AULIO Maxime - The Day The Little Green Men Didn’t Attack Earth!, pour Theremin solo et ensemble

MAXIME AULIO

THE DAY THE LITTLE GREEN MEN DIDN'T ATTACK EARTH ! (version pour Soprano en ossia de la partie de Theremin) Commande de l’Association des Amis de la Musique des Sapeurs-Pompiers de Paris

Score

Instrumentation Solo Theremin (or Soprano Voice) Flute 1 Flute 2 Flute 3/Piccolo Oboe/English Horn 2 English Horn 1 Bassoon 1 Bassoon 2 Clarinet in Eb Clarinet in Bb1 Clarinet in Bb2 Bass Clarinet in Bb Contrabass Clarinet in Bb Baritone Saxophone/Alto Saxophone Horn in F 1 Horn in F 2 Cornet in Bb 1 Cornet in Bb 2 Trombone 1 Trombone 2 Bass Trombone Tuba Violoncello Contrabass Electric Guitar (Radio Transistor) (Crunch booster overdrive, Leslie, Phaser, wah-wah, 8va pedal optional, 1 drum stick) Harp Celesta Percussion 1 Timpani, Bass Drum, Vibraphone (4 octaves opt.), Drum Set (hit-hat, pedal bass drum, 3 toms, floor tom, snare drum, cymbals – crash, splash, chinese, trashformer, sizzle) *

Percussion 2 Crotales (1 octave), Glockenspiel (with pedal), Thunder Tube (spring drum), 2 Taka-taka (very small friction drum), Rubber Balloon to pop, Rubber Balloon to scrape with fingers, Flexatone, Slapstick (fouet)

Percussion 3 Wine glass to break, Mark tree (metal wind chimes), Suspended Cymbal (from drum set), very high Wood Block, Drum Set (hit-hat, pedal bass drum, 3 toms, floor tom, snare drum, cymbals – crash, splash, chinese, trashformer, sizzle) *

* The 2 drum sets should be on similar configuration, and as possible, with equivalent sounds (except for suspended cymbals, freely chosen)

THE DAY THE LITTLE GREEN MEN DIDN'T ATTACK EARTH ! (version pour Soprano en ossia de la partie de Theremin) MAXIME AULIO (2014-2022) Op. 34

Commande de l’Association des Amis de la Musique des Sapeurs-Pompiers de Paris

à Thorwald Jørgensen

4 4

Senza misura

q = ca. 60

Senza misura

3 8

q = ca. 60

Senza misura ca. 6 s

1 4 4 4 ad lib.

q = ca. 60 molto vib.

3

2 4

(highest note)

Theremin p

mp

f

p

mf

f

pp pp

3

(highest note)

[Version pour Soprano] (œ)

( o)

(ῖ)

flatt.

Flute 1 pp

pp

Flute 2 pp

Picc.

Piccolo (Flute 3) pp Oboe (English Horn 2)

English Horn 1

Bassoon 1,2

Clarinet in Eb

Clarinet in Bb 1

Clarinet in Bb 2

Bass Clarinet in Bb

Contrabass Clarinet in Bb (continuous breathing preferably) long

pp

long

solo

Baritone Saxophone (Alto Saxophone) niente

pp

mp

pp

Horn in F 1,2

Cornet in Bb 1,2

Trombone 1

Trombone 2

Bass Trombone

Tuba in F

Senza misura

4 4

q = ca. 60 au talon

Senza misura

3 8

q = ca. 60

Senza misura ca. 6 s

sim.

1 4 4 4 ad lib.

q = ca. 60

2 4

Violoncello pp

mp

Contrabass

Electric Guitar with fingernail

Harp

Celesta

MNMOMMNN

p

p

5

Percussion 1

Percussion 2 break a wine-glass

Percussion 3 mf

5

2

3 4

9

1 3 8+ 4

(very high short sound)

4 4

(lowest tone)

sub.

s. glis

Th. pp noisy

pp

sub.

pp

mp

pp

mp

(lowest tone)

f molto vib.

s. glis

[S.] (ti pi ti ki ti pi ti...)

f

(mm)

(a)

Fl. 1 p

mf

p

mf

Fl. 2

Picc.

Ob.

Eng. Hn. 1 a2

Bsn. 1,2 ffz Eb Cl.

Cl. 1

Cl. 2 quasi slap

3

B. Cl. f

fz 3

Cb. Cl.

3

f

fz

slap

Bari. Sax. fz

muted

a2 - un peu cuivré 3

open

muted

Hn. 1,2 p

pp

(f)

3

mp

straight mute

mf

6

6

6

6

(mute)

Cor. 1,2 p

3

mp

mf

straight mute

Tbn. 1 pp straight mute

Tbn. 2 pp straight mute

3

open

B. Tbn. pp

mf

mf 3

3

Tba.

3 4

1 3 8+ 4

3

mf

mf

(f)

4 4

(2)

Vc. fz

pp

f (2)

(1) buzz pizz.

Cb. fz

mf

pp

f

Radio

Hp.

mfz

MNMOMLNN

3

as fast as possible

mf

Cel.

Timpani

with thin wooden stick (rattan) 5

3

med. felt stick

Perc. 1 mpz Crotales

mf randomly, slowly, irregularly

Perc. 2 p Mark tree (metal wind chimes)

Perc. 3 p l.v.

(1) buzz pizz. : make the string vibrate against a left-hand fingernail placed directly beside the string ("buzz") (2)

: changez d'archet à volonté, indépendamment l'un de l'autre - violoncelle/contrebasse

13

ord. vib.

molto vib.

(high note)

. gliss

Th.

gli ss. p

ff

ff

ord. vib.

molto vib.

gli ss.

. gliss

[S.]

3

A

(Ra) criez

Fl. 1 p

mf

p

mf

Fl. 2

Picc.

Ob.

Eng. Hn. 1 p

p

f

f

p

f

p

f

p

f

3

p

f

p f

3

3

Bsn. 1,2 p

f

p

p

f

f

3

3

p

f

3

p

f

p

3

f

Eb Cl.

