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LEXI VRIEZE

Interior Design Portfolio

ABOUT THE DESIGNER

HELLO! I AM STUDENT AT THE UNIVERSITY OF WISCONSIN-STOUT. WHEN I GRADUATE IN MAY OF 2024, I WILL HAVE A B.F.A. IN INTERIOR DESIGN WITH A MINOR IN ARCHITECTURE. I AM ALSO A WELL AP. MY PASSION FOR DESIGN COMES FROM MY LOVE OF LEARNING AND HELPING OTHERS. THE SPACE THAT SURROUNDS PEOPLE CAN HAVE A SIGNIFICANT ON THEIR PHYSICAL, EMOTIONAL, AND MENTAL HEALTH. IT IS MY GOAL TO ENSURE THAT THE HEALTH OF THE PEOPLE WHO ENTER THESE IS NOT NEGATIVELY IMPACTED.

NEXT OFFICE

YOUMEDIA LIBRARY

POSITIVE ALTERNATIVES 3.1

DEMOLITION PLAN GENERAL NOTES

7.1

1. REMOVE ALL WALLS, DOORS, AND MILLWORK AS SHOWN “DASHED” ON PLAN. 2. IN PARTITIONS TO BE REMOVED, CAP ALL CONDUIT, PIPING, OUTLETS, SWITCHES, WIRES, CABLES, THERMOSTATS, ETC TO THEIR SOURCE AS REQUIRED. 3. IF ANY QUESTIONS ARISE AS TO THE REMOVAL OF ANY MATERIAL, CLARIFY THE POINT IN QUESTION WITH THE DESIGNER BEFORE PROCEEDING. 4. DEMOLITION IS NOT NECESSARILY LIMITED TO WHAT IS SHOWN ON DRAWINGS. THE INTENT IS TO INDICATE THE GENERAL SCOPE OF DEMOLITION REQUIRED TO COMPLETE THE WORK IN ACCORDANCE WITH THE CONTRACT DRAWINGS. 5. REMOVE ALL FLOORING IN AREAS AS NOTED HEREIN. SUBSURFACE ARE TO BE CLEANED OF ALL DEBRIS, REMAINING GLUE AND OTHER RESIDUE. 6. ALL EXISTING WIRING AND CABLING IN PLENUM IS TO BE REMOVED AND DISPOSED OF. 7. ALL EXISTING CEILING GRID, CEILING TILES AND LIGHTS ARE TO BE REMOVED AND RETURNED TO BUILDING STOCK OR DISPOSED OF AS DIRECTED BY CLIENT. 8. ALL DOORS, FRAMES, HARDWARE, MECHANICAL ITEMS, PLUMBING FIXTURES, LIGHT FIXTURES AND SPECIAL EQUIPMENT SHOWN TO BE REMOVED SHALL BE CLEANED, PROTECTED, SAVED AND REUSED AS DIRECTED HEREIN OR RETURNED TO BUILDING STOCK OR DISPOSED OF AS DIRECTED BY CLIENT.

www.autodesk.com/revit

9. AT COMPLETION OF DEMOLITION WORK THE CONSTRUCTION AREA SHALL BE LEFT IN A “BROOM CLEAN” CONDITION. ALL DEBRIS AND MISCELLANEOUS MATERIAL SHALL BE REMOVED.

Consultant Address Address Phone Fax e-mail Consultant Address Address Phone Fax e-mail

10. ALL PLUMBING FIXTURES AND WALL IN RESTROOM TO BE DEMOLISHED.

C-1 D

Consultant Address Address Phone Fax e-mail Consultant Address Address Phone Fax e-mail Consultant Address Address Phone Fax e-mail

No.

Description

Date

IN ADDITION TO MY WORK AS AN INTERIOR DESIGNER, I ENJOY BEING INVOLVED WITHIN MY COMMUNITY,

G.1 WALL AND DOOR LEGEND

DOUBLE DOOR BIFOLD DOOR

IMMERSING MYSELF IN NEW EXPERIENCES THROUGH PRINTMAKING, READING, SEWING, TRAVELING, AND

COMMERCIAL LIGHTING

EXISTING DOOR NEW WALL

EXISTING WALL

COOKING NEW RECIPES.

DEMO WALL

2 DEMO PLAN GENERAL NOTES 1/8" = 1'-0"

BPM STUDIO

NEW DOOR

DEMOLITION PLAN

BPM STUDIO CDS

D1.00 DEMOLITION PLAN 1 1/8" = 1'-0"

STUDIO ART

Project number Date Drawn by Checked by

D1.00 Scale

DES-414-002 4/20/2023 LIV KEF

1/8" = 1'-0"

4/16/2023 11:25:46 AM

WHETHER IT IS THROUGH VOLUNTEERING OR PROFESSIONAL ORGANIZATIONS, SUCH AS IIDA. I ALSO ENJOY

NEXT ARCHITECTURE & DESIGN FIRM PROJECT TYPE Corporate Workplace, 9 Weeks, Fall 2023 Designed for the Next Steelcase Competition - 2023 Software: Revit, Enscape, InDesign, Photoshop, Illustrator, SketchUp

PROJECT DESCRIPTION NEXT is a global architecture and design firm, valuing equity,

- CONCEPT -

sustainability, diversity, and inclusion. The company will be

NEXT is an architecture and interior design firm that promotes inclusivity, continuous learning,

expanding an office in Dallas, Texas, aiming to foster

and collaboration. The firm is near the Katy Trail, formerly the first railroad in Northern Texas.

intergenerational connections while reflecting the brand,

Inspired by the Katy Trail’s change of industrial railways to nature pathways, NEXT’s new location

culture, and location of the company.

will focus on the concept of duality. NEXT’s environment will foster the forging and growing connections within all its disciplines.

CLIENT INFORMATION At the Dallas location, NEXT will have 31 architecture and design staff, 7 members on the support team and 6 flex workstations, totaling room for 42 staff members. Clients, product representatives, and a variety of stakeholders in projects will also spend time in the NEXT office.

ARCHITECTURE AND DESIGN FIRM BRANDING AND SPACE PLANNING Accessibility Study and Color Theory GUEST ACCESS

In space planning, a triadic color scheme based on colors from the Katy Trail was used to separate space based on who has access to the space. These colors also were also incorporated into the space to reflect NEXT’s branding of their three disciplines: education (orange), healthcare (green), and workplace (purple). Orange has been known as a passionate and energetic color. Green is often associated with nature, peace, and fresh

KATY RAILROAD MAP

starts. Purple has a transformative and sometimes spiritual influence on people. DW

Refrigerator

LINE STUDY IN-HOUSE ACCESS

NIC DW

NIC

Refrigerator

NIC

EXPLORING RAILROAD CONNECTIONS

LEVEL 1

The Katy Railroad was one of the first railroads to reach Northern Texas. After it was abandoned, the city of Dallas

NIC

developed it into a walking

NIC

trail which includes elements of nature and work by local artists along its pathway. BRANDING FINAL CONCEPT

PERSONAL ACCESS

LEVEL 2 5

ARCHITECTURE AND DESIGN FIRM RENDERED FLOOR PLAN AND MAIN FINISHES

4 NIC

NIC

2 6

8 11

NIC

6 2

3 - WORKPLACE

Carpet Tile

Maromoleum

LVT

Carpet Tile

Laminate

Carpet Tile

Maromoleum

Rubber Flooring

Laminate

3 - HEALTHCARE

Laminate

LEVEL 1

7 NIC

NIC

16 13

7 3 - EDUCATION

EDUCATION

LEVEL 2

1. RECEPTION

5. MEETING ROOMS

9. TRAINING CLASSROOM

13. DESIGN LIBRARY

2. PRIVATE OFFICES

6. HUDDLE ROOMS

10. MOTHER’S ROOM

14. INNOVATION LAB

3. WORKSTATIONS

7. PHONE ROOMS

11. WELLNESS ROOM

15. WILDCARD SPACE

4. CLIENT PRESENTATION

8. WORK CAFE

12. RESOURCE CENTER

16. MONUMENTAL STAIRS

WORKPLACE HEALTHCARE ELEVATOR FLOOR DIRECTIONAL LOGO REPRESENTING THE 3 NEXT DESIGN TEAMS

ARCHITECTURE AND DESIGN FIRM ENTRANCE, MONUMENTAL STAIRS, AND DESIGN LIBRARY

Vinyl Wallcovering

Acoustic Wallcovering

Vinyl Upholstery

Cypress Laminate

ENTRANCE, MONUMENTAL STAIRS, AND DESIGN LIBRARY KEYNOTES

Iron Railing

A. The gradient vinyl wallcovering, spanning two floors, is inspired by the colors of the sunset over the Dallas skyline B

B. Both the railing and reception desk use a cypress wood laminate, a native Dallas tree type, and repetitive iron details inspired by changing directions on railroad tracks C. Behind the stairwell is a wall spanning two stories, which includes LED strip lights relating to the colors assigned to different project disciplines at NEXT, as well as words representing their values: advocate, collaborative, compassionate, creative, diverse, inclusive, innovative, passionate, progressive

