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P O RT F O L I O A DYA S HA PR I YA DA R S H I N I

DEPARTMENT OF PLANNING AND ARCHITECTURE

NATIONAL INSTITUTE OF TECHNOLOGY, ROURKELA

EDUCATION

SKILLS

2016- 21 BACHELOR OF ARCHITECTURE NATIONAL INSTITUTE OF TECHNOLOGY, ROUEKELA 2013-15 INTERMEDIATE EDUCATION, PCMIT COLLEGE OF BASIC SC AND HUMNITIES, BBSR

2013 HIGH SCHOOL EDUCATION INSTITUTE OF INTEGRAL EDUCATION, BBSR

ABOUT ME I’m a creative and enthusiate Architect passionate about all forms of design. I am inclined towards creating better environment and memorable experiences for people. An ardent experimenter who belives in hands-on learning and doing. I constantly seek opportunities to grow my knowledge in the design field. I enjoy sharing my thought processes with others around me to grow as a designer.

ARCHITECTURAL EXPERIENCE 2020 - ARCHITECTURE INTERN - 6 MONTHS PRAKRUTI VASTUKALA DESIGN STUDIO, BBSR

CERTIFICATIONS INTERIOR DESIGN - UNSCHOOL INTERIOR LIGHTING - SUMITA MEHRA REFLECTION

2020 - ARCHITECTURE INTERN - 3 MONTHS IVIN PVT Ltd., VISHAKHAPATNAM

UX DESIGN - GOOGLE

2019 - ARCITECTURE INTERN - 2 MONTHS KALAKAR DAS ASSOCIATES, BBSR

PRODUCT DEVELOPMENT - UNSCHOOL

DIGITAL MEDIA AND MARKETING STRATEGIES UNIVERSITY OF ILLOINIOS

STUDENT MENTOR - INSTITUTE COUNSELLING PROGRAM

CONTACT BHUBANESWAR, ODISHA, INDIA

MARKETING EXPERIENCE 2020 - BRAND MANAGER - 3 MONTHS MY STUDY BUDDY, NEW DELHI

adyashapriyadarshini21@gmail.com Mobile No: 8249115182 LinkedIn: https://www.linkedin.com/in/adyasha-priyadarshini

2020 - COMMUNITY LEADER - 5 MONTHS UNSCHOOL, HYDRABED

2020 - MARKETING INTERN - 2 MONTHS TECKAT INDIA PVT. LIMITED, JAMSHEDPUR, INDIA

INTERESTS

TINY RESIDENCE

YOGA ASHRAM

S.P.A. COLLEGE DESIGN

1 2 3 4 5 6

INTERNSHIP WORKS

AFFORDABLE HOUSING

HILL RESORT DESIGN

WORKING DRAWINGS

7 8

MISCELLANEOUS

TINY HOUSE It is becoming a priority for architects to optimize projects that require increasingly smaller spaces, especially when building in urban areas where land value is often the most critical factor. People decide to move away from urban centers and bear with the lengthy commute time, while others are seeking creative design solutions to transform their home into a tiny, functional space to meet their daily needs.

Less is More. SIZE OF BUILDING: 24’-0” X 21’-4” TOTAL BUILT UP AREA: 1071 sq.ft

• LIVING ROOM • DINING AREA • KITCHEN SPACE • TOILET • WALK-IN-CLOSET • BEDROOM FOR 2 • WORK-STATION • BALCONY AREA • PARKING SPACE • PORCH • TERRACE GARDEN • OUTDOOR SEATING SPACE

5'-3"

15'-10"

10'-8"

1 A

6'-8"

5'-3"

5'-3" 15'-10"

10'-8"

21'-4"

C 1

17'-0" 16'-2" 2'-10"

6'-9"

6'-8"

B 1

C 1

17'-0" 16'-2" 2'-10"

6'-9"

6'-8"

B 1

17'-0" 16'-2" 2'-10"

6'-9"

C 1

B 1

1 A'

1 A

1 A'

1 A

1 A'

3'-5"

FIRST FLOOR PLAN

PARAPET + 21'-0"

PARAPET + 21'-0" 4" 3'-0"

3'-0"

TERRACE PLAN

ROOF + 18'-0"

7'-2"

FIRST FLOOR + 10'-6"

SECTION THROUGH HALL AREA

PLINTH + 1'-0" GROUND LEVEL + 00

SECTION THROUGH STAIRCASE

1'-0"

5'-6"

9'-6"

3'-6"

4'-0"

7'-2"

3'-2"

ROOF + 18'-0"

3'-0"

GROUND FLOOR PLAN

1 C'

1 B'

1 C'

1 B'

SECTION THROUGH TOILET

PLINTH + 1'-0" GROUND LEVEL + 00

INTERIORS

ELEVATION OF ELEVATION OF WORK-STATION ANDWORKSTATION MAKEUP AREA

ELEVATION OF BEDROOM ELEVATION OF BED

ELEVATION OF KITCHEN AREA ELEVATION OF KITCHEN

SPACE

ELEVATIONOF OF LIVING LIVING SPACE ELEVATION SPACE

AFFORDABLE HOUSING Affordable housing becomes a key issue especially in developing nations where a majority of the population isn’t able to buy houses at the market price. This apartment consists of 3 typologies of housing units. This dwellings is suitable for elderly couples, couple, single parents. The planning based on OPEN FREE-FLOW concept.

Less walls for more movement.

HOUSING TYPE 1

HOUSING TYPE 2

HOUSING TYPE 3

MUMPTY LEVEL + 42'-10"

PARAPET + 35'-6"

FIRST FLOOR + 32'-2"

FIRST FLOOR + 21'-10"

FIRST FLOOR + 11'-6"

PLINTH + 1'-6" GROUND LEVEL + 00

BUILDING SECTION

YOGA ASHRAM IN UTTARAKHAND People are getting stressed, getting anxious and experiencing different type of health problems due to the adaptations of unhealthy life style. By following holistic living life style. People are getting healthier in all the aspects such as physically, mentally, and psychologically. So, in my research paper I have designed a yoga ashram based on the research articles and journals that have been studied earlier for this project. The proposed design would be sustainable to the environment and climate responsive by using passive heating techniques and setting the orientation of the buildings in appropriate direction, this project intends to save maximum energy from heating.

