﻐﻴﺮة ‪.‬‬

‫ «‪tKš«œ sJ *« cOHM² .bI « lMB*« «c¼ ‰öG²Ý‬‬‫‪¡UM³ « ±∏Â‬‬

‫‪S18 Albenaa‬‬

‫« ‪sJ *« WŠU qš«œ WOMJ « …bŠu‬‬

From the Architect report : The near doubling of the human population every forty years, economic globalization, new communication networks and working patterns put huge pressures on resources. The implications of such exploitations have been ignored for three-quarters of a century. Building sustainable architecture in the aftermath of such neglect, is a revised conceptualization in response to this myriad of contemporary concerns about the effects of human activity. It becomes a creative adaptation and balance of environmental, socio cultural and economic requirements.

This project Black Box could be considered such an adaptation to those requirements. It reconciles the history of any site or building with present-day demands for living. It stimulates the rejuvenation of abandoned places and their immediate surrounding. Going green is not a possibility unless it can be shown to be a more economical alternative. This project has therefore been envisioned as a ‘Do It Yourself’ project, giving people with a small budget the opportunity to construct their own house for a mere 25.000 euros. Its flexible lay out and basic structure (wooden skeleton, prefab panels) not only allows for easy construction, but also provides for different infill.

Black Box provides optimal isolation during winter within a compact volume (3.5m to 18m / 63m²), and extends the liveable footprint in summer (500m²), when less heating is required, thereby stimulating a face-to-face relation to the seasons. The compact box is made out of a wooden skeleton. It has an average U-value of 0.45 (see attached tabulation), requiring no heating when normal winter conditions. An electrical heating system with 2 convectors acts as back up during extreme colds. The west wall consists of 3-sided, polycarbonate, sliding doors, fixed in a coated, aluminium frame. The facade has glazed cabinets, providing an isolating air gap in between. At night, the box is lit by energy saving lamps. Reflection on the white inside walls provides for less artificial lighting.

To deduce a maximum usable surface out of a minimal footprint, an open layout was adopted. Building mass is restricted to a centrally positioned “functional strip”, containing kitchen counter and lavatory. Such a floating layout leads to an undefined use of space and amalgamates different functions. Furthermore a multi-employable, mobile unit acts as appendix to various programs. An extra bedroom, a bigger working station or a separate dining area belong to the possibilities. This unit consists of a wooden structure, attached to a mobile steel frame.

w{—_« —Ëb « jI

…dO³J « WOMJ « WŠU *« qš«œ …dOGB « WOMJ « …bŠu « s ÊuJ*« sJ *«

.bI « lMB*« qš«œ sJ *« l u `{u¹ ŸUD

…dOGB « WOMJ « …bŠuK WOHK)« WNł«u «

…dOGB « WOMJ « …bŠuK W dײ*« »«uÐ_« «– WO U _« WNł«u « S21 Albenaa

¡UM³ « ≤±Â

WOMJ « …bŠu « w W dײ*« »«uÐ_«

…dOGB « WOMJ « …bŠuK WHK² *« U½uJ*« `{u¹ —uEM

lÝu²K WO U{≈ …bŠË

WO U{ù« …bŠu « p¹d%

…dÝ_« œ«d √ œbŽ V Š lÝu² «

WO U{ù« …bŠu « XO³¦ð S20 Albenaa

¡UM³ « ≤∞Â

WFO³D « vKŽ qD¹ sJ *«

dOGB « ÕUM'« S23 Albenaa

w{—_« —Ëb « ‰uŠ wL× ‚«Ë— d uð ‰Ë_«—Ëb « W dý ¡UM³ « ≤≥Â

‫ﻣﺴﻜﻦ ﻳﻄﻞ‬ ‫ﻋﻠﻰ اﻟﻄﺒﻴﻌﺔ‬ ‫‪Home View – Visions of Living‬‬ ‫اﻟﻤﺼﻤﻢ ‪:‬‬ ‫‪Architect : Alfredo Haeberli‬‬ ‫ا ﻧﺘﻬﺎء ﻣﻦ اﻟﺘﻨﻔﻴﺬ ‪2016 :‬م‬ ‫اﻟﻤﻮﻗﻊ ‪ :‬ﺳﻮﻳﺴﺮا‬

‫ﻓﻲ اﻟﺒﺪاﻳﺔ ﻛﺎن اﻟﺴﺆال اﻟﻤﻄﺮوح ﺑﻴﻦ اﻟﻤﺎﻟﻚ واﻟﻤﺼﻤﻢ ﻫﻮ‬ ‫ﻛﻴﻒ ﻧﺮﻳﺪ أن ﻧﻌﻴﺶ و ﻧﺒﻨﻲ اﻟﻤﺴﺎﻛﻦ ﻓﻲ اﻟﻤﺴﺘﻘﺒﻞ‪،‬‬ ‫و ﺳﺮﻋﺎن ﻣﺎ ﺗﻢ اﻟﺘﺮﻛﻴﺰ ﻋﻠﻲ اﻟﺠﻮاﻧﺐ ا‪+‬ﺟﺘﻤﺎﻋﻴﺔ و اﻟﺒﻴﺌﻴﺔ ‪.‬‬ ‫ﻓﺘﻮﺟﻪ اﻟﺤﻞ اﻟﻲ ا‪+‬ﻫﺘﻤﺎم ﺑﺎﻟﺘﺼﻤﻴﻢ ﺑﺪأ ﻣﻦ اﻟﺪاﺧﻞ ﺑﺘﺤﻘﻴﻖ‬ ‫ﻣﺘﻄﻠﺒﺎت اﻟﺴﻜﺎن ﻣﻦ ﻓﺮاﻏﺎت ﻣﻌﻴﺸﻴﺔ وﺗﺤﺪﻳﺪ اﻟﻌﻼﻗﺎت‬ ‫اﻟﻀﺮورﻳﺔ ﺑﻴﻨﻬﺎ ‪ ،‬واﻟﺒﺤﺚ ﻋﻦ ﺣﻠﻮل ﻣﻌﻤﺎرﻳﺔ إﻗﺘﺼﺎدﻳﺔ‪،‬‬ ‫ﺗﺘﻔﺎﻋﻞ ﻣﻊ اﻟﺒﻴﺌﺔ اﻟﻄﺒﻴﻌﻴﺔ‪ ،‬وﺗﻮﻓﺮ اﻟﺮاﺣﺔ واﻟﺨﺼﻮﺻﻴﺔ‬ ‫ﻟﻠﺴﻜﺎن ﻣﻊ اﺳﺘﺨﺪام ﻣﻮاد ﺻﺪﻳﻘﺔ ﻟﻠﺒﻴﺌﺔ ﻓﻲ اﻟﺒﻨﺎء‪.‬‬ ‫ﻳﺘﻜﻮن اﻟﻤﺴﻜﻦ ﻣﻦ ﺟﻨﺎﺣﻴﻦ و ﻳﻌﺘﻤﺪ اﻟﺤﻞ ﻓﻲ اﻟﺠﻨﺎح‬ ‫اﻟﻜﺒﻴﺮ ﻣﻨﻬﻤﺎ ﻋﻠﻰ ﻋﻜﺲ اﻟﺘﻮزﻳﻊ اﻟﺪاﺧﻠﻲ اﻟﺘﻘﻠﻴﺪي‬ ‫ﻟﺘﻮﻓﻴﺮ إﻃﻼﻟﺔ ﻋﻠﻰ اﻟﺒﻴﺌﺔ اﻟﻄﺒﻴﻌﻴﺔ اﻟﻤﺘﻤﻴﺰة ﺑﻮﺿﻊ‬ ‫اﻟﻤﻌﻴﺸﺔ واﻟﻄﻌﺎم واﻟﻤﻄﺒﺦ ﻓﻲ اﻟﺪور اﻻول وﻏﺮف اﻟﻨﻮم‬ ‫ﻓﻲ اﻟﺪور اﻻرﺿﻲ ﻣﻊ ﺗﺄﻣﻴﻦ ﻋﺰل ﺟﻴﺪ ﺑﻴﻦ ﻣﺪﺧﻞ اﻟﻤﺴﻜﻦ‬ ‫وﺟﻨﺎح اﻟﻨﻮم ﻓﻲ اﻟﺪور ا‪X‬رﺿﻲ ﺑﺘﺼﻤﻴﻢ ﺣﺎﺋﻂ‬ ‫ﺧﺸﺒﻲ ﻣﻜﻮن ﻣﻦ ﺧﺰاﻧﺎت ﻛﺒﻴﺮة ﺗﻌﻤﻞ ﻛﻔﺎﺻﻞ ﺑﻴﻦ‬ ‫اﻟﻐﺮف واﻟﻤﺪﺧﻞ وﺗﻬﺪف إﻟﻰ اﻟﺘﻮﻓﻴﺮ ﻓﻲ اﻟﻤﺴﺎﺣﺔ اﻟﻜﻠﻴﺔ‬ ‫ﻟﻠﻤﺴﻜﻦ‪ .‬ﻛﻤﺎ ﺗﻢ ﺗﺨﺼﻴﺺ ﺟﻨﺎح ﻣﻨﻔﺮد ﻟﻴﻜﻮن ﺑﻤﺜﺎﺑﺔ‬ ‫ﻣﺴﻜﻦ ﻣﻨﻌﺰل ﻟ\ب وا‪X‬م ﻋﻨﺪ ﻛﺒﺮ ﺳﻨﻬﻢ وﻟﻴﺘﺮك ﻟ\ﺑﻨﺎء‬ ‫إﺳﺘﺨﺪام اﻟﻤﺒﻨﻰ اﻟﺮﺋﻴﺲ‪.‬‬ ‫اﻟﻔﻜﺮة اﻟﺘﺼﻤﻴﻤﻴﺔ ﻟﻠﻤﺸﺮوع ﻣﺴﺘﻠﻬﻤﺔ ﻛﺜﻴﺮا ﻣﻦ ﺗﺼﻤﻴﻢ‬ ‫اﻟﺴﻔﻦ ﺣﻴﺚ ﺗﻜﻮن اﻟﻤﻌﻴﺸﺔ ﻋﻠﻲ ﺳﻄﺢ اﻟﺴﻔﻴﻨﺔ ﺑﻴﻨﻤﺎ‬ ‫ﻏﺮف اﻟﻨﻮم ﺗﻘﻊ ﻓﻲ اﻻدوار اﻟﺴﻔﻠﻴﺔ ‪ ،‬وﺑﻴﻨﻤﺎ ﺗﻢ ﻋﻤﻞ اﻟﺪور‬ ‫ا‪X‬رﺿﻲ ﺷﺒﻪ ﻣﺼﻤﺖ ﻣﻌﻤﺎرﻳ‪ ،b‬ﻓﺈن اﻟﺪور ا‪X‬ول ﻣﻨﻔﺘﺢ ﻋﻠﻰ‬ ‫اﻟﺨﺎرج ﺑﻮاﺟﻬﺎت زﺟﺎﺟﻴﺔ ﺗﺤﻴﻂ ﺑﻪ وﻻ ﺗﻮﺟﺪ أﻋﻤﺪة أو ﺣﻮاﺋﻂ‬ ‫ﺛﺎﺑﺘﺔ داﺧﻠﻪ‪ ،‬ا‪X‬ﻣﺮ اﻟﺬي ﻳﺠﻌﻠﻪ ﺷﺪﻳﺪ اﻟﻤﺮوﻧﺔ‪.‬‬ ‫ﻳﺘﻤﻴﺰ أﺛﺎث ﻏﺮﻓﺔ اﻟﻤﻌﻴﺸﺔ ﻓﻲ اﻟﺪور ا‪X‬ول ﺑﺄرﻳﻜﺔ ذات‬ ‫ﺟﻠﺴﺎت ﻣﺘﺪرﺟﺔ وﻛﺄﻧﻬﺎ ﻣﺪرج ﻣﺴﺮح وﺗﻮﺟﺪ ﺑﻬﺎ ﻓﺮاﻏﺎت‬ ‫ﻟﻠﺘﺨﺰﻳﻦ ﻛﻤﺎ ﺗﻮﺟﺪ ﺧﺰاﻧﺎت ﻟﻠﻜﺘﺐ ﻋﻠﻰ اﻟﻤﺤﻴﻂ اﻟﺨﺎرﺟﻲ‬ ‫ﻟﻠﻐﺮﻓﺔ ﺗﺤﺖ ﻣﺴﺘﻮي اﻟﺸﺒﺎﺑﻴﻚ‪.‬‬ ‫روﻋﻴﺖ اﻻﺳﺘﺪاﻣﺔ ﻓﻲ ﻫﺬا اﻟﻤﺴﻜﻦ ﻣﻦ ﺧﻼل اﺳﺘﺨﺪام‬ ‫ﻣﺎدة اﻟﺨﺸﺐ اﻟﻄﺒﻴﻌﻴﺔ ‪ ،‬ﻛﻤﺎ اﺳﺘﻐﻠﺖ اﻟﻄﺎﻗﺔ اﻟﺸﻤﺴﻴﺔ‬ ‫و اﻟﺤﺮارة اﻟﺠﻮﻓﻴﺔ ﻟﺘﺮﺑﺔ اﻟﻤﻮﻗﻊ ﻟﺘﻮﻓﻴﺮ اﻟﻄﺎﻗﺔ‪ ،‬وﺗﻢ إﺟﺮاء‬ ‫ﻓﺤﺺ دﻗﻴﻖ ﻟﻤﻮاد اﻟﺘﺸﻄﻴﺐ اﻟﻤﺴﺘﺨﺪﻣﺔ ﻓﻲ اﻟﺪاﺧﻞ‬ ‫واﻟﺨﺎرج ﻟﺘﻜﻮن ﻣﺮاﻋﻴﺔ ﻟﻠﺒﻴﺌﺔ ﻣﻦ ﺣﻴﺚ اﻟﺤﺪ ﻣﻦ اﻧﺒﻌﺎﺛﺎت‬ ‫اﻟﻜﺮﺑﻮن وإﻣﻜﺎﻧﻴﺔ إﻋﺎدة ﺗﺪوﻳﺮﻫﺎ و ﻋﺪم اﺳﺘﺨﺪام ﻣﻮاد‬ ‫ﺿﺎرة ﺑﺎﻟﺼﺤﺔ اﻟﻌﺎﻣﺔ أو ﻣﻠﻮﺛﺔ ﻟﻠﺒﻴﺌﺔ ‪.‬‬ ‫‪¡UM³ « ≤≤Â‬‬

‫‪S22 Albenaa‬‬

‫‪WFO³D « vKŽ qDð ‰Ë_« —Ëb « w …dO³ W dý‬‬

From the Architect report : Prefabricated housing firm Baufritz has collaborated with designer Alfredo Häberli to show that a house can be large, luxurious, and green. Their prototype residence gets all its electricity from solar power, and also has a neat secondary smaller dwelling attached by bridge that’s designed as a home for grandparents.

Located next to Baufritz’s headquarters in Bavaria, Germany, Haussicht (or Home View) serves as a show home for the company and comprises a total floorspace of 4,280 sq ft (397 sq m), spread over two main floors, plus a wine cellar basement. The home is built primarily from wood and its distinctive look is inspired by an upturned boat.

On the first floor, two kids bedrooms share a bathroom and the master bedroom has its own ensuite. Upstairs lies a large kitchen and dining area and lounge, and a large deck, which also serves to shade the floor below.

In the main building, the ‘Flagship’, the ground floor has a spine as its visual and functional focus: built-in furniture with extensive storage space that runs centrally through the entire length of the building. This piece of furniture acts as both a partition and rear wall. Small rooms are arranged all around it. These rooms become alcoves when the sliding doors are opened. The ground floor is a quiet floor, a private space, not dissimilar to a ship’s lower deck. An ark, in the best sense of the word. The first floor is a generous space, flooded with light, containing a kitchen, dining area and front balcony, like the upper deck of a ship. There are no pillars and hardly any solid walls, a kind of open loft with continuous windows. The smallest part of this floor contains a room within a room, an impressive, rotating so called ‘Media-Koje’. This terraced seating area acts like a theatre and also serves as a couch and storage space. A bookshelf runs along the external walls at windowsill height, and this also provides seating.

The main house is linked by footbridge to a secondary, smaller dwelling that could serve as guest house. Baufritz says it’s inspired by the custom of Swiss farmers building themselves a small retirement dwelling when they pass the farm to their kids and is intended for elderly parents or grandparents. It’s a nice little pad in its own right and includes a single bedroom, dining area, kitchen, and lounge, with access gained by the bridge or a small elevator.

The sustainable technology and design for this build is significant. Haussicht is relatively air-tight, which means that it requires little energy to heat or cool. On-demand ventilation ensures there’s a steady supply of fresh air and power comes from a large roof-based solar panel array. Any excess juice can be used to charge an EV with an integrated charging point.

Heating and cooling duties are handled by a ground source heat pump. This is connected to an underground energy storage tank and a solar thermal system. In winter, even without solar input, the system produces some heat by being buried in the ground, where it’s warmer than above-ground.

We’ve no word on how much a home based on the prototype will cost to build, but it likely won’t be cheap.

‰Ë_« —Ëb « w WAOF*« W dž

‰Ë_« —Ëb « w WAOF*« W dž

ÂUFD « W dž s V½UłË a³D*« S25 Albenaa

¡UM³ « ≤μÂ

w{—_« X% —Ëb « jI W¾ b² « ô¬ W džË Ê“U

W Ozd « ÂuM « W dž s V½Uł

W Ozd « ÂuM « W dž w{—_« —Ëb « jI

‰Ë_« —Ëb « w a³D*«

‰Ë_« —Ëb « jI S24 Albenaa

¡UM³ « ≤¥Â

nI « WODG² WO³A)« «bŠu «

nI « U³ODAð VO dð

WO LA « W UD UÐ b¹Ëe² « Õ«u √ sJ *« `DÝ ‚u

S27 Albenaa

¡UM³ « ≤∑Â

lMB*« w jz«u(« lOMBð

jz«u(« qJO¼

»uI¦*« ÂuOM u _« Õ«u √ s W dײ fLý «dÝU

t²ODGðË ‰“UF « VO dð

s ¹Ë ¡U*« UNO d1 W½u b «uM qO UHð sJ *« W¾ bð w qLF² O ÷—_« …—«dŠ WDÝ«uÐ

l u*« vKŽ jz«u(« VO dð

S26 Albenaa

¡UM³ « ≤∂Â

‫ﻗﻮس ذو ﻛﻔﺎءة ﺑﻴﺌﻴﺔ‬ ‫‪Natura Dome‬‬ ‫اﻟﻤﻮﻗﻊ ‪ :‬ﻓﺮﻧﺴﺎ‬

‫ﻳﺤﻘﻖ ﻫﺬا اﻟﻤﺴﻜﻦ ﻛﻔﺎءة ﺑﻴﺌﻴﺔ واﻗﺘﺼﺎدﻳﺔ ﻋﺎﻟﻴﺔ ﻧﺘﻴﺠﺔ‬ ‫ﻻﺳﺘﺨﺪام اﻟﺘﺮﺑﺔ اﻟﻄﺒﻴﻌﻴﺔ ﻟﺘﻐﻄﻴﺘﻪ وﻋﺰﻟﻪ ﺣﺮارﻳ" ﻓﺎﻟﺘﺮﺑﺔ‬ ‫اﻟﻄﺒﻴﻌﻬﺔ ﻟﻬﺎ ﺧﺼﺎﺋﺺ ﻣﻌﺮوﻓﺔ وﺟﻴﺪة ﺑﻔﻌﻞ اﻟﺮﻃﻮﺑﺔ‬ ‫اﻟﺘﻲ ﺗﺨﺘﺰﻧﻬﺎ اﻟﺘﻲ ﺗﺠﻌﻞ اﻟﺘﺮﺑﺔ داﻓﺌﺔ ﻓﻲ اﻟﺸﺘﺎء وﺑﺎردة‬ ‫ﻓﻲ اﻟﺼﻴﻒ ‪ .‬ﻣﻦ ﺟﻬﺔ أﺧﺮى ﺻﻨﻊ ﺳﻘﻒ اﻟﻤﺴﻜﻦ اﻟﻨﺼﻒ‬ ‫داﺋﺮي ﺑﺈﺳﺘﺨﺪام وﺣﺪات ﻣﻦ أﺳﻘﻒ ﻣﻦ اﻟﺼﺎج اﻟﻤﻤﻮج‬ ‫ﻟﻤﺨﺎﺑﺊ ﻗﺪﻳﻤﺔ ﻟﻠﻄﺎﺋﺮات ﺛﻢ ﻳﺘﻢ ﺻﺐ ﺧﺮﺳﺎﻧﺔ ﺧﺎﺻﺔ ﻓﻮﻗﻪ‬ ‫ﺛﻢ ﻳﻮﺿﻊ ﻋﺎزل ﻣﻦ رﻗﺎﺋﻖ اﻟﺨﺸﺐ ﺑﺴﻤﺎﻛﺔ ‪ 60‬ﺳﻢ ﺛﻢ ﻋﺎزل‬ ‫ﻣﺎﺋﻲ ﺛﻢ ﻳﻐﻄﻰ ﺑﺎﻟﺘﺮﺑﺔ اﻟﻄﺒﻴﻌﻴﺔ اﻟﺘﻲ ﻳﻤﻜﻦ زراﻋﺘﻬﺎ‪.‬‬ ‫ﻳﻮﺟﻪ اﻟﻤﺴﻜﻦ ﻧﺤﻮ اﻟﺸﻤﺎل واﻟﺠﻨﻮب ﺑﺤﻴﺚ ﻻﻳﺘﻌﺮض‬ ‫اﻟﻤﺴﻜﻦ ‪X‬ﺷﻌﺔ اﻟﺸﻤﺲ اﻟﺤﺎرة ‪ ،‬وﺗﻮﺟﺪ ﻓﺘﺤﺎت ﻛﺒﻴﺮة ﺗﻢ‬ ‫إﻏﻼﻗﻬﺎ ﺑﺤﻮاﺋﻂ ﺗﻘﻠﻴﺪﻳﺔ وﻧﻮاﻓﺬ زﺟﺎﺟﻴﺔ ﺗﺴﻤﺢ ﺑﺎ‪Y‬ﺿﺎءة‬ ‫واﻟﺘﻬﻮﻳﺔ اﻟﻄﺒﻴﻌﻴﺔ ﺑﻴﻨﻤﺎ ﺗﻐﻄﻲ اﻟﺘﺮﺑﺔ اﻟﻤﺴﻜﻦ ﺗﻤﺎﻣ"‬ ‫ﻣﻦ اﻟﺸﺮق واﻟﻐﺮب وﻣﻦ اﻟﺴﻄﺢ ‪ .‬ﻳﺒﻠﻎ ﻣﻌﺎﻣﻞ اﻟﺘﻮﺻﻴﻞ‬ ‫اﻟﺤﺮاري ﻟﻠﻤﺴﻜﻦ ‪ . U =0.09 w/m2.k‬ﺗﻢ ﺑﻨﺎء ﻧﻤﺎذج‬ ‫ﻣﺘﻌﺪدة ﻣﻦ ﻫﺬا اﻟﻤﺴﻜﻦ ﻓﻲ أﻧﺤﺎء ﻣﺨﺘﻠﻔﺔ ﻣﻦ ﻓﺮﻧﺴﺎ‪.‬‬

‫«*‪ÂUF « l u‬‬

‫‪¡UM³ « ≤πÂ‬‬

‫‪S29 Albenaa‬‬

t U √ s `³ *«Ë sJ *« S28 Albenaa

¡UM³ « ≤∏Â

‰Ë_« —Ëb « v ≈ ÍœR*« rK «Ë WAOF*« The Natura Dome is a bioclimatic house that achieves high efficiency because of its use of natural soil to cover it and insulate it. As the soil is known for its insulation traits, the Natura Dome achieves natural heat in winter and cool in the summer.

Built under a plant canopy, the house structure consists of reinforced concrete dome cast on a metal framework that is recycled from the aerospace industry. On top lays a layer of 60cm of recycled wood chips for insulation.

This in turn is also covered with waterproofing insulation and soil for the plant canopy that cover the house from east to west. Hence, achieving thermal insulation that is second to none.

The house is oriented from north to south to avoid sunlight heat while it has big openings that allow for natural light and ventilation.

ÂUL(« s V½Uł

ÂUL(« s V½Uł S31 Albenaa

¡UM³ « ≥±Â

74

3876

100

2377

ENTREE VESTIAIRE

3350

2450

3858

9.45 M²

SDB 9.56 M²

1676

WOŽ«—“ WÐdð

600

1802

GARAGE 18.92 M²

1493

74

5137

74

CHAMBRE 01 13.86 M² 1576

2208

WC 3.97 M²

Í—«dŠ ‰“UŽ

74

74

DEG 7.28 M ²

9.53 M²

CELLIER 7.55 M²

74

3972

7902

74

1900

3000

363

W½UÝdš

2662

4526

6396

120

5153

14331

SEJOUR

17.94 M²

67.92 M²

w{—_« —Ëb « jI

sJ *« WODG² w×O{uð ŸUD

3080

74

3080

SDB 8.27 M ² 74

1600

74

4326

1406

3000

2400

3766

950

74

CHAMBRE 03 16.23 M²

3000

4926

74

WC 1.52 M²

TREMIE ESCALIER 10.69 M²

PASSERELLE 6.80 M²

1575

VIDE SUR SEJOUR

74

74

3563

c.f.

4526

CUISINE

CHAMBRE 02

‰bF mK³¹ Íc « sJ *« «c¼ s vKŽ√ w¼Ë Í—«d(« qO u² « q UF* WO uJŠ dO¹UF WFЗ√ U Ω 0.09 tO qO u² «

22.92 M²

5064

‰Ë_« —Ëb « jI WOMJ « ÖULM « bŠ√ j U

sJ *« WNł«Ë

5ŠUMł s ÊuJ Öu/

qš«b « s sJ LK œUFÐ_« wŁöŁ rÝ—

sJ *UÐ W U)« ÷—_« d¹u ð sJ1 S30 Albenaa

¡UM³ « ≥∞Â

«—UO « n u ¡UMÐ

WOł—U)« jz«u(« ¡UMÐ

WO³½U'« jz«u(« VODAð

WO³½U'« jz«u(« ‰eŽ

wzUNM « qJA «

qš«b « VODAð

S33 Albenaa

¡UM³ « ≥≥Â

sJ *« cOHMð «uDš

«dzUD « Ê“U s Ãd ² *« nI « VO dð

÷—_« W¹u ð

WÐd² UÐ `D « Âœ—

‰Ë_« —Ëb « nIÝ ¡UMÐ

`D « WŽ«—“ÆÆ

`D « ·«u( WO½UÝd)« WO J² « qLŽ S32 Albenaa

¡UM³ « ≥≤Â

© Laurent de Carniere

d׳ « s Ëb³¹ UL lL−*«

WM¹b*«Ë d׳ « vKŽ qDð …dO³ W dý qLF U¹ËU(« `DÝ qG²Ý« S35 Albenaa

¡UM³ « ≥μÂ

»öD « ¡UI² ù ¡UM lL−*« jÝu²¹

‫ﺣﺎوﻳﺎت ﻧﻘﻞ ﺳﻜﻨﻴﺔ‬ ‫‪Container Housing‬‬ ‫اﻟﻤﺼﻤﻢ ‪:‬‬ ‫‪Architect : BIG‬‬ ‫اﻟﻤﺴﺎﺣﺔ ‪ 680 :‬م‪2‬‬ ‫اﻟﻤﻮﻗﻊ ‪Copenhagen , DK :‬‬

‫‪© BIG - Bjarke-Ingels‬‬

‫‪© Laurent de Carniere‬‬

‫ ‪ŸËdA*« r −‬‬

‫‪© Laurent de Carniere‬‬

‫ﻣﻊ ﺗﺰاﻳﺪ ﻋﺪد اﻟﻄﻼب ﻓﻲ ﻣﺪﻳﻨﺔ ﻛﻮﺑﻨﻬﺎﺟﻦ ﻓﻲ اﻟﺪﻧﻤﺎرك‬ ‫ﻧﺸﺄت ﺣﺎﺟﺔ ﻟﺘﻮﻓﻴﺮ ﻣﺴﺎﻛﻦ ﻟﻬﻢ وﺑﺄﻋﺪاد ﻛﺎﻓﻴﺔ داﺧﻞ‬ ‫اﻟﻤﺪﻳﻨﺔ‪ ،‬ﻟﻴﻜﻮﻧﻮا ﻗﺮﻳﺒﻴﻦ ﻣﻦ دور اﻟﺘﻌﻠﻴﻢ‪ ،‬وﻣﻊ ﺳﻴﺎﺳﺔ‬ ‫اﻟﺤﺪ ﻣﻦ ﺗﻮﺳﻊ واﻣﺘﺪاد اﻟﻤﺪﻳﻨﺔ اﻟﺘﻲ اﻧﺘﻬﺠﺘﻬﺎ اﻟﺪﻧﻤﺎرك‪،‬‬ ‫أﺻﺒﺢ ﻣﻦ اﻟﺼﻌﺐ إﻳﺠﺎد أراﺿﻲ ﻣﻨﺎﺳﺒﺔ وﺑﺄﺳﻌﺎر ﻣﻨﺨﻔﻀﺔ‬ ‫داﺧﻞ اﻟﻤﺪﻳﻨﺔ ‪ .‬وﻟﻘﺪ رأى اﻟﻤﺼﻤﻢ أن ﻫﻨﺎك ﻓﺮﺻﺔ @ﺳﺘﻐﻼل‬ ‫ﺑﻌﺾ اﻟﻤﺴﺎﺣﺎت اﻟﺒﺤﺮﻳﺔ اﻟﻐﻴﺮ ﻣﻄﻮرة ﻋﻤﺮاﻧﻴ‪ F‬داﺧﻞ‬ ‫اﻟﻤﻴﻨﺎء اﻟﺒﺤﺮي اﻟﺮﺋﻴﺲ‪ ،‬اﻟﺬي ﻳﻘﻊ ﻓﻲ وﺳﻂ ﻛﻮﺑﻨﻬﺎﺟﻦ ‪.‬‬ ‫ﻣﻦ ﺟﻬﺔ أﺧﺮى ﻻﺣﻆ اﻟﻤﺼﻤﻢ اﻟﻤﻌﻤﺎري أﻧﻪ ﻳﻤﻜﻦ ﺗﺤﻘﻴﻖ‬ ‫ﺳﻜﻦ ﻣﻨﺨﻔﺾ اﻟﺘﻜﻠﻔﺔ ﻣﻦ ﺧﻼل إﺳﺘﺨﺪام ﺣﺎوﻳﺎت ﻧﻘﻞ‬ ‫اﻟﺒﻀﺎﺋﻊ ﻛﻮﻧﻬﺎ ﺻﻨﻌﺖ ﻟﺘﺘﺤﻤﻞ اﻟﻨﻘﻞ‪ ،‬وﻟﻌﻤﺮﻫﺎ اﻻﻓﺘﺮاﺿﻲ‬ ‫اﻟﻄﻮﻳﻞ‪ ،‬وﻟﻜﻮﻧﻬﺎ ﻗﻠﻴﻠﺔ اﻟﺘﻜﻠﻔﺔ ﺧﺎﺻﺔ وأﻧﻬﺎ ﺗﻮﻓﺮ ﻣﺮوﻧﺔ‬ ‫ﻓﻲ اﻟﺘﻮزﻳﻊ اﻟﺪاﺧﻠﻲ ‪ .‬ﻓﻤﻦ ﺧﻼل ا@ﺳﺘﻌﺎﻧﺔ ﺑﺘﺴﻌﺔ ﺣﺎوﻳﺎت‬ ‫ﻳﻤﻜﻦ ﺗﺮﺗﻴﺒﻬﺎ ﻓﻲ ﺗﻜﻮﻳﻦ ﻣﺮﻛﺰي و إﻳﺠﺎد ﻣﺠﻤﻊ ﻣﻦ ‪١٥‬‬ ‫ﺳﻜﻦ ﻃﻼﺑﻲ ﺻﻐﻴﺮ ﺑﺤﻴﺚ ﻳﺤﻮي ﻓﻨﺎء وﺳﻄﻲ @ﻟﺘﻘﺎء‬ ‫اﻟﻄﻼب ‪ .‬اﻟﻤﺠﻤﻊ اﻟﺴﻜﻨﻲ اﻟﻨﺎﺗﺞ ﻳﻤﻜﻦ أن ﻳﻜﻮن ﻋﺎﺋﻤﺎ ﻣﻤﺎ‬ ‫ﻳﺠﻌﻠﻪ ﻗﺎﺑﻞ ﻟﺘﻐﻴﻴﺮ ﻣﻮﻗﻌﻪ ﺣﺴﺐ أﻣﺎﻛﻦ إﺣﺘﻴﺎﺟﻪ ‪.‬‬

‫‪ U¹ËUŠ π s ÊuJ²¹Ë s¹—Ëœ lL−*« lHðd¹‬‬

‫‪¡UM³ « ≥¥Â‬‬

‫‪S34 Albenaa‬‬

From the Architect report : Recent years have demonstrated a substantial and sustained increase in the number of student applicants throughout Denmark. As the number of students continues to grow, additional student housing will be needed to accommodate them. There are few strategies that allow cities to expand. Yet, Copenhagen’s harbor remains an underutilized and underdeveloped area at the heart of the city.