Cl. 1

Cl. 2

3

B. Cl. f

3

ff

Cb. Cl. f

ff

(slap)

Bari. Sax. ffz

ff

Hn. 1,2 mp

3

mf

6

6

6

6

avec tension

Cor. 1,2 mp

3

mf

poco f

mf IV

3

(1)

open - avec tension

I

5

II

Tbn. 1 mf poco a poco cresc.

(cresc.)

[ff]

IV

3

open - avec tension

(1)

5

III

I

Tbn. 2 mf poco a poco cresc.

(cresc.)

[ff] (à peine cuivré)

3

B. Tbn. f

opt.

(légèrement cuivré)

3

Tba.

A

f

Ö (forte pression)

Ö

Vc. ffz

ff

(forte pression)

Ö

Ö

Cb. ffz

ff

Radio

Hp.

MMMOLNML

(3)

ffz sim.

(2)

Cel.

dim. poco a poco (non rall.)

Timp.

3

Perc. 1 B.D. (same stick)

B.D.

mf

f

sim.

Perc. 2 dim. poco a poco e rall.

l.v.

Perc. 3 p l.v.

(1) remonter dans les positions au fur et à mesure, très rapidement, afin d'atténuer le plus possible les coupures dans le glissando (2) diminuer tout en gardant la vitesse d'exécution ; il n'est pas grave que certaines notes sonnent et d'autres non, du moment où les mains commencent à quitter le clavier (3) laisser le doigt glisser rapidement et vigoureusement vers la table, afin qu'il tape celle-ci avec bruit, juste après la note jouée

4

poco vib.

19

port.

Th. (poco f)

f

poco f - lyrico

(poco f)

poco f

port.

[S.]

Fl. 1

Fl. 2

Picc.

Ob. (f)

f lyrico Eng. Hn. 1 f lyrico

(f) 3

Bsn. 1,2 mp

mp

3

ff

f

3

3

p

mf

3

pp

p

Eb Cl.

Cl. 1 mp

mp

mp

mp

Cl. 2

B. Cl.

Cb. Cl.

Bari. Sax. open

3

3

3

Hn. 1,2

open

3

3

mp

f

mf

p

mf

p

mp

pp

3

Cor. 1,2 mp

f

mf

p

mf

p

mp pp

Tbn. 1 mp

f

mp

mf

p

mf

p

mp

pp

p

mf

mp

mp

f

mp

mf

p

mf

p

mp

pp

p

mf

mp

Tbn. 2

B. Tbn.

Tba.

Ö

Ö

Ö

Ö

Vc.

Ö

Ö

Ö

Ö

Cb.

Radio

mf

MNLONMLM

Hp.

p

ff

[mf]

mf

Cel.

Perc. 1

Perc. 2

Sus. Cym.

Perc. 3 p

f l.v.

23

5

etherical (flute)

Th. p

poco a poco cresc.

[S.]

Fl. 1 f

f

f

f

Fl. 2

Picc.

Ob.

6

f

Eng. Hn. 1

6

6

f

3

3

3

3

mf

3

3

mf

6

mf 3

a2

Bsn. 1,2 f

3

f

3

5

f

f

Eb Cl. mp

Cl. 1 f

mf

p

mp

f

f

mf

p

mp

f

6

6

6

6

3

3

mf

Cl. 2 mf

B. Cl. mf Cb. Cl. mf Bari. Sax. mp

a2 - soli

3

Hn. 1,2 f 3

3

f

3

3

5

f

3

1.

f

3

5

Cor. 1,2 p

mf

mp

(-2.)

pp

mf 3

mf

3

Tbn. 1 pp p

mf

mf

mf

Tbn. 2 pp p

mf

B. Tbn. mf Tba.

(highest note) au talon

ord.

Ö Vc. 6

f

6

fz

f

mf

f

Ö Cb. f

mf

Radio

mf

MNLOMMMM

Hp.

f

Cel.

mf

3

3 3

3 3

3

f

p

3

l.v.

3

3

3

3

p

Vibraphone (very hard mall.) (1)

Perc. 1 p

f

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

(3) Glock. (rubber hard xylo. mall.) (2)

Perc. 2 p Hit-hat (wooden sticks) - towards the edge E

f

6

6

6

6

Sus. Cym.

Perc. 3 Pedal B.D.

p

5

f

(1) 4 octaves vibraphone preferably (2) pedal glockenspiel preferably

(3) in case you don't have a 3 octaves glockenspiel, play all the sextolets since bar 24, an octave lower

6

27

gliss.

Th. f

3

3

3

3

f s. glis

[S.]

Fl. 1 ff

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

Fl. 2 ff Picc.

3

3

3

3

ff

Ob. ff Eng. Hn. 1 ff

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3 a2

3

Bsn. 1,2

3

5

Eb Cl.

3

f

ff

3

3

3

3

f

ff

Cl. 1 ff Cl. 2 ff 3

3

B. Cl. f

f

Cb. Cl. like a drone in the lowest register 3

3

pp

3

Bari. Sax. f

f

f

5 3

Hn. 1,2

3 3

ff

p

Cor. 1,2 +2.

3

3

3

3

3

Tbn. 1 5

f

poco

f

f 3

3

3

Tbn. 2 f

f

f

3

3

B. Tbn. f

f

3

3

Tba. f col legno - battuto (1)

Vc. 3

– R

3

5

ff

f (2)

– R

– R

– R

arco

p - mp

ff

Cb.

Radio

MLLOMMMM

Hp.

f

ff

Cel.

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

loco

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

(preferably)

Perc. 1

Perc. 2

6

6

6

6

6

6

6

6

3

Hit-hat

Perc. 3 mp

(1) arpeggio, on 4 strings, behind the bridge (2) play on the tail piece

ff l.v.

ff

B

31

7 soloist : senza misura (stay background !)

nasal/harsh sound

[ FRENCH NATIONAL ALERT SIGNAL]

Th. mp poco a poco dim.

(5)

mp poco a poco dim.

(background)

w/electric megaphone

[imiter une sirène d'alarme]

[S.]

