March 6, 2026
GREATER HOUSTON EDITION
AframNews.com
Vol.31, Issue 5
FREE
African-American News&Issues
“Addressing Current & Historical Realities Affecting Our Community”
EARLIE HUDNALL, JR. By: PDNB Gallery
WHERE DID THE BLACK COACHES GO? By: Roy Douglas Malonson
As the National Football League closed another hiring cycle, a familiar and troubling pattern resurfaced—qualified Black assistant coaches once again watched head coaching opportunities pass them by, reigniting national debate about race, power, and access in America’s most profitable sports league. For many within the African American community, the conversation extends beyond football fields and front offices, intersecting with broader concerns about leadership equity in the social and political climate of President Donald Trump’s America. At the start of the most recent NFL offseason, several Black head coaches either lost their jobs or
saw their tenures end under performance reviews that critics argue were far shorter than those granted to their white counterparts. By the end of the hiring cycle, only a small handful of Black head coaches remained leading the league’s 32 franchises, despite the fact that nearly 60 percent of NFL players are African American. To many observers, the disparity feels impossible to ignore. “This is not about wins and losses alone,” said one longtime sports diversity advocate. “It’s about opportunity, patience, and who is seen Coaches on pg. 3 as ‘leader material.’”
PDNB Gallery artist, Earlie Hudnall, Jr., has been keeping busy in the past year. It has been rather exciting to see the continued strong interest in his work throughout the past decade. Since 2023, the Museum of Fine Arts Houston has added many photographs to their existing collection of Earlie Hudnall’s work, a goal of Malcolm Daniel’s before he retired from his position as The Gus & Lyndall Wortham Curator of Photography last year. During several studio visits, Malcolm and Lisa Volpe enjoyed hearing Earlie’s stories and viewing many rare images that have not been exhibited or published before. These acquisitions allow a deeper look into the breadth of this artist’s career. Other museum acquisitions included the Nelson Atkins Museum, Kansas City, Missouri, the National Juneteenth Museum, Fort Worth, Texas, the Art Museum of Southeast Texas, Beaumont, Texas, and the Blanton Museum of Art, Austin, Texas. The Blanton Museum acquisition was a result of PDNB Gallery’s participation in the UNTITLED art fair in Houston last fall. PDNB featured a solo show at UNTITLED for Earlie Hudnall, receiving much attention by local collectors, press, and from the Third and Fourth Ward community folk that he has photographed since studying art at Texas Southern University in the 1970’s. Earlie has been included in an important group exhibition, Photography and the Black Arts Movement, 1955-1985, that opened at the National Gallery of Art in Washington DC and has just traveled to The Getty Center in Los Angeles, California. The Getty Center used his image, Mother with Sons, in their graphics for the entrance panel to the show. And a recent solo show, My Own Backyard, features 38 photographs that highlight his career at the Artspace, Shreveport, Louisiana. On Friday, February 26 at 6 pm, Earlie will present an artist talk at Artspace. The exhibition continues through March 13, 2026. PDNB and Earlie Hudnall are grateful to all museums, collectors and colleagues who have supAA ported this artist throughout this past year.