Castlemorton

n o t r lem o

cast

May 1992

ALAN LODGE

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Castlemorton Common

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y 1992 leaked documents from Avon and Somerset Constabulary demonstrated the existence of Operation Nomad. Force Operational Order 36/92 marked `In Confidence’, revealed: “With effect from Monday 27th April 1992, dedicated resources will be used to gather intelligence in respect of the movement of itinerants and travellers and deal with minor acts of trespass”.

An intelligence unit set up by Avon and Somerset produced regular Operation Nomad bulletins, listing personal details on Travellers and regular festival goers unrelated to any criminal conviction. A Force Operational Order issued by the Chief Constable also stated: “Resources will be greatly enhanced for the period Thursday 21st May to Sunday 24th May inclusive in relation to the anticipated gathering of Travellers in the Chipping Sodbury area.”

This item referred to the annual Avon Free Festival which had been occurring in the area around the May bank holiday for several years, albeit in different locations. However, 1992 was the year Avon and Somerset Police intended to put a full stop to it. As a result the thousands of people travelling to the area for the expected Festival were shunted into neighbouring counties

by Avon and Somerset’s Operation Nomad police manoeuvres.

The end result was the impromptu Castlemorton Common Festival, another pivotal event in the recent history of festival culture.

West Mercia Police claim they had no idea that an event might happen in their district, the truth of which relies on the unlikely situation that Avon and Somerset Police did not inform their neighbouring constabulary of Operation Nomad.

In the event, a staggering 30,000 Travellers, ravers and festival goers gathered almost overnight on Castlemorton Common to hold a free festival that flew in the face of the Public Order Act 1986 and the Entertainment (Increased Penalties) Act 1990. It was a massive celebration and the biggest of its kind since the bountiful days of the Stonehenge Free Festival. West Mercia Police claimed that due to the speed with which it coalesced, they were powerless to stop it.

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However, the authorities used Castlemorton in a way that led people to suggest it had been at least partly engineered. After all, a large number of people had been shunted into the area by Operation Nomad, was it really likely that West Mercia police were unaware of this? The right-wing press published acres of crazed and damning coverage of the event, including the classic front page Daily Telegraph headline: “Hippies fire flares at Police”.

The following mornings Daily Telegraph editorial read: “New Age, New Laws” and within two months, Sir George Young, then Minister for Housing, confirmed that new laws against

Travellers were imminent “in reaction to the increasing level of public dismay and alarm about the behaviour of some of these groups.”

Indeed, the outcry following Castlemorton provided the basis for the most draconian law yet levelled against alternative British culture. Just as the Public Order Act 1986 followed the events at Stonehenge in 1985, so the Criminal Justice and Public Order Bill began its journey in 1992, pumped with the manufactured outrage following Castlemorton. By the time it reached statute two years later, it included criminal sanctions against assembly, outdoor unlicensed music events, unauthorised camping, and `aggravated trespass’. The law also reduced the number of vehicles which could gather together from twelve (as stipulated in the Public Order Act 1986) to six.

The news-manufacture used to prepare the public palate for the coming law was incessant, with media descriptions of Travellers including “hordes of marauding locusts” (Daily Telegraph), and “These foul pests must be controlled” (Daily Mail).

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P

hotographer covering social, political and environmental issues and actions.

Work has been produced for publication, galleries, digital and slide projections at events and presented at large scale in public space. Moving beyond photography, he has experimented with mixed media involving printed text and projected imagery.

A post-graduate of Nottingham Trent University with an MA degree in Photography, Lodge specialised in issues surrounding representation, presenting himself in print and audio-visual format.

A member of the National Union of Journalists, he is a documentary photographer, a photo-journalist and ‘storyteller’ always on the lookout to cover the different strands of related issues.

E: alan@alanlodge.co.uk W: http://alanlodge.co.uk Copyright © Alan Lodge 2021 Nottingham. UK

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