AH Interior Design Portfolio

ADRIANNA HAMZELUE INTERIOR DESIGN PORTFOLIO 01

HERMITAGE

02

KIOSK

03

POINT / LINE / FRAME

04

PREFAB HOME + OFFICE

05

PAPER > PRINTER > PLUS

HERMITAGE T H E

S T U D Y

O F

SUBTRACTIVE DESIGN

In the exploration of subtractive design, a 10’L x 8’W x 9’H solid rectangle was given. A space had to be created that would allow the occupation of three body positions by subtracting mass from a solid form. This space was to be called a hermitage; it would be utilized by students to study, relax, and reflect. The project called for the hermitage to house at least three occupants at a time and for them to assume a unique body position, therefore allowing a person three different ways of interacting with the space.

The final form of the hermitage was to be legible as a subtractive condition. In order to achieve an effective design, site analyses were conducted which aided in forming a concept and layout.

PROJECT 1 HERMITAGE

SITE ANALYSIS

FOOT TRAFFIC BODY POSITION NOISE INTENSITY

DESIGN PROCESS BODY POSITION STUDY

FOOT TRAFFIC

Sketches to invoke ideas about how body positions may occupy the hermitage.

In efforts to understand the overall space plan and how it functions with its occupants, an analysis of foot traffic was coducted to investigate the common path of travel.

AXON SECTION Demonstrates different body position options that the occupant can choose to experience while dwelling in the hermitage: sit / lie / stand.

NOISE INTENSITY There was little noise absorption due to hard surfaces in the space which resulted in much reverberation. The quietest location was at the center of the mezzanine level.

BODY POSITIONS The student union was typically used as a place for sleeping, studying, or walking/standing. This helped influence the design of the hermitage and how it would be commonly occupied.

NWOD EIL

Lie

TIS

Sit

LIE DOWN SIT

SUBTRACTIVE MASS This design process included concepts about shapes that would be subtracted from the cube in order to carve out multiple dwelling locations.

STAND

DNATS

Stand

PROJECT 1 HERMITAGE

PLANS SECTION A

B

SECTION B Scale: 1/4” = 1’-0”

3

A

4

2

A

1

ADOBE WAY

N

SITE PLAN

ELEVATION 1

B

SECTION B

ELEVATION 2

ELEVATION 3

SECTION A Scale: 1/4” = 1’-0”

ELEVATION 4

PROJECT 1 HERMITAGE

PERSPECTIVE

PROJECT 1 HERMITAGE

PERSPECTIVE

PROJECT 1 HERMITAGE

MODELS

CONTOUR MODEL MASS MODEL

MASS MODEL Modeling Software: Sketchup & 123D Make Tools: Laser Cutter Stacked and Glued by Hand Medium: Cardboard Time of Fabrication: 7 hours

CONTOUR MODEL Hand Cut & Assembled Medium: Bass Wood This model emphasizes the linear aspects of the hermitage. It showcases the connection of edges and its complex interworkings.

Time of Fabrication: 17 hours

PROJECT 1 HERMITAGE

KIOSK DESIGN URBAN GARDENING SOLUTIONS

OUTSIDE / IN

This project challenged a skill set for designing small spaces. A Kiosk that could not exceed dimensions 15’L x 15’ W x 15’H and should have the versatility of occupying indoor as well as outdoor spaces.

In addition to designing the kiosk, branding and a logo were to be established.

OUTSIDE / IN is a plant and flower kiosk, as well as an informational hub which provides innovative ways of bringing gardening life to city dwellers. Urban gardening gives people who reside in dense city areas to creatively recycle waste by planting in it, such as plastic bottles, old tires, and buckets. It also supports many environmental, social, and health benefits such as bringing communities together, adding green spaces to cities, and filtering air and rain water.

PROJECT 2 KIOSK

PARTI & VISION

DESIGN PROCESS HAND SKETCHING

3D SKETCHING

LAYERING This kiosk is intended to house living organisms so sufficient sunlight and airflow must be able to penetrate through the kiosk. Space between the horizontal wood slats allow for plants to receive proper flourishing agents.