(ã)

Fl. 1

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

mp poco a poco dim.

Fl. 2

mp poco a poco dim. to Flute

Picc.

3

3

3

Ob. poco a poco cresc. 5

5

f

meno f

3

3

Eng. Hn. 1 5

f

f

poco a poco cresc.

3

Bsn. 1,2

Flatt.

ffz

ffz

ffz

ffz

ffz

3

5

ffz

3

3

Eb Cl. poco a poco cresc. 5

f

meno f

3

3

3 Flatt.

Cl. 1 5

f

poco a poco cresc.

5

meno f

3

3

3 Flatt.

Cl. 2 5

f

poco a poco cresc.

5

meno f

3

B. Cl.

ffz

ffz

ffz

ffz

ffz

ffz

ffz

ffz

stay background

etc.

Cb. Cl.

p-f 3

Bari. Sax. ffz

ffz

ffz

ffz 3

1.

Hn. 1,2 (-2.) f

ff

3

3

3

a2 - broardly

Cor. 1,2 5

f

5

meno f

poco a poco cresc.

3

Tbn. 1 ff

3

Tbn. 2 ff

3

B. Tbn. ff

3

Tba.

ff

B Vc. p - mf

mp - ff

(2)

Cb. p - mp

p - mf

RADIO (3)

Radio

¯¯¯

¯¯¯¯¯¯¯¯¯¯¯¯¯¯

¯¯

mp

¯¯¯

¯¯¯¯¯

¯¯

mf

mp - ff

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ ff

strongly strike the soundboard w/ finger 3

Hp.

3

f

¯¯

¯

¯¯¯

¯¯¯¯¯¯¯¯¯¯¯¯

¯

ff

¯¯¯¯

¯¯¯

¯¯¯¯¯¯¯¯

¯¯

¯

ff

¯¯¯

¯¯

3

3

l.v.

Cel.

ff

10

l.v.

(on "black" notes) 3

Perc. 1 B.D. (wooden sticks)

f

l.v.

Perc. 2

eeeeee

f

fz

fz

fz

fz

fz

etc. (ad lib.)

eeeeeeeee

eeeeeeeee

eeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeee

stay background

mf - ff

l.v. to Drum Set (6)

Perc. 3

fz

Thunder tube (spring drum) (4)

(on "white" notes)

3

Bass tom

Mark tree

p l.v.

Pedal B.D.

fz

fz

fz

fz

fz

(3) radio transistor tuned between noise and talking (news, debate) broadcast - no music ! Adjust the maximum volume (ff) to stay on the background (4) o ----- + ----- o : keep a hand to open/close the tube as you shake it with the other one ; wah-wah effect

fz

(5) see Appendix (6) see note bar 47

8

39 Th.

[S.]

Fl. 1

Fl. 2

3

Ob. 6

6

3

3

3

3

meno f

f

poco a poco cresc.

3

3

to English Horn 2

3

f 3

3

3

3

Eng. Hn. 1 meno f

6

poco a poco cresc.

f

f

f

f

3

Bsn. 1,2

ffz

3

ffz

ffz

3

3

6

3

6

3

6

3

ffz

3

3

ffz

3

3

Eb Cl. 6

meno f

poco a poco cresc.

3

3

f

3

f 3

f 3

3

3

3

f 3

Cl. 1 6

meno f

poco a poco cresc.

3

3

f

3

f 3

f

f 3

Cl. 2 6

meno f

f

poco a poco cresc.

f

f

f

3

B. Cl.

ffz

ffz

ffz

ffz

ffz

Cb. Cl.

3

Bari. Sax.

ffz

ffz

ffz

f

3

ffz

ffz

6 3

(-1.)

3

3

3

+1. - a2

Hn. 1,2 3

f

3

a2

Cor. 1,2 6

3

3

p

poco a poco cresc.

6

3

2.

f

f

3

f

3

f (-1.)

3

3

3

2.

meno f

poco a poco cresc.

f

f

3

Tbn. 1

f

f

3

Tbn. 2

3

B. Tbn.

3

Tba.

Vc.

Cb.

Radio

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯

¯¯

¯¯

ff

3

sim.

¯¯¯¯¯¯¯¯¯ ff

¯

¯¯

¯¯¯¯¯¯¯¯¯¯¯¯¯

¯¯¯

ff

¯

¯¯

¯¯¯

¯¯¯¯¯¯¯¯¯

¯

ff

¯¯

¯¯¯

¯¯¯¯¯¯¯¯¯

¯¯

¯

¯

ff

¯¯ ff

3

f

Hp.

¯¯¯

3

3

l.v.

Cel.

3

Perc. 1 fz Perc. 2

fz

fz

fz

fz

eeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeee 3

(1)

Perc. 3

ROCK

fz

fz

fz

fz (f)

(1) ROCK : play/improvise in a hard rock/metal style, keeping in mind q=60 or 120. It should increase - in force, inspiration, use of different/complicated rhythms,... - from bar 44 to 52

ROCK

fz

19 8

C

48

ca. 20 s Conductor (w/ Megaphone)

to the audience & musicians :

"Your attention please : this is NOT a drill... I repeat... this is NOT a drill..."

Cond.

Th. give the megaphone to the conductor

[S.] perdendosi

Fl. 1

Fl. 2

Fl. 3

Eng. Hn. 2 3

Eng. Hn. 1 f 3

1.

a2

overblown !

3

Bsn. 1,2 2.

f

molto f

3

poco a poco cresc.

(ff)

Eb Cl. 3

3

3

3

f

molto f 3

poco a poco cresc.

(ff)

3

3

3

molto f

overblown !

3

Cl. 2

f

overblown !

3

Cl. 1

poco a poco cresc.

(ff)

overblown !

B. Cl. ffz

ffz

Cb. Cl.

overblown !

Bari. Sax. ffz

3

3

f

molto f

overblown !

3

Hn. 1,2

poco a poco cresc.

ffz

(ff)

3

Cor. 1,2 f

sim. - overblown !

Tbn. 1 ffz

sim. - overblown !

