October/November 2010 Ala Breve

ala breve the official publication of the Alabama Music Educators Association

Conference Issue

www.alabamamea.org

OCTOBER 2010

HUNTINGDON COLLEGE dEPARTMENT OF mUSIC “WHERE THE TRADITIONAL ACCENTS THE MODERN” fACULTY Ms. Gene Davis Department Chair, Director of Choral Activities, Voice, Sight Singing Mr. Harold Blankenship Marching Band Director Dr. Jennifer Canfield Choral Music Education, Worship Leadership Dr. Dennis Herrick Instrumental Music Education, Brass, Music Technology Dr. Harald Rohlig Organ Dr. Vadim Serebryany Piano, Theory, Music History Mr. Eddy Williams Director of Bands, Percussion, Theory, Music Appreciation

Adjunct Faculty Dr. James Conely: Piano, Organ Mr. Curtis Hollinger: Woodwinds Dr. Kevin Manderville: Guitar Mr. Pedro Mayor: Jazz Piano, Composition Ms. Tiffany Nishibun: Voice Ms. Turia Stark Williams: Voice

$10,000 TUITION SCHOLARSHIPS AVAILABLE FOR PArTICIPATION IN BAND or CHOIR (Available to both music and non-music majors) For More Information Contact: Gene J. Davis, Department Chair 1500 East Fairview Avenue Montgomery, AL 36106 gdavis@huntingdon.edu Office: 334-833-4535 www.huntingdon.edu

Auditions for Additional Music Scholarships Saturday, February 12, 2011

ala breve

Official Publication of the Alabama Music Educators Association

News/Features

Garry Taylor, Editor & Advertising Manager 1600 Manor Dr. NE Cullman, AL 35055 (256) 636-2754 amea@bellsouth.net

ADVERTISING & COPY DEADLINES Fall (Back to School) issue: July 15 Winter (Conference) issue: September 15 Spring (All-State) issue: January 15 Summer (Digital Only) issue: April 15 Unless otherwise indicated, permission is granted to MENC members to reprint articles for educational purposes.

Opinions expressed in this publication are not necessarily those of AMEA or the Editor.

All announcements & submissions are subject to editorial judgement/revision.

The Alabama Music Educators Association is a state unit of MENC:The National Association for Music Education, a voluntary, nonprofit organization representing all phases of music education in schools, colleges, universities, and teacher-education institutions. Active MENC/AMEA membership is open to all persons engaged in music teaching or other music education work.

Ala Breve is published four times a year

(August, October, February & May) by the Alabama Music Educators Association.

Subscription for members is $4.00 per year as part of annual MENC/AMEA dues.

Subscriptions for non-members is $15.00 per year. Bulk rate postage paid at Dothan, AL. POSTMASTER: Send address changes to:

MENC 1806 Robert Fulton DR Reston, VA 20191

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October 2010

5....................................................................................................AMEA Directory 11 ........................................................................AMEA Governing Board Minutes 12...................................................................................ABA Legislative Proposals 18..........................................................................AOA All-State Quick Info Guide 19.....................................................................................AOA All-State Clinicians 20............................................................................................Campus Connections 24...........................................................................Research - Call for Submissions 26................................................................................................News from MENC 27.............................................................................Phi Beta Mu “Tips That Click” 28 ..................................................2011 Conference Keynote Speaker Scott Shuler 29.........................................................2011 Conference Clinicians and Performers 43.........................................................2011 MENC All-National Honor Ensembles 45...................................................................................2011 Conference Schedule 53 ....................................Proposal to Amend the AMEA Constitution and By-laws 56 ....................................................Letter from State Superintendent of Education 59 ..............................................................Feature Article: Percussive Arts Society 60.......................................................AMEA State and District Calendar of Events

Departments

6 ...............................................................................................................President 9 ......................................................................................................................AVA 11.............................................................................................Elementary/General 12 ...............................................................................................................................ABA 15 ..............................................................................................................CMENC 16 ....................................................................................................President-Elect 17 ...................................................................................................................AOA 22 .............................................................................................................Research 24............................................................................................................Higher Ed

Forms

10...............................................................2011 Conference Pre-Registration Form 23.....................................................................................FAME Registration Form 54.............................................Phi Beta Mu All-State Band Recording Order Form

Index to Advertisers

American College of Musicians.............24 Arts Music Shop, Inc................back cover Auburn University HS Honor Band.........8 Auburn University JH Honor Band........58 Auburn University Music........................2 AWB/Wayne Broom...............................28 B Creative Photography.........................21 Blair School of Music............................59 Gadsden Music Company........................8 George Parks Drum Major Academy.....26 Huntingdon Department of Music...........3

JW Pepper...............................................22 Jacksonville State University.................25 John M. Long School of Music (Troy)..63 Macie Publishing/Ed Sueta Music.........55 Samford University................................13 Superscope.............................................15 UA Bands...............................................57 UA Music...............................................44 UNA Department of Music....................14 USA Music.............................................62 Yamaha.....................................................7 October 2010

(256) 636-2754 amea@bellsouth.net

President ADVERTISING & COPY DEADSteve McLendon LINES Dothan High School Fall (Back to School) issue: July 1236 S. Oates St. Dothan, AL 36301 dhstigerband@aol.com (334) 794-0146 School

Advertising Manager 1600 Manor Dr. NE Cullman, AL 35055

AMEA Governing Board...

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2010-2011 Directory

Winter (Conference) issue: September 15 Past President Spring (All-State) issue: January 15 Pat Stegall Summer (Digital Only) issue: April 15 Muscle Shoals High School 1900 Avalon Avenue Unless otherwise indicated, permission is granted to MENC President-Elect Muscle Shoals, AL 35661 members to reprint articles for educational purposes.

Sara Womack pstegall@mscs.k12.al.us Opinions expressed in this publication are not necessarily those of AMEA or the Editor.

Greystone Elementary School (256) 389-2682 School 300 Village Street (256) 389-2689 Fax Birmingham, AL 35242-6447 Recording Secretary & submissions are subject to editorial judgement/revision.

All announcements (205) 439-3200 (256) 627-4661 Cell Carla Gallahan sarawomack@att.net The Smith Alabama Music Educators Association is a state unit of MENC:The National Association for Music Education, a voluntary, nonprofit organizatio 212 Hall, Troy University representing all phases of music education in schools, colleges, universities, and teacher-education institutions. Active MENC/AMEA membershi Troy, AL 36082 is open to all persons engaged in music teaching or other music education work.

Treasurer (334) 670-3502 School Karen Hickok Ala Breve is published four times a year cgallahan@troy.edu Northside Intermediate School (August, October, February & May) by the Alabama Music Educators Association.

601 North 5th Street Opelika, AL 36801 Subscription for members is $4.00 per year as part of annual MENC/AMEA dues.

Executive Director (334) 745-9731 Subscriptions for non-members is $15.00 per year. Bulk rate postage paid at Dothan, AL. Editor, Ala Breve hickokkaren@bellsouth.net Garry Taylor POSTMASTER: President, ABA Send address 1600 Manor Dr. NE changes to: Chuck Eady Cullman, AL 35055 Pleasant Grove High School MENC (256) 636-2754 1806 Robert Fulton DR 805 7th Ave. amea@bellsouth.net Reston, VA 20191 President, AOA Pleasant Grove, AL 35127 Marcy Wilson (205) 379-5273 School P.O. Box 11121 (205) 807-4311 Cell Chattanooga, TN 37401 chuckeady@aol.com (423) 637-6500 Cell mwilson@kenyonwilson.com President, AVA Jane Powell Flrence Middle School 648 N. Cherry Street President, CMENC Florence, AL 35633 Taylor Sparks (256) 768-2460 Office atsparks@samford.edu (256) 768-3105 Fax jane@alavocal.org President, Elem/Gen Sharon McCann August Liberty Park Elementary School 17051 Liberty Parkway Birmingham, AL 35242 President, Higher Education (205) 402-5400 School Timothy Phillips Collegiate MENC Advisor Troy University (205) 987-5867 Home Moya Nordlund 227 Smith Hall (205) 936-3620 Cell Samford University Troy, AL 36082 sharonaug.@gmail.com School of the Arts/Division of Music (334) 670-3190 800 Lakeshore Drive tphillips16791@troy.edu Birmingham, AL 35229 (205) 726-2651 minordlu@samford.edu

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From the President...

Steve McLendon, AMEA President

...we are morally obligated to provide our children with a large variety of musical opportunities. Music educators with eclectic skills are the future of music education.

“A place for everything and everything in its place,” was one of my mom’s favorite platitudes. As cliché as that phrase is, the fact remains that we like to label things and put them in a specific category. As a matter of fact, we prefer it that way.

We’ve become a nation that specializes in specialties. If you’re a doctor, you choose from over fifty specialties of medicine. If you’re an attorney, you don’t just practice law. You must choose what kind of law you’ll practice. If you’re a music educator, you choose what kind of music you’ll teach. After all, we don’t ever want to be mistaken for that “other kind” of music teacher. When asked about our higher education, we rarely leave it at “music education.” Instead, we quickly follow up with, “I’m a band director,” or “I’m an orchestra director,” or whatever the case may be. Some state education departments endorse this narrow approach by certifying teachers on specific tracks like, instrumental, choral, or general music. I’m afraid our profession has unwittingly narrowed music education through their focus on contests and performance festivals. The fact is, however, this narrow outlook is contrary to the best interests of music educators and students.

I’ve come to realize that, after thirty years of being a band director, I’ve got to expand my professional skills and take a more eclectic approach to music education. Our schools are changing and what worked twenty years ago does not

necessarily work today. The hallways and classrooms are full of students from a variety of socio-economic, ethnic, and cultural backgrounds. If some students earnestly want to learn how to play steeldrums, then it’s my job to provide them with an opportunity. Mariachi, African Drum, Gamelan, Recorder, and Salsa are just a few of the non-traditional ensembles that are successful elective courses in schools across the country. We, as music educators, have taken a sacred oath to pass on the gift of music. The fact that this art takes on many forms does not give us an excuse to ignore students who are willing to learn.

Expanding our approach to music education is not easy. We are most comfortable with what we know best.

However, I submit to you that we are morally obligated to provide our children with a large variety of musical opportunities. Music educators with eclectic skills are the future of music education. These skills increase job opportunities and reduce burnout. There is a growing trend in middle schools and some high schools for band, orchestra, and/or choir teachers to teach at least one section of general music or music appreciation. Also, students benefit from educators with a broad range of skills and attitudes.

Your first opportunity to expand your approach will be at our conference in January. I encourage you to take in a

clinic that you may not have considered before. If you really want to do something daring, go to a clinic sponsored by another division! You might be inspired to incorporate some of the clinician’s techniques. At the very least, you’ll meet someone new.

We are fortunate to have at our disposal the incredible conference facilities of the Renaissance Hotel in Montgomery. This will be a new beginning for our conference and I encourage you to take full advantage. Dr. Scott Shuler is our keynote speaker. As the president of MENC, Dr. Shuler is an engaging and entertaining guest speaker. He has a unique outlook for the future of music education. I can assure you that you will not want to miss what he has to say. Also, Dr. David Bronner with the Retirement Systems of Alabama will be speaking. Dr. Bronner is the financial genius behind the successful investment programs of the RSA. He is also a dynamic presenter.

AMEA is your professional conference. If you’ve ever complained that no one understands what you go through each day, you need to attend! The In-Service Conference is packed with people who have been there or are there now and understand. I promise you can learn how to perform your job more effectively and with less stress! January is the perfect time to sharpen your skills and renew your teaching spirit. I look forward to seeing you there!

Pre-register now for the 2011 AMEA In-Service Conference!

January 20 - 22, 2011 Renaissance Montgomery Hotel at the Convention Center Use the pre-registration form in this issue or register on-line at www.alabamamea.org Call the hotel and ask for the AMEA conference rate - 1-334-481-5000

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October 2010

Look Forward To Practice!

You spend so much time practicing, you really should enjoy it. That’s why Yamaha created the SV-150 Silent Practice Plus violin. It feels, plays and sounds like an acoustic violin but it’s got some major advantages... The SV-150 comes with a music player/controller that can hold gigabytes of your favorite songs and performance pieces.

Play along with them and listen—in privacy—through headphones. You can slow down any song to learn it, or speed it up for a challenge. I The SV-150’s violin tone is rich and natural. Use the 24 included digital effects to sweeten it up and create any sound you want. I Last but not least, the SV-150 packs a tuner and metronome in the controller; it’s everything you need in one package. I Visit yamahastrings.com to learn more about the SV-150 and to find a dealer near you.

Practice will never be dull again.

Save your favorite MP3, WAV, AAC and MIDI files on an SD disk, put it in the controller, then play along.

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Adjust the tempo of songs by up to 25% without affecting pitch to practice at your own speed.

©2010 Yamaha Corporation of America. All rights reserved.

Shoulder rest not included.

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October 2010

From the AVA...

The second weekend of September brought 150 choral directors/retired directors/college music education students to Birmingham for the annual AVA Fall Workshop. The Fall Workshop is a wonderful time of fellowship for all of us and welcoming new teachers into the organization. Dr. Jefferson Johnson gave us a much needed boost at the beginning of our new school year. What an energetic, positive, encourager he is. Dr. Johnson shared with us his insightful approach to teaching music in the style periods with his wonderful rehearsal ideas.

We had a great time experiencing his approach to conducting and Looking Like the Music. He also had some valuable advice for our new teachers as they start down this exciting career path.

One thing that Dr. Johnson spoke about to our new teachers was showing up at the extracurricular activities of our students.

Those of us who have taught for a number of years know what this means to them when they see us in the stands supporting their efforts. In all sports seasons we hear a lot about “team.” Many of us use this same concept in the choir room to encourage our students to come together for a common good. We also consult the athletic schedule before setting dates for choral events because the athletic schedule impacts many of our singers. A few years ago Tom Shelton shared with us an interesting comparison of chorus to sports and I share it with you here.

There are many similarities between sports and music teams.

Both want and enjoy audience/fan support.

Both represent the school and student body.

Both require a coach and players who show mutual respect to each other in order for the team to be successful.

Both are seen, heard, and judged by the public.

Both shoot for high goals and excellence.

Both require specialized knowledge and skills to achieve and perform well. ala breve

Jane Powell, President, Alabama Vocal Association

Both require self-discipline and teamwork to succeed.

Both promote values of responsibility, dependability, and cooperation.

Both provide a challenging outlet for selfexpression.

Both instill a sense of pride and selfconfidence.

As we help students find a balance between their commitment to the arts and their desire to be involved in sports it is good to remember that there are definite similarities in what each discipline can do for them. We know their involvement in the arts makes everything in their lives more meaningful and fulfilling, but we also recognize that the best way to live is with a healthy, well-rounded interest in many things. And by the way, I’ve noticed that many of us tolerate the end of summer and the beginning of school much better because it means that college football is just around the corner!

The Alabama Vocal Association and the Alabama Bandmasters Association are 2 organizations of the Alabama Music Educators Association that are sharing a commitment to advocacy within the arts.

We are very concerned for the lack of funding and the loss of music programs in our state. AVA has established an Arts Advocacy board position that is filled by Kathy Hughes, past AVA president. She shared a very moving, powerful presentation at the Fall Workshop to kick off our advocacy program. She is serving as the board liaison for the past presidents as she organizes them to help her in all parts of the state. We are indebted to Kathy and the passion and love for choral music that drives her desire to lead this charge. AMEA president- elect, Sara Womack, has challenged the AMEA board to join forces to reach out to our legislators and to let our voices be heard. If we do not fight for ourselves, who will? We must work together and protect what we have before the arts that we love so much become lost in an economic disaster.

By this printing the All-State Show Choir auditions will have occurred and the AllState Choir auditions will be on the horizon.

The AVA Executive Board with the help of 2 past presidents will travel the state during the week of November 11 – 18 auditioning students for the 3 high school and 2 middle school choirs. The last possible date to register for these auditions is November 4. Registrations are sent to Pat Blackwell and the entire audition schedule is listed on the AVA website.

Let me encourage you to register and attend the AMEA In-service Conference January 20 – 22, 2011 at the Renaissance Hotel and Spa at the Convention Center in Montgomery.

The featured session presenters for AVA are Dr. Rosephanye Powell, who will be sharing with us the inspiration behind some of her music in The Composer and Her Music and a session on Keeping the “Choir” in Show Choir. Dr. Patrick Freer will demonstrate Working with Boys and their Changing Voices as well as Designing Optimal Choral Rehearsal Strategies for Young Adolescents. Also, Dr. John Feierabend will present 2 sessions on Using Quality Choral Literature for Music Literacy. The All-State Show Choir Festival will be led by nationally renowned vocal clinician Greg Jasperse, and acclaimed choreographer April James. You are also encouraged to make sure you do not miss MENC national president, Dr. Scott Schuler and retirement investor David Bronner. This convention is packed with well planned sessions for you. Don’t miss any of them!

I look forward to seeing you at all AVA events!

Questions about your MENC membership?

Call 1-800-828-0229 or email mbrserv@menc.org 9

PRE-REGISTRATION FORM AMEA In-Service Conference January 20-22, 2011 Renaissance Montgomery Hotel at the Convention Center, Montgomery, Alabama

LAST NAME ______________________________

FIRST NAME______________________(for badge) MENC ID#_________________________________ Please enclose a copy of your card.

Home Address: __________________________________ ____________________ ______ _______ (City) (State) (Zip)

Home Phone: ______________________________ Email: __________________________________

School Name: ______________________________________________________________________

School Address: _________________________________ ____________________ ______ _______ (City) (State) (Zip) School Phone: ______________________________ Fax: ___________________________________ Division Affiliation: (check all that apply) _____ABA

_____AVA

Please tell us if you are:

_____ELEM

_____Clinician _____Retired

Current Members, Clinicians, Conductors

_____AOA

_____HED

_____Conductor of a performing group at the conference _____Guest Performer

First Year Teachers

Pre-Registration $80.00 (On-Site Registration $90.00)

Pre-registration $65.00 (On-Site Registration $75.00)

Registration Complimentary

Registration $15.00

Retired Members

Spouse* or Guest* of AMEA Member

*may not be a music teacher

TOTAL AMOUNT PAID $____________

_____CMENC

CMENC Members

Pre-Registration $30.00 (On-Site Registration $35.00)

Non-Member Alabama Music Teacher

Pre-Registration $185.00 (On-Site Registration $195.00)

MAKE CHECKS PAYABLE TO AMEA A fee of $35 will be charged for returned checks

No Purchase Orders Accepted. Check or Credit Card Only

To pre-register with a credit card go to www.alabamamea.org through January 10, 2011

************************* Mail form and check by Jan. 10, 2011 to: *********************** AMEA, 1612 Second Avenue SW, #181, Cullman, AL 35055

Important: Forms and payment received after Jan. 10, 2011 will be held at the registration desk for onsite registration.