By introducing a building typology optimized for harbor cities we can introduce a housing solution that will keep students at the heart of the city.

Meanwhile, the standardized container system has been developed to allow goods to be transported by road, water or air, to anywhere in the world in a complex network of operators at a very low cost.

By making use of the standard container system we are offered the framework for an extremely flexible building typology. By stacking 9 container units in a circle, we can create 15 studio residences which frame a centralized winter garden; this is used as a common meeting place for students. The housing is also buoyant, like a boat, so that can be replicated in other harbor cities where affordable housing is needed, but space is limited.

w{—√ Xײ « —Ëb « jI

‰Ë_« —Ëb « jI

`D « —Ëœ jI wDÝu « ¡UMH « S37 Albenaa

¡UM³ « ≥∑Â

© BIG

U¹ËU(« w …dO³ c «u½ qLŽ -

© BIG - Bjarke-Ingels

w{—_« —Ëb « jI

© BIG - Bjarke-Ingels

lL−*« s¹uJð qŠ«d

d׳ « vKŽ ·dG « s W öÞù« S36 Albenaa

¡UM³ « ≥∂Â

WAOF*« ⁄«d fÐö U½«eš

V²J*« ⁄«d

WO eM U½«eš

¨ÂuM « ¨qLF « ¨ WAOF*« ∫ WO eM nzUþË 5 WO eM*« …bŠu « ÍœRð ©± Öu/® fÐö s¹e ð ¨ w eM s¹e ð

©± Öu/® t²ŠU XK UJð b Ë ÂuM « ⁄«d S39 Albenaa

¡UM³ « ≥πÂ

©± Öu/® ÂuM « ⁄«d —uNþ W¹«bÐ

ÂuM « ⁄«d

‫وﺣﺪات ﻣﻨﺰﻟﻴﺔ ﻣﺘﺤﺮﻛﺔ‬ 5 to 1 Apartment : ‫اﻟﻤﺼﻤﻢ‬ Architect : Micheal K. Chen Architecture 2‫ م‬36 : ‫اﻟﻤﺴﺎﺣﺔ‬ New York : ‫اﻟﻤﻮﻗﻊ‬ From the Architect report : A transforming apartment for a compact but well lived home life in New York. The 5:1 Apartment integrates the functional and spatial elements for living, working, sleeping, dressing and entertaining, plus a kitchen, dining and bathing spaces within 390 sf. Situated in a 1920’s co-op building in the Gramercy Park neighborhood of Manhattan, the apartment was entirely reimagined by MKCA. A sliding storage element glides from one end of the room to the other, revealing and exchanging spaces between daytime and nighttime zones. As the moving volume pulls away from the wall, it reveals a dressing room space with built-in clothing storage. Fully extended, the space for a queen-sized fold-down bed is created. The sliding element is powered and cabled for a television and houses all of the audiovisual and networking components of the apartment along with additional storage and display space.

A pivoting enclosure with custom speakers allows the television to rotate 180 degrees for viewing from the seating area, or the bed and dressing rooms. At the opposite end of the room are spaces for a home office, and library.

©± Öu/® ÂuM « ⁄«d «b ²Ýù wDÝu « q UH « p¹d%

‫ﻣﻊ زﻳﺎدة ﻋﺪد اﻟﺴﻜﺎن ﻓﻲ اﻟﻤﺪن وإﺗﺠﺎه اﻟﺴﻜﺎن إﻟﻰ‬ ‫ أﺗﺠﻪ ﻣﺼﻤﻤﻲ اﻟﺸﻘﻖ إﻟﻰ‬،‫اﻟﺤﻴﺎة اﻟﻌﻤﻠﻴﺔ اﻟﺴﺮﻳﻌﺔ‬ ‫إﻳﺠﺎد ﺣﻠﻮل ذﻛﻴﻪ ﻟﻼﺳﺘﻔﺎدة ﻣﻦ اﻟﻤﺴﺎﺣﺎت اﻟﺼﻐﻴﺮة‬ .‫وﺗﻮﻓﻴﺮ ﺷﻘﻖ ﺗﺘﻮﻓﺮ ﻓﻴﻬﺎ ﺟﻤﻴﻊ اﺣﺘﻴﺎﺟﺎت اﻟﺴﻜﺎن‬ ‫ ﻓﻲ ﻣﺪﻳﻨﺔ ﻧﻴﻮﻳﻮرك ﻫﻲ أﺣﺪ ﻫﺬه اﻟﻨﻤﺎذج‬5 ‫ إﻟﻰ‬1 ‫ﺷﻘﺔ‬ 2‫م‬36 ‫ﺣﻴﺚ ﺗﺘﻤﻴﺰ ﺑﺼﻐﺮ ﺣﺠﻤﻬﺎ ﻓﻤﺴﺎﺣﺘﻬﺎ اﻟﻜﻠﻴﺔ‬ ‫ﺿﺎﻓﺔ إﻟﻰ وﺟﻮد ﺟﺪار ﻣﺘﺤﺮك ﻳﻌﻤﻞ ﻋﻠﻰ ﺗﺤﻮﻳﻞ‬I‫ﺑﺎ‬ .‫ إﻟﻰ ﻏﺮﻓﺔ ﻧﻮم ﻟﻴﻼ‬K‫اﻟﺸﻘﺔ ﻣﻦ ﻏﺮﻓﺔ ﻣﻌﻴﺸﺔ ﻧﻬﺎر‬ ‫ﻋﻄﺎء اﻟﻤﻜﺎن ﻣﺴﺎﺣﺔ‬I ‫ﺑﻴﺾ‬O‫ﺗﻢ اﺳﺘﺨﺪام اﻟﻄﻼء ا‬ ‫ اﻟﺘﻲ‬LED ‫ﺿﺎﻓﺔ إﻟﻰ اﺳﺘﺨﺪام إﺿﺎءة‬I‫أﻛﺒﺮ ﺑﺎ‬ ‫ ﺗﻨﻘﺴﻢ اﻟﺸﻘﺔ إﻟﻰ‬.‫ﺗﺴﺎﻋﺪ ﺑﺎﻟﺸﻌﻮر ﺑﺎﻟﺮﺣﺎﺑﺔ‬ ‫ﻗﺴﻤﻴﻦ ﻓﺮاغ اﻟﻨﻮم و ﻓﺮاغ اﻟﻤﻌﻴﺸﺔ ﺣﻴﺚ ﻳﻌﻤﻞ‬ ‫اﻟﺤﺎﺋﻂ اﻟﻤﺘﺤﺮك ﻛﻔﺎﺻﻞ ﺑﻴﻨﻬﻤﺎ وﻳﺤﺘﻮي ﻋﻠﻰ‬ .‫ﻣﻜﺘﺒﺔ وﻣﻜﺎن ﻟﺠﻬﺎز اﻟﺘﻠﻔﺎز‬

©± Öu/® WAOF*« l{Ë w WOMJ « …bŠu « S38 Albenaa

¡UM³ « ≥∏Â

©≥ Öu/® Èdš√ WI¹dDÐ W dײ*« WOMJ « …bŠu « ‰ULF²Ý«

©≥ Öu/® a³D*« …bŠË S41 Albenaa

¡UM³ « ¥±Â

©≤ Öu/® Èdš√ WI¹dDÐ W dײ*« WOMJ « …bŠu « ‰ULF²Ý«

©≤ Öu/® WAOF*« ⁄«d S40 Albenaa

¡UM³ « ¥∞Â

—bB WM¹b0 W¾O³K WI¹bB « öOH « ÂuNH b −¹ wł—Uš —uEM

öOHK wHK)« ¡UMH « S43 Albenaa

¡UM³ « ¥≥Â

‫اﻟﻔﻴﻼ اﻟﻤﺴﺘﺪاﻣﺔ‬ ‫ا ﻣﺎرات اﻟﻌﺮﺑﻴﺔ اﻟﻤﺘﺤﺪة‬ ‫اﻟﻤﺎﻟﻚ ‪ :‬ﻣﺪﻳﻨﺔ ﻣﺼﺪر‬ ‫ا ﻧﺘﻬﺎء ﻣﻦ اﻟﺘﻨﻔﻴﺬ ‪2016 :‬م‬ ‫اﻟﻤﻮﻗﻊ ‪ :‬ﻣﺪﻳﻨﺔ ﻣﺼﺪر‬

‫ﻣﺸﺮوع اﻟﻔﻴﻼ اﻟﻤﺴﺘﺪاﻣﺔ ﻓﻲ ﻣﺪﻳﻨﺔ ﻣﺼﺪر‪ ،‬ﻫﻮ ﻣﺸﺮوع‬ ‫ﺗﺠﺮﻳﺒﻲ ﻣﺰود ﺑﺘﻘﻨﻴﺎت ﻟﺘﻮﻓﻴﺮ اﻟﻄﺎﻗﺔ واﻟﻤﻴﺎه وﺗﻌﺘﺒﺮ اﻟﻔﻴﻼ‬ ‫اﻟﺼﺪﻳﻘﺔ ﻟﻠﺒﻴﺌﺔ‪ ،‬اﻟﻤﻤﺘﺪة ﻋﻠﻰ ﻣﺴﺎﺣﺔ ‪ 405‬ﻣﺘﺮ ﻣﺮﺑﻊ‪ ،‬أول‬ ‫ﻓﻴﻼ ﻳﺘﻢ ﺗﺼﻤﻴﻤﻬﺎ ﻟﺘﺤﻘﻖ ﻣﻌﺎﻳﻴﺮ اﻟﺘﺼﻨﻴﻒ »‪< 4‬ﻟﺊ« وﻓﻖ‬ ‫ﻧﻈﺎم »اﺳﺘﺪاﻣﺔ« ﻟﺘﺼﻨﻴﻒ اﻟﻤﺒﺎﻧﻲ واﻟﺘﺎﺑﻊ ﻟﻤﺠﻠﺲ أﺑﻮﻇﺒﻲ‬ ‫ﻟﻠﺘﺨﻄﻴﻂ اﻟﻌﻤﺮاﻧﻲ‪ .‬وﺑﺬﻟﻚ‪ ،‬ﺳﺘﻮﻓﺮ اﻟﻔﻴﻼ ﻃﺎﻗﺔ أﻗﻞ‬ ‫ﺑﻨﺴﺒﺔ ‪ ،٪72‬وﻣﻴﺎﻫ‪ N‬أﻗﻞ ﺑﻨﺴﺒﺔ ‪ ٪35‬ﺑﺎﻟﻤﻘﺎرﻧﺔ ﻣﻊ اﻟﻔﻴﻼت‬ ‫اﻟﺘﻘﻠﻴﺪﻳﺔ ذات اﻟﺤﺠﻢ اﻟﻤﻤﺎﺛﻞ ﻓﻲ أﺑﻮﻇﺒﻲ‪ ،‬وﺑﺎﻟﺘﺎﻟﻲ‬ ‫ﺳﺘﺴﺎﻫﻢ ﻓﻲ ﻣﻨﻊ اﻧﺒﻌﺎث ﻣﺎ ﻳﻘﺪر ﺑـ ‪ 63‬ﻃﻦ ﻣﻦ ﺛﺎﻧﻲ‬ ‫أﻛﺴﻴﺪ اﻟﻜﺮﺑﻮن ﺳﻨﻮﻳ‪.N‬‬ ‫وﺗﺠﺪر ا ﺷﺎرة إﻟﻰ أن ﺗﻜﻠﻔﺔ ﺑﻨﺎء اﻟﻔﻴﻼ ﺗﻤﺎﺛﻞ ﺗﻜﺎﻟﻴﻒ ﺑﻨﺎء‬ ‫اﻟﻤﻨﺎزل اﻟﺘﻘﻠﻴﺪﻳﺔ ذات اﻟﺤﺠﻢ اﻟﻤﻤﺎﺛﻞ‪ ،‬وﺗﺘﺴﻢ ﺑﺎﻧﺨﻔﺎض‬ ‫ﻛﻠﻔﺔ اﻟﻌﻴﺶ ﻓﻴﻬﺎ ﻧﻈﺮ^ ﻟﻜﻔﺎءﺗﻬﺎ اﻟﻌﺎﻟﻴﺔ ﻓﻲ اﺳﺘﻬﻼك‬ ‫اﻟﻄﺎﻗﺔ واﻟﻤﻴﺎه‪ .‬وﺗﻢ ﺗﺼﻤﻴﻢ اﻟﻨﻤﻮذج ا‪a‬وﻟﻲ ﻟﻠﻔﻴﻼ ﺑﺤﻴﺚ‬ ‫ﻳﻤﺪ اﻟﺸﺒﻜﺔ اﻟﻮﻃﻨﻴﺔ ﻟﻠﻜﻬﺮﺑﺎء ﺑﻨﺤﻮ ‪ 40‬أﻟﻒ ﻛﻴﻠﻮ واط ‪ /‬ﺳﺎﻋﺔ‬ ‫ﻣﻦ اﻟﻜﻬﺮﺑﺎء ﻣﻦ ﺧﻼل ‪ 89‬ﻟﻮﺣ‪ N‬ﺷﻤﺴﻴ‪ N‬ﺗﻢ ﺗﺮﻛﻴﺒﻬﺎ ﻋﻠﻰ‬ ‫اﻟﺴﻄﺢ‪ .‬وﺗﻌﺘﻤﺪ اﻟﻔﻴﻼ ﻋﻠﻰ ﺗﺼﻤﻴﻢ ذﻛﻲ ﻳﺴﺘﺨﺪم ﺣﻠﻮل‬ ‫ﻛﻔﺎءة اﻟﻄﺎﻗﺔ ﻟﻠﺤﺪ ﻣﻦ ﺗﺄﺛﻴﺮﻫﺎ ﻋﻠﻰ اﻟﺒﻴﺌﺔ‪ .‬وﻣﻦ اﻟﻤﺘﻮﻗﻊ‬ ‫أن ﺗﺴﺘﻬﻠﻚ اﻟﻔﻴﻼ اﻟﻤﻜﻮﻧﺔ ﻣﻦ أرﺑﻊ ﻏﺮف ﻧﻮم ‪97‬‬ ‫ﻛﻴﻠﻮ واط ‪ /‬ﺳﺎﻋﺔ ﻓﻘﻂ ﻣﻦ اﻟﻜﻬﺮﺑﺎء ﻟﻜﻞ ﻣﺘﺮ ﻣﺮﺑﻊ‪.‬‬ ‫ﻳﻌﺘﻘﺪ اﻟﻨﺎس ﻋﻤﻮﻣ‪ N‬أن اﻟﺨﻴﺎرات اﻟﻤﺴﺘﺪاﻣﺔ ﻣﻜﻠﻔﺔ أﻛﺜﺮ‪،‬‬ ‫ﻟﻜﻦ ﻣﻔﻬﻮم اﻟﻔﻴﻼ اﻟﺼﺪﻳﻘﺔ ﻟﻠﺒﻴﺌﺔ ﻳﺜﺒﺖ أن ﻫﺬا اﻻﻋﺘﻘﺎد‬ ‫ﺧﺎﻃﺊ‪ .‬وإن ﻫﺬه اﻟﻔﻴﻼ اﻟﻤﺴﺘﺪاﻣﺔ ﺗﻨﺴﺠﻢ ﻣﻊ ﻣﺒﺎدئ‬ ‫ﻣﺪﻳﻨﺔ ﻣﺼﺪر ﻟﻠﺘﻨﻤﻴﺔ اﻟﻤﺴﺘﺪاﻣﺔ ﻓﻬﻲ ﻓﻌﺎﻟﺔ ﻣﻦ ﺣﻴﺚ‬ ‫اﻟﺘﻜﻠﻔﺔ وﺗﺮاﻋﻲ اﻟﺴﻼﻣﺔ اﻟﺒﻴﺌﻴﺔ وﺗﺼﻤﻴﻤﻬﺎ ﻳﺠﻌﻠﻬﺎ‬ ‫ﻣﻼﺋﻤﺔ ﻟﻤﺘﻄﻠﺒﺎت اﻟﺜﻘﺎﻓﺔ اﻟﻤﺤﻠﻴﺔ‪ .‬وﺑﻔﻀﻞ ﻛﻔﺎءﺗﻬﺎ‬ ‫ﻓﻲ اﺳﺘﻬﻼك اﻟﻄﺎﻗﺔ واﻟﻤﻴﺎه‪ ،‬ﺳﻮف ﻳﻼﺣﻆ ﺳﻜﺎن اﻟﻔﻴﻼ‬ ‫اﻧﺨﻔﺎﺿ‪ N‬ﻛﺒﻴﺮ^ ﻓﻲ ﻗﻴﻤﺔ ﻓﻮاﺗﻴﺮ اﻟﻜﻬﺮﺑﺎء واﻟﻤﻴﺎه‪.‬‬ ‫وﻳﻈﻬﺮ ﻧﻤﻮذج اﻟﻔﻴﻼ اﻟﻤﺴﺘﺪاﻣﺔ أﻧﻪ ﺑﺎ ﻣﻜﺎن ﺗﻨﻔﻴﺬ‬ ‫ﺗﺼﺎﻣﻴﻢ ﻣﺴﺘﺪاﻣﺔ ﺗﺘﻤﺎﺷﻰ ﻣﻊ اﻟﻤﺘﻄﻠﺒﺎت اﻟﺒﻴﺌﻴﺔ‬ ‫واﻻﺟﺘﻤﺎﻋﻴﺔ واﻻﻗﺘﺼﺎدﻳﺔ ﻟﻤﻨﻄﻘﺔ اﻟﺨﻠﻴﺞ‪ .‬وﺗﻘﻊ اﻟﻔﻴﻼ‬ ‫اﻟﻤﺴﺘﺪاﻣﺔ ﻓﻲ »ﻣﺪﻳﻨﺔ ﻣﺼﺪر«‪ ،‬وﻫﻲ ﻣﻦ أﻛﺜﺮ ﻣﺪن‬ ‫اﻟﻌﺎﻟﻢ اﺳﺘﺪاﻣﺔ ﻓﻲ أﺑﻮﻇﺒﻲ‪ .‬وﺗﻌﻤﻞ اﻟﻤﺪﻳﻨﺔ ﻋﻠﻰ‬ ‫دﻋﻢ اﻻﺑﺘﻜﺎر ﻓﻲ اﻟﺘﻜﻨﻮﻟﻮﺟﻴﺎ اﻟﻨﻈﻴﻔﺔ واﻻﺳﺘﺪاﻣﺔ ﻣﻦ‬ ‫ﺧﻼل دﻣﺞ اﻟﺘﻌﻠﻴﻢ ﻣﻊ اﻟﺒﺤﺚ واﻟﺘﻄﻮﻳﺮ‪ ،‬واﻻﺳﺘﺜﻤﺎر ﻣﻊ‬ ‫ﻓﺮص ا‪a‬ﻋﻤﺎل‪.‬‬

‫‪¡UM³ « ¥≤Â‬‬

‫‪S42 Albenaa‬‬

‫ ‪Âu½ W dž ¨ WAOF*« W U‬‬

‫ ‪U¼cOHMð bFÐ öOHK …—u‬‬

WO U _« WNł«u « S45 Albenaa

¡UM³ « ¥μÂ

тАл╪зя╗Яя║Шя╗оя╗Уя╗┤я║о я╗Уя╗▓тАм тАл╪зя╗Яя╗дя║┤я║Оя║гя║ФтАм тАлтАкThat HouseтАмтАм тАл╪зя╗Яя╗дя║╝я╗дя╗в тАк:тАмтАм тАлтАкArchitect : Austin Maynard ArchitectsтАмтАм тАл╪зя╗Яя╗дя╗оя╗Чя╗К тАк :тАм╪зя║│я║Шя║о╪зя╗Яя╗┤я║ОтАм тАл╪з я╗зя║Шя╗мя║О╪б я╗гя╗ж ╪зя╗Яя║Шя╗ия╗Фя╗┤я║м тАк:тАмтАм тАлтАкCompletion : September 2015тАмтАм

тАл╪зя╗Яя╗дя║┤я║Оя╗Ыя╗ж ╪зя╗Яя║ия║Оя║╗я║Ф я╗Уя╗▓ ╪гя║│я║Шя║о╪зя╗Яя╗┤я║О ╪░╪з╪к я╗гя║┤я║Оя║гя║О╪к я╗Ыя║Тя╗┤я║о╪йтАм тАля╗зя║Шя╗┤я║ая║Ф я╗Я)┘Ия║┐я║О╪╣ ╪зя╗╗я╗Чя║Шя║╝я║О╪пя╗│я║Ф ┘И╪зя╗Яя║Ья╗Шя║Оя╗Уя╗┤я║Ф ┘И╪з ╪▒╪╢ ╪зя╗Яя╗дя╗ия║Тя║┤я╗Дя║ФтАм тАл┘Ия║│я╗мя╗оя╗Яя║Ф ╪зя╗Яя║Шя╗оя║│я╗К я╗Уя╗┤я╗мя║ОтАк ╪МтАм╪ея╗╗ ╪г┘Ж ╪зя╗Яя║Шя╗оя║│я╗К ┘И╪зя╗╗я╗гя║Шя║к╪з╪п ╪зя╗Яя╗Мя╗дя║о╪зя╗зя╗▓тАм тАл╪гя║╗я║Тя║в я╗│я║дя╗дя╗Ю ╪зя╗Яя║к┘Ия╗Яя║Ф ╪гя╗Ля║Тя║О╪б я╗гя║Оя╗Яя╗┤я║Ф я╗Ыя║Тя╗┤я║о╪й я╗Яя║Шя║Дя╗гя╗┤я╗ж ╪зя╗Яя║ия║кя╗гя║О╪ктАм тАл┘И╪зя╗Яя╗дя║о╪зя╗Уя╗Ц ┘И╪зя╗Яя╗ия╗Шя╗Ю я╗Яя║Шя╗Ря╗Дя╗┤я║Ф я╗Ыя║Оя╗Уя║Ф ╪гя╗зя║дя║О╪б ╪зя╗Яя╗дя║кя╗│я╗ия║ФтАк ╪МтАмя║Ся║ОтАк:тАмя║┐я║Оя╗Уя║ФтАм тАл╪ея╗Яя╗░ ╪░я╗Яя╗Ъ я╗Уя║И┘Ж ╪зя╗Яя╗дя║┤я║Оя╗Ыя╗ж ╪зя╗Яя╗о╪зя║│я╗Мя║Ф я║Чя║┤я║Шя╗мя╗ая╗Ъ я╗Гя║Оя╗Чя║Ф я╗Ыя║Тя╗┤я║о╪йтАм тАля╗Яя║Шя╗Ья╗┤я╗┤я╗Фя╗мя║О ┘Ия║Чя║кя╗Уя║Мя║Шя╗мя║О тАк .тАмя╗Ыя╗дя║О я╗│я║░я╗│я║к я║Чя╗оя║│я╗К ┘И╪зя╗гя║Шя║к╪з╪п ╪зя╗Яя╗дя║к┘Ж я╗гя╗жтАм тАля╗гя║Шя╗Дя╗ая║Тя║О╪к ╪зя╗Яя╗ия╗Шя╗Ю я╗Яя╗Ья╗▓ я╗│я║╝я╗Ю ╪зя╗Яя║┤я╗Ья║О┘Ж я╗Яя╗ая║ия║кя╗гя║О╪к ┘И╪зя╗Яя╗дя║о╪зя╗Уя╗Ц ╪зя╗Яя╗дя║ия║Шя╗ая╗Фя║ФтАм тАл)╪зя╗Яя║Шя╗Мя╗ая╗┤я╗дя╗┤я║Ф ┘И╪зя╗Яя║╝я║дя╗┤я║ФтАк ╪МтАм┘И╪зя╗Яя║Шя║ая║О╪▒я╗│я║Ф тАк..тАм╪ея╗Яя║ж(тАк .тАмя║Ся║ОтАк:тАмя║┐я║Оя╗Уя║Ф ╪ея╗Яя╗░ ╪г┘Ж ╪ея║Ся║Шя╗Мя║О╪птАм тАл╪зя╗Яя╗дя║┤я║Оя╗Ыя╗ж я╗Ля╗ж ╪зя╗Яя║ия║кя╗гя║О╪к я╗╗я╗│я╗ия║Оя║│я║Р я╗Ыя║Тя║О╪▒ ╪зя╗Яя║┤я╗ж ┘И╪з я╗Гя╗Фя║О┘Д ╪зя╗Яя╗дя╗Мя║Оя╗Чя╗┤я╗жтАк.тАмтАм тАля║гя║Шя╗░ ╪гя║╗я║Тя║дя║Ц ╪зя╗Яя╗дя║┤я║Оя╗Ыя╗ж я╗гя║╕я╗Ья╗ая║Ф я╗Ля╗дя║о╪зя╗зя╗┤я║Ф я╗Ыя║Тя╗┤я║о╪й я╗Уя╗▓ я╗гя╗Мя╗Ия╗в ╪зя╗Яя╗дя║к┘ЖтАм тАл╪зя╗╗я║│я║Шя║о╪зя╗Яя╗┤я║ФтАк .тАмя╗ля║м╪з ╪зя╗Яя╗дя║┤я╗Ья╗ж я╗│я║дя║О┘И┘Д ╪г┘Ж я╗│я╗Шя╗ая╗Ю я╗гя╗ж я╗гя║┤я║Оя║гя║О╪к ╪зя╗Яя╗дя║┤я╗Ья╗жтАм тАл┘Ия╗гя╗Мя║Оя╗Яя║ая║Ф ╪зя╗Яя╗Мя║ая║░ ╪зя╗Яя╗дя║┤я║Оя║гя╗▓ я╗Уя╗▓ я╗Уя║Шя║в ╪зя╗Яя╗дя║┤я╗Ья╗ж я╗Ля╗ая╗░ ╪зя╗Яя║ия║О╪▒╪мтАм тАл┘Ия║Чя╗оя╗Уя╗┤я║о ┘И╪зя║Яя╗мя║О╪к ╪▓я║Яя║Оя║Яя╗┤я║Ф я╗Ыя║Тя╗┤я║о╪й я╗Уя╗▓ ╪зя╗Яя║╕я╗дя║О┘Д ┘И╪зя╗Яя║ая╗ия╗о╪и я║Ся║дя╗┤я║ЪтАм тАля╗╗я╗│я║╕я╗Мя║о ╪зя╗Яя║┤я╗Ья║О┘Ж я║Ся╗мя║м┘З ╪зя╗Яя╗дя║╕я╗Ья╗ая║ФтАк .тАм┘Ия╗Яя║Шя╗оя╗Уя╗┤я║о ╪зя╗Яя║ия║╝я╗оя║╗я╗┤я║ФтАм тАля╗Чя║О┘Е ╪зя╗Яя╗дя║╝я╗дя╗в я║Ся╗оя║┐я╗К я║│я╗о╪зя║Чя║о я╗гя║Шя║дя║оя╗Ыя║Ф я║Чя║оя║Чя╗Фя╗К я╗гя╗ж ╪гя║│я╗Фя╗Ю ╪ея╗Яя╗░тАм тАл╪гя╗Ля╗ая╗░ я║Ся║дя╗┤я║Ъ я╗│я╗дя╗Ья╗ж ╪▒я╗Уя╗Мя╗мя║О я╗Яя║Шя║дя╗Шя╗┤я╗Ц ╪зя╗Яя║ия║╝я╗оя║╗я╗┤я║Ф ┘Ия║Чя║о┘Г ╪зя╗Яя║ая║░╪бтАм тАл╪з я╗Ля╗ая╗░ я╗гя╗ж ╪зя╗Яя╗о╪зя║Яя╗мя║О╪к ╪зя╗Яя║░я║Яя║Оя║Яя╗┤я║Ф я╗Яя║Шя╗оя╗Уя╗┤я║о ╪зя║┐я║О╪б╪й я╗Гя║Тя╗┤я╗Мя╗┤я║Ф я╗Ыя║Оя╗Уя╗┤я║ФтАм тАл╪ея╗Яя╗░ ╪зя╗Яя║к╪зя║зя╗ЮтАк .тАмя╗Уя╗▓ ╪зя╗Яя║к╪зя║зя╗Ю я╗│я╗Мя║Оя╗Яя║Ю ╪зя╗Яя╗дя║╝я╗дя╗в я║┐я╗┤я╗Ц ╪зя╗Яя╗дя║┤я║Оя║гя║О╪ктАм тАля║Ся╗Шя╗о╪зя╗Гя╗К я╗гя║Шя║дя║оя╗Ыя║Ф я║Ся╗┤я╗ж ╪зя╗Яя╗Фя║о╪зя╗Пя║О╪к я║Чя║┤я╗дя║в я║Ся╗Ая╗в ╪зя╗Яя╗Фя║оя╗Пя║О╪к я║Ся╗┤я╗жтАм тАля║Ся╗Мя╗Ая╗мя║О я╗Ля╗ия║к ╪зя╗Яя║дя║Оя║Яя║Ф ╪ея╗Яя╗░ ╪▓я╗│я║О╪п я╗гя║┤я║Оя║гя║Ф ╪зя╗Яя╗Фя║о╪з╪║ ╪з я╗гя║о ╪зя╗Яя║м┘К я╗│я╗оя╗Уя║отАм тАля╗Я)я║│я║о╪й ╪зя╗Яя║┤я║Оя╗Ыя╗ия║Ф ╪зя╗╗я║Яя║Шя╗дя║О╪╣ ╪г┘И ╪зя╗╗я╗зя╗Фя║о╪з╪п я║гя║┤я║Р ╪зя╗Яя║дя║Оя║Яя║ФтАк.тАмтАм

тАлтАк┬й Photos Photographed by Tess KellyтАмтАм

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From the Architect report: We were asked to provide the family with ‘just the right amount of space’. By creating large openings and generous connections to the garden we aimed to make this modest-sized house feel abundant and broad. The result is a home that is almost half the size of its neighbours without compromising liveability. Australian homes are the largest in the world. This is a significant problem for Australia. A stable economy, aspirational culture and relatively flat topography have enabled Australians to occupy homes that are far bigger than they require. Melbourne’s flat landscape, loose topographical boundaries and rapidly growing population have meant that large homes have spread over the food belt and into arid areas. Large homes, and their associated sprawl, are highly problematic.

Services and infrastructure, such as food, water, electricity, communications, health and education are stretched at great expense to the public, both financially and environmentally.

Large, deep homes are less responsive to the climates of Australia’s cities. Therefore heating and cooling demands are radically increased.

Large homes, and the subsequent sprawl, place significant demands on private car ownership and associated infrastructure, which is by far the least sustainable transport option. People who are unable to drive (the elderly, children, people with disabilities, etc) are often left isolated without reliable alternative transport options. Walking and riding become difficult, and often dangerous, in sprawl areas.

THAT house is a conscious effort to create a home that is almost half the floor area of its neighbours, without compromising function and quality. THAT House has three bedrooms and a bathroom upstairs. The ground floor has a kitchen, lounge, dining and living. There is also a study space on the ground floor that can convert to an additional bedroom. Hidden within the extensive spotted gum timber-lined cabinetry there are services and a variety of storage. Part of the front facade has been recessed. A tree penetrates through the roof whilst a garden bridges the kitchen and dining. The line between inside and out has been significantly blurred to bring the garden deep into the house. THAT House can open up to the outdoors, to the garden and to the street. Importantly THAT House is able to adapt to multiple privacy needs through use of up-blinds that enables complete control.

Like all of our buildings, sustainability is at the core of THAT House. Passive solar gain, passive ventilation, high performance insulation, double glazing, rainwater reuse, local materials (where possible) and solar panels all play a part.