PEOPLE ATTRACT PEOPLE

ACCESS FOR EVERYONE

RELATION WITH CONTEXT

TRIANGULATION

SAFETY / ZONING

TEMPLE

YOGA+MEDITATION OAT

SENSORY GARDEN DORMITORY ROOMS SINGLE SHARING VILLAS TWIN SHARING VILLAS WELLNESS CENTER HOTEL ROOMS ADMINISTRATION CENTER RESTAURANT

SITE PLAN

SECTION OF YOGA $ MEDITATION OAT

SOUTH ELEVATION OF YOGA $ MEDITATION OAT

NORTH ELEVATION OF WELLNESS - CENTER

SECTION OF ADMINISTRATION BLOCK

SECTION OF RESTAURANT & DINING HALL BLOCK

SECTION OF WELLNESS - CENTER

DORMITORY ROOMS

FRONT ELEVATION OF HOTEL BLOCK GROUND FLOOR PLAN OF DORMITORY

HOTEL ROOMS

SECTION THROUGH STAIRCASE OF HOTEL FIRST FLOOR PLAN OF DORMITORY

SECTION THROUGH STAIRCASE OF DORMITORY

FRONT ELEVATION OF DORMITORY BLOCK

GROUND FLOOR PLAN OF HOTEL

FIRST FLOOR PLAN OF HOTEL

SINGLE SHARING VILLAS

TWIN SHARING VILLAS

GROUND FLOOR PLAN OF SINGLE SHARING VILLAS

SECTION OF SINGLE SHARING VILLAS

FRONT ELEVATION OF SINGLE SHARING VILLAS

GROUND FLOOR PLAN OF TWIN SHARING VILLAS

SECTION OF TWIN SHARING VILLAS

FRONT ELEVATION OF TWIN SHARING VILLAS

HILL - RESORT DESIGN 121'-0" 1'-0"

15'-8" 8"

2'-6"

9'-0"

2'-6" 121'-0"

14'-4"

7'-0"

2-4

13'-6"

9'-8"

. gls 1'-0"

5'-2"

8'-4"

4'-4"

10'-2"

9' clg.

3'-4" 4'-0"

2-4 11'-6"

4'-4"

9' clg.

9'-8"

5'-0"

3-0x5-0 d.h.

2-4

2-4 5'-4"

6'-4"

2-8

9' Clg.

3'-4"

3'-8"

11'-10"

1'-10"

2-8

10'-2"

1'-8"

10'-2"

2'-0"

17'-2"

5'-4"

2-4

1'-0"

shower

2-0

2-4 (2)1-6

4'-10"

9' clg.

3'-0"

11'-8"

9' clg.

38'-0"

2-0

6'-8"

gls

18'-8" 4'-4"

9' Clg.

gls

5'-4"

3'-4"

2-4

9' clg.

2-8

shower

2-0

2-4 6'-4"

2'-4"

2-0

3'-0"

2-4

12'-6"

5'-4"

13'-6"

9' clg.

2-4

9' Clg.

28'-4"

4'-0"

5'-10"

6'-6"

2-8

6'-10" 2-4

4'-4"

15'-10"

3-0x5-0 d.h.

11'-6"

11'-10"

10'-0"

14'-6"

10'-0" 19'-10"

1'-0"

(2)1-6

3'-8"

5'-2"

1'-0"

3'-8"

5'-2"

4'-0"

3'-6"

14'-4"

11'-10"

2-8

Dn. 16 R. 10" Tread

8'-4"

19'-0"

17'-4"

25'-6"

2'-4" (2) 2-6

22'-6"

8'-10"

1'-0" 8'-10"

8'-2"

12'-4"

1'-0"

2'-6"

2x6

2-0x4-0 arched fixed

2-0x4-0 fixed

3'-6"

1'-8"

2-0x4-0 arched fixed

3-0x5-0 d.h.

(2) 3-0x5-0 d.h.

1'-6"

2x6

2-0x4-0 fixed

3'-6"

8-0 x 7-0 O.H. Garage Door 2x6

2-4

1'-8"

5'-6"

9' Clg.

12'-6"

13'-2"

1'-0"

3'-0" 7'-8"

Dn. 16 R. 10" Tread 17'-6"

17'-4"

17'-6" 12'-4"

9' Clg.

11'-2"

2-4

22'-2"

7'-8"

9' Clg.

9' Clg. 8'-6"

5'-4"

9' Clg.

22'-2"

3'-0"

14'-4"

2-8

Dn. 16 R. 10" Tread

11'-4"

(2)1-6

23'-4"

5'-8"

3'-6"

11'-6"

2'-4"

4'-4"

2-0x4-0 d.h.

2'-0"

2x6

5'-0"

2-4 4'-0" 1'-0"

17'-2"

4'-0"

9' Clg.

8' Clg.

9' Clg.

sloped ceiling

10'-0"

14'-8"

sloped ceiling 21'-2"

. gls

2-4

11'-8" 2'-0"

2-4

12'-0"

1'-6"

6'-0"

5'-4"

5'-4" 3'-4" 57'-0" 63'-0"

14'-4"

4'-0"

2'-0"

3'-6"

9' clg.

(2) 3-0x5-0 d.h. 7'-2"

9' Clg.

1'-0"

3'-6"

4'-2"

7'-6"

10"

2-0

2-8

30'-4" 25'-8"

14'-10"

install gypsum board on walls & clg. to provide one (1) hour fire separation.

16-0 x 7-0 O.H. Garage Door 2x6

7'-10"

(2) 3-0x5-0 d.h.

9' Clg.

17'-2"

2-8

9' clg. 1'-10"

9' Clg.

(2) 3-0x5-0 d.h.

2x6

3'-4"

11'-10"

10'-6"

6-0 c.o.

Tray Clg.

1'-0"

9' Clg.

(2)1-6

5'-4"

2'-8"

3'-6"

13'-6"

2-8

63'-0"

3'-2"

3'-10"

ref.

9'-8"

9' clg.

9' Clg.

12'-6"

Up 16 R. 10" Tread

10'-6"

4'-10"

9' Clg.

3'-0"

2-0x4-0 d.h.

13'-2" 60'-6"

(2)1-6

2x6

3'-10"

9' Clg.

2-4

2-0x4-0 d.h.

7'-3"

6'-6"

2'-4"

15'-97 8"

5'-3"

shower

2-4

washer

5'-4"

7'-0"

dbl. sink

3-0

9' Clg. 5'-4"

2-8

shower

3-0x6-8 front dr.

22'-0"

22'-2"

3'-6"

6'-2"

9' Clg.

3'-4"

dryer

3-0 (20-min.)

3'-8"

4'-6"

3-0 c.o.

5'-4"

1'-0"

10"

2'-8"

2-0x3-0 fixed

2-8 4'-10" 8"

8" 9'-4"

range w/ hood

16'-6"

7'-2"

9' Clg.

6'-2"

2'-4"

8'-8"

3'-6"

5'-4"

1'-0"

9' clg.

dryer

12'-6"

18'-0" 3-0x6-8 front dr.

1'-6"

2x6

opt. built-ins

5'-4"

2-4 gls . 2-4 1'-8" 2'-4" 4'-4" 3'-4"

3'-4"

4'-4"

5'-8"

3'-2"

9' clg.

(2) 3-0x5-0 d.h. 17'-2"

(2) 3-0x5-0 d.h. 2-0x3-0 fixed

2'-6"

2x6

1'-0"

Up 16 R. 10" Tread

22'-4" 12'-6"

10'-6"

6-0 c.o.

4'-0"

9' Clg.

6'-2"

1'-6"

2x6

(2) 3-0x5-0 d.h.

3'-6"

2x6

washer

install gypsum board on walls & clg. to provide one (1) hour fire separation.