Do not send forms or payment to the above address after Jan. 10, 2011!

THANK YOU! Your conference packet will be ready at the registration desk in the Renaissance Hotel.

Your receipt will be in your packet at the conference. ******************************************************************************************************************************************** Please do not fill in the information below. This is for AMEA bookkeeping ONLY

Personal Check # _________________________

School Check # ______________________

Membership verified and payment receipted by: ________________________________ Date: ____________________

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October 2010

From Elem/Gen...

Sharon August, President, Elementary/General Division

We had an exciting and energizing weekend on October 1st and 2nd! The fifth annual AMEA Elementary Music Festival was successful and rewarding thanks to our clinician, Cristi Cari Miller, our Festival Director, Dr. Sara Womack, and through the generosity of Dr. Moya Nordlund and Samford University. More than four hundred 4th and 5th graders gathered on the stage Friday night for a memorable concert. A highlight of the concert was the World Premiere of Sansa kroma by Cristi Cari Miller, a piece that was commissioned by the AMEA Elementary/General Division. It was dedicated to the memory of Sara’s mom, Rebecca Leinfelder. On Saturday, AMEA colleagues gathered at Samford for an AMEA/AOSA workshop with clinician Cristi Cari Miller for a full day of lesson ideas and active music making!

The 2011 AMEA Conference will be held in Montgomery this year, and this is a conference you will not want to miss, so make your reservations now! We had over 30 session proposals to choose from, and have tried to include as many and varied sessions as possible. Karen Medley is our featured clinician, and she will be leading sessions on children’s literature and recorder, as well as sharing lessons for the music classroom. We will also have several sponsored presenters including a return of the amazing John Feierabend. There will also be two performing groups. Cliff Huckabee will be bringing his Eagleairs Chorus from Montgomery Academy, and the Birmingham Children’s Choir Una Voce under the direction of Amanda Klimko will be performing. Our own Chris Byars will be presenting a session on recorder, and percussionist Dave Holland will be

AMEA Governing Board Meeting Minutes August 14, 2010 Montgomery Renaissance Hotel

Old Business Alabama Intercollegiate Band – an organizational board has been selected and information will be distributed to all collegiate band directors in September. Ray Cramer will conduct the inaugural performance of this ensemble at the 2011 AMEA In-Service Conference.

The AMEA Governing Board met at the Renaissance Hotel in Montgomery, Alabama on August 14, 2010. The meeting was called to order at 10:12 a.m. by AMEA President Steve McLendon. Present at the meeting: Steve McLendon, Garry Taylor, Pat Stegall, Karen Hickok, Carla Gallahan, Chuck Eady, Martha Lockett, Taylor Sparks, Sara Womack, Tim Phillips, Sharon August, Jane Powell, Clay McKinney, Pat Blackwell, and Marcy Wilson.

The minutes of the June 10, 2010 meeting of the AMEA Governing Board were read by Recording Secretary Carla Gallahan and approved as read.

The financial report was distributed and discussed. Pat Stegall (Marcy Wilson) motioned to accept the report. Passed. This report is available online at alabamamea.org

Officer, representatives, and division reports may be viewed online by visiting our website, www.alabamamea.org

MENC Week in Washington, D.C. – a large number of our governing board and Alabama music educators attended this conference and reported on a wonderful music education experience.

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Taylor Photography will be photographing the 2011 AMEA In-Service Conference.

Timothy Phillips, President of the Higher Education Division, reported that the division is continuing work on implementing a peer-review article submission process for the Ala Breve.

Many volunteers will be needed at the 2011 onsite conference registration. Division presidents should send information to Karen Hickok regarding volunteers to assist with registration.

A discussion occurred on the responsibilities of the AMEA Treasurer and AMEA Executive Director. Changes will be made in the AMEA by-laws to accurately reflect the responsibilities of each position.

ProCat was selected by the Board to record the 2011 AMEA In-Service Conference. Specific conference needs were addressed and will be written into the contract.

AMEA Conference location for 2013 and 2014 – proposals were submitted from the Montgomery Renaissance Hotel, the Huntsville Von Braun

presenting a session as well as leading a drum circle on Friday night. We will have four outstanding sessions on Saturday, so be sure to make reservations for Friday night. I look forward to renewing old friendships, meeting new friends, learning, growing and sharing with all of you in January!

Upcoming Events

1. AOSA 2010 Professional Development Conference in Spokane, Washington November 3-6.

2.AMEA 2011 In-Service Conference January 20-22, 2011

Center, and the Birmingham Jefferson Civic Center. After discussion, Chuck Eady (Marcy Wilson) motioned to hold the conferences at the Montgomery Renaissance Hotel. Passed. The dates for these conferences are: January 10-12, 2013 and January 23-25, 2014.

A discussion, review of nominations, and voting occurred on the AMEA Awards: Outstanding Music Educator, Barbara Odom Award, and Outstanding Administrator.

New Business

The MENC Southern Division Meeting will be held in Atlanta on September 12-13, 2010.

Members of the AMEA Governing Board will be participating in this meeting.

FAME – A discussion occurred on the FAME Registration fee. Chuck Eady (Karen Hickok) motioned to change the registration fee to $20.00. The motion passed.

A discussion occurred on the possibility of incorporating time with state legislatures at the AMEA Conference.

AMEA Conference planning and discussion occurred.

The meeting was adjourned at 2:25 p.m.

Respectfully submitted, Carla Gallahan AMEA Recording Secretary

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From the ABA...

Chuck Eady, President, Alabama Bandmasters Association

Greetings! I hope you are making plans to attend the 2011 AMEA Conference January 20-22 at the Renaissance Montgomery Hotel and Convention Center. Many hours of planning have been invested into making this a great opportunity for professional development. Congratulations to the bands selected to perform at this year’s conference. Please make an effort to attend these concerts and show your appreciation for the many hours of hard work these students and their directors put forth in order to present these outstanding performances. We also have many excellent clinics that will be offered throughout the conference. I hope you will find these concerts and clinics inspiring as we seek to grow in our profession. New this year will be a Saturday concert featuring the Alabama Collegiate Honor Band, conducted by Ray Cramer. Following this concert we will once again offer our MPA Adjudicator Certification Clinic (check your AMEA Conference schedule for time and location). The certification application and info are posted on the ABA web site.

Please note that our music selection

committee has elected to change the scale order for All-State auditions. This was discussed at the summer conference and has been posted on the web site (along with an updated All-State audition form).

Our Music Performance Assessment will begin in February. The MPA is held at the District level with each District Chairman responsible for collecting registration forms and fees as well as securing all adjudicators. Registration deadlines will vary by District, so make sure you receive this information from your District Chairman. Recording and picture contracts will also be handled at the District level. We have a generic MPA registration form on the ABA web site, but your District Chairman may elect to use their own as it will contain more detailed information concerning deadlines, recording, and picture fees. If you have any questions please contact your District Chairman.

Below you will find legislative proposals that were presented at the summer conference and will be voted on in our Saturday morning AMEA business meeting. There is an additional proposal (to incorporate the AJE into the ABA bylaws) that is posted on the website because of its length. The only opportunity for discussion on these proposals will be in our Friday morning

ABA Legislative Proposals

Proposal 2011-2 Clarification of Article 16 Alabama Bandmasters Music Performance Assessment Procedures – Submitting music not on cumulative list for approval.

ABA Bylaws Article 16, section 3 Procedures, Paragraph 3:

“One selection must be played from the cumulative list for the band’s classification or higher. Directors who wish to play a composition not on the cumulative list should submit scores to the Vice-President for approval,” Replace paragraph 3 with the following:

“Every band that performs for ratings at the Music Performance Assessment (MPA), must play at least one selection from the cumulative list for the band’s classification or higher. Directors may request a one year exception from this requirement by submitting a score to the Vice-President for approval no later than the third Friday in January.”

Rationale – Our handbook does not give a clear deadline for the submission of scores for approval to the Vice-President. The rewording is intended to prevent a misunderstanding of how many of the pieces you play must come from the cumulative list and gives a specific deadline for dealing with this issue.

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business meeting when they are presented. Please read over these proposals so that you will be aware of the possible changes they could make and be at the Saturday morning meeting to cast your vote.

Our 2011 All-State Festival will be April 14-16 in Mobile, AL. We will be using the Riverview Plaza Hotel, the Mobile Convention Center, and the Mobile Civic Center. Our All-State Solo Festival will be held on Wednesday, April 13. One of the most exciting benefits of the Mobile site will be that once we arrive at the Riverview we will not have to leave that site until the Saturday concert (the Riverview and the Convention Center are connected by walk way). Our 2011 AllState clinicians will be: Red Band Colonel John Bourgeois, the United States Marine Band (retired), White Band - Elva Kaye Lance, Mississippi State University, Blue Band - Sue Samuels, UAB, and Middle School - Steve Tyndall, Rising Star Middle School. If you wish to go ahead and book your rooms, the number to the Renaissance Riverview Plaza Hotel is 1-800-922-3298, and our group code is “ALBALBA”. May you have a blessed year and I look forward to seeing you in Montgomery and Mobile.

As always, if I can be of assistance please let me know.

Proposal 2011-3 MPA Sightreading Time amendment

ABA Bylaws section 4, Letter C sentence 2 and 3 reads:

C. The director of the band will have seven (7) minutes for score study and instruction. These seven (7) minutes include score study and any teaching techniques the director chooses to use.

Replace sentence 2 and 3 to read as follows:

The director of the band will have a period of time for score study and a period of time for instruction as set by the board of directors.

Rationale – The length of some of the sight-reading pieces requires a greater amount of time and this allows flexibility by the board to make sure that these classifications have the time needed for instruction.

Proposal 2011-1 is quite lengthy and may be viewed at www.alabamamea.org/bandmasters/index.htm

October 2010

Preparing today’s artist...to shape tomorrow’s world

Audition and Interview Weekends for Prospective Music and Theatre Majors November 12–13, 2010 January 28–29, 2011 February 4–5, 2011 Forms and additional information are available at www.samford.edu/arts 205-726-4524 arts@samford.edu www.samford.edu/arts Samford University is an Equal Opportunity Educational Institution/Employer.

Produced by Samford Office of Communication

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October 2010

from CMENC...

It is my hope that this message finds all of you in the middle of a new and fresh semester as future music educators. Since this issue of the Ala Breve outlines our activities of the 2011 AMEA conference in Montgomery, I wanted to take a moment and share with you all what an exciting time it is for our division. This year’s conference holds in store for each of us a great learning experience.

Presenters were carefully selected to meet all of our needs and desires as an organization, and our new venue in Montgomery will only serve to heighten our experience.

Currently, we have sixteen active chapters of CMENC across the state of Alabama!

Whether small or large, Alabama CMENC hopes to see each chapter represented at the upcoming AMEA conference in January.

Taylor Sparks, President, Alabama CMENC

Another event I hope each chapter can make plans to attend is our Fall Summit 2010 scheduled for October 29 and 30 at Samford University in Birmingham. The officers of Alabama CMENC have organized this event as a sort of “mini conference” in preparation for the annual AMEA conference. Speakers from across the state will present on common topics, and housing will be provided on campus for those students and teachers coming from long distances. There will also be a time for chapter leadership to gather with the state leadership either before or after the Fall Summit to ask questions and make comments. Additionally, this is a free event to all registered members of CMENC and food will be provided! Be on the lookout for upcoming news via email regarding this event, and it is my intent that this will be a great experience for all involved.

I can really sense the excitement surrounding our future profession and this year’s conference after working hard to include all the facets of our division in the planning process. Alabama CMENC serves to meet your needs as music education students and to continue the excitement found across our state. Please feel free to contact myself or any of the other state leadership if you ever have any questions or comments in regards to better serving you. I look forward to seeing you all in October and January and maybe even somewhere in between!

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15

From the President-Elect...

Sara Womack, AMEA President-Elect

accessed should contribute to the informed decision-making taking place in our schools.

As the seasons begin to change and time keeps rolling on, I am drawn back to the following quote by W.E.B. DuBois, which focuses on the parts of our life that we have command of, not the unmanageable ones:

Now is the accepted time, not tomorrow, not some more convenient season. It is today that our best work can be done and not some future day or future year. It is today that we fit ourselves for the greater usefulness of tomorrow. Today is the seedtime, now are the hours of work, and tomorrow comes the harvest and the playtime.

I cannot control the decisions of my administrators or the respect our subject area garners from colleagues, but I can help them make more informed decisions and more appropriate choices by educating them regarding the importance of music in the lives of our students. The abundance of research on the positive effects of music education and the ease with which that research can be

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This informed decision-making could also be taken to higher levels, such as our government leaders. Just as with the change of seasons, our move to Montgomery for our annual In-Service Conference can be a renewal of our purpose, focus, and mission in promoting our causes to the legislators of our state. To make responsible choices regarding the state of education in Alabama, government leaders should be informed of our wish for every child in every school to receive a well-rounded education that includes a comprehensive, sequential, high-quality program of music taught by a qualified music teacher. Detailed research and reasons should be provided, in order for our wish to be realized.

Advocacy efforts at the top are essential, but more important are the advocacy efforts in our own classrooms. As I outlined in my last article, you can do simple things each day that will impact the state of music in Alabama, such as publicizing student successes, disseminating research to school administrators, and being active in AMEA. In the same thinking as W.E.B. DuBois, spend your energy on a cause that can have a large impact.

Diligently advocate for the music education of the children in Alabama at the local and state levels.

October 2010

From the AOA...

As the 2011 Alabama All-State Festival quickly approaches, preparations are right on schedule. The festival is February 10-13 at the University of Alabama School of Music in Tuscaloosa, and all events are in the Moody Music Building. Student check-in starts on the afternoon of February 10th. Check-in will work differently this year. All Festival Orchestra string students must check in by 1:30 and wind, brass, and percussion students will check-in from 2:30 - 3:00.

The exact schedule will be sent with music to registered students, and seating auditions will take place early afternoon on Thursday. I encourage all participants to arrive early in order to have plenty of preparation time before the seating auditions. A free public performance will begin at 1 PM on Sunday, February 13th, and families and friends are encouraged to attend. All participating students are expected to attend the entire concert, showing due respect for the performances of all fellow musicians in the festival.

The audition excerpts have been posted on the AOA (www.alabamaorchestra association.org) website since the beginning of August, and district chairs have submitted their individual information guides. Please visit the “District Audition Information” page for more information. Audition results will be posted by the end of the day on November 15th. During the All-State festival, there will be a general meeting and I look forward to seeing AOA members at this meeting.

For interested exhibiters here are four potential exhibit locations in the Moody Music Building during the Festival.

Exhibitors may set up any time after 4:00 on Thursday, February 10 and remain until the concert is over on Sunday afternoon, February 13. This time window is the available time, but exhibitors are not required to be present at all times and may choose to use any periods within this time frame. There will be no reduction in fee for reduced usage.

The AOA President, Marcy Wilson, must receive all requests for exhibitor space ala breve

Marcy J. Wilson, President, Alabama Orchestra Association

via email at mwilson@kenyon wilson.com before January 31, 2011.

Two prime locations are available in the lobby. Fees are $500 for each spot and use of space includes up to three 6’ tables.

A $100 deposit is required to reserve a lobby spot. Two other locations in the building, closer to rehearsal rooms but with less space, will be made available at $100 each to the first two requestors. Use of these spaces includes one 6’ table each.

For more information, please visit our website and click on the 2011 festival link.

As always, the conductors for the festival are extremely talented and are excited about educating our students. Wes Kenney (Colorado State University) is the conductor for the Festival Orchestra (FO). The FO will perform Les Preludes

by Liszt, Die Meistersinger Overture by Wagner, as well as the winning work from our composition competition. Dr. Fred Geiersbach (Saint Andrews School in Delaware) is the conductor for the String Sinfonietta Orchestra (SSO). The SSO will perform Egmont Overture by Beethoven/arr. McCashin, Intermezzo by Brahms/arr.Hopkins, Concert Grosso by Jenkins, and Hoe-Down, by Copland.

Latoya Lamons (Youth Orchestras of Prince William County in Virginia) is the Consort String Orchestra (CSO) conductor. The CSO will perform selections from the following; Hornpipe

by Frost, Jupiter by Holst/arr. Monday, Skaters’ Waltz by Waldteufel/arr.

Longfield, Gauntlet by Spata, Sahara Crossing by Meyer, Concerto in E Minor

by Avison/arr. Issac, and Follow the Rainbow arranged by Cerulli.

Every year the All-State Festival music challenges our students to new musical heights, and this year is no exception. I am confident that our students will rise to this level of musicianship. Please check out the information guide on the following page for important deadlines.

The All-State Festival would not be possible without the help of our wonderful District Chairs. They ensure

that auditions are organized and run smoothly not only for the students, but for the parents and judges as well. Their work behind the scenes helps make our festival a major success every year. A big thank you in advance for all you do!! I would be lost without our executive board: Clay McKinney- Vice-President/President Elect, Felicia Sarubin- Secretary, Daniel Jamieson-Treasurer and Julie HornsteinExecutive Director. Your hard work all year long helps our All-State Festival grow year after year.

The 2011 AMEA in-service conference is quickly approaching, and I hope to see many AOA members in attendance. The conference will be in Montgomery this year at the Renaissance Hotel. I have visited the hotel and know the new location will allow the conference to be extremely successful. AMEA in-service is a great time to inspire your teaching and reconnect with fellow educators from around the state.

On Thursday, January 20 the Huntsville Youth Orchestra will be performing with Act of Congress, so let’s make sure to give our support to this talented group of students. In addition to this performance, we will have sessions by Marguerite Wilder from GIA Publications. She will be presenting sessions on improving rhythm in your orchestra, teaching despite distractions, and moving your beginning instrumental classes to ensemble performances.

She is a wonderful asset to the conference, and I encourage everyone to attend her sessions. We will also have sessions by two of our very own, Daniel Jamieson and Clay McKinney.

Daniel will introduce how to incorporate guitar into your music program, and Clay will discuss a deeper way to listen to the music we perform. I look forward to seeing everyone there!

