Work Sample | 2020

ORK SAMPL

AL AN MA E D O CALIFORNIA POLY TECHNIC STATE UNIVERSIT Y, SAN LUIS OBISPO SELECTED WORKS | JANUARY 2018 - DECEMBER 2019

[01]

RENDEZVOUS

T H IRD YE AR | CAL IF ORNIA P OLY TE C H N IC STATE U N I V E R SI T Y | W I N TE R + SPR I NG 2 0 1 9 S AN LUIS OB IS P O | HOT E L + COMM E RC I A L M E G A- STRU C TU R E The site of the hotel mega-structure is located at the interchange between Madonna Road and highway 101.

The hotel serves as a southern entrance for San Luis Obispo, indicating to motorists traveling from southern to northern California that they are entering the central coast. The main tower of the hotel mega-structure rises on the south side of the Madonna road, and a bridge complex extends out of the tower and spans over the road to the north side of the road.

The bridge complex serves as an elevated public walkway, offering green-spaces, small shops, and small food amenities.

The hotel provides vast, elevated views of San Luis Obispo with rooms facing Madonna Mountain. The facade folds, warps, and breaks as it wraps around the tower and fans out around the bridge.

SITE PLAN

OVERPASS AXON

HOLISTIC AXON

EXPLODED PODS AXON

WALL DETAIL AXON

DETAIL ELEVATION

DETAIL SECTION

[02]

TOWER

F OURT H YE AR | DIS : ST UDY AB ROA D I N SC A N DI NAV I A | FA LL 2 0 1 9 COPE NH AG E N, DE NM ARK | CO OK I NG C OM M U N I T Y The site of Litauens Plads is located in the center of Vesterbro, surrounded by housing, a school, and a church with a tower, which is the most significant landmark of the area. During most times of the year, the park is lively, specifically during the summer time. However, the area is zoned intp specific sections: (1) children’s play area for the school, (2) outdoor court, and (3) a green park. The strict division causes most of the public to only participate in social interaction in the green park while the children stay on their half of the area.

How can architecture to be used to increase social activity of a space? How can a culinary school be integrated into a social framework that is set up by architecture? The project seeks to increase social activity by creating opportunities for situations rather than functions. By allowing spaces to be flexible, multiple opportunities for various kinds of social interaction can occur compared to designating zones for certain functions. The tower becomes the main hub for social interaction, containing an indoor urban garden, a stairway to the rooftop terrace, and a rock-climbing wall on the north facade.

PROCESS MODELS

FINAL MODEL

[03]

K I T B A S H I N G 10 1

F OURT H YE AR | DIS : ST UDY AB ROA D I N SC A N DI NAV I A | FA LL 2 0 1 9 COPE NH AG E N, DE NM ARK | OB J E C T G A LLE RY The design of the facade of the object gallery is made to feel like a KITBASH [more simply described as a three-dimensional collage], as if one found random parts around the city to create an object that somehow feels cohesive. The object gallery itself becomes an object for the park, and the KITBASH style of the facade helps to create intrigue and curiosity for the people circulation by the area. It is meant to be fun and whimiscal, a place to remember. Coversely, the interior of the gallery is much more simple in order to frame the exhibition. Just like how the object gallery is an object for the park, the objects in the gallery take center-stage inside the object gallery rather than the architecture of the structure.

The layout of the park is linear and grided in order to contrast the angular nature of the gallery. The park proves a variety of microclimates, such as open grass area to play or rest on, shaded and open seating, assembly spaces, intimate spaces, and loud and quiet spaces. At night, the facade of the S-Tog bridge becomes a surface for which digital media con be projected on, such as digital exhibitions and movie nights. In summary, KITBASH seeks to embrace the grungy, industrial atmosphere of the site by creating a memorable experience through the whimsical architecture and create a social relationship between art gallery and public park.