HAND RENDERING

BUTTERFLY ROOF

Medium: black ink, colored pencil, & architectural markers Rendering by hand helped further develop the design by visualizing materials that would adorn the kiosk.

The butterfly roof is symbolic yet modern.

It enhances the airflow and light penetration to the inside of the kiosk.

PROJECT 2 KIOSK

PLANS

SECTION A

3

12’- 1” B

SECTION scale: 1/2 = 1’-0”

2

12’- 3”

SECTION B 4

A

A

1

B

PLAN

”

ELEVATION 1

ELEVATION

ELEVATION

ELEVATION

scale: 1/2 = 1’-0”

scale: 1/2 = 1’-0”

scale: 1/2 = 1’-0”

ELEVATION 2

ELEVATION 3

ELEVATION 4

PROJECT 2 KIOSK

PERSPECTIVE

PROJECT 2 KIOSK

PERSPECTIVE

PROJECT 2 KIOSK

MODEL

MATERIAL REPRESENTATION Stained plywood: MDF covered in plastic laminate Clear Acrylic: Glass White Museum Board: Fiberglass Grey basswood rods: Metal structure poles

KIOSK MODEL Hand Cut & Assembled Medium: Plywood, museum board, acrylic, basswood, foamcore, spray paint, artificial moss & wood stain.

SCALE : 1/2” = 1’ -0” Time of Fabrication: 44 hours

PROJECT 2 KIOSK

P O IN T /L I NE / F RAM E T H E

S T U D Y

O F

TRANSLATING 2D TO 3D

This project captured the translation of 2-dimensional photography to 3-dimensional model fabrication. The project approach drew inspirations from French physiologist and photographer, Etienne-Jule Marey (1830-1904). To better understand progress and movement, he used a tool called a chronophotographer (pictured above on left), which was capable of snapping 12 consecutive frames per second.

This allowed him to understand the human body and other living organisms.

The human model occupied actions through dance. Photographed with a multi-shot setting on a digital camera, a series of sequential images was achieved, similar to Marey. Photoshop was used to lay out the dance progression in correct sequence. By lowering the opacity, it allowed the movement to overlap, as well as providing direction for the overall form of the 3D translation.

PROJECT 3

POINT / LINE

TRANSLATION PLANS

MODEL FABRICATION PROCESS

Planned out the transposition from 2D photogrpahy to 3D modeling by tracing the dancer’s movement.

Medium: Basswood Hand cut & Assembled Representing her hips with the thickest dowel, it acted as the spine for the model for which other portions of thinner dowels branched off of.

Time of Fabrication: 12 hours.

PROCESS Using different colored markers, I symbolize the hierarchies of body as well as modes of pressure and weight distribution throughout the action.

LINE WEIGHTS Utilizing different line weights, the movement of the physical model was conceptualized. Her hips remained constant and her arms and legs provided most of the movement.

PROJECT 3

POINT / LINE

PREFAB HOME HOME & OFFICE

MODULAR EICHLER This 1,500 square foot prefabricated home and office was designed for clients

Angelina

Hernandez

and

Brenden Perez. Both clients needed a home that accommodates their workfrom-home lifestyle, as well as their many hobbies and pastimes. Modular housing fits Brendan’s and Angelina’s values and lifestyle requirements. Prefabs are commonly constructed with open floor plans, rapid assembly time, energy efficiency, and the ability to move or alter at any time.

A

B

C

D

E

KEY

MODULAR MODULAR length 47’ - 0” CONNECTION width 11’ - 6” A

TheMODULAR home is built in a length 47’ - 0” fabrication width 11’ - 0” warehouse.

MODULAR Chunks of the home must be length 27 - 4” width 11’ - 8” shipped to the site within the MODULAR length 47’ - 0” of the shipping constraints width 10’ - 0” containers (50’ x 12’). The MODULAR length 47’ - 0” prefab are then width 9’components - 1--0” connected on the site.

