STAKES (2019)

Page 1

Akari Komura STAKES (2019)

for flute, tenor saxophone, cello & fixed media electronics with six dancers (full score)

STAKES (2019)

in collaboration with a choreographer, Shannon Nulf

Premiere performance

November 7, 2019

Lydia Mendelssohn Theatre, Ann Arbor, MI

A World Beyond: Re-Imagining Activism Through Performance

Instrumentation

Flute

Tenor Saxophone

Cello

Fixed media electronics

Duration ca. 9 min

Score NOT in C

Program Note

STAKES examines, challenges, and demands social change. Through vignettes of vulnerable solos and charged improvisations, the dancers imagine for themselves a world forged in positive change with an awareness of its potentially negative effects. Set to an electroacoustic music, STKES invites you to hear the figures on stage’s voices and to cast your own desires into the world. (written by the choreographer, Shannon Nulf)

Performance Note

Boxed Notation = repeat the material in the box for as long as the line extends

Squiggle line = Indication of ongoing spoken voice

Words in a box = rough time marking for musical cues

Bolded words in a box = strict time marking for musical cues

Time Markings = rehearsal purpose for time marking with fixed media track

Fixed Media Electronics part (mp3 file) access by scanning the QR code:

STAKES

° ¢ ° ¢ ° ¢ ©2019AkariKomura Tape Flute Tenor Saxophone Violoncello Lentoq=60 accel. rit. accel. rit. mf f mf f mf p mf p mf mf Tape Fl TenSax Vc. accel. rit. 6 mf f n p mf p mf p p mf Tape TenSax Vc 11 f mf mp f mf 5 4 5 4 5 4 5 4 5 4 4 4 4 4 5 4 5 4 4 4 4 4 5 4 5 4 4 4 4 4 5 4 5 4 4 4 4 4 5 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 Transposingscore No.1Jenna 4 4*clink 5 4 4 4
"changeinmylife" (2019) AkariKomura (b1996) & keyclicks & keyclicks 4 4 ord keyclicks 5 4 ord 4 4 keyclicks ? silent'fingering 5 4 4 4 "violence" & ∑ ∑ ∑ &5 4 ord. 4 4 keyclicks ord. keyclicks ord. ? ord & Ÿ~~~~~~~~~~~~~~~~~~~~~ slaptongue + > + > + > 3 flzŸ~~~~~~~~~~~ + keyclicks ++ > slaptongue > ++++++ ? » pizz . > arco » pizz. > arco » pizz arco > ¿ŒŒŒ ¿ ŒŒŒ ¿ŒŒŒ Œ ¿ ŒŒŒ w w b˙˙ b ˙™ ˙™ ¿ŒŒŒŒ ¿ ŒŒŒ ¿ Œ ŒŒŒ ¿ŒŒŒ ¿ Œ Œ Œ ˙ b˙ ˙™ ˙™ ˙™ b˙™ bw bw bœœ b nœœ b˙ b˙™ ˙ ˙ bw bw bw bw ¿ Œ Œ Œ Œ ¿ Œ Œ Œ ¿ Œ Œ Œ Œ ¿ Œ Œ Œ ˙™ ˙™ #˙ #œ œ™ ‰#œœ # œ #˙ æ æ æ œ™ #œjœœ #œ #œœ # #œœœ æ æ æ œ bœœ bnw w w w œ j‰ æ æ æ ˙ ˙ ˙ œ j‰ æ æ æ œ œ j æ æ æ œ™ = =
° ¢ ° ¢ ° ¢ Tape Ten.Sax. Vc 15 f mp mf f mp mf mp Tape Fl. TenSax Vc (Graveq=38) 18 mp p p mp p mf p p mp p Tape Fl TenSax Vc Graveq=38,nottogether 21 p mp p mp p mf p mp p mp p mp p mp p mf p mp p mp p mp p mp p mf p mp p mp 4 4 4 4 4 4 4 4 ∑ ∑ & + +++ + ++ + ++ > + + + 3 3 3 ? » pizz > . » . .> arco pizz. » . . 3 3 ∑ U 6" 9" ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ *clink U 6" damaging & ∑ U ∑ . > > > 3 U & + U +U +U + U nottogether + + + 3 + > U ? » U » U » U » U » pizz nottogether > arco U (1'36") No.2Agatha ∑ U 20" ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ "dangerous" "brokenorweird ordangerous" & novibrato flz. U U & novibrato flz U U ? novibrato U U ¿ Œ Œ Œ æ æ æ œ <#> j ‰#œjœ # #œœ#®≈œRœœ æ æ æ œ æ æ æ œ j ‰ œ jn˙b˙ ≈ #œœ # œ #œœ # æ æ æ œ œ #œ #œ œ œ j‰ œ œ œ œ œœ J ‰ ˙™ ˙™ ‰ œ J ‰ œ Jœ œ œŒ ¿ Œ œ #œ #œœû ‰ #œr‰ #œr‰ œ r‰ #œ R ‰ #œ #œ œ #œ ‰ œ œ æ æ æ œŒ #œœ # ‰ œ j ‰ œ J ‰ œ J ‰ œ J ‰ œ æ æ æ œ Œ œœ œ œ œ™ œ J ¿ #œ œ œ œ #œ œ œ œ #œ œ æ æ æ œ Œ #œ #œ œ œ œ #œ #œ œ #œ œ æ æ æ #œ Œ œ œ œ œ œ œ œ œ œ #œ æ æ æ œ Œ = = 2