1. REBIRTH

DEFINING THE SITE, SITE ANALYSIS REBIRTH

2. KITBASHING

COLLAGES + DIAGRAMS SKETCH MODELS

SKETCH MODEL A

3. INTRODUCE PROGRAM

PROGRAM REQUIREMENTS

4. SPECIALIZE

PROGRAM ARTICULATION FLOOR PLAN + SECTION ITERATIONS SKETCH MODEL B

5. ASSEMBLY

INTERIOR VS. EXTERIOR CIRCULATION CONFIGURATION

6. KITBASH ADDENDUM

REFINEMENT SITE REVITALIZATION

SKETCH MODEL C

Light-Well Tube Piece Contorted Metal Part For Flair Hss Metal Skeleton For Structure Battery Pack? Maybe A Temporary Generator Coffee Shop Facade Piece

[01] [02] [03] [04] [05]

Some More Metal Facade Parts Heavy Concrete Wall Display Cases Even More Display Cases Gallery Hanging Structure

SITE PLAN

TECTONIC ANALYSIS BUILDINGS

CYCLING

VEHICULAR

PEDESTRIAN

ENTRANCE EXPLODED AXON

PLAN

CIRCULATION DIAGRAM

SECTION A-A

[06] [07] [08] [09] [10]

[04]

ARRIVAL

S E COND YE AR | CAL IF ORNIA P OLY TE C H N IC STATE U N I V E R SI T Y | SPR I NG 2 0 1 8 S AN LUIS OB S IP O, CAL IF ORNIA | M U SE UM OF A RT [ SLOM A ] The New SLOMA sits CONFIDENTLY within its property line. Using a mass-base system, the main public mass of the museum is contained within a tower that rests upon a podium. The people circulate up the tower through the gallery spaces. Within this circulation pattern, a celebrated staircase and observation deck provide views to the surrounding environment, including the nearby creek, Mission Plaza, and Mission San Luis Obispo itself.

The proposal for the SLOMA utilizes a horizontal language as its primary envelope system. This horizontal language creates a dynamic environment that reinforces the constant circulation throughout a museum. A plaza is raised from the street level while the main lobby is sunken below. These elevation changes create unique micro-environments, ones that blur the distinction between exterior and interior spaces.

And through this, the site becomes an energized space that links the museum with the civic core.

ENTRY

LOBBY

TECTONIC AXON

TOP FLOOR TERRACE

GRAND LOBBY STAIRCASE

LONGITUDINAL SECTION PERSPECTIVE

CIRC. CORE

NE ELEVATION

SE ELEVATION

04

01 - SITE PLAN

03

-01

00

02

DETAILED WALL SECTION

[05]

CIVIC CYCLONE

T H IRD YE AR | CAL IF ORNIA P OLY TE C H N IC STATE U N I V E R SI T Y | FA LL 2 0 1 8 S AN F R ANCIS CO, CAL IF ORNIA | R E C R E ATION + C I V IC C E N TE R The new San Francisco Civic Plaza serves to connect the people of the communities that surround the Civic Center. The project was conceived to be a free-circulating space that provides choices of conditions for people to inhabit: shaded vs. sun spaces, open vs. enclosed spaces, energetic vs. calm spaces, passive vs. active spaces.

The project contains two main programmatic spaces: the above-ground condition of the urban plaza and the below-ground condition of the recreational center. The division between these two programmatic spaces is a thickened surface that acts as a ground plane for the urban plaza and as a roof and ceiling for the rec center.

Subtle uplifts within the ground plane become entrances that connect the above and below spaces. Stripular design elements circumnavigate the site, becoming amphitheaters along the underground entrances and shading devices on the south, east, and west facades.