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AOA All-State 2011 Quick Info Guide

Alabama All State Orchestra Festival 2011 Feb. 10-13, 2011, University of Alabama, Tuscaloosa

Final Date for live auditions for all levels October 11, 2010 Consult the district audition page on the web for specific dates!

All State Financial Aid Deadline October 15, 2010 Videotape District Mailing Deadline October 13, 2010 All State Results Posted November 15, 2010 All State Orchestra Acceptance Deadline December 1, 2010 Begin To Contact Alternates December 2, 2010 Begin mailing music Early December

Audition fee is $20 for first audition, $5 extra for each subsequent audition Please make all checks payable to AOA Registration fee is $55 Notice we will begin contacting alternates immediately so be sure to abide by the deadline of December 1st to accept your position in your All State Orchestra.

Reminders: 1. Those wishing to be considered for more than one orchestra will need to audition for BOTH orchestras separately. You will fill out separate audition forms and mail them together to your district chair. If you audition for only one orchestra and are not chosen, you will not be placed in any other orchestra.

2. All Festival events will take place in the UA Moody Music Building.

3. If you decline the invitation to come to All State AFTER mailing your acceptance letter, you will not be allowed an audition the following year. (With the exception of medical emergencies) 4. Check in for Festival Orchestra will be from 12-1:30 pm on February 10, with string seating auditions upon arrival. Wind, brass, and percussion check-in will be from 2:30 - 3:30 5. Check in will be from 2:30-4:30 for Consort and Sinfonietta String Orchestras with string seating auditions upon arrival.

6. Festival Orchestra will have their first rehearsal Thursday afternoon from 4:00-6:00.

7. Pictures and warm-ups for all orchestras will take place from 9-1. The Festival Concert will begin at 1 PM on Sunday February 13 in Moody Concert Hall.

Festival Conductors: Wes Kenney (Colorado State University) is the conductor the Festival Orchestra (FO). The FO will perform Les Preludes by Liszt, Die Meistersinger Overture by Wagner, as well as the winning work from our composition competition. Dr. Fred Geiersbach (Saint Andrews School in Delaware) is the conductor of the String Sinfonietta Orchestra (SSO). The SSO will perform Egmont Overture by Beethoven/arr. McCashin, Intermezzo by Brahms/arr.Hopkins, Concert Grosso by Jenkins, and Hoe-Down, by Copland. Latoya Lamons (Youth Orchestras of Prince William County in Virginia) is the conductor of the Consort String Orchestra (CSO). The CSO will perform selections from the following: Hornpipe by Frost, Jupiter by Holst/arr.

Monday, Skaters’ Waltz by Waldteufel/arr. Longfield, Gauntlet by Spata, Sahara Crossing by Meyer, Concerto in E Minor by Avison/arr. Issac, and Follow the Rainbow arranged by Cerulli.

Hotel Information: The hotel for the festival is the Capstone Hotel on the campus of the University of Alabama. This is the same hotel as last year’s All State. There is a block of rooms reserved for our event. We urge you to book rooms early as there are a limited number of rooms in the block. The cutoff date for the block is January 12. After this date, rooms will not be held at the festival price.

Reservation phone number for the block is 1-800-477-2262. The block is under the name “All State Festival Orchestra”.

Participation Requirements: Students participating in the Alabama All State Orchestra Festival must attend all rehearsals and required activities of the festival. Failure to comply with this rule will result in dismissal from the festival without refund of any fees. If a student us unable to attend all activities of the festival, it is his/her responsibility immediately to notify his/her District Chair so that an alternate may be given that place.

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October 2010

AOA All-State 2011

Clinicians

Festival Orchestra

Sinfonietta String Orchestra

Consort String Orchestra

Latoya Lamons received her Bachelor of Wes Kenney was named this past Fred Geiersbach grew up the eldest of Music Education degree from the November as the 2009 Outstanding six musical children in East Greenwich, University of North Carolina at Teacher by the Colorado American String R.I., and attended Williams College, Greensboro, where she studied violin Teachers Association. He was also where he majored in English literature with Dr. Rachel Vetter Huang and viola awarded the Grand Prize in the Summer and music. After a stint studying jazz in with Michelle Lacourse and her Master of 2007 Varna (Bulgaria) International Paris and Copenhagen, he settled in New Music degree in conducting with Conducting Competition. He traveled York City with his wife, Carla. After Professor Anthony Maeillo at George back to Bulgaria in March 2008 for earning his master’s in music and music Mason University. She has performed concerts in Vidin and to conduct La education at Teachers College, he taught with the University Symphony Orchestra, Traviata in Stara Zagora. He is currently music at public schools in Manhattan and Mount Vernon Orchestra, and the BESK in his eighth season as Music Director of northern Vermont before accepting a quartet.

She currently performs viola with the Fort Collins Symphony. In the position in instrumental music at St. the Dolce Quartet in Northern Virginia. summer of 2004 he was named to an Andrew’s School in Delaware. Fred was Ms. Lamons is currently the director of additional post of Music Director of involved in groundbreaking research in orchestras at Carl Sandburg Middle Opera Fort Collins helping that arts integration as a teaching artist for the school in Fairfax County where her organization establish a full season of Creative Arts Laboratory and as a groups receive superior ratings at District three productions a season. researcher for the Center for Arts Orchestra festivals. She returned to Mr. Kenney is also Education, both of which are based Sandburg after leaving to start the Professor of Music and at Columbia. In 2000, Fred earned orchestra program at South County Director of Orchestras at Secondary School at which she taught his doctorate with a dissertation on Colorado State University from 2005 – 2009. Prior to her departure the role of metacognition in where he conducts the CSU she taught at Carl Sandburg middle instrumentalists’ practice strategies.

Symphony and Chamber school from 1997 – 2005 during which Fred maintains a busy performing Orchestra as well as CSU time her orchestras received consistent life as a flutist, violist and Opera productions. Mr. superior ratings at District Orchestra conductor.

Kenney helped establish a Festivals and other festivals taking place Wes Kenney summer’s master degree in Williamsburg, VA and Hershey, program for music Pennsylvania as well. Her Sandburg educators with an emphasis in conducting advanced symphonic orchestra was selected to perform at the Virginia Music that is now in its fifth year. Mr. Kenney is Educator’s Association convention in a frequent guest conductor of professional Norfolk, Virginia in November and educational ensembles. He has 2004.

Ms. Lamons has had the appeared in the past three seasons with honor of guest conducting the the Virginia Symphony, the Symphony of District XI Junior District Southeast Texas, the Vallejo (CA) Fred Geiersbach Orchestra, Distrcit IV 7th grade AllSymphony and the New Mexico All-State City Orchestra, JMU Spring String Orchestra. Prior to that, Maestro Kenney He is chair of the Delaware Thing, the Portsmouth Junior has guest conducted at the Edinburgh All State Orchestra festival Regional Orchestra, the Festival in Edinburgh, Scotland, the and has appeared as a guest Harrisonburg All-Regional Buffalo Philharmonic, returned to the Orchestra, Southeastern Regional conductor of the Berks New Mexico Symphony for tours and Latoya Lamons Orchestra in Chesapeake, VA, County (Pa.) Orchestra performances of The Nutcracker and had Hendersonville All-County Festival. He has performed debuts with the Williamsburg Symphonia Orchestra, Greensboro Middle School with the Berkshire Symphony (Mass.), (VA), and the Acadiana Symphony (LA).

All-County and the UNC-Greensboro the Vermont Philharmonic, the Newark In six seasons as the Virginia Symphony’s Summer Music Camp Junior and Senior Symphony and the Dover Symphony. He Associate Conductor, Mr. Kenney Orchestras 1999 – 2005. Ms. Lamons is the chair of the Delaware Solo & appeared more than 350 times with that resides in Springfield, VA and when she Ensemble Festival, which is hosted by St. orchestra. He was responsible for the is not conducting or playing she enjoys Andrew’s. programming and conducting of traveling, reading, and being with friends Subscription, Pops, Family and Young and family.

People’s Concerts. ala breve

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Campus Connections...

News and Happenings from Alabama’s Colleges and Universities

Colleges and universities are encouraged to submit newsworthy material and announcements for publication in Ala Breve

From Jacksonville State University...

New Faculty Dr. Thomas W. (Tony) McCutchen

drum set, bass/leader), Guadalajara (leader - Salsa/Latin Jazz Ensemble) and the Athens Jazz Trio (vibes). During his tenure at UGA, he performed and worked with many artists, including John Clayton (Diana Krall, Jeff Hamilton Trio, etc.), John Lee (Dizzy Gillespie), Chuck Leavel (Rolling Stones), Cecil Welch (long-time trumpeter for Henry Mancini), Otis Redding, Jr., Derek Redding, Dave Samuels, Tommy Newsom and David Friedman.

Tony McCutchen is Professor of Percussion at Jacksonville State University and Professor Emeritus from the University of Georgia, where he served as Professor of Percussion for more than 30 years. He also taught percussion and band at Auburn University and at the As an arranger/composer, Tony has University of Mississippi. co-authored (with Tom Wallace) He is director of the JSU well over 200 marching band Percussion Ensemble and arrangements through Arrangers’ Steel Band. He has Publishing Company.

He also has performed at PASIC, IAJE, arrangements/compositions for Mid-West Band and Steel Band published by Panyard, Orchestra Clinic, MENC, Tony McCutchen Coyle Drums and Row-Loff MTNA, CMS and GMEA conventions as well as various PAS “Days Productions. His arrangement of Ney of Percussion”. His professional Rosauro’s Concerto for Marimba and experience includes performances with the Wind Ensemble (Mallet Works Music) has Fort Worth Symphony, Savannah been performed in the U.S. and Symphony, Augusta Symphony, Augusta internationally more than any other Opera, Macon Symphony (featured on marimba concerto in the world. He is an drum set), the National Opera Company Artist-Clinician for Ludwig/Musser (North Carolina) and at the Piccolo Percussion, Zildjian Cymbals, and Spoleto in Charleston, South Carolina. He Innovative Percussion. He hosted the 1994 has performed concerti with the Santa Fe Percussive Arts Society International Orchestra (Argentina), the Symphony Convention in Atlanta, Georgia and served Orchestra of Porto Alegre (Brazil) and the as the Georgia chapter president of PAS University of Georgia Symphony for many years. Tony has degrees from Orchestra. Tony performed with the RBTT Auburn University (B.S.), East Carolina Redemption Sound Setters for the University (M.M.), and the University of Panorama Steel Band finals in Trinidad & North Texas (D.M.A.). He and his wife Tobago in 2005 and 2008. Dr. McCutchen Susie have four children. is a Fulbright Scholar, having taught and done research in Brazil. He has frequently From Troy University... served on the faculty of the annual International Music Festival of the Federal On March 26 and 27, 2010, the Third University of Santa Maria (Brazil) and Annual Troy University Clarinet Day was taught at the Taipei International Summer held at the John M. Long School of Music Percussion Camp in 2006, 2007 and 2009. in Troy, Alabama. The event was hosted He has presented clinics and performances by Dr. Timothy Phillips, Assistant in various parts of Canada, Brazil, Professor of Clarinet, with the help of Dr. Argentina, Uruguay, Trinidad & Tobago, Katrina Phillips, Adjunct Clarinet Instructor. The festivities were sponsored Italy, Taiwan and The United States.

by Buffet Crampon, Rico Reeds, Tony performs regularly with: Prime Time Vandoren, Troy Arts Council, Troy Jazz (drum set), Tropical Breeze (pan, University, and Troy University’s chapters of Sigma Alpha Iota and Phi Mu Alpha.

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The event began on Friday, March 26 with a Clarinet Day Faculty Recital on the Troy University campus in Hawkins-AdamsLong Hall of Honor, home of the National Band Association’s Hall of Fame of Distinguished Band Conductors. The concert opened with Dr. Timothy and Dr. Katrina Phillips performing Mendelssohn’s Concert Piece No. 2, Op. 114 with pianist Nathan Brandwein. The opening work featured an outstanding performance by all three players and was a great opening to the event. New Jersey based Polish clarinet performer and repairman Wojtek Komsta next performed Quasi Kwazi III, composed for him by Marcel Chyrzyński. Guest artist Gene Ramsbottom, clarinet professor at the University of British Columbia, Douglas College, and Capilano University and former principal clarinetist of the CBC Radio Orchestra performed a collection of Mozart’s Notturni which also featured Dr. Timothy Phillips, Useon Choi, and three members of the vocal department at Troy University: Dr. Catherine Allard, Dr. Margaret Jackson, and Dr. Michael Hix. This rarely heard collection of Notturni, including K. 346, 436, 437, 438, 439, and 549 featured lovely basset horn playing by Ramsbottom, Phillips, and Choi. After an intermission, the Proha Clarinet Quartet, comprised of Useon Choi, Lesley Hastings, Lars Heemskerk, and this author, Pamela Kennedy-Shuler, performed works by Patrick Hiketick and Mike Curtis. The Clarinet Day Faculty Recital closed with a performance by Dr. David Etheridge, the David Ross Boyd Professor of Clarinet at the University of Oklahoma. Sensitively accompanied by Nathan Brandwein, Dr. Etheridge performed Lutoslawski’s Dance Preludes, Tailleferre’s gentle Arabesque, and Arne Running’s Daley’s Arc, which brought the concert to a spirited conclusion.

The second day of the festival welcomed the largest group of high school students in the short history of the event. In attendance were forty-three students from schools throughout Alabama, Georgia, and October 2010

Florida. Dr. David Etheridge presented an Music (owned by Jim Darby) of excellent topic master class in which he Montgomery, Alabama. discussed a number of unique approaches to refining clarinet fundamentals. The It is easy to see why the Troy University attending students were all able to play Clarinet Day has grown so much in the various exercises that Dr. Etheridge presented and modeled for them. Gene Ramsbottom also provided a very helpful (yet more traditional) master class in which he commented on performances by selected students. His concise and insightful teaching proved Troy University Clarinet Day useful not only for the four students who performed, but for those in past few years. Dr. Timothy Phillips did an the audience as well. outstanding job organizing this festival, which proved to be both educational and The twenty-member Troy University inspirational.

All aspiring clarinetists in Clarinet Choir kicked off the final concert the South should definitely consider of the event. Their portion of the concert attending the Fourth Annual Troy featured Dr. David Etheridge performing the first two movements of the Gordon University Clarinet Day in 2011!

Jacob arrangement of Tartini’s Concertino, with Dr. Timothy Phillips conducting. After a performance of Patrick Hiketick’s stylish Latin Dance No. 1 by the Proha Clarinet Quartet, Gene Ramsbottom performed Harry Freedman’s Lines for unaccompanied clarinet and an impromptu encore with a Middle Eastern flair. The concert concluded with a mass clarinet choir, comprised of all the attending students, local teachers (including the clarinet section of the Montgomery Symphony Orchestra), and all of the guest artists. Useon Choi, member of the Proha Quartet, conducted a lively version of Joe Garland’s In the Mood, arranged by Kanayama Toru. Dr. Timothy Phillips then returned to the podium to end the performance with a march, paying homage to the strong band history at Troy University.

The 2010 Troy University Clarinet Day offered a wonderful opportunity for those in attendance. In addition to getting to hear and see performances and classes given by master teachers and performers like Dr. David Etheridge and Gene Ramsbottom, students were also able to shop for new clarinets and accessories. It was a treat to have a full compliment of clarinet offerings from Buffet Crampon and a large display of products, including clarinets of all sizes and accessories, from Capitol ala breve

From the University of South Alabama..

We are delighted to welcome Dr. Rebecca Mindock to our faculty as Assistant Professor of Double Reeds. She completed her DMA degree in Oboe Performance and Pedagogy at the University of Colorado-Boulder, from which she also has a Master of Music degree. She earned bachelor’s degrees in Music Composition and English Literature from the College of William and Mary in Williamsburg, Virginia.

At South Alabama, Dr. Mindock is teaching the double-reed studio, woodwind ensembles, and music history.

The Jaguar Marching Band continues to build on last year’s exhilarating debut,

fielding a 190-member ensemble of select musicians, a color guard, and a feature twirler. Audition and scholarship information, staff biographies, and photo galleries can be found at http://www.southalabama.edu/music/.

A series of All-State Chorus Preparation Workshops will be held on Saturday, October 30. The TTBB/SSA and SATB workshops will be coordinated by Dr. Laura Moore, Director of Choral Activities, and Dr. Thomas Rowell, Coordinator of Vocal Studies.

The USA Music Department will be represented at the AMEA Conference in 2011 in performance and clinics. The University Chorale, conducted by Dr. Laura Moore, will perform on Friday at 7:30 pm. Mike Sammons, Director of Percussion Studies, will give a clinic on Thursday at 8 am, which will focus on performance practices for the modern percussion section (geared towards high school band and orchestra programs).

USA Brass Chamber Music Festival “Rhythm and Brass” will be in residency at USA for recitals, workshops and masterclasses April 1-3.

We invite you to visit the University of South Alabama Music Department website, where you can find a wealth of information – audition and scholarship information; degree programs; faculty biographies; vocal and instrumental ensembles; concert dates; recent programs of student and faculty performances.

Please contact us at http://www.south alabama.edu/music/ or by phone at 251460-6136.

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From Research...

Carl Hancock, Chairman, Research Division

With the publication of the official 2011 conference issue of the Ala Breve it seems apt that I offer a primer to one of the most overlooked, yet fascinating sessions of our state music education conference, the research poster session (Shameless plug…Friday, January 21, 2011 beginning at 10:30 am in the Renaissance Montgomery Hotel Lobby).

Unlike reading about a research study in a journal, research poster sessions feature the author of the study briefly sharing the story of how the study was conducted, the results, and possible implications for the profession. The poster itself serves as a visual aid and map illustrating the tale and conclusions reached by the author of the study. Attendees are encouraged to ask questions, offer comments, and to consider applications for the profession.

The format is informal and designed to elicit discussion and establish two-way dialogue between researchers and teachers.

The number of posters displayed can range from a dozen (state conferences) to over 100 (national conferences), with each one exploring a specific area of music education.

For teachers interested in the cutting edge of thought and practice in music education, poster sessions offer a unique glimpse into studies that may eventually guide the practices and decisions of our entire profession. Many research projects introduced as posters become published articles in research journals and, in turn, influence and inform music education leaders, music teachers, researchers, and even conference presenters! How often do hear the phrase, “results from recent research indicate…” I hear it all the time. On the radio, television, in magazines, AND at conference sessions. One could argue that poster sessions are the headwaters of the torrent of research results we have about teaching music.