Carpet Tile

ARCHITECTURE AND DESIGN FIRM WORK CAFE

WORK CAFE KEYNOTES

D. Orange, green, and purple are used within the space to unite the three disciplines within NEXT to create a welcoming and energetic space E. Acoustical panels and baffles are used to absorb noise within the cafe F. The hanging line and arc pendants are offset with acoustical baffles to mimic the tracks and pathways of the Katy Railroad

E 6” Recessed Cans

Coil Pendant with Matte Limestone Finish

Gyp. Board Ceiling Paint

14’-0” A.F.F. Gyp. Ceiling

Upper Cabinet Laminate

Polyester Upholstery Umami Seating

Wishbone Chair Acoustic Panel

Table Laminate

Katy Rail Inspiration for Fixture Layout

10’-8” A.F.F. Gyp. Ceiling

Backsplash Tile

Lower Cabinet Laminate

WORK CAFE - RCP Zyn Line and Arc Pendants Offset with Acoustical Baffles

Laika Pendant with Rattan Shade

ARCHITECTURE AND DESIGN FIRM HUDDLE ZONE AND WORKPLACE DISCIPLINE WORKSTATIONS Vinyl Map Wallcovering

WORKPLACE DISCIPLINE WORKSTATIONS KEYNOTES

Task Upholstery Laminate

Bivi Table

J. Dual-colored acoustical baffles dampen noise from the open ceiling; the purple and gray baffles hang over the workstations of those who work in workplace design, and the green and orange baffles hang over a collaboration area, welcoming other NEXT workers K. The back wall includes a digital wallcovering that intertwines a map of Dallas in its pattern L. Workstations have “window real estate” priority to promote productivity; glass-walled offices for the studio and design directors are nearby for worker access

Gesture Chair

H J

L Divider Sticks

HUDDLE ZONE KEYNOTES

Woven Upholstery

G. Fostering intergenerational connections is an important part of NEXT’s culture; this space is designed for mentors and mentees within the company to collaborate, engage, and learn from one another

Polyester Upholstery

Laminate

H. Movable technology is available for small meetings I. Custom acoustical fixtures highlight the lights and furniture to implement the idea of a focused conversational area

Campfire Lounge Campfire Personal Table

POSITIVE ALTERNATIVES PROJECT TYPE Behavioral Health, Group Project, 8 Weeks My Role: Project management, Revit Model, Renderings, Research Group Collaboration: Mood Board, Space Planning, FF&E Software Used: Revit, Enscape, InDesign, Excel, Photoshop

PROJECT DESCRIPTION Positive Alternatives is a non-profit organization that serves as a group home for six to eight teenagers. Often, these teens are at-risk and range from ages of 12 to 17 years old. An efficient use of space, ample storage, and creating spaces for relaxing interactions (two living rooms were preferred to diffuse fights) are areas in which the facility is struggling.

- CONCEPT This location will be a homey, comfortable environment for residents to rejuvenate and grow. Aspects relating to the nature of Menomonie cater to the needs of residents and staff alike. Additionally, the renovation will be spacious and sufficient for employees to work effectively. The rooms in this space are connected through serene colors and ideas of reflection, which encourage residents and staff to acknowledge their emotions and actions.

CLIENT INFORMATION A unique element about this project was that we had a real life client. We met with the staff members of Positive Alternatives three times throughout the duration of the project. This helped to greater inform our research and design iterations. Safety was an important feature of this facility, not only for the teenagers, but the staff members too. Storage issues were also important to resolve, especially in office areas and the kitchen.

POSITIVE ALTERNATIVES

SPACE PLANNING AND ZONED FLOOR PLANS

EXISTING PLAN

In the design process, we had to come up with two floor plans: one where the existing walls had to remain in place and another where we could have more demolition work. After consulting with Positive Alternatives, they had us move forward with the plan requiring more demolition.

NEW PROPOSAL

RCO

Office RCO 1 Office CMO 2 Office PMO 3

CMO PMO MUDROOM

MUDROOM Mudroom

PANTRY PANTRY Pantry KITCHEN Kitchen

Dining DINING

KITCHEN DINING

LIVING ROOM 1 LIVING LivingROOM Room1 1 LIVING ROOM 2 LIVING LivingROOM Room2 2 ENTRY Entry MECHANICAL Mechanical BATHROOMS Bathrooms

Bedrooms BEDROOMS

ENTRY MECHANICAL BATHROOMS BEDROOMS

POSITIVE ALTERNATIVES FLOOR PLAN, RCP, AND KEY FINISHES

Linoleum Floor

Carpet Tile

Velvet Upholstery

Vinyl Upholstery

Wall Paint

The durability of materials was an important motivation in our material selections. For flooring selections, we used carpet tile for acoustical reasons and ease of replacibility, as well and linoleum. The upholstery that was selected was easily cleanable vinyl and crypton-finished velvet. Semi-gloss scuff-resistant paint was also implemented.

KITCHEN

BATH

PANTRY

BEDROOM

LEVEL 1 - RCP

BEDROOM

KEY LIGHTING FIXTURES ELM INTERIORS

MECH www.autodesk.com/revit

No.

Description

PA FLOOR PLAN

DINING OFFICE 1 LIVING ROOM 1 1

LIVING ROOM 2

Level 1 1/8" = 1'-0"

BEDROOM

MUDROOM

OFFICE 3

BEDROOM

OFFICE 2 BATH

LEVEL 1 - FLOOR PLAN

POSITIVE ALTERNATIVES

KITCHEN, DINING, AND RESIDENT COUNSELOR OFFICE

A F. Custom shelving to display artwork and family photos to make the dining space feel less like an institution and more like a home G. Pendants with acoustical fabric to help dampen noise H. Linoleum floor for durability I. Damage-resistant weighted dining chairs to promote safety and minimize damage

A. Organic curved sheet-rock ceilings to soften abrupt ceiling transitions and implement a creative and productive energy

G F

B. ADA compliant seating added to kitchen island C. Storage and counter space for the staff in the Resident Counselor Office

D. Height adjustable desks for staff members E. Operable windows for a medicine handout counter with direct visibility into the kitchen

POSITIVE ALTERNATIVES LIVING ROOMS AND PRIVATE OFFICES

L J. Carpet tiles for easy replacement if damaged in the private offices K. Office seating for in-house staff and guests L. Acoustical Zintra Sticks to dampen loud noises and create a secure living space

M. Modular furniture that can be configured in varied ways to support different group sizes

N M

N. LED green tinted lights to create encourage productivity in the second living room that is geared towards a quieter environment O. Single seat booth for studying with custom mural of the local Devil’s Punchbowl

P. Multiple seating options to promote flexibility and choices to collaborate or sit alone Q. Resin textured wall in a private office to emulate water dripping in the Devil’s punchbowl, privacy, and added light

YouMEDIA Library PALM SPRINGS ACCESSIBILITY HOME PROJECT TYPE Library - Teen Floor, 8 Weeks, Spring 2022 Software Used: Revit, Enscape, InDesign, Photoshop, SketchUp

PROJECT DESCRIPTION YOUMedia is a digital learning program that has expanded into just over 3000 square feet of the Milwaukee Public Library. The building itself is designed in the Italian Renaissance style, and the original location of the site was called Mozart’s Grove, as it was a outdoor gathering place for music. Groves, specifically from the Palace of Versailles in turn inspired the

- CONCEPT -

space planning, finishes, furniture, and custom millwork in

Built upon the area formerly known as Mozart’s Grove, the Milwaukee Public Library sits within

the design.

an in extremely trafficked area. The YOUMedia teen floor within the library is intended to be a safe environment for teenagers to escape the fast-paced city. This space will combine existing

CLIENT INFORMATION

and natural elements to help people reset after a long day. Here, teens can study, relax, and explore their interests in a judgment-free place.

Meant for teenagers, this space provides activities and after school workshops where students can learn, create, and explore. From ages 12 to 18, this floor is meant to be a restorative refuge where students can come to work or hang out. Visible site lines for the desk attendants, staff members, and after school activity leaders were necessary for safety and security reasons, especially with the library located in the busy urban area of Milwaukee, Wisconsin.

YOUMedia TEEN LIBRARY FLOOR PLAN, RCP, AND KEY FINISHES

LVT

Turf Upholstery

Carpet Tile

Laminate

Crypton-Finish Upholstery

Solid Surface

NIC

NIC NIC

LOUNGE

NIC NIC MEDIA INFO DESK

COMPUTER AREA

LEVEL 1 - AXON VIEW In this space, I wanted the floor

CAFE

plan to feel symmetrical, like a

SOCIAL SPACE

grove. I worked with rounded, geometric shapes for my design to emulate the groves at the Palace of Versailles. In my material

READING ZONE

SHELVING AREA

READING ZONE

PERFORMANCE SPACE

RECORDING STUDIO

selections, I used warmer tones in the wood and LVT flooring when entering the space, to connect to the building’s existing French and

STUDY NOOKS

NIC

PODCAST STUDIO

Italian Renaissance styles. As one gets further into the library, the colors get cooler and darker, as if one was walking deeper into a

LEVEL 1 - FLOOR PLAN

forest.