° ¢ ° ¢ ° ¢ Tape Fl TenSax Vc q=60,together 24 mf mp mf mp f mf mf mp mf mp f mf mp mf mp mf mp f mf mp Tape Fl Vc (q=90) 29 mp p mf p mf p f p fp fp mp p fp fp Tape Fl TenSax Vc 35 fp fp n fp fp n n mp n fp fp n n mp n 4 4 5 4 3 4 4 4 5 4 3 4 4 4 5 4 3 4 4 4 5 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4 "theyoppresswhoIam, whoIwanttobe" "dangerous" " erous"
& normalvibrato moltovibrato Ÿ normal vibrato flz U & normalvibrato moltovibrato normal vibrato U ? normalvibrato moltovibrato normal vibrato U /s/ /s/ /s/ /s/ /s/ /s/ "Iwantthe worldtoknow" & > . > . > . > . > . > ? ∑ ∑ ∑ > . > . > /s/ tance cceptance U ∑ U 5" "Acceptance" & . > . > U ∑ U & > > U novibrato U molto vibrato ? . > . > U novibrato U molto vibrato ¿ Œ Œ Œ Œ Œ ¿ Œ Œ Œ ¿ Œ Ó #œ œ œ œ #œ œ œ œ #œ˙ ‰ nœ J œ œ œ œ™ ‰ ˙ æ æ æ œ æ æ æ ˙ #œ #œ œ œ #œœ # œœ #œ œœ # ‰ bœ J ˙™ bœ™ ‰ bœ œ œ œ Œ œ œ œ œ œ œ œ œ œ #œœ™ bœ J œbœœ b b˙ b˙ b˙b˙Œ ¿ Œ Œ ¿ Œ Œ ¿ Œ Œ ¿ Œ Œ ¿ Œ Œ ¿ Œ Œ Œ œ J˙ œj‰œ J˙ œj‰bœœ˙ œj‰œ J˙ œj‰ œ J ˙ œj‰Œ bœœœ Œ Œ bœ œ bbOj‰b˙ œ bbOj‰Œ bœ ¿ Œ Œ ¿ Œ Œ ¿ Œ Œ Œ œj‰Œ bœœœ œj‰ œ J ˙ ˙™ ˙™ Œ b˙ bœ J‰œ J b˙ b˙™ Ó œ w œ bbOj‰b˙ œ bbOj‰b˙ ˙ bbO™ ™ Ó nœ bw = = 3
"ous"
° ¢ ° ¢ ° ¢ Tape Fl Graveq=38 e=150 40 p mp p mf mp mf Tape Fl. TenSax Vc 45 p mf mp mf mp f mf f mf f Tape Fl. TenSax Vc 50 f mf f ff mf f mf mp mf f ff mf f mf mp mf f ff 3 4 7 8 3 4 7 8 6" ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ No.3Caroline (2'57") ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ "ecnatpecca, acceptance, ecnatpecca " "acceptance" & í™ ™î . ∑ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ ∑ ∑ "changethat needstohappen & > 3 & ∑ ∑ slaptongue + ∑ + + ? ∑ ∑ pizz ∑ . ∑ U ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ "acceptance" & 3 U > > & ord --3 U slaptongue + ord > > > > ? ord --3 U . pizz . ? ord > > > > œ J œ œœ Œ œ J œ œœ Œ œœ‰ œ J œ™ œ œœ œœ ‰ œ #œœ # œ nœJŒ œ œœ n œ œœ ‰ œ #œœ # œ nœœ n ‰ #œ™ œ#œœ # œ œ nœœ n œ œœ ‰ #œ™ #œ J œ™ œ j‰‰Ó œ j‰‰œ#jŒ™ œ J‰‰Ó œ J‰‰œ#JŒ™ Ó œ nœœœœ b ‰ #œ™ #œœ # Œ œ nœœ n œ œ J œ#œ ˙ ‰‰œj #˙ œ™ #œ™ ‰œ œ œœœœ ‰ œ™ #œjŒ™ œ jŒ™ Œ™ ˙ œ™ ˙ œ j‰ œ j œ™ ˙ œœœœ ‰ œ #œ JŒ™ bœ JŒ™ Œ™ n˙ œ™ ˙ œj‰œj œ™ ˙ = = 4
° ¢ ° ¢ ° ¢ Tape Fl TenSax Vc 56 f mf ff f mf ff f f mf ff Tape Fl TenSax Vc 62 mf f mp mf mp f mf f mp mf mp Tape Fl TenSax Vc rit. 65 mp p p p ∑ ∑ ∑ ∑ ∑ ∑ & . > > & > > > ? > > > ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ "acceptance" & . . . . . . . . . . . & ∑ > ? > > 6" ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ "acceptance" & ∑ U & ∑ ∑ ∑ U ? ∑ ∑ ∑ U œ œ œœ #œ œ œ œœ™ œ #œœ # ™ œ nœœ n bœ œ™ ‰ œ J bœ ˙ œ J bœ b˙ œ™ b˙ ≈œrœ œ™ Ó #œ™ ˙ Œ™ ˙ Œ œ J ˙ œ ‰ ˙ œ™ œ™ ˙ Ó #œ ˙ Œ™ ˙ Œ œ J ˙ œ ‰ ˙ œ™ œ™ ˙ b˙ œ œ œ œœ œ ≈œœ œ ‰ ‰ œ œ œ R≈œœ œ R‰ œ œ æ æ æ bœ œœ≈ œ™ J Œ bœ œœ™ bœ œ œ˙ bœ œœ™ œ™ bœ œœ™ œ™ bœ œœ™ œ™ æ æ æ bœ ‰ œ J ‰ œ J ‰ bœ bœœ ˙ bœ bœœ ˙ œ œœ ˙ ‰ ‰bœ œ˙ = = 5