2'-6"

16-0 x 7-0 O.H. Garage Door

4'-8"

7'-4"

4'-6"

8'-8"

3'-6"

8-0 x 7-0 O.H. Garage Door

9' Clg.

3'-6"

11'-0" cased opening

2-8 c.o.

3-0x6-8 front dr.

11'-8"

17'-4"

ref.

(2)1-6 4'-4"

4'-4"

dbl. sink

range w/ hood

3-0 c.o.

5'-4"

2'-6"

7'-6"

10"

1'-0"

5'-0"

4'-2"

4'-4"

2'-10"

Two-Story Clg.

2x6 4'-4"

20'-4"

Tray Clg.

2'-0"

22'-2"

9'-4"

2x6

16'-0"

1'-0"

2-8 c.o.

14'-10"

25'-8"

Up 16 R. 10" Tread

22'-4"

Up 16 R. 10" Tread

18'-0"

9' Clg.

8'-8"

20'-8"

10'-6" ref.

4'-4"

(2)1-6

7'-4"

shower

6'-0"x7'-0"

9' Clg.

3'-10"

install gypsum board on walls & clg. to provide one (1) hour fire separation.

Two-Story Clg.

9'-4"

8'-10" 3'-6" 6'-2"

8" 3'-8" 3'-2"

3'-6"

8'-8"

6'-2"

33'-2" 17'-4"

4'-10"

opt. built-ins

8" 3-0 c.o.

2-0

11'-6"

2'-8"

1'-0"

27'-6"

22'-0"

16'-6"

2-4

5'-4"

15'-10"

2-8 9' Clg.

2-4

3'-4"

3'-6"

7'-4"

install gypsum board on walls & clg. to provide one (1) hour fire separation.

9' Clg.

range w/ hood

3-0 c.o.

2'-4"

(2)1-6

3-0

4'-8"

1'-0"

2'-4"

.) in

2'-4"

5'-8"

0-m (2

6'-6"

3'-4"

7'-0"

(2 )2 -0

4'-6"

shower

3'-6"

7'-3" 6'-2" 3-0 c.o.

4'-4"

2'-4"

3-0 (20-min.)

5'-4"

(2)1-6 1'-8" 2'-4" 4'-4"

in .)

2-0

5'-4"

3-0

3'-6"

dbl. sink

2-0

3'-4"

7'-2"

9' Clg.

9' Clg. 5'-4"

2'-4"

7'-2"

2-4

7'-2"

2-4

washer

(2 0-m

2-0x4-0 d.h.

20'-85

9'-4"

4'-4"

2-8

9' Clg.

dryer

6'-2"

3-0 c.o.

11'-0" cased opening

4'-6"

2-4

2-0x4-0 d.h.

range w/ hood

5'-0"

2-0

8'-2"

9' Clg.

5'-8"

14'-0"

7'-10"

2-4

4'-4"

dryer

washer

dbl. sink

5'-4"

7'-0"x9'-0" 9' Clg.

2-8

7'-0"

1'-0"

2-4

gls . shower

9' Clg.

4'-6"

9' Clg.

-0 )2 (2

3'-2"

2x6

1'-0"

5'-9"

(2) 3-0x5-0 d.h.

15'-10"

15'-8" 15'-1"

gls

ref.

7'-4"

9' Clg.

5'-4"

8'-03 8"

3'-2"

2-4

8'-8"

33'-2"

6'-2"

3'-0" 5'-3"

1'-0"

8'-6"

(2) 3-0x3-0 fixed

gls

8'-03 8"

4'-6"

1'-0"

(2) 3-0x5-0 d.h.

2-0

16 16'-018"

7'-0"

9' Clg.

sloped ceiling

13'-8"

2-8

19'-10"

7'-10"

3-0x6-8 operable

14'-6"

7'-10"

(2) 3-0x3-0 fixed

13'-10"

10'-0"

Tray Clg.

(2)1-6

7'-10"

2-0

5'-8"

3-0

63'-0"

(2)1-6

9' Clg.

31'-4"

7'-10"

2-4

8'-03 8"

9' Clg.

2-8 5'-0"

. gls

8'-2"

8'-10"

9'-4"

9' Clg. 7'-6"

9' Clg.

7'-4"

9'-4"

9' Clg.

1'-0"

3-0x6-8 fixed

2-4

2-0x4-0 d.h.

3'-412"

(2)1-6

6'-4"

24'-7"

12'-2"

5'-4"

17'-2"

1'-0"

8" 9'-4"

Tray Clg.

Vaulted two-story Clg.

9'-1"

3'-10"

1'-0"

2-8

7'-10"

3-0x6-8 fixed

3-0x6-8 operable

17'-0"

7'-10"

8'-6"

(2) 3-0x5-0 d.h.

3'-10"

13'-8"

14'-10"

3-0x5-0 d.h.

14'-6"

Tray Clg.

1'-0"

3-0x6-8 fixed

10'-0"

8" 10'-0"

9' Clg.

14'-8"

17'-2"

3-0x6-8 operable

9'-4"

8" 13'-10"

14'-8"

Vaulted two-story Clg.

Tray Clg. 12'-6"

22'-0"

19'-35 8"

15'-412"

14'-6"

9'-4"

10'-0"

3-0x6-8 operable

3-0x6-8 fixed

15'-8"

44'-4" 6'-4"

3-0x5-0 d.h.

2-8

5'-8"

(2) 3-0x5-0 d.h.

2-8

15'-2"

3-0x5-0 d.h.

2-4

8'-6"

9'-0"

3-0x5-0 d.h.

(2) 3-0x5-0 d.h.

11'-0"

1'-0" 8"

14'-4"

12'-10"

15'-8" 8"

14'-8"

2'-10"

9'-0"

18'-8"

9'-0"

Dn. 16 R. 10" Tread

1'-0" 1'-10" 11'-4"

13'-2"

8'-6"

17'-4" 5'-6"

2-8

14'-10" 12'-0"

2-0

6'-4"

2-4

This resort is located in hilly site of Himachal Pardesh. the site context allow us to enjoy the exterior views and floura & fauna of the state. It is a luxious accomodation for people that allows them to bring their vehicles to park in the resort. Each suite has its own recreational spaces alinged to the main bedroom. This resort has additional outdoor facilities like outddor sketing and site viweing. The architecture style is kept as the Vernacular traditional style of Himachal Padesh i.e. Kath-kuni style of architecture.

2-0x3-0 fixed

21'-0" 2" 10'-6"

10'-6"

10"

21'-0"

6'-8"

10"

4'-4"

6'-4"

8'-8"

1'-4"

12'-8"

1'-8"

4'-4"

5'-2"

7'-4"

5'-4"

10"

10'-6"

7'-8"

10"

10'-6"

9'-6"

21'-0"

5'-10"

5'-2"

1'-8"

4'-4"

11'-0"

1'-4"

6'-0"

7'-4"

4'-0"

6'-4"

8'-4"

6'-4" 12'-8"

4'-4"

5'-4"

6'-4"

10'-8"

9'-8"

1'-10" 1'-10" 3'-8"

22'-4"

5'-4" 3'-4"

4'-4"

6'-4"

9'-8"

12'-0"

6'-4" 12'-8"

4'-4"

4'-8"

1'-10" 1'-10"

9'-0"

3'-4"

6'-012"

10'-8"

3'-8"

5'-1112"

22'-8"

121'-0"

GROUND FLOOR PLAN

FIRST FLOOR PLAN

Framed

1,360 Sq.Ft. 1,278 Sq.Ft.