Tbn. 2 ffz

sim. - overblown !

B. Tbn. ffz

ffz

sim. - overblown !

Tba.

ffz

(forte pression)

C

ffz

1 8

ca. 20 s

Vc. f

3

poco a poco cresc.

(ff)

Cb. f (extraits de plus en plus courts, plus espacés, moins sonores)

Radio

¯¯¯

¯

¯¯¯¯¯

¯¯

¯

¯¯¯¯¯

¯¯

¯

¯

ff

( ad lib.) create a larsen effect, progressively

¯¯¯¯¯

¯¯

¯

¯

Electric guitar

+ tremolo poco a poco

¯¯¯¯¯¯¯¯¯¯

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯

¯¯¯¯¯¯¯¯¯¯¯¯¯

¯

f

MMLOMMMM

Hp.

Cel.

to Drum Set (1)

Bass tom

Perc. 1

(balance drums & voice)

ROCK Pedal B.D.

Perc. 2

(2)

fz (f)

ROCK

fz

(f) cresc.

fz

(ff)

eeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeee

eeeee (balance drums & voice)

Perc. 3

ROCK

fz

ROCK

fz (f) cresc.

(ff)

(1) Drum sets (perc. 1/3) : the 2 drum sets should be on same configuration, and as possible, with equivalent sounds (except for sus. cym., freely chosen) ; hit-hat pedal B.D., 3 toms, floor tom, S.D., crash cym., splash, chinese, trashformer, sizzle (2) see note bar 44

fz

1 8

10

,44

molto rit.

D

4+ 1 48

A tempo q = ca. 60

4 4

nasal

Th. mf mf 5:3

S. (i)

Fl. 1

Fl. 2

Fl. 3

Eng. Hn. 2

Eng. Hn. 1

Bsn. 1,2

Eb Cl.

Cl. 1

Cl. 2

son fendu

B. Cl. ffz son fendu

Cb. Cl. ffz son fendu

to Alto Sax.

Bari. Sax. ffz Alto Sax.

Hn. 1,2

Cor. 1,2

Tbn. 1

Tbn. 2

B. Tbn.

Tba.

1 8

molto rit.

4D 4

4+ 1 48

A tempo q = ca. 60

(gliss.)

sul pont.

4 4

Vc. ff

Cb. (tapped harm.) overdrive

E. Gtr.

ordinario (opt. echo/poco reverb)

add some "crunch" booster poco a poco

crunchy

slide

IV V VI

trem.

ffz

p sub.

Dm (1)

Hp.

etc.

B¨

Dm/F

Gm

ffz

Cel.

(étouffez !)

Perc. 1

Perc. 2 (étouffez !)

Perc. 3

(1) Chords are indicated, so your can change the positions, although only high and low voices can't change.

Dm

mf p

64

4E 4

legato

poco a poco vibrato

3

3

3

3

molto vib.

Th. poco f poco f

S. (a)

Fl. 1

Fl. 2

Fl. 3

Eng. Hn. 2

Eng. Hn. 1

Bsn. 1,2

Eb Cl.

Cl. 1

Cl. 2

B. Cl.

Cb. Cl.

Alto Sax.

Hn. 1,2

Cor. 1,2

Tbn. 1

Tbn. 2

B. Tbn.

Tba.

4E 4

ord.

Vc.

[f-ff] (bartok pizz.)

Cb. ffz

E. Gtr. mf (not too loud, give space to cello)

Hp.

Cel.

Perc. 1

Perc. 2

Perc. 3

poco a poco vibrato

11

12 67

ord. vib. ord. sound (plain)

Th. legato

f (large) ord. vib.

3

3

3

3

molto vib.

S. (ae)

(a)

Fl. 1

Fl. 2

Fl. 3

Eng. Hn. 2

Eng. Hn. 1

6

Bsn. 1,2

6

6

3

f Eb Cl.

Cl. 1

Cl. 2

B. Cl.

3

Cb. Cl.

6

6

6

f Alto Sax.

Hn. 1,2 2.

Cor. 1,2

Tbn. 1

Tbn. 2

B. Tbn.

Tba.

(

port.

Vc. (legato) Cb.

E. Gtr.

Hp.

(solo)

12

Cel.

11

ff

Perc. 1

Perc. 2

Perc. 3

≥≤ ≥)

70

6

conductor, think :

5+F5+7 16

6

13

6

x

= x (q = ca. 90)

poco a poco vib.

molto vib.

Th. 3

cresc.

3

vib.

sfz !

S.

ù

3

cresc.

3

criez !

Fl. 1

Fl. 2

Eng. Hn. 2

Eng. Hn. 1 ff Bsn. 1,2 6

Eb Cl.

6

3

6

ff

6

6

3

6

6

6

3

6

6

6

3

6

ff

f Cl. 1

ff

f Cl. 2

6

6

6

6

6

6

6

6

6

6

6

6

ff

f B. Cl.

f Cb. Cl.

ff

f

ff

Alto Sax.

Alto Sax. ff (-1.)

6

6

6

6

Hn. 1,2 f

ff

Cor. 1,2

Tbn. 1

Tbn. 2

B. Tbn.

Tba.

F

5+5+7 16

sim.

ff 6

x

= x (q = ca. 90)

Vc. ff

arco

Cb. f

6

6

3

6

ff

E. Gtr. ff

Hp.

Cel.

(toms)

6

6

6

Perc. 1 3

(B.D.)

3

p

f

Perc. 2

(toms)

6

6

Hit-hat (half open)

Perc. 3 3

p

(B.D.)

f

mp sub.

cresc.

14 ossia

2 4

"rock" sound (crunch/distortion) (*)

w/guitar

port.