YOUMedia TEEN LIBRARY

ENTRANCE, INFORMATION DESK, AND CAFE

34”

20”

30”

A. Variety of table shapes and sizes to allow flexibility for meeting and collaborating with others

B. Required wallcovering we were given at random to incorporate into our design C. Custom information desk made in SketchUp with dimensions to meet ADA compliance; materials include laminate, solid surface, and faux moss D. Small warming/snack cafe area with ADA and hightop seating 19

YOUMedia TEEN LIBRARY MEDIA ROOM AND SHELVING AREA

F H I

F. Two swivel chairs are placed inside the media room to allow teens to have an element of movement while sitting; between the chairs is a powered end table to charge video game controllers G. The media room wall has a glass partition for adult staff members to have visibility into the space H. Ottomans with turf upholstery are scattered in the room to invite more people into the space I. The shelving displays on the floor wrap around a central tree to display local artwork and used curved bookshelves to make the environment more inviting I. Seating around the shelving area has adjacent spots for wheelchair accessibility 20

YOUMedia TEEN LIBRARY STUDY NOOKS

These study nooks are the farthest from the entrance, representing the deepest, quieter, and thought-provoking parts of the grove. This can be seen in the darker color palette in this section view. Each booth is set between a tree and invites space for solo or collaborative work. Acoustic wallcoverings are used to dampen noise in this space, and crypton finished fabrics are used for durability. 21

COMMERCIAL LIGHTING PROJECT PROJECT TYPE Art Museum, 4 Weeks, Fall 2023 Software: Revit, Enscape, InDesign, Photoshop

PROJECT DESCRIPTION The Georgia O’Keeffe Museum has decided to expand to have a sister location in Sun Prairie, Wisconsin. Georgia O’Keeffe was born and grew up in Sun Prairie. This additional location will help educate a new area in the United States about her work and life. O’Keeffe’s paintings reflect much of the New Mexico landscape, and this museum will reflect elements of the Southwest region. While some of the pieces will remain in place, the museums will trade back and forth pieces of O’Keeffe’s to add variety.

-CONCEPTWithin the space, the lighting will emulate similar curvilinear shapes in O’Keeffe’s work to help with wayfinding. The light will be warmer to help relate to the New Mexican landscape, as well as help with preservation of work on display. Additionally, this space will be a way for the community to connect to Georgia O’Keeffe and her work. The directional effects of lighting in the space will help immerse visitors with what is on display, but also account for issues of glare and human centered-design.

CLIENT INFORMATION Sun Prairie is in close proximity to the Wisconsin state capitol, Madison. There are many community activities the city is known to have a good public school district. Additionally, the local community is known for being progressive and working to develop (or redevelop) the area to meet the needs of the locals. The population has grown about nine times in the past 65 years. While 80% of people identify as white, African-Americans, Asians, and Hispanics are the major minority groups in the city. Additionally, the average household has about 2.4 people and 50% of the population is between 18-65 years old.

A2: STRIP UPLIGHT - 48"

GYPSUM WALLBOARD ON METAL ST S2: CURVED PENDANT - 3'

COMMERCIAL LIGHTING PROJECT

C1: RECESSED CAN - 6"

REFLECTED CEILING PLAN

SKYLIGHT

C2: RECESSED SLOT FIXTURE - 1 1/4" COVE

LOBBY 101

W1, NL, TYP.

A1: STRIP UPLIGHT - 24"

VESTIBULE 100

P3 -9 2'

C1: RECESSED CAN - 6" FIXTURE - 38" L1: SURFACE-MOUNTED

-6 3/

COVE

D1: TRACK HEAD FIXTURE - 4"

E2: EXIT SIGN

10' - 9 3/4"

L1: SURFACE-MOUNTED FIXTURE - 38"

-5 4"

N1: TABLE LAMP - 16"

D1, TYP.

-7 1/ 2"

TYP. S1

AIR SUPPLY

P2: PENDANT - 9"

FINAL RCP LEGEND 1/4" = 1'-0"

AIR RETURN

P3: DECORATIVE FLORAL PENDANT

D1, TYP.

1 2

8' - 2 1/4"

FINAL RCP LEGEND 1/4" = 1'-0"

RCP GENERAL NOTES

1. IN ALL SPACES EXCEPT THE ARTIFACTS ROOM, THE CEILING MATERIAL SHALL BE GYPSUM BOARD ON METAL STUDS. THE ARTIFACTS ROOM SHALL HAVE A CEILING WITH 2' x 4' ACOUSTICAL CEILING TILES. THE FOLLOWING ARE THE CEILING HEIGHTS FOR EACH SPACE: 100 - VESTIBULE: 14'-0" A.F.F. RCP GENERAL NOTES 101 - LOBBY: 26'-0" A.F.F. 102 - JANITORS: 10'-0" A.F.F. 1. IN ALL SPACES EXCEPT THE ARTIFACTS ROOM, THE CEILING MATERIAL SHALL BE GYPSUM BOARD ON METAL STUDS. THE ARTIFACTS ROOM SHALL HAVE A 103 - WITH MENS: A.F.F. CEILING TILES. THE FOLLOWING ARE THE CEILING HEIGHTS FOR EACH SPACE: CEILING 2' x10'-0" 4' ACOUSTICAL 104 -100 WOMENS: 10'-0" A.F.F. - VESTIBULE: 14'-0" A.F.F. 101 LOBBY: 26'-0" A.F.F. 10'-6" A.F.F. WITH RAISED PORTION AT 11'-0" A.F.F. (SEE KEYNOTE 3) 105 - MUSEUM PROPER: 102 - JANITORS: 10'-0" A.F.F. 107 -103 ARTIFACTS: 10'-0" A.F.F. - MENS: 10'-0" A.F.F.

S4 S3

104 - WOMENS: 10'-0" A.F.F. 105 - MUSEUM PROPER: 10'-6" A.F.F. WITH RAISED PORTION AT 11'-0" A.F.F. (SEE KEYNOTE 3)

NIC

W2: LAYERED SCONE - 14"

P2: NIGHT LIGHT PENDANT - 9"

12' - 4 1/4"

AIR RETURN

P3: DECORATIVE FLORAL PENDANT

3' - 5 3/4" TYP.

10' - 6"

S2 7' - 8 3/4"

W1: NIGHT LIGHT WALL SCONCE - 18"

P1: DECORATIVE COIL PENDANT

4' - 7 3/4"

AIR SUPPLY

P2: PENDANT - 9"

P2: NIGHT LIGHT PENDANT - 9"

W2: LAYERED SCONE - 14" S4: CURVED PENDANT - 8'

P2, TYP. S3

W1: NIGHT LIGHT WALL SCONCE - 18"

P1: DECORATIVE COIL PENDANT

P2, NL, TYP.

S3: CURVED PENDANT - 6'

N1: TABLE LAMP - 16"

S4, TYP.

NIC

SKYLIGHT

C2: RECESSED SLOT FIXTURE - 1 1/4"

S2, TYP.

GYPSUM WALLBOARD ON METAL STUDS

S4:PENDANT CURVED S2: CURVED - 3'PENDANT - 8'

E1: EMERGENCY LIGHT

C1 TYP.

S1 M

ACT - 2' X 4'

A2: STRIP UPLIGHT - 48"

MEN 104

S1 M

S1: LINEAR PENDANT - 3'

E2: EXIT SIGN

P2 TYP. L1

ARTIFACTS 107

S3: CURVED PENDANT - 6'

E1: EMERGENCY LIGHT

JANITORS 102

WOMEN 103

SYMBOL LEGEND

D1: TRACK HEAD FIXTURE - 4"

107 - ARTIFACTS: 10'-0"PLAN A.F.F. FOR ALL WALL SCONCES, EMERGENCY LIGHTS, EMERGENGY SIGNS, AND DISPLAY FIXTURES. 2. SEE ELECTRICAL LIGHTING 2. SEE ELECTRICAL LIGHTING PLAN FOR ALL WALL SCONCES, EMERGENCY LIGHTS, EMERGENGY SIGNS, AND DISPLAY FIXTURES.

6' - 10"

RCP KEY NOTES

TYP.

1. SKYLIGHT IN THE LOBBY A.F.F.COVE COVE LIGHTING SHALL LINE THE PERIMETER OF THESPACE, SKYLIGHT SPACE, CREATING LIGHT AT NIGHT. 1. SKYLIGHT IN THE LOBBY26'-0" 26'-0" A.F.F. LIGHTING SHALL LINE THE PERIMETER OF THE SKYLIGHT CREATING INDIRECT LIGHT ATINDIRECT NIGHT. 2. A RING OF RAIL LIGHTINGSHALL SHALL BE TO THE 11'-0" 11'-0" A.F.F. CEILING AROUND EACH CIRCULAR WITH A TOTAL OFWITH 4 RAILAHEAD FIXTURES 2. A RING OF RAIL LIGHTING BEATTACHED ATTACHED TO THE A.F.F. CEILING AROUND EACHPEDESTAL CIRCULAR PEDESTAL TOTAL OF 4 RAIL HEAD FIXTURES PER TRACK, FOR A TOTAL OF 12 FIXTURES. PER TRACK, FOR A TOTAL OF 12 FIXTURES.