Main Level Heated Upper Level Heated

1,268 Sq.Ft. 974 Sq.Ft.

Main Level Heated Upper Level Heated

1,360 Sq.Ft. 1,278 Sq.Ft.

Main Level Heated Upper Level Heated

1,268 Sq.Ft. 974 Sq.Ft.

Total Heated

2,638 Sq.Ft.

Total Heated

2,242 Sq.Ft.

Total Heated

2,638 Sq.Ft.

Total Heated

2,242 Sq.Ft.

Two Car Garage Front Entry Total Unheated Total Under Roof

Single Car Garage Front Entry Covered Veranda

462 Sq.Ft. 44 Sq.Ft. 506 Sq.Ft.

Two Car Garage Front Entry

310 Sq.Ft. 28 Sq.Ft. 160 Sq.Ft.

Total Unheated

3,144 Sq.Ft.

508 Sq.Ft.

Total Under Roof

2,740 Sq.Ft.

Single Car Garage Front Entry Covered Veranda

462 Sq.Ft. 46 Sq.Ft.

Total Unheated

498 Sq.Ft.

Total Under Roof

2,740 Sq.Ft.

12 Scale: 1/4" = 1'-0"

10 12

12 10

12 12

160

498 Sq.Ft.

Total Under Roof

Scale: 1/4" = 1'-0"

310 Sq.Ft. 28 Sq.Ft. 160 Sq.Ft.

Total Unheated

3,146 Sq.Ft.

top plate @ upper fl.

'-6"

window hdr. @ upper fl.

29'-03 1'-03 4"

subfloor @ upper fl.

6'-8"

9'-0"

'-6"

(30' Maximum)

Framed Main Level Heated Upper Level Heated

top plate @ main fl.

6'-8"

9'-0"

'-0

window hdr. @ main fl.

subfloor @ main fl.

FRONT ELEVATION OF RESORT

95,9

12 98,26

Scale: 1/4" = 1'-0"

40°

11,66

22,75

top plate @ upper fl.

1'-03 4"

6'-8"

9'-0"

window hdr. @ upper fl.

subfloor @ upper fl.

top plate @ main fl.

6'-8"

9'-0"

window hdr. @ main fl.

subfloor @ main fl.

REAR ELEVATION OF RESORT

SCHOOL OF PLANNING & ARCHITECTURE THE PROJECT IS LOCATED INSIDE THE NIT ROURKELA CAMPUS WITH A SITE AREA OF 50ACRES. NATURE HAS POWER TO REDUCE THE STRESS AND TIREDNESS OF HUMAN BODY. PEOPLE WHO SPEND THEIR TIME MORE WITH NATURE THEY ARE LIKELY TO GAIN LESS STRESS AND ANXIETY THAN OTHERS. IN A COLLEGE CAMPUS ITS SEEMS THAT STUDENTS GET STRESSED AND DEPRESSED MIGHT DUE TO ACADEMIC REASON OR OTHER ISSUES. SO BY CREATING A CONNECTION BETWEEN NATURE AND HUMAN BEING WE CAN REDUCE IT. IN S.P.A. COLLEGE CAMPUS ZONING IS DONE IN SUCH A WAY THAT IT PROVIDE EASY ACCESSIBILITY TO EVERYONE. IT REDUCES THE WALKING DISTANCE. PLACES LIKE ACADEMIC AREA, SPORTS GROUND, CAFETERIA,LIBRARY ETC ARE SITUATED NEAR THE RESIDENTS OF STUDENTS SO THAT THEY CAN USE THESE FACILITIES MORE FREQUENTLY.

FRONT ELEVATION OF COLLEGE

REAR ELEVATION OF COLLEGE

LEFT ELEVATION OF COLLEGE

WORKING DRAWINGS

Earthly Brown 8005

UPBC Windows

LVL + 2'-3"

WPC CNC Cutting Jalli Work LVL + 0'-0"

UPBC Glass Railing

2"X2" SS 340 Grade Square Bar LVL - 11'-9"

LVL + 2'-3" LVL + 1'-0"

1"X1" SS 340 Grade Square Bar LVL + 0'-0"

LVL + 0'-0"

LVL - 11'-9"

LVL - 4'-9" LVL - 22'-9" LVL + 2'-3"

3'-3"

Sill lvl.@0'-0" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

2'-6"

1'-9"

Sill lvl.@5'-0" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

3'-3"

Sill lvl.@0'-0" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

2'-6"

Sill lvl.@0'-0" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

Sill lvl.@2'-6" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

Sill lvl.@0'-0" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

Sill lvl.@5'-0" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

Sill lvl.@0'-0" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

3'-4"

Sill lvl.@5'-0" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

3'-3"

Sill lvl.@2'-6" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

LVL - 11'-9"

SI. NO.

TYPE

LVL + 2'-3" UPBC Windows

DESCRIPTION

SIZE

3'-6" X 7'-0"

FLUSH DOOR

3'-3" X 7'-0"

FLUSH DOOR

2'-6" X 7'-0"

FLUSH DOOR

6'-0" X 7'-0"

SLIDING GLASS DOOR

7'-0" X 7'-0"

SLIDING GLASS DOOR

8'-0" X 7'-0"

SLIDING GLASS DOOR

4'-6" X 10'-7"

9'-0" X 7'-0"

LVL - 22'-9"

UPBC Windows 9mm Tuffen Glass Finesta UPBC Sliding Doors with Fixed Glass

LVL + 2'-3"

LVL + 0'-0"

1"X1" SS 340 Grade Square Bar LVL + 0'-0"

LVL - 11'-9"

LVL - 4'-9" LVL + 1'-0" LVL + 2'-3"

FLUSH DOOR SLIDING GLASS DOOR

4'-0"X 7'-8"

MS. GLAZED WINDOW

6'-0" X 4'-6"

MS. GLAZED WINDOW

4'-0" X 4'-6"

3'-4" X 4'-6"

MS. GLAZED WINDOW

3'-9" X 4'-6"

MS. GLAZED WINDOW

4'-10" X 4'-6"

MS. GLAZED WINDOW

2'-0" X 2'-0"

MS. GLAZED WINDOW

1'-9" X 2'-0"

MS. GLAZED WINDOW

5'-6" X 7'-0"

UPBC Windows

FLUSH DOOR

9mm Tuffen Glass

LVL + 2'-3"

LVL + 1'-0"

WPC CNC Cutting Jalli Work

Finesta UPBC Sliding Doors with Fixed Glass

MS. GLAZED WINDOW

Fire Globe 7950

LVL + 25'-0"

Sill lvl.@2'-6" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

3'-4"

3'-3"

Sill lvl.@0'-0" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

2'-6"