Another way of saying this is imagine having the opportunity to witness Thomas Edison capture sound for the first time when he invented the phonograph or witnessing a young Bear Bryant coach his first win. You never know what you will learn or experience at a research poster session and what implications the results of the studies shared may have on the profession.

Research poster sessions are an important venue for bringing together researchers and the entire music education community. I encourage everyone to stop by the poster session and sample the studies on display.

At the same time, I invite researchers of all levels to submit a study for presentation. I am sure we will have great time conversing about the future direction of music education!

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CALL FOR ABSTRACTS

Alabama Music Educators Association 2011 Research Poster Session Friday, January 21, 2011 at 10:30 am AMEA In-service Conference Renaissance Montgomery Hotel

The Association invites submissions from university faculty, music teachers, graduate students, and undergraduate scholars.

Abstracts of completed and in-progress studies involving any aspect of music education, therapy, history, psychology, and performance are welcome. Interested researchers should submit a 650-750 word abstract online www.musiceducation.ua. edu/posters/ by November 19, 2010 for full consideration.

Authors will be notified of acceptance by December 3, 2010.

All submissions should meet the Code of Ethics found in the Journal of Research in Music Education. Once accepted, at least one of the authors must register and attend the AMEA Conference to present the poster. Posters should be professional in appearance and have dimensions approaching 36” X 48”. Please contact Carl Hancock at chancock@bama.ua.edu with any questions.

October 2010

F

FAME uture

A

labama

M E usic

ducators

Open to High School Juniors and Seniors

Thursday, January 20, 2011 9:00 A.M. - 4:30 P.M. Renaissance Montgomery Hotel at the Convention Center Application and $20 registration fee are due postmarked no later than November 15, 2010 Student_____________________________________________________________

Grade ____________________

Nominating Teacher _____________________________________________ MENC # _________________________

School Name ____________________________________________________________________________________ School Address __________________________________________________________________________________

Teacher Phone ________________________________ Teacher Email ______________________________________

This student participates in (circle all that apply): Band

Publicity Waiver I give AMEA permission to take photos of FAME attendees and use the photos for publicity purposes. By this authorization, I understand and agree that no participant shall receive remuneration and that all rights, title and interest to the photos and use of them belongs to AMEA.

Chorus

Orchestra

______________________________________________ Signature of Student

_______________________________________________ Signature of Parent if Student is under 18

Enclose $20 Registration Fee Make checks payable to AMEA

The FAME program includes many important topics for students considering a career as a music educator.

A highlight of the 2011 program will be a session presented by MENC President Scott Shuler: “Why Teach? - Why Music? - Why Me?” Lunch will be provided by AMEA

Mail this application, along with the $20 registration fee, to:

Pat Stegall, AMEA Past President Muscle Shoals High School 1900 Avalon Avenue Muscle Shoals, Alabama 35661

Postmark Deadline: November 15, 2010 ala breve

23

From Higher Ed...

Timothy Phillips, President, Higher Education Division

Greetings fellow collegiate educators of Alabama,

music

I hope that your school year is off to a great start. Of course, this is the time of year when we get back to business… and for the AMEA board, this has been a time of diligent planning for the AMEA Conference in January.

After attending our summer meetings at the Renaissance Hotel and Convention Center in Montgomery, I am really looking forward to having our conference in this location. It is a large, wellmaintained facility that will provide a nice setting for our event. Please consider attending the higher education mixer that will be held during the conference. This is an opportunity to meet other collegiate music educators and to express ideas for future contributions of the higher education division to AMEA. I am happy to say that the higher education division will be sponsoring many excellent sessions at this year’s conference. We will host numerous research presentations covering a wide variety of subjects. We will sponsor two

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higher education recitals featuring our talented colleagues from throughout the state. Also, please take some time to check out the research poster session at the conference.

In the coming weeks, Dr. Lori Ardovino, the secretary and treasurer of the higher education division, will be contacting the various schools of music in our state to find participants for the higher education recitals at the coming conference. If you have an interest in participating, please do not hesitate to contact her.

Finally, the higher education division is happy to support the creation of the first Alabama Intercollegiate Band at this year’s conference. This group will be conducted by Ray Cramer and will perform a concert on the last day of the event.

I look forward to meeting many of you at the upcoming conference. If you have any questions, comments, or concerns, please do not hesitate to contact me. Best wishes for an excellent semester!

CALL FOR SUBMISSIONS The Ala Breve is seeking submissions of research articles for the Summer 2011 “Special Research” Edition to be published during the summer, 2011.

Submissions may consist of quantitative, qualitative, descriptive, historical, philosophical, or any other kind of accepted research conducted by

university faculty and/or active practitioners. The deadline for the submission is November 1, 2010.

Submission Guidelines (adapted from the Submission Guidelines of Update: Applcations of Research in Music Education)

1. Manuscripts must be research-based.

2. Manuscripts may present a single research study or a review of the literature. 3. Articles should be unique and not published elsewhere. In accordance with the Code of Ethics, submitting a manuscript indicates that it has not been published previously and is not currently submitted for publication elsewhere, either in its entirety or in part.

4. Authors should comply with APA ethical standards (www.apa.org/ethics/ code2002.html) and institutional and federal regulations in the treatment of human subjects. 5. Quantitative manuscripts must conform to the Publication Manual of the American Psychological Association (5th ed., 2001). Nonquantitative and historical studies may conform to APA style or to The Chicago Manual of Style (15th ed., 2003). Authors may not mix styles within a manuscript. 8. Authors should submit four copies of typed, double-spaced manuscripts, which normally should not exceed 20 pages, along with an abstract of approximately 150 words. Authors should also submit 4 to 6 keywords relating to their article’s content. Type size should be no smaller than 12 points (double-spacing should include 28 points total for a line of text and the following line). Figures and drawings should be camera-ready. 9. To preserve the author’s anonymity in the review process, the manuscript should not reveal the author’s identity or institutional affiliation. The author’s name, address (including e-mail, if available), and institutional affiliation should appear only on a separate cover sheet. Manuscripts not conforming to this stipulation will be returned. 10.

Manuscripts should be addressed to: Dr. Carl Hancock, University of Alabama School of Music, Tuscaloosa, AL 35487.

October 2010

Ga ds d en M u si c C o m p a n y 607 Broad St Gadsden AL 35901 (256) 546-9381 (800) 264-7228 www.gadsdenmusic.com

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October 2010

Phi Beta Mu

Ti p s T h a t C l i c k

Welcome to a column that is designed to share information gleaned from some of the most distinguished and experienced instrumental music teachers in the state.

It is the hope of Phi Beta Mu that all of us can learn (and relearn) from this knowledge.The focus of this issue’s article is motivation and preparation of students for All-State Band auditions. I interviewed several accomplished band directors and compiled their thoughts on this matter.

fashion”. Mr. Robinson further suggests that the etudes (or portions of them) can become audition or assessment material for your band. “Doing this insures that a large number of students will feel comfortable with the material and will become likely candidates to actually audition”, he concludes.

Tony Pike is the Band Director at Davidson High School in Mobile and has been a teacher for over 30 years. He has served in many leadership posts in ABA, AMEA, and Phi Beta Mu. Tony uses the all-state requirements as a means to “stretch” students out of their comfort zones. “I require students to audition for all-state as a prerequisite for membership in the Symphonic Band at Davidson.

Many students realize after they begin preparing the scales and etudes that it is not as impossible as they once thought it was”! He also uses students that have made all-state to encourage others and to provide motivation. “Having this positive reinforcement from their peers makes trying out for all-state a “cool” thing to do”, he comments.

Our final contributor, for this article is Dr. Russell Logan, long-time Band Director at Auburn High School. He suggests having students sign a list requesting a packet of all-state material. “By seeing

who has signed the list, I can easily track who is preparing for the audition”, he states. “I can also see who has NOT signed up and investigate why they are not planning to prepare for the auditions!”

Dr. Logan also uses the analogy of sports to help motivate students. “At Auburn, a big deal is made of having all-state players in every sport. I tell them that I expect us to have many all-state players in BAND as well. They have not disappointed me yet!”

I hope these insights from a few of our state’s best directors might assist those who are using the all-state audition process as a means to help develop strong individual musicians and build solid band programs. Having a lot of students tackling the all-state band requirements seems to insure that there is improvement happening on a daily basis among most of the band.

Mike Holmes has been a band director for over 20 years, teaching at Bottenfield, Clay-Chalkville, and Trussville Middle Schools, and is currently teaching the elementary band program in the Mountain Brook Schools. Mike suggests using the scale requirement to help sort out the best candidates. He says: “The scales tend to show you pretty quickly who is serious Rho Chapter of Phi Beta Mu is committed about auditioning for all-state”. He also to providing assistance to all band recommends having sectional type directors and programs in this state, and rehearsals on the material with like this column is one way of fulfilling this instruments and encouraging the students charge. Comments and suggestions for to learn the material in pairs or small future articles are always welcome. groups. He concludes: “By getting the Contact me at: pemin@mac.com. notes and rhythms out of the way, you can really help the students put on the finishing touches by bringing in CALL FOR RESEARCH ABSTRACTS college instructors or professional level players to polish things in the Alabama Music Educators Association final stages”.

William T. Robinson served as a band director at the middle school and high school level for over 35 years and currently teaches a full roster of private students in his studio in Huntsville. “Make the allstate requirements a part of your band standards as much as is feasible” is his advice. “Teach the scales as soon as possible and make sure the skills necessary to perform the exercises are covered in a logical ala breve

2011 Research Poster Session Friday, January 21, 2011 at 10:30 am AMEA In-service Conference Renaissance Montgomery Hotel

The Association invites submissions from university faculty, music teachers, graduate students, and undergraduate scholars. Abstracts of completed and in-progress studies involving any aspect of music education, therapy, history, psychology, and performance are welcome. Interested researchers should submit a 650-750 word abstract online www.musiceducation.ua.edu/posters/ by November 19, 2010 for full consideration. Authors will be notified of acceptance by December 3, 2010. !""#$%&'($$()*$# $+)%",#'--.#.+-#/),-#)0#1.+(2$#0)%*,#(*#.+-#!"#$%&'(")(*+,+&$-.(/%(0#,/-(12#-&3/"%4#3*2-# 422-5.-,6#4.#"-4$.#)*-#)0#.+-#4%.+)7$#'%$.#7-8($.-7#4*,#4..-*,#.+-#!91!#/)*0-7-*2-#.)#57-$-*.# .+-#5)$.-7:##;)$.-7$#$+)%",#&-#57)0-$$()*4"#(*#455-474*2-#4*,#+4<-#,('-*$()*$#4557)42+(*8##=>?# @ AB?:##;"-4$-#2)*.42.#/47"#C4*2)2D#4.#2+4*2)2DE&4'4:%4:-,%#F(.+#4*G#H%-$.()*$: Submissions must be received by 11:59 pm CST on Friday, November 19, 2010.

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AMEA 2011 Keynote Speaker Scott Shuler, MENC President

Scott C. Shuler, MENC President for 2010-2012, is the Arts Education specialist in the Connecticut State Department of Education. He has served as Assistant Superintendent for Curriculum and Instruction for the Simsbury Public Schools; taught 3-12 instrumental and general music and conducted church choirs in Michigan, Delaware, and Wisconsin; taught music education courses at several universities, including the Hartt School, Eastman School of Music, and New England Conservatory; and served as Associate Professor and Coordinator of Music Education at California State University, Long Beach. He earned his B.Mus. at the University of Michigan, his M.S. at the University of Illinois, and his Ph.D. at the Eastman School of Music.

Dr. Shuler has authored many publications, served on MENC’s UPDATE editorial board, and presented countless workshops on topics such as music program development and assessment, teacher preparation, advocacy, and the role of the arts in middle schools. He was a member of the task force that developed America’s National Standards in music; helped design and interpret the 1999 federal arts education survey and 1997 National Assessment of Educational Progress (NAEP) in the Arts; co-chaired the Council of Chief State School Officers’ SCASS multi-state arts assessment consortium; and served as president of the National Council of State Supervisors of Music. He is currently president of MENC: The National Association for Music Education.

Shuler received Arts Education Policy Review’s “Young Writer’s Award” for excellence as an author; the Educational Press Association’s “Distinguished Achievement Award” for editing the MEJ special issue focusing on “Music and At-Risk Students;” “Distinguished Service” and “Outstanding Administrator” awards from Connecticut’s music, art, and theatre associations; California State University’s “Meritorious Performance Award,” Wisconsin’s “Legislative Citation for Excellence,” and the National Federation Interscholastic Music Association’s regional “Outstanding Music Educator Award.”

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October 2010

AMEA 2011 Clinicians and Performers

Alison Mann is Assistant Professor of Choral Music Education at Kennesaw State University, where she teaches coursework in Choral Methods, Foundations of Music Education, Choral Conducting, and Vocal Pedagogy for Ensemble Singing. Dr. Mann conducts the K.S.U. Women’s Chorus and Georgia Youth Symphony Chorus. Dr. Mann received her Ph.D. in Music Education and Choral Conducting from the University of Oregon, and a Masters of Choral Music Education and Bachelors of Choral Music Education from Florida State University. Dr. Mann is currently the Georgia state ACDA Multicultural Repertoire and Standards Chair. Dr. Mann is an active conductor, clinician, adjudicator, and researcher.

John Mann is Director of Leadership Development for the District School Board of Pasco County in Land O’ Lakes, Florida. His resume includes over 21 years of experience as a school-based administrator at the elementary, middle, and high school levels. It also includes over twelve years of teaching experience at the middle and elementary school levels. In addition to Dr. Mann's vast experience in the K-12 setting, he has served as adjunct professor at St. Leo University. In this role, he has taught both undergraduate courses in General Education and graduate courses in Educational Leadership. Dr. Mann received his doctoral degree from Indiana University, Bloomington.

The choral program at Bragg Middle School consists of the following choirs: 6th grade, 7th grade girls, 8th grade girls, 7th and 8th grade young men, 8th grade honors, and an after-school show choir. In addition to local concerts, the choirs have performed at the Jefferson County 5th grade scholars program, VA Hospital, Children’s Hospital, Disney World, in national music festivals in Orlando and Atlanta, and at the University of Alabama. The choirs consistently receive high ratings at performance evaluations. Members of the choir also participate in All-State, Young Voices, and Tri-M, which Mrs. Gray sponsors at Bragg.

Andy Pettus has served as the Director of Bands at Hillcrest High School in Tuscaloosa for five years. During his time at Hillcrest, the band received Best in Class at the 2008 Festival Disney, performed at the 2009 Alabama Music Educators Association Conference, performed at the 2009 Music for All National Festival in Indianapolis, Indiana, and performed at the 2009 Midwest Clinic in Chicago. He completed his M.M. degree with emphasis in conducting at the University of Miami where he studied with Mr. Gary Green and his B.S. degree in Music Education from the University of Alabama.

Bradley L. Bonner holds a Masters Degree in Music Education from the University of Central Florida where he served as an adjunct professor in the Education Department for over twenty-five years. He retired in August of 2009 from a 34 year position as an Elementary Music Specialist for the Lake County School System. Mr. Bonner holds a Level Three certification in Orff Schulwerk. Brad has directed music programs in local churches for over 35 years. He and his wife, Colette, are currently directors of music and worship for the contemporary service at Morrison United Methodist Church in Leesburg, Florida. Mr. Bonner is the President of BLB Studios, a recording studio and publishing house. He has published over fifty books with CD accompaniments for elementary music teachers and their students. Brad was the Teacher of the Year for Lake County Schools in 1983 and was one of three finalists for that title in 2006. Mr. Bonner currently serves as a Music Education Specialist for the Fort Worth company, Rhythm Band Instruments. Brad has presented sessions and workshops throughout the USA. ala breve

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AMEA 2011 Clinicians and Performers

In 1978 Chris Byars played snare drum in The McDonald’s All-American High School Band. He also played percussion with the Alabama Symphony from 1983-1988. He has been playing drums for various musical groups for the last thirty years. He sang bass with the a cappella doo -wop group “The Diptones” for 20 years.

He is presently a member of a duo called “e. e. poe” which focuses on writing and recording original pop/rock music. He earned a Bachelor of Music Education degree from the University of Montevallo and a Master of Music Education from the University of Louisville. As an educator he has had a diverse career so far, having taught band, choir and elementary music. He is currently the music teacher at Paine Intermediate School where he formed the “Recorder Karate All-Stars” who performed at the AMEA conference in 2009. His wife Heather teaches private piano lessons in Vestavia Hills, AL. They have a wonderful daughter Anabel who is an enthusiastic singer and talented piano student.

In only its sixth year of existence, the Florence High School Band has established a proud tradition of excellence. The band is composed of a large marching band, two concert bands, and a jazz band. The bands have consistently received the rating of “Superior” at marching competitions, at the Alabama Bandmasters Association District and State Concert Band Assessments, and received the rating of “Superior with Distinction” at the first Alabama Band Masters Association Music Performance Assessment. In addition, the Florence High School Band has several students who are selected for the Alabama All-State Band, and other university honor bands each year, and many students who receive the rating of “Superior” at the Alabama Bandmasters Association Solo and Ensemble Festival each year. The band is composed of 140 students in grades 9-12, and attracts students from all areas of the high school population. In addition to the honor of being invited to perform at the Alabama Music Educators Association Inservice Conference, the band has also performed in the London New Years Day Parade in London, England, and, at Walt Disney World in Orlando, Florida.

Cellist and Montgomery native Clay McKinney completed his formal musical training at the University of Alabama after rising up through the strings programs of the Montgomery School System. At 15 Mr. McKinney joined the Montgomery Symphony and has since performed in symphonies and chamber ensembles across the state. His musical pursuits extend into rock and popular music as the cellist for the Blue Galaxy String Project, an electric string band consisting of String Quartet Bass and Drums. Mr. McKinney has also been featured on The Cathedral Church of the Advent 5 o’clock band albums “Lift Him Up” and “In the Hands of the Maker”.

Mr. McKinney is in his 4th year as the strings teacher for Booker T Washington Arts Magnet High School in Montgomery.