7 16

Th. f

(ff) ff w/guitar

S. (a)

Fl. 1 ff

f

f

Fl. 2 f Flute

ff

f

f Eng. Hn.

ff

f

Fl. 3

Eng. Hn. 2 f

f Eng. Hn. 1

f Bsn. 1,2 ff Eb Cl. f Cl. 1 f Cl. 2 f B. Cl.

ff Cb. Cl.

ff Alto Sax. f +1. - a2

Hn. 1,2 f cuivré

ff

ff

1.

a2

a2

Cor. 1,2 ff cuivré

f cuivré

ff

f

Tbn. 1 f cuivré

f

f cuivré

f

Tbn. 2

B. Tbn. f cuivré

to the fore

trem. gliss.

f

Tba. ff

f

Bartok pizz. col legno batt.

Bartok pizz.

col legno batt.

f

2 4

7 16

arco

Vc. ff

Bartok pizz.

Bartok pizz.

col legno batt.

col legno batt.

arco

Cb. ff (+ reverb) harmonics

sim.

(

pedal opt.)

sim.

port.

E. Gtr. ff

gliss. (fast)

LMMOMLML

Hp.

w/theremin (or soprano)

ff

black keys

ff

Cel.

white keys

Hit-hat (half open) dirty metal

Perc. 1 f Perc. 2 Cym. (crash)

Cym. (chinese)

You can vary ad lib. (cymbals, hit-hat)

(low toms)

Perc. 3 (f)

(*) unisono tuning can be "dirty" ; don't try to make it clean, play "dirty rock"

79

7 16

2 4

7 16

2 4

715 16

2 4

7 16

Th.

S.

Fl. 1

Fl. 2

Fl. 3

Eng. Hn. 2

Eng. Hn. 1

a2

a2

a2

a2

Bsn. 1,2

Eb Cl.

Cl. 1

Cl. 2

B. Cl.

Cb. Cl.

Alto Sax.

Hn. 1,2

Cor. 1,2

Tbn. 1

Tbn. 2

B. Tbn.

Tba.

7 16

2 4

7 16

Vc.

Cb.

E. Gtr.

Hp.

Cel.

Perc. 1 mf

Flexatone

Perc. 2 Cymb. (crach, chinese,...)

Perc. 3 mf

(f)

(f)

16

87

7 16

port.

2 4G

hollow sound

Th. p

mp mp

p S.

(œ)

breath ad lib.

Fl. 1 ff

mp breath ad lib.

Fl. 2 ff

mp

to Piccolo

Fl. 3

Eng. Hn. 2 ff Eng. Hn. 1 ff breath ad lib.

a2

breath ad lib.

Bsn. 1,2 f

p

breath ad lib.

Eb Cl. f

p

breath ad lib.

Cl. 1 f

p

breath ad lib.

Cl. 2 f p

breath ad lib.

B. Cl. p

f breath ad lib.

Cb. Cl. p f breath ad lib.

Alto Sax. p

f a2

Hn. 1,2 ff Cor. 1,2 ff Tbn. 1 ff Tbn. 2 ff B. Tbn. ff Tba.

7 16

2 4G

(f)

etc.

col legno batt.

etc.

col legno batt.

Vc. ff

mf

Cb. ff

mf reverb/wah-wah

continue ad lib.

E. Gtr. p

pp cresc.

[mp]

ff

Hp.

l.v.

ff

Cel.

Perc. 1 mf

(f)

mf

mp 2 Taka-taka (very small friction drum) "scrape" (*)

Perc. 2 (p) Perc. 3 mf

mp

p

(*) don't make the taka-taka turn around, instead let them hang, and turn the sticks to make noise from the friction of the lines at the point of attachment to the sticks

H

97

17 poco a poco gliss.

Th.

poco a poco gliss.

S.

Fl. 1 p Fl. 2 p

Picc. (fast)

fast

to Flute

Picc. mp

mp

Eng. Hn. 2 p

p

p

p

Eng. Hn. 1

Bsn. 1,2 pp Eb Cl.

Cl. 1

Cl. 2

B. Cl.

Cb. Cl.

Alto Sax.

muted

Hn. 1,2 pp straight mute

Cor. 1,2 pp straight mute

Tbn. 1 pp straight mute

Tbn. 2 pp straight mute

B. Tbn. pp Tba.

H Vc. mp Cb. mp etc.

echo (solo)

E. Gtr. p

Hp.

MLLOLMLM

MNLOLMLM

mf

Cel.

Perc. 1

Perc. 2

Perc. 3

l.v.

l.v.

mp

l.v.

18

109

I

J

nasal + crunchy sound

(slow gliss.)

gliss.

Th. perdendosi

mp pp

perdendosi S.

mf

mf pp

mp

mf

pp

mf

gliss. (slow gliss.)

(y)

(

) (bouche en canard)

Put your covid mask

Fl. 1 Put your covid mask

Fl. 2

Put your covid mask

Fl. 3 Put your covid mask

Eng. Hn. 2

Put your covid mask

Eng. Hn. 1 Put your covid mask

Bsn. 1,2 Put your covid mask

Eb Cl. segue 3

Cl. 1

Put your covid mask

3

pp

Put your covid mask

Cl. 2 segue 3

3

Put your covid mask

B. Cl. pp

Put your covid mask

Cb. Cl. Put your covid mask

Alto Sax. f open

(breath ad lib.)

1"-3"

Hn. 1,2 1"-3"

non dim. (breath ad lib.)

open

Put your covid mask

open

Put your covid mask

open

Put your covid mask

open

Put your covid mask

f

Cor. 1,2 non dim. (breath ad lib.)

Tbn. 1 non dim. (breath ad lib.)

Tbn. 2 non dim. (breath ad lib.)

B. Tbn. non dim.

solo

3

Put your covid mask

Tba. mf

3

J

f

I

col legno batt. (arp., behind the bridge)

– R

Vc.

1"-3" ad lib.

(f)

– R

col legno batt.(arp., behind the bridge)

Cb. "bow" with a drum stick (opt. : or play with erased attacks, with pedal or effect) "hollow" sound

(f)

1"-3" ad lib.

quick gliss.

etc.

E. Gtr. mp

mp

Hp.

p

l.v.

Cel.

Vibraphone bow + med. mall.

Perc. 1 p (ped. sempre)

l.v.

l.v.

l.v.

l.v.

l.v.(Ped. until the end of sound)

Perc. 2 Very high wood-block - soft mall.