Sill lvl.@0'-0" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

Sill lvl.@2'-6" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

3'-6" 3'-6"

Sill lvl.@0'-0" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

Sill lvl.@0'-0" from floor lvl. Lintel lvl.@7'-0" from floor lvl. Sill lvl.@0'-0" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

3'-3"

Sill lvl.@0'-0" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

3'-3"

Sill lvl.@0'-0" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

Sill lvl.@5'-0" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

Sill lvl.@2'-6" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

1"X1" SS 340 Grade Square Bar LVL + 0'-0"

LVL + 1'-0"

Sill lvl.@0'-0" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

3'-6"

Sill lvl.@0'-0" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

Sill lvl.@2'-10" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

3'-3"

Sill lvl.@2'-6" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

Sill lvl.@0'-0" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

3'-3"

Sill lvl.@0'-0" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

3'-4"

9mm Tuffen Glass Finesta UPBC Sliding Doors with Fixed Glass

LVL - 4'-9"

Sill lvl.@5'-0" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

3'-3"

Sill lvl.@0'-0" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

V D3

Wild Yellow 7865

LVL + 0'-0"

Sill lvl.@0'-0" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

Sill lvl.@2'-6" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

3'-3"

Sill lvl.@2'-6" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

LVL + 0'-0"

UPBC Windows LVL + 2'-3"

2'-6"

Sill lvl.@5'-0" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

1'-9" 2'

Sill lvl.@0'-0" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

UPBC Windows

LVL - 22'-9"

2'-6"

Sill lvl.@0'-0" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

3'-3"

2'-6"

Sill lvl.@0'-0" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

2'-6"

Sill lvl.@0'-0" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

4'-6"

Sill lvl.@0'-0" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

3'-3"

LVL + 2'-3"

Sill lvl.@0'-0" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

Sill lvl.@5'-0" from floor lvl. Lintel lvl.@7'-0" from floor lvl. Sill lvl.@5'-0" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

Sill lvl.@0'-0" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

Sill lvl.@5'-0" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

Sill lvl.@0'-0" from floor lvl. Lintel lvl.@10'-7" from floor lvl.

3'-3"

Sill lvl.@0'-0" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

2'-6"

2' 6'

Sill lvl.@2'-6" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

Sill lvl.@5'-0" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

Sill lvl.@0'-0" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

4' 2'

Sill lvl.@5'-0" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

LVL - 11'-9"

DOOR AND WINDOW SCHEDULE

1"X1" SS 340 Grade Square Bar LVL + 0'-0"

LVL + 1'-0"

3'-3"

9mm Tuffen Glass Finesta UPBC Sliding Doors with Fixed Glass

LVL - 4'-9"

LVL - 22'-9"

Sill lvl.@0'-0" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

Ocean Force X146

Sill lvl.@0'-0" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

2'-6"

Sill lvl.@0'-0" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

3'-6" 3'-6"

Sill lvl.@0'-0" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

Sill lvl.@0'-0" from floor lvl. Lintel lvl.@7'-0" from floor lvl. Sill lvl.@0'-0" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

3'-3" 3'-3"

Sill lvl.@0'-0" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

Sill lvl.@2'-6" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

3'-3"

Sill lvl.@0'-0" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

Sill lvl.@5'-0" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

Wild Yellow 7865

LVL + 0'-0" D1

3'-3"

4'-10"

Sill lvl.@2'-6" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

3'-3" Sill lvl.@0'-0" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

Sill lvl.@0'-0" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

3'-3" Sill lvl.@0'-0" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

LVL + 2'-3"

3'-9"

Sill lvl.@2'-6" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

Sill lvl.@5'-0" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

3'-3"

Sill lvl.@0'-0" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

3'-3" Sill lvl.@0'-0" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

2'-6"

Sill lvl.@0'-0" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

3'-3"

Sill lvl.@5'-0" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

1'-9"

2'-6"

Sill lvl.@0'-0" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

3'-3"

D1 Sill lvl.@5'-0" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

3'-3"

Sill lvl.@0'-0" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

2'-6"

UPBC Windows

Sill lvl.@0'-0" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

Sill lvl.@5'-0" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

Sill lvl.@2'-6" from floor lvl. Lintel lvl.@7'-0" from floor lvl. Sill lvl.@0'-0" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

Sill lvl.@0'-0" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

Sill lvl.@2'-6" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

3'-9"

Sill lvl.@0'-0" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

UPBC Windows

Sill lvl.@2'-6" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

3'-3"

Sill lvl.@0'-0" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

Sill lvl.@2'-6" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

Sill lvl.@0'-0" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

Sill lvl.@2'-6" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

Sill lvl.@0'-0" from floor lvl. Lintel lvl.@7'-0" from floor lvl.

FRONT-SIDE ELEVATION

RESIDENCE/ 1st & 2nd FLOOR PLAN

RESIDENCE/ 3rd FLOOR PLAN

RESIDENCE/ 4th FLOOR PLAN

FLOOR AREA: 3554 sq.ft

FLOOR AREA: 3786 sq.ft

FLOOR AREA: 3663 sq.ft

BRICK WORK DRAWING Earthly Brown 8005

PRINCIPAL ARCHITECT:

AR. ABHISHEK TRIPATHY

DATE:

PROJECT ARCHITECT:

AR. ADYASHA PRIYADARSHINI

SHEET NO:

EXH

Water Input

JOVE CREATIONS

Water Input

TOILET 3A + 3B

TOILET 3B

4"Ø Waste Water Pipe Grey Water Pipe

Black Water Pipe

EXH

3'-4"

4"Ø Waste Water Pipe Grey Water Pipe

4"Ø Nanhi Trap

TOILET 3D 11"11"11"11"11"11"11"

TOILET 3C

4" Ø

TOILET 3D

EXH

3'-4"

Wash Basin

LVL - 17'-3"

EXH

UPBC Windows

Geazer

LVL + 0'-0"

Ocean Force X146

9mm Tuffen Glass Finesta UPBC Sliding Doors with Fixed Glass

LVL - 14'-0" LVL + 2'-3"

LVL + 0'-0"

UPBC Windows 1"X1" SS 340 Grade Square Bar

LVL - 5'-9" LVL + 0'-0"

LVL + 0'-8" LVL + 2'-3"

One Tile Down

11'-4" 3'-1"

LVL + 2'-3" UPBC Windows

LVL + 0'-8"

Shower G

Finesta UPBC Sliding Doors with Fixed Glass

9mm Tuffen Glass

LVL + 0'-8"

LVL + 0'-0" UPBC Windows

TOILET 3D 3'-9"

Ocean Force X146

LVL + 0'-8"

LVL - 17'-3"

G G

1"X1" SS 340 Grade Square Bar

LVL - 5'-9"

Kitchen Sink

4'-10"

4'-4"

LVL + 4'-4"

LVL + 0'-0"

Exhaust Fan

EXH

2'-3"

UPBC Windows

Water Closet G

KITCHEN

3'-1"

UPBC Windows

LVL + 3'-8"

Floor Trap

2'-8" 1'-4"