Jed R. Smart is a graduate of the University of Alabama, receiving the Bachelor of Science (Music Education - Instrumental) degree in 2001. Mr. Smart completed his Master of Science Degree in Music Education in 2005 at Troy University in Troy, Alabama and is currently ABD on his Doctor of Musical Arts Degree at Boston University. Mr. Smart is the Associate Director of Bands at Smiths Station High School where he is Assistant Conductor of the Symphonic Band, Drill Designer for the “Panther Spirit” Marching Band, Colorguard Instructor, and Beginning Brass Teacher. Mr. Smart is currently the State Chairman for the Tri-M Music Honor Society, District Chairman for the Alabama Bandmasters Association – District VI, and a past Resident conductor of the American Legion Boy's State. Other past awards include Who's Who Among American Teachers in 2002 and 2005, the National Honor Roll in 2005, and the National Band Association Citation of Excellence in 2006. Mr. Smart enjoys Crimson Tide and Green Bay Packers Football, Jimmy Buffett concerts, collecting vinyls, fine dining and cooking, spending time with friends and family and vacationing abroad. He currently resides in Smiths Station, Alabama with his beautiful wife, Abby.

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October 2010

AMEA 2011 Clinicians and Performers

Daniel Jamieson is a native of Florence, Alabama. He attended Bradshaw High School (later to become Florence High School). He holds a B.S. in Commercial Music and a M.A. in Music Education, both from the University of North Alabama. He comes from a family with strong musical roots. He began his formal music education in the 3rd grade on piano. He played saxophone and guitar through high school. In college, he learned to play the ‘cello. He has also had extensive experience in choirs throughout childhood, high school and college.

After graduating college, he realized that he was being called to music education. Shortly, thereafter he took the post of orchestra director with Florence City Schools. Mr. Jamieson serves as treasurer of the Alabama Orchestra Association (AMEA/MENC) and is an active member of the American String Teachers Association.

He is currently a member of the Shoals Symphony at UNA, and is active in the music ministry of his church as a ‘cellist and guitarist. He also offers private instruction and performs at weddings, etc. He is married to Abbe Jamieson and has two kids, Jonah and Maddie.

The Pizitz Middle School Symphonic Band is made up of ninety-two of the top seventh and eighth grade musicians at Pizitz Middle School. This auditioned group has consistently made superior ratings at District Contest and Music Performance Assessment.

The band has performed at Festival Disney and the All-Star Music Festival, in Orlando, Florida. Most recently, they received all superior ratings at the Heritage Music Festival in St. Louis, MO, and a special invitation to perform at the Heritage Festival of Gold. Many of the students are active participants in Solo and Ensemble Festival, All-State, and honor bands throughout the state. Pizitz Middle School is located in Vestavia Hills, Alabama. The band program has 242 students in grades six through eight. Performing groups include the Beginning Band, Concert Band, Symphonic Band, Jazz Band, and Pep Band.

Dr. John Feierabend is considered one of the leading authorities on music and movement development in early childhood. He is a Professor of Music and the Director of Music Education at The Hartt School of the University of Hartford and is a past President of the Organization of American Kodály Educators. In addition to serving as the lead scriptwriter for the Van Cliburn Foundation’s “Musical Awakenings” program of classical concerts for children, Dr. Feierabend promotes music education through frequent presentations in the United States and abroad. He is the author of more than 60 books, recordings, and DVDs, many of which served as the inspiration for the PBS children’s television series Lomax: The Hound of Music. Dr. Feierabend has been honored as a Lowell Mason Fellow by the National Association for Music Education (MENC); named University Educator of the Year by the Connecticut Music Educators Association; received the Outstanding Educator Award from the Organization of American Kodály Educators, the James Bent Award for outstanding achievement in scholarship and creativity from the University of Hartford, and was the first U.S. recipient of the LEGO Prize, an international award given annually to “an individual who has made a distinctive contribution to the betterment of children.”

Originally from Winnipeg, Manitoba, Canada, Ian Loeppky is an Associate Professor and Director of Choral Activities at the University of North Alabama since the fall of 2003. His studies began at the University of Manitoba, continued at the University of Minnesota, and finished at the College-Conservatory of Music in Cincinnati. He has also studied with Helmuth Rilling, Dale Warland, Frieder Bernius, Martin Isepp, Charles Bruffy, and Bobby McFerrin. He is a member of the American Choral Directors Association, the Music Educators National Convention, the National Collegiate Choral Organization, the Alabama Vocal Association, the International Federation for Choral Music, Phi Mu Alpha, and Pi Kappa Lambda. He is currently the Repertoire and Standards Chair for Multicultural Choral Music for the Alabama chapter of ACDA. He has worked as a singer, scholar, conductor, clinician, adjudicator, and arranger in Canada, the United States, and Portugal. He directs all four choral ensembles at UNA and teaches undergraduate and graduate choral conducting, choral techniques, and graduate choral literature. In addition, he directs the choir at Trinity Episcopal Church, is founder and artistic director of Florence Camerata, and is in demand as a clinician and adjudicator throughout the region and internationally. He conducted the premiere performance of Haydn’s The Creation in Varna, Bulgaria, and will lead the World Voices Festival in Costa Rica with Kingsway International in the spring of 2011. He is a frequent contributor to the Choral Journal and the Alabama Reprise. ala breve

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AMEA 2011 Clinicians and Performers

Karen Medley is an elementary music specialist in the Pentucket Regional School District in northeastern Massachusetts. Formerly a teacher in the Clark County Schools, Las Vegas, Nevada and a teacher in the Memphis City Schools for over twenty years, she received her BME from the Eastman School of Music (University of Rochester). She also studied at the University of Memphis where she earned a Master of Music with a Concentration in Orff Studies and completed her Orff Teacher Training Level I –III and Master Class.

Presenter at eleven AOSA National Conferences, Karen has taught many workshops, in-services and teacher training courses across the United States, including workshops in Oahu and Maui. Currently, Karen teaches in summer teacher-training programs through the University of Alaska (Anchorage), UNLV (Las Vegas, NV) and the Eastman School of Music. A recipient of the Rotary Award for Teacher Excellence in Memphis City Schools (1984), a contributing writer for Music and You (Macmillan/McGraw-Hill), Karen’s arrangements have been featured in The World Sings: International Folk Songs (Memphis Musicraft Pub.) and Las Vegas Writes III. Karen served on the AOSA National Board of Trustees from 1987-2001 as Regional Representative for two terms and also as National Conference Chairperson for the 1994, 1996, and 2000 AOSA National Conference. Karen recently served on the AOSA National Board of Trustees and was the National Conference Chairperson for the 2007 AOSA Conference in San Jose, California.

The Hillcrest-Duncanville Middle School Band is made up of approximately 85 seventh and eighth graders who have had at least one year of prior band instruction. They have consistently earned superior ratings at the district and state levels. In 2010 they earned superior ratings and Best in Class at Florida’s Festival of Champions. In 2008 they earned a silver medal at Festival Disney.

At least fifty percent of the band is involved in Solo and Ensemble and honor bands each year, including the Alabama All-State Band.

Ken McGuire is an Associate Professor of Music Education in the School of Music at The University of Alabama where he teaches courses on music education methodology, assessment, philosophy, and history.

He earned degrees from Syracuse University, and the State Universities of New York at Fredonia and Binghamton. Prior to his appointment at Alabama, Dr. McGuire taught general and choral music in New York State public schools for ten years. He has presented original research and ideas at numerous workshops and conferences, and has had articles published in Journal of Research in Music Education, Journal of Music Therapy, International Journal for Mathematics Teaching and Learning, Southeastern Journal of Research in Music Education, Music Educators Journal, Teaching Music, and Ala Breve. Dr. McGuire has served Music Educators National Conference, Alabama Music Educators Association, Alabama State Education Department, and local arts advocacy groups in multiple leadership roles.

Marvin E. Latimer Jr. is currently Assistant Professor of Music Education and Director of the University Chorus at the University of Alabama. He received a BME and MME from Wichita State University and a PhD in Music Education with honors from the University of Kansas. Dr. Latimer taught secondary choral music in Wichita, Kansas and served as Assistant Professor of Music Education and Director of the Women’s Ensemble at Wichita State University prior to his appointment at Alabama. In addition to his work in education, he has been active as Church Choir Director, Community Choir Director, Performer, Music Theater Director and Producer, Technical Director, and Scenic Designer. Dr. Latimer has published research in Choral Journal, Contributions to Music Education, International Journal for Research in Choral Singing, Journal of Research in Music Education, and Journal of Historical Research in Music Education. His professional distinctions consist of numerous state, national, and international choral convention presentations and performances. He serves on the Alabama ACDA State Board and is the Organizational History Subcommittee Chair of the ACDA Research and Publications Committee.

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October 2010

AMEA 2011 Clinicians and Performers

Dr. William C. Powell is associate professor and director of choral activities at Auburn University where he conducts the Chamber, Concert, Men's, and Gospel Choirs. He also teaches undergraduate and graduate courses in choral music. Powell holds degrees from Alabama State University, Westminster Choir College, and Florida State University. He is in demand as a guest conductor, choral clinician, lecturer, festival adjudicator, and choral music arranger. As a guest conductor, Powell has led choirs at various venues such as Carnegie Hall, Walt Disney World, and he has conducted for All-State Choirs and other choral events around the country. As a lecturer and workshop presenter at conferences, he has presented sessions for state, regional, national, and international meetings.

Powell’s choral arrangements are published by Hal Leonard and Gentry Publications. He is also co-editor of “I’m Gonna Sing: 12 Spirituals for Upper Voices” published by Oxford University Press (fall 2010).

The Grissom High School Concert Choir is a well established choir of students from grades nine to twelve. They are recognized throughout the Huntsville community and the state of Alabama. Made up of a group of students who excel not only in the fine arts but also in athletic and academic programs at Grissom, they consistently score superior ratings at district, state, and national festivals. All the Grissom Choirs perform a wide variety of music throughout each school year, from Medieval to Broadway. These students are receptive to learning all the great choral literature. There are many students who are motivated to enter individual competitions, including the AllCity Choral Festival, Solo & Ensemble, and the Alabama All-State Festival. The Grissom Concert Choir students desire to combine leadership and determination with their passion for and love of performing choral music.

Susan L. Smith has taught at all levels of education and in many facets. After completing her degree in Music Education from James Madison University, she taught in the Virginia public schools. Her responsibilities included the direction of elementary and secondary instrumental music programs as well as teaching other arts related courses. Her ensembles, including concert band, orchestra, marching band and jazz ensembles, consistently received superior ratings from the Virginia Band and Orchestra Directors Association festivals during her tenure. After completing her Masters Degree in Education from Troy State University, she taught Private Horn, Teaching Music for the Classroom Teacher and Introduction to Music as an Adjunct Professor of Music. While at TSU, she served as the Executive Director of the Southeastern United States Concert Band Clinic and Honor Bands. In addition, she coordinated the visual program for the Sound of the South Marching Band. She was a Coordinating Author for Warner Bros.

Publications’ Expressions Music Curriculum, a vision for a vertical, conceptual approach to teaching music. She served as an author for Band Expressions, a secondary component of the curriculum written for school instrumental music programs and has presented clinics at many state conventions including TMEA, FMEA, VMEA, and National and Regional MENC conferences. Currently, she is Director of Bands at the Saint James School in Montgomery, AL. Mrs. Smith is responsible for teaching the Beginning, Intermediate, and Advanced bands as well as guitar. The Saint James Band consistently receives Superior ratings in Concert, Jazz and Marching band events including the Alabama State Music Assessment, Smokey Mountain Music Festival and the 2008 and 2009 Bands of America Atlanta Regional. The Saint James Band was a Semi-finalist in the 2009 Bands of America Grand Nationals.

Her professional affiliations include Music Educators National Conference, Alabama Music Educators Association, Alabama Bandmasters Association, Sigma Alpha Iota, Phi Beta Kappa and the National Band Association. Smith is in demand as a clinician, conductor and adjudicator throughout the country. She currently resides in Montgomery, AL. with her husband Robert and daughters Savannah and Madison.

Dr. Philip Copeland is Director of Choral Activities at Samford University in Birmingham, Alabama. He was previously at the University of Alabama at Birmingham, where he led the choral program to a place of national prominence through significant performances at conventions of the National Collegiate Choral Organization and American Choral Directors Association (ACDA). Copeland serves as chairman of ACDA's Technology Committee and frequently presents technology sessions at state, regional and national conventions of ACDA. He leads the newly formed Alabama Symphony Chorus in the preparation of masterworks with the Alabama Symphony Orchestra and serves as Music Director at South Highland Presbyterian Church. ala breve

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AMEA 2011 Clinicians and Performers

Oak Mountain High School is located in Shelby County, Alabama. The band program is nationally recognized having had groups within it invited to perform for a variety of national and state-wide events. Most notably are the invitations extended

by Percussive Arts Society to the Percussion Ensemble, to perform at their international convention in 2007, and the invitation extended to the Wind Ensemble and Symphonic Band to perform at Carnegie Hall in 2010. Membership in the band program is an elective course, with individuals placed in appropriate groupings based on an individual audition. There are four of these groupings within the program as a whole. These groupings are Wind Ensemble, Symphonic Band, Jazz Ensemble and Percussion Ensemble. With the addition of the visual groups, all band students are also part of the Oak Mountain “Spirit of Cahaba” Marching Band.The Wind Ensemble and Symphonic Band are the concert bands of the Oak Mountain program. These bands perform expressive and challenging music that stretches each individual member to achieve a higher level of musicianship.

Performances by these groups are time and again experiences in musical banquets where the audiences are the guests of honor. On an individual level, members of the band can be found performing with state-wide honor bands hosted by various colleges and the Alabama Bandmasters Association. These members very often are rated as the top players which is indicative of the players’ talents as well as the quality of the band program. Individual members are sought after by universities across the southeast for the quality of musicianship and leadership inherent to members of the Oak Mountain program.

Patrick K. Freer is Associate Professor and Coordinator of Music Education at Georgia State University where he conducts the University Men’s Chorus. Dr. Freer holds degrees from Westminster Choir College and Teachers College, Columbia University. He is the author of Getting Started with Middle-Level Choir, the DVD series Success for Adolescent Singers: Unlocking the Potential in Middle School Choirs, and many articles in the field’s leading journals. Dr. Freer is a frequent guest conductor for all-state and regional honors choruses and has presented at numerous national and international conferences. He is currently Academic Editor and Chair of the Editorial Board for Music Educators Journal.

The Troy University Band Program is a comprehensive, student-oriented, multifaceted organization that encourages participation from all disciplines and academic majors on the university campus. In addition to performing in the renowned “Sound of the South” Marching Band, auditions are held each semester for the opportunity to perform in the Symphony Band and Chamber Winds (the recording and touring ensemble), three Concert Bands, two jazz ensembles (big band), three jazz combos, the Basketball Pep Band, and various small ensembles. The Symphony Band is comprised of the top fifty-five wind and percussion students in the Long School of Music. This premiere group has recently released its second compact disc recording in association with Grammy-nominated and Telly award-winning composer Stephen Melillo entitled: “Stormworks, Chapter 13: Whispers in the Wind” available on digital download sites such as ITunes and CDBaby. Since 2001, this ensemble has been under the baton of every living member and inductee of the National Band Association’s Hall of Fame of Distinguished Conductors. Over the years, the band has performed at the national conventions of the American Bandmasters Association, the College Band Directors National Association, the Music Educators National Conference, the Women Band Directors International, Alabama Bandmasters Association and is the featured band at the annual Southeastern United States Concert Band Clinic. The band is open by audition only at the beginning of each semester. The band gives numerous concerts year-round, and tours extensively throughout the southeast during the spring semester.

As head of Retirement Systems of Alabama, David Bronner has gained national attention for his staggering financial successes and high profile, lucrative investments in office buildings in Montgomery, Mobile and New York. He has also invested in eight luxury hotels and conference centers in Alabama and in Raycom Media, owner of 43 television stations, and Community Newspaper Holdings Inc., which owns more than 160 newspapers. But Bronner is most proud of Alabama's Robert Trent Jones Golf Trail, which has landed the state among the top golf destinations worldwide and helped grow Alabama tourism to a $9.6 billion industry. With assets in excess of $28 billion, RSA serves more than 325,000 public employees and retirees and is the world's 86th largest private/public pension fund.

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October 2010

AMEA 2011 Clinicians and Performers

The University Chorale of the University of South Alabama is a highly select ensemble of voices that performs challenging choral literature of diverse styles and periods. The Chorale is the most visible representative of the university’s choral area, and its members are students of the highest musical caliber. In addition to two campus concerts each semester, the University Chorale also performs for schools and civic organizations in the greater Mobile area and Gulf Coast region. In each of the last two years, they have performed with the Mobile Symphony Youth Orchestra. The University Chorale is pleased to be performing at the Alabama Music Educators Association In-Service Conference in January 2011. The University Chorale is directed by Dr. Laura Moore.

Dr. Patricia Corbin has been the Director of Choral Activities since 1999. She received a Bachelor of Music Education from the Crane School of Music, State University of New York at Potsdam, a Master of Arts in Music Education from Montclair State University, Montclair, New Jersey, and the Doctor of Music in Choral Conducting from Indiana University. She has studied conducting with Brock McElheran, Joseph Flummerfelt, Robert Porco, Thomas Somerville, and Helmuth Rilling. Prior to her joining the JSU music faculty Dr. Corbin worked as a music teacher in the Irvington Public School System, in Irvington, New Jersey for 19 years. In Irvington she began teaching K-4 general music, then was transferred to teach the 5th- 8th grade Musically Gifted and Talented program that she taught for eleven years. Her last six years were spent as a high school choral director. As the Director of Choral Activities at Jacksonville State University, Dr. Corbin directs the A Cappella Choir, Chamber Singers, Calhoun County Civic Chorale and teaches applied voice, conducting and choral literature. She is the Alabama ACDA College Repertoire & Standards Chair and is also the Organist/ Choirmaster of St. Michael and All Angels Episcopal Church in Anniston, Alabama. Dr. Corbin is the College and University R & S Chair of the Alabama Chapter of the American Choral Directors Association, a member of the Music Educators National Conference, the National Collegiate Choral Organization, the National Association of Teachers of Singing, the American Guild of Organists and Phi Kappa Phi Honor Society.