Perc. 3 p Cb radio "help" message

Audio files

1

("is anyone out there ?")

("is anyone out there...")

125

opt.

rt. po mf

Th. p

mp mp

mf

p mp

p f

mp

f

mp

f

mf

K

opt.

f ff

ff

molto vib.

gliss.

mf

por

19 3 3

ff f

ff molto vib.

S.

less vib. molto vib. (legato) ord.

3

less vib. molto vib.

3

3

gliss.

t. ( )

3

(legato - breath ad lib.)

( )

Fl. 1

Fl. 2

Fl. 3

Eng. Hn. 2

Eng. Hn. 1

Bsn. 1,2

Eb Cl.

Cl. 1

Cl. 2

B. Cl.

Cb. Cl.

Alto Sax.

Put your covid mask

Hn. 1,2

Cor. 1,2

Tbn. 1

Tbn. 2

B. Tbn.

Tba.

K Vc. ffz Cb. ffz molto vib.

less vib. molto vib.

3

3

E. Gtr. ord. (legato)

(ff) poco a poco cresc.

Hp.

Cel.

Timp.

Perc. 1 B.D.

ffz rubber balloon to pop !

Perc. 2 fz

(low toms) Drum Set

Perc. 3 (B.D.)

ffz ("hello ? we need help !")

2

Audio files (e)

Screams

3

(*)

20

L

Senza misura

1

3

2

ca. 2 s

ca. 2 s

ca. 2 s

4

5

(**)

ca. 2 s

("upbeat" to M)

ca. 8 s

ca. 8 s

(***)

ca. 7"

Th. ffz secco

4 4

(1)

pp

ffz secco

pp

ca. 7"

S.

(1)

(speaking voice) Cough loudly

progressively take your instrument to your "mouth", and imitate playing

Cough loudly

progressively take your instrument to your "mouth", and imitate playing

remove your mask

Fl. 1 pff

pff remove your mask

Fl. 2 pff

pff

progressively take your instrument to your "mouth", and imitate playing

Cough loudly

remove your mask

Fl. 3 pff pff progressively take your instrument to your "mouth", and imitate playing

Cough loudly

Eng. Hn. 2 pff pff Cough loudly

secco

progressively take your instrument to your "mouth", and imitate playing

Eng. Hn. 1 pff

secco

pff

progressively take your instrument to your "mouth", and imitate playing

Cough loudly

Bsn. 1,2 pff

secco

pff

Cough loudly

progressively take your instrument to your "mouth", and imitate playing

Cough loudly

progressively take your instrument to your "mouth", and imitate playing

remove your mask

Eb Cl. pff

pff remove your mask

Cl. 1 pff

pff

Cough loudly

progressively take your instrument to your "mouth", and imitate playing

Cough loudly

progressively take your instrument to your "mouth", and imitate playing

Cough loudly

progressively take your instrument to your "mouth", and imitate playing

Cough loudly

progressively take your instrument to your "mouth", and imitate playing

remove your mask

Cl. 2 pff pff

B. Cl. pff

secco

pff

Cb. Cl. pff

secco

pff remove your mask

Alto Sax. pff

pff

Cough loudly

progressively take your instrument to your "mouth", and imitate playing

Cough loudly

progressively take your instrument to your "mouth", and imitate playing

Cough loudly

progressively take your instrument to your "mouth", and imitate playing

Cough loudly

progressively take your instrument to your "mouth", and imitate playing

Cough loudly

progressively take your instrument to your "mouth", and imitate playing

Cough loudly

progressively take your instrument to your "mouth", and imitate playing

Hn. 1,2 secco

pff pff

Cor. 1,2 secco

pff pff

Tbn. 1 pff

secco

pff

Tbn. 2 pff

secco

pff

B. Tbn. pff pff

secco

Tba. secco

pff pff

L

1 Senza misura

3

2 ca. 2 s

(*)

ca. 2 s

ca. 2 s

4

ca. 8 s

5

ca. 8 s

4 4

Vc.

Cb.

E. Gtr. ffz secco

Hp.

Cel.

Perc. 1

Perc. 2

Perc. 3

Audio files

(*) percussion and strings can join the coughing at will

(***) musicians stop "secco" right at the moment Audio Files 3 starts

(**) percussion and strings stop coughing progressively

(1) number of notes ad lib.

4M 4

21

lointain, echo, résonnance

Misterioso q = ca. 60

Th. ppp

ppp

ppp

ppp

ppp

ppp

ppp pp

S. (œ)-(a)

Fl. 1 poco mf

ppp

poco mf

ppp

poco mf

ppp

poco mf

ppp

poco mf

ppp

poco mf

ppp

poco mf

ppp

poco mf

ppp

poco mf

ppp

poco mf

ppp

ppp

poco mf

ppp

poco mf

ppp

poco mf

ppp

poco mf

ppp

Fl. 2

Flute

Fl. 3 poco mf remove your mask

Eng. Hn. 2

remove your mask

Eng. Hn. 1

remove your mask

Bsn. 1,2

Eb Cl. poco mf

ppp

poco mf

ppp

Cl. 1 poco mf

ppp

poco mf

ppp

poco mf

ppp

poco mf

ppp

poco mf

ppp

poco mf

ppp

poco mf

ppp

poco mf

ppp

poco mf

ppp

poco mf

ppp

Cl. 2

remove your mask

B. Cl.

remove your mask

Cb. Cl. (balance w/clarinets) to Baritone Sax.

Alto Sax. poco mf remove your mask

Hn. 1,2

remove your mask

Cor. 1,2

remove your mask

Tbn. 1

remove your mask

Tbn. 2

remove your mask

B. Tbn.

remove your mask

Tba.

4M 4

Misterioso q = ca. 60

Vc.

Cb. w/fingers Leslie (slow)

E. Gtr. p

MLLOLNMM

Hp.

mp

mp

Cel.