TOILET 3A + 3B

3'-9"

UPBC Windows

4" Ø

1'-4"

2'-4"

LVL + 4'-4"

1/2" Ø 11"11"11"11"11"11"11" 2'-8"

4"Ø Waste Water Pipe Grey Water Pipe

UPBC Windows

LVL - 17'-3"

Pipe

Black Water Pipe

LVL - 14'-0"

1"X1" SS 340 Grade Square Bar

1/2" Ø

11"11"11"11"

4"Ø Soil Pipe

LVL + 0'-6"

Ocean Force X146

4"Ø Waste Water

EXH

TOILET 3C

4"Ø Soil Pipe

UPBC Windows

LVL - 5'-9"

1 21"Ø

KITCHEN 4"Ø Waste Water Pipe Grey Water Pipe

LVL + 0'-0"

Finesta UPBC Sliding Doors with Fixed Glass

1" Ø

Black Water Pipe

LVL + 0'-0" Wild Yellow 7865

LVL - 17'-3"

4"Ø Soil Pipe

LVL + 0'-6"

INDEX

TOILET 3C

TOILET 3D

1 2" Ø

1 2"Ø

UPBC Windows Fire Globe 7950

TOILET 3A

Water Input-Hot

1"Ø Water Input

Water Input

1 2"Ø

Water Input-Hot 1 2"Ø

LVL + 3'-8"

#83, Rasulgarh, At Venus Campus, Near Bank of India, Bhubaneswar Phone/Fax no.- 07205180781 E-mail -abhshk_aryan@rediffmail.com

2"Ø Water Supply Pipe

1 2"Ø

Water Input-Hot

1 2"Ø

1"Ø Water Input

Water Input

1 2"Ø

Water Input-Hot

Water Input 1 2"Ø

Water Input-Hot 1 2"Ø

Water Input

1 2"Ø

CONSULTANT:

TOILET 3C

1 2"Ø

EXH

1"Ø Water Input

Water Input-Hot 1 2"Ø

1 2"Ø

Water Input

Water Input-Hot

1 2"Ø

1"Ø Water Input

Water Input

Water Input-Hot

1 2"Ø

121"Ø Water Input

2"Ø Water Input

2"Ø Water Input G

16.07.2021

Water Input

EXH

APPLICANT:

121"Ø Water Input 2"Ø Water Input G

1 2"Ø

Water Input

LEVEL DRAWING

1 2"Ø

PARTMENT

7'-1"

2'-3"

TOILET 3A + 3B

LVL + 0'-10"

KITCHEN

PLUMBING WORK DRAWING REAR - SIDE ELEVATION

1 2" Ø

Water Input

1 2"Ø

Water Input

1"Ø Water Input

EXH

Water Input

Water Input-Hot

1 2"Ø

Water Input-Hot 1 2"Ø

1 2"Ø

Water Input

Water Input-Hot

1 2" Ø

1 2"Ø

1"Ø Water Input 1 2"Ø

1 2"Ø

2"Ø Water Input

1 2"Ø

Water Input-Hot

EXH

Water Input

1 2"Ø

"Ø Water Input-Hot

Water Input

1 2"Ø

2"Ø Water Input

121"Ø Water Input

2"Ø Water Input

"Ø Water Input-Hot

121"Ø Water Input

1 2" Ø

1"Ø Water Input

EXH

2"Ø Water Supply Pipe

Earthly Brown 8005 Earthly Brown 8005

LVL + 0'-10"

UPBC Fixed Glass Ocean Force X146 2"X2" SS 340 Grade Square Bar

2"X2" SS 340 Grade Square Bar

LVL + 0'-0"

Ocean Force X146 2"X2" SS 340 Grade Square Bar

LVL + 4'-0" 1"X1" SS 340 Grade Square Bar

UPBC Windows

Wild Yellow 7865

LVL + 0'-8"

2"X2" SS 340 Grade Square Bar

LVL + 0'-0"

LVL + 4'-0"

Finesta UPBC Sliding Doors with Fixed Glass

LVL + 0'-6"

LVL + 0'-0"

UPBC Windows LVL + 0'-6"

Fire Globe 7950 LVL + 0'-0"

LVL + 0'-0"

LVL + 0'-10" Fire Globe 7950 LVL + 4'-0" 1"X1" SS 340 Grade Square Bar

Wild Yellow 7865

UPBC Windows

9mm Tuffen Glass Finesta UPBC Sliding Doors with Fixed Glass

LVL + 0'-8"

LVL + 4'-0"

9mm Tuffen Glass

9mm Tuffen Glass Finesta UPBC Sliding Doors with Fixed Glass

LVL + 0'-6"

UPBC Windows LVL + 0'-6"

Ocean Force X146

UPBC Windows

LVL + 0'-6"

LVL + 0'-0"

LVL + 0'-10" Fire Globe 7950 LVL + 4'-0" 1"X1" SS 340 Grade Square Bar

UPBC Windows

Wild Yellow 7865

LVL + 0'-8"

9mm Tuffen Glass Finesta UPBC Sliding Doors with Fixed Glass

LVL + 4'-0"

9mm Tuffen Glass Finesta UPBC Sliding Doors with Fixed Glass

LVL + 0'-6"

LVL + 0'-0"

UPBC Windows LVL + 0'-6"

LVL + 0'-0"

LVL - 14'-10"

LVL + 0'-0"

LVL + 0'-10" Fire Globe 7950

Fire Globe 7950

9mm Tuffen Glass

LVL + 4'-0" 1"X1" SS 340 Grade Square Bar

UPBC Windows

Wild Yellow 7865

LVL + 0'-8"

9mm Tuffen Glass Finesta UPBC Sliding Doors with Fixed Glass

LVL + 4'-0"

9mm Tuffen Glass Finesta UPBC Sliding Doors with Fixed Glass

LVL + 0'-6"

LVL + 0'-0"

UPBC Windows LVL + 0'-6"

LVL + 0'-0"

LVL - 14'-10"

LVL + 0'-0"

LVL + 0'-10" Fire Globe 7950

5" extended BEEM for curtain wall

UPBC Windows LVL + 0'-10"

LVL + 0'-6"

Fire Globe 7950

9mm Tuffen Glass

2'-3"

UPBC Windows

LVL + 0'-10"

LVL + 0'-6"

LVL + 0'-0"

Ocean Force X146

UPBC Fixed Glass

RIGHT - SIDE ELEVATION

Earthly Brown 8005

2"X2" SS 340 Grade Square Bar

LVL + 0'-0"

Finesta UPBC Sliding Doors with Fixed Glass

LVL + 0'-0"

Wild Yellow 7865

LVL + 0'-6"

Finesta UPBC Sliding Doors with Fixed Glass

UPBC Windows

LVL + 0'-0" Ocean Force X146 UPBC Windows

LVL + 4'-8"

Fire Globe 7950 9mm Tuffen Glass

LVL + 0'-0"

9mm Tuffen Glass

Finesta UPBC Sliding Doors with Fixed Glass

LVL + 4'-8" Ocean Force X146

LVL - 4'-0"