The UNA Studio Jazz Band is one of the most popular ensembles within the UNA Band Program. This 36-member group consists of a traditional Big Band instrumentation which is augmented with a section of flutes (4), clarinets (5), French horns (4), a tuba, and an extra percussionist. The ensemble performs a wide variety of popular music from straight-ahead jazz to swing, to fusion and bebop, and even Broadway suites and Third Stream Jazz. The UNA Studio Jazz Band performs concerts each winter and is a part of the UNA President’s Concert each spring. Additionally, the group has toured Alabama and southern Tennessee. Famed record producer, Jimmy Johnson (Muscle Shoals Sound Studios), produced a CD of the group entitled, “Live!” - recorded at the Princess Theatre in Decatur, Alabama. The concept of the Studio Jazz Band (originally called a Lab Band) began within the Elemore County Band in the 1960s with Dr. Edd Jones - assistant director to Truman Welch. The primary purpose of this ensemble is to experiment with additional tonal colors by augmenting the traditional jazz band instrumentation to include additional instruments. The educational value of the Studio Jazz Band transcends that of the conventional jazz/stage band by allowing more students to participate in a specialized area. ala breve

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AMEA 2011 Clinicians and Performers The Vestavia Hills Wind Ensemble is the top performing ensemble within the instrumental music department at Vestavia Hills High School. It is composed of students ranging in grades 9-12. The Wind Ensemble has consistently earned superior ratings in district and state concert band festivals as well as earning a superior rating at the 2010 MPA Festival. The Wind Ensemble has also earned two consecutive superior ratings at the ABDA Festival.

Charles T. Menghini is President, Professor of Music, and Director of Bands at VanderCook College of Music, bringing to this appointment 18 years experience as a successful high school band director in Missouri and Kansas. Bands under his direction received consistent Division I ratings in regional, state, and national music festivals, performed at various state music educator conventions, and performed in the Tournament of Roses Parade, Orange Bowl Parade, Bands of America International Festival, and the XV Olympic Winter Games. Dr. Menghini is highly regarded as a clinician, speaker and adjudicator, having appeared at music education conferences throughout the United States, Canada, Europe, Australia, and New Zealand. He has conducted workshops with over 350 school and community ensembles from 20 states, as well as Canada, Japan, Southeast Asia, and Australia. He is a frequent all-state conductor, and has presented numerous clinics at the Midwest Clinic in Chicago.

Menghini was elected to membership in the American Bandmasters Association in 2001, and has served as Second Vice President of the National Band Association. He is a contributing editor for The Instrumentalist magazine, educational consultant for Hal Leonard Corporation and for Conn-Selmer Corporation, serves on the Midwest Clinic convention committee, and is co-author of the Essential Elements 2000 band series (Hal Leonard).

Una Voce, the auditioned senior BCC choir, is made up of girls, grades 6 - high school, from throughout the metropolitan Birmingham/Hoover area. Many of these young women bring a variety of musical experiences and skills gained through participation in their school choral programs. BCC’s goal is to give these singers the opportunity to combine their skills and voices to create beautiful music together, music which will touch and lift the hearts of those for whom they sing. In addition to annual BCC performances, Una Voce has enjoyed the privilege of performing in productions of Opera Birmingham, the Alabama Symphony Orchestra Family Series, City Stages Classic Oasis, Moscow Ballet, and various local music clubs.

Although competing is not a priority for BCC choirs, Una Voce has been honored by its success in the Smoky Mountain and Southern Star Music Festivals. Una Voce is honored to have been granted the opportunity to perform in this AMEA event.

Marguerite Wilder is widely recognized as a conductor and clinician. Her clinics on Motivational Techniques for Band have been presented for regional, national and international conferences. Mrs. Wilder served as the director of the Tapp Middle School, Woodward Academy Middle School, and Lovett Middle School band programs. She is a contributing editor for the books Do It! Play Recorder and Do It Band Method. She has written for both Teaching Music through Performance in Beginning Band volumes. Marguerite Wilder is a graduate of the University of Georgia and Georgia State University. Professional organization affiliations include MENC, GMEA, NBA, and Phi Beta Mu. 36

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AMEA 2011 Clinicians and Performers

The University of Montevallo Concert Choir is the premier choral ensemble on the University of Montevallo campus. It is open, by audition, to all students on campus. The Concert Choir performs at many University functions as well as regular concerts and a tour to area high schools annually. The Choir has performed with both the Alabama Symphony and the Red Mountain Chamber Orchestra. Other performances include the annual UM High School Choral Festival. The Choir’s repertoire includes the finest examples of choral music across the historical and genre spectrum.

Dr. Marc Reed is Assistant Professor of Trumpet and Assistant Director of Bands at The University of Alabama at Birmingham. His responsibilities include teaching applied trumpet, conducting the symphony band, teaching brass skills; and assisting with the Marching Blazers, wind symphony, and Blazer Basketball Band. He also serves on the faculty at Blue Lake Fine Arts Camp as Instructor of Trumpet, and as substitute trumpet with the Alabama Symphony Orchestra. He is an artist/clinician for the Bach Trumpet Division of the Conn-Selmer Corporation. Dr. Reed holds a Doctor of Musical Arts Degree in Trumpet Performance and Brass Pedagogy from the University of North Texas, Master of Music Degree in Trumpet Performance from The University of North Texas, and Bachelor’s Degrees in both Music Education and Trumpet Performance (with a jazz emphasis) from Drake University. Dr. Reed studied trumpet with Keith Johnson, John Holt, Richard Giangiulio, and Andrew Classen. He studied wind conducting as his related field of study at The University of North Texas with Eugene Corporon and Dennis Fisher. He was also a two-time semi-finalist at the National Trumpet Competition in Washington, D.C., and is a contributing member of the International Trumpet Guild Journal’s Recording Review and Book Review staffs. Dr. Reed can be heard on over a dozen recordings on the DJ Music, Mark, Klavier, and GIA Windworks labels. He is in demand as a performer, conductor, clinician, adjudicator, and pedagogue throughout the country.

The Eagleaires Chorus consists of third and fourth graders from Montgomery Academy’s Lower School. Students choose to participate in the chorus and rehearse before school twice a week in two separate groups. The two groups combine for performances both on and off the school campus. Over 90% of all third and fourth grade students participate in the Eagleaires chorus. They perform two school concerts each year and also perform with the first grade for the annual Christmas Pageant.

In addition, they sing each year at the Holiday Market sponsored by the Junior League of Montgomery.

Daniel Pittman is a Professor of Music at Georgia Southern University, where for sixteen years he was Director of Bands, after which he served for one year as Interim Director of the Center for International Studies. He led the Music Department’s Studies Abroad Program in Music, which combined European concert tours by the performing ensembles with academic music classes. More recently, Dr. Pittman was appointed a Fulbright Senior Specialist in service to Payap University in Chiang Mai, Thailand for the summer of 2010.

In that service, he lectured on wind band rehearsal techniques and was guest conductor of the Chiang Mai Youth Philharmonic Band. Dr. Pittman’s dissertation, “Percy Grainger, Gustav Holst, and Ralph Vaughan Williams: A Comparative Analysis of Selected Wind Band Compositions”, provided the origin of his lifelong fascination with the life and music of Percy Grainger.

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AMEA 2011 Clinicians and Performers

Dr. Rosephanye Dunn Powell has been hailed as one of America’s premiere women composers of choral music. She has an impressive catalogue of works published by some of the nation’s leading publishers, including the Hal Leonard Corporation, the Fred Bock Music Company/Gentry Publications, and Alliance Music Publications. Additionally, Dr. Powell has composed for the Oxford University Press (London) and is commissioned yearly to compose for professional and community choruses, church choirs, university choruses and secondary school choirs throughout the U.S. and Europe. Her work has been auctioned by Chorus America and her compositions are in great demand at choral festivals around the country, frequently appearing on the regional and national conventions of the American Choral Directors Association, as well as Honor Choir festivals. They are performed in many parts of the world including Asia, Europe, Africa, and South and Central America. Dr. Powell’s compositions include sacred and secular works for mixed chorus, women’s chorus, men’s chorus, and children’s voices. An accomplished singer and voice professor, Dr. Powell’s research has focused on the art of the African-American spiritual, the art songs of William Grant Still (dean of African-American composers), and voice care concerns for voice professionals (specifically, music educators, choral directors, and choral singers). She travels the country presenting lectures, lecture-recitals, recitals, workshops and clinics on these subjects.

Liberty Park Middle School just finished its second year of existence as the newest middle school in the Vestavia Hills City School System. The Liberty Park Middle School Girls Choir is made up of all girls enrolled in 6th, 7th, and 8th grade choir. This is a non-auditioned choir who performs throughout the school year for various community and school events. In the past two years of the school’s existence, the Liberty Park Girls Choir has received superior ratings at their District’s AVA Performance Assessment and performed in Orlando, Florida and New York City. Girls from this choir have been chosen to participate in the Alabama All-State Choir and the ACDA Southern Division Jr. High Choir.

Matthew Lentz is a native of Florence, Alabama. He is a graduate of Bradshaw High School (now Florence High School) and currently serves with Deborah Basinger and John Bradley as the Middle School Director and the Assistant Director at the High School within the Florence City Schools System. In 2007 Mr. Lentz graduated from the University of North Alabama with a B.S. in Music Education and during his time at U.N.A. he performed in various ensembles including the Studio Lab Band, Jazz Band, Jazz Combo, Saxophone Ensemble, Wind Symphony, Concert Band and served as Drum Major of the “Pride of Dixie” Marching Band. Matthew is an active performer playing locally in the shoals area with various Jazz, Classic Rock and R&B groups. His professional affiliations include MENC, AMEA and Kappa Kappa Psi. Matthew is currently in his fourth year at Florence Middle School and he resides in Florence with his wife Amber and their pets, Splanky, Ella and Lina.

Mary Land is Director of Bands and Professor of Music Education at Young Harris College. She is the president elect for the Georgia Music Educators Association. Prior to her appointment to Young Harris, she was Director of Bands at Pickens County Middle School. Mary is a graduate of the University of Georgia and Vandercook College of Music. She is a current doctorial student at UGA. Professional affiliations include: GMEA, MENC, IAJE, PAGE, NBA and Phi Beta Mu. Mary Land is also on the faculty of the Interlochen Arts Camp as the conductor of the Intermediate Division Wind Symphony.

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AMEA 2011 Clinicians and Performers

Dave Holland is founder and primary performer and facilitator of all Beatin' Path programs and drum circles.

For over 10 years, Dave has spread the message of community, teamwork, diversity, and environmental awareness through rhythm based events. Dave has traveled to Cuba, West Africa, and Brazil to pursue his continuing education of the world's cultures and drumming traditions. He has presented at the Percussive Arts Society's International Conference, the International Orff-Schulwerk Conference, the National Drum Circle Facilitator’s Conference, along with statewide music conferences in Georgia, Florida, Maryland, Michigan & lllinois. He is the author of Drumagination, A Rhythmic Guidebook for Music Teachers, Music Educators & Drum Circle Facilitators, the co-creator of Rhythm Planet Workshop, the creator of the Interactive Rhythm Line of Instruments, and leader of Ritmo Blu, Young Audiences popular world percussion trio. His kids cd, Drummin’ Songs & Jam Alongs was released in early 2010.

The choral department at Decatur High School involves approximately 190 students who are divided into four performing ensembles. Those performance ensembles are divided into six rehearsal periods each school day. The 54 voice Chamber Chorus is comprised of auditioned seniors, juniors, and sophomores. Other ensembles include the 110 voice Concert Chorus, the 130 voice Women’s Chorus, and the 54 voice Men’s Chorus. Performance is an integral part of the choral department. Students perform in four major concerts during the year and various other smaller concert venues. Each year all choirs enter 2 choral festivals. DHS choruses have scored a superior rating at Alabama Vocal Association District Level Festivals for the past 10 years. The Women’s Chorus has scored an overall superior rating at the AVA State Level Festival for the past 8 years. In fact, since 1998 out of 99 sight reading auditions DHS choruses have scored 96 superior ratings for sight reading. In 2006, 26 of our students traveled to Ireland and sang in two masses, one in Kilarny and one in Dublin. In 2007 we participated in a festival at Walt Disney World and just this year returned from a trip to New York City and Philadelphia, Pennsylvania. For the previous two years, we have sung the National Anthem for an Atlanta Braves game and have been invited to perform again September 29th. Next year we are traveling to Italy and will sing two concerts - one in Florence and another in Venice. Any student at Decatur High School who desires to sing is given the opportunity to join a DHS chorus.

Dr. Michael and Jill Gallina have achieved national prominence as the country’s foremost composers of musical plays and choral music for youth in elementary, middle, junior and senior high schools. Their clever creations in story and song have consistently won awards from the Parents Choice Foundation , American Library Service and ASCAP. Their music has been featured and performed on the Disney Channel, The World’s largest Concert, PBS, the Macy’s Thanksgiving Day Parade, Sing for the Cure, The New York Philharmonic, The Boston Pops, and in a documentary on children’s rights for the United Nations. In addition, the Gallinas are recipients of the Stanley Austin Alumni Award from the College of New Jersey for their many accomplishments in the field of composition.

Both Michael and Jill received B.A. degrees in music from the College of New Jersey. Jill was an elementary school music teacher before becoming a full time composer. Michael completed a masters degree in music from the College of New Jersey as well as a doctorate in administration and supervision from Rutgers University. In addition to his writing collaborations with Jill, he is the former elementary principal of the Angelo L.Tomaso School in Warren, New Jersey and author of “Making the Scene”, an illustrated “how to” book for building sets, props and scenery, etc., for musical productions. The Gallinas are inspiring teachers all across the English speaking world with their music and educator workshops. They have presented in service clinics at numerous state Music Educator conferences such as TMEA, OMEA, NJMEA, GMEA, CMEA, NCMEA, VMEA, FMEA, as well as colleges and universities including, Villanova, LSU, College of NJ, Concordia College, Westminster Choir College and many more. Their chorals have sold millions of copies and their musical plays have thousands of performances across the globe each year. They are educating, enlightening, and engaging youth of today with their consummate talents and creativity. More information regarding the Gallinas and their music can be obtained by visiting their web site, www.gallinamusic.com or contacting them at michaelandjillgallina@gmail.com. ala breve

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AMEA 2011 Clinicians and Performers

Dr. Jefferson Grant currently serves as the Associate Director of Bands and Director of Percussion at Prattville High School in Prattville, Alabama. Dr. Grant holds a Doctorate of Musical Arts degree in performance and music theory from The University of Southern Mississippi as well as a Bachelor of Music and Master of Music degree from Columbus State University and the University of Louisville respectively. Dr. Grant has served as a marching percussion consultant at many schools including Bands of America St. Louis Regional Champion Male High School (KY), 2005 Class A Indiana State Champion Paoli High School (IN), and on the university level at Auburn University, The University of Louisville, and The University of Tennessee, and in 2005 with the Memphis Sound Drum and Bugle Corps. Most recently, both of the Prattville indoor percussion ensembles won Gold Medals at the 2010 SCGC Championships under his direction. Dr. Grant is an active arranger, adjudicator, and clinician. His articles have appeared in Percussive Notes, and he has presented clinics at the University of Louisville Percussion Symposium, Northwest Missouri State University music camps, National Conference of Percussion Pedagogy and the Mississippi Bandmasters State Convention. Dr. Grant is also the co-founder of the Southeastern Percussion Festival (SEPF). He is a member of Delta Chi, Phi Mu Alpha, Kappa Kappa Psi, Tau Beta Sigma, The Percussive Arts Society, MENC, and BMI. Dr. Grant would like to thank Innovative Percussion sticks and mallets, Sabian cymbals, and Yamaha drums for their continued support of music education and this clinic.

The Department of Music at UAB boasts several percussion ensembles, each serving a unique purpose and programming its own unique type of literature.

Each ensemble is open to majors of all disciplines, utilizing students from very diverse backgrounds and allowing them the freedom to perform in many different settings. The UAB Steel Band is part of the percussion ensemble class and performs a wide variety of literature, from traditional upbeat calypso marches and popular dance music to transcriptions of rock and classical pieces. The group typically meets during the spring semester and presents a separate campus concert each year. Summer Steel is a smaller outreach group that performs locally during the summer months, including performances at the Contemporary Art Festival (sponsored by Magic City Art Connection) and many country clubs and retirement communities in the Birmingham area. In both 2009 and 2010 the group traveled to Sandestin, Florida (by invitation) for the U.S. Foodservices annual “Fun in the Sun” corporate retreat at the Sandestin Golf and Beach Resort Spa. Michael Sammons currently serves as the Director of Percussion Studies at the University of South Alabama, Director and Arranger for the USA Jag' Drumline, and percussionist with the Mobile Symphony. He has performed with orchestras in Florida, Arizona, and Alabama and has appeared as guest soloist throughout the region. He is a founding member of Zumbumba, an active percussion trio specializing in music from around the world. Zumbumba has performed as part of multiple Percussive Arts Society International Conventions and in 2007, presented an original composition, Foforo Twene, for timpani and African percussion as part of the "Focus Day” events. An active educator and clinician, Dr. Sammons served as Lecturer in Music at Clemson University in 2007-2008. He currently serves as director and co-founder of the Treasure Coast Percussion Camp held in Vero Beach, Florida since 2005. He is a member of the Percussive Arts Society and is a contributing author to Percussive Notes. He has served as a clinician and adjudicator nationally and has presented and performed at conventions including Percussive Arts Society, Alabama Music Educators Association and Music Educators National Convention. In 2006, Mr. Sammons presented a session entitled "New Music for Steel Band" at PASIC in Austin, Texas with the University of Arizona and released the third CD, Panstraction, by the UA Steel Band. Dr. Sammons received his Doctorate of Musical Arts degree in Percussion Performance from the University of Arizona, where he served as Graduate Teaching Assistant and Director of the UA Steel Band Program from 2003-2007. He received the 2007 Outstanding Graduate Teaching Assistant award for the UA College of Fine Arts. He earned the Master of Music degree in Percussion Performance from the University of Arizona in 2005 and the Bachelor of Music degree in Music Education, with a Performer¹s Certificate, from the University of Florida in 2002. His travels abroad include Trinidad and Ghana, where he conducted research on the traditional music and dance of these cultures.

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AMEA 2011 Clinicians and Performers

HYO is a vital resource for education, practice and performance. It’s a training ground for learning teamwork, discipline and meeting challenges that will help the young musicians excel whether it is in engineering or science. Now in its 50th year, the Huntsville Youth Orchestra invites students from across the Valley studying orchestral instruments (violin, viola, cello, bass, flute, oboe, clarinet, bassoon, horn, trumpet, trombone, tuba, percussion, and harp) to audition for a position in the HYO program, one of the Southeast’s premier musical organizations for young people. The orchestra program offers six levels of performance, three are auditioned. Students 6-18 partake in a fun, musical experience that may last a lifetime; learn cooperation, discipline and patience instilled through practice and performance, and develop into musicians who are appreciative listeners and dedicated performers. The HYO’s performance at the conference will feature Act of Congress (see below).