° ¢ ° ¢ ° ¢ Tape Fl TenSax Vc ing kingeaking (q=60) q=60 69 mf mp f p mf p f mf f p mf Tape Fl. TenSax Vc 74 f mf ff p f mp ff p f mp ff Tape Fl TenSax Vc 76 mf f ff mf f ff mf f ff 2 4 3 4 4 4 2 4 3 4 4 4 2 4 3 4 4 4 2 4 3 4 4 4 4 4 4 4 4 4 4 4 No.4Payal ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ "breakingthat socialnorm" & (4'18") ∑ ∑ & ∑ ? ∑ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ "sometimesmymindcango " & U & . ? U ∑ U 14" & U U getfasterand faster & U U getfasterand faster ? U getfasterand faster & ¿ ¿ ¿ œ œœ bbœœœ b œ J ‰ bœ bœœ ˙™ b˙ bœ œœ™ œ œ™ ˙ ˙™ bœ œ œ J b˙ ˙™ œ J ‰ Œ bœ bœ bœœœ bbœœ nbœœ b œ˙ ‰ nœ J œœœ b bœœœ b œœœœœœœ R ‰ Œ œ j ‰ œ œ˙ ‰ Œ ‰ bœœœ #bœœœœœ bnœ J Œ œ <b> j ‰ bœ bœ˙ ‰ Œ ‰ bœœœ bbœœ bbœœ R ‰ Œ œ œbœbœ œ bœœœœœœœœ R bœ œbœ bœœ nbœœ b œ R bœœ n#œœ b œœœœ bnœœ R Ô nœœœ b œœœœR‰ bœ œbœbœ œ bœœ b œ J bœ œbœ bœœœ bbœœ R = = 6
° ¢ ° ¢ ° ¢ Tape Fl Ten.Sax. Vc. 78 mf f ff mp mf f mp f ff mp mf f mp f Tape Fl TenSax Vc 81 p n p n ff mp p Tape Vc q=52 84 mf f mf 6 8 6 8 6 8 6 8 6 8 6 8 8" ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ 6" ¯¯¯¯¯¯¯¯ 5" ¯¯¯¯¯¯¯¯¯¯¯¯ "..scape,cape, escape" "becoming adancerisn't" "escape" & rapidly & U U rapidly & ¯¯¯¯¯ 5" 15" ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ 6" "escape" "judgement" "labeledandjudged..." & gradually slowdown ∑ U 3 & gradually slowdown ∑ U & rapidly gradually slowdown No.5Nana (5'39") "judged" "complexityof individuals" "complexityof individuals" & collegno battuto . . knockon wood . > . > c.l.b. ∑ . > . > . > . > . > . > . > . > . > . > . > ? ≈ œ bœ bœ œœ b bœ œ bœ œ œ œ bœ œ œœ b bœ œ œœœœœœ n œ ‰ œœ b œ bœœœ bbœœœ n œ œœœœœ bbœœbœŒ bœœ b œœœ œ bœ bœœ b œ bœœ b œ Œ™ Œ™ bœœ‰ ¿j‰‰ ‰‰¿j‰œ b œ bœœ‰‰¿j‰ bœ œ‰¿j‰œ b Jbœj‰‰‰¿j‰ ‰¿j‰Œ™ = = 7
° ¢ ° ¢ ° ¢ ° ¢ Tape Vc. 91 f pp f Tape Vc 96 ppp mf ppp mf ` Tape Ten.Sax. Vc 101 n mf n pp mf f gliss. mf gliss . f mf f Tape TenSax Vc 107 pp f pp mf f ∑ ∑ " otherhumanstogetherand generalizethem" "complexityof individuals" ? clb . > . > . > . > U ord. III o clb > . > . > ∑ ∑ ∑ ∑ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ ? ord o c.l.b. . > > . > clb . > ? ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ ∑ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ & ? ord . . harm gliss III clb ord . > . >> clb . > . > > ∑ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ ∑ "combinationof people" & . > . > ? ord Œ™ Œ™ bœ bœ œ ‰¿j‰ ¿¿¿¿¿¿ Œ™ ˙™ ˙™ ¿bœ bœ œ ¿‰ œ™ œ™ ˙™ œ™ ‰bœbœ ¿ j ‰ œ œ jŒ™ ‰ ¿ j ‰ œ œ j‰ ‰ Œ™ œ™ ˙™ ˙™ ˙™ Œ™ #œ œ J œ™ œ J Œ bœœ b œœ™ œ™ O™ O O ‰ ¿ bœœ b œ™ œ™ œ™ œ™ ¿bœ bœ Œ™ œ™ œbœ J œ™ ˙™ œ j‰œ b J bœ™ bœ J‰ œ j œ™ bœ™ bœ™ ˙™ ˙™ œ™ ‰œ b bœ œ bœ bœœ ‰œ b bœœ J œ ‰œ b bœ œ = = = 8
° ¢ ° ¢ Tape TenSax Vc Tranquilq=60 113 mf mp mf mp p mf mp mf mp p Tape Fl TenSax Vc 118 n mp mp p mp p mp p ∑ ∑ 6" ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ No.6Rose
20"
& > > U í™ ™ ord airnote ™î ™ ?.>.> . > U í™ ™ ord airnoise ™î ™ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ ¯¯¯¯ "findyourown truth" "authentic" & ∑ ∑ ∑ ∑ o o & ord airnote , C Bb µ U Bb ? ord -3 molto sulpont U B IV œ j‰œ b J bœ™ ˙™ ˙™ bw ¿ ‰ n¿œ b bœ œ Jœ b ˙™ ˙™ bw Y ∑ ˙ œ bw Y bww ww œœj‰O˙™ ™ w w bw œ™ œ bO æ æ æ ˙ O ™ ™ bœœœ bO ˙ O æ æ æ w ~ æ æ æ w ~ O O O O = 9
(7'01")
"whileI'vealways beencommended"