B

C

D

E

FEATURES This 2 bedroom 2 1/2 bath ranch home includes a 500 square foot office, radiant floor heating, roof-top solar panels, and recycled materials and finishes. The shading system on the perimeter of the house eliminates the use of indoor curtains which accumulates dust over time. The open floor plan encourages maximized airflow and decreases stagnant air. The use of hard flooring reduces allergens and mold.

PROJECT 4 PREFAB

PLANS

FLOOR PLAN

REF

11

13

12

A

A

10

47’- 10”

The site location for the prefab home is located at 55 Adobe Way, Petaluma, California. The parcel of land for which the Eichler was built upon is 7,000 square feet.

18

DW

SITE PLAN

1. residential entry 2. client entry 3. client carport 4. 1-car garage 5. atrium 1. Residential Entry 2. Client Entry 6. office 3. Client Carport 4. 1-Car Garage 7. 1/2 bathroom 5. Atrium 6. Office 8. conference 7. Office 1/2 Bath Conference 9. work/flex8.9.space Workspace/Flex 10. Living 10. living 11. Dining 12. Kitchen 11. dining 13. Master/Bath 14. Guestroom 12. kitchen 15. Bathroom 16. Hall 17. Washer/Dryer 13. master bath 18. Patio 14. guest room 15. bathroom 16. hall 17. laundry closet 18. patio

54’-0”

16

5

14

15

7

1

17

2

1

6 3

2

4

9 8

1

SECTION A

ADOBE WAY

N

ELEVATION 1

ELEVATION 2 0

2

4

8

PROJECT 4 PREFAB

FINISHES & FURNITURE

OFFICE PERSPECTIVE PROCESS OFFICE

Office

Master Bath Master Bath bathroom bathroom tile tile parisian white parisian tile white tile

House Flooring House Flooring Sanblasted Sanblasted concrete concrete tile tile

Office Bath Office Bath accent tile accent tile

Office

MASTER BATH

rose ash blend rose ash blend

Master Bath Master Bath accent tile accent tile

Office Bath Office Bath countertops countertops

olive ceramic olivetileceramic tile

Hand rendering was mapped out in red pencil and finalized with black ink.

The final rendering is composed of architectural markers, color pencils, black ink and photoshop.

jicama satin jicama satin

cordota satin cordota satin

Outdoor Outdoor OUTDOOR

meander saffron meander saffron

Office Flooring Office Flooring hardrockhardrock maple maple matte finish matte finish

Kitchen Kitchen CabinetsCabinets

Coutertops Coutertops

light ash specked light ashgranite specked granite

knoll spencer

knoll spencer

Accent Color

philadelphiaphiladelphia cherry wood cherry wood

Accent Color

smooth rocks

horizontalhorizontal panel fence panel fence

dark maple dark maple

Exposed Beam

Exposed Beam

KITCHEN

Patio Deck Patio Deck smooth rocks

Maplewood Maplewood

Master Bath

Master Bath

Master Bath Master Bath counter counter tops tops

Office Window Office Window PartitionPartition

FURNITURE Brise Soleil - Wood panels

Knoll - Jamaica stool

Herman Miller - Tuxedo Sofa Jacobsen Egg chair DW

REF

Herman Miller - Noguchi coffee table

IKEA - Malm queen bed

IKEA - Expedit

Bo Concept - Elba outdoor lounge chairs and side table

Knoll - Saarinen side table

Herman Miller - Eames molded plastic

Watson Desking - Seven universal

Prepac Elite - Garage storage systems

PROJECT 4 PREFAB

PERSPECTIVE

PROJECT 4 PREFAB

PAPER PRINTER PLUS THE STUDY OF

D I G I TA L M O D E L FA B R I C AT I O N

hethe on dTsed to to T d of e cracks that that formform on the hen in the cracks on the nmaterials then are exposed to to When materials are exposed y of riety of or colod, & deprived of e, hot or cold, & deprived of an. eain. & rigid.