“One of the freshest sounding, exuberant bands in all of the known acoustic universe.” Dave Higgs-Nashville Public Radio

Hailing From Birmingham, Alabama, the organic sound of Act Of Congress combines hook laden melodies, compelling songwriting, and intelligent acoustic instrumentation that’s rapidly gathering attention throughout the country. Having released their debut album “Declaration” (2008), Act Of Congress’ sound is grounded, approachable and technically masterful. In two short years, the band has been recognized by the likes of Paste Online, SXSW, Disney, NACA, APCA (finalist for APCA 2010 Best Band ) and Billboard (winning the 2008 Disc Makers IMWS Award.) A featured artist on the nationally syndicated Woodsongs Old Time Radio show, AOC has also worked with Live Nation, opening VIP areas for artists such as John Mayer, Edwin McCain, Toby Keith, Alan Jackson, and recently taped a live broadcast for XM radio. With lush harmony, articulate instrumentation and a live show that will leave you speechless, Act of Congress’ musical vistas sweep from the ground breaking sounds of Nickel Creek, Mute Math, and John Mayer to the weaving soundscapes one might find sprinkled throughout Matthew Perryman Jones or Radiohead. Timeless compositions of masterful lyrics and musicianship abound throughout each song, combining vintage acoustic instrumentation with sweeping layers of varied musical roots to create a truly magical experience. Act of Congress will perform with the Huntsville Youth Orchestra Thursday at 1:00 PM. In addition, they will perform in the lobby area in front of the exhibit hall between 10:00 and 10:20 and 10:45 until 11:15 AM. on Thursday.

Dr. Mark DeGoti is the newly appointed Assistant Professor of Trumpet at Auburn University. Prior to joining the faculty at AU, Dr. DeGoti taught at Eastern Illinois University in Charleston, IL. He received his Doctorate of Music in Brass Pedagogy at the Indiana University Jacob’s School of Music. In addition, he holds a Master of Music in Trumpet Performance from Indiana University and prior to that, he received a Bachelor of Music both in Trumpet Performance and Music Theory from the University of Michigan. Dr. DeGoti has maintained an active performing career while teaching. He has played with the Illinois Symphony Orchestra, Owensboro Symphony Orchestra, Peoria Symphony, and the Eastern Illinois University Faculty Brass Quintet. He has also collaborated with artists such as Leanne Rimes, The Tommy Dorsey Band, The Indianapolis Chamber Brass, and The Michigan Brass. Dr. DeGoti can be heard on several recordings with the Owensboro Symphony as well as on the Klavier Records label with the Philharmonia Á Vent. He has also attended the Aspen Music Festival, Roundtop Festival Institute, and the prestigious Interlochen Arts Academy for high school. Recently, Dr. DeGoti also served on faculty at the Blue Lake Fine Arts Camp in Michigan. His teachers include John Rommel, Charles Daval, Ray Mase, Marie Speziale and Tom Booth. ala breve

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AMEA 2011 Clinicians and Performers

Alabama Intercollegiate Band Guest Conductor

Ray E. Cramer was a member of the Indiana University School of Music faculty from the fall of 1969 through May 2005. In 1982, Mr. Cramer was appointed Director of Bands. Under his leadership the Indiana University Wind Ensemble earned an international reputation for outstanding musical performances including the 1982 ABA Convention, Indianapolis; the 1984 joint American Bandmasters Association/Japan Bandmasters Association Convention, Tokyo; the 1988 MENC National Convention, Indianapolis; the 1991 National CBDNA Convention in Kansas City, the 1994 National MENC Convention in Cincinnati, the 1995 ABA Convention in Lawrence, Kansas, the 1997 National CBDNA Convention in Athens, Georgia, a 2000 spring tour to Japan performing in six cities and the All Japan Band Clinic, The 2003 CBDNA National Convention in Minneapolis, MN, plus numerous regional and state conventions and a December 2003 performance at The Midwest Clinic. He is the current President of the Midwest Clinic, an international band and orchestra convention held in Chicago each December. A native of Illinois, Mr. Cramer has a B.A. and Honorary Doctorate from Western Illinois University and a MFA from the University of Iowa. He taught in public schools in Illinois, Iowa and Ohio before moving to Indiana University where he enjoyed a 36 year tenure with the final 24 years as Director of Bands. He and his wife Molly reside in Colorado Springs to be closer to their children and grandchildren.

All-State Show Choir Clinician

Greg Jasperse is a composer, arranger, recording artist and educator currently living in Chicago. As a guest conductor, he has had the privilege of conducting the British Columbia Honors Vocal Jazz Choir (2002), the Colorado and Illinois All-state Honors Vocal Jazz choirs (2004), the Arizona All-State Honors Show choir (2000, 1999, 2001) as well as many district and regional festival choirs. Festival choirs have performed his compositions and arrangements, published by Augsburg-Fortress, Shawnee Press and Oxford University Press across North America and Europe. As a commissioned composer, he has written for the American Boychoir, Chicago children's Choir and Kokopelli (Edmonton, Canada). As an educator, Greg enjoys teaching at several show choir and jazz camps in the US and Canada, including Rocky Mountain vocal Jazz camp, Showchoir camps of America, University of Manitoba Jazz Camp, and Western Michigan University Vocal Jazz camp. Greg recently released his first commercial recording called “Tournesol.” This recording project is a collection of original contemporary jazz piano pieces. On Tournesol, Greg is joined by such artists as Randy Crenshaw, Grant Geissman, Gary Meek, Michael Shapiro and Jerry watts. “Tournesol” was produced by Bill Cantos and engineered by legendary Bill Schnee.

All-State Show Choir Choreographer

April James is a freelance choreographer based in Chicago. She was member of ' Attaché ' show choir in Clinton, Mississippi. While at the University of Mississippi, she was a performer with Mississippi Dance Company and toured with the rhythm tap group, 'Cacophony.' After moving to Chicago, she attended the University of Illinois at Chicago and graduated with a degree in kinesiology (the science of movement). After years of being a counselor at Show Choir Camps of America, in 1998 Dwight Jordan asked her to be a choreographer for the Camp. Since then she as been working as choreographer, adjudicator and clinician. Her employment history includes show choir choreography for various junior high, high school and college groups around the country. April is one of the choreographers for Lance Bass's production company, 'Freelance.'

April feels very blessed and lucky to be able to travel the country working with such astounding directors and amazing performers!

All-State Jazz Middle School Band Clinician

Steve Sims’ music career began after graduating from the University of South Alabama with a bachelor’s degree in music education.

After two years at Excel High School he earned his master’s degree in music education from the University of Southern Mississippi.

He taught at Geneva High from 1982-86 and Fairhope High from 1986-94. Mr. Sims then taught at Elberta and Foley Middle schools for two years. He returned to Fairhope High School where he taught until his retirement in 2005. Steve taught three years at McGillToolen High School and is now in his second year in the McGill-Toolen Prep Band program. His bands were active in marching band, symphonic band and jazz band as they competed and performed throughout the south. Mr. Sims performed on trumpet with bands throughout the Gulf Coast region. He is now active as an adjudicator and drill designer.

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AMEA 2011 Clinicians and Performers

All-State Jazz Gold Band Clinician Larry Panella teaches at The University of Southern Mississippi as the Director of Jazz Studies. He has performed with numerous artists and entertainers including The Phil Collins Big Band, The Woody Herman Orchestra, and Natalie Cole. His recordings include, Larry Panella: Under The Influence, the Collection Jazz Orchestra, Ashley Alexander Big Band, the Phil Collins Big Band, and Chris Cortez. He currently performs with the USM Faculty Jazz Quintet, The John Mahoney Big Band, the Southwest Horns, and his own trio and quartet.

He earned degrees from Northern Illinois University and the University of North Texas where he performed with the famed 1 O'Clock Jazz Lab Band. Mr. Panella is an artist - clinician for Cannonball Musical Instruments.

All-State Jazz Silver Band Clinician

Shane Philen is a participating member of the National Association for Music Education, the Jazz Education Network, and the Christian Jazz Artists Network. A GRAMMY nominated and DOVE award winning performer, Shane has devoted his talent and experience as a professional saxophonist, instructor, clinician, band leader, arranger, and jazz radio host throughout the United States and abroad since 1992. He is also the founder of the Gulf Coast Arts Academy in Mobile, Alabama. Currently, Shane is the Assistant Director of Bands at Theodore High School, coordinator of the Mobile County High School Jazz Honor Band, and he is active in the recording industry as a soloist and arranger for LiveHorns (www.livehorns.com). Shane has been featured with numerous artists, ensembles, theater productions, and festivals such as Bayfest, Gulf Coast Ethnic and Heritage Jazz Festival, and Arts Alive in the Mobile area, where he resides with his wife Tabitha and their three children.

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October 2010

C ONFERENCE S CHEDULE 6:30 p.m. - 8:00 p.m.

8:15 p.m.

AMEA Governing Board Steve McLendon, Presiding Renaissance, Riverview 2

Wednesday, January 19, 2011

ABA Governing Board Chuck Eady, Presiding Renaissance, Riverview 2

AVA Governing Board Jane Powell, Presiding Renaissance, Riverview 4

CMENC Governing Board Taylor Sparks, Presiding Renaissance, Riverview Boardroom 7:30 a.m. - 5:00 p.m.

8:30 a.m. - 9:30 a.m.

9:00 a.m. - 9:30 a.m.

9:15 a.m. - 10:15 a.m.

Conference Registration Renaissance Registration Lobby

Thursday, January 20, 2011

ABA/CMENC/HED Interest Session Addressing Techniques for the Modern Percussion Section Michael Sammons, Clinician Renaissance, Alabama Ballroom B

Elementary/General Interest Session Music Across the Curriculum Michael & Jill Gallina, Clinicians Renaissance, Alabama Ballroom CD

All-State Show Choir Registration Renaissance Exhibit Hall A

ABA Concert Session Hillcrest-Duncanville Middle School Band Leslie Welker, Conductor Renaissance, Montgomery Performing Arts Center (MPAC) AVA Interest Session Rosephanye Powell: The Composer and Her Music Rosephanye Powell, Clinician Renaissance, Alabama Ballroom A CMENC/AOA Interest Session How to Speak Administrator "Ease" Alison Mann and John Mann, Clinicians Renaissance, Alabama Ballroom E

Elementary/General Interest Session Using Boomwhackers to Teach Elements of Music Bradley Bonner, Clinician Renaissance, Alabama Ballroom CD

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Thursday, January 20, 2011

9:15 a.m. - 10: 15 a.m.

Elementary/General Interest Session Comprehensive Musicianship in Secondary General Music (Part 1:overview) Ken McGuire, Clinician Renaissance, Alabama Ballroom B

HED Business Meeting Timothy Phillips, Presiding Renaissance, Riverview 7

9:30 a.m. - 12:00 p.m.

10:00 a.m. - 5:00 p.m.

10:00 a.m.

10:30 a.m.–11:30 a.m.

FAME - Welcome and Session 1 Renaissance, Riverview 1

All-State Show Choir Rehearsal Renaissance Exhibit Hall A

Exhibits Open Renaissance, Exhibit Hall B

Act of Congress (Acoustic Set) Exhibit Hall Prefunction Area (Lobby) FAME Session 2 Renaissance, Riverview 1

Elementary-General/AVA Concert Session Birmingham Children’s Chorus Amanda Rabb Klimko, Conductor Montgomery Academy Eagleaires Chorus Cliff Huckabee, Conductor Renaissance, MPAC

ABA/AOA Interest Session Moving From Beginning Instrumental Classes to Ensemble Performances Marguerite Wilder, Clinician Renaissance, Alabama Ballroom B

HED/AVA Interest Session Adjudicated Music Contests: Are They Fair?

Marvin Latimer, Clinician Renaissance, Alabama Ballroom A

ABA Interest Session Sustaining the Passion Charles Menghini, Clinician Renaissance, Alabama Ballroom CD

11:45 a.m.–12:45 p.m.

12:00 p.m.-1:00 p.m.

1:00 p.m.-2:00 p.m.

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CMENC/HED Interest Session How to Address Sight Reading and Internal Rhythm in Young Musicians Mark DeGoti, Clinician Renaissance, Alabama Ballroom E FAME Luncheon Renaissance, Starlight Foyer

CMENC Mixer Renaissance, Exhibit Hall Prefunction Area FAME Attend HYO/Act of Congress Concert Renaissance, MPAC

October 2010

1:00 p.m.-2:00 p.m.

1:00 p.m.-2:00 p.m.

AOA Concert Session Huntsville Youth Symphony Joseph Lee, Conductor Renaissance, MPAC

Thursday, January 20, 2011

ABA Interest Session You Too Can Be A Winner with Beginners Marguerite Wilder and Mary Land, Clinicians Renaissance, Ballroom B

ABA Interest Session Authentic Teaching, Learning and Assessment for Band Directors Charles Menghini, Clinician Renaissance, Alabama Ballroom E

AVA Interest Session Using Quality Literature for Music Literacy - Part 1 John Feierabend, Clinician Renaissance, Alabama Ballroom A

Elementary/General Interest Session Beyond the Black Belt - Expanding Your Recorder Karate Program Chris Byars, Clinician Renaissance, Ballroom CD

2:00 p.m.-5:00 p.m.

2:15 p.m.-3:15 p.m.

3:15 p.m. – 4:00 p.m.

3:30 p.m. – 4:30 p.m.

All-State Jazz Bands - Registration Renaissance, Montgomery 7

All-State Show Choir Rehearsal Renaissance, Exhibit Hall A

All-State Jazz Bands - Gold, Silver, and MS Rehearsals Renaissance, Montgomery 7,5,1

AMEA General Session The Well is Deeper Than You Think: How MENC Supports You MENC President Scott Shuler, Clinician Renaissance, Alabama Ballroom B

FAME Session 4 Renaissance, Riverview 1

ABA Concert Session Florence High School Band John Bradley, Conductor Renaissance, MPAC

AVA Interest Session Keeping the Choir in Showchoir Rosephanye Powell, Clinician Renaissance, Alabama Ballroom A

CMENC/HED Interest Session What You Should Know Before You Go… Tips Guaranteed to Make the Student Teaching Experience a Success Mary Land, Clinician Renaissance, Alabama Ballroom E

.

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AOA Business Meeting Marcy Wilson, Presiding Renaissance, Riverview 5

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Thursday, January 20, 2011

3:30 p.m. - 4:30 p.m.

4:00 p.m. – 4:30 p.m.

4:45 p.m.-5:45 p.m.

Elementary/General Interest Session Using Quality Literature for Vocal Development in the Early Years John Feierabend, Clinician Renaissance, Alabama Ballroom CD

FAME Wrap-up Renaissance, Riverview 1

AVA Concert Session Decatur High School Women’s Chorus Carl Davis, Conductor Grissom High School Concert Choir Elizabeth Stephenson, Conductor Renaissance, MPAC

ABA Interest Session The Inner Workings of Jazz Shane Philen, Clinician Renaissance, Alabama Ballroom B

ABA Interest Session Why Can't My Percussionists Sight Read?

Jefferson Grant, Clinician Renaissance, Alabama Ballroom A

AOA Business Meeting (Continues) Marcy Wilson, Presiding Renaissance, Riverview 5

CMENC Interest Session Positive Change through 8 Liberating Habits MENC President Scott Shuler, Clinician Renaissance, Alabama Ballroom E

7:30 p.m.-9:00 p.m.

Elementary/General Interest Session Music to Grow On Michael and Jill Gallina, Clinicians Renaissance, Alabama Ballroom CD

AMEA Concert Session Renaissance, MPAC Steve McLendon, Presiding Presentation of AMEA Honor Roll

University of Montevallo Concert Choir Robert E. Wright, Conductor

7:00 p.m. - 9:00 p.m.

7:00 p.m.-10:00 p.m.

Troy University Symphony Band Ralph Ford, Conductor

All-State Show Choir Rehearsal Renaissance, Exhibit Hall A

All-State Jazz Bands - Gold, Silver, and MS Rehearsals Renaissance, Montgomery 7, 5, 1

Friday, January 21, 2011

7:00 a.m. – 7:50 a.m.

7:30 a.m. - 1:00 p.m.

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Leadership Assembly Breakfast Renaissance, Alabama Ballroom CD Conference Registration Renaissance Registration Lobby

October 2010

8:00 a.m.-9:00 a.m.

ABA General Meeting Chuck Eady, Presiding Renaissance, Alabama Ballroom B

Friday, January 21, 2011

AVA Interest Session Using Quality Literature for Music Literacy - Part 2 John Feierabend, Clinician Renaissance, Alabama Ballroom A

Elementary/General Board Meeting Sharon August, Presiding Renaissance, Riverview 7

8:30 a.m.-5:00 p.m.

9:00 a.m. - 11:30 a.m.

9:00 a.m.-12:00 p.m.

9:15 a.m.-10:15 a.m.

10:15 a.m.

10:30 a.m.-11:30 a.m.

CMENC Interest Session What No One Can Teach You: A New Director's Guide to Surviving the First Year of Teaching Matthew Lentz, Clinician Renaissance, Alabama Ballroom E

Exhibits Open Renaissance, Exhibit Hall B

All-State Show Choir Rehearsal Renaissance, Exhibit Hall A

All-State Jazz Bands - Gold, Silver, and MS Rehearsals Renaissance, Montgomery 7, 5, 1

AMEA General Session - Keynote Music Education for Life in the 21st Century: Vision and Challenges MENC President Scott Shuler, Keynote Speaker Renaissance, MPAC

UAB Steel Drum Band Gene Fambrough, Conductor Exhibit Hall Prefunction Area (Lobby)

ABA Concert Session Pizitz Middle School Band Kim Bain, Conductor Renaissance, MPAC

AVA Interest Session Working with Boys and their Changing Voices Patrick Freer, Clinician Renaissance, Alabama Ballroom A

CMENC Interest Session Almost Broadway: Musical Plays, Pageants, Madrigal Dinners, Mini Oratorios and Other Dramatic Choral Repertoire for your K-College Choir Patricia Corbin, Clinician Renaissance, Alabama Ballroom E

HED Interest Session If I Only Had This When I Was a Student: Capitalizing on Some of the 21st Century Resources in the Choral Rehearsal William Powell, Clinician Renaissance, Riverview 7

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Elementary/General Interest Session Tell Me a Story Karen Medley, Clinician Renaissance, Alabama Ballroom CD

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Friday, January 21, 2011

10:30 a.m.-11:30 a.m.

12:00 p.m.-1:00 p.m.

12:00 p.m.-1:15 p.m.