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‫ﻣﻦ أﻋﻤﺎل اﻟﺮﻛﻦ‬ ‫ﻟ ﺳﺘﺸﺎرات‬ ‫اﻟﻬﻨﺪﺳﻴﺔ‬ ‫ﻣﺠﻤﻌﺎت وﺣﺪات‬ ‫ﺳﻜﻨﻴﺔ ﺧﺎﺻﺔ‬ ‫اﻟﻤﻮﻗﻊ ‪ :‬ﻣﺪﻳﻨﺔ اﻟﺮﻳﺎض‬

‫ﻳﻬﺪف ﻫﺬا اﻟﻤﺸﺮوع إﻟﻰ إﻧﺸﺎء ﺑﻴﺌﺔ‬ ‫ﺳﻜﻨﻴﺔ ﻣﺘﻜﺎﻣﻠﺔ ﺗﺤﺘﺮم اﻟﻌﺎدات‬ ‫واﻟﺘﻘﺎﻟﻴﺪ ﻓﻲ اﻟﻤﺠﺘﻤﻊ اﻟﺴﻌﻮدي‬ ‫وﺗﻠﺒﻲ ﻛﺎﻓﺔ اﺣﺘﻴﺎﺟﺎﺗﻪ ‪ ،‬ﻛﻤﺎ ﻳﻬﺪف‬ ‫اﻟﻤﺸﺮوع إﻟﻰ ﺗﻮﻓﻴﺮ ﻋﻨﺎﺻﺮ ﺟﻤﺎﻟﻴﺔ‬ ‫ﻟﺘﻠﺒﻴﺔ ﻣﺘﻄﻠﺒﺎت اﻟﺤﻴﺎة ﺑﻤﺨﺘﻠﻒ‬ ‫ﺟﻮاﻧﺒﻬﺎ وﻣﻈﺎﻫﺮﻫﺎ‪.‬‬ ‫ﺟﺎء اﻟﻤﺸﺮوع ﻣﻌﺒﺮ> ﻓﻲ ﺳﻴﺎق‬ ‫ﺷﻜﻠﻪ اﻟﻌﺎم ﻋﻦ ﻣﻜﻮﻧﺎت »واﺣﺔ‬ ‫ﻫﺎدﺋﺔ« وﺳﻂ ﻣﺪﻳﻨﺔ ﻣﻜﺘﻈﺔ‪،‬‬ ‫واﻋﺘﻤﺪ اﻟﻤﺸﺮوع ﻋﻠﻰ ﻣﺤﺎﻛﺎة اﻟﺘﺮاث‬ ‫واﻟﺘﻘﺎﻟﻴﺪ ﺑﺄﺳﻠﻮب ﻛﻼﺳﻴﻜﻲ ﻣﻌﺎﺻﺮ‪.‬‬ ‫ﻛﻤﺎ ﺗﻤﻴﺰ ﺑﺘﻨﺎﻏﻢ اﻟﻔﻀﺎء اﻟﺨﺎرﺟﻲ‬ ‫واﻟﺪاﺧﻠﻲ ﻣﻦ ﺧﻼل دﻣﺞ اﻟﻤﺴﺎﺣﺎت‬ ‫اﻟﺪاﺧﻠﻴﺔ واﻟﺨﺎرﺟﻴﺔ‪.‬‬ ‫إن ﻫﺬا اﻟﺘﺼﻤﻴﻢ اﻟﻤﻘﺘﺮح درس‬ ‫ﺑﻌﻨﺎﻳﺔ ﻟﺘﻠﺒﻴﺔ ﻣﻄﺎﻟﺐ واﺣﺘﻴﺎﺟﺎت‬ ‫ﺳﺎﻛﻨﻲ اﻟﺘﺠﻤﻌﺎت ﺣﻴﺚ روﻋﻲ‬ ‫ﻓﻲ اﻟﺘﺼﻤﻴﻢ اﻟﺪاﺧﻠﻲ ﺗﻠﺒﻴﺔ ﻛﺎﻓﺔ‬ ‫اﺣﺘﻴﺎﺟﺎت ا‪U‬ﺳﺮة ﻣﻦ ﺧﻼل اﻟﻔﻀﺎءات‬ ‫وﻋﻼﻗﺘﻬﺎ ﺑﺒﻌﻀﻬﺎ‪ ،‬ﻛﻤﺎ روﻋﻲ ﻓﻲ‬ ‫اﻟﺘﺼﻤﻴﻢ اﻟﺪاﺧﻠﻲ ﺗﺤﻘﻴﻖ اﻟﻔﺨﺎﻣﺔ‬ ‫ا‪U‬ﻧﺎﻗﺔ واﻟﺒﺴﺎﻃﺔ ﺑﺄﻗﻞ اﻟﺘﻜﺎﻟﻴﻒ‪.‬‬ ‫ﻳﻀﻢ اﻟﻤﺸﺮوع ﺑﺎ[ﺿﺎﻓﺔ إﻟﻰ اﻟﻮﺣﺪات‬ ‫اﻟﺴﻜﻨﻴﺔ ﻧﺎدي ﺻﺤﻲ وﻣﺤﻼت ﺗﺠﺎرﻳﺔ‬ ‫وﺧﺪﻣﺎت أﺧﺮى وﻗﺪ ﺗﻤﻴﺰت اﻟﻔﻀﺎءات‬ ‫اﻟﺨﺎرﺟﻴﺔ ﺑﺘﻮﻓﻴﺮ ﻣﺴﺎﺣﺎت وﻣﺴﻄﺤﺎت‬ ‫ﺧﻀﺮاء ﻣﻈﻠﻠﺔ وأﻣﺎﻛﻦ ﻟﻠﺠﻠﻮس‪.‬‬ ‫اﻟﻤﺼﺪر ‪ :‬ﻣﻦ ﺗﻘﺮﻳﺮ اﻟﻤﺼﻤﻢ‬

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w{—_« —Ëb « jI

‫ﻣﻦ أﻋﻤﺎل ﻣﻜﺘﺐ‬ ‫ﻋﻠﻢ اﻟﻤﻌﻤﺎر‬ ‫ﻟﻠﻬﻨﺪﺳﺔ‬ ‫ﻗﻄﻮف ــ ﻣﺸﺎرف ﻫﻴﻠﺰ‬ ‫اﻟﻤﺎﻟﻚ و اﻟﻤﻄﻮر ‪ /‬ﺷﺮﻛﺔ ﻃﺮاز اﻟﻌﺮﺑﻴﺔ‬ ‫اﻟﻤﻮﻗﻊ ‪ :‬اﻟﺮﻳﺎض‬

‫ﻳﻘﻊ ﻣﺸﺮوع ” ﻗﻄﻮف“ ﻓﻲ ﺷﻤﺎل‬ ‫ﻣﺪﻳﻨﺔ اﻟﺮﻳﺎض ”ﺑﻀﺎﺣﻴﺔ ﻣﺸﺎرف‬ ‫ﻫﻴﻠﺰ“ ﺑﺤﻲ اﻟﻨﺮﺟﺲ وﻗﺮﻳﺐ ﻣﻦ‬ ‫اﻟﺪاﺋﺮي اﻟﺸﻤﺎﻟﻲ اﻟﺜﺎﻧﻲ )ﻃﺮﻳﻖ‬ ‫اﻟﻤﻠﻚ ﺳﻠﻤﺎن( ﻋﻠﻰ إﻣﺘﺪاد ﻃﺮﻳﻖ‬ ‫أﺑﻮ ﺑﻜﺮ اﻟﺼﺪﻳﻖ ﺷﻤﺎﻻً‪ ،‬وﺳﻴﻜﻮن‬ ‫اﻟﻤﺸﺮوع ﻓﻲ اﻟﻤﺴﺘﻘﺒﻞ ﻗﺮﻳﺒ‪ B‬ﻣﻦ‬ ‫اﻟﻤﻮاﻗﻊ اﻟﻬﺎﻣﺔ واﻟﻤﻌﺎﻟﻢ اﻟﺮﺋﻴﺴﺔ‬ ‫ﻟﻤﺪﻳﻨﺔ اﻟﺮﻳﺎض‪ .‬وﺗﺘﻤ ّﻴﺰ اﻟﻀﺎﺣﻴﺔ‬ ‫ﺑﺄﻧﻬﺎ ﻣﻨﻄﻘﺔ ﺳﻜﻨﻴﺔ ﺷﺒﻪ ﻣﻐﻠﻘﺔ‬ ‫ﺑﺎ‪R‬ﺿﺎﻓﺔ إﻟﻰ ﻣﺠﻤﻮﻋﺔ ﻣﻦ اﻟﺨﺪﻣﺎت‬ ‫اﻟﺮاﻗﻴﺔ واﻟﻤﺮاﻓﻖ ا‪S‬ﺳﺎﺳﻴﺔ ﻣﺜﻞ‬ ‫اﻟﺤﺪاﺋﻖ واﻟﻤﻼﻋﺐ وا‪S‬ﺳﻮاق اﻟﺘﺠﺎرﻳﺔ‬ ‫واﻟﻤﺴﺎﺟﺪ‪ ،‬وﻛﺬﻟﻚ وﺟﻮد أﻛﺒﺮ ﺣﺪﻳﻘﺔ‬ ‫ﻣﻔﺘﻮﺣﺔ ﻓﻲ ﺣﻲ ﺳﻜﻨﻲ ﻓﻲ ﻣﺪﻳﻨﺔ‬ ‫اﻟﺮﻳﺎض ﺗﻘﺪر ﻣﺴﺎﺣﺘﻬﺎ ﺑﺄﻛﺜﺮ ﻣﻦ ‪52‬‬ ‫أﻟﻒ ﻣﺘﺮ ﻣﺮﺑﻊ‪.‬‬ ‫ﻳﺘﻜﻮن اﻟﻤﺸﺮوع ﻣﻦ ﻣﺠﻤﻊ ﺳﻜﻨﻲ‬ ‫وﻳﻀﻢ ‪ 50‬ﻓﻴﻼ ﺗﻘﻊ ﻋﻠﻰ ﺑﻠﻮﻛﻴﻦ‪.‬‬ ‫اﻟﺒﻠﻮك ا‪S‬ول )‪ (22‬ﻳﻘﻊ ﻋﻠﻰ أرض‬ ‫ﻣﺴﺎﺣﺘﻬﺎ ‪ 9,157.7‬م‪ 2‬وﻳﺘﻜﻮن ﻣﻦ‬ ‫‪ 38‬ﻓﻴﻼ ﻧﻤﺎذج ﺗﺼﻤﻴﻤﻴﺔ ‪.A1,A2,B,C‬‬ ‫أﻣﺎ اﻟﺒﻠﻮك اﻟﺜﺎﻧﻲ )‪ (23‬ﻳﻘﻊ ﻋﻠﻰ ارض‬ ‫ﻣﺴﺎﺣﺘﻬﺎ ‪ 4,091.08‬م‪ 2‬وﻳﺘﻜﻮن ﻣﻦ ‪12‬‬ ‫ﻓﻴﻼ ﻧﻤﺎذج ﺗﺼﻤﻴﻤﻴﺔ ‪D . E. F‬‬ ‫ﺗﺘﻜﻮن اﻟﻔﻠﻞ ﻧﻤﻮذج ‪ A1 . A2‬ﻣﻦ‬ ‫ﻃﺎﺑﻖ ارﺿﻲ و ﻃﺎﺑﻖ أول وﻣﻠﺤﻖ ﻋﻠﻮي‬ ‫وﻣﻠﺤﻖ أرﺿﻲ ‪.‬‬ ‫أﻣﺎ اﻟﻨﻤﺎذج ‪ B,C,D,E,F‬ﻓﺘﺘﻜﻮن ﻣﻦ‬ ‫ﻃﺎﺑﻖ ﺑﺪروم ‪ ،‬ارﺿﻲ ‪ ،‬اول وﻣﻠﺤﻖ‬ ‫ﻋﻠﻮي وﻣﻠﺤﻖ ارﺿﻲ‪.‬‬ ‫اﻟﻤﺼﺪر‪ :‬ﺗﻘﺮﻳﺮ اﻟﻤﺼﻤﻢ‬

‫ ‪w{—_« —Ëb « jI‬‬

‫ ‪‰Ë_« —Ëb « jI‬‬

‫‪A1 öO Öu/‬‬

‫‪qšb*« WNł«Ë‬‬

‫ ‪w{—_« —Ëb « jI‬‬

‫‪C öO Öu/‬‬ ‫∞∞‪¡UM³ « ±‬‬

‫‪100 Albenaa‬‬

‫«*‪fOzd « qšb‬‬

‫ ‪‰Ë_« —Ëb « jI‬‬

‫ ‪`D « —Ëœ jI‬‬

‫ﻓﻴﻼ ﺳﻜﻨﻴﺔ‬ ‫اﻟﻤﺼﻤﻢ ‪ :‬ﻣﻜﺘﺐ أدوار‬ ‫ﻟ ﺳﺘﺸﺎرات اﻟﻬﻨﺪﺳﻴﺔ‬ ‫اﻟﻤﻮﻗﻊ ‪ :‬اﻟﺮﻳﺎض‬ ‫ا‪#‬ﻧﺘﻬﺎء ﻣﻦ اﻟﺘﻨﻔﻴﺬ ‪2014 : :‬م‬ ‫ﺗﻤﻴﺰ ﺗﺼﻤﻴﻢ اﻟﻔﻴﻼ ﺑﻤﺮاﻋﺎة ﺗﻨﺎﺳﺐ‬ ‫اﻟﺸﻜﻞ ﻣﻊ اﻟﻮﻇﻴﻔﻪ ﺣﻴﺚ ﺗﻢ ﻋﺰل‬ ‫ﻗﺴﻢ ﺿﻴﺎﻓﺔ اﻟﺮﺟﺎل ﺑﻤﺎ ﻳﺤﺘﻮﻳﻪ ﻣﻦ ﺑﻬﻮ‬ ‫اﻟﻤﺪﺧﻞ واﻟﺠﻠﺴﻪ اﻟﺨﺎﺻﻪ واﻟﻌﺮﺑﻴﻪ إﺿﺎﻓﻪ‬ ‫اﻟﻰ ﻏﺮﻓﺔ اﻟﻄﻌﺎم ورﺑﻄﻬﺎ ﻣﻊ اﻟﻤﻄﺒﺦ‬ ‫ودورة اﻟﻤﻴﺎه ﻋﻦ اﻟﻔﺮاغ اﻟﻤﻌﻴﺸﻲ ﻟﺘﻮﻓﻴﺮ‬ ‫ﺧﺼﻮﺻﻴﻪ ﻋﻠﻰ اﻟﺠﺎﻧﺒﻴﻦ اﻟﻀﻴﺎﻓﻪ‬ ‫واﻟﻤﻌﻴﺸﻪ‪ ،‬ﻳﺘﻜﻮن اﻟﺪور اﻻرﺿﻲ ﻟﻠﻔﻴﻼ‬ ‫ﻣﻦ ﻗﺴﻢ ﺿﻴﺎﻓﻪ ﻟﻠﻨﺴﺎء ﻋﻠﻰ اﻣﺘﺪاده‬ ‫ﺻﺎﻟﺔ اﺳﺘﻘﺒﺎل ﻳﻔﺼﻞ ﺑﻴﻨﻬﻢ ﻣﺪﺧﻞ‬ ‫ﻋﻠﻰ اﻟﺼﺎﻟﻪ اﻟﻌﺎﺋﻠﻴﻪ وﻏﺮﻓﺔ اﻟﻄﻌﺎم‬ ‫ﺑﺎﻟﻤﻄﺒﺦ إﺿﺎﻓﻪ إﻟﻰ ﻣﺪﺧﻞ ﺧﺎرﺟﻲ ﻟﻐﺮﻓﺔ‬ ‫اﻟﺨﺎدﻣﻪ‪ .‬ﻳﺘﻜﻮن اﻟﻄﺎﺑﻖ اﻟﻌﻠﻮي ﻣﻦ ﺟﻨﺎح‬ ‫ﻣﻠﻜﻲ ﻟﻠﻨﻮم اﻟﺮﺋﻴﺴﻲ ﻳﺸﻤﻞ ﺟﻠﺴﻪ‬ ‫ﺧﺎﺻﻪ وﻏﺮﻓﺔ ﻣﻼﺑﺲ و دورة ﻣﻴﺎه ﻣﻄﻠﻪ‬ ‫ﻋﻠﻰ اﻟﺒﻠﻜﻮﻧﻪ‪ ,‬ﺑﺎ‪X‬ﺿﺎﻓﻪ إﻟﻰ ﺛﻼث أﺟﻨﺤﺔ‬ ‫ﻧﻮم وﻣﺴﺘﻮدع‪ .‬ﺗﻢ ﺗﺼﻤﻴﻢ اﻟﻮاﺟﻬﺎت‬ ‫ﻋﻠﻰ اﻟﻄﺮﻳﻘﻪ اﻟﻜﻼﺳﻴﻜﻴﻪ اﻟﻌﺎﻛﺴﻪ‬ ‫ﻟﻠﻔﺨﺎﻣﻪ واﻟﺮﻗﻲ‬ ‫«* ‪w{—_« —ËbK wI _« jI‬‬

‫«* ‪‰Ë_« —ËbK wI _« jI‬‬

‫ ‪ŸUD‬‬

‫ﻣﺒﻨﻰ ﺑﺮج اﻟﻌﺰﻳﺰﻳﺔ‬ ‫اﻟﻤﺼﻤﻢ ‪ :‬ﻣﻜﺘﺐ أدوار‬ ‫ﻟ ﺳﺘﺸﺎرات اﻟﻬﻨﺪﺳﻴﺔ‬ ‫اﻟﻤﻮﻗﻊ ‪ :‬ﻣﻜﺔ اﻟﻤﻜﺮﻣﺔ‬ ‫ا‪#‬ﻧﺘﻬﺎء ﻣﻦ اﻟﺘﻨﻔﻴﺬ ‪2015 : :‬م‬ ‫ﻳﻘﻊ اﻟﻤﺸﺮوع ﻋﻠﻰ ﺷﺎرع ﻋﺮض ‪12‬‬ ‫ﻣﺘﺮ ﻳﺘﻜﻮن اﻟﻤﺸﺮوع ﻣﻦ ﺑﺪروم‬ ‫ﻣﻮاﻗﻒ ﺳﻔﻠﻴﻪ و دور ارﺿﻲ و ‪3‬‬ ‫ادوار ﻣﺘﻜﺮره ‪.‬‬ ‫وﺗﻌﺘﻤﺪ اﻟﻔﻜﺮة ﻋﻠﻰ اﻟﺘﻤﺎﺛﻞ‬ ‫اﻟﻤﻌﻤﺎري واﻻﺳﺘﻔﺎده ﻣﻦ إﺳﺘﻐﻼل‬ ‫اﻟﻤﺴﺎﺣﺎت اﻟﻤﻌﻤﺎرﻳﻪ و اﻟﻔﺨﺎﻣﻪ‬ ‫ﻓﻲ اﻟﺘﺸﻜﻴﻞ واﻟﺘﻔﺎﺻﻴﻞ أﻋﺘﻤﺪ‬ ‫ﻓﻲ ﺗﺼﻤﻴﻢ اﻟﻮاﺟﻬﻪ ﻋﻠﻰ اﻟﺪﻣﺞ‬ ‫ﺑﻴﻦ اﻟﺮواﺷﻴﻦ اﻟﺘﻲ ﺗﻌﻜﺲ‬ ‫ﻫﻮﻳﺔ اﻟﺤﺠﺎز ﻣﻊ ا`ﻗﻮاس ﺣﻴﺚ‬ ‫ﺗﻢ اﺳﺘﺨﺪام اﻟﺤﺠﺮ ﻣﻊ اﻟﺨﺸﺐ‬ ‫واﻟﺰﺟﺎج ‪.‬‬

‫≥∞‪¡UM³ « ±‬‬

‫‪103 Albenaa‬‬

‫ﻣﻦ أﻋﻤﺎل ﻣﻜﺘﺐ أدوار ﻟ ﺳﺘﺸﺎرات اﻟﻬﻨﺪﺳﻴﺔ‬ ‫اﻟﻔﻴﻼ اﻟﻤﺘﻄﻮرة‬ ‫اﻟﻤﺼﻤﻢ ‪ :‬ﻣﻜﺘﺐ أدوار‬ ‫ﻟ‪c‬ﺳﺘﺸﺎرات اﻟﻬﻨﺪﺳﻴﺔ‬ ‫اﻟﻤﻮﻗﻊ ‪ :‬ﺟﻤﻴﻊ أﻧﺤﺎء اﻟﻤﻤﻠﻜﺔ‬ ‫ا ﻧﺘﻬﺎء ﻣﻦ اﻟﺘﻨﻔﻴﺬ ‪2015 : :‬م‬ ‫اﻟﺤﻞ ا ﻣﺜﻞ ﻟﻤﺸﻜﻠﺔ اﻻﺳﻜﺎن‬ ‫واﻟﺘﻤﻮﻳﻞ ﺑﺎﻟﻤﻤﻠﻜﺔ‪ .‬اﻟﻔﻴﻼ‬ ‫اﻻﻗﺘﺼﺎدﻳﺔ ﺑﻌﺪ أﻛﺜﺮ ﻣﻦ‬ ‫ﻣﺮور ‪ 25‬ﻋﺎم ﻣﻦ اﻟﺘﺠﺎرب‬ ‫واﻟﺨﺒﺮات ﻓﻲ ﻗﻄﺎع اﻟﺒﻨﺎء‬ ‫وﺗﺤﺪﻳﺪا ﻓﻲ ﻣﺠﺎل اﻻﺳﻜﺎن ﺗﻢ‬ ‫اﻟﻮﺻﻮل اﻟﻰ اﺑﺘﻜﺎر ﺟﺪﻳﺪ ﻟﺤﻞ‬ ‫ﻣﺸﻜﻠﺔ اﻻﺳﻜﺎن ﻣﺒﻨﻲ ﻋﻠﻰ‬ ‫ﻣﻌﻄﻴﺎت اﻟﺴﻮق واﻟﻈﺮوف‬ ‫اﻟﻤﺠﺘﻤﻌﻪ ودﺧﻞ اﻟﻔﺮد ﻣﻦ‬ ‫اﻟﺸﺒﺎب اﻟﺴﻌﻮدي ‪.‬ﺣﻴﺚ ﺗﻢ‬ ‫ﺗﺼﻤﻴﻢ ﻓﻴﻼ ﻋﺼﺮﻳﺔ ﻣﺘﻄﻮرة‬ ‫ﺗﺤﺖ ﻣﺴﻤﻰ اﻟﻔﻴﻼ اﻟﻤﺘﻄﻮرة‬ ‫ﺑﻄﺮﻳﻘﺔ ﺑﻨﺎء أﻗﺘﺼﺎدﻳﻪ ﻣﻜﻮﻧﺎت‬ ‫راﻗﻴﻪ وﻣﺘﺎﻧﻪ ﻋﺎﻟﻴﻪ وﻣﻨﻈﻤﻪ‬ ‫ذﻛﻴﻪ وﺗﻜﻠﻔﻪ ﻻﺗﺰﻳﺪ ﻋﻦ ‪500‬اﻟﻒ‬ ‫رﻳﺎل ﻣﻊ اﻟﻘﺮض اﻟﻌﻘﺎري اﻟﺬي‬ ‫ﺗﻤﻨﺤﻪ اﻟﺪوﻟﻪ ‪.‬‬ ‫ﺗﺘﻜﻮن اﻟﻔﻴﻼ ﻣﻦ دورﻳﻦ‬ ‫ﻣﺴﺎﺣﺔ اﻟﺪرو ا رﺿﻲ ‪165‬م‪2‬‬ ‫ﻳﺤﺘﻮي ﻋﻠﻰ ﻋﺪد )‪(2‬ﺻﺎﻟﻮن‬ ‫ﺟﻠﻮس وﺻﺎﻟﺔ ﻃﻌﺎم وﻣﻄﺒﺦ‬ ‫ودورة ﻣﻴﺎه وﻣﻄﺒﺦ )ﻧﻈﺎم‬ ‫ﻣﻔﺘﻮح( ﻏﺮﻓﺔ ﺧﺎدﻣﻪ ﻣﻊ ﺣﻤﺎم‬ ‫ﻣﺠﻠﺲ ﺧﺎرﺟﻲ ﻛﺒﻴﺮ ﻣﻊ دورة‬ ‫ﻣﻴﺎه وﺣﺪﻳﻘﻪ ﺑﺎﻟﺨﻠﻒ‪.‬‬ ‫ﻣﺴﺎﺣﺔ اﻟﺪورا ول ‪115‬م‪ 2‬ﻳﺤﺘﻮي‬ ‫ﻋﻠﻰ ﻋﺪد )‪ (4‬ﻏﺮف ﻧﻮم ﻣﻊ )‪(3‬‬ ‫دورات ﻣﻴﺎه )واﺣﺪه ﻣﻨﻬﻢ ﻏﺮﻓﺔ‬ ‫ﻧﻮم رﺋﻴﺴﻴﻪ(‬ ‫ ﻫﻴﻜﻞ إﻧﺸﺎﺋﻲ ﺟﺪﻳﺪ ﻣﻦ‬‫ﻧﻮﻋﻪ ﻣﺘﻴﻦ و ﻗﻮي وﺑﺘﻜﻠﻔﻪ‬ ‫ﻣﻨﻄﻘﻴﻪ ﻫﻮ ﻋﺒﺎره ﻋﻦ ﺗﻜﻮﻳﻦ‬ ‫ﺟﺪﻳﺪ ﻣﻦ اﻟﺨﺮﺳﺎﻧﻪ واﻟﻘﻄﺎﻋﺎت‬ ‫اﻟﻤﻌﺪﻧﻴﻪ اﻟﺜﻘﻴﻠﻪ ‪.‬‬

‫≤∞‪¡UM³ « ±‬‬

‫‪102 Albenaa‬‬

‫ ‪öOHK ÂUŽ —uEM‬‬

‫«* ‪‰Ë_« —ËbK wI _« jI‬‬ ‫« ‪WO U _« WNł«u‬‬

‫« ‪WO³½U'« WNł«u‬‬ ‫«* ‪w{—_« —ËbK wI _« jI‬‬

‫ ﺗﻜﻴﻴﻒ ﻧﺼﻒ ﻣﺮﻛﺰي ﻟﻠﺪور‬‫ا رﺿﻲ وﺳﺒﻠﺖ ﻟﻐﺮف اﻟﻨﻮم‬ ‫ ﺳﺨﺎن ﻣﺮﻛﺰي )ﻣﺎﻋﺪا ﺳﺨﺎن‬‫ﺣﻤﺎم اﻟﻀﻴﻮف(‬ ‫ ا دوات اﻟﺼﺤﻴﻪ واﻟﻜﻬﺮﺑﺎﺋﻴﻪ‬‫وﺗﻤﺪﻳﺪاﺗﻬﺎ ﻣﻦ أﻧﻮاع ﻣﻤﺘﺎزة‬ ‫ ﻋﺰل ﺣﺮاري وﻣﺎﺋﻲ ﺟﻴﺪﻳﻦ –‬‫ﺧﺰان ﻣﻴﺎه أرﺿﻲ ﻣﻦ ﻧﻮع ﺻﺤﻲ‬ ‫)ﻓﻴﺒﺮ ﺟﻼس ﻣﻦ ﻧﻮع ﺧﺎص(‬ ‫ﻣﻊ ﻣﻀﺨﺎت ‪ -‬اﻟﻤﻴﺎه اﻟﻐﺎﻃﺴﻪ‬ ‫ﻣﻴﻜﺎﻧﻴﻜﻴﺎ ﻟﻀﻤﺎن ﺿﻐﻂ و درﺟﺔ‬ ‫ﺣﺮاره ﻣﻨﺎﺳﺒﻴﻦ ‪.‬‬

‫ ﺗﺸﻄﻴﺒﺎت ﻋﺼﺮﻳﻪ ﻣﻊ دراﺳﺔ‬‫اﻻﻧﺎره وأﺳﻘﻒ ﺟﺒﺴﻴﻪ و دﻫﺎن‬ ‫اﻟﺠﺪران ‪.‬‬ ‫ ا رﺿﻴﺎت ﺑﻮرﺳﻼن ﻣﺎﻋﺪا ﻏﺮف‬‫اﻟﻨﻮم ﺑﺎرﻛﻴﻪ‬ ‫ اﻟﻮاﺟﻬﺎت ﻣﻦ اﻟﺒﻮرﺳﻼن اﻟﺨﺎص‬‫ ﻣﻄﺒﺦ ﻣﻤﺘﺎز )ا ﺟﻬﺰه ﻋﻠﻰ‬‫اﻟﻤﺎﻟﻚ(‪.‬‬ ‫ﻣﻜﻮﻧﺎت اﻟﻨﻈﺎم اﻟﺬﻛﻲ‬ ‫‪ - 1‬ﻧﻈﺎم ﺗﺄﻣﻴﻦ ﺿﺪ ﺳﺮﻗﺎت اﻟﻤﻨﺎزل‬ ‫‪ - 2‬ﻧﻈﺎم ﻣﺮاﻗﺒﺔ اﻟﻤﻨﺰل وا‪k‬ﻧﺬار‬ ‫اﻟﻤﺒﻜﺮ ﺑﺎ ﻋﻄﺎل ‪.‬‬

‫‪ - 3‬اﻟﺘﺤﻜﻢ اﻻﻟﻲ ﻓﻲ ا‪k‬ﻧﺎره‬ ‫واﻟﺘﻜﻴﻴﻒ واﻟﺴﺘﺎﺋﺮ واﻟﺮي‬ ‫وﻣﻀﺨﺎت اﻟﻤﻴﺎه ‪.‬‬ ‫‪ - 4‬ﻛﺎﻣﻴﺮات ﻣﺮاﻗﺒﻪ‪.‬‬ ‫‪ - 5‬ﻧﻈﺎم اﻟﺘﺮﺷﻴﺪ اﻟﻜﻬﺮﺑﺎﺋﻲ‬ ‫ﻳﻮﻓﺮ ‪ 50%‬ﻣﻦ ا‪k‬ﺳﺘﻬﻼك‬ ‫‪.‬اﻟﻜﻬﺮﺑﺎﺋﻲ ‪.‬‬ ‫‪Solar system 6‬‬ ‫ﺣﻴﺚ ﻳﺘﻢ اﻟﺘﺤﻜﻢ ﻋﻦ ﻃﺮﻳﻖ‬ ‫اﻟﻨﻈﺎم اﻟﺬﻛﻲ ﺑﺈزاﺣﺔ ا ﺣﻤﺎل‬ ‫اﻟﻜﻬﺮﺑﺎﺋﻴﻪ ﻓﻲ أوﻗﺎت اﻟﺬروه إﻟﻰ‬ ‫ﻧﻈﺎم اﻟﻄﺎﻗﺔ اﻟﺸﻤﺴﻴﻪ‪.‬‬

‫رواد ﻓﻲ ﺻﻨﺎﻋﺔ ا ﻗﻔﺎل اﻟﺬﻛﻴﺔ وﺟﻤﻴﻊ إﻛﺴﺴﻮارات ا ﺑﻮاب اﻟﺨﺸﺒﻴﺔ‬ ‫ﺷﺮﻛﺔ أﻛﺎدا ﻟﻠﺘﺠﺎرة‬ ‫ﺗﻌﻤﻞ ﺷـــﺮﻛﺔ أﻛﺎدا ﻓﻲ ﺻﻨﺎﻋـــﺔ ا ﻗﻔﺎل اﻟﺬﻛﻴﺔ‬ ‫ﻣﻨـــﺬ ﻋـــﺎم ‪١٩٩٨‬م ‪ ،‬وﻫـــﻲ ﺗﻘـــﺪم ﻣﻨﺘﺠﺎﺗﻬـــﺎ‬ ‫وﺣﻠﻮﻟﻬﺎ ﻟﻘﻄﺎﻋﺎت اﻟﻔﻨﺎدق واﻟﺸﻘﻖ واﻟﻤﻜﺎﺗﺐ‬ ‫واﻟﻤﺮاﻓﻖ اﻟﺘﺮﻓﻴﻬﻴﺔ ﻋﻠﻰ اﻟﻤﺴﺘﻮﻳﻴﻦ اﻟﻤﺤﻠﻲ‬ ‫واﻟﺪوﻟﻲ‪.‬‬ ‫ﻳﻘـــﻊ ﻣﻘﺮ اﻟﺸـــﺮﻛﺔ اﻟﺮﺋﻴﺲ ﻓﻲ ﺗﻮﻧـــﺞ ﺟﺎﻧﺞ ﻓﻲ‬ ‫ﻣﺪﻳﻨـــﺔ وﻳﻨـــﺰو ﻋﻠـــﻰ ﻣﺴـــﺎﺣﺔ ‪ ١٠٫٠٠٠‬ﻣﺘـــﺮ ﻣﺮﺑـــﻊ ‪،‬‬ ‫وﺗﺴـــﻌﻰ اﻟﺸـــﺮﻛﺔ ‪G‬ﻧﺘـــﺎج أﻓﻀﻞ ا ﻗﻔـــﺎل اﻟﺘﻲ‬ ‫ﻳﻤﻜـــﻦ اﻻﻋﺘﻤـــﺎد ﻋﻠﻴﻬـــﺎ ﺣﻴـــﺚ ﻃـــﻮرت ﺧﻄﻮط‬ ‫إﻧﺘـــﺎج ﻣﺘﻜﺎﻣﻠـــﺔ وﺑﻬﺎ ﻣﺮﻛـــﺰ ﻟﻠﺒﺤـــﺚ واﻟﺘﻄﻮﻳﺮ‬ ‫واﻟﺘﺠﻤﻴﻊ واﻟﺨﺪﻣﺎت اﻟﻠﻮﺟﺴﺘﻴﺔ‪ .‬وﻟﺪى اﻟﺸﺮﻛﺔ‬ ‫‪ ٣٠٠‬ﻣﻮﻇﻒ ﻋﻠﻰ ﻗـــﺪر ﻋﺎﻟﻲ ﻣﻦ اﻟﻤﻬﺎرة واﻟﺪراﻳﺔ‬ ‫واﻟﺘﻘﻨﻴـــﺔ ﻣﻤـــﺎ ﻳﺴـــﺎﻋﺪﻫﻢ ﻋﻠﻰ ﺗﻘﺪﻳـــﻢ ﺟﻤﻴﻊ‬ ‫اﻟﺨﺪﻣـــﺎت ﻣﻦ ﺗﺴـــﻮق وﻣﺮﻛـــﺰ ﻟﺨﺪﻣـــﺎت ﻣﺎ ﺑﻌﺪ‬ ‫اﻟﺒﻴﻊ ﻟﺘﺤﻘﻴﻖ اﻟﺮﺿﺎ اﻟﺘﺎم ﻟﺪى اﻟﻌﻤﻼء‪.‬‬ ‫وﺗﺤﻈـــﻰ أﻛﺎدا ﺑﺎﻟﺴـــﻤﻌﺔ اﻟﺠﻴـــﺪة ﻓﻲ اﻟﺴـــﻮق‬ ‫اﻟﻌﺎﻟﻤـــﻲ ﺣﻴﺚ وﻗـــﺮت اﻟﺸـــﺮﻛﺔ ﻣﻨﺘﺠﺎﺗﻬﺎ ﻛﺜﺮ‬ ‫ﻣﻦ ‪ ١٠٫٠٠٠‬ﻓﻨﺪق وأﺑﻨﻴﺔ ﺗﺠﺎرﻳﺔ ﺑﺎﻟﻮﻗﺖ اﻟﻤﻨﺎﺳـــﺐ‬ ‫وﻣﻨﺘﺠﺎﺗﻬـــﺎ ﻳﻤﻜـــﻦ اﻻﻋﺘﻤـــﺎد ﻋﻠﻴﻬـــﺎ ‪ ،‬وﺗﺘﻮﻓـــﺮ‬ ‫ﻣﻨﺘﺠـــﺎت أﻛﺎدا ﻓﻲ أﻛﺜﺮ ﻣـــﻦ ‪ ٥٠‬دوﻟﺔ ﻓﻲ أﻣﺮﻳﻜﺎ‬ ‫اﻟﺸـــﻤﺎﻟﻴﺔ ‪ ،‬أوروﺑـــﺎ ‪ ،‬ﺟﻨـــﻮب أﺳـــﻴﺎ‪ ،‬واﻟﺸـــﺮق‬ ‫ا وﺳﻂ‪.‬‬