Vib. (soft mall. + bow)

Perc. 1 motor ON (slow)

Perc. 2

Perc. 3

Computer

Audio files

3

mp

ppp

poco mf

ppp

poco mf

ppp

N

22

155 allarg.

lunga meno

short

(a tempo)

rit.

poco affretare

allarg.

avec tension 3

(trio w/English horns)

Th. mf

espress.

f

(vib.)

f

mf

mf mf 3

S. avec tension

espress.

Fl. 1

Fl. 2

to Piccolo

Fl. 3

soli

3

Eng. Hn. 2 mf espress.

mf

f

3

soli

Eng. Hn. 1 mf espress.

f

Bsn. 1,2

Eb Cl.

Cl. 1

Cl. 2

B. Cl.

Cb. Cl.

Bari. Sax.

Hn. 1,2

Cor. 1,2

Tbn. 1

Tbn. 2

B. Tbn.

Tba.

N Vc.

Cb.

E. Gtr.

Hp.

Cel.

Perc. 1 (l.v.)

Perc. 2

Perc. 3

(a tempo)

allarg.

rit.

poco affretare

allarg.

166

a tempo

lunga

poco allarg.

O

23

"Recitativo"

Th. poco dim.

(mp)

mf

f

ff

mf p

mf non dim.

poco dim.

(mp)

mf

f

ff

mf p

mf non dim.

mp p

opt.

S. ( o)

Fl. 1

Fl. 2

Picc.

to Oboe

Eng. Hn. 2 (mp)

poco dim.

mf

f

ff

mf

p

mf

f

ff

mf

p

mf non dim.

Eng. Hn. 1 mf

poco dim.

(mp)

mf non dim.

Bsn. 1,2

Eb Cl.

Cl. 1

Cl. 2

B. Cl.

Cb. Cl.

Bari. Sax.

Hn. 1,2

Cor. 1,2

Tbn. 1

Tbn. 2

B. Tbn.

Tba.

a tempo

O

poco allarg.

"Recitativo"

Vc.

Cb.

(micro manche) trem. slow

fast

E. Gtr. Pad (or reverb) poco crunch p l.v.

C

Hp.

MMLOMNMM

mf l.v.

as fast as possible

Cel.

(p)

l.v.

Perc. 1

Perc. 2

Perc. 3

aliens

Audio files

4

mf

mp

p

mf

p

(p)

poco affretare

24

179

a tempo

allarg.

molto rit. a tempo

poco affretare

lunga 3

Th. mf

mf 3

mf

poco a poco cresc.

(f)

ff

mf

poco a poco cresc.

(f)

ff

S.

Fl. 1

Fl. 2

Picc.

Ob.

Eng. Hn. 1

Bsn. 1,2

Eb Cl.

Cl. 1

Cl. 2

B. Cl.

Cb. Cl.

Bari. Sax.

Hn. 1,2

Cor. 1,2

Tbn. 1

Tbn. 2

B. Tbn.

Tba.

poco affretare

a tempo

allarg.

molto rit. a tempo

poco affretare

Vc.

Cb.

trem.

trem. (sim.)

trem.

trem.

trem.

trem.

trem.

f

poco ff l.v.

E. Gtr. mf l.v.

l.v.

B

poco f

MNMONMNM

Hp.

MLLOLNLM

l.v.

[F#] mf

[C§,E§]

[Bb]

[Eb]

[Cb,F§]

l.v. poco f f

sim.

mf l.v.

Cel.

l.v.

Perc. 1

Perc. 2

Perc. 3

Audio files

ff l.v. sim.

poco f

f

ff l.v.

188

molto vib.

poco a poco ord.

(ord.)

P

full sound

Th. p

(ff)

(q)

molto vib.

gliss.

f S.

25

L'istesso tempo q = ca. 60

p

ss. gli

port.

gliss. mf

mf

mf ( q )

(vib.)

port.

gliss.

perdendosi

poco a poco

molto vib.

(y)

(œ)

Fl. 1

Fl. 2 Piccolo - ad lib.

Picc.

Oboe

f

ad lib.

Ob. f

fz

Eng. Hn. 1

Bsn. 1,2 f Eb Cl.

Cl. 1

Cl. 2

B. Cl.

f Cb. Cl. f Bari. Sax. Baritone Saxophone

f Hn. 1,2

Cor. 1,2

Tbn. 1

Tbn. 2

B. Tbn.

Tba.

P

L'istesso tempo q = ca. 60

Vc.

Cb.

E. Gtr.

(Buzz) (pédale entre deux crans)

[G§]

Hp.

mf

Cel.

Timp. (w/ thin wooden sticks-rattan) lointain (très précis, peu de résonnance)

Perc. 1 ppp Perc. 2

Perc. 3

lower the volume al niente

Audio files

stop the file, put volume back

Attacca Spaceship + Alarm

5

poco a poco cresc.

26

195 (vib.)

poco a poco

Th. f S.

port.

f

Fl. 1

Fl. 2

continue ad lib.

Picc. fz (multiphonic ad lib.)

son fendu

f

mf continue ad lib.

Ob. ffz

f

Eng. Hn. 1 2.

Bsn. 1,2 1.

mf

bend

Eb Cl. f Cl. 1

Cl. 2

B. Cl. mf Cb. Cl. mf

ad lib.

slap

Bari. Sax. f

(mf)

f

fz

f

Hn. 1,2

Cor. 1,2

Tbn. 1

Tbn. 2

B. Tbn.

Tba.

Vc.

Cb.

E. Gtr.

Hp.

Cel.

Perc. 1 pp Perc. 2 low (floor) tom lointain (très précis, peu de résonnance)

Perc. 3 ppp

Audio files

27

198

molto vib. (vib.)

s. glis

Th.

poco accel.

(bang effect) ad lib.

glis s. lowest tone

f

fffz

mf

ff

f

fffz

mf

f

p p

poco accel.

ad lib.

por

S.

port.

t.

gli ss.

Fl. 1

Fl. 2

Picc.

secco

Ob.

secco

Eng. Hn. 1

Bsn. 1,2 mf

son fendu (multiphonic ad lib.)

secco

Eb Cl. continue ad lib.