repeatasmanytimes asneededuntilthedancers comeintoafinalposition

° ¢ ° ¢ Tape Fl TenSax Vc. 124 pp mp n p pp p pp mp fp mf fp ™ ™ ™ ™ ™ ™ ™ ™ ™ ™ ™ ™ ™ ™ ™ ™ Tape Fl TenSax Vc 129 mf mp pp mp p mf mp pp mp p mf mp pp mp p 5 4 5 4 5 4 5 4 ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ ∑ ∑ "thereneedstobe morelove" &o windtone ord o o windtone & C Bb C1 B ord ? > ≥ ≤ sultasto ? ord > ≥ ≤ 3 3 ∑ ∑ ∑ ∑
∑ & windtone & C1 airnote ord. C1 airnote ? sultasto -3 ord airnoise ord airnoise œ _ ‰J _ ™ œ ˙™ -J‰ ˙™ w œ œ J‰Œ Ó bww ww œœj‰Œ Ó Œ ˙ O #˙ ™ O O O O O O O O O O O œ œ œ bb J ∏ ∏ ∏ ∏ ∏ ∏ ‰ œ œ J æ æ æ ˙ ˙ b æ æ æ ˙ ˙ œ œ œ bb J ∏ ∏ ∏ ∏ ∏ ∏ ‰ œ œ Jæ æ æ ˙ ˙™ ™ œ ˙ ˙ ˙™ ˙™ Œ œ ˙ ˙ _ Œ w ~ w <#> b˙ ˙ O #˙™ ™ ™ ˙ O ˙ Œb˙ ˙ ˙ O #˙™ ™ ™ w ~ w Œ ˙ ˙ œ œ æ æ æ ˙ ˙bb b˙ b˙™ Y Œ ˙ b˙ b ˙ ˙ b˙™ Yb Œ = 10

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STAKES (2019) by akari komura - Issuu