‫‪Since 1998 AKADA have been in smart‬‬ ‫‪lock industry for nearly 16 years and now‬‬ ‫‪we offer both products and solutions to‬‬ ‫‪hotels, apartment, offices, facilities and‬‬ ‫‪leisure, facilities at domestic and oversea‬‬ ‫‪market.‬‬ ‫‪We settled at LongGang. WenZhou with‬‬ ‫‪10000M production base. We wish to‬‬ ‫‪produce the most reliable lock to clients,‬‬ ‫‪and with this wish, we have developed‬‬ ‫‪a complete and mature production line,‬‬ ‫‪including the R&D, molding, punching,‬‬ ‫‪dieing, assembling testing and logistics.‬‬ ‫‪Allied with 300 intelligent employees,‬‬ ‫‪and our department of R&D, production,‬‬ ‫‪marketing and after - sale center, we can‬‬ ‫‪secure customer and overall satisfaction‬‬ ‫‪purchase experience.‬‬ ‫‪AKADA have maintained the strong‬‬ ‫‪position and served more than 10,000‬‬ ‫‪hotel clients. With the right time, reliable‬‬ ‫‪producing ability, diversified range of‬‬ ‫‪products, AKADA products had been sold‬‬ ‫‪to more than 50 countries and regions, in‬‬ ‫‪North America,Europe, southeast Asia,‬‬ ‫‪the Middle East and other places, with a‬‬ ‫‪large number of overseas users.‬‬

‫‪¡UM³ « ±∞μ‬‬

‫‪105 Albenaa‬‬

‫‪SITE DEVELOPMENT PLAN‬‬

‫‪FIRST FLOOR PLAN‬‬

‫ﻧﺤــــﻮ ‪ ٣٠‬ـ ‪ ٪ ٣٥‬ﻣﻦ ﺗﻜﻠﻔﺔ اﻟﺒﻨﺎء اﻟﻌﻈﻢ اﻟﺘﻘﻠﻴﺪي‪،‬‬ ‫ﻣﻊ إﺿﺎﻓﺔ اﻟﺘﻘﻨﻴﺎت اﻟﺤﺪﻳﺜﺔ ﻛﺎﻟﻄﺎﻗﺔ اﻟﺸﻤﺴــــﻴﺔ‬ ‫ﻟﺘﻮﻓﻴــــﺮ اﺳــــﺘﻬﺎك اﻟﻜﻬﺮﺑــــﺎء واﻟﻨﻈــــﺎم اﻟﺬﻛــــﻲ‬ ‫ﻟﻠﺘﻮﻓﻴــــﺮ ﺑﺎﻟﻄﺎﻗﺔ واﻟﻜﻬﺮﺑــــﺎء‪ ،‬وﻳﻜﻤﻞ اﻟﻤﻬﻨﺪس‬ ‫ﻣﺤﻤﺪ اﻟﺮﺳﻴﻨﻲ ﻓﻴﻘﻮل إﻧﻨﺎ ﻧﺤﻦ اﻟﻮﺣﻴﺪون اﻟﺬﻳﻦ‬ ‫ﻳﺒﻨﻮن ﺑﺎﻟﺨﺮﺳــــﺎﻧﺔ اﻟﺠﺎﻫــــﺰة واﻟﺤﺪﻳﺪ ‪ ،‬وﻫﺬا اﻟﺒﻨﺎء‬ ‫اﻟﺘﻘﻴﻠﺪي ﺑﺎﻟﺨﺮﺳــــﺎﻧﺔ اﻟﺠﺎﻫﺰة واﻟﺤﺪﻳﺪ ﻳﺴﺘﺨﺪم‬ ‫ﻓــــﻲ ﺑﻨﺎء اﻟﺘﺮﺳــــﺎﻧﺎت اﻟﻌﺴــــﻜﺮﻳﺔ واﻟﻤﺒﺎﻧــــﻲ اﻟﺘﻲ‬ ‫ﺗﺴﺘﻮﻋﺐ ﻣﻦ ‪ ٥٠‬ﺷﺨﺺ إﻟﻰ ‪ ١٠٠٠‬ﺷﺨﺺ وﻳﻜﻤﻨﻞ‬ ‫ﺣﺪﻳﺜــــﻪ ﻗﺎﺋــــ ً‬ ‫ﻼ ‪ :‬إن اﻟﺨﻄﺄ ﻣﻦ اﻟﺒﺪاﻳﺔ ﻓﻲ اﻟﺪراﺳــــﺔ‬ ‫اﻟﺠﺎﻣﻌﻴﺔ ﺣﻴﺚ ﺗﻌﻠﻤﻨﺎ اﻟﺒﻨﺎء اﻟﺘﻘﻠﻴﺪي ﺑﺎﻟﺨﺮﺳﺎﻧﺔ‬ ‫واﻟﺤﺪﻳــــﺪ وأن ﺑﻨــــﺎء اﻟﻤﺒﻨــــﻰ اﻟﺬي ﻳﺴــــﺘﻮﻋﺐ ‪ ٢‬ـ ‪٣‬‬ ‫أﺷﺨﺎص ﻧﻔﺲ اﻟﻤﺒﻨﻰ وﻧﻔﺲ ﻛﻤﻴﺎت ﻣﻮاد اﻟﻨﺒﺎء‬ ‫واﻟﺨﺮﺳﺎﻧﺔ واﻟﺤﺪﻳﺪ اﻟﺘﻲ ﺗﺴﺘﻌﻤﻞ ﻓﻲ ﺑﻨﺎء ﻣﺒﻨﻰ‬ ‫ﻳﺴﺘﻮﻋﺐ ‪ ٥٠‬ـ ‪ ١٠٠‬ـ ‪ ٥٠٠‬ﺷﺨﺺ وﻫﺬا ﺧﻄﺄ‪ ،‬ﻓﻼﺑﺪ ﻣﻦ‬ ‫ﺗﻄﺒﻴــــﻖ اﻟﺒﻨﺎء اﻟﻤﺘﻄﻮر اﻟــــﺬي ﻳﻌﺘﻤﺪ ﻋﻠﻰ اﻟﻘﻄﻊ‬ ‫اﻟﻤﻌﺪﻧﻴﺔ وﻛﺴــــﻮﺗﻬﺎ ﺑﺎﻟﺨﺮﺳــــﺎﻧﺔ اﻟﺠﺎﻫــــﺰة وﻫﺬا‬ ‫ﻳﻮﻓﺮ ﻓﻲ اﻟﻮﻗﺖ واﻟﻤﺎل وذو ﺟﻮدة ﻋﺎﻟﻴﺔ‪.‬‬ ‫ﻣﺸﺎﻛﻞ ا ﺳﻜﺎن‬ ‫‪ ١‬ـ اﻟﻤﻬﻨﺪﺳــــﻴﻦ ‪ ،‬ﻓــــﻮزارة اﻟﺒﻠﺪﻳــــﺎت ﺗﺴــــﺎﻋﺪﻫﻢ‬ ‫وﺗﺸﺠﻌﻬﻢ ﺑﺎﻟﺒﻨﺎء ﺑﺎﻟﺨﺮﺳﺎﻧﺔ‪.‬‬ ‫‪ ٢‬ـ ﻫﻴﺌــــﺔ اﻟﻤﻬﻨﺪﺳــــﻴﻦ ووزارة اﻟﺘﺠــــﺎرة ﺳــــﻤﺤﺘﺎ‬ ‫ﻟﻠﻤﻬﻨﺪﺳــــﻴﻦ ا]ﺟﺎﻧــــﺐ ﺑﺎﻟﺒﻨــــﺎء ﺑﻬــــﺬه اﻟﻄﺮﻳﻘــــﺔ‬ ‫اﻟﺘﻘﻠﻴﺪﻳﺔ اﻟﺘﻲ ﺗﻜﻠﻒ اﻟﻜﺜﻴﺮ ﻣﻦ اﻟﻤﺎل‪.‬‬ ‫وﻓــــﻲ ا]ﺧﻴﺮ وﺿﻌﻨــــﺎ اﻟﻠﻮم ﻋﻠــــﻰ وزارة ا_ﺳــــﻜﺎن‪،‬‬ ‫وأﻃﻠﺐ ﻣﻦ ﺟﻤﻴﻊ اﻟﺠﻬﺎت اﻟﺤﻜﻮﻣﻴﺔ ا_ﻃﻼع ﻋﻠﻰ‬ ‫ﻣﻮﺿــــﻮع اﻟﺒﻨــــﺎء اﻟﺨﺎﻃــــﺊ واﻟﻤﻤﺎرﺳــــﺎت اﻟﺨﺎﻃﺌــــﺔ‬ ‫ﺑﺎﻟﻤﺒﺎﻧــــﻲ‪ ،‬وأﻧﺼــــﺢ اﻟﻤﻮاﻃﻦ ﺑﺎﻟﺜﻘــــﺔ ﺑﺎﻟﻤﻬﻨﺪس‬ ‫اﻟﺴــــﻌﻮدي أﻛﺜﺮ ﻣــــﻦ ﻏﻴﺮه واﻟﺜﻘﺔ أﻳﻀــــ‪ e‬ﺑﺎ]ﻧﻈﻤﺔ‬ ‫اﻟﻤﺘﻄﻮرة اﻟﺠﺪﻳﺪة‪،‬‬

‫ﻣﺸﻮار اﻟﻨﺠﺎح‬ ‫واﻟﻤﻌـــﺮوف ﻋﻦ اﻟﻤﻬﻨﺪس ﻣﺤﻤﺪ اﻟﺮﺳـــﻴﻨﻲ أﻧﻪ‬ ‫ﻗـــﺎم ﺑﺒﻨﺎء ﻓﻨـــﺪق اﻟﻔﻬﺪ ﻛﺮاون‪ ،‬ﻓﻨـــﺪق ﻣﺪارﻳﻢ‬ ‫ﻛﺮاون‪ ،‬ﺑﺤﻲ اﻟﻔﻼح وﻣﺸـــﺎرﻳﻊ ﻣﺠﻤﻌﺎت ﺳﻜﻨﻴﺔ‬ ‫ﺑﺤـــﻲ اﻟﺮواﺑـــﻲ‪ ،‬ﺣـــﻲ اﻟﻤﻨـــﺎز‪ ،‬ﺣـــﻲ اﻟﺮﻳـــﺎن‪ ،‬ﺣـــﻲ‬ ‫اﻻزدﻫـــﺎ‪ ،‬ﺣـــﻲ اﻟﻔـــﻼح‪ ،‬وﻣﺤﻄـــﺔ ﻣﺤﺮوﻗـــﺎت ﺑﺤﻲ‬ ‫اﻟﺴـــﻠﻲ‪ ،‬واﻟﻬﻴـــﻜﻞ ا_ﻧﺸـــﺎﺋﻲ ﻟﻤﺸـــﺮوع ﺻﺎﻟـــﺔ‬ ‫ا]ﻓﺮاح ﺑﺠﻮار ﻓﻨﺪق اﻟﻔﻬﺪ وأﻳﻀ‪ e‬ﺷـــﻬﺎدة ﺧﺒﺮة‬ ‫ﻣـــﻦ وزارة اﻟﺪﻓـــﺎع واﻟﻄﻴﺮان واﻟﻤﻔﺘﺸـــﻴﺔ اﻟﻌﺎم‬ ‫ـ إدارة ا_ﻧﺸـــﺎء واﻟﺼﻴﺎﻧـــﺔ‪ ،‬ﺣﻴﺚ ﻋﻤﻞ ﻛﻤﻨﺴـــﻖ‬ ‫ﻣﺸـــﺎرﻳﻊ وزارة اﻟﺪﻓﺎع »اﻟﺼﻮارﻳﺦ اﻻﺳـــﺘﺮاﺗﻴﺠﻴﺔ«‪،‬‬ ‫وﻗـــﺎم ﺑﻌﺪة ﻣﺸـــﺎرﻳﻊ ﻛﺄﺑـــﺮاج وﻣﺒﺎﻧـــﻲ اﻟﻤﻄﺎﺑﻊ‬ ‫اﻟﺤﻜﻮﻣﻴـــﺔ ﻟـــﻮزارة اﻟﻤﺎﻟﻴﺔ وأﻋﻤـــﺎل اﻟﺼﻴﺎﻧﺔ ﻏﻴﺮ‬ ‫اﻟﻄﺒﻴـــﺔ ﻟـــﻮزارة اﻟﺼﺤـــﺔ ‪ ،‬اﺳﺘﺸـــﺎرات وﺗﺼﻤﻴﻢ‬ ‫وﺗﻨﻔﻴﺬ ﻓﻨﺪق ﻧﻮﻓﻮﺗﻴﻞ وﺑﺮج اﻟﺜﻤﺎﻧﻴﻦ ﺑﺎﻟﺮﻳﺎض‪،‬‬ ‫وﻫﻨﺎك اﻟﻜﺜﻴﺮ ﻣﻦ اﻟﻤﺸـــﺎرﻳﻊ اﻟﻌﻤﻼﻗﺔ اﻟﺘﻲ ﻗﺎم‬ ‫ﺑﺎ_ﺷﺮاف ﻋﻠﻴﻬﺎ وﺗﻨﻔﻴﺬﻫﺎ ‪.‬‬ ‫ﺗﻄﻮر ﺣﺘﻤﻲ‬ ‫وﻓـــﻲ ﻣﺠـــﺎل اﻟﻬﻨﺪﺳـــﺔ واﻟﻤﻘـــﺎوﻻت ﺣﺪﺛﻨـــﺎ‬ ‫ً‬ ‫ﻗﺎﺋـــﻼ ‪ :‬إن‬ ‫اﻟﻤﻬﻨـــﺪس ﻣﺤﻤـــﺪ اﻟﺮﺳـــﻴﻨﻲ‬ ‫اﻟﻤﻬﻨﺪﺳـــﻴﻦ واﻟﻤﻘﺎوﻟﻴﻦ ﻻﺑﺪ أن ﻳﺘﻤﺎﺷـــﻮا ﻣﻊ‬ ‫اﻟﺘﻄـــﻮر اﻟﺠﺪﻳـــﺪ ﻟﻠﻤﺒﺎﻧـــﻲ ﻓﻲ اﻟﻌﺎﻟـــﻢ‪ ،‬ﺣﻴﺚ أن‬ ‫اﻟﻤﻘﺎوﻟﻴـــﻦ اﻟﻤﻮﺟﻮدﻳﻦ ا‪q‬ن ﻫﻢ ﻣﻘﺎوﻟﻮ ﺷـــﻮارع‬ ‫وﻫـــﻢ اﻟﺬﻳﻦ ﻳﺒﻨـــﻮن ﻟﻨـــﺎ اﻟﻤﺒﺎﻧﻲ رﻏـــﻢ أن اﻟﺒﻠﺪ‬ ‫ﺑﻬﺎ ﺷـــﺮﻛﺎت ﻣﻘـــﺎوﻻت ﻣﺘﺨﺼﺼـــﺔ‪ ،‬واﻟﻨﺘﻴﺠﺔ أن‬ ‫اﻟﻤﺒﺎﻧـــﻲ ﺑﻬـــﺎ أﺧﻄـــﺎء ﻫﻨﺪﺳـــﻴﺔ ﻓﺎدﺣـــﺔ‪ ،‬وﻫﺬا‬ ‫ﻳﺴـــﺒﺐ ﻣﺸـــﺎﻛﻞ ﻛﺒﻴﺮة ﻟﻠﻤﻮاﻃـــﻦ وﻳﺆﺛﺮ ﻋﻠﻰ‬ ‫اﻗﺘﺼـــﺎد اﻟﺒﻠﺪ‪ ،‬وأﻧـــﺎ ﻣﺴـــﺠﻞ ﺑﺎﻟﻤﺤﻜﻤﺔ ﻛﺨﺒﻴﺮ‬ ‫ﻣﺴـــﺎﻛﻦ وﻳﻤـــﺮ ﻋﻠﻴﻨـــﺎ ﻗﻀﺎﻳـــﺎ ﻛﺒﻴـــﺮة ﺳـــﺒﺒﻬﺎ‬ ‫اﻟﻤﻘﺎوﻟﻴـــﻦ وأﺧﻄﺎؤﻫـــﻢ اﻟﻔﺎدﺣـــﺔ ﻓـــﻲ ﺗﻨﻔﻴـــﺬ‬

‫اﻟﻌﻤـــﻞ وأﻧﺼﺢ اﻟﻤﻮاﻃﻦ ﺑﺎﻟﺬﻫﺎب إﻟﻰ ﺷـــﺮﻛﺎت‬ ‫ﻣﻘﺎوﻻت ﻣﻌﺮوﻓﺔ وﻣﺘﺨﺼﺼﺔ وذات ﺧﺒﺮة وأﻳﻀ‪e‬‬ ‫ﻣﻬﺪﺳـــﻴﻦ ذوي ﺧﺒـــﺮة وﻛﻔـــﺎءة وﺗﻄﺒﻴﻖ ﻧﻈﺎم‬ ‫اﻟﺒﻨﺎء اﻟﻤﺘﻄﻮر اﻟﺤﺪﻳﺚ »اﻟﻔﻴﻼ اﻟﻤﺘﻄﻮرة«‪.‬‬ ‫أﻣـــﺎ ﻋـــﻦ اﻟﻤﻌﻮﻗﺎت ﻓﻴﻘـــﻮل اﻟﻤﻬﻨـــﺪس ﻣﺤﻤﺪ‬ ‫اﻟﺮﺳﻴﻨﻲ ‪ :‬ﻫﻨﺎك ﺑﻌﺾ اﻟﻤﻌﻮﻗﺎت ﻣﻨﻬﺎ ﻋﻤﻠﻴﺔ‬ ‫اﻟﺘﺤﺼﻴـــﻞ اﻟﻤﺎﻟـــﻲ‪ ،‬وأﺗﻤﻨـــﻰ أن ﻳﻜـــﻮن ﻫﻨـــﺎك‬ ‫ﻧﻈـــﺎم ﺗﺸـــﺘﺮك ﻓﻴـــﻪ ﻣﺆﺳﺴـــﺔ اﻟﻨﻘـــﺪ اﻟﻌﺮﺑﻲ‬ ‫اﻟﺴـــﻌﻮدي ووزارة اﻟﺘﺠـــﺎرة ﻟﻜـــﻲ ﻧﺒﻌـــﺪ ﻋـــﻦ‬ ‫اﻟﻤﺤﺎﻛﻢ واﻟﺸﻜﺎوى‪.‬‬ ‫واﻟﺤﻤﺪ ‪ w‬ﺣﻜﻮﻣﺘﻨﺎ اﻟﺮﺷﻴﺪة ﺳﻬﻠﺖ ﻛﻞ ﺷﺊ‬ ‫ﻓﻲ اﻟﺘﻌﺎﻣـــﻼت وﺻﺎر ﻛﻞ ﺷـــﺊ اﻟﻜﺘﺮوﻧﻴﺎ‪ ،‬وأﻧﺖ‬ ‫ﻓﻲ ﻣﻜﺘﺒﻚ ﺗﻨﻬﻲ ﺟﻤﻴﻊ ﻣﻌﺎﻣﻼﺗﻚ ﺑﻜﻞ ﻳﺴـــﺮ‬ ‫وﺳـــﻬﻮﻟﺔ‪ .‬وأﻛﻤﻞ اﻟﻤﻬﻨﺪس ﻣﺤﻤﺪ اﻟﺮﺳـــﻴﻨﻲ‬ ‫ً‬ ‫ﻗﺎﺋـــﻼ إن اﻟﻬـــﺪف اﻟﺮﺋﻴﺲ ﻟﺸـــﺮﻛﺔ أدوار‬ ‫ﺣﺪﻳﺜـــﺔ‬ ‫ﻟﻠﺘﺸﻴﻴﺪ واﻻﺳﺘﺸـــﺎرات اﻟﻬﻨﺪﺳﻴﺔ ﻫﻮ ﺗﺤﻮﻳﻞ‬ ‫اﻟﺒﻨـــﺎء ﻣـــﻦ اﻟﻄـــﺮق اﻟﺘﻘﻠﻴﺪﻳـــﺔ إﻟـــﻰ اﻟﺼﻨﺎﻋﺎت‬ ‫اﻟﻤﺘﻄـــﻮرة اﻻﺣﺘﺮاﻓﻴـــﺔ اﻟﻤﺘﻄـــﻮرة ﺑﺤﻴـــﺚ ﻳﻜﻮن‬ ‫اﻟﻤﺒﻨـــﻰ ﺑﺎﻟﻜﺎﻣﻞ ﺟﻤﻴﻊ أﺟﺰاﺋﻪ ﺗﺼﻨﻊ ﺑﺎﻟﻤﺼﻨﻊ ‪،‬‬ ‫وﺗﺄﺗﻲ ا]ﺟﺰاء ﻣﺤﻤﻮﻟﺔ ﻋﻠﻰ اﻟﺘﺮﻳﻼت إﻟﻰ اﻟﻤﻮﻗﻊ‬ ‫وﺗﺮﻛﺐ ﺑﺎﻟﻤﻮﻗﻊ ‪،‬وﺑﻬﺬه اﻟﻄﺮﻳﻘﺔ اﻟﺤﺪﻳﺜﺔ ﻟﻠﺒﻨﺎء‬ ‫ﺗﺤﻘﻖ ا‪q‬ﺗﻲ ‪:‬‬ ‫‪ ١‬ـ اﻟﺠﻮدة اﻟﻬﻨﺪﺳﻴﺔ ‪.‬‬ ‫‪ ٢‬ـ ﺿﺒﻂ اﻟﻮﻗﺖ‪.‬‬ ‫‪ ٣‬ـ ﺗﻮﻓﻴﺮ اﻟﻤﺎل‪.‬‬ ‫وأﺣــــﺐ أن أذﻛــــﺮ أن ﺻﺎﺣــــﺐ اﻟﺴــــﻤﻮ اﻟﻤﻠﻜــــﻲ‬ ‫ا]ﻣﻴﺮ ﺳــــﻠﻄﺎن ﺑﻦ ﺑﻦ ﻋﺒﺪا ﻟﻌﺰﻳﺰ آل ﺳــــﻌﻮد‬ ‫رﺣﻤــــﻪ ا‪ w‬ﻫــــﻮ اﻟﺪاﻋﻢ ا]ﺳﺎﺳــــﻲ ﻟﻠﻬﻨﺪﺳــــﺔ‬ ‫اﻟﻘﻴﻤﻴــــﺔ واﻟﻬﻨﺪﺳــــﺔ اﻟﻘﻴﻤﻴــــﺔ ﻫﻲ ﺣﺴــــﺎﺑﺎت‬ ‫ﻣﻌﻴﻨــــﺔ ﻟﻌﻤــــﻞ ﺗﻜﻠﻔﺔ ﻣﺤــــﺪدة ﻳﺘﻤﺎﺷــــﻰ ﻣﻊ‬ ‫اﻟﻤﻴﺰاﻧﻴﺔ اﻟﻤﻮﺟﻮدة‪.‬‬

‫∑∞‪¡UM³ « ±‬‬

‫‪107 Albenaa‬‬

‫ﺷﺮﻛﺔ أدوار ﻟﻠﺘﺸﻴﻴﺪ واﻻﺳﺘﺸﺎرات اﻟﻬﻨﺪﺳﻴﺔ‬ ‫اﻟﻔﻴﻼ اﻟﻤﺘﻄﻮرة‬

‫ﺑﻌــــﺪ ﺣﺼﻮﻟﻪ ﻋﻠﻰ ﺑﻜﺎﻟﻮرﻳﺲ ﻫﻨﺪﺳــــﺔ ﻣﻌﻤﺎرﻳﺔ‬ ‫ﻋــــﺎم ‪١٩٩٨‬م ﻣــــﻦ ﺟﺎﻣﻌــــﺔ اﻟﻤﻠــــﻚ ﺳــــﻌﻮد‪ ،‬ﻛﻠﻴــــﺔ‬ ‫اﻟﻌﻤــــﺎرة واﻟﺘﺨﻄﻴــــﻂ ‪ ،‬ﺣﺼــــﻞ أﻳﻀــــ' ﻋﻠــــﻰ ﻋــــﺪة‬ ‫دﺑﻠﻮﻣﺎت وﺷﻬﺎدات ﺑﺎ‪9‬ﻧﻈﻤﺔ اﻟﺤﺪﻳﺜﺔ ﻟﻠﺒﻨﺎء‪ .‬ﺛﻢ‬ ‫ﺣﺼــــﻞ اﻟﻤﻬﻨﺪس ﻣﺤﻤﺪ ﻋﺒﺪ اﻟﺮﺣﻤﻦ اﻟﺮﺳــــﻴﻨﻲ‬ ‫ﻟــــﻰ ﺑــــﺮاءة اﺧﺘــــﺮاع ﻧﻈــــﺎم ﺑﻨﺎءﻣﺘﻄﻮر ﻣــــﻦ ﻣﺪﻳﻨﺔ‬ ‫اﻟﻤﻠــــﻚ ﻋﺒــــﺪ اﻟﻌﺰﻳــــﺰ ﻟﻠﻌﻠــــﻮم واﻟﺘﻘﻨﻴــــﺔ‪ ،‬وﻧــــﺎل‬ ‫اﻟﻤﻬﻨــــﺪس ﻣﺤﻤــــﺪ اﻟﺮﺳــــﻴﻨﻲ ﻋﻠــــﻰ اﻟﻌﺪﻳﺪ ﻣﻦ‬ ‫ﺷــــﻬﺎدات اﻟﺨﺒــــﺮة ﻣــــﻦ ﺑﻴﻨﻬﺎ ﺷــــﻬﺎدة ﺧﺒــــﺮة ﻣﻦ‬ ‫ﻣﺆﺳﺴــــﺔ اﻟﻔﻬﺪ ﻟﻠﺘﺠــــﺎرة واﻟﺼﻨﺎﻋــــﺔ واﻟﻤﻘﺎوﻻت‬ ‫اﻟﺘﻲ ﻋﻤﻞ ﺑﻬﺎ ﻣﺪﻳﺮ‪ L‬ﻟﻤﺸــــﺮوﻋﺎت ﻗﺴﻢ اﻟﻌﻘﺎرات‬ ‫ﻋﻠﻰ ﻣﺪار ﺳﻨﻮات‪.‬‬ ‫أﺳــــﺲ اﻟﻤﻬﻨﺪس ﻣﺤﻤﺪ اﻟﺮﺳﻴﻨﻲ ﺷــــﺮﻛﺔ أدوار‬ ‫ﻟﻠﺘﺸﻴﻴﺪ واﻻﺳﺘﺸــــﺎرات اﻟﻬﻨﺪﺳﻴﺔ اﻟﺘﻲ ﺣﻘﻘﺖ‬ ‫ﺑﻔﻀﻞ ا‪ P‬ﻧﺠﺎﺣﺎت أﺳﻬﻤﺖ ﻓﻲ ﻧﻬﻀﺔ اﻟﻮﻃﻦ‪.‬‬ ‫رؤﻳﺔ ‪: ٢٠٣٠‬‬ ‫ﻓﻲ ﻣﻌﺮض ﺣﺪﻳﺜﻪ ﻋﻦ رؤﻳﺔ ‪٢٠٣٠‬م ﻗﺎل اﻟﻤﻬﻨﺪس‬ ‫ﻣﺤﻤﺪ اﻟﺮﺳﻴﻨﻲ أن اﻟﺮؤﻳﺔ ﺗﻬﺪف إﻟﻰ ﺻﻨﺎﻋﺔ دوﻟﺔ‬ ‫ﺣﺪﻳﺜــــﺔ وﻣﺘﻄــــﻮرة ذات اﻗﺘﺼﺎد ﻣﺘﻨــــﻮع ﻗﻮي‪ ،‬ﻣﻊ‬ ‫اﻟﺤﺮص ﻋﻠﻰ ﺑﻨﺎء ا^ﻧﺴــــﺎن اﻟﺴﻌﻮدي ﻋﺒﺮ أﻫﺪاف‬ ‫ﺑﻌﻴﺪة اﻟﻤﺪى‪ ،‬وﻣﻦ ﺧﻼل ﺛﻼﺛﺔ ﻣﺮاﺣﻞ ﻣﺘﺘﺎﻟﻴﺔ ) ‪٢٠٢٠‬‬ ‫ـ ‪ ٢٠٢٥‬ـ ‪٢٠٣٠‬م(‪.‬وﻟﻌــــﻞ أﺑﺮز اﻟﻤﻼﻣﺢ ﻓﻲ ﺧﻄﺔ اﻟﺘﺤﻮل‬ ‫‪ ٢٠٢٠‬ﺑﺮاﻣﺞ ﺗﺸﺠﻴﻊ اﻟﻨﻤﻮ اﻻﻗﺘﺼﺎدي وﺗﺸﺠﻴﻊ ﻧﻤﻮ‬ ‫اﻟﻘﻄــــﺎع اﻟﺨﺎص واﻟﺸــــﺮاﻛﺔ ﺑﻴــــﻦ اﻟﻌــــﺎم واﻟﺨﺎص‬ ‫وﺑﺮاﻣﺞ اﻟﺘﺨﺼﻴــــﺺ واﻟﺘﻮﻃﻴﻦ وإدارة اﻟﻬﺪر ورﻓﻊ‬ ‫اﻟﻜﻔﺎءة واﻟﺠﻮدة وﺑﺮاﻣﺞ إﻋﺎدة ﺗﻨﻈﻴﻢ وﺗﺴﻬﻴﻞ‬ ‫ا‪9‬ﻋﻤﺎل وإزاﺣﺔ اﻟﺼﻌﻮﺑﺎت وﺑﺮاﻣﺞ اﻟﺤﻴﺎة واﻟﺮﻓﺎﻫﻴﺔ‬ ‫وﻣﺴﺘﻮﻳﺎت اﻟﺮﺿﺎ‪ ،‬وأن ﻫﺬه اﻟﺮؤﻳﺔ رﻛﺰت ﻋﻠﻰ ﺛﻼﺛﺔ‬ ‫ﻣﺤﺎور رﺋﻴﺴــــﺔ ﺗﻤﺜﻠﺖ ﻓﻲ ﺗﺤﻘﻴﻖ اﻗﺘﺼﺎد ﻣﺰدﻫﺮ‬ ‫وﻣﺠﺘﻤﻊ ﻃﻤﻮح ووﻃﻦ ﻃﻤﻮح ‪ ،‬وﻧﺤﻦ ﻓﻲ ﺷﺮﻛﺔ‬