Finesta UPBC Sliding Doors with Fixed Glass

LVL + 0'-0"

Wild Yellow 7865

UPBC Windows

LVL + 0'-0"

Fire Globe 7950

LVL - 16'-6" LVL + 4'-8"

9mm Tuffen Glass Finesta UPBC Sliding Doors with Fixed Glass

LVL + 0'-0"

9mm Tuffen Glass Finesta UPBC Sliding Doors with Fixed Glass

Wild Yellow 7865

LVL + 0'-6"

UPBC Windows

LVL + 0'-0"

Ocean Force X146

LVL + 1'-10" UPBC Windows

Fire Globe 7950 LVL + 4'-8"

9mm Tuffen Glass Finesta UPBC Sliding Doors with Fixed Glass

LVL + 0'-0"

9mm Tuffen Glass Finesta UPBC Sliding Doors with Fixed Glass

Ocean Force X146

Wild Yellow 7865

LVL + 0'-6"

UPBC Windows

LVL + 0'-0" Ocean Force X146 UPBC Windows

Fire Globe 7950

9mm Tuffen Glass

Ocean Force X146

9mm Tuffen Glass

LVL - 28'-8"

Fire Globe 7950

LEFT - SIDE ELEVATION

LVL + 0'-0"

5"extended slab for curtain wall

INTERNSHIP WORKS GREY STONE CLADDING

RED SANDSTONE CLADDING

GREY PAINT

GREY PAINT LVL + 3'-0"

LVL - 0'-10"

LVL + 0'-4"

LVL + 3'-0"

LVL + 0'-0"

LVL + 1'-6" LVL + 1'-4"

LVL + 1'-0"

STEEL BARS LVL + 1'-10" LVL + 7'-10" LVL + 2'-0"

LVL - 13'-0"

LVL + 0'-0" BRICK CLADDING

8'-8" BRICK CLADDING SLIDING GLASS DOOR

GLASS WINDOW

LVL - 23'-6"

28'-4"

WHITE CEMENT TEXTURE LVL + 1'-2"

WOODEN CLADDING

LVL + 0'-9"

WOODEN CLADDING 16'-4"

LVL + 0'-9"

LVL + 0'-2" LVL - 23'-6" PANELING WOODEN CLADDING

LVL + 0'-0"

WOODEN CLADDING 5'-6" LVL + 0'-2"

LVL - 13'-0" LVL - 0'-0" LVL - 13'-0"

GREY PAINT

LVL + 0'-9"

LVL + 0'-0" LVL + 1'-0"

RIGHT-SIDE ELEVATION

FRONT ELEVATION

FRONT-SIDE ELEVATION GREY PAINT

3'-0"

LVL + 3'-0"

0'-0"

LVL + 1'-6" LVL + 1'-4"

+ 1'-0"

STEEL BARS + 1'-10"

L + 2'-0"

LVL + 0'-0" BRICK CLADDING

8'-8"

RICK CLADDING

1'-2"

GLASS WINDOW 28'-4"

WHITE CEMENT EXTURE

LVL + 0'-9"

WOODEN CLADDING 16'-4"

0'-9"

+ 0'-2"

NELING LVL + 0'-0"

OODEN CLADDING

L + 0'-2"

5'-6"

LVL + 0'-9"

RIGHT SIDE ELEVATION

RIGHT-SIDE ELEVATION

LVL +1'-0"

LVL +1'6"

LVL + 00

LVL +2'-0"

LVL +1'6"

LVL +0'-5"

LVL +2'-0"

PARAPET +52'-6"

LVL +0'-3"

LVL + 00

LVL +2'-0"

LVL +0'-2"

LVL +1'-6"

LVL + 00

THIRD FLOOR LVL +39'-6"

LVL + 00

LVL - 5'10"

LVL + 00

GROOVING 3"

PARAPET +52'-6" ROOF +49'-6" LVL +1'-6"

LVL - 5'10"

LVL - 5'7"

LVL + 00

LVL +0'-5"

SECOND FLOOR LVL +29'-6"

LVL +0'-0"

LVL - 5'7"

LVL - 5'10"

LVL +1'-6"

LVL + 00

LVL +0'-5"

FF ROOF +29'-6"

LVL - 5'10"

FIRST FLOOR LVL +19'-6"

LVL + 00

LVL +0'-10"

LVL + 00

LVL +0'-5"

LVL - 5'7"

LVL + 00

GF ROOF +19'-6"

LVL + 00

LVL +2'-0"

LVL - 5'7"

LVL +0'-2"

LVL - 5'10" LVL +1'-0"

LVL +2'-0"

LVL - 5'7"

LVL +1'-6"

LVL + 00

LVL - 5'10"

SF ROOF +39'-6"

LVL + 00

LVL - 5'10"

LVL + 00

LVL +0'-10"

LVL +0'-5"

LVL + 00

LVL +1'-0"

LVL - 5'7"

LVL + 00

LVL +0'-2"

LVL + 00

LVL - 5'7"

LVL + 00

LVL +0'-5"

LVL +0'-4"

LVL +0'-2"

ROOF +49'-6"

LVL - 5'10"

LVL +0'-10"

LVL +0'-0"

GF LVL +9'-6"

LVL - 5'7" LVL + 00

LVL + 00

LVL +2'-0"

LVL + 00

GF +9'-6"

LVL + 00

PLINTH 00

OUTLET CHAMBER

4'-0"

DOOR AND WINDOW SCHEDULE FLUSH DOOR

0.90 X 2.1

FLUSH DOOR

0.75 X 2.1

FLUSH DOOR

0.90X 1.35

MS. GLAZED WINDOW

1.80 X 1.35

MS. GLAZED WINDOW

1.20 X 1.35

0.90X 1.35

MS. GLAZED WINDOW

0.60 X 0.45

MS. GLAZED WINDOW

1.80 X 2.1

SLIDING GLASS DOOR

GROUND FLOOR PLAN

10.62 sq.m.

TOTAL BUILT-UP AREA

191.50 sq.m.

PARKING AREA

18.26 sq.m.