3. THERE SHALL BE RAISED PORTION OF GYPSUM BOARD CEILING IN THE MUSEUM PROPER AT 11'-0".

4. AROUND THE PERIMETER OF THE MUSEUM PROPER (EXCLUDING THE WEST SEMI-CICULAR WALL), THERE SHALL BE A COVE AT 9'-0" A.F.F., PROTRUDING NO MORE THAN 1'-0" INTO THE SPACE.

MUSEUM 105

LEXI VRIEZE

4. AROUND THE PERIMETER OF THE MUSEUM PROPER (EXCLUDING THE WEST SEMI-CICULAR WALL), THERE SHALL BE A COVE AT 9'-0" A.F.F., PROTRUDING NO MORE THAN 1'-0" INTO THE SPACE.

No.

Description

Date

FINAL RCP Project number

RCP GENERAL NOTES

LAB 5

9:49:11 PM

LEVEL 1 - RCP

3. THERE SHALL BE RAISED PORTION OF GYPSUM BOARD CEILING IN THE MUSEUM PROPER AT 11'-0".

ELECTRICAL LIGHTING PLAN

A2: STRIP UPLIGHT - 48" GYPSUM WALLBOARD ON METAL STUDS S2: CURVED PENDANT - 3'

SYMBOL LEGEND

LOBBY 101

C2:A1: RECESSED SLOT FIXTURE - 1 1/4" STRIP UPLIGHT - 24"

S1: LINEAR PENDANT - 3'

RACK HEAD FIXTURE - 4"

ACT - 2' X 4'

COVE

VESTIBULE 100

S3: CURVED PENDANT - 6'

A2: STRIP UPLIGHT - 48"

XIT SIGN

JANITORS 102

C1: RECESSED CAN - 6" C2: RECESSED SLOT FIXTURE - 1 1/4"

URFACE-MOUNTED FIXTURE - 38"

MEN 104

E1: EMERGENCY LIGHT

DECORATIVE COIL PENDANT

COVE

D1: TRACK HEAD FIXTURE - 4"

W2, TYP.

N1: TABLE LAMP - 16"

P2: NIGHT LIGHT PENDANT - 9" P1: DECORATIVE COIL PENDANT

P3: DECORATIVE FLORAL PENDANT P2: PENDANT - 9"

P2: NIGHT LIGHT PENDANT - 9"

AIR RETURN

SC-3

SC-2

AIR RETURN W2: LAYERED SCONE - 14"

AIR SUPPLY

SC-1

DAYLIGHT MUSEUM SCENE

SC-2

NIGHT TIME MUSEUM SCENE

SC-3

AMBIENT ARTIFACTS SCENE

SC-4

FOCUSED TASK SCENE

CIRCUT SWITCH - DIMMER

CIRCUT SWITCH - THREE WAY

SC-1

DAYLIGHT MUSEUM SCENE

SC-2

NIGHT TIME MUSEUM SCENE

SC-3

AMBIENT ARTIFACTS SCENE

SC-4

FOCUSED TASK SCENE

AIR RETURN

P3: DECORATIVE FLORAL PENDANT

FINAL ELP LEGEND 1/4" = 1'-0"

RCP GENERAL NOTES

SC-1

ACES EXCEPT THE ARTIFACTS ROOM, THE CEILING MATERIAL SHALL BEE2 GYPSUM BOARD ON METAL STUDS. THE ARTIFACTS ROOM SHALL HAVE A D H 2' x 4' ACOUSTICAL CEILING TILES. THE FOLLOWING ARE THE CEILING HEIGHTS FOR EACH SPACE: VESTIBULE: 14'-0" A.F.F. LOBBY: 26'-0" A.F.F. SC-4 RCP GENERAL NOTES JANITORS: 10'-0" A.F.F. MENS: 10'-0" A.F.F. WOMENS: 10'-0" A.F.F. 1. IN ALL SPACES EXCEPT THE ARTIFACTS ROOM, THE CEILING MATERIAL SHALL BE GYPSUM BOARD ON METAL STUDS. THE ARTIFACTS ROOM SHALL HAVE A MUSEUM PROPER: 10'-6" A.F.F. WITH RAISED PORTION AT 11'-0" TILES. A.F.F.THE (SEE KEYNOTEARE 3) THE CEILING HEIGHTS FOR EACH SPACE: CEILING WITH 2' x 4' ACOUSTICAL CEILING FOLLOWING 100 - VESTIBULE: 14'-0" A.F.F. ARTIFACTS: 10'-0" A.F.F.

FINAL ELP LEGEND 1/4" = 1'-0"

ELP GENERAL NOTES

1. SEE RCP FOR CEILING FIXTURE MARKS, AIR SUPPLIES, AND DIFFUSERS.

SC-1

-1

P3: DECORATIVE FLORAL PENDANT

W1: NIGHT LIGHT WALL SCONCE - 18"

CIRCUT SWITCH - THREE WAY

NIGHT LIGHT

AIR SUPPLY

P2: PENDANT - 9"

CIRCUT SWITCH - DIMMER

SC-1

NIGHT LIGHT

OCCUPANCY CENTER

L1: SURFACE-MOUNTED FIXTURE - 38"

AIR SUPPLY

P2: NIGHT LIGHT PENDANT - 9"

W2: LAYERED SCONE - 14"

P1: DECORATIVE COIL PENDANT

SC-1

NIC

W1: NIGHT LIGHT WALL SCONCE - 18"

S4: CURVED PENDANT - 8'

W2: LAYERED SCONE - 14"

P2: PENDANT - 9"

S3: CURVED PENDANT - 6'

N1: TABLE LAMP - 16"

COVE

E2: EXIT SIGN

AIR RETURN

S4: CURVED PENDANT - 8'

E1: EMERGENCY LIGHT

W1: NIGHT LIGHT WALL SCONCE - 18"

P1: DECORATIVE COIL PENDANT

SKYLIGHT

L1: SURFACE-MOUNTED FIXTURE - 38"

AIR SUPPLY

NIGHT LIGHT PENDANT - 9"

C1: RECESSED CAN - 6" C2: RECESSED SLOT FIXTURE - 1 1/4"

S3: CURVED PENDANT - 6'

N1: TABLE LAMP - 16"

GYPSUM WALLBOARD ON METAL STUDS OCCUPANCY CENTER

E2: EXIT SIGN

S4: CURVED PENDANT - 8'

L1: SURFACE-MOUNTED FIXTURE - 38"

DECORATIVE FLORAL PENDANT

A2: STRIP UPLIGHT - 48"

E1: EMERGENCY LIGHT

SKYLIGHT

W2: LAYERED SCONE - 14"

ARTIFACTS 107

COVE

S2: CURVED PENDANT - 3'

WOMEN 103

ACT - 2' X 4'

S3: CURVED PENDANT - 6'

S2: CURVED PENDANT - 3'

W1: NIGHT LIGHT WALL SCONCE - 18"

E2: EXIT SIGN

SKYLIGHT

S1: LINEAR PENDANT - 3'

D1: TRACK HEAD FIXTURE - 4"

S4: CURVED PENDANT - 8'

D1: TRACK HEAD FIXTURE - 4"

TABLE LAMP - 16"

GYPSUM WALLBOARD ON METAL STUDS

EMERGENCY LIGHT

SYMBOL LEGEND

C1: RECESSED CAN - 6"

SKYLIGHT

RECESSED SLOT FIXTURE - 1 1/4" A1: STRIP UPLIGHT - 24"

ACT - 2' X 4'

GYPSUM WALLBOARD ON METAL STUDS

S2: CURVED PENDANT - 3'

RECESSED CAN - 6"

L RCP LEGEND = 1'-0"

S1: LINEAR PENDANT - 3'

ACT - 2' X 4'

COMMERCIAL LIGHTING PROJECT

TRIP UPLIGHT - 48"

PENDANT - 9"

A1: STRIP UPLIGHT - 24"

S1: LINEAR PENDANT - 3'

TRIP UPLIGHT - 24"

ELP GENERAL NOTES

ELP KEY NOTES

1. SEE RCP FOR CEILING FIXTURE MARKS, AIR SUPPLIES, AND DIFFUSERS.

1. OVAL DISPLAY CASES SHALL HAVE THEIR OWN DIMMABLE SWITCHES TO CONTROL EACH FIXTURE.

101 - LOBBY: 26'-0" A.F.F. 102 - JANITORS: 10'-0" A.F.F. 103 - MENS: 10'-0" A.F.F. TRICAL LIGHTING PLAN FOR ALL WALL SCONCES, EMERGENCY LIGHTS, EMERGENGY SIGNS, AND DISPLAY FIXTURES. 104 - WOMENS: 10'-0" A.F.F. 105 - MUSEUM PROPER: 10'-6" A.F.F. WITH RAISED PORTION AT 11'-0" A.F.F. (SEE KEYNOTE 3) 107 - ARTIFACTS: 10'-0" A.F.F.