‫∂∞‪¡UM³ « ±‬‬

‫‪106 Albenaa‬‬

‫أدوار ﻟﻠﺘﺸــــﻴﻴﺪ واﻻﺳﺘﺸــــﺎرات اﻟﻬﻨﺪﺳــــﻴﺔ ﻧﻌﻤﻞ‬ ‫ﻣﻦ أﺟﻞ ﺗﺤﻘﻴﻖ ﻫﺬه اﻟﺮؤﻳﺔ ‪٢٠٣٠‬م ﻣﻦ ﺧﻼل اﻟﻌﻤﻞ‬ ‫ﻓﻲ ﻗﻄــــﺎع اﻟﻤﻘــــﺎوﻻت واﻻﺳﺘﺸــــﺎرات اﻟﻬﻨﺪﺳــــﻴﺔ‬ ‫ﻟﺘﻜﻮن ﻣﻨﻈﻮﻣﺔ ﻣﺘﻜﺎﻣﻠﺔ ﻣﻦ ا‪9‬ﻋﻤﺎل اﻟﻬﻨﺪﺳﻴﺔ‬ ‫واﻟﺘﻨﻔﻴﺬﻳــــﺔ ﻓــــﻲ آن واﺣﺪ وﺗﻘﺪم ﻣﺸــــﺮوع اﺑﺘﻜﺎر‬ ‫اﻟﻔﻴﻼ اﻟﻤﺘﻄﻮرة ﻟﻴﻮاﻛﺐ رؤﻳﺔ ‪.٢٠٣٠‬‬ ‫ﻣﺸﺮوع اﻟﻔﻴﻼ اﻟﻤﺘﻄﻮرة‬ ‫ﺟﺎءﻫﺬا اﻟﻤﺸــــﺮوع ﺑﻌﺪ أﻛﺜﺮ ﻣﻦ ﻣﺮور ‪ ٢٥‬ﻋﺎﻣ' ﻣﻦ‬ ‫اﻟﺘﺠــــﺎرب واﻟﺨﺒﺮات ﻓﻲ ﻗﻄﺎع اﻟﺒﻨــــﺎء وﺗﺤﺪﻳﺪ‪ L‬ﻓﻲ‬ ‫ﻣﺠﺎل ا^ﺳﻜﺎن وﺗﻢ اﻟﻮﺻﻮل إﻟﻰ إﺑﺘﻜﺎر ﺟﺪﻳﺪ ﻟﺤﻞ‬ ‫ﻣﺸــــﻜﻠﺔ ا^ﺳــــﻜﺎن ﻣﺒﻨﻲ ﻋﻠﻰ ﻣﻌﻄﻴﺎت اﻟﺴــــﻮق‬ ‫واﻟﻈــــﺮوف اﻟﻤﺠﺘﻤﻌﻴــــﺔ ودﺧﻞ اﻟﻔﺮد ﻣﻦ اﻟﺸــــﺒﺎب‬ ‫اﻟﺴﻌﻮدي‪ ،‬ﺣﻴﺚ ﺗﻢ ﺗﺼﻤﻴﻢ ﻓﻴﻼ ﻋﺼﺮﻳﺔ ﻣﺘﻄﻮرة‬ ‫ﺗﺤــــﺖ ﻣﺴــــﻤﻰ »اﻟﻔﻴــــﻼ اﻟﻤﺘﻄــــﻮة ﺑﻄﺮﻳﻘــــﺔ ﺑﻨــــﺎء‬ ‫اﻗﺘﺼﺎدﻳﺔ ‪ ،‬ﻣﻜﻮﻧﺎت راﻗﻴﺔ ‪ ،‬وﻣﺘﺎﻧﺔ ﻋﺎﻟﻴﺔ‪ ،‬وأﻧﻈﻤﺔ‬ ‫ذﻛﻴﺔ وﺗﻜﻠﻔﺔ ﻻﺗﺰﻳﺪ ﻋﻠﻰ ‪ ٥٠٠‬أﻟﻒ رﻳﺎل ﻣﺘﻼﺋﻤﺔ ﻣﻊ‬ ‫اﻟﻘــــﺮض اﻟﻌﻘﺎري اﻟﺬي ﺗﻤﻨﺤــــﻪ اﻟﺪوﻟﺔ‪ ،‬ﻛﻤﺎ ﺗﺤﺪﻳﺚ‬ ‫أﻳﻀــــ' اﻟﻤﻨﻬــــﺪس ﻣﺤﻤﺪ اﻟﺮﺳــــﻴﻨﻲ ﻋــــﻦ ﻣﻜﻮﻧﺎت‬ ‫اﻟﻔﻴﻼ اﻟﻤﺘﻄــــﻮرة‪ ،‬ﻓﻘﺎل ‪ :‬ﺗﺘﻜــــﻮن اﻟﻔﻴﻼ اﻟﻤﺘﻄﻮرة‬ ‫ﻛﺄي ﻓﻴــــﻼ ﻋﺼﺮﻳﺔ ﻣــــﻦ دورﻳﻦ ﻣــــﻊ ﻣﺠﻠﺲ ﺧﺎرﺟﻲ‬ ‫وﻣﻮﻗﻒ ﻟﻠﺴﻴﺎرات وﺣﺪﻳﻘﺔ‪ ،‬أﻣﺎ ﻋﻦ ﻣﻜﻮﻧﺎت اﻟﺪور‬ ‫ا‪9‬رﺿــــﻲ ﻓﻬﻲ ﻋﺒﺎرة ﻋﻦ ﺻﺎﻟﺔ ﻋﺎﺋﻠﻴﺔ‪ ،‬ﺻﺎﻟﺔ ﻃﻌﺎم‬ ‫ﻏﺮﻓــــﺔ ﻣﻌﻴﺸــــﺔ‪ ،‬ﻣﻄﺒــــﺦ أﻣﺮﻳﻜــــﻲ ‪ ،‬ﺣﻤــــﺎم‪ ،‬ﻏﺮﻓﺔ‬ ‫ﺧﺎدﻣﺔ ﻣﻊ ﺣﻤﺎم ‪.‬‬ ‫ﻣﻜﻮﻧﺎت اﻟﺪور ا‪9‬ول‬ ‫)‪ (٤‬ﻏﺮف ﻧﻮم ﺑﻴﻨﻬﻢ ﻏﺮﻓﺔ رﺋﻴﺴﺔ‪.‬‬ ‫)‪ (٣‬ﺣﻤﺎﻣﺎت ﻣﺠﻠﺲ ﺧﺎرﺟﻲ ﻣﻊ ﺣﻤﺎم‪.‬‬ ‫وﻫﻨــــﺎك إﻣﻜﺎﻧﻴــــﺔ إﺿﺎﻓــــﺔ ﺣﻤﺎم ﺳــــﺒﺎﺣﺔ وﺟﻠﺴــــﺔ‬ ‫ﺧﺎرﺟﻴﺔ ﻋﻠﻰ ﺣﺴﺐ ﻃﻠﺐ اﻟﻌﻤﻴﻞ‪.‬‬ ‫ﻣﻜﻮﻧﺎت اﻟﻨﻈﺎم اﻟﺬﻛﻲ‬

‫‪ ١‬ـ ﻧﻈﺎم ﺗﺄﻣﻴﻦ ﺿﺪ ﺳﺮﻗﺎت اﻟﻤﻨﺎزل ‪.‬‬ ‫‪ ٢‬ـ ﻧﻈﺎم ﻣﺮاﻗﺒﺔ اﻟﻤﻨﺰل وا^ﻧﺬار اﻟﻤﺒﻜﺮ ﺑﺎ‪9‬ﻋﻄﺎل‪.‬‬ ‫‪ ٣‬ـ اﻟﺘﺤﻜــــﻢ ا{ﻟــــﻲ ﻓﻲ ا^ﻧﺎرة واﻟﺘﻜﻴﻴﻒ واﻟﺴــــﺘﺎﺋﺮ‬ ‫واﻟﺮي وﻣﻀﺨﺎت اﻟﻤﻴﺎه‪.‬‬ ‫‪ ٤‬ـ ﻛﺎﻣﻴﺮات ﻣﺮاﻗﺒﺔ‪.‬‬ ‫‪ ٥‬ـ ﻧﻈــــﺎم اﻟﺘﺮﺷــــﻴﺪ اﻟﻜﻬﺮﺑﺎﺋــــﻲ ﻳﻮﻓــــﺮ ‪ ٪ ٥٠‬ﻣــــﻦ‬ ‫اﻻﺳﺘﻬﻼك اﻟﻜﻬﺮﺑﺎﺋﻲ‪.‬‬ ‫‪ ٦‬ـ ‪SolarEnergy‬‬ ‫ﺣﻴــــﺚ ﻳﺘــــﻢ اﻟﺘﺤﻜﻢ ﻋــــﻦ ﻃﺮﻳــــﻖ اﻟﻨﻈــــﺎم اﻟﺬﻛﻲ‬ ‫ﺑﺈراﺣﺔ ا‪9‬ﺣﻤــــﺎل اﻟﻜﻬﺮﺑﺎﺋﻴﺔ ﻓﻲ أوﻗــــﺎت اﻟﺬروة إﻟﻰ‬ ‫ﻧﻈﺎم اﻟﻄﺎﻗﺔ اﻟﺸﻤﺴﻴﺔ‪.‬‬ ‫ﻣﻮاﺻﻔﺎت اﻟﺒﻨﺎء‬ ‫‪ ١‬ـ ﻋــــﺰل ﻣﺎﺋــــﻲ وﺣــــﺮاري ﻣــــﻦ ﻧﻮﻋﻴــــﺎت ﻣﻤﺘــــﺰازة‬ ‫ﺑﻮﻟﻴﺴﺘﺮﻳﻦ‪ ،‬ﺻﻮف ﺻﺨﺮي‪.‬‬ ‫‪ ٢‬ـ ﻧﻮﻋﻴــــﺔ اﻟﺸــــﺒﺎﺑﻴﻚ ﻗﻄﺎﻋــــﺎت أﻟﻤﻮﻧﻴــــﻮم ﻣﺮﻛﺐ‬ ‫ﻋﻠﻴﻬﺎ زﺟﺎج ﻣﺰدوج ‪. Double Glass‬‬ ‫‪ ٣‬ـ أﺑﻮاب ﻣﻦ اﻟﺨﺸﺐ ‪ ،‬ﻗﺸﺮة ﻣﺠﻨﻮ أو ﺗﻴﻚ‪ ،‬ﺣﺴﺐ‬ ‫اﻟﻄﻠﺐ‪.‬‬ ‫‪ ٤‬ـ أﻃﻘــــﻢ ﺻﺤﻴﺔ ﻣﻦ اﻟﺨﺰف اﻟﺴــــﻌﻮدي وﺧﻼﻃﺎت‬ ‫ﺟﺮوﻫﻲ‪.‬‬ ‫‪ ٥‬ـ أﻓﻴــــﺎش ﻛﻬﺮﺑﺎﺋﻴــــﺔ ﻧﻮﻋﻴــــﺔ ﻣﻤﺘــــﺎزة وﻣﻔﺎﺗﻴــــﺢ‬ ‫ﺑﺎﻟﻠﻤﺲ‪.‬‬ ‫‪ ٦‬ـ ﻧﻮﻋﻴــــﺔ ا‪9‬رﺿﻴــــﺎت »ﺑﻮرﺳــــﻼن أو ﺑﺎرﻛﻴﻪ‪ ،‬ﺣﺴــــﺐ‬ ‫اﻟﻄﻠﺐ‬ ‫‪ ٧‬ـ أﺳــــﻘﻒ ﻣﻦ أﻟﻮاح اﻟﺠﺒﺲ ﺑﺪﻳﻜﻮرات ﻣﻤﻴﺰة ﻣﻊ‬ ‫إﻧﺎرة ﻣﻦ ﻧﻮع ال ‪.Leed‬‬ ‫واﻟﻔﻴــــﻼ اﻟﻤﺘﻄــــﻮرة ﻓﻜﺮﺗﻬــــﺎ ﺑﺒﺴــــﺎﻃﺔ ﻗﻄﺎﻋــــﺎت‬ ‫ﻣﻌﺪﻧﻴﺔ وﻣﺼﺒﻮب ﻋﻠﻴﻬﺎ اﻟﺨﺮﺳــــﺎﻧﺔ ﻳﻌﻨﻲ ﺣﺪﻳﺪ‬ ‫وﺧﺮﺳــــﺎﻧﺔ ﺑﻄﺮﻳﻘــــﺔ ﻫﻨﺪﺳــــﻴﺔ ﻣﻌﻴﻨــــﺔ‪ ،‬وﻫــــﺬه‬ ‫اﻟﻄﺮﻳﻘــــﺔ وﻓــــﺮت ﻛﻤﻴﺎت ﻫﺎﺋﻠﺔ ﻣــــﻦ اﻟﺤﺪﻳﺪ وأﻳﻀ'‬ ‫وﻓــــﺮت ﻛﻤﻴﺎت ﻛﺒﻴــــﺮة ﻣﻦ اﻟﺨﺮﺳــــﺎﻧﺔ ووﻓﺮت أﻳﻀ'‬

‫ ‪WO½öŽ≈ …œU‬‬

‫ ‪¡UM³ « o×K‬‬

‫ﺷﺮﻛﺔ اﻟﻔﻨﺎر ﻟﻠﻜﻬﺮﺑﺎء‬ ‫اﻟﻜﺎﺑﻼت اﻟﻤﻘﺎوﻣﺔ ﻟﻠﺤﺮﻳﻖ‪ ..‬ﻣﺘﻄﻠﺐ ﺿﺮوري ﻟﺴﻼﻣﺔ ا ﻓﺮاد واﻟﻤﻨﺸﺂت‬

‫«*‪¡UÐdNJK —UMH « W dý ? w(«uB « œuL× ”bMN‬‬

‫ﺗﻌﺘﺒـــﺮ اﻟﻜﺎﺑﻼت اﻟﻜﻬﺮﺑﺎﺋﻴﺔ إﺣﺪى أﻫﻢ ﻣﻜﻮﻧﺎت‬ ‫ﻧﻈـــﺎم اﻟﺘﻮزﻳـــﻊ اﻟﻜﻬﺮﺑﺎﺋـــﻲ ﻓـــﻲ اﻟﻤﺒﺎﻧـــﻲ ﻧﻈﺮا‬ ‫ﻻﻧﺘﺸﺎرﻫﺎ ﻓﻲ ﻣﺨﺘﻠﻒ اﻟﻤﺮاﻓﻖ‪ ،‬وﻳﻤﻜﻨﻨﺎ ﺗﺸﺒﻴﻪ‬ ‫ﺗﻮزﻳﻊ اﻻﺳﻼك واﻟﻜﺎﺑﻼت اﻟﻜﻬﺮﺑﺎﺋﻴﺔ ﻓﻲ اﻟﻤﺒﻨﻰ‬ ‫ﻛﺎﻧﺘﺸـــﺎر اﻻوردة واﻟﺸﺮاﻳﻴﻦ ﻓﻲ ﺟﺴﻢ اﻻﻧﺴﺎن‪،‬‬ ‫ﻓـــﻼ ﻳﻜﺎد ﻳﺨﻠﻮ ﺟﺪار ﻣﻦ وﺟﻮد اﺳـــﻼك أو ﻛﺎﺑﻼت‬ ‫ﻛﻬﺮﺑﺎﺋﻴﺔ ﺑﺪاﺧﻠﻪ ‪ ,‬ﻓﺈذا ﻣﺎ ﺗﻢ اﺧﺘﻴﺎرﻫﺎ وﺗﺮﻛﻴﺒﻬﺎ‬ ‫ﺑﺎﻟﺸﻜﻞ اﻟﺨﺎﻃﺊ ﻓﺴﻴﻜﻮن ﻟﻬﺎ اﻟﺪور اﻻﻛﺒﺮ ﻓﻲ‬ ‫ﻧﺸـــﻮب اﻟﺤﺮاﺋﻖ ذات اﻟﻤﻨﺸﺄ اﻟﻜﻬﺮﺑﺎﺋﻲ‪،‬وﻟﻴﺲ‬ ‫ذﻟﻚ ﻓﺤﺴـــﺐ ﺑﻞ ﺳـــﺘﻜﻮن اﻟﻤﺴـــﺒﺐ اﻟﺮﺋﻴﺴﻲ‬ ‫ﻓـــﻲ ﻧﻘـــﻞ اﻟﺤﺮﻳﻖ واﻧﺘﺸـــﺎره إﻟﻰ ﻣﺨﺘﻠـــﻒ ارﺟﺎء‬ ‫اﻟﻤﺒﻨﻰ‪،‬وﻟﻬـــﺬا ﻳﻨﺼـــﺢ ﺑﺎﺳـــﺘﺨﺪام وﺗﺮﻛﻴـــﺐ‬ ‫اﻻﺳﻼك و اﻟﻜﺎﺑﻼت اﻟﻜﻬﺮﺑﺎﺋﻴﺔ اﻟﻤﻘﺎوﻣﺔ ﻟﻠﺤﺮﻳﻖ‬ ‫ﻓـــﻲ ﺟﻤﻴـــﻊ اﻟﻤﺒﺎﻧـــﻲ و اﻟﻤﻨﺸـــﺂت ﻋﻠـــﻰ اﺧﺘﻼف‬ ‫ﻓﺌﺎﺗﻬﺎ ﺳـــﻮاء اﻟﺴـــﻜﻨﻴﺔ و اﻟﺘﺠﺎرﻳﺔ واﻟﺼﻨﺎﻋﻴﺔ‬ ‫و ﻛﺬﻟﻚ اﻟﻤﻄﺎرات واﻟﻔﻨﺎدق و اﻟﻤﺴﺘﺸـــﻔﻴﺎت و‬ ‫اﻟﻤﺴـــﺘﻮدﻋﺎت وﻏﻴﺮﻫﺎ‪ ،‬وﺗﺰداد أﻫﻤﻴﺔ اﻟﻤﻮﺿﻮع‬ ‫ﺑﺸـــﻜﻞ ﻣﻀﻄﺮد ﻋﻨـــﺪ زﻳﺎدة ﻛﺜﺎﻓـــﺔ اﻟﺘﺠﻤﻌﺎت‬ ‫اﻟﺒﺸﺮﻳﺔ داﺧﻞ ﺗﻠﻚ اﻟﻤﻨﺸﺂت ‪.‬‬

‫وﻳﺄﺗـــﻲ اﻟﺤـــﺮص ﻋﻠـــﻰ اﺳـــﺘﺨﺪام اﻟﻜﺎﺑـــﻼت‬ ‫اﻟﻤﻘﺎوﻣـــﺔ ﻟﻠﺤﺮﻳﻖ اﻟﻰ اﻟﺤﻔﺎظ ﻋﻠﻰ اﺳـــﺘﻤﺮارﻳﺔ‬ ‫ﺗﻮﺻﻴـــﻞ اﻟﺘﻴـــﺎر اﻟﻜﻬﺮﺑﺎﺋﻲ أﺛﻨﺎء وﺟـــﻮد اﻟﺤﺮﻳﻖ‬ ‫وﻟﻔﺘﺮات أﻃـــﻮل ﻣﻤﺎ ﻳﻤﻜﻦ ﺗﺤﻘﻴﻘﻪ ﻣﻊ اﻟﻜﺎﺑﻼت‬ ‫اﻟﺘﻘﻠﻴﺪﻳﺔ‪ ,‬ﺣﻴﺚ ﻳﻤﻜﻦ ﻟﻬﺬه اﻟﻜﺎﺑﻼت أن ﺗﺘﺤﻤﻞ‬ ‫اﻟﺘﻴـــﺎر اﻟﻜﻬﺮﺑﺎﺋﻲ واﻟﺠﻬﺪ اﻻﺳـــﻤﻲ اﻟﻤﺤﺪد ﻟﻬﺎ‬ ‫وذﻟـــﻚ ﻓـــﻲ ﻇـــﻞ ﺗﻌﺮﺿﻬـــﺎ اﻟـــﻰ ﻟﻬﺐ ﻣﺴـــﺘﻤﺮ‬ ‫وﺑﺪرﺟـــﺔ ﺣـــﺮارة ﺗﺘـــﺮاوح ﻣـــﻦ ‪ 650‬إﻟـــﻰ ‪ 950‬درﺟﺔ‬ ‫ﻣﺌﻮﻳﺔ وﻟﻔﺘﺮة ﻣﺤﺪدة ﺗﺼﻞ ﺣﺘﻰ ‪ 3‬ﺳﺎﻋﺎت‪،‬‬

‫وذﻟـــﻚ اﻋﺘﻤـــﺎدا ﻋﻠـــﻰ اﻟﺨﺼﺎﺋـــﺺ اﻟﻜﻬﺮﺑﺎﺋﻴـــﺔ‬ ‫واﻟﻔﻴﺰﻳﺎﺋﻴﺔ اﻟﺘﻲ ﺗﺘﻄﻠﺒﻬﺎ اﻟﻤﻮاﺻﻔﺎت واﻟﻤﻌﺎﻳﻴﺮ‬ ‫اﻟﺨﺎﺻﺔ ﺑﺘﺼﻨﻴﻊ اﻻﺳـــﻼك واﻟﻜﺎﺑﻼت اﻟﻜﻬﺮﺑﺎﺋﻴﺔ‬ ‫اﻟﻤﻘﺎوﻣـــﺔ ﻟﻠﺤﺮﻳﻖ ﻣﺜﻞ اﻟﻤﻮاﺻﻔـــﺔ اﻟﺪوﻟﻴﺔ رﻗﻢ‬ ‫‪ IEC 60331‬و اﻟﻤﻮاﺻﻔﺔ اﻟﺒﺮﻳﻄﺎﻧﻴﺔ رﻗﻢ‬ ‫‪. BS 6387‬‬ ‫وﺗﺘﻜﻮن اﻟﻜﺎﺑـــﻼت اﻟﻤﻘﺎوﻣﺔ ﻟﻠﺤﺮﻳﻖ ﻣﻦ ﻣﻮﺻﻞ‬ ‫داﺧﻠـــﻲ ﻣﺼﻨـــﻮع ﻣﻦ اﻟﻨﺤـــﺎس اﻟﻨﻘﻲ وﻣﻐﻄﻰ‬ ‫ﺑﺸـــﻜﻞ ﻣﺒﺎﺷـــﺮ ﺑﺸـــﺮﻳﻂ ﻣﻦ ﻣﺎدة ﻋﺰل ﺧﺎﺻﺔ‬ ‫ﺗﺴـــﻤﻰ ” اﻟﻤﺎﻳـــﻜﺎ ﺟـــﻼس ‪ ” Mica Glass‬ﺣﻴـــﺚ‬ ‫ﺗﺴـــﺘﻄﻴﻊ ﻫـــﺬه اﻟﻤـــﺎدة ﺑﻔﻌـــﻞ درﺟـــﺎت ﺣـــﺮارة‬ ‫اﻟﺤﺮﻳـــﻖ اﻟﻌﺎﻟﻴـــﺔ ﺟﺪا أن ﺗﺘﺤﻮل اﻟـــﻰ ﻣﺎدة ﻋﺎزﻟﺔ‬ ‫ﻗﺎﺳـــﻴﺔ ــ ﺗﺸﺒﻪ اﻟﺴـــﻴﺮاﻣﻴﻚ اﻟﻰ ﺣﺪ ﻣﺎ ــ وذﻟﻚ‬ ‫ﺑﻬـــﺪف ﺑﻘـــﺎء اﻟﻌﺰل ﻋﻠـــﻰ اﻟﻨﺤﺎس ﻟﻤـــﺪة أﻃﻮل‬ ‫وﻋﺪم ﺣـــﺪوث اي ﺗﻤﺎس ﻛﻬﺮﺑﺎﺋـــﻲ ﺑﻴﻦ اﻟﻘﻠﻮب‬ ‫اﻟﺪاﺧﻠﻴـــﺔ ﻟﻠﻜﺎﺑـــﻞ ‪ ،‬وﺑﺎﻟﺘﺎﻟﻲ ﺗﻮﻓﻴـــﺮ أﻃﻮل ﻣﺪة‬ ‫زﻣﻨﻴـــﺔ ﻻﺳـــﺘﻤﺮارﻳﺔ ﺗﺰوﻳـــﺪ اﻟﻄﺎﻗـــﺔ اﻟﻜﻬﺮﺑﺎﺋﻴﺔ‬ ‫ﻟﻠﻤﺒﻨﻰ ﺑﺸـــﻜﻞ ﻋﺎم و ﻟﻨﻈـــﺎم ﻣﻜﺎﻓﺤﺔ اﻟﺤﺮﻳﻖ‬ ‫ﺑﺸﻜﻞ ﺧﺎص‪.‬‬

‫أن ﻫﻨﺎك ﻋـــﺪة اﺧﺘﺒﺎرات‬ ‫وﻣـــﻦ اﻟﺠﺪﻳـــﺮ ﺑﺎﻟﺬﻛـــﺮ ‪ّ ,‬‬ ‫ﺻﺎرﻣـــﺔ ﺗﺨﻀﻊ ﻟﻬـــﺎ اﻟﻜﺎﺑﻼت اﻟﻤﻘﺎوﻣـــﺔ ﻟﻠﺤﺮﻳﻖ‬ ‫‪,‬ﺣﻴـــﺚ ﺗﻬـــﺪف ﻫـــﺬه اﻻﺧﺘﺒـــﺎرات اﻟـــﻰ ﺗﺼﻨﻴـــﻒ‬ ‫اﻟﻜﺎﺑـــﻼت اﻟﻤﻘﺎوﻣـــﺔ ﻟﻠﺤﺮﻳـــﻖ اﻟـــﻰ ﻋـــﺪة ﻓﺌـــﺎت‬ ‫اﻋﺘﻤـــﺎدا ﻋﻠﻰ ﻗﺪرة ﺗﺤﻤﻠﻬﺎ ﻟﺪرﺟﺔ ﺣﺮارة اﻟﻠﻬﺐ‬ ‫واﻟﻈﺮوف اﻟﻤﺤﻴﻄﺔ ﺑﻬﺎ ﺧﻼل ﻣﺪة زﻣﻨﻴﺔ ﻣﻌﻴﻨﺔ‬ ‫‪ .‬و ﻣﻦ ﻫﺬه اﻻﺧﺘﺒﺎرات ‪:‬‬ ‫‪ 1‬ـ اﺧﺘﺒﺎر ﻣﻘﺎوﻣﺔ اﻟﺤﺮﻳﻖ ﺑﻮﺟﻮد اﻟﻠﻬﺐ ﻓﻘﻂ‬ ‫ﻳﺘـــﻢ ﺗﻮﺻﻴﻞ اﻟﻜﺎﺑﻞ ﻣﻊ ﻣﺼﺪر ﻛﻬﺮﺑﺎﺋﻲ‪ ،‬ﺣﻴﺚ‬ ‫ﻳﺘـــﻢ ﺗﻄﺒﻴﻖ ﺟﻬـــﺪ ﻛﻬﺮﺑﺎﺋﻲ ﻋﻠـــﻰ اﺣﺪ اﻃﺮاف‬ ‫اﻟﻜﺎﺑـــﻞ و ﻳﺘـــﻢ ﺗﻮﺻﻴـــﻞ اﺣﻤـــﺎل ﻛﻬﺮﺑﺎﺋﻴـــﺔ ﻣﻊ‬ ‫اﻟﻄـــﺮف ا{ﺧﺮ ‪ ،‬وﺑﻌﺪ ذﻟﻚ ﻳﺘﻢ ﺗﻌﺮﻳﺾ ﺣﻮاﻟﻲ ‪60‬‬ ‫ﺳـــﻢ ﻣﻦ ﻃﻮل ﻋﻴﻨﺔ اﻟﻜﺎﺑﻞ اﻟﻰ ﻧﺎر وﻟﻬﺐ ﺣﺎرق‬ ‫ﻟﻤﺪة ﺗﺼﻞ إﻟﻰ ‪ 3‬ﺳـــﺎﻋﺎت وﺿﻤـــﻦ درﺟﺎت ﺣﺮارة‬ ‫ﺗﺘـــﺮاوح ﻣﺎ ﺑﻴﻦ ‪ 650‬إﻟـــﻰ ‪ 950‬درﺟﺔ ﻣﺌﻮﻳﺔ وذﻟﻚ‬ ‫اﻋﺘﻤـــﺎدا ﻋﻠﻰ ﻣﺘﻄﻠﺒﺎت ا|ﺧﺘﺒـــﺎر اﻟﻤﺬﻛﻮرة ﻓﻰ‬ ‫اﻟﻤﻮاﺻﻔﺔ اﻟﻘﻴﺎﺳﻴﺔ ‪.‬‬ ‫وﺗﻜﻮن ﻧﺘﻴﺠﺔ اﻻﺧﺘﺒﺎر ﻧﺎﺟﺤﺔ اذا اﺳﺘﻄﺎع اﻟﻜﺎﺑﻞ‬ ‫ان ﻳﺘﺤﻤـــﻞ ﻣﺘﻄﻠﺒـــﺎت و ﻇـــﺮوف ا|ﺧﺘﺒـــﺎر دون‬ ‫ﺣـــﺪوث ﻓﺸـــﻞ ﻓﻲ اﻟﻜﺎﺑـــﻞ واﻟـــﺪارة اﻟﻜﻬﺮﺑﺎﺋﻴﺔ‬ ‫ﻛﻮﺟﻮد ﺗﺴﺮﻳﺐ ﻛﻬﺮﺑﺎﺋﻲ أو ﺣﺪوث ﻗﻄﻊ ﻟﻠﺘﻴﺎر‬ ‫اﻟﻜﻬﺮﺑﺎﺋﻲ ﻣﺎ ﺑﻴﻦ اﻟﻤﺼﺪر واﻟﺤﻤﻞ ‪.‬‬

‫‪ 2‬ـ اﺧﺘﺒــﺎر ﻣﻘﺎوﻣﺔ اﻟﺤﺮﻳــﻖ ﺑﻮﺟﻮد اﻟﻠﻬﺐ‬ ‫ورذاذ اﻟﻤﺎء‬ ‫ﻓــــﻲ ﻫــــﺬا اﻻﺧﺘﺒــــﺎر ﻳﺘﻌــــﺮض اﻟﻜﺎﺑــــﻞ ﻻﺧﺘﺒــــﺎر‬ ‫اﻟﻠﻬــــﺐ اﻟﺤــــﺎرق ﺑﺎﻻﺿﺎﻓﺔ اﻟــــﻰ رش رذاذ اﻟﻤﻴﺎه‬ ‫اﺛﻨــــﺎء اﻻﺧﺘﺒــــﺎر ﺿﻤــــﻦ آﻟﻴــــﺔ ﻣﻌﻴﻨــــﺔ ‪ ،‬وﻳﺄﺗــــﻲ‬ ‫ﺗﻨﻔﻴــــﺬ ﻫــــﺬا اﻟﺴــــﻴﻨﺎرﻳﻮ ﻧــــﻪ ﻳﺤﺎﻛــــﻲ اﻟﻮاﻗﻊ‬ ‫اﻟــــﺬي ﻗﺪ ﺗﺘﻌﺮض ﻟــــﻪ اﻟﻜﺎﺑﻼت ﻣﻦ رش اﻟﻤﻴﺎه‬ ‫ﺧــــﻼل ﻋﻤﻠﻴــــﺔ اﻃﻔﺎء وﻣﻜﺎﻓﺤــــﺔ اﻟﺤﺮﻳﻖ ﺣﻴﺚ‬ ‫ﻣﻦ اﻟﻤﻤﻜــــﻦ أن ﻳﺆﺛﺮ وﺟﻮد اﻟﻤﻴﺎه ﻋﻠﻰ ﻣﺘﺎﻧﺔ‬ ‫ﻋﺰل اﻟﻜﺎﺑﻼت ‪.‬‬

‫‪ 3‬ـ اﺧﺘﺒــﺎر ﻣﻘﺎوﻣــﺔ اﻟﺤﺮﻳﻖ ﺑﻮﺟــﻮد اﻟﻠﻬﺐ‬ ‫ّ‬ ‫واﻟﻄﺮق‬ ‫ﻓﻲ ﻫﺬا اﻻﺧﺘﺒﺎر ﻳﺘﻌﺮض اﻟﻜﺎﺑﻞ ﻻﺧﺘﺒﺎر اﻟﻠﻬﺐ‬ ‫وﻳﺘـــﻢ ﻛﺬﻟـــﻚ ﺗﻌﺮﻳـــﺾ اﻟﻘﺎﻋـــﺪة اﻟﻤﻌﺪﻧﻴـــﺔ‬ ‫اﻟﺤﺎﻣﻠـــﺔ ﻟﻠﻜﺎﺑﻞ اﻟﻰ ﺳﻠﺴـــﻠﺔ ﻣـــﻦ اﻟﺼﺪﻣﺎت‬ ‫اﻟﻤﻴﻜﺎﻧﻴﻜﻴـــﺔ ﺑﺎﺳـــﺘﺨﺪام ﻣﻄﺮﻗـــﺔ ذات ﻗـــﺪرة‬ ‫ﻣﺤـــﺪدة ‪ .‬وﻗـــﺪ ﺗﻢ ﺗﻨﻔﻴـــﺬ ﻫﺬا اﻟﺴـــﻴﻨﺎرﻳﻮ ﻧﻪ‬ ‫ﻳﺤﺎﻛـــﻲ اﻟﻮاﻗﻊ اﻟـــﺬي ﻗﺪ ﺗﺘﻌﺮض ﻟـــﻪ اﻟﻜﺎﺑﻼت‬ ‫ﻋﻨـــﺪ ﺣـــﺪوث اﻫﺘـــﺰازات و اﻧﻬﻴﺎرات ﻓـــﻲ ﺟﺪران‬ ‫اﻟﻤﺒﻨـــﻰ أﺛﻨـــﺎء اﻟﺤﺮﻳـــﻖ ‪ ,‬اﻻﻣـــﺮ اﻟـــﺬي ﻗـــﺪ ﻳﺆدي‬ ‫اﻟـــﻰ ﺗﻜﺴـــﺮ وﺗﻠﻒ ﻃﺒﻘـــﺔ اﻟﻌﺰل ﺑﻴـــﻦ اﻟﻘﻠﻮب‬ ‫اﻟﺪاﺧﻠﻴﺔ ﻟﻠﻜﺎﺑﻞ ‪.‬‬