1:00 p.m.-2:00 p.m.

AOA Interest Session I've Got Rhythm Marguerite Wilder, Clinician Renaissance, Riverview 5

HED/Research Poster Session Carl Hancock, Presiding Exhibit Hall Prefunction Area (Lobby) Phi Beta Mu Luncheon Renaissance, Alabama Ballroom B

CMENC Luncheon/Meeting St. John’s Church

ABA Concert Session Vestavia High School Wind Ensemble Jerell Horton, Conductor Renaissance, MPAC

HED Performance Session I Renaissance, Alabama Ballroom A

Elementary/General Interest Session Puttin' On The Kidz Michael and Jill Gallina, Clinicians Renaissance, Alabama Ballroom CD

Elementary/General Interest Session Comprehensive Musicianship in Secondary General Music (Part 2: Hands On With Folk Instruments) Ken McGire, Clinician Renaissance, Alabama Ballroom E

1:30 p.m.-4:30 p.m.

1:30 p.m. - 5:00 p.m.

2:15 p.m. – 3:15 p.m.

AOA Interest Session Musical Listening Clay McKinney, Clinician Renaissance, Riverview 5

All-State Jazz Bands - Gold, Silver, and MS Rehearsals Renaissance, Montgomery 7, 5, 1

All-State Show Choir Rehearsal Renaissance, Exhibit Hall A

AMEA General Interest Session Dr. David Bronner, CEO of the Teachers Retirement System, Guest Speaker Renaissance, Alabama Ballroom B HED Performance Session II Renaissance, Alabama Ballroom A

3:30 p.m. – 4:30 p.m.

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Elementary/General Interest Session Using Quality Literature for Movement Development in the Early Years John Feierabend, Clinician Renaissance, Alabama Ballroom CD AVA Concert Session Bragg Middle School Mixed Choir Deborah Gray, Conductor Liberty Park Middle School Girls Choir Heather Cantwell, Conductor Renaissance, MPAC

October 2010

3:30 p.m. – 4:30 p.m.

Friday, January 21, 2011

ABA Interest Session I Thought a Fulcrum Was a Wrench (Getting a Grip on Beginning Snare Drum) Chris Crockerall and Chris Brooks, Clinicians Renaissance, Alabama Ballroom B

ABA Interest Session Horn Players - Born or Formed? - Practical Approaches to Grooming Horn Players From the First Lesson to the All-State Audition Jed Smart and Susan Smith, Clinicians Renaissance, Alabama Ballroom E

CMENC Interest Session If Music Be the Food of Love: Your Latin Diphthongs are Giving Me Indigestion Ian Loeppky, Clinician Renaissance, Riverview 7

AOA Interest Session Teaching through Rain, Sleet, Snow and a 7th Grade Fire Drill Marguerite Wilder, Clinicina Renaissance, Riverview 5

4:45 p.m. - 5:45 p.m.

Elementary/General Interest Session Got Recorder?

Karen Medley, Clinician Renaissance, Alabama Ballroom CD

ABA Concert Session UNA Studio Jazz Band Lloyd Jones, Conductor Renaissance, MPAC

Elementary/General Interest Session Bing! Bang! Boom! Instruments in the K-2 Classroom Bradley Bonner, Clinician Renaissance, Alabama Ballroom CD

AVA Interest Session Designing Optimal Choral Rehearsal Strategies for Young Adolescents Patrick Freer, Clinician Renaissance, Alabama Ballroom A

AOA Interest Session 6 Strings in the Classroom Daniel Jamieson, Clinician Renaissance, Riverview 5

6:00 p.m.- 8:00 p.m.

7:00 p.m.-9:00 p.m.

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HED Mixer Location TBA

All-State Jazz Bands - Gold, Silver, and MS Rehearsals Renaissance, Montgomery 7, 5, 1

All-State Show Choir Rehearsal Renaissance, Exhibit Hall A

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Friday, January 21, 2011

7:30 p.m.- 9:00 p.m.

AMEA Concert Session Renaissance, MPAC Presentation of Awards

University of South Alabama University Chorale Laura Moore, Conductor

8:00 p.m. - 9:00 p.m.

Oak Mountain High School Wind Ensemble Jim Duren, Conductor

Elementary/General Interest Session Evening Drum Circle Dave Holland, Clinician Renaissance, Alabama Ballroom CD

Saturday, January 22, 2011 7:30 a.m.- 8:45 a.m.

8:00 a.m.- 8:20 a.m.

8:00 a.m. - 8:50 a.m.

8:00 a.m.- 9:00 a.m.

8:20 a.m.- 8:50 a.m.

9:00 a.m. – 9:50 a.m.

All-State Show Choir Dress Rehearsal Renaissance, MPAC ABA Board Meeting Chuck Eady, Presiding Renaissance, Alabama Ballroom B

AVA Meeting Jane Powell, Presiding Renaissance, Alabama Ballroom A

CMENC/HED/Technology Interest Session Technology for the 21st Century Music Educator Philip Copeland, Clinician Renaissance, Alabama Ballroom E

Elementary/General Interest Session Drum Circle Games, Songs and Interactions Dave Holland, Clinician Renaissance, Alabama Ballroom CD

ABA General Meeting Chuck Eady, Presiding Renaissance, Alabama Ballroom B ABA Interest Session Performing at the Midwest Clinic Andy Pettus, Clinician Renaissance, Alabama Ballroom B

ABA/HED Interest Session Percy Grainger: The Enduring Innovator Daniel Pittman, Clinician Renaissance, Alabama Ballroom A CMENC Interest Session You’re Only as Good as Your Last Breath Marc Reed Renaissance, Alabama Ballroom E

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October 2010

9:00 a.m. – 9:50 a.m.

9:15 a.m. - 9:45 a.m.

9:15 - 11:00 a.m.

10:00 - 11:00 a.m.

11:15 a.m. - Noon 1:00 p.m.

Alabama Jazz Educators Association Meeting Sidney Dedeaux, Presiding Location TBA

Saturday, January 22, 2011

AVA Concert Session Alabama All-State Show Choir Renaissance, MPAC

Elementary/General Interest Session (Extended Time) The Journey Is the Destination Karen Medley , Clinician Renaissance, Alabama Ballroom CD

ABA Concert Session Alabama All-State Jazz Bands - Gold, Silver, and Middle School Bands Renaissance, MPAC

AMEA Concert Session Alabama Collegiate Band Renaissance, MPAC .

AMEA Governing Board Meeting Steve McLendon, Presiding Renaissance, Riverview 2

ACDA Board Meeting Renaissance, Ballroom A

ABA Adjudicators Training Ken Ozzello, Clinician Renaissance, Alabama Ballroom B

Proposal to amend the AMEA Constitution and Bylaws

Article I under “General Bylaws”:

Currently reads: Section 4.

Treasurer. It shall be the duty of the Treasurer to collect all money due the Association; to pay bills incurred by the Association; to present a written report of the transactions of his office at the annual meeting of the Association and at each meeting of the Governing Board, and to submit his records for audit at the request of the Governing Board.

Amend to read:

Section 4.

Treasurer. It shall be the duty of the Treasurer to collect money due the Association; to pay bills incurred by the Association; to assist the Executive Director in financial record-keeping: and to coordinate conference registration.

Currently reads:

Section 5.

Executive Director. It shall be the duty of the Executive Director to maintain a list of the names and addresses of all members and to conduct elections as described in the Constitution and By-Laws. He/she shall assist the President in implementing plans for the In-Service Conference by procuring hotel and convention center rates and planning and conducting the exhibits. He/she shall maintain membership in AMEA and perform such other duties as may be required by the Constitution and By-Laws and the Governing Board.

Amend to read: Section 5.

Executive Director. It shall be the duty of the Executive Director to maintain a list of the names and addresses of all members and to conduct elections as described in the Constitution and By-Laws. He/she shall assist the President in implementing plans for the In-Service Conference by procuring hotel and convention center rates and planning and conducting the exhibits. He/she shall serve as chief financial officer, collect money due the association, pay bills incurred by the association, and present a written report at the annual meeting of the Association and at each meeting of the Governing Board. He/she shall submit his/her records for audit at the request of the Governing Board. He/she shall maintain membership in AMEA and perform such other duties as may be required by the Constitution and By-Laws and the Governing Board. ala breve

53

PHI BETA MU ALL-STATE BAND AUDITION RECORDINGS P.O. BOX 11513 MONTGOMERY, AL 36111

Rho Chapter of Phi Beta Mu Bandmasters Fraternity is happy to offer compact discs of the all-state exercises. These CD’s are prepared by competent university teachers and offer an excellent study guide for the all-state audition. Individual CD’s are $15.00.

Complete sets of 14 CD’s are $175.00. Please return this order form with check or school purchase order to the above address.

For information, contact D. D. Black - Phone: (334) 281-2249 Fax: (334) 288-3595 Email: w4prf@charter.net Postal rates have increased but the price remains the same. (

) Band Director

(

) Student

Name______________________________________________________________________________________________________ Address____________________________________________________________________________________________________

City_____________________________________________________________ Zip_______________________________________ School______________________________________________________Home Phone (

) _____________________________

E-Mail Address______________________________________________________________________________________________ Note: Please indicate number of each selection below:

(

JUNIOR HIGH RECORDINGS

) Set of 14 Junior High CD’s - $175.00 (Individual CD’s are $15.00 each)

(

) Jr. High Piccolo

(

) Jr. High Oboe

( ( (

(

(

) Jr. High Bass Clarinet

) Jr. High Flute

(

) Jr. High Alto Saxophone

) Jr. High Bassoon

(

) Jr. High Trumpet

) Jr. High Bb Clarinet

( (

(

(

) Jr. High Trombone

) Jr. High Euphonium BC/TC

) Jr. High Tenor Saxophone

(

) Jr. High French Horn

*Alto Sax may be used for baritone sax practice.

(

SENIOR HIGH RECORDINGS

) Set of 14 Senior High CD’s - $175.00 (Individual CD’s are $15.00 each)

) Jr. High Percussion

(

) Sr. High Piccolo

(

) Sr. High Bass Clarinet

(

) Sr. High Oboe

(

) Sr. High Tenor Saxophone

(

) Sr. High French Horn

*Alto Sax may be used for baritone sax practice.

( ( (

) Sr.. High Flute

) Sr. High Bassoon

) Sr. High Bb Clarinet

( (

(

Total Number of CD’s Ordered: ____________

(

) Jr. High Tuba

) Sr. High Alto Saxophone

(

) Sr. High Trumpet

(

)Check

or

(

(

) Sr. High Trombone

) Sr. High Euphonium BC/TC

) Sr. High Tuba

) Sr. High Percussion

)Purchase Order # ____________________________

Please do not write below this line

Check # __________________________ For $____________________________ Rec.____________________________________ 54

Purchase Order # ______________________________________________________ Order #________________________________ October 2010

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October 2010

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October 2010

Over the next few issues of Ala Breve you will have the opportunity to read some articles written by members of the Alabama chapter of the Percussive Arts Society (ALPAS). The Percussive Arts Society is the worlds largest association of percussionists, and these musicians have specialties ranging from every facet of the percussive arts imaginable. In our own chapter we have members that are involved in the art form in specific areas such as marching percussion and classical orchestral percussion; Irish bodhran, African djembe and Italian tambourine performance; concert percussion ensemble and indoor drumline. The gist is that there are many experts in the art form in this state, and as members of PAS we strive to educate and inspire our fellow musicians.

In the upcoming articles we will tackle performance issues related to the performance or maintenance of percussion instruments. Of course, we would also like to encourage readers who are even

more intrigued by the percussive arts to join the Percussive Arts Society. The Society maintains a website at www.pas.org where readers may find information related to virtually every aspect of percussion. Every issue of Percussive Notes, the official periodical of PAS, is online, and these issues are fully searchable.

This presents the PAS member with a vast array of published information from the last half of a century.

The local PAS community has hosted many percussive events over the last couple of decades. The most visible event is the Alabama Day of Percussion. This event typically brings several professional performers and educators from around the country to a single location in Alabama and participants have the opportunity to hear performances and lectures from the various facets of the percussion world. In addition to these masterclass opportunities there are often performances by some of the best percussion groups in the state, so

Feature Article

Percussive Arts Society

it is really a great opportunity for percussion students to be inspired by the performances of others and to gain firsthand knowledge about the instruments and their performance techniques.

The upcoming Day of Percussion is scheduled for Saturday, March 5, 2011, and there will be more information about this event presented in future columns.

If you have a specific question that you would like to see addressed in this column please do not hesitate to email me directly at gbdalton@samford.edu. Even if we are not able to answer your question publically in the article, I will attempt to put you in touch with someone who can provide the answers that you need.

Dr. Grant B. Dalton is President of the Alabama Percussive Arts Society and Assistant Professor of Percussion at Samford University

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AMEA Division Events

2010 - 2011

Alabama Bandmasters Association AMEA In-Service Conference/All-State Jazz Band January 20-22, 2011 - Renaissance Montgomery Hotel at the Convention Center All-State Solo Festival April 13, 2011 - Mobile

District I

All-State Band Auditions District Honor Band State MPA

Solo & Ensemble Festival

District II

All-State Band Auditions State MPA District Honor Band Solo & Ensemble Festival

District III

All-State Band Auditions District Honor Band State MPA Solo & Ensemble Festival

District IV

All-State Band Auditions District Honor Band State High School MPA State Middle School MPA Solo & Ensemble Festival

District V

All-State Band Auditions District Honor Band State MPA Solo & Ensemble Festival

District VI District VII District VIII

All-State Band Auditions District Honor Band Solo & Ensemble Festival State MPA Solo & Ensemble Festival

All-State Band Auditions State MPA Solo & Ensemble Festival All-State Band Auditions State MPA District Honor Band

Solo & Ensemble Festival

All-State Band Festival April 14-16, 2011 - Mobile Summer In-Service Conference June 22-23, Hilton Garden Inn, Orange Beach

January 29...........................................Brewer High School February 18-19...............................Bob Jones High School February 24-25..............................................Huntsville HS March 24-25......................................................Decatur HS April 2..............................................Hartselle High School April 30...........................................Liberty Middle School January 15..................................Jacksonville High School February 23-25.........................Gadsden City High School March 25-26..........................Albertville Fine Arts CenterApril 30........................................................................TBA January 29...............................Muscle Shoals High School February 18-19.................................Florence High School March 9-11.......................................Florence High School May 7. .. .... . .... .. .. ... ... ... Muscle Shoals Middle School

January 15...........................................Hoover High School January 28-29...............................Homewood High School February 22-24.............................Homewood High School March 8-10..................................................................TBA December 14.........................Clay-Chalkville High School May 7.........................................Thompson Middle School January 29........................................Prattville High School February 18-19.......................University of West Alabama February 23-24...................Moody, University of Alabama March 8............................................Prattville High School April 26.........................................Hillcrest Middle School

January 29..........................................Opelika High School February 25-26...................................Auburn High School March 5................................... Auburn Junior High School March 8-10.........................................Opelika High School April 2......................................................St. James School January 15.......................................Davidson High School March 23-25......................................Daphne High School April 30......................................Alma Bryant High School May 7...........................................Robertsdale High School January 29....................................................................TBA February 22-24...............................Enterprise High School February 25-26............................................................TBA May 7.............................................Andalusia High School May 14............................................Rehobeth High School

Alabama Orchestra Association AMEA Conference January 20-22, 2011 Renaissance Montgomery Hotel at the Convention Center 60

All-State Orchestra Festival University of Alabama February 10-13, 2011 October 2010

Alabama Vocal Association

Fall Workshop - September 10-11, 2009 - Dawson Baptist Church, Homewood All-State Show Choir Auditions - October 7-9, 2010 - Hueytown First United Methodist Church AMEA/Show Choir - January 20-22, 2010 - Renaissance Montgomery Hotel at the Convention Center FAME - January 21, 2011 - Renaissance Montgomery Hotel at the Convention Center All-State - March 24-26, 2011 - Samford University, Birmingham OCS/OA at All-State - March 23-26, 2011 - Samford University ASSC at All-State - March 24, 2011 - Samford University All-State Auditions - November 11 - Florence High School/Florence Middle School November 12-13 - Mayfair Church of Christ, Huntsville November 15 - Spring Hill Baptist Church, Mobile November 16 - Montgomery, TBA November 17 - Hueytown United Methodist Church November 18 - Gadsden City High School November 19 - Hueytown United Methodist Church

District I

District II District III District IV District V

District VI District VII

Music Ed Scholarship OA & OCS State Choral Performance Assessment

Spring S&E

Decatur High School.....................................November 4 Decatur High School.......................................January 13 First Baptist, Decatur.....................................February 10 Highland Baptist, Florence............................February 11 Highland Baptist, Florence..................................April 26

Music Ed Scholarship, OA & OCS Spring S&E State Choral Performance Assessment

Tuscaloosa County High School...................November 30 Tuscaloosa County High School.............................April 5 TBA............................................................................TBA

Music Ed Scholarship, OA & OCS Spring S&E State Choral Performance Assessment

Liberty Park MS ...............................................January 11 Mortimer Jordan High School.............................March 29 Mt. Vernon Methodist, Gardendale..................April 11-13

Fall S&E Music Ed Scholarship, OA & OCS State Choral Performance Assessment Spring S&E

Gadsden City HS..............................................October 28 Oxford High School..........................................January 11 Gadsden City High School...............................March 9-10 Gadsden City High School....................................April 21

Music Ed Scholarship, OA & OCS Spring S&E State Choral Performance Assessment

Tallassee High School.........................................January 5 First Baptist Church, Tallassee................................April 5 First Baptist Church, Tallassee................................April 5

Music Ed Scholarship, OA & OCS Fall S&E Spring S&E State Choral Performance Assessment

UMS Wright....................................................December 2 Spring Hill Baptist..........................................November 2 Spring Hill Baptist...........................................February 18 Spring Hill Baptist...........................................April 14-15

Music Ed Scholarship, OA & OCS State Choral Performance Assessment Spring S&E

Madison Academy.............................................January 10 Columbia High School...............................February 14-15 Willowbrook Baptist Church...........................April 25-26

Elementary/General Division October 1 – AMEA Elementary Music Festival with Cristi Cary Miller, Wright Center at Samford University October 2 – AMEA/AL AOSA Joint Workshop with Cristi Cary Miller November 3-6 – AOSA National Conference, Spokane, Washington January 20-22 – AMEA In-Service Conference, Renaissance Montgomery Hotel at the Convention Center ala breve

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