ELP KEY NOTES

NIC

1. OVAL DISPLAY CASES SHALL HAVE THEIR OWN DIMMABLE SWITCHES TO CONTROL EACH FIXTURE.

NOTES 2. SEE ELECTRICAL LIGHTING PLANRCP FOR KEY ALL WALL SCONCES, EMERGENCY LIGHTS, EMERGENGY SIGNS, AND DISPLAY FIXTURES.

IN THE LOBBY 26'-0" A.F.F. COVE LIGHTING SHALL LINE THE PERIMETER OF THE SKYLIGHT SPACE, CREATING INDIRECT LIGHT AT NIGHT.

RCP KEY NOTES

1. SKYLIGHT IN THE LOBBY 26'-0" A.F.F. COVE LIGHTING SHALL LINE THE PERIMETER OF THE SKYLIGHT SPACE, CREATING INDIRECT LIGHT AT NIGHT.

ELP GENERAL NOTES 1/4" = 1'-0"

ALL BE RAISED PORTION OF GYPSUM BOARD CEILING IN THE MUSEUM PROPER AT 11'-0".

2. A RING OF RAIL LIGHTING SHALL BE ATTACHED TO THE 11'-0" A.F.F. CEILING AROUND EACH CIRCULAR PEDESTAL WITH A TOTAL OF 4 RAIL HEAD FIXTURES PER TRACK, FOR A TOTAL OF 12 FIXTURES.

LEVEL 1 - ELP

HE PERIMETER OF THE MUSEUM PROPER (EXCLUDING THE WEST SEMI-CICULAR WALL), THERE SHALL BE A COVE AT 9'-0" A.F.F., PROTRUDING NO 1'-0" INTO THE SPACE. 3. THERE SHALL BE RAISED PORTION OF GYPSUM BOARD CEILING IN THE MUSEUM PROPER AT 11'-0".

4. AROUND THE PERIMETER OF THE MUSEUM PROPER (EXCLUDING THE WEST SEMI-CICULAR WALL), THERE SHALL BE A COVE AT 9'-0" A.F.F., PROTRUDING NO MORE THAN 1'-0" INTO THE SPACE.

LEXI VRIEZE

ELP GENERAL NOTES 1/4" = 1'-0"

MUSEUM 105 No.

Description

Date

FINAL ELP Project number

LAB 5

10:06:26 PM

RAIL LIGHTING SHALL BE ATTACHED TO THE 11'-0" A.F.F. CEILING AROUND EACH CIRCULAR PEDESTAL WITHM A TOTAL OF 4 RAIL HEAD FIXTURES FOR A TOTAL OF 12 FIXTURES. 3

COMMERCIAL LIGHTING PROJECT

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257

&>>>3 * = ;&&>>>3 ) / +* ,+3) 01&) / = )) & &A 3 / * = ;&&A 1 , / +* ,+3 )01& 0@-) &7 . / &2 2/ &7 ) 0, 7 )0 . A 2 ) @ &>>>3 * = ;&&>>>3 )00= / +* ,+ 3)01&+/0?./& &*./0& ? .,@ &*. "4 5$&#$$" "4 5$&#$$" .@B- .?/ / &>>>3 * = ;&&>>>3 ) / +* ,+3) 01&= 0@-) & & .)8& ,@00 & , . 8&C.)) .)8&C. &>>>3 * = ;&&>>>3 )00= / +* ,+ 3)01&+/0?./& & - / ? .,@ & &4#'! & .= /1 , &>>>3 * = ;&&>>>3 )00= / +* ,+ 3)01&+/0?./& & - / ? .,@ & &% 5#4& .=9 / &.

Vestibule: 2.5 - 10 fc => 5 fc

Women’s Restroom: 10 - 20 fc => 15 fc

Lobby: 50 - 100 fc => 60 fc

Museum Proper: 20 - 50 fc => 35 fc

Janitors: 10 - 20 fc => 10 fc

Artifacts: 50 - 100 fc => 50 fc

Men’s Restroom: 10 - 20 fc => 15 fc

VESTIBULE

100 135 SF LOBBY

101 416 SF NIC

MEN

JANITORS

104

102

142 SF

17 SF WOMEN

103 NIC

149 SF

MUSEUM

105 1782 SF ARTIFACTS

107 382 SF

NIC

Level 1 1/8" = 1'-0"

LEXI VRIEZE

No.

Description

Date

RCP SCHE

COMMERCIAL LIGHTING PROJECT

QUANTITY OF LIGHT AND LIGHTING POWER ALLOWANCE CALCULATIONS QUANTITY OF LIGHT CALCULATION - ARTIFACTS ROOM Target Illuminance: 50 fc Floor Area: 382 s.f. Equation: Lms = 50 fc x 382 s.f. Lms = 19,100 lumens Fixture selection: 1. Zyn 2” Lines and Arcs - SPI Lighting 3’ curved size = 1,460 lmns Co-efficient of Utilization factor: .85 1,460 lmns (.85) = 1,241 lmns per luminaire 19,100 lmns / 1,241 lmns per luminaire = 15.39 15 luminaires needed => 4 used

3’ curved size = 2,301 lmns Co-efficient of Utilization factor: .85 2,301 lmns (.85) = 1,955.85 lmns per luminaire 19,100 lmns / 1,955.85 lmns per luminaire = 9.77 10 luminaires needed => 4 used

6’ curved size = 2,301 lmns Co-efficient of Utilization factor: .85 2,301 lmns (.85) = 1,955.85 lmns per luminaire 19,100 lmns / 1,955.85 lmns per luminaire = 9.77 10 luminaires needed => 2 used

2. Layered Pendant - Light Art 9” size = 800 lmns Co-efficient of Utilization factor: .85 800 lmns (.85) = 680 lmns per luminaire 19,100 lmns / 680 lmns per luminaire = 28.09 28 luminaires needed => 2 used

Total Illuminance: (4 x 1,241) + (4 x 1,955.85) + (2 x 1,955.85) + (2 x 680)= 18,059.1 lmns

LEVEL 1 - ARTIFACTS ROOM

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27 ÿ

012345647ÿ9 ÿ544 ÿ

COMMERCIAL LIGHTING PROJECT RENDERINGS AND KEY FINISHES AND FIXTURES

Mark: D1 Manufacturer: Cree Lighting Type & Quantity: Rail Head, 27 Lamp Type & Wattage: LED, 9W

S4, TYP. Ceiling Paint

P1, TYP.

Mark: P2 Manufacturer: Light Art Type & Quantity: Pendant (also night light), 15 Lamp Type & Wattage: LED, 9.5W

Ceiling and Wall Paint

Vinyl Wallcover

*ALL WALL ART IS WORK OR PHOTOS OF GEORGIA O’KEEFEE. THE IMAGES ARE USED FOR EDUCATIONAL PURPOSES ONLY TO CONVEY THE DESIGN INTENT.

D1, TYP. P2, TYP. Laminate

Mark: P1 Manufacturer: Light Art Type & Quantity: Pendant, 3 Lamp Type & Wattage: LED, 8W

Cork Upholstery

Mark: S4 Manufacturer: SPI Lighting Type & Quantity: Pendant, 9 Lamp Type & Wattage: LED, 32W

*ALL WALL ART IS WORK OR PHOTOS OF GEORGIA O’KEEFEE. THE IMAGES ARE USED FOR EDUCATIONAL PURPOSES ONLY TO CONVEY THE DESIGN INTENT.

Maromoleum

CONSTRUCTION DOCUMENTS PROJECT TYPE Corporate Office, 15 Weeks, Spring 2023 Software: Revit, Excel FULL SET AVAILABLE UPON REQUEST

PROJECT DESCRIPTION Over the span of a semester, I completed a full set of construction documents for a graphic design office. Included in the set was a title page, project information, doors/frames/ partitions, a demolition plan, a construction plan, a reflected ceiling plan, a finish plan, a furniture plan, enlarged plans, elevations, sections/details, and a power/data/communications plan. Specification sheets were also made for necessary finishes, fixtures, furniture, and equipment.

CLIENT INFORMATION BPM is a graphic design firm located in Fridley, Minnesota. The firm is young, progressive, and occupies 3,800 usable square feet. This new space is on the 28th floor of a Grade A urban office building. Flexibility, communication, teamwork, accessibility, and ergonomics are all important to the clients and culture of BPM.

-CONCEPTBPM is a progressive, rising graphic design firm just outside the Twin Cities in Minnesota. Their design style is clean, concise, and communicative, which will be reflected in the design. Additionally, the collaborative and inclusive nature of the company is important to their culture. The layout of the office space will reflect the non-hierarchical workspace desired by the client; with the diverse abilities of people in the office, the existing building will be altered to be ADA and code compliant.