‫أن اﻟﻜﺎﺑـــﻼت اﻟﻤﻘﺎوﻣﺔ‬ ‫وأﺧﻴـــﺮا ﻧﺴـــﺘﻄﻴﻊ اﻟﻘﻮل ّ‬ ‫ﻟﻠﺤﺮﻳـــﻖ ﻗﺪ ﺗﻜﻮن ﻣﻄﺎﺑﻘﺔ ﻻﺧﺘﺒﺎر اﻟﻠﻬﺐ ﻓﻘﻂ‬ ‫أو ﻟﺠﻤﻴـــﻊ اﻻﺧﺘﺒـــﺎرات اﻟﺜﻼﺛـــﺔ اﻟﻤﺬﻛـــﻮرة ﺳـــﺎﺑﻘﺎ‬ ‫)اﻟﻠﻬﺐ ورذاذ اﻟﻤﺎء و ّ‬ ‫اﻟﻄﺮق ( ‪.‬‬

‫‪¡UM³ « ±∞π‬‬

‫‪109 Albenaa‬‬

‫ ‪¡UM³ « o×K‬‬

‫ ‪WO½öŽ≈ …œU‬‬

‫ﺗﺮﺷﻴﺪ ا ﺳﺘﻬﻼك ﻓﻲ اﻟﻄﺎﻗﺔ‬ ‫اﻟﻤﻬﻨﺪس ﻓﺮﻳﺪ ﻋﺒﺪ اﻟﺴﺘﺎر اﻟﻤﻴﻤﻨﻲ‬

‫إن أﻫﻤﻴﺔ ﺗﺮﺷﻴﺪ اﻟﻄﺎﻗﺔ ﺑﺎﻟﻤﻤﻠﻜﺔ اﻟﻌﺮﺑﻴﺔ اﻟﺴﻌﻮدﻳﺔ أﺻﺒﺤﺖ ﻫﺎﺟﺴ ﻟﻜﻞ اﻟﻤﻬﺘﻤﻴﻦ‬ ‫ﻣﺴــﺌﻮﻟﻴﻦ وﻣﻮاﻃﻨﻴﻦ ﺣﺘﻰ اﻧﻄﻠــﻖ اﻟﺒﺮﻧﺎﻣﺞ اﻟﻮﻃﻨﻲ ‪-‬دارة وﺗﺮﺷــﻴﺪ اﻟﻄﺎﻗﺔ )ﺑﺮﻧﺎﻣﺞ‬ ‫ﻛﻔﺎءة اﻟﻄﺎﻗﺔ( وﻛﻮد اﻟﺒﻨﺎء اﻟﺴﻌﻮدي وﻧﻈﺎم ا‪-‬ﻟﺰام ﺑﺎﻟﻌﺰل اﻟﺤﺮاري ﻟﻠﻤﺒﺎﻧﻲ‪ ،‬ودورﻫﻤﺎ‬ ‫ﻓــﻲ ﺗﺨﻔﻴﺾ اﺳــﺘﻬﻼك اﻟﻜﻬﺮﺑﺎء ﺑﺮﻋﺎﻳــﺔ ﻣﻠﻜﻴﺔ ﻛﺮﻳﻤــﺔ ﻟﻠﺤﺪ ﻣﻦ اﺳــﺘﻨﺰاف اﻟﻄﺎﻗﺔ‬ ‫اﻟﻜﻬﺮﺑﺎﺋﻴﺔ واﻟﺘﻲ ﻳﺴــﺘﻬﻠﻚ اﻟﺘﻜﻴﻴﻒ ﻣﻨﻬﺎ ﺳــﺘﻮن ﺑﺎﻟﻤﺎﺋﺔ ‪ .‬ﻛﻤﺎ أن ﺗﻄﺒﻴﻖ وﺗﻨﻔﻴﺬ‬ ‫اﻟﻌــﺰل اﻟﺤﺮاري ﻋﻠﻰ ﺟﻤﻴﻊ اﻟﻤﺒﺎﻧﻲ ﻓﻲ اﻟﻤﻤﻠﻜﺔ أﺻﺒﺢ إﻟﺰاﻣﻴ ﻓﻲ ﺿﻮء اﻟﻘﺮار اﻟﺴــﺎﻣﻲ‬ ‫رﻗﻢ ‪ 6927‬م ب‪ ،‬وﺗﺎرﻳﺦ ‪ ،22/9/1431‬اﻟﻘﺎﺿﻲ ﺑﺎﻟﻤﻮاﻓﻘﺔ ﻋﻠﻰ ﺗﻄﺒﻴﻖ اﻟﻌﺰل اﻟﺤﺮاري ﺑﺸﻜﻞ‬ ‫إﻟﺰاﻣﻲ ﻋﻠﻰ ﺟﻤﻴﻊ اﻟﻤﺒﺎﻧﻲ اﻟﺠﺪﻳﺪة‪ ،‬ﺳــﻮاء اﻟﺴــﻜﻨﻴﺔ أو اﻟﺘﺠﺎرﻳﺔ‪ ،‬أو أﻳﺔ ﻣﻨﺸﺂت أﺧﺮى‬ ‫أﺳﻮة ﺑﺎﻟﻤﻨﺸﺂت اﻟﺤﻜﻮﻣﻴﺔ ﻓﻲ اﻟﻤﺪن اﻟﺮﺋﻴﺴﻴﺔ ﺑﻤﻨﺎﻃﻖ اﻟﻤﻤﻠﻜﺔ‪.‬‬ ‫اﻟﻤﻬﻨﺪس ‪ /‬ﻓﺮﻳﺪ ﻋﺒﺪ اﻟﺴﺘﺎر اﻟﻤﻴﻤﻨﻲ‬

‫ﻟﻘـــﺪ ﺳـــﻌﺪﻧﺎ ﺑﺈﺻـــﺪار اﻟﻘﻮاﻧﻴـــﻦ اﻟﺘـــﻲ‬ ‫ﺗﻬـــﺪف إﻟﻰ ﺗﺮﺷـــﻴﺪ اﻟﻄﺎﻗـــﺔ ﺑﺎﻟﻤﻤﻠﻜﺔ‬ ‫ﻣﻤـــﺎ ﺳـــﻴﻜﻮن ﻟـــﻪ ﺑﺎﻟـــﻎ ا‪$‬ﺛـــﺮ ﻓـــﻲ‬ ‫ﺗﺨﻔﻴـــﺾ ا‪$‬ﺣﻤﺎل اﻟﻜﻬﺮﺑﺎﺋﻴـــﺔ و ﺗﻮﻓﻴﺮ‬ ‫اﻟﺒﺘـــﺮول اﻟﻤﺴـــﺘﺨﺪم ﻟﺘﻮﻟﻴـــﺪ اﻟﻄﺎﻗـــﺔ‬ ‫وﺑﺎﻟﺘﺎﻟﻲ ﺗﺨﻔﻴﺾ ا‪$‬ﻋﺒـــﺎء اﻟﻤﺎﻟﻴﺔ ﻋﻠﻰ‬ ‫اﻟﻤﻮاﻃﻨﻴﻦ واﻟﺪوﻟـــﺔ و ذﻟﻚ ﺑﺘﺨﻔﻴﺾ‬ ‫اﻟﻄﺎﻗـــﺔ اﻟﻤﺴـــﺘﺨﺪﻣﺔ ﻓـــﻲ اﻟﻤﺒﺎﻧـــﻲ‬ ‫اﻟﺴـــﻜﻨﻴﺔ ﺑﺎﺳـــﺘﺨﺪام اﻟﻌـــﺎزل اﻟﺤﺮاري‬ ‫ﻓﻲ اﻟﺠﺪران اﻟﺨﺎرﺟﻴﺔ وأﺳـــﻘﻒ اﻟﻤﺒﺎﻧﻲ‬ ‫و اﻟﺘﻲ ﺗﻢ وﺿﻊ ﻗﻴﻢ ﻟﻠﻤﻘﺎوﻣﺔ اﻟﺤﺮارﻳﺔ‬ ‫ﺑﻜـــﻮد اﻟﺒﻨﺎء اﻟﺴـــﻌﻮدي‪ .‬و ﻫﺬه اﻟﻘﻴﻢ‬ ‫ﻛﻔﻴﻠـــﺔ ﺑﺘﺨﻔﻴـــﺾ ﻣـــﺎ ﻧﺴـــﺒﺘﻪ أﻛﺜـــﺮ‬ ‫ﻣـــﻦ ‪ ٪٥٠‬ﻣﻦ ﻓﺎﺗـــﻮرة اﻟﻜﻬﺮﺑـــﺎء اﻟﺤﺎﻟﻴﺔ‬ ‫وﻟﻜﻦ ﻋﻨـــﺪ ﺗﻨﻔﻴﺬ اﻟﺘﻌﻠﻴﻤـــﺎت اﻟﺨﺎﺻﺔ‬ ‫ﺑﻬـــﺬه اﻟﻤﻮاﺻﻔـــﺎت ﻛﺎن ﻟﻨـــﺎ اﻟﻌﺪﻳـــﺪ‬ ‫ﻣـــﻦ اﻟﻤﻼﺣﻈـــﺎت اﻟﺘـــﻲ ﺗﻬـــﺪد ﺑﻌـــﺪم‬ ‫ﺗﺤﻘﻴـــﻖ أﻫﺪاف اﻟﻤﺸـــﺮوع اﻟﺮاﺋـــﺪ اﻟﺬي‬ ‫ﻳﻘـــﻮده ﺻﺎﺣﺐ اﻟﺴـــﻤﻮ اﻟﻤﻠﻜـــﻲ ا‪$‬ﻣﻴﺮ‬ ‫ﻋﺒﺪاﻟﻌﺰﻳـــﺰ ﺑﻦ ﺳـــﻠﻤﺎن ﺑـــﻦ ﻋﺒﺪاﻟﻌﺰﻳﺰ‬ ‫وﻫﺬه اﻟﻤﻼﺣﻈﺎت ﻛﺎﻟﺘﺎﻟﻲ‪ :‬ــ‬ ‫• اﺳـــﺘﺨﺪام اﻟﻄﻮب ا‪$‬ﺳـــﻤﻨﺘﻲ اﻟﻤﺤﺸﻮ‬ ‫ﺑﺎﻟﺒﻮﻟﻴﺴﺘﺮﻳﻦ ‪.‬‬ ‫• اﺳﺘﺨﺪام اﻟﻄﻮب اﻟﺒﺮﻛﺎﻧﻲ ‪.‬‬ ‫• اﺳـــﺘﺨﺪام ﻃﻮب اﻟﺴﻴﺒﻮرﻛﺲ وﺑﻨﺎؤه‪.‬‬ ‫ﺑﺨﻠﻄـــﺔ اﺳـــﻤﻨﺘﻴﺔ ﻳﺴـــﺒﺐ اﻟﺠﺴـــﻮر‬ ‫اﻟﺤﺮاري‪.‬‬

‫∏∞‪¡UM³ « ±‬‬

‫‪108 Albenaa‬‬

‫• اﺳـــﺘﺨﺪام اﻟـــﻮاح اﻟﺒﻮﻟﻴﺴـــﺘﺮﻳﻦ ﻟﻠﻌﺰل‬ ‫اﻟﺤﺮاري‬ ‫و ﻓـــﻲ اﻟﺜﻼﺛﺔ ﺑﻨﻮد ا‪$‬وﻟﻰ ﻳﻮﺟﺪ ﻛﺜﻴﺮ ﻣﻦ‬ ‫اﻟﻜﺒـــﺎري اﻟﺤﺮارﻳـــﺔ واﻟﺘـــﻲ ﺗـــﺆدي ﻟﻔﻘﺪان‬ ‫ﻗﻴﻤـــﺔ اﻟﻤﻘﺎوﻣﺔ اﻟﺤﺮارﻳﺔ ﻟﻠﺠﺪران وﺗﺼﺒﺢ‬ ‫ﻋﺪﻳﻤﺔ اﻟﺠﺪوى واﻟﻔﺎﺋﺪة‪.‬‬ ‫اﻣـــﺎ ﻓـــﻲ اﻟﺒﻨﺪ اﻟﺮاﺑـــﻊ ﻓﺈن اﻟﺒﻮﻟﻴﺴـــﺘﺮﻳﻦ‬ ‫و اﻟﻤـــﻮاد اﻟﺒﻴﺘﺮوﻛﻴﻤﻴﺎﺋﻴـــﺔ ﺑﺼﻔـــﺔ ﻋﺎﻣﺔ‬ ‫ﻣـــﻮاد ﻗﺎﺑﻠـــﺔ ﻟﻼﺷـــﺘﻌﺎل و ﻫـــﺬا ﻳﺘﻨﺎﻓـــﻰ‬ ‫ﻣـــﻊ ﻣﻮاﺻﻔـــﺎت اﻟﺒﻨـــﺎء ﻓـــﻲ ﺟﻤﻴـــﻊ دول‬ ‫اﻟﻌﺎﻟـــﻢ وﺑﺨﺎﺻـــﺔ اﻟﺨﻠﻴﺠﻴﺔ ﻓﻘـــﺪ ﻣﻨﻌﺖ‬ ‫اﺳـــﺘﺨﺪاﻣﻪ دوﻟﺔ ﻗﻄﺮ ﻣﻨﺬ ﻋﺪة ﺳـــﻨﻮات‬ ‫وﺻـــﺪرت ﻣﻮاﺻﻔـــﺎت اﻟﺒﻨـــﺎء ﺑﺎ‪b‬ﻣـــﺎرات‬ ‫اﻟﻌﺮﺑﻴـــﺔ اﻟﻤﺘﺤـــﺪة ﺗﻤﻨﻊ اﺳـــﺘﺨﺪام ﻣﺜﻞ‬ ‫ﻫـــﺬه اﻟﻤﻮاد اﻟﺘﻲ ﺗﺴـــﺒﺒﺖ ﻓـــﻲ اﻟﻌﺪﻳﺪ‬ ‫ﻣـــﻦ اﻟﺤﺮاﺋﻖ ﺑﺎﻟﻤﺒﺎﻧﻲ ﻧﺎﻃﺤﺎت اﻟﺴـــﺤﺐ‪.‬‬ ‫و ﻟﻘـــﺪ ﺣﺮﺻـــﺖ إدارة اﻟﺪﻓـــﺎع اﻟﻤﺪﻧـــﻲ‬ ‫ﺑﺎﻟﻤﻤﻠﻜـــﺔ ﺑﺈﺻﺪار ﻗﺮار ﺑﺎﻟﻤﻮاد اﻟﺘﻲ ﻳﻤﻨﻊ‬ ‫اﺳـــﺘﺨﺪاﻣﻬﺎ ﻓﻲ إﻧﺸـــﺎء اﻟﻤﺴﺘﺸـــﻔﻴﺎت‬ ‫وﻫﻲ اﻟﻤﻮاد اﻟﻘﺎﺑﻠﺔ ﻟﻼﺣﺘﺮاق ﺳـــﻮاء ﻛﺎن‬ ‫داﺧﻠﻴـــﺎ أو ﺧﺎرﺟﻴـــﺎ أو ﻇﺎﻫـــﺮ أو ﻏﻴﺮ ذﻟﻚ‪.‬‬ ‫اﻣﺎ اﻟﺒﻮﻟﻴﺴـــﺘﺮﻳﻦ اﻟﻤﻤﺪد و اﻟﺬي ﻻﺣﻈﻨﺎ‬ ‫اﺳـــﺘﺨﺪاﻣﻪ ﻓـــﻲ اﻟﻜﺜﻴـــﺮ ﻣـــﻦ اﻟﻤﺒﺎﻧـــﻲ‬ ‫ﻓﺒﺎ‪b‬ﺿﺎﻓـــﺔ ﻟﻘﺎﺑﻠﻴﺘـــﻪ ﻟﻼﺷـــﺘﻌﺎل ﻓﺈﻧـــﻪ‬ ‫ﻳﺘﻘﻠـــﺺ ﺑﻌـــﺪ ﻓﺘﺮة ﻗﺼﻴـــﺮة ﻣـــﻦ اﻟﺰﻣﻦ‬ ‫وﻳﺼﺒﺢ ﺑﻼ ﻓﺎﺋﺪة ﺑﺎﻟﻌﺰل اﻟﺤﺮاري‪.‬‬ ‫ﻣﻤﺎ ﺳـــﺒﻖ و ﺣﺮﺻﺎ ﻋﻠﻰ ﺗﻄﺒﻴﻖ اﻟﻘﺮارات‬

‫ا‪b‬ﻟﺰاﻣﻴـــﺔ و اﻻﺳـــﺘﻔﺎدة اﻟﻘﺼـــﻮى ﻣـــﻦ‬ ‫اﻟﻤﺠﻬـــﻮد اﻟﻤﺒـــﺬول ﻓـــﻲ ﻫـــﺬا اﻟﺠﺎﻧـــﺐ‬ ‫ﻛﺎن ﻟﺰاﻣـــﺎ ﻋﻠﻴﻨﺎ ان ﻧﻀـــﻊ ﻣﻼﺣﻈﺎﺗﻨﺎ ﺑﻴﻦ‬ ‫اﻳﺪﻳﻜﻢ ﻟﻠﺼﺎﻟﺢ اﻟﻌﺎم ﻟﺘﺘﺨﺬوا ا‪b‬ﺟﺮاءات‬ ‫اﻟﻜﻔﻴﻠـــﺔ ﺑﻨﺠﺎح ﻣﺸـــﺮوع ﻛﻔـــﺎءة ‪ ،‬وﺗﺒﻠﻎ‬ ‫اﻟﻤﻜﺎﺗـــﺐ اﻟﻬﻨﺪﺳـــﻴﺔ وأﻣﺎﻧـــﺎت وﺑﻠﺪﻳﺎت‬ ‫اﻟﻤـــﺪن ﺑﺎﻟﺘﻌﻠﻴﻤـــﺎت واﻟﻤـــﻮاد اﻟﺼﺤﻴﺤـــﺔ‬ ‫ا‪l‬ﻣﻨﺔ ﻟﻠﻌﺰل اﻟﺤﺮاري ‪.‬‬ ‫وﻳﺸـــﻜﻞ اﺳـــﺘﻬﻼك اﻟﺘﻜﻴﻴـــﻒ ﻓﻲ ﺗﻠﻚ‬ ‫اﻟﻤﺒﺎﻧـــﻲ ‪ ،٪ ٧٠‬وﻣـــﻦ ﻫﻨـــﺎ ﺗﺄﺗـــﻲ أﻫﻤﻴـــﺔ‬ ‫ﺗﻄﺒﻴـــﻖ اﺷـــﺘﺮاﻃﺎت اﻟﻌﺰل اﻟﺤـــﺮاري ﻋﻠﻰ‬ ‫ﺟﻤﻴـــﻊ اﻟﻤﺒﺎﻧـــﻲ واﻟﺬي ﻳﻮﻓـــﺮ ‪ ٪ ٤٠-٣٠‬ﻣﻦ‬ ‫أﺣﻤـــﺎل اﻟﺘﻜﻴﻴﻒ‪ ،‬ﻣﻊ أﻫﻤﻴـــﺔ ﻣﻼﺣﻈﺔ أن‬ ‫ﺗﻜﻠﻴﻒ اﻟﻌﺰل اﻟﺠـــﺮاري ﻻ ﺗﻤﺜﻞ ﻓﻲ أﻋﻠﻰ‬ ‫ا‪$‬ﺣـــﻮال أﻛﺜﺮ ﻣﻦ ‪ ٪ ٥‬ﻣﻦ ﺗﻜﺎﻟﻴﻒ إﻧﺸـــﺎء‬ ‫اﻟﻤﺒﻨـــﻰ‪ ،‬وﻳﻤﻜﻦ أن ﺗﺴـــﺘﺮد ﺧﻼل ﻣﺪة ﻻ‬ ‫ﺗﺘﺠﺎوز ﺧﻤﺲ ﺳﻨﻮات ﻧﺘﻴﺠﺔ ﻟﻠﺘﻮﻓﻴﺮ ﻓﻲ‬ ‫ﻓﺎﺗﻮرة اﻟﻜﻬﺮﺑﺎء‪.‬‬ ‫وﺗﺠﺪر ا‪b‬ﺷﺎرة إﻟﻰ أن اﻟﺠﻬﻮد اﻟﺤﺎﻟﻴﺔ اﻟﺘﻲ‬ ‫ﻳﻨﻔﺬﻫﺎ اﻟﻤﺮﻛﺰ اﻟﺴﻌﻮدي ﻟﻜﻔﺎءة اﻟﻄﺎﻗﺔ‬ ‫ﻟﺮﻓﻊ ﻛﻔﺎءة اﺳـــﺘﺨﺪام اﻟﻄﺎﻗﺔ ﻓﻲ ﺟﺎﻧﺐ‬ ‫اﻟﻄﻠـــﺐ‪ ،‬وﺗﺤﺪﻳـــﺚ وإﻳﺠـــﺎد اﻟﺘﺸـــﺮﻳﻌﺎت‬ ‫اﻟﺨﺎﺻـــﺔ ﺑﺤﺴـــﻦ اﺳـــﺘﺨﺪاﻣﻬﺎ‪ ،‬واﻟﻌﻤـــﻞ‬ ‫ﻋﻠﻰ ﺗﻄﺒﻴﻘﻬﺎ‪ ،‬واﻟﺘﺤﻘﻖ ﻣﻦ اﻻﻟﺘﺰام ﺑﻬﺎ‪،‬‬ ‫إﺿﺎﻓﺔ إﻟﻰ اﻟﺠﻬﻮد اﻟﺘﻲ ﺗﻨﻔﺬﻫﺎ اﻟﺸﺮﻛﺔ‬ ‫ﻓﻲ ﺟﺎﻧﺐ ا‪b‬ﻣﺪاد‪ ،‬ﺳﺘﺴـــﻬﻢ ﻓﻲ ﺗﺤﻘﻴﻖ‬ ‫ﻧﺘﺎﺋﺞ ﺟﻴﺪة ﺧﻼل ا‪$‬ﻋﻮام اﻟـ‪١٠‬اﻟﻤﻘﺒﻠﺔ‪.‬‬

‫ ‪WO½öŽ≈ …œU‬‬

‫ ‪¡UM³ « o×K‬‬

‫ﻣﺼﻨﻊ اﻟﺒﺮاك ﻟ ﺑﻮاب ا وﺗﻮﻣﺎﺗﻴﻜﻴﺔ‬ ‫أﺑﻮاب أوﺗﻮﻣﺎﺗﻴﻜﻴﺔ ﺑﻤﻌﺎﻳﻴﺮ ﻋﺎﻟﻤﻴﺔ‬

‫ﻋﻠـــﻰ ﻣﺪى أﻛﺜﺮ ﻣـــﻦ ‪ ٢٥‬ﻋﺎﻣﺎ ﻧﺠـــﺢ ﻣﺼﻨﻊ اﻟﺒﺮاك‬ ‫ﻟ‪.‬ﺑﻮاب ا‪-‬وﺗﻮﻣﺎﺗﻴﻜﻴﺔ ﻓـــﻲ ﺑﻨﺎء ﻣﻜﺎﻧﺔ راﺋﺪة ﻓﻲ‬ ‫ﻋﺎﻟـــﻢ ﺗﺼﻨﻴـــﻊ أﺑـــﻮاب اﻟﻜﺮاﺟـــﺎت ا‪-‬وﺗﻮﻣﺎﺗﻴﻜﻴـــﺔ‬ ‫ﺑﺄﻧﻮاﻋﻬـــﺎ اﻟﻤﺨﺘﻠﻔـــﺔ و ﺑﻔﻀـــﻞ ﻣﺎﺗﺘﻤﻴـــﺰ ﺑـــﻪ ﻣﻦ‬ ‫ﺗﻘﺪﻳـــﻢ ﻣﻨﺘﺠـــﺎت ﻣﺼﻨﻌﻪ ﺑﺠـــﻮدة ﻋﺎﻟﻴـــﻪ وﻋﻠﻰ‬ ‫ﻣﻌﺎﻳﻴـــﺮ ﻋﺎﻟﻤﻴﺔ و ﻟﺘﻌﺎوﻧﻬﺎ ﻣﻊ أﻓﻀﻞ اﻟﺸـــﺮﻛﺎت‬ ‫اﻟﻌﺎﻟﻤﻴـــﺔ ﻓـــﻲ ﻫـــﺬا اﻟﻤﺠـــﺎل ﻣﺜـــﻞ ﺷـــﺮﻛﺔ ﻛﻴﻢ‬ ‫ا‪C‬ﻳﻄﺎﻟﻴﺔ وﺷـــﺮﻛﺔ ﺟﺮﻳﻔﻜـــﻮ ا‪-‬ﻟﻤﺎﻧﻴﺔ واﻟﺸـــﺮﻛﺔ‬ ‫اﻟﺘﻜﻨﻮﻟﻮﺟﻴﺔ ا‪-‬وﺗﻮﻣﺎﺗﻴﻜﻴﺔ ا‪-‬ﺳـــﺘﺮاﻟﻴﺔ وﻏﻴﺮﻫﺎ‬ ‫ﻣﻜﺘﺴـــﺒﺔ ﺑﺬﻟﻚ ﺛﻘـــﺔ ووﻻء ﻋﻤﻼﺋﻬﺎ و ‪-‬ﺟﻞ ذﻟﻚ‬ ‫ﺣﻘﻘـــﺖ ﻧﺠﺎﺣﺎت ﺳـــﺎﻫﻤﺖ ﻓﻲ ﺗﻨﻮﻳـــﻊ ﻣﻨﺘﺠﺎﺗﻬﺎ‬ ‫ﻟﺘﺸـــﻤﻞ ا‪-‬ﺑﻮاب ا‪-‬وﺗﻮﻣﺎﺗﻴﻜﻴﺔ اﻟﺴﺤﺎﺑﺔ‪ ،‬ا‪-‬ﺑﻮاب‬ ‫اﻟﻤﻨﺰﻟﻴـــﺔ اﻟﻤﻘﻄﻌﻴـــﺔ‪ ،‬أﺑـــﻮاب اﻟﻘﻄﻌـــﺔ اﻟﻮاﺣﺪة‪،‬‬ ‫أﺑﻮاب اﻟﺸـــﺮاﺋﺢ اﻟﻤﻌﺪﻧﻴﺔ‪ ،‬أﺑـــﻮاب ﺣﻤﺎﻳﺔ اﻟﻤﺘﺎﺟﺮ‬ ‫)اﻟﺤﺪﻳـــﺪ وا‪-‬ﻟﻤﻨﻴـــﻮم( ‪ ،‬ا‪-‬ﺑـــﻮاب اﻟﺼﻨﺎﻋﻴـــﺔ‬ ‫اﻟﺨﻔﻴﻔﻪ و ا‪-‬ﺑﻮاب اﻟﺴـــﺤﺎﺑﺔ ﻟﻠﺸـــﺮاﺋﺢ اﻟﻤﻌﺰوﻟﺔ‪،‬‬ ‫ا‪-‬ﺑﻮاب اﻟﺼﻨﺎﻋﻴـــﺔ اﻟﻤﻘﻄﻌﻴـــﺔ اﻟﻤﻌﺰوﻟﺔ‪ ،‬ا‪-‬ﺑﻮاب‬ ‫اﻟﺼﻨﺎﻋﻴـــﺔ اﻟﺴـــﺤﺎﺑﺔ‪ ،‬ا‪-‬ﺑـــﻮاب اﻟﻤﻘﺎوﻣـــﺔ ﻟﻠﺤﺮﻳﻖ‬ ‫و ﺳـــﺘﺎﺋﺮ اﻟﻨﻮاﻓـــﺬ اﻟﺴـــﺤﺎﺑﺔ و ا‪-‬ﺑـــﻮاب اﻟﻤﻌﺪﻧﻴﺔ‬ ‫اﻟﻤﺠﻮﻓـــﺔ اﻟﻤﻌﺰوﻟـــﺔ اﻟﻤﻘﺎوﻣﺔ ﻟﻠﺤﺮﻳـــﻖ‪ ،‬ا‪-‬ﻧﻈﻤﺔ‬ ‫ا‪-‬وﺗﻮﻣﺎﺗﻴﻜﻴـــﺔ ﻟﻔﺘﺢ اﻟﺒﻮاﺑﺎت اﻟﺴـــﺤﺎﺑﺔ و ﺑﻮاﺑﺎت‬ ‫اﻟﺪرﻓﺘﻴﻦ )ﻧﻈﺎم ا‪-‬ذرﻋﻪ ( ﻓﺘﻮﺳﻌﺖ ﻓﻲ ﻣﺨﺘﻠﻒ‬ ‫ﻣﻨﺎﻃـــﻖ اﻟﻤﻤﻠﻜـــﺔ ﻣﻠﺒﻴـــﻪ إﺣﺘﻴﺎﺟـــﺎت ﻣﺨﺘﻠـــﻒ‬ ‫اﻟﻘﻄﺎﻋـــﺎت ﻓـــﻲ اﻟﻤﻤﻠﻜـــﺔ اﻟﻌﺮﺑﻴـــﺔ اﻟﺴـــﻌﻮدﻳﺔ‬ ‫وﻧﻈـــﺮا ﻟﻠﺨﺒـــﺮه اﻟﻄﻮﻳﻠﻪ ﺣﺼﻠﺖ ﻋﻠـــﻰ ﺛﻘﻪ أﻛﺒﺮ‬ ‫ﻓﻲ ﻣﺨﺘﻠﻒ اﻟﻘﻄﺎﻋﺎت اﻟﺤﻜﻮﻣﻴﺔ وأﻫﻢ ﺷـــﺮﻛﺎت‬ ‫اﻟﻘﻄـــﺎع اﻟﺨـــﺎص وﺧﺼﻮﺻـــﺎ ﻓﻲ اﻟﻘﻄـــﺎع ا‪-‬ﻣﻨﻲ‬ ‫ﻟﺘﺮﻛﻴـــﺐ اﻟﻤﺼـــﺪات ا‪-‬رﺿﻴـــﻪ اﻟﻬﻴﺪروﻟﻴﻜﻴـــﺔ‬ ‫واﻟﺤﻮاﺟـــﺰ ا‪-‬وﺗﻮﻣﺎﺗﻴﻜﻴﺔ ا‪-‬رﺿﻴـــﺔ اﻟﻘﺎﺑﻠﺔ ﻟﻠﻄﻲ‬ ‫وﺣﻮاﺟﺰ اﻟﻄﺮق و اﻧﻬﺎ ﻋﻠﻰ إﺳﺘﻌﺪاد ﺗﺎم ﻟﺘﻘﺪﻳﻢ‬ ‫اﻟﻤﺸـــﻮرة اﻟﻔﻨﻴﺔ ﻛﻤﺎ ﻳﺘﻮاﻓـــﺮ ﻟﺪﻳﻬﺎ ﻃﺎﻗﻢ ﻓﻨﻲ‬ ‫ﻋﻠﻰ أﻋﻠﻰ ﻣﺴﺘﻮى ﻣﻦ اﻟﺘﺪرﻳﺐ و اﻟﻤﻬﺎرة وذﻟﻚ‬ ‫ﺣﺮﺻﺎ ﻣﻦ اﻟﺸﺮﻛﺔ ﻋﻠﻰ ﺗﻘﺪﻳﻢ ﺧﺪﻣﺎﺗﻬﺎ ﻟﻠﻌﻤﻼء‬ ‫ﺑﺸﻜﻞ ﻣﺘﻜﺎﻣﻞ ﺑﻤﺎ ﻳﻠﺒﻲ اﺣﺘﻴﺎﺟﺎﺗﻬﻢ‪.‬‬