The The tension then This brittle & rigid. tension then ards sds creates a wide variety of of that ocess creates a wide variety he exterior of the terrian. ss the exterior of the terrain. This ature ature.

ploresthe thetriangular triangularshards shards plores that seclimate climatebonds bonds with with nature nature.

TT

Paper > Printer > Plus is a project consisting of three parts. Working in teams of two, three products were designed to be placed in a Hotel. PAPER is wallpaper, PRINTER is 3D printed light fixture, and PLUS is 3D printed tiles.

Inspiration was based on geologic formations across the earth’s terrain. When materials are exposed

the panels took inspiration anels took inspiration ne Pavilion.

Panels are from either on.

Panels either solid with to are provide different on glass rovide different degrees of rom ght penetration. either

results in a fissure. This process creates a wide variety of shapes and patterns across the exterior terrain.

These wallpaper designs explores the triangular and polygonal shards that produce when intense climate Scanned by CamScanner

olid erent s of

to extreme temperature, hot or cold, and deprived of moisture, it becomes brittle and rigid. The tension

bonds with nature.

Scanned by CamScanner

Scanned by CamScanner

DEVELOPMENT

PROJECT 5 P > P > P

PAPER PROCESS Using an image of cracked dirt (a) a vector graphic was created in illustrator (b).

Organic earth tones were explored which was inspired by the multiple parallel layers of sedimentary deposition that naturally form over time on earth’s rocky terrain (c).

WALLPAPER ONE

S T R AT U M

PAPER CREVASÉ

WALLPAPER TWO

PROCESS Similar to the methods used in illustrator for Stratum, this wallpaper was inspired by ice cracks and ice caves. The middle of the wallpaper draws you in.

a

b

c

PROJECT 5 P > P > P

PRINTER

MODEL

LIGHT FIXTURE

3D printed by Shapeways. com. Digitally modeled in MODO and printed with white nylon.

CRACKLE

SUPPORTS

Using the same geologic formations as the wallpaper,

Leg of fixture which gently elevates the cube off the surface it rests upon.

a light fixture was designed. It was then 3D printed out of white nylon. We considered mutilple types of lighting options with a single design by manipulating scale.

Optical effects were created which projected polygon shapes and crackled patterns onto the walls of the rooms which housed them. The fixture’s function was to create ambient lighting in versatile settings such as hotel rooms or lobby by either resting upon a table top Scanned by CamScanner

or hanging boldly over a reception desk.

Scanned by CamScanner

FIXTURE PLAN & ELEVATION SCALE The 3D model was scaled down and printed as 4” x 4” x 4”.

North

West

N

0 0 0

1’

3’

1’

3’

1’

3’

6’

6’

6’

PERSPECTIVES

AN

ELEVATIONS

PROJECT 5 P > P > P

PLUS

TILE ELEVATIONS

TILE TESSELLATION

PANGEA The “PLUS” portion of this project focused on designing

AGGREGATED TILES

and fabricating a tessellated tile assembly using a Resin 3D printer. The tessellation took on surface texture that is derivative of the first two products. Tessellations that create different textures and patterns were first Scanned

by CamScanner researched. Next, 3 unique tiles that work well together to make a unified, yet varied 10’ x 30’ wall was made.

Pangea is a non-standard tessellation meaning no two tiles and connections are the same but fit together like a puzzle. Inspiration was taken from the geological supercontinent Pangea, which once was all of the earth’s continental blocks formed into a single landmass.

The different crevasses vary across the surface of the tiles which mimic giant cracks that are illuminated by the backlit wall they rest upon.

TILE PERSPECTIVE

WALL ELEVATION

Scanne

d by Ca

mScann

er

Scanned by CamScanner

PROJECT 5 P > P > P

PERSPECTIVES

MODELS 3 tiles were 3D printed using a formlabs 3d printer and clear light-sensitive resin. Each tile took roughly 8 hours to print with an additional 2 hours of cleaning, sanding, and applying finish for a total of 26 hours of fabrication.

PROJECT 5 P > P > P