Phone Fax e-mail

CONSTRUCTION DOCUMENTS

C-1

CODE REVIEW BUILDING INFO: BUILDING CLASSIFICATION: BLDG CONSTRUCTION TYPE: SPRINKLER SYSTEM: OCCUPANCY TYPE: ADJ TENANT OCCUPANCY: OCC. SEPARATION REQ'D BUILDING OCCUPANCY TYPE:

GOVERNING CODE: 2015 MINNESOTA BUILDING CODE (MBC)

NON-SEPARATED II-B COMPLETE, NFPA13 B B NONE B & S-2

3.1

DESCRIPTION

SQ. FT.

TOTAL

GROSS SQUARE FOOTAGE

4,897.73

Consultant Address Address Phone Fax e-mail CONSTRUCTION AREA

OCCUPANTS

NOT USED FOR LEASING PURPOSES

GENERAL OFFICE

4,897.73

SF / 150

PROJECT TEAM DIRECTORY

2015 MINNESOTA ACCESSIBILITY CODE (MAC)

SPACE

OFFICE

Consultant Address Address Phone 7 Fax 7.18 9 e-mail

TOTAL:

4,897.73

B C C-1

DESIGN FIRM

RIVER VALLEY ARCHITECTS 3300 BIRCH ST #1A EAU CLAIRE, WI 54703 (715) 832-0875

SIGNING ARCHITECT

REED ROBINSON 8175-B LEWIS RD GOLDEN VALLEY, MN 55427 RROBINSON@WJR.NET 763-398-0452

BUILDING OWNER

HAROLD JOHNSON ADDRESS JOHNSONH@GMAIL.COM (715) 232-1215

GENERAL CONTRACTOR

THURSTON'S CONSTRUCTION 2749 70TH ST EAU CLAIRE, WI 54703 MTHURSTONBIZZ@GMAIL.COM (715) 450-1321

FURNITURE DEALER

HENRICKSON 2530 WINNEBAGO ST. MADISON, WI 53704 K.FORTUN@HENRICKSON.COM 608-632-3071

D E

TOTAL OCCUPANTS:

CODE REVIEW - EXISTING

EXITS AND EXIT ACCESS DOORWAYS (SECTION 1015)

52'

I.1 J

MEANS OF EGRESS WIDTH (SECTION 1005) 5"

ACTUAL EXIT WIDTH:

TITLE SHEET

(PER 1017.3) MAXIMUM DEAD END AISLE:

30'

A0.01

PROJECT INFORMATION

A0.02

DOORS, FRAMES, & PARTITIONS

D1.00

DEMOLITION PLAN

A1.00

CONSTRUCTION PLAN

A2.00

REFLECTED CEILING PLAN

A3.00

FINISH PLAN

A3.01

FINISH PLAN

A4.00

FURNITURE PLAN

A4.01

FURNITURE PLAN

A5.00

ENLARGED PLANS

A6.00

ELEVATIONS

A7.00

SECTIONS AND DETAILS

E1.00

POWER, DATA, & COMM. PLAN

2015 MINNESOTA ACCESSIBILITY CODE (MAC) M

REQUIRED WATERCLOSETS PER SEX (PER MBC TABLE 2902.1) 1 PER 25 FOR THE FIRST 50 1 PER 50 FOR THE REMAINDER EXCEEDING 50 NUMBER OF WATERCLOSETS REQUIRED

NUMBER OF WATERCLOSETS PROVIDED

Description

Date

SD F

SMOKE DETECORS EXIT SIGNS

1 PER 100 NUMBER OF HI/LO DRINKING FOUNTAINS PROVIDED IS THE REQUIRED (1) SERVICE SINK PROVIDED

* PLUMBING COUNT INCLUDES RESTROOMS IN PUBLIC AREA

1 YES

No.

Description

Date

SD F

2. EXIT SIGNS, SPRINKLER HEADS, AND OTHER CEILING ELEMENTS ARE TO BE POSITIONED IN THE CENTER OF CEILING TILES, U.O.N.

3. FIRE EXTINGUISHER CABINETS, EXIT SIGNS, SMOKE DECTECTORS, EMERGENCY LIGHTS, AND A/V FIRE ALARMS SHALL BE BUILDING STANDARD. SEE CLIENT FOR REFURBISHED STOCK AND/OR SPECIFICATIONS.

4. ELECTRICAL CONTRACTOR TO PROVIDE EMERGENCY LIGHTING AND EXIT SIGNS AS REQUIRED BY CODE AND THE AMERICANS WITH DISABILITIES ACT.

REQUIRED DRINKING FOUNTAINS (PER MBC TABLE 2902.1)

C-1

NUMBER OF LAVATORIES PROVIDED

C SD

RATED WALL

1. FIRE EXTINGUISHER CABINETS, EXIT SIGNS, SMOKE DECTECTORS, EMERGENCY LIGHTS, AND A/V FIRE ALARMS ACCORDING TO DRAWINGS. 1

(<100' MAX ALLOWED)

FIRE EXTINGUISHER CABINETS

NUMBER OF LAVATORIES REQUIRED

Consultant Address Address Phone Fax e-mail

COMMON PATH OF TRAVEL = 52'

EMERGENCY LIGHTS SD

Consultant Address Address Phone Fax e-mail

FIRE ALARM / AUDIO VISUAL

LIFE SAFETY PLAN GENERAL NOTES

1 PER 80 FOR THE REMAINDER EXCEEDING 80

REQUIRED LAVATORIES PER SEX (PER MBC TABLE 2902.1) 1 PER 40 FOR THE FIRST 80

GOVERNING CODE: 2015 MINNESOTA BUILDING CODE (MBC)

IAG

T1.00

50'

'-4

4' -

No.

LIFE SAFETY LEGEND

(PER 1018.4) MAXIMUM DEAD END CORRIDOR:

PLUMBING REVIEW

SHEET INDEX

B 33 (FROM CODE REVIEW) 16.5 (TOTAL/2 FOR M/F)

BUILDING PLAN 3/64" = 1'-0"

AISLES (SECTION 1017 AND 1018)

OCCUPANT INFO: OCCUPANCY TYPE: TOTAL OCCUPANTS: OCCUPANTS PER SEX:

(OCCUPANTS X 0.15", PER 1005.3.2) MIN. REQ'D. EXIT WIDTH:

Consultant Address Address Phone Fax e-mail

10 A

100'

ACTUAL COMMON PATH OF EGRESS:

74' - 1"

(PER TABLE 1014.3) MAX. ALLOWED COMMON PATH OF EGRESS:

300'

EXITS ACCESS TRAVEL DISTANCE (SECTION 1016)

7.1

(PER TABLE 1016.2) MAX. ALLOWED TRAVEL DISTANCE:

G.1 H

LLO

60'

TAN

DISTANCE PROVIDED:

32' - 5"

DIS

(1/3 DIAGONAL LENGTH, PER 1015.2.1) DISTANCE REQUIRED:

3.1

97' - 4"

VEL

DIAGONAL LENGTH:

EXIT ACCESS TRAVEL DISTANCE (SECTION 1015.2)

ACTUAL TRAVEL DISTANCE:

Consultant Address Address Phone Fax e-mail

6530 E RIVER RD, MINNEAPOLIS, MN 55432

00'

Consultant Address Address Phone Fax e-mail

(<3

EXITS PROVIDED:

TRA

(PER TABLE 1015.1) EXITS REQUIRED:

www.autodesk.com/revit

6. CLASSIFICATIONS OF FIRE EXTINGUISHERS TO BE DETERMINED BY FIRE INSPECTOR. LOCATIONS OF FIRE EXTINGUISHERS TO BE APPROVED BY FIRE INSPECTOR.

SD F

7. ALL EXIT DOORS SHALL BE OPERABLE FROM THE INSIDE WITHOUT THE USE OF A KEY OR ANY SPECIAL KNOWLEDGE OR EFFORT.

G.1

BPM STUDIO

5. CONTRACTOR TO NOTIFY DESIGNER OF INSPECTION DATES.

LIFE SAFETY PLAN 3/32" = 1'-0"

G.1

TITLE SHEET Project number Date Drawn by Checked by

T1.00 Scale

DES-414-002 4/20/2023 LIV KEF

As indicated

4/18/2023 12:39:50 PM

TITLE PAGE

CONSTRUCTION DOCUMENTS CONSTRUCTION PLAN CONSTRUCTION PLAN GENERAL NOTES:

3.1

1. ALL PARTITION LOCATIONS SHALL BE AS SHOWN ON FLOOR PLAN. IN CASE OF CONFLICT NOTIFY DESIGNER. FLOOR PLAN BY DESIGNER TAKES PRECEDENCE OVER ALL OTHER PLANS.