Cl. 1

Cl. 2

B. Cl. mf Cb. Cl. mf

continue ad lib.

Bari. Sax.

secco

Hn. 1,2

Cor. 1,2

Tbn. 1

Tbn. 2

B. Tbn.

Tba.

Vc.

Cb.

overdrive phaser

E. Gtr.

Hp.

Cel.

Perc. 1

secco

Perc. 2

Perc. 3

secco

poco a poco cresc.

Audio files

pp

28

204

Q

Doppio tempo q = ca. 120

Th. mf

f f

mf

S.

Fl. 1

Fl. 2

Picc.

Ob.

Eng. Hn. 1

Bsn. 1,2 f Eb Cl. mf Cl. 1 mf Cl. 2 mf B. Cl. f

f

solo

Cb. Cl. f

f

Bari. Sax. f Hn. 1,2 mf

cresc.

Cor. 1,2

Tbn. 1 mf

cresc.

Tbn. 2 mf

cresc.

B. Tbn. mf

cresc.

Tba.

Q

Doppio tempo q = ca. 120

Vc.

Cb.

(You may vary the rhythm at will)

solo

4

8

E. Gtr. poco f

Hp.

NLMOLMML

(Buzz)

mf

cresc.

f

Cel.

(w/ rattan)

Perc. 1 p

cresc.

2 Taka-taka - ord. playing (move in circles)

Perc. 2 (mf) (floor tom)

Perc. 3 p

cresc.

(mp)

29

214 Th.

gliss.

f

mf

f gliss .

glis s.

mf

f

mf

S.

gliss.

gliss.

gliss.

port.

f

vib.

mf

gliss .

gliss.

port.

. gliss

glis s.

(Ra)

Fl. 1 f

Fl. 2 f

Picc. f Ob. mf

3

3

3

3

3

3

3

3

3

f

Eng. Hn. 1 mf

f

Bsn. 1,2

Eb Cl. f Cl. 1 f Cl. 2 f B. Cl.

Cb. Cl.

Bari. Sax.

Hn. 1,2 f Cor. 1,2 mf Tbn. 1 f Tbn. 2 f B. Tbn. f 3

Tba. ff

arco

col legno batt.

arco

col legno batt.

3

arco

Vc. f

f ff

arco

arco

ff

f

ff col legno batt.

col legno batt.

3

arco

Cb. f

ff

f

ff

po rt.

E. Gtr.

f

p sub.

Hp.

f

ff

ff

po rt.

f

ff

cresc.

f

ff

Cel.

Perc. 1 (mp)

Perc. 2

Perc. 3 poco mf

(mp)

f

30

220

R (bang)

gli s

ss. gli

Th. ffz fz

mf

cresc.

f

mf

f

vib.

vib.

gliss.

gliss.

S.

port.

s. glis

s.

cresc.

port.

s. glis

(a)

Fl. 1 f

Fl. 2 f

Picc. f Ob. mf

3

3

3

3

3

3

f

Eng. Hn. 1 mf

f

Bsn. 1,2 cresc.

Eb Cl. cresc.

Cl. 1 cresc.

Cl. 2 cresc.

B. Cl. cresc.

Cb. Cl. cresc.

Bari. Sax. cresc.

Hn. 1,2 cresc.

Cor. 1,2 mf

3

3

Tbn. 1 cresc.

Tbn. 2 cresc.

B. Tbn. cresc.

Tba.

R

col legno batt.

Vc. f ff

col legno batt.

Cb. f

ff

po rt.

E. Gtr.

p sub.

f

Hp.

f

ff

(p)

cresc.

f

Cel.

Perc. 1 (mp)

(mp)

Perc. 2

Perc. 3 cresc.

3

f

grab the antenna (scream sound)

226

pull away

(q) s. glis

Th. (fff)

(ff)

mf

(ff)

mf

(ff)

mf

f

mf

(q) s.

fff

cresc. poco vib.

f

cresc.

ff

fff

ff crier

ss. gli

s gli

S.

31

poco vib.

(q) ss. gli

(q)

(x)

Fl. 1 ff

ff

Fl. 2 ff

ff

Picc. ff 3

ff 3

Ob. cresc.

ff

(ff)

f

p

cresc.

3

3 fp

3

3

3

3

ff

3

Eng. Hn. 1 cresc.

ff

(ff)

f

p

cresc.

fp

ff

fp

ff

ff

ff

3

Bsn. 1,2 ff

f

p

cresc.

ff

3

(ff) Eb Cl. ff

(ff) Cl. 1

ff

(ff)

3

Cl. 2 ff (ff) B. Cl. ff (ff)

3

Cb. Cl. ff

(ff)

3

3

Bari. Sax. ff

(ff)

f

p

cresc.

3

3

fp

ff

ff

a2

Hn. 1,2 (ff)

mf

ff

ff

ff

ff

fp

ff

ff

fp

ff

ff

fp

ff

ff

3

f

Cor. 1,2 cresc.

ff

(ff)

f

p

cresc.

3

3 fp

3

3

3

3

3

3

3

Tbn. 1 (ff)

ff

(ff)

ff

f

p

cresc.

3

Tbn. 2 f

p

cresc.

3

B. Tbn. ff

(ff)

f

p

cresc.

Tba. p

cresc.

ff

(ff) Bartok pizz.

arco

Vc. f

(ff)

cresc.

ffz

arco

Bartok pizz.

Cb. f

cresc.

ffz

(ff) (q)

E. Gtr. (ff)

mf

f

f

ff

cresc.

gliss. ad lib. (opt. w/ mediator)

MMMOMMMM

Hp.

mf

ff

(fff) black keys

ff

(ff)

Cel.

(med. mall.)

Perc. 1 ffz

(solo) rubber balloon (scrape the surface w/ fingers)

B.D. slapstick (fouet)

ff

Perc. 2 f

(mp-mf) S.D. 3

poco rim shot

(S.D.) (low tom)

Perc. 3 B.D.

p

mp

mf

f

(f)

ffz

p

3

3

f

(B.D.)

ff