1. Site

2. Pockets and extrude up

3. Soften edges and slope down towards central axis

4. Uplift and striate for shading and circulation

ROOF SURFACE

ROOF STRUCTURE

AMPHITHEATER CIRCULATION HYGIENE STATION

HORIZTONAL CIRCULATION

VERTICAL CIRCULATION

CIRCULATION CORE

PRIVATE PROGRAM PUBLIC PROGRAM

VERTICAL STRUCTURE

SITE PLAN

TECTONIC DIAGRAM

12

16

21

16

12 10

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12

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16

22

9 service entrance from San Francisco Public LIbrary

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8 12

12 17

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10

12

12 23

Key: 1. Lobby 2. Protein Shop 3. Equipment Checkout 4. Storage 5. Racquetball Court 6. Locker Room 7. Gymnasium 8. Aquatic Center 9. Lap Pool 10. Leisure Pool 11. Aquatic Locker Rooms 12. Shower Pods 13. Studio I 14. Studio II 15. Studio III 16. Studio Storage 17. Lounge 18. Fitness and Weights 19. Cardio 20. Rock Climbing 21. Administration 22. Loading Zone 23. Mechanical Room

1 20

19

7

3

5

5

5

5

5

5 6

4

2

FLOOR PLAN

entrance from Bill Graham Civic Auditorium

6

1

7

20

LONGITUDINAL SECTION

18

19

Key: 1. Lobby 2. Protein Shop 3. Equipment Checkout 4. Storage 5. Racquetball Court 6. Locker Room 7. Gymnasium 8. Aquatic Center 9. Lap Pool 10. Leisure Pool 11. Aquatic Locker Rooms 12. Shower Pods 13. Studio I 14. Studio II 15. Studio III 16. Studio Storage 17. Lounge 18. Fitness and Weights 19. Cardio 20. Rock Climbing 21. Administration 22. Loading Zone 23. Mechanical Room

Growth Medium Filter Fleece Drainage Insulation Aluminum Louvers: shade south sunlight

Waterproof Membrane Concrete Slab

12 x 22 Concrte Beams

[BB] THRESHOLD SECTION: SOUTH ENTRANCE OFF POLK STREET

Threaded Rod 12 x 18 Concrete Beam Drop Ceiling Retaining wall

1/4” = 1-0”

Cistern area

[06]

COLLISION

S E COND YE AR | CAL IF ORNIA P OLY TE C H N IC STATE U N I V E R SI T Y | W I N TE R 2 0 1 8 CARRIZO PL AIN, CAL IF ORNIA | E C OTH E R A PY R ETR E AT The role of the ECOTHERAPY RETREAT is to serves as a facilitator between MAN and NATURE. The proposal itself does not need to do the “ECOTHERAPY” because the ECOTHERAPY is taken care by experiencing and traveling through the Carrizo Plain. If the proposal itself starts to take on more of the therapeutic role, then the site starts to diminish in purpose.

The ECOTHERAPY RETREAT proposal is a place where one starts and ends his or her day, like a lodge. At the very least, though, the ECOTHERAPY RETREAT should provide experiential qualities that take advantage of the Carrizo plain and soften the transition between the built environments to the natural environment. In my proposal, these predictions are implemented through mainly repetition, rhythm, and linearity, hybridizing both pure and impure forms. The timber spires take on the major hierarchical role, emphasized by its height and linearity. The spires, in tandem with wood paneling design, create a vertical dynamic composition that lends itself to an uplifting, spiritual experience. In addition, the wood paneling starts to dissolve from top to bottom, softening the embedment of the built structure into the natural terrain. These are the main elements that help the users’ transition from the built environment into the natural world of Carrizo.

FORM GENERATION

PROGRAM GENERATION

CROSS SECTION PERSPECTIVE

SITE PLAN + SECTION

LONGITUDINAL SECTION PERSPECTIVE

AL AN MAE D O CALIFORNIA POLY TECHNIC STATE UNIVERSIT Y, SAN LUIS OBISPO SELECTED WORKS | JANUARY 2018 - DECEMBER 2019

C: +45 52 73 94 60 E: amaed o@calpoly.edu

All work in thi s p or tfoli o, inclu ding photog raphy, wa s produ ced b y Al an Maed o.