2. ALL WORK SHALL BE ERECTED AND INSTALLED PLUMB, LEVEL, SQUARE AND TRUE.

7.1

3. THE CONTRACTOR SHALL PROVIDE SUFFICIENT FRAMING OR BLOCKING OF ALL WALL OPENINGS FOR MECHANICAL, ELECTRICAL, AND ARCHITECTURAL ELEMENTS, INCLUDING SHELVING, SIDELIGHT, DOORS, MILLWORK, ETC. LOCATED IN OR ON WALLS. ALL CONCEALED LUMBER TO BE SEALED AND FIRE TREATED.

2801

B 25' - 10"

7. ALL PARTITIONS IN EXCESS OF 30’-0” LENGTH SHALL HAVE FULL HEIGHT CONTROL JOINT INSTALLED WITH 30 ’-0” MAXIMUM SPACING. 8. WHENEVER OPENINGS ARE CUT THROUGH FIRE RATED PARTITIONS, IT SHALL BE THE RESPONSIBILITY OF THE CONTRACTOR FOR WHOM THE HOLE IS CUT TO PATCH AND REPAIR ANY OPENINGS TO MAINTAIN THE INTEGRITY OF THE FIRE RATING.

www.autodesk.com/revit

OPEN WORKSPACE 25' - 10"

6. NEW PARTITIONS AT WINDOWS TO BE CENTERED ON MULLLIONS U.O.N.

2802

34' - 10"

CONFERENCE

5. NEW PARTITIONS TO ALIGN WITH EXISTING WINDOW FRAMES/SILLS OR EXISTING WALLS/COLUMNS U.O.N.

68' - 3" 16' - 5"

21' - 7"

2805A

NORTH CORRIDOR

5' - 0"

17. MODIFY AND SUPPLEMENT EXISTING SPRINKLER SYSTEM AS REQUIRED BY CODE PER PARTITION LAYOUT. BUILDING SPRINKLER SYSTEM MUST NOT BE DISRUPTED DURING CONSTRUCTION.

2807C

7' - 2"

16. PROVIDE AND INSTALL COMMERCIAL GRADE ROLLER SHADES AT ALL EXTERIOR WINDOWS. SHADES TO HAVE 3% OPENNESS FACTOR. CONTRACTOR TO SUBMIT COLOR OPTIONS TO DESIGNER FOR SELECTION.

2807

2802B

81' - 10"

A6.00

9' - 3" PRINTER AREA

11' - 8"

HUDDLE ROOM

C-1

2803

5' - 0"

41' - 3"

CONSTRUCTION PLAN KEYNOTES:

Consultant Address Address Phone Fax e-mail Consultant Address Address Phone Fax e-mail Consultant Address Address Phone Fax e-mail

1. SEE SHEET A5.00 FOR ENLARGED DEMO AND CONSTRUCTION PLAN OF RESTROOMS.

2804 26' - 5"

18. MECHANICAL CONTRACTOR TO REVIEW ALL THERMOSTAT LOCATIONS WITH DESIGNER PRIOR TO INSTALLATION. 5' - 0"

C B

2803

2805

14' - 9"

15. ALL THRESHOLDS NOT TO EXCEED 1/2” IN HEIGHT.

2807A

8' - 2"

COPY ROOM NORTH 2 ELEVATION 2805B

5' - 8"

COPY/BREAK

2807B

8' - 1" 3' - 2"

30' - 1"

14. ALL DOUBLE DOORS TO BE CENTERED IN WALL SPACE U.O.N.

D 2' - 5"

13. ALL HARDWARE TO BE ADA COMPLIANT AND AS SPECIFIED.

15' - 5"

3 A

Consultant Address Address Phone Fax e-mail Consultant Address Address Phone Fax e-mail

38' - 1" 2802A

29' - 11"

12. PROVIDE ALL PARTS NECESSARY FOR PROPER OPERATION OF ALL DOORS.

34' - 6"

COPY ROOM EAST ELEVATION

2806 21' - 11"

11. ALL DOORS SHALL HAVE 1’-6” CLEARANCE ON STRIKE/PULL SIDE OF DOOR. NOTIFY DESIGNER OF EXCEPTIONS PRIOR TO CLOSING OF PARTITIONS.

28' - 4" B

BREAK ROOM ELEVATION

10. ALL DOOR FRAMES TO BE INSTALLED PLUMB, STRAIGHT AND TRUE. MAINTAIN ADEQUATE TOLERANCES AND CLEARANCES SO THAT ALL DOORS FIT AS SPECIFIED.

27' - 0"

RECEPTION/WAITING

5' - 0"

9. FIREPROOFING, IF ANY, SHALL BE UNPIERCED. ANY SUBCONTRACTOR PENTRATING THE FIREPROOFING SHALL BE REQUIRED TO REPLACE FIREPROOFING TO THE ORIGINAL CONDITION AND FIRE RATING, AT THE SUBCONTRACTORS EXPENSE.

22' - 5"

41' - 8"

38' - 1"

2801 B

15' - 0"

4. ALL GYPSUM BOARD PARTITIONS SHALL BE TAPED AND SANDED SMOOTH WITH NO VISIBLE JOINTS. ALL EXPOSED GYPSUM BOARD EDGES TO HAVE FLEXIBLE VINYL CORNER GUARDS AS SPECIFICIED, U.O.N.

2. SEE SHEET A7.00 FOR RECEPTION DESK DETAILS. 3. PROVIDE AND INSTALL WATER LINE FOR ICE MAKER IN BREAK ROOM REFRIGERATOR.

E EAST CORRIDOR

71' - 1"

MEN'S RESTROOM

2810

2811

59' - 3"

2808 WEST CORRIDOR

No.

Description

Date

F A

A 1 WOMEN'S RESTROOM 2812

G 7' - 8"

2809

SOUTH CORRIDOR

G.1

2809 A

WALL TYPE LEGEND

WALL AND DOOR LEGEND NEW DOOR

DOUBLE DOOR BIFOLD DOOR EXISTING DOOR NEW WALL

RATED TO THE DECK ABOVE

INSULATED TO THE DECK ABOVE

TO THE CEILING

PLUMBING

CONDITION AT EXTERIOR MULLION

EXISTING WALL DEMO WALL

CONDITION AT CONCRETE/COLUMN

A 71' - 0"

38' - 1"

2801

CONFERENCE

2802

OPEN WORKSPACE

2803

HUDDLE ROOM

2804

PRINT AREA

2805

COPY/BREAK

2806

RECEPTION/WAITING

2807

NORTH CORRIDOR

2808

EAST CORRIDOR

Date

2809

SOUTH CORRIDOR

Drawn by

2810

WEST CORRIDOR

2811

MALE RESTROOM

2812

FEMALE RESTROOM

BPM STUDIO

H A

CONSTRUCTION PLAN

A1.00 CONSTRUCTION PLAN 1/8" = 1'-0"

Project number

Checked by

A1.00 Scale

DES-414-002 4/20/2023 LIV KEF

1/8" = 1'-0"

4/16/2023 11:17:29 AM

2810 7' - 8"

ROOM SCHEDULE

CONSTRUCTION DOCUMENTS SECTIONS AND DETAILS

MILLWORK GENERAL NOTES 2' - 1"

2' - 0"

1. ROUGH CARPENTRY: THE CONTRACTOR SHALL PROVIDE SUFFICIENT FRAMING OR BLOCKING OF ALL WALL OPENINGS FOR MECHANICAL, ELECTRICAL, AND ARCHITECTURAL ELEMENTS, INCLUDING SHELVING, SIDELIGHT, DOORS, MILLWORK, ETC. LOCATED IN OR ON WALLS. 2. ALL MILLWORK TO BE FASTENED TO THE PARTITION. PROVIDE BLOCKING FOR ALL MILLWORK NOT ON FLOOR SLAB. ALL CONCEALED LUMBER TO BE SEALED AND FIRE TREATED.

9' - 0"

3' - 8"

4" INTEGRAL BACKSPLASH PLAM-3

2' - 1"

2 LAYERS 3/4" MDF

2 LAYERS 3/4" MDF WITH DRIPLESS EDGE

2' - 7"

2' - 6"

3' - 3"

ADA COMPLIANT PIPE SLEEVE

PLAM-1

1' - 10"

Consultant Address Address Phone Fax e-mail Consultant Address Address Phone Fax e-mail Consultant Address Address Phone Fax e-mail

2' - 1"

Consultant Address Address Phone Fax e-mail

B-1 4"

8. ALL MILLWORK TO COMPLY WITH AWI GUIDELINES FOR “CUSTOM GRADE”.

1 1/2"

2' - 3" 9 1/4"

7. MILLWORK FABRICATION/ASSEMBLE: SHALL BE AS FOLLOWS: INSTALLATION: WORK SHALL BE CAREFULLY INSTALLED IN THE MOST RIGID MANNER, STRAIGHT, PLUMB, LEVEL AND IN TRUE ALIGNMENT, NEATLY AND ACCURATELY FITTED AND SCRIBED, AND THOROUGHLY SECURED. WORK SHALL BE LEFT CLEAN. MILLWORK CONTRACTOR TO FURNISH AND INSTALL FILLERS AS NECESSARY.