‫ا ﺑﻮاب اﻟﺼﻨﺎﻋﻴﺔ اﻟﺴﺤﺎﺑﺔ اﻟﺨﻔﻴﻔﺔ‬ ‫ﻣﺼﻨﻊ اﻟﺒﺮاك ‪-‬ﺑﻮاب اﻟﻜﺮاﺟﺎت راع ﻓﻲ ﺗﺼﻤﻴﻤﻪ‬ ‫ﻟﻬﺬا اﻟﻤﻨﺘﺞ ﺳــــﻬﻮﻟﺔ اﻟﺘﺮﻛﻴــــﺐ و اﻟﺤﺪ ا‪-‬دﻧﻰ‬ ‫ﻣــــﻦ اﻟﺼﻴﺎﻧــــﻪ ﻟﻌﻤــــﺮ أﻃﻮل ﻛﻤــــﺎ ﺗﺘﻤــــﺎز ﺑﺎﻟﻘﻮه‬ ‫و ا‪-‬ﻣــــﺎن وﻳﺘﻮﻓــــﺮ ﻫــــﺬا اﻟﻄــــﺮاز ﻣــــﻦ اﻟﺸــــﺮاﺋﺢ‬ ‫اﻟﻤﻌﺰوﻟﺔ وﺑﺄﻟﻮان ﻣﺘﻌــــﺪدة ﻛﻤﺎ ﺗﻌﻤﻞ ﺑﻨﻈﺎم‬ ‫ﻳﺪوي وآﻟﻲ‪.‬‬ ‫ﺳﺘﺎﺋﺮ اﻟﻨﻮاﻓﺬ اﻟﻤﻌﺪﻧﻴﺔ اﻟﺴﺤﺎﺑﺔ‬ ‫ﺳـــﺘﺎﺋﺮ اﻟﻨﻮاﻓـــﺬ اﻟﻤﻌﺪﻧﻴﺔ إﺳـــﺘﺜﻤﺎر ﻣﺜﺎﻟﻲ‬ ‫ﻟﻤﺴﺎﻫﻤﺘﻪ ﻓﻲ اﻟﻌﺰل اﻟﺤﺮاري و ﻋﺰل ا‪-‬ﺗﺮﺑﻪ‬ ‫و ا‪-‬ﻣﻄـــﺎر ﻛﻤـــﺎ ﺗﺼﻨـــﻊ ﺑﺎﺳـــﺘﺨﺪام أﻓﻀـــﻞ‬ ‫ا‪-‬ﺟـــﺰاء وﻗﻄـــﻊ اﻟﺘﺼﻨﻴـــﻊ اﻟﻤﺴـــﺘﻮردة ﻣﻦ‬ ‫اوروﺑﺎ و ﺗﺼﻨﻊ ﺣﺴـــﺐ اﻟﻤﻘﺎﺳﺎت اﻟﻤﻄﻠﻮﺑﺔ‬ ‫ﻛﻤﺎ ﻳﻤﻜﻦ ﺗﺸﻐﻠﻴﻬﺎ ﺑﻨﻈﺎم ﻳﺪوي و آﻟﻲ ‪.‬‬ ‫ا ﺑﻮاب اﻟﺴﺤﺎﺑﺔ اﻟﻤﻘﺎوﻣﺔ ﻟﻠﺤﺮﻳﻖ‬ ‫ﻳﻮﻓﺮ ﻣﺼﻨـــﻊ اﻟﺒﺮاك ﻟ‪.‬ﺑـــﻮاب ا‪-‬وﺗﻮﻣﺎﺗﻴﻜﻴﺔ‬ ‫أﺑـــﻮاب ﺗﺘﻮاﻓـــﻖ ﻣﻊ أﻛﺜﺮ ﻗﻴﺎﺳـــﺎت اﻟﺴـــﻼﻣﺔ‬ ‫اﻟﻤﻘﺎوﻣـــﺔ ﻟﻠﺤﺮﻳـــﻖ ﺻﻤﻤـــﺖ ﻟﻠﻐﻠـــﻖ‬ ‫أوﺗﻮﻣﺎﺗﻴﻜﻴﺎ ﻋﻨﺪ إﻧﻄﻼق ﺻﺎﻓﺮة ا‪C‬ﻧﺬار أو ﻓﻲ‬ ‫ﺣﺎﻟﺔ اﻟﺤﺮﻳﻖ ﻣﺘﻮاﻓﻘﺔ ﻣﻊ ﻣﺘﻄﻠﺒﺎت ‪،NFPA‬‬ ‫ﻋﻨﺪ اﻟﺤﺮﻳﻖ ﻳﻘﻮم اﻟﻨﻈﺎم ﺑﺎﻟﺴـــﻴﻄﺮه ﻋﻠﻰ‬ ‫إﻏـــﻼق اﻟﺒـــﺎب ﻣـــﻦ أﺟـــﻞ ﺣﻤﺎﻳﺔ أﻓﻀـــﻞ‪ ،‬ﻛﻤﺎ‬ ‫ﺗﺘﻮﻓـــﺮ ا‪-‬ﺑﻮاب اﻟﻤﻌﺪﻧﻴﺔ اﻟﻤﻌﺰوﻟﺔ اﻟﻤﻘﺎوﻣﺔ‬ ‫ﻟﻠﺤﺮﻳﻖ ﺑﻤﻮاد ﻋﺰل ﻣﺜﻞ اﻟﺒﻮﻟﻴﺮﻳﺜﻴﻦ و ﻫﻨﻲ‬ ‫ﻛﻤﺐ و اﻟﻔﻮﻻذ اﻟﻤﻘﺴـــﻰ ﻣـــﻊ اﻟﻔﺎﻳﺒﺮﺟﻼس‬ ‫أو اﻟﺼﻮف اﻟﺼﺨﺮي‪ ,‬ﻳﺘﻮﻓﺮ ﻣﻨﻬﺎ ﺗﺼﺎﻣﻴﻢ و‬ ‫أﻟﻮان ﻣﺘﻌﺪدة ا‪C‬ﺳﺘﺨﺪاﻣﺎت ‪.‬‬ ‫اﻟﻤﺼﺪات ا رﺿﻴﺔ اﻟﻬﻴﺪروﻟﻴﻜﻴﺔ‬ ‫اﻟﺠﻬــــﺎز اﻟﻬﻴﺪروﻟﻴﻜــــﻲ ﻳﻮﻓــــﺮ ﺣﻤﺎﻳــــﺔ ﻋﺎﻟﻴــــﻪ‬ ‫ﻟ‪.‬ﻣﺎﻛﻦ اﻟﺤﺴﺎﺳﺔ واﻟﺘﻲ ﺗﺘﻄﻠﺐ أﻧﻈﻤﺔ اﻣﻨﻴﺔ‬ ‫ﻋﺎﻟﻴﺔ اﻟﻜﻔﺎءة ﻛﻤﺎ ﻳﻌﻤﻞ ﺑﻨﻈﺎم ﻫﻴﺪروﻟﻴﻜﻲ‬ ‫ﻛﻬﺮﺑﺎﺋﻲ و ﻳﺪوي ﻋﻨﺪ إﻧﻘﻄﺎع اﻟﺘﻴﺎر اﻟﻜﻬﺮﺑﺎﺋﻲ‬ ‫و ﻳﺘﻮﻓﺮ ﺑﺄﺣﺠﺎم ﻣﺨﺘﻠﻔﻪ ﺣﺴﺐ ﻃﻠﺐ اﻟﻌﻤﻴﻞ‬ ‫ﻣﻊ أﻟﻮان وأﻧﻮار ﺗﺤﺬﻳﺮﻳﻪ‪.‬‬

‫‪¡UM³ « ±±±‬‬

‫‪111 Albenaa‬‬

‫ ‪¡UM³ « o×K‬‬

‫ ‪WO½öŽ≈ …œU‬‬

‫ﻣﺼﺎﻧﻊ ﺑﺮاك ﻟﻠﺰﺟﺎج‬ ‫رواد ﻓﻲ ﺻﻨﺎﻋﺔ اﻟﺰﺟﺎج‬

‫ﺗﻢ إﻧﺸـــﺎء ﻣﺼﻨـــﻊ ﺑﺮاك ﻟﻠﺰﺟـــﺎج ﻋـــﺎم ‪ ٢٠٠٥‬ﻟﻤﻮاﻛﺒﺔ‬ ‫اﻟﻨﻬﻀﻪ اﻟﻌﻤﺮاﻧﻴﺔ ﻓﻲ اﻟﻤﻤﻠﻜﺔ اﻟﻌﺮﺑﻴﺔ اﻟﺴﻌﻮدﻳﺔ‬ ‫وﻧﺘـــﺎج ﻟﺠﺪارﺗﻪ وﺗﻤﻴـــﺰه وﺗﻌـــﺪد اﻣﻜﺎﻧﻴﺎﺗﻪ ﺑﺈﻣﺘﻼﻛﻪ‬ ‫أﺣـــﺪث اﻻﻻت و اﻟﻤﻌـــﺪات ﻓـــﻲ ﻋﺎﻟﻢ ﺻﻨﺎﻋـــﺔ اﻟﺰﺟﺎج‪،‬‬ ‫ﺗﻮﺳـــﻊ ﻣﺼﻨـــﻊ اﻟﺰﺟـــﺎج ﻓـــﻲ ﻣﻨﺎﻃـــﻖ إﺳـــﺘﺮاﺗﻴﺠﻴﺔ‬ ‫ﻣﺨﺘﻠﻔـــﺔ ﻣﺜـــﻞ ا‪A‬ﺣﺴـــﺎء واﻟﺮﻳـــﺎض و اﻟﻘﺼﻴـــﻢ‬ ‫وﺧﻤﻴـــﺲ ﻣﺸـــﻴﻂ و ﺟﺪة )ﺗﺤـــﺖ اﻻﻧﺸـــﺎء( ﻟﺘﺘﺠﺎوز‬ ‫اﻟﻄﺎﻗـــﺔ ا‪S‬ﻧﺘﺎﺟﻴﺔ ﻓـــﻲ اﻟﻤﺼﻨﻊ ‪ ١٤٤‬اﻟﻒ ﻣﺘﺮ ﺳـــﻨﻮﻳ‪O‬‬ ‫وﻛﺸـــﺮﻛﺔ راﺋﺪة ﻓﻲ ﻣﻌﺎﻟﺠﺔ اﻟﺰﺟـــﺎج ﻳﻨﺘﺞ اﻟﻤﺼﻨﻊ‪:‬‬ ‫ا‪A‬ﺑﻮاب اﻟﺰﺟﺎﺟﻴـــﺔ ا‪A‬وﺗﻮﻣﺎﺗﻴﻜﻴﺔ‪ ،‬اﻟﺰﺟﺎج اﻟﻤﻘﺴـــﻰ‪،‬‬ ‫اﻟﺰﺟﺎج اﻟﻤﺰﺧﺮف ﺑﺮش اﻟﺮﻣﻞ‪ ،‬اﻟﺰﺟﺎج اﻟﻤﺰدوج‪ ،‬اﻟﺰﺟﺎج‬ ‫اﻟﻤﻨﺤﻨـــﻲ‪ ،‬اﻟﺰﺟـــﺎج اﻟﺬﻛـــﻲ‪ ،‬زﺟـــﺎج ا‪A‬ﻣـــﺎن‪ ،‬اﻟﻄﺎﺑﻮق‬ ‫اﻟﺰﺟﺎﺟـــﻲ واﻟﺰﺟـــﺎج اﻟﻤﺴـــﻄﺢ ﻛﻤـــﺎ ﻳﻮﻓـــﺮ اﻟﻤﺼﻨـــﻊ‬ ‫اﻟﺘﻨـــﻮع ﻓﻲ ا‪A‬ﺣﺠﺎم وا‪A‬ﺷـــﻜﺎل ﺣﺴـــﺐ اﻟﻤﻮاﺻﻔﺎت‬ ‫اﻟﻤﻄﻠﻮﺑـــﺔ ﺗﻠﺒﻴـــﺔ ﻟﺤﺎﺟـــﺔ اﻟﺴـــﻮق اﻟﻤﺘﻨﺎﻣـــﻲ ﻣـــﻦ‬ ‫إﻧﺸـــﺎءات و ﺻﻨﺎﻋﺎت‪ ،‬ﻟـــﺪى اﻟﻤﺼﻨﻊ ﻣﺠﻤﻮﻋﺔ ﻛﺒﻴﺮة‬ ‫ﻣـــﻦ اﻟﻤﻬﻨﺪﺳـــﻴﻦ واﻟﻔﻨﻴﻴـــﻦ اﻟﻤﺘﺨﺼﺼﻴـــﻦ ذوي‬ ‫اﻟﺨﺒـــﺮات اﻟﻤﺘﻤﻴـــﺰه‪ ،‬وﺣﺮﺻـــﺎ ﻋﻠﻰ ﺗﻘﺪﻳـــﻢ ﻣﻨﺘﺠﺎت‬ ‫ذات ﺟﻮدة ﻋﺎﻟﻴﻪ‪ ،‬ﻓﺎﻟﻤﺼﻨﻊ ﻳﺴـــﺘﻤﺮ ﻓﻲ ا‪S‬ﺳـــﺘﺜﻤﺎر‬ ‫ﻓﻲ أﺣـــﺪث ا‪i‬ﻻت‪ ،‬وﻳﻤﺘﺎز ﻣﺼﻨﻊ ﺑﺮاك ﻟﻠﺰﺟﺎج ﺑﻮﺟﻮد‬ ‫ﻧﻈـــﺎم ﻣﻌﺎﻳﻨـــﺔ ﺷـــﺎﻣﻞ ﻳﻌﻤـــﻞ ﻋﻠـــﻰ اﻟﺘﺤﻜـــﻢ ﻓﻲ‬ ‫اﻟﺠﻮدة ﻣﻦ ﺑﺪاﻳﺔ ﻣﻌﺎﻟﺠﺔ اﻟﺰﺟﺎج وﺣﺘﻰ آﺧﺮ ﺧﻄﻮات‬ ‫ا‪S‬ﻧﺘﺎج وﻳﺆﻣﻦ ﻧﻈﺎم اﻟﻤﻌﺎﻳﻨﺔ اﻟﻘﺪرة ﻋﻠﻰ ﺗﺼﻨﻴﻊ أي‬ ‫ﺷﻜﻞ ﻣﻦ ا‪A‬ﺷﻜﺎل اﻟﺘﻲ ﻳﻤﻜﻦ أن ﺗﻨﻔﺬ ﻋﻠﻰ اﻟﺰﺟﺎج‬ ‫ﻣﻊ اﻟﺘﺄﻛﻴﺪ ﻋﻠﻰ اﻟﺪﻗﺔ ﻓﻲ اﻟﻌﻤﻞ وﺳﺮﻋﺔ اﻟﺘﺴﻠﻴﻢ‬ ‫وﻧﻈﺮا ‪S‬ﻫﺘﻤﺎم اﻟﻤﺼﻨﻊ ﺑـــﺄن ﻣﻨﺘﺠﺎﺗﻪ ﺗﺘﻤﺘﻊ ﺑﺄﻋﻠﻰ‬ ‫ﻣﻌﺎﻳﻴـــﺮ اﻟﺘﺸـــﻄﻴﺐ وا‪S‬ﻟﺘـــﺰام ﺑﺘﺴـــﻠﻴﻢ اﻟﻤﻨﺘﺠﺎت‬ ‫اﻟﻌﺎﻟﻴﺔ اﻟﺠﻮدة ﻓﻲ اﻟﻮﻗﺖ اﻟﻤﺤﺪد ﻟﻠﻌﻤﻼء‪.‬‬ ‫اﻟﺒﻮاﺑﺎت اﻟﺰﺟﺎﺟﻴﺔ اﻻوﺗﻮﻣﺎﺗﻴﻜﻴﺔ‬ ‫ﻳﺘﻮﻓﺮ ﻟﺪى ﻣﺼﻨﻊ ﺑﺮاك ﻟﻠﺰﺟﺎج ﻣﺨﺘﻠﻒ أﻧﻮاع ا‪A‬ﺑﻮاب‬ ‫اﻟﺰﺟﺎﺟﻴﺔ واﻟﺘﻲ ﺗﺴـــﺘﺨﺪم ﻓﻲ ﻣﺨﺘﻠـــﻒ اﻟﻘﻄﺎﻋﺎت‬ ‫اﻟﺤﻜﻮﻣﻴـــﺔ واﻟﺒﻨـــﻮك واﻟﻤﺴﺘﺸـــﻔﻴﺎت واﻟﻤﺼﺎﻧـــﻊ‬ ‫واﻟﻤﺪاﺧـــﻞ اﻟﺘﺠﺎرﻳـــﺔ و اﻟﺒﻨﺎﻳـــﺎت ﺑﺄﺷـــﻜﺎل و أﺣﺠـــﺎم‬ ‫ﻣﺨﺘﻠﻔـــﺔ وﺑﺄﻧﻈﻤـــﺔ ﻣﺼﻤﻤـــﺔ ﺧﺼﻴﺼﺎ ﻛﻞ ﺣﺴـــﺐ‬ ‫إﺳـــﺘﺨﺪاﻣﺎﺗﻪ ﻣﻊ اﻟﻤﺴـــﺎﻫﻤﺔ ﻓﻲ ﺗﻮﻓﻴﺮ اﻟﻄﺎﻗﺔ ﻣﻊ‬ ‫ﻣﺮاﻋـــﺎة ﺿﻐـــﻂ ا‪S‬ﺳـــﺘﺨﺪام وﻗـــﺪرة ﻋﻠـــﻰ ﻣﻮاﺟﻬﺔ‬ ‫ﻣﺨﺘﻠﻒ ا‪A‬ﺣﻮال اﻟﺠﻮﻳﺔ ‪.‬‬ ‫اﻟﺰﺟﺎج اﻟﻤﻨﺤﻨﻲ‬ ‫ﻳﺘﺒﻊ اﻟﻤﺼﻨﻊ ﺗﻘﻨﻴﺔ ﺧﺎﺻﺔ ﻓﻲ ﺛﻨﻲ اﻟﺰﺟﺎج ﺗﺴـــﺎﻫﻢ‬ ‫ﻓﻲ اﻟﺘﻘﻠﻴﻞ ﻣﻦ إﻣﻜﺎﻧﻴﺔ ا‪S‬ﺻﺎﺑﺔ ﻋﻨﺪ ﻛﺴـــﺮ اﻟﺰﺟﺎج‬ ‫وﻫﺬا اﻟﻨﻮع ﻳﻠﺒﻲ ﻣﺨﺘﻠﻒ اﻟﻤﺘﻄﻠﺒﺎت ا‪S‬ﻧﺸﺎﺋﻴﺔ ‪.‬‬

‫∞‪¡UM³ « ±±‬‬

‫‪110 Albenaa‬‬

‫اﻟﺰﺟﺎج اﻟﻤﺰدوج‬ ‫اﻟﺘﻘﻨﻴﺔ اﻟﻤﺴـــﺘﺨﺪﻣﺔ ﻓﻲ اﻟﺰﺟﺎج اﻟﻤﺰدوج ﺗﺘﻴﺢ‬ ‫ﺧﺎﺻﻴـــﺔ اﻟﻌـــﺰل اﻟﺤـــﺮاري ﻓﻀـــﻼ ﻋﻦ اﻟﻤﺴـــﺎﻫﻤﺔ‬ ‫ﻓـــﻲ زﻳـــﺎدة اﻟﺴـــﻼﻣﺔ و ا‪A‬ﻣﺎن ﻛﻤﺎ ﻳﺘﻤﻴـــﺰ ﺑﺎﻟﻌﺰل‬ ‫اﻟﺼﻮﺗﻲ وﻳﺴـــﺎﻫﻢ ﻓﻲ ﺗﻮﻓﻴﺮ اﻟﻄﺎﻗﺔ و ﺑﺎﻟﺘﺎﻟﻲ‬ ‫ﺗﺨﻔﻴـــﺾ اﻟﺘﻜﺎﻟﻴﻒ اﻟﻜﻬﺮﺑﺎﺋﻴﺔ وﻫـــﻮ أﺣﺪ أﻫﻢ‬ ‫أﻗﺴﺎم ﻣﺼﻨﻊ اﻟﺰﺟﺎج و ﻳﻀﻢ ﺗﺠﻬﻴﺰات ﻣﻦ أﻫﻢ‬ ‫اﻟﺸﺮﻛﺎت اﻟﻌﺎﻟﻤﻴﺔ ﻛﻤﺎ ان ﺟﻤﻴﻊ ﻋﻤﻠﻴﺎت ا‪S‬ﻧﺘﺎج‬ ‫ﺗﺘـــﻢ ﺑﺸـــﻜﻞ آﻟـــﻲ‪ ،‬و ﻳﻤﺘـــﺎز اﻟﺰﺟﺎج ﺑﺄﻧـــﻪ ﻣﺤﻜﻢ‬ ‫ا‪S‬ﻏﻼق ذا أﺑﻌﺎد ﻣﺘﻄﺎﺑﻘﺔ و زواﻳﺎ ﻗﺎﺋﻤﺔ‪.‬‬ ‫زﺟﺎج ا ﻣﺎن‬ ‫زﺟـــﺎج ا‪A‬ﻣـــﺎن ﻫﻮ أﺣﺪ أﻧـــﻮاع اﻟﺰﺟﺎج اﻟﻤﺴـــﺘﺨﺪم‬ ‫ﻣـــﻦ اﺟـــﻞ اﻟﻤﺰﻳـــﺪ ﻣﻦ ا‪A‬ﻣـــﺎن و ذﻟﻚ ﻋـــﻦ ﻃﺮﻳﻖ‬ ‫اﻟﺼـــﺎق ﻃﺒﻘﺘﻴﻦ ﻣﻦ اﻟﺰﺟﺎج ﺑﻮاﺳـــﻄﺔ ﻓﻠﻢ ﻣﻦ‬ ‫اﻟﺒﻼﺳـــﺘﻴﻚ وﺑﻤﻌﺎﻟﺠﺔ ﺧﺎﺻﺔ ــ ﺑﺤﻴﺚ ﻳﺘﻤﺎﺳـــﻚ‬ ‫ﻫـــﺬا اﻟﺰﺟﺎج ﻓﻲ ﺣﺎﻟﺔ اﻟﻜﺴـــﺮ و ﻋﺪم اﻧﺸـــﻄﺎره‬ ‫ﻟﻘﻄـــﻊ زﺟﺎﺟﻴﺔ ﻣﺘﻨﺎﺛﺮة ﻛﻤﺎ ﻫـــﻮ اﻟﺤﺎل ﻓﻲ زﺟﺎج‬ ‫اﻟﺴـــﻴﺎرات و ﻋﺪم اﻟﺘﺴـــﺒﺐ ﻓﻲ ﺟـــﺮوح ﻟ‪w‬ﺧﺮﻳﻦ‬ ‫ـ ﺑﺤﻴـــﺚ ﻳﻜـــﻮن ا‪S‬ﻧﻜﺴـــﺎر ﻟﻠﺰﺟـــﺎج ﻛﺎﻟﻨﺴـــﻴﺞ‬ ‫اﻟﻌﻨﻜﺒﻮﺗﻲ ‪ .‬وﻫﺬا اﻟﻨـــﻮع ﻣﻦ اﻟﺰﺟﺎج ﻟﻪ اﻟﻌﺪﻳﺪ‬ ‫ﻣﻦ ا‪S‬ﺳﺘﺨﺪاﻣﺎت ﺗﺸﻤﻞ ‪ :‬ــ‬ ‫ا‪A‬ﻣﺎﻛﻦ اﻟﺘﻲ ﻗﺪ ﻳﻜﻮن اﻟﺰﺟﺎج ﻣﻌﺮض ﻟﻠﺴﻘﻮط‬ ‫و ﻛﺬﻟﻚ اﻟﻤﺒﺎﻧﻲ ذات ا‪S‬رﺗﻔﺎﻋﺎت اﻟﻌﺎﻟﻴﺔ اﻟﻤﺮﻛﺒﺔ‬ ‫ﺑﺎﻟﺰﺟـــﺎج وﻛﺬﻟـــﻚ زﺟـــﺎج اﻟﺴـــﻴﺎرات و اﻟﻤﻨﺎﻃـــﻖ‬ ‫اﻟﻤﻌﺮﺿـــﺔ ﻟﻠﻌﻮاﺻـــﻒ اﻟﺮﻋﺪﻳـــﺔ و ا‪A‬ﻋﺎﺻﻴﺮ‪ ،‬ﻛﻤﺎ‬ ‫ﻳﺴـــﺘﺨﺪم ﻓﻲ اﻟﻮاﺟﻬﺎت اﻟﺰﺟﺎﺟﻴﺔ و اﻟﺒﻠﻜﻮﻧﺎت‬ ‫واﻟﻨﻮاﻓـــﺬ‪ .‬وﻳﻤﺘﻠـــﻚ ﻣﺼﻨـــﻊ ﺑـــﺮاك ﻟﻠﺰﺟـــﺎج ﺧﻂ‬ ‫اوﺗﻮﻣﺎﺗﻴﻜـــﻲ ﺧﺎص »ﻟﺰﺟﺎج ا‪A‬ﻣـــﺎن« ﻣﺰود ﺑﻐﺮﻓﺔ‬ ‫ﺿﻐﻂ ﻋﺎﻟﻲ‪.‬‬ ‫اﻟﺰﺟﺎج اﻟﺬﻛﻲ‬ ‫ﻫـــﺬا اﻟﻨﻮع ﻣﻦ اﻟﺰﺟﺎج ﻳﺘـــﻢ ﺗﺼﻨﻴﻌﻪ ﻋﻦ ﻃﺮﻳﻖ‬ ‫إﻟﺼﺎق ﻓﻠﻢ ﺧﺎص ﻋﻠﻰ ﺳـــﻄﺢ اﻟﺰﺟـــﺎج وإﻳﺼﺎﻟﻪ‬ ‫ﺑﺘﻴﺎر ﻛﻬﺮﺑﺎﺋﻲ و ﻳﺘﻢ ﺗﺤﺪﻳﺪ اﻟﺸـــﻔﺎﻓﻴﺔ ﻟﻠﺰﺟﺎج‬ ‫ﻋﻦ ﻃﺮﻳﻖ ﻣﺮور ﺗﻴﺎر ﻛﻬﺮﺑﺎﺋﻲ ﺑﺤﻴﺚ ﻳﺘﻴﺢ اﻟﺮؤﻳﺔ‬ ‫ﻋﺒﺮ اﻟﺰﺟﺎج وﻳﺴـــﻤﺢ ﺑﺪﺧـــﻮل ا‪S‬ﺿﺎءة‪ ،‬وﻓﻲ ﺣﺎﻟﺔ‬ ‫إﻳﻘـــﺎف ﻣـــﺮور اﻟﺘﻴـــﺎر اﻟﻜﻬﺮﺑﺎﺋـــﻲ ﻳﺼﺒـــﺢ اﻟﺰﺟـــﺎج‬ ‫ﻋﺎﺗـــﻢ ﻏﻴـــﺮ ﻣﺮﺋﻲ و ﻳﺴـــﺎﻋﺪ اﻟﺰﺟـــﺎج اﻟﺬﻛﻲ ﻓﻲ‬ ‫ﻋﻤﻠﻴـــﺔ ﺗﻮﻓﻴﺮ اﻟﻄﺎﻗـــﺔ اﻟﻜﻬﺮﺑﺎﺋﻴـــﺔ و اﻟﺘﻜﻴﻴﻒ‪،‬‬ ‫و ﻳﺴـــﺘﺨﺪم ﻓـــﻲ اﻟﻤﻜﺎﺗـــﺐ ‪S‬ﻋﻄـــﺎء ﻧـــﻮع ﻣـــﻦ‬ ‫اﻟﺨﺼﻮﺻﻴـــﺔ وﻛﺬﻟـــﻚ ﻓـــﻲ ﺻـــﺎﻻت اﻟﻄﻌـــﺎم و‬ ‫اﻟﻘﻮاﻃﻊ اﻟﺰﺟﺎﺟﻴﺔ ‪.‬‬

‫اﻟﺤﺮص اﻟﺪاﺋﻢ ﻋﻠﻰ ﺗﻘﺪﻳﻢ اﻟﺠﻮدة‬ ‫ﻣﻦ ﺷﺮﻛﺔ اﻟﻤﻨﺎرة اﻟﻜﻬﺮﺑﺎﺋﻴﺔ ﻟﻠﺘﺠﺎرة‬ ‫ﻳﻌﺘﺒـــﺮ ﻣﺼﻨـــﻊ اﻟﻤﻨـــﺎرة ﻟﻠﻮﺣـــﺎت‬ ‫اﻟﻜﻬﺮﺑﺎﺋﻴـــﺔ ﻣﻦ اﻟﻤﺼﺎﻧـــﻊ اﻟﺮاﺋﺪة‬ ‫ﺑﺎﻟﻤﻤﻠﻜـــﺔ اﻟﻌﺮﺑﻴـــﺔ اﻟﺴـــﻌﻮدﻳﺔ ـ‬ ‫ﺑﺎﻟﻤﻨﻄﻘﺔ اﻟﺼﻨﺎﻋﻴﺔ اﻟﺜﺎﻧﻴﺔ ـ وﻫﻮ‬ ‫ﻣـــﻦ اﻟﺸـــﺮﻛﺎت اﻟﺘﺎﺑﻌـــﺔ ﻟﻤﺠﻤﻮﻋﺔ‬ ‫اﻟﻤﻨﺎرة اﻟﻜﻬﺮﺑﺎﺋﻴـــﺔ ﻟﻠﺘﺠﺎرة واﻟﺘﻲ‬ ‫ﺗﺄﺳﺴـــﺖ ﻋـــﺎم ‪١٩٨٧‬م اﻟﺘﻲ ﻟﺪﻳﻬﺎ‬ ‫ﺗﻮﻛﻴﻼت ﻣﻦ ﺷـــﺮﻛﺎت ﻋﺎﻟﻤﻴﺔ ﻣﺜﻞ‬ ‫)ﻣﻔﺎﺗﻴـــﺢ وأﻓﻴـــﺎش ﺑﺎﻧﺎﺳـــﻮﻧﻴﻚ ـ‬ ‫ﻓﺮﻳﻤﻮن ا?ﻳﻄﺎﻟﻴﺔ ـ أﻋﻤﺪة ﻓﻮﻣﺠﺎﻟﻲ‬ ‫ا?ﻳﻄﺎﻟﻴـــﺔ وﺷـــﺮﻛﺔ أوﺑـــﻞ ﻟ‪A‬ﻧـــﺎرة‬ ‫اﻟﺪاﺧﻠﻴـــﺔ وﺗﻜﻨﻮﻟﻮﺟﻴـــﺎ اﻟﻠﻴـــﺪ‬ ‫اﻟﺤﺪﻳﺜـــﺔ )‪ (LED‬وﻏﻴﺮﻫـــﺎ ‪.‬وﺣﺮﺻ‪D‬‬ ‫ﻣـــﻦ إدارة ﺷـــﺮﻛﺔ اﻟﻤﻨـــﺎرة ﻋﻠـــﻰ‬ ‫ﺗﻘﺪﻳـــﻢ أﻋﻠـــﻰ ﻣﺴـــﺘﻮﻳﺎت اﻟﺠﻮدة‬ ‫ﻟـــﺬا وﻗـــﻊ ا?ﺧﺘﻴـــﺎر ﻋﻠـــﻰ ﺷـــﺮﻛﺔ‬ ‫ﺗﻴﺮاﺳـــﺎﻛﻲ اﻟﻴﺎﺑﺎﻧﻴـــﺔ ﻟﻠﻘﻮاﻃـــﻊ‬ ‫وذﻟـــﻚ ﺣﺮﺻـــ‪ D‬ﻣـــﻦ ﺷـــﺮﻛﺔ اﻟﻤﻨﺎرة‬ ‫?رﺿـــﺎء ﻋﻤﻼﺋﻬـــﺎ ﻣﻦ ﺧـــﻼل اﻟﺘﻤﻴﺰ‬ ‫وﺗﻘﺪﻳﻢ أﻓﻀﻞ ﻣﺴﺘﻮﻳﺎت اﻟﺠﻮدة‬ ‫واﻟﺨﺪﻣـــﺎت ﻛﻞ ذﻟـــﻚ ﺑﺄﺳـــﻌﺎر‬ ‫ﻣﻨﺎﻓﺴـــﺔ وﻣﺮﺿﻴﺔ ﺣﻴﺚ ﻳﻌﺪ إﺳﻢ‬ ‫ﺗﻴﺮاﺳـــﺎﻛﻲ ﻣﻦ اﻟﻌﻼﻣـــﺎت اﻟﺘﺠﺎرﻳﺔ‬ ‫واﺳﻌﺔ ا?ﻧﺘﺸـــﺎر ﻓﻲ ﻛﻼ ﻣﻦ أﺳﻴﺎ‬ ‫وأوروﺑﺎ وأﻓﺮﻳﻘﻴﺎ وأﻣﺮﻳﻜﺎ اﻟﺠﻨﻮﺑﻴﺔ‬