2' - 10"

3/4" MDF WITH PLAM-1

2' - 10"

6. FINISHES: SHALL BE AS FOLLOWS: EXTERIOR SURFACES: COUNTERTOPS, CABINET FRONTS, DOORS, ALL SURFACES, EXPOSED END PANELS, AND SUPPORTS TO BE HIGH-PRESSURE PLASTIC LAMINATE OR WOOD VENEER AS INDICATED ON DRAWINGS. INTERIOR SURFACE FINISHING: MILLWORK SHALL BE DRESSED AND SANDED FREE FROM MACHINE AND TOOL MARKS, ABRASIONS, RAISED GRAIN OR OTHER DEFECTS ON SURFACES EXPOSED TO VIEW. ALL EXPOSED OUTSIDE CORNERS OF COUNTERTOPS TO HAVE 2 ” RADIUS.

1 1/2"

2 LAYERS 3/4" MDF WITH DRIPLESS EDGE

4" INTEGRAL BACKSPLASH PLAM-2 1' - 8"

4" INTEGRAL BACKSPLASH PLAM-2

MIRROR

9' - 0"

PLAM-1

5. MILLWORK HARDWARE: IS PROVIDED BY MILLWORK CONTRACTOR AND SHALL BE AS FOLLOWS. FINISH: POLISHED CHROME UNLESS NOTED OTHERWISE: PROVIDE SAMPLES AND SPECIFICATION SHEET TO PROJECT DESIGNER FOR APPROVAL. DRAWER PULLS: EPCO DP-46, OR EQUAL, POLISHED CHROME CABINET PULLS: STANLEY 4484-METAL FINISHES, OR EQUAL, POLISHED CHROME, CABINET HINGES: HAFELE "METALLAMAT" CONCEALED TYPE. 180 DEGREE HINGES, OR EQUAL. DRAWER GLIDES: KV 1250 STANDARD FINISH, OR EQUAL SILENCERS: (2) PER CABINET DOOR - HEAVY DUTY STANDARDS & BRACKETS: KV85-185, OR EQUAL, ANACHROME FINISH MAGNETIC CATCHES: STANLEY SP45/SP46, STANDARD FINISH GROMMETS: DOUG MOCKETT & CO., EDP SERIES POLISHED CHROME, OR BLACK COUNTER METAL SUPPORTS:1 ” TUBE STEEL, PAINTED. PROVIDE FIRE-RATED WOOD BACKING.

www.autodesk.com/revit

2' - 6"

4. FINISHING SAMPLES: ALL MILLWORK IS TO BE SHOP FINISHED BY THE FABRICATOR. SAMPLES OF LAMINATES AND SOLID SURFACING WITH SPECIFIED FINISHES SHALL BE SUBMITTED TO PROJECT DESIGNER FOR APPROVAL PRIOR TO FABRICATION. COMPLETED WORK SHALL CONFORM TO APPROVED SAMPLES.

SHELF BRACKET

6' - 2"

3. SHOP DRAWINGS: CONTRACTOR SHALL PROVIDE SHOP DRAWINGS FOR ALL MILLWORK INDICATING PROFILES, JOINT DETAILS, CONNECTIONS, AND CONSTRUCTION METHODS AND MATERIALS FOR ALL INCLUDED ITEMS. ALL DETAILS SHALL BE DRAWN AT NO SMALLER SCALE THAN 3/4" = 1' -0" AND SHOW ALL REQUIRED STRUCTURAL SUPPORTS AND BLOCKING, INCLUDING ITEMS WHICH MAY BE REQUIRED OR SUPPLIED BY OTHERS.

BREAK ROOM SINK SECTION 3/4" = 1'-0"

COPY ROOM CABINET SECTION 3/4" = 1'-0"

RESTROOM SINK SECTION 3/4" = 1'-0"

Consultant Address Address Phone Fax e-mail

7 A7.00 No.

Description

Date

9' - 1" 7

4' - 7"

6 1/2" 1 1/2" OPEN FOR WHEELCHAIR ACCESS

1 1/2"

4' - 4 1/2"

SUPPORT AS NEEDED PLAM-1 TYP

1 1/2"

4' - 6"

RECEPTION DESK PLAN 1/2" = 1'-0"

FRONT ELEVATION OF RECEPTION DESK 5 1/2" = 1'-0"

BACK ELEVATION OF RECEPTION DESK 1/2" = 1'-0"

4' - 3"

2' - 10"

5 1/2"

2' - 10"

2' - 3"

5 1/2" 1 1/2"

SSM-1 TYP

SUPPORT AS NEEDED

3/4" MDF SSM-1 SSM-1

BPM STUDIO

2' - 1"

1 1/2"

4' - 6"

SECTIONS AND DETAILS

RECEPTION DESK SECTION 1/2" = 1'-0"

Project number Date Drawn by Checked by

A7.00 Scale

DES-414-002 4/20/2023 LIV KEF

As indicated

4/18/2023 12:21:40 PM

4' - 7"

OPEN FOR WHEELCHAIR ACCESS

2' - 10"

PLAM-1 TYP

2' - 3"

3' - 6"

SSM-1 TYP 2' - 8 1/2"

SSM-1 TYP

1 1/2"

6 1/2"

1 1/2"

2' - 1" 9"

SSM-1 TYP SSM-1 TYP

1 1/2"

A7.00

2' - 8 1/2" 5 1/2"

4' - 6"

3' - 6"

4' - 6"

33 MILLWORK GENERAL NOTES

RELATED ART & DESIGN WORK

PROJECT TYPES Various Mediums, UW-Stout, Fall 2020 - Spring 2024 Work: Two-Dimensional and Three-Dimensional

DESIGN & ART COURSES* B

FOUNDATIONAL: Drawing I

Drawing II

2D Design

3D Design

2D Digital Design

Design Concepts & Problems

PRINTMAKING: Serigraphy

Monotype

Intermediate

MAJOR RELATED: Furniture Design

Relief

Lighting Design

*Bolded courses have a projects featured in the portfolio

-BACKGROUNDUW-Stout has a Bachelor of Fine Arts program for Interior Design, which is CIDA Accredited. The program intertwines fine art into the program requirements through foundational and selective art and design course. All of the work shown in this section is work of mine from various courses that have built and expanded my design skills.

FEATURED PROJECTS A. Wearable Headdress and Collar - 3D Design, Spring 2021 Cardstock, Wire, Cardboard

B. Still Life Drawing(s) - Drawing II, Spring 2021 Chalk Pastels C. Drawing of Historic Mabel Tainter - Drawing II, Spring 2021 India Ink, Chalk Pastels, Microns

D. Markmaking Exercise - Relief Printmaking, Fall 2022 Linoleum Carving - Based off Albrecht Durer’s Rhino E. Kaleidescope Painting - 2D Design

Acrylic Paint

RELATED ART & DESIGN WORK PRINTMAKING - INTERMEDIATE WORK

SOCIAL JUSTICE WALLPAPER (LEFT) This work is made of two pieces, in total spanning 36” by 45”. The repeat wallpaper, “For Her”, is a relief block print; the work on top, “Do you Know who She is?”, is a monoprint with handstitched names. Collectively, these prints were based on research I conducted on African American women in who have made impacts (known and lesser known) in American society. All of the symbols, colors, and names were made through precarious note taking and research to pay homage to these strong, brave women. *Displayed in Reflections - 2023 Printmaking Gallery Show at UW-Stout

SEMESTER THESIS - QUILT (RIGHT) Continuing to educate myself on other populations of minority women, Native American, Hispanic, and Polynesian cultures became the focus of my next prints. The borders and pitchers are monoprints, but the rest of the quilt is relief carvings. Each relief carving was based off a quilt pattern that had significance to the women within the cultures I researched. All the prints were made on Stonehenge paper, which I then sewed together with thread on my sewing machine. In total, the size is 55” by 87”. 36

RELATED ART & DESIGN WORK

CUSTOM LUMINAIRE - LIGHTING DESIGN IN THE BUILT ENVIRONMENT - ILLUMINATE EXHIBITION 2023 CNIDATA The name of this luminaire, Cnidata, is inspired by the symbiotic relationship between sea anemones and clown fish. “Cni” comes from Cnidaria, the phylum which sea anemones are classified under. “Data” comes from the phylum clown fish are classified under, Chordata. The combination of these two phyla represent the integral codependency these organisms have to survive.

CONCEPT STATEMENT Cnidata is a luminaire inspired by anemones found within bodies of saltwater and underwater bioluminescence. The intention behind the fixture is to function as an decorative bedside table lamp. Cnidata’s form will use repetitive, rhythmic forms which will be placed in an asymmetric yet balanced composition. Using a color-changing, dimmable puck lamp, Cnidata incorporates elements of human-centered design, allowing the user to adjust the fixture to their needs. Permitting the user to change the brightness and color emitted by the light represents the various bioluminescent colors found in underwater reefs.

Thank You! Let’s get in touch Email: aivvrieze@gmail.com Cell: 715-340-7319 LinkedIn: Lexi Vrieze, WELL AP