‫ﺣﻴـــﺚ ﺗﺄﺳﺴـــﺖ ﻋـــﺎم ‪١٩٢٣‬م أﻛﺜﺮ‬ ‫ﻣﻦ ‪ ٩٠‬ﻋﺎم ﺧﺒﺮة ﻓﻲ ﻣﺠﺎل ﺗﺼﻨﻴﻊ‬ ‫اﻟﻘﻮاﻃﻊ اﻟﺮﺋﻴﺴﻴﺔ واﻟﻔﺮﻋﻴﺔ وﻫﻲ‬ ‫راﺋﺪة ﻓﻲ ﻣﺠﺎل اﻟﺼﻨﺎﻋﺎت اﻟﻮﻗﺎﺋﻴﺔ‬ ‫وﻟﺪﻳﻬـــﺎ ﻣﺼﺎﻧﻊ ﺑـ )اﻟﻴﺎﺑﺎن ـ ﻣﺎﻟﻴﺰﻳﺎ ـ‬ ‫أﻧﺪوﻧﻴﺴﻴﺎ ـ اﻟﺼﻴﻦ‪ ..‬وﻏﻴﺮﻫﺎ( ‪.‬‬ ‫ﻟﻮﺣﺎت ﺑﺎﻧﺎﺳﻮﻧﻴﻚ‬ ‫اﻟﺤـــﺮص اﻟﺪاﺋﻢ ﻋﻠﻰ ﺗﻘﺪﻳﻢ أﻓﻀﻞ‬ ‫اﻟﻤﻨﺘﺠـــﺎت ﻧﻘـــﺪم ﻟﻜـــﻢ ﻣﻨﺘﺠﻨـــﺎ‬ ‫اﻟﺠﺪﻳﺪ ﻣـــﻦ ﻣﺼﻨﻊ اﻟﻤﻨﺎرة ﻟﻠﻮﺣﺎت‬ ‫اﻟﻜﻬﺮﺑﺎﺋﻴـــﺔ )ﻟﻮﺣﺎت ﺑﺎﻧﺎﺳـــﻮﻧﻴﻚ(‬ ‫ﻣﻊ ﻗﻮاﻃﻊ ﻣﻦ ﺷـــﺮﻛﺔ ﺑﺎﻧﺎﺳﻮﻧﻴﻚ‬ ‫اﻟﻴﺎﺑﺎﻧﻴـــﺔ ﺣﻴـــﺚ اﻟﺘﺼﻤﻴـــﻢ اﻟﻔﺮﻳﺪ‬ ‫واﻟﺸﻜﻞ اﻟﻌﺼﺮي‪.‬‬ ‫ﻣﻨﺘﺠﺎت ﻣﺼﻨﻊ اﻟﻤﻨﺎرة ﻟﻠﻮﺣﺎت اﻟﻜﻬﺮﺑﺎﺋﻴﺔ‬ ‫ـ ﻟﻮﺣـــﺎت ﻧﻈـــﺎم اﻟﻘﺎﻃﻊ اﻟﺤﺴـــﺎس‬ ‫ا`وروﺑﻲ ) ﻛﻮزﻣﻮ(‪.‬‬ ‫ـ ﻟﻮﺣﺎت اﻟﻨﻈﺎم ا`وروﺑﻲ )ﻛﻼﺳﻴﻚ(‬ ‫اﻟﻤﻘﺎس ا`ﻣﺮﻳﻜﻲ ‪.‬‬ ‫ـ ﺻﻨﺪوق اﻟﺨﺪﻣـــﺔ ﻣﺘﻌﺪد اﻟﻤﺨﺎرج‬ ‫ﻣﺘﻮﻓﺮ ﺑﺎﻟﻘﺎﻃﻊ وﺑﺪون اﻟﻘﺎﻃﻊ‪.‬‬ ‫ـ ﻋﻠﺒﺔ ﻣﻊ اﻟﻘﺎﻃﻊ )داﺧﻠﻲ ـ ﺧﺎرﺟﻲ(‬ ‫ـ ﻟﻮﺣﺎت اﻟﺘﻮزﻳﻊ اﻟﺮﺋﻴﺴـــﻴﺔ ) ﻟﻮﺣﺎت‬ ‫ﺗﺼﻨﻴﻊ(‪.‬‬ ‫ـ ﻟﻮﺣﺎت إﻧﺎرة أﻋﻤﺪة اﻟﺸﻮارع‪.‬‬

‫ﻟﻮﺣﺎت ﻛﻮزﻣﻮ‬

‫ﻟﻮﺣﺎت ﺑﺎﻧﺎﺳﻮﻧﻴﻚ‬

‫ﻟﻮﺣﺎت ﻛﻼﺳﻴﻚ‬

‫ﻋﻠﺒﺔ ﺑﺎﻟﻘﺎﻃﻊ )ﺣﺴﺎس(‬

‫ﻗﻮاﻃﻊ ﻣﻦ ﺷﺮﻛﺔ ﺗﻴﺮاﺳﺎﻛﻲ اﻟﻴﺎﺑﺎﻧﻴﺔ‬

‫ﻋﻠﺒﺔ ﺑﺎﻟﻘﺎﻃﻊ )اﻳﺰوﻟﻴﺘﻮر(‬

‫ﺻﻨـــﺪوق ﺧﺪﻣـــﺔ ﻣﺘﻌـــﺪد اﻟﻤﺨـــﺎرج ﻣـــﻊ‬ ‫وﺑﺪون اﻟﻘﺎﻃﻊ ‪٦٥ IP‬‬

‫ﻟﻮﺣﺎت ﺗﻮزﻳﻊ رﺋﻴﺴﻴﺔ‬ ‫ﻟﻮﺣﺔ إﻧﺎرة أﻋﻤﺪة اﻟﺸﻮارع‬

‫≥‪¡UM³ « ±±‬‬

‫‪113 Albenaa‬‬

‫ ‪¡UM³ « o×K‬‬

‫ ‪WO½öŽ≈ …œU‬‬

‫ﺷﺮﻛﺔ ﻣﻨﺘﺠﺎت ا ﻟﻤﻨﻴﻮم اﻟﻤﺤﺪودة ـ أﻟﻮﺑﻜﻮ‬ ‫اﻟﺮواد ﻓﻲ ﺗﺼﻨﻴﻊ ﻗﻄﺎﻋﺎت وﺳﺤﺐ ا‪c‬ﻟﻤﻨﻴﻮم‬ ‫ﺷـــﺮﻛﺔ ﻣﻨﺘﺠـــﺎت اﻻﻟﻤﻨﻴـــﻮم )اﻟﻮﺑﻜـــﻮ( ﻫﻲ‬ ‫اﻛﺒﺮ ﺷـــﺮﻛﺔ ﺳـــﺤﺐ ﻟﻼﻟﻤﻨﻴﻮم ﻓﻲ اﻟﺸﺮق‬ ‫اﻻوﺳـــﻂ وﺷـــﻤﺎل اﻓﺮﻳﻘﻴـــﺎ وﺗﻌﺪ ﻣـــﻦ اﻛﺒﺮ‬ ‫ﻋﺸـــﺮ ﺷـــﺮﻛﺎت ﻋﻠـــﻰ ﻣﺴـــﺘﻮى اﻟﻌﺎﻟـــﻢ‪.‬‬ ‫ﺗﺄﺳﺴـــﺖ اﻟﺸـــﺮﻛﺔ ﻋـــﺎم ‪١٩٧٥‬م وﺗﻤﺘﻠـــﻚ‬ ‫اﻟﺸـــﺮﻛﺔ ﻣﺼﻨﻌﻴﻦ ﻟﺴـــﺤﺐ اﻻﻟﻤﻨﻴﻮم ﻓﻲ‬ ‫ﻣﺪﻳﻨﺘﻲ اﻟﺪﻣـــﺎم وﺟﺪة وﻣﻜﺎﺗﺐ ﻟﻠﻤﺒﻴﻌﺎت‬ ‫ﻓﻲ ﻛﻞ ﻣﻦ اﻟﺮﻳﺎض واﻟﻘﺎﻫﺮة ودﺑﻲ‪.‬‬ ‫ﺗﻨﺘــــﺞ اﻟﻮﺑﻜــــﻮ ﻗﻄﺎﻋــــﺎت أﻟﻤﻨﻴﻮم ﺑﺄﺷــــﻜﺎل‬ ‫وﻣﻘﺎﺳــــﺎت ﻣﺨﺘﻠﻔــــﺔ ﻃﺒﻘــــﺎ ﻟﻠﻤﻮاﺻﻔــــﺎت‬ ‫اﻟﻌﺎﻟﻤﻴــــﺔ وﻗﺮﻳﺒــــﺎ ﺳــــﺘﻨﺘﺞ اﻟﺸــــﺮﻛﺔ اﻟــــﻮاح‬ ‫اﻻﻟﻤﻨﻴــــﻮم )اﻟﻜﻼدﻧــــﺞ( وﺗﻤﺘﻠــــﻚ اﻟﺸــــﺮﻛﺔ‬ ‫اﻟﻜﺜﻴﺮ ﻣــــﻦ اﻻﻧﻈﻤــــﺔ اﻟﻤﻌﻤﺎرﻳــــﺔ ﻟﻮاﺟﻬﺎت‬ ‫اﻻﺑﺮاج واﻻﺑﻮاب واﻟﻨﻮاﻓﺬ وﻗﻄﺎﻋﺎت ﻟﻠﻤﻄﺎﺑﺦ‬ ‫وﻗﻄﺎﻋﺎت ﻟﻠﻤﻨﺘﺠﺎت اﻟﺼﻨﺎﻋﻴﻪ ﻣﺜﻞ اﻻﻧﺎﺑﻴﺐ‬ ‫واﻻﺛﺎث واﻟﺴﻼﻟﻢ واﻟﺴﻘﺎﻻت وﻏﻴﺮﻫﺎ‪.‬‬

‫≤‪¡UM³ « ±±‬‬

‫‪112 Albenaa‬‬

‫وﻗﺎﻣﺖ اﻟﺸﺮﻛﺔ ﺑﺘﻮرﻳﺪ ﻗﻄﺎﻋﺎت اﻻﻟﻤﻨﻴﻮم‬ ‫ﻟﻠﻜﺜﻴــــﺮ ﻣﻦ اﻟﻤﺸــــﺎرﻳﻊ اﻟﻤﺤﻠﻴــــﺔ ﻟﻜﻞ ﻣﻦ‬ ‫ﺷﺮﻛﺔ اراﻣﻜﻮا وﺳــــﺎﺑﻚ واﻟﺤﺮس اﻟﻮﻃﻨﻲ‬ ‫واﻟﻬﻴﺌــــﺔ اﻟﻤﻠﻜﻴــــﺔ ووزارة اﻟﺪاﺧﻠﻴــــﺔ ﻋﻠﻰ‬ ‫ﻣﺴــــﺘﻮى اﻟﻤﻤﻠﻜــــﺔ وﻟﻤﺸــــﺎرﻳﻊ اﻟﺠﺎﻣﻌﺎت‬ ‫واﻟﻤﻄــــﺎرات واﻟــــﻮزارات واﻟﻤﺴﺘﺸــــﻔﻴﺎت‬ ‫واﻳﻀــــﺎ ﻟﻠﻜﺜﻴــــﺮ ﻣــــﻦ اﻟﻤﺸــــﺎرﻳﻊ اﻟﺨﺎﺻــــﺔ‬ ‫ﻣﺜــــﻞ ﺑﺮج ﺟﺒــــﻞ اﻟﻜﻌﺒــــﺔ ﻓﻲ ﻣﻜــــﺔ وﺟﺰء‬ ‫ﻣــــﻦ ﻣﺸــــﺮوع اﻟﺸــــﺎﻣﻴﺔ وﻏﻴﺮﻫــــﺎ اﻟﻜﺜﻴــــﺮ‪.‬‬ ‫وﻟﻤﺸــــﺎرﻳﻊ ﺧﺎرج اﻟﻤﻤﻠﻜــــﺔ ﻣﺜﻞ ﺑﺮج ﻣﺎرﻳﻨﺎ‬ ‫ﺑﻴــــﺮوت ‪ -‬ﺑــــﺮج اﻟﻌــــﺮب وﻣــــﻮل ا_ﻣــــﺎرات‬ ‫وﻣﺤﻄــــﺎت اﻟﻤﺘــــﺮو وﺟﺰﻳﺮة اﻟﻨﺨﻠــــﺔ‪ -‬دﺑﻲ‬ ‫‪ ,‬ﺑــــﺮج ا_ﺗﺼــــﺎﻻت –اﻟﻜﻮﻳﺖ و ﺑــــﺮج اﻟﻌﺮﻳﻦ‬ ‫ اﻟﺪوﺣــــﺔ وﻏﻴﺮﻫــــﺎ اﻟﻜﺜﻴﺮ ﻣﻦ اﻟﻤﺸــــﺎرﻳﻊ‬‫واﺧﺮﻣﺸــــﺮوع ﺑــــﺮج اﻟﻤﻤﻠﻜــــﺔ ﻓــــﻰ ﺟــــﺪه‬ ‫وﻫﻮاﻃﻮل ﺑﺮج ﻓﻲ اﻟﻌﺎﻟﻢ‬

‫ ‪¡UM³ « o×K‬‬

‫ ‪WO½öŽ≈ …œU‬‬

‫اﻟﻤﺼﻨﻊ اﻟﺴﻌﻮدي ﻟﻠﺜﺮﻳﺎت‬ ‫اﻟﺠﻮدة و اﻟﺨﺪﻣﺔ ﻣﺎ ﺑﻌﺪ اﻟﺒﻴﻊ‬

‫ﻣﻨﺬ ﻧﺸﺄة اﻟﻤﺼﻨﻊ وﺿﻌﺖ ا دارة ﻧﺼﺐ‬ ‫أﻋﻴﻨﻬــــﺎ ﻫﺪﻓــــ) ﻛﺒﻴــــﺮ& وﻫﻮ ا ﺳــــﺘﺤﻮاذ‬ ‫ﻋﻠﻰ ﺛﻘﺔ اﻟﻌﻤــــﻼء وﺗﺄﻛﻴﺪﻫﺎ ‪ ..‬ﻓﻮﺿﻌﺖ‬ ‫ﻟﺘﺤﻘﻴﻖ ﻫﺬا اﻟﻬﺪف اﺳﺘﺮاﺗﻴﺠﻴﺔ ﺗﻌﺘﻤﺪ‬ ‫ﻋﻠﻰ رﻛﻴﺰﺗﻴﻦ أﺳﺎﺳﻴﺘﻴﻦ ﻫﻤﺎ )اﻟﺠﻮدة‬ ‫اﻟﻌﺎﻟﻴﺔ ﻟﻠﻤﻨﺘﺠﺎت ـ ﺧﺪﻣﺔ ﻣﺎ ﺑﻌﺪ اﻟﺒﻴﻊ(‪.‬‬ ‫ﺟﻮدة ا ﻧﺘﺎج ‪:‬‬ ‫ﻓﻴﻤــــﺎ ﻳﺨــــﺺ ﻫــــﺬا اﻟﺠﺎﻧــــﺐ ﻓﺈﻧــــﻪ ﻳﺘــــﻢ‬ ‫اﺧﺘﻴــــﺎر اﻟﻤﻮاد اﻟﻼزﻣﺔ ﻟ‪D‬ﻧﺘــــﺎج وﻓﻖ أﻋﻠﻰ‬ ‫اﻟﻤﻮاﺻﻔــــﺎت اﻟﻌﺎﻟﻴــــﺔ‪ ،‬إذ ﻳﺘــــﻢ اﺧﺘﻴــــﺎر‬ ‫اﻟﻤﻮردﻳــــﻦ ﺑﻌﻨﺎﻳــــﺔ ﻓﺎﺋﻘــــﺔ وﻳﺆﻛــــﺬ ذﻟﻚ‬ ‫اﻟﺘﻌــــﺎون ﻣــــﻊ أﻛﺒــــﺮ اﻟﺸــــﺮﻛﺎت اﻟﻌﺎﻟﻤﻴﺔ‬ ‫ﻣﺜﻞ ﺷﺮﻛﺔ ﺑﺮﺷــــﻮزا اﻟﺘﺸﻴﻜﻴﺔ ﻟﺼﻨﺎﻋﺔ‬ ‫اﻟﻜﺮﻳﺴــــﺘﺎل واﻟﺰﺟــــﺎج اﻟﻔﺎﺧــــﺮ وﺗﺼﻨــــﻒ‬ ‫ﻛﻮاﺣﺪ ﻣﻦ أﻓﻀﻞ اﻟﺸــــﺮﻛﺎت ﻋﺎﻟﻤﻴ) ﻓﻲ‬ ‫ﻫــــﺬا اﻟﻤﺠﺎل ﺣﻴــــﺚ ﺣﺼﻠﺖ ﻋﻠــــﻰ ﺟﺎﺋﺰة‬ ‫ﻣﻨﻈﻤﺔ اﻟﻜﺮﻳﺴــــﺘﺎل اﻟﻌﺎﻟﻤﻴــــﺔ‪ ،‬وﻳﻌﺘﺒﺮ‬ ‫اﻟﻤﺼﻨﻊ اﻟﺴــــﻌﻮدي ﻟﻠﺜﺮﻳﺎت ﻫﻮ اﻟﻮﻛﻴﻞ‬ ‫ﻟﺸﺮﻛﺔ ﺑﺮﺷﻮزا ﺑﺎﻟﻤﻤﻠﻜﺔ‪.‬‬ ‫وﻳﺄﺗــــﻲ ﻫــــﺬا اﻟﺘﻌــــﺎون ﻻﺣﻘــــ) ﻟﻠﺘﻌــــﺎون‬ ‫اﻟﺴــــﺎﺑﻖ ﺑﻴــــﻦ اﻟﻤﺼﻨــــﻊ وﺷــــﺮﻛﺔ‬ ‫ﺳﻮراﻓﺴــــﻜﻲ اﻟﻨﻤﺴــــﺎوﻳﺔ اﻟﻌﺎﻟﻤﻴﺔ ﻓﻲ‬ ‫ﺻﻨﺎﻋﺔ اﻟﻜﺮﻳﺴــــﺘﺎل وأﻳﻀ) ﺷﺮﻛﺔ آردﺗﻲ‬ ‫ا ﻳﻄﺎﻟﻴــــﺔ اﻟﻤﺘﺨﺼﺼــــﺔ ﻓــــﻲ ﺻﻨﺎﻋــــﺔ‬ ‫اﻟﻬﻮﻟــــﺪرات اﻟﻜﻬﺮﺑﺎﺋﻴــــﺔ ﺑﺎﻟﻤﻮاﺻﻔــــﺎت‬ ‫اﻟﻌﺎﻟﻤﻴﺔ ‪.‬‬ ‫ﺧﺪﻣﺔ ﻣﺎ ﺑﻌﺪ اﻟﺒﻴﻊ ‪:‬‬ ‫ﻻ ﺗﻘــــﻞ ﺧﺪﻣــــﺔ ﻣــــﺎ ﺑﻌــــﺪ اﻟﺒﻴــــﻊ أﻫﻤﻴــــﺔ‬ ‫ﻋــــﻦ ﺟــــﻮدة ا ﻧﺘــــﺎج‪ ،‬ﻟﺬﻟﻚ ﺣﺮﺻــــﺖ إدارة‬ ‫اﻟﻤﺼﻨــــﻊ ﻋﻠــــﻰ اﻻﻫﺘﻤــــﺎم ﺑﻬــــﺎ واﻟﺘﺄﻛﻴﺪ‬ ‫ﻋﻠﻴﻬــــﺎ ﻛﺮﻛﻴــــﺰة أﺳﺎﺳــــﻴﺔ ﻟﻠﺤﻔﺎظ ﻋﻠﻰ‬ ‫ﺛﻘﺔ اﻟﻌﻤﻼء‪.‬‬ ‫وﻟﻌــــﻞ ﻣﻦ أّﻫــــﻢ ﻣﻈﺎﻫﺮ ﺧﺪﻣــــﺔ ﻣﺎ ﺑﻌﺪ‬ ‫اﻟﺒﻴــــﻊ ﻫــــﻮ ﻣﻨﺢ ﺿﻤــــﺎن ﻋﻠــــﻰ اﻟﻤﻨﺘﺠﺎت‬ ‫ﻳﺼــــﻞ إﻟﻰ ﻋﺸــــﺮ ﺳــــﻨﻮات ﻟﻠﺜﺮﻳــــﺎت ذات‬ ‫اﻟﻄﻼء اﻟﺬﻫﺒﻲ‪ ،‬وﺧﻤﺲ ﺳﻨﻮات ﻟﻠﺜﺮﻳﺎت‬ ‫ذات اﻟﻄﻼء اﻟﻔﻀﻲ )اﻟﻜﺮوم( واﻟﺒﺮوﻧﺰي‪.‬‬ ‫ﻛﻤــــﺎ ﺗﻨﺘﺸــــﺮ ﻓــــﺮق اﻟﺼﻴﺎﻧــــﺔ ﻓــــﻲ ﺟﻤﻴﻊ‬ ‫أﻧﺤﺎء اﻟﻤﻤﻠﻜﺔ ﻟﺘﻜﻮن ﻓﻲ ﻣﺘﻨﺎول ﻛﺎﻓﺔ‬ ‫ﻋﻤﻼﺋﻨﺎ ﻟﺘﻘﺪﻳﻢ اﻟﺨﺪﻣﺔ ﻓﻮر اﻟﻄﻠﺐ‪.‬‬ ‫ﻛﻤﺎ ﻻﺗﻐﻔــــﻞ ا دارة واﺟﺒﻬــــﺎ اﻟﻤﺠﺘﻤﻌﻲ‬ ‫ﻓﺤﺮﺻــــﺖ ﻋﻠــــﻰ ﺗﻘﺪﻳــــﻢ ﺧﺪﻣــــﺔ اﻟﺼﻴﺎﻧﺔ‬ ‫اﻟﻤﺠﺎﻧﻴــــﺔ ﻟﻠﻤﺴــــﺎﺟﺪ ﺧﺪﻣــــﺔ ﻟﺒﻴﻮت ا‪f‬‬ ‫وﻟﻠﻤﺼﻠﻴﻦ‪.‬‬ ‫إن إدارة اﻟﻤﺼﻨﻊ ﻻ ﺗﺄل ﺟﻬﺪ& ﻓﻲ ﺳــــﺒﻴﻞ‬ ‫إرﺿــــﺎء اﻟﻌﻤــــﻼء اﻟﺬﻳــــﻦ ﻫــــﻢ رأس اﻟﻤــــﺎل‬ ‫اﻟﺤﻘﻴﻘﻲ ﻟﻠﻤﺼﻨﻊ وﻫﻢ ﺷﺮﻛﺎء ﻣﺴﻴﺮة‬ ‫ﺣﺎﻓﻠﺔ ﻣﻦ اﻟﻨﺠﺎح ﻋﻠﻰ ﻣﺪار ﻣﺎ ﻳﻘﺮب ﻣﻦ‬ ‫‪ ٣٥‬ﻋﺎﻣ)‪.‬‬

‫‪¡UM³ « ±±¥‬‬

‫‪114 Albenaa‬‬

‫أرﻛـﻴـﺘﻜﺲ‬

‫‪ARCHITECKS‬‬

‫ﺗﺄﺳﺴـــﺖ ﺷـــﺮﻛﺔ أرﻛﻴﺘﻜﺲ ﺳـــﻨﺔ‬ ‫‪١٩٨٧‬م‪ ،‬ﻟﺘﺼﺒـــﺢ ﺧـــﻼل ﻫـــﺬه اﻟﻔﺘـــﺮة‬ ‫ﻣﻦ أﻛﺒﺮ ﺷـــﺮﻛﺎت ﺗﺼﻨﻴﻊ اﻟﻮاﺟﻬﺎت‬ ‫اﻟﺨﺎرﺟﻴﺔ ﻋﺎﻟﻤﻴﺎ وﻟﻴﺼﺒﺢ ﻟﻬﺎ اﻟﺤﺼﺔ‬ ‫اﻻﻛﺒـــﺮ ﻓـــﻲ اﻟﺴـــﻮق اﻟﻜﻮرﻳـــﺔ‪ ،‬وذﻟﻚ‬ ‫ﺑﻔﻀـــﻞ اﻟﻌﻤـــﻞ اﻟﺠـــﺎد واﻟﺘﻄﻮﻳـــﺮ‬ ‫اﻟﻤﺴـــﺘﻤﺮ واﻟﺠﻬـــﺪ اﻟﻤﺘﻮاﺻـــﻞ‬ ‫ﻟﻤﻨﺴـــﻮﺑﻲ اﻟﺸـــﺮﻛﺔ ﺳـــﻮاء ﻋﻠـــﻰ‬ ‫اﻟﻤﺴﺘﻮى ا‪J‬داري أو اﻟﻔﻨﻲ‪.‬‬ ‫وﺗﻘﻮم اﻟﺸـــﺮﻛﺔ ﺑﺘﺼﻨﻴﻊ اﻟﻮاﺟﻬﺎت‬ ‫اﻟﺨﺎرﺟﻴـــﺔ )ﻛﻼدﻳﻨـــﺞ( ﻣـــﻦ ﻣـــﻮاد‬ ‫ﺳﺘﺎﻧﻠﺲ ﻣﻘﺎوﻣﺔ ﻟﻠﺤﺮﻳﻖ ﻣﺼﻨﻮﻋﺔ‬ ‫ﻣـــﻦ اﻻﻟﻮﻣﻨﻴـــﻮم واﻟﺘﻴﺘﺎﻧﻴـــﻮم‪،‬‬ ‫ﻣـــﻊ اﻻﺧـــﺬ ﺑﺎ‪J‬ﻋﺘﺒـــﺎر ان ﺷـــﺮﻛﺘﺎن‬ ‫ﻓﻘـــﻂ ﺗﻘﻮﻣـــﺎن ﺑﺘﺼﻨﻴـــﻊ اﻟﻮاﺟﻬﺎت‬ ‫اﻟﺨﺎرﺟﻴـــﺔ ﻣﻦ ﻣـــﺎدة اﻟﺘﻴﺘﺎﻧﻴﻮم ﺗﻌﺪ‬ ‫ﺷـــﺮﻛﺔ أرﻛﻴﺘﻜﺲ اﻟﻜﻮرﻳﺔ اﺣﺪﻫﻤﺎ‪،‬‬ ‫ﺑﺎﻻﺿﺎﻓﺔ اﻟﻰ ان اﻟﺸﺮﻛﺔ ﺗﻘﺪم اﻳﻀﺎ‬ ‫ﺧﺪﻣـــﺔ اﻟﺘﺼﻤﻴﻢ ﺑﺄﺷـــﻜﺎل ﻣﺨﺘﻠﻔﺔ‬ ‫وﺗﺮﻛﻴﺒﻬـــﺎ ﺑﻤﺎ ﻳﺘﻨﺎﺳـــﺐ ﻣـــﻊ ﺟﻤﻴﻊ‬ ‫ﻋﻤﻼﺋﻬﺎ ﺣﻮل اﻟﻌﺎﻟﻢ‬

‫‪The company manufacture:‬‬ ‫‪ARCHITECKS ® FR, an Aluminum‬‬ ‫‪Composite Materials with non‬‬‫‪combustible core developed by‬‬ ‫‪Hongseong, ARCHITECKS ® STS‬‬ ‫‪a Stainless Steel Skined‬‬ ‫‪Composite Materials cored with‬‬ ‫‪PE or FR materials, ARCHITECKS‬‬ ‫‪® Anodizing an Anodized‬‬ ‫‪surface Composite Materials,‬‬ ‫‪ARCHITECKS ® Zink, a Zink‬‬ ‫‪surface Composite Materials,‬‬ ‫® ‪HIVETECKS‬‬ ‫‪a Aluminum Honeycomb Panel,‬‬ ‫‪EMBOTECKS ® an Aluminum‬‬ ‫‪Corrugated Core Panel and‬‬ ‫‪ARCHITECKS ® TITAN‬‬ ‫‪a Titanium Composite Panel.‬‬

‫∂‪¡UM³ « ±±‬‬

‫‪116 Albenaa‬‬

‫? ‪PRICE‬‬

‫‪YES,‬‬

‫!‪MUCH DOWN‬‬

‫ ‪¡UM³ « o×K‬‬

‫ ‪WO½öŽ≈ …œU‬‬

‫ﻣﺼﻨﻊ اﻟﻤﺴﺘﻘﺒﻞ ﻟﻠﺴﻴﺮاﻣﻴﻚ واﻟﺒﻮرﺳﻼن‬ ‫اﻟﺪﻗﺔ واﻟﺠﻤﺎل واﻟﻤﺘﺎﻧﺔ ﻟﻠﺒﻮرﺳﻠﻴﻦ ذو اﻟﻤﻈﻬﺮ اﻟﺨﺸﺒﻲ‬

‫أﺻﺒﺢ ﺑﻼط اﻟﺒﻮرﺳـــﻠﻴﻦ ذو اﻟﺸـــﻜﻞ اﻟﺨﺸـــﺒﻲ واﺣﺪ ‬ ‫ﻣـــﻦ أﻫـــﻢ ا‪1‬ﺗﺠﺎﻫـــﺎت ﻓﻲ ﺻﻨﺎﻋـــﺔ ا‪,‬رﺿﻴﺎت وﺳـــﺎﻫﻢ‬ ‫ﻓـــﻲ ذﻟﻚ اﻟﺘﻘﺪم اﻟﻬﺎﺋﻞ ﻓﻲ ﻋﻤﻠﻴﺎت اﻟﺘﺼﻨﻴﻊ‪ ،‬وﻳﺘﻢ‬ ‫اﺳـــﺘﺨﺪام اﻟﺒﻮرﺳـــﻠﻴﻦ ذو اﻟﻤﻈﻬـــﺮ اﻟﺨﺸـــﺒﻲ ﻓـــﻲ‬ ‫اﻟﻤﺸـــﺎرﻳﻊ اﻟﻜﺒﻴﺮة واﻟﺼﻐﻴﺮة‪ .‬ﺣﻴـــﺚ ﻟﻢ ﻳﻌﺪ ﻳﻘﺘﺼﺮ‬ ‫ﻋﻠﻰ ا‪,‬ﺣﺠﺎم اﻟﺘﻘﻠﻴﺪﻳﺔ‪ ،‬ﺑﻞ ﻳﻤﻜﻦ ا‪A‬ن أن ﻳﺼﻨﻊ ﻓﻴﻤﺎ‬ ‫ﻳﺴﻤﻰ ﺑﺎ‪,‬ﻟﻮاح‪ ،‬أو اﻟﺒﻼﻃﺎت اﻟﻤﺴﺘﻄﻴﻠﺔ اﻟﺸﻜﻞ‪.‬‬ ‫ﻣﺎ ﻫﻲ اﻟﺒﻼﻃﺎت اﻟﺨﺸﺒﻴﺔ ؟‬ ‫ﻫﻲ ﺑﻜﻞ ﺑﺴـــﺎﻃﺔ ﺑﻼط اﻟﺒﻮرﺳﻠﻴﻦ ﺑﻤﻈﻬﺮ اﻟﺨﺸﺐ‪.‬‬ ‫وﻟﺪﻗـــﺔ ﺻﻨﺎﻋﺘـــﻪ ﻓﻬﻮ ﻳﺒﺪو ﻃﺒﻴﻌﻴـــ‪ ، I‬ﺑﺤﻴﺚ ﻳﺼﻌﺐ‬ ‫إدراك أﻧـــﻪ ﻟﻴـــﺲ ﻃﺒﻴﻌﻴـــ‪ I‬ﺑﺎﻟﻌﻴـــﻦ اﻟﻤﺠـــﺮدة‪ ،‬ﺣﻴـــﺚ‬ ‫أﺗﺎﺣـــﺖ اﻟﺘﻜﻨﻮﻟﻮﺟﻴـــﺎ اﻟﺼﻨﺎﻋﻴﺔ اﻟﺤﺪﻳﺜـــﺔ درﺟﺔ ﻋﺎﻟﻴﺔ‬ ‫ﻣـــﻦ ا‪1‬ﺗﻘـــﺎن واﻻﻫﺘﻤـــﺎم ﺑﺎﻟﺘﻔﺎﺻﻴـــﻞ وﻫﺬا ﻟـــﻢ ﻳﻜﻦ‬ ‫ﻣﺘﺎﺣ‪ I‬ﻓﻲ اﻟﺴﺎﺑﻖ‪ ،‬ﻓﺄﺻﺒﺤﺖ ﻟﺪﻗﺔ ﺗﻔﺎﺻﻴﻠﻬﺎ ﺗﺤﺎﻛﻲ‬ ‫أرﺿﻴﺎت اﻟﺨﺸﺐ اﻟﻄﺒﻴﻌﻲ‪.‬‬ ‫ا داء واﻟﻤﺘﺎﻧﺔ‬ ‫ﻣـــﻊ ا‪1‬ﻫﺘﻤـــﺎم ﺑﺎﻟﺘﻔﺎﺻﻴـــﻞ ﻫﻨـــﺎك ﺗﺮﻛﻴـــﺰ أﻳﻀـــ‪ I‬ﻋﻠﻰ‬ ‫ا‪,‬داء واﻟﻤﺘﺎﻧﺔ ﻣﻤـــﺎ ﻳﺠﻌﻠﻬﺎ ﻣﺜﺎﻟﻴﺔ ‪,‬ﻳﺔ ﻏﺮﻓﺔ وﻓﻲ أي‬ ‫ﻣﺸﺮوع ﺳﻜﻨﻲ أو ﺗﺠﺎري ﻋﻠﻰ ﻋﻜﺲ اﻟﺨﺸﺐ‪.‬‬ ‫وﻳﺼﻠـــﺢ اﻟﺒﻮرﺳـــﻼن اﻟﺨﺸـــﺒﻲ ﻓﻲ اﻟﻤﻨﺎﻃـــﻖ اﻟﺮﻃﺒﺔ‬ ‫ً‬ ‫ﻓﻀـــﻼ ﻋـــﻦ ﺗﻤﻴﺰه ﺑﺴـــﻬﻮﻟﺔ‬ ‫ﻛﺎﻟﺤﻤﺎﻣـــﺎت واﻟﻤﻄﺎﺑـــﺦ‪،‬‬ ‫اﻟﺘﻨﻈﻴـــﻒ واﻟﺼﻴﺎﻧﺔ‪ ،‬ﻣﻤﺎ ﻳﺠﻌﻠﻪ ﻳـــﺪوم ﻃﻮﻳ ًﻼ ﻣﻘﺎرﻧﺔ‬ ‫ﺑﺎﻟﺨﺸﺐ اﻟﻄﺒﻴﻌﻲ ‪.‬‬

‫∏‪¡UM³ « ±±‬‬

‫‪118 Albenaa‬‬