0.75

5" 5"

100 MM THICK ENFORCED SLAB WITH HOOK

3" TH R.C.C SLAB

7'10" 6" MM COIR MAT IN IN NYLON NET

1.89M

ROOF TOP

SECTION AT XX 4" PIPE

3" MM BRICK WORK OVER 3" MM P.C.C OVER 3" MM SAND

11'

METAL

JHAMA BRICK OR BOULDER

1" 2'-12

4" OR 6" MM BORE INSTALLED WITH PVC PIPE

1" 4'-82

X 1" 2'-12

PLINTH LVL +1'

1" 10'-82

1'-0"

PLAN OF SEPTIC TANK

DETAIL OF RECHARGE WELL

APPLICANT SIGNATURE

DATE :

#83, Rasulgarh, At Venus Campus, Near Bank of India, Bhubaneswar Phone/Fax no.- 07205180781 E-mail -abhshk_aryan@rediffmail.com

SCALE: 0'1" = 8'

GROUND LVL +00

DATE: 25/ 10 / 2020

1'-0"

DRAWN BY: ONLY FOR SUBMISSION / CONSTRUCTION VANDANA LAKRA SPACE FOR SEAL

5'-3" 7'

93 4"

WALL SECTION GL rings 4@6" c/c

4nos.16mm

JOVE CREATIONS

SHEET : 1 OF 1

PLAN OF SOAK PIT

SECTION AT YY

P 08@ 6" c/c

10" 10"

1" 6'-92

3.96 1.22

6" TH. P.C.C.(1:4:8) 6" TH.SAND

SCALE:1:100

CONSULTANT

ARCHITECTURAL CONSULTANT

PRAKRUTI VASTUKALA DESIGN STUDIO, BOMIKHAL, BHUBANESWAR

CHECKED BY: AR. GAUTAM AGRAWAL

93 4"

3'-73 4"

10.97

9.76

10.97

9.76

2.88 0.97 1.38 1.21

3.1

30' WIDE ROAD

PROPOSED PURNA CHANDRA SINGH , KHATA NO.-59, AND OVER PLOT NO - 748, AT MOUZA -KHARIAR , THANA- KHARIAR -128, TAHASIL - KHARIAR, DIST- NUAPADA, ODISHA.

2'-8"

REVISION SUFFIX :

0.75 0.46 7.62

4'-113 4"

5.8

3.1 3.1

0.96 3.1

JOB ARCHITECT :

9.14

2227.04 SQ.FT.

TIE BEAM

LINGARAJ SAHOO DRAWING NO:

2.13

1.67 0.97 1.38 0.75

0.78

AREA 1010.81 SQ.FT. 1010.81 SQ.FT. 205.42 SQ.FT.

TERRACE FLOOR PLAN

SECTION B-B'

0.96 2.13

3.1 3.1

0.98

1.07 3.1

TOTAL BUILD UP

SECTION A-A'

Y ABHISHEK TRIPATHY

3.1

PLOT AREA : 1500 SQ FT COVERAGE:67%

FIRST FLOOR LVL +12'

SILT TANK

COARSE SAND

ARCHITECT'S SIGNATURE

0.75

BALCONY (11'9" X 2'9")

FIRST FLOOR PLAN

SECOND FLOOR LVL +23'

3.71

2.34

7.62

0.78

APPROVAL DRAWING

DRAWING TITLE

9.14

100 MM PIPE

ACHIEVED F.A.R.

7'10"

75MM TH R.C.C PERFORATED WALL OR RING

REAR-SIDE ELEVATION

PROJECT TITLE:

6 nos.016 08@ 6" c/c

NET BOTH WAY

1" 6'-04 SECTION AT PP

DETAIL OF COLUMN FOUNDATION

2'0" X 2'0"

FIRST FLOOR

4'-0"

TERRACE FLOOR AREA

SITE PLAN

2'-53 4"

SECOND FLOOR AREA

45.52 sq.m.

61.03 sq.m. 74.33 sq.m.

LEFT-SIDE ELEVATION

SECTION A - A'

GROUND FLOOR

MUMTY LVL +31'

5'-0"

GROUND FLOOR AREA

PROPOSED SITE LAYOUT PLAN FOR OF RESIDENTIAL BUILDING FOR LINGARAJ SAHOO OVER PLOT NO - 505, KHATA NO-331/ 264 THANA - BALIANTA, MOUZA - BHUBANAPUR

SECTION B - B'

7' 7'

MUMTY FLOOR

100.31 sq.m.

PLANTATION AREA RIGHT-SIDE ELEVATION

0.45

2'6" 2'6"

FLOOR

TOILET (5'6" X 8'0")

BALCONY (11'10" X 7'11")

MS. GLAZED WINDOW

FIRST FLOOR AREA

DRESS (5'1" X 8'0")

TOTAL F.A.R. AREA FRONT-SIDE ELEVATION

5'0" X 4'6" 4'0" X 4'6"

LINTEL 7' 7' 7'

TOTAL BUILDINGS AREA

D3 D2

AREA STATEMENT PLOT AREA

BEDROOM (10'11" X 12'6")

PORTICO (11'10" X 17'4")

8'-0"

DESCRIPTION

11'-0"

SIZE 1.0 X 2.1

11'-0"

2.1

5'-0"

SECTION OF SOAK-PIT

1.8

TERRACE PLAN

TYPE

3'-0"

SECOND FLOOR PLAN

SI. NO. 01

0.25M

12 TOR @0.1M C/C B/W

FIRST FLOOR PLAN

W1 W2

SILL 0' 0' 0'

4'-0"

PLAN OF SOAK PIT

0.25M

7'-0"

TOILET (5'6" X 9'7")

4'-0"

P.C.C

COMPACT SAND FILLING

0.95

7'-0"

7.62

G.L

0.1M Ø INLET PIPE

0.29

1.5M

1.8

1.5 0.29 0.58

GROUND FLOOR PLAN

SIZE 3'6" X 7'0" 3'0" X 7'0" 2'6" X 7'0"

BEDROOM (11'0" X 16'0")

8'-0"

4-12 TOR 8TOR@0.25MC/C B/W REMOVABLE C.I./R.C.C. COVER 0.1M Ø INLET PIPE

FOYER (5'6" X 9'7")

11'-0"

TIE BEAM ROAD LEVEL

4.27 7.62

.45.30

3.35

7.62

.25

7.62

11'-0"

.25

3'-0"

3.74 X 1.98

7'-0"

STAIRCASE DN

TOILET (7'6" X 4'8")

4'-0"

SLOPE

4.27

D2 W1

PLAN OF SEPTIC TANK

LVL +450

3.35

512

3.0

3'-73 4"

1.2

9.76

OUTLET CHAMBER

INLET CHAMBER

LVL +10,000

STAIRCASE 3.74 X 1.98

5.98

DRESS 2.60 X 1.52

ENTRY D UP BALCONY 3.12 X 2.11

9.76

UPPER TERRACE

9.76

A' STAIRCASE 3.74 X 1.98

OPEN TERRACE 3.12 X 2.26

SLOPE

5.98

TOILET 2.62 X 1.52 ENTRY D UP

7'-0"

STAIRCASE 2.42X1.98

SLOPE

NAME D1 D2 D3

LVL +6850

50'-0"

3.96

ENTRY

TOILET 2.60 X 1.60 BEDROOM 7.10 X 3.24

PARKING 3.4X3.71

5.98

9.76

LVL +00

TOILET 2.62 X 1.59

9.76

LOBBY 4.37 X 3.23

510 511

0.06M TH BAFFLE WALL 18" DIA MAN HOLE ABOVE

LVL +3660

3.49

DRAWING ROOM 3.74X3.23

LIVING/ DINNING (14'10" X 19'7")

8'-0"

LVL +450

2.49

5.8

DINING 4.08X3.03

BEDROOM (11'0" X 16'0")

3.78

LOWER TERRACE

3.78

MASTER BEDROOM 3.89 X 3.66

BEDROOM 3.10 X 3.66

3'-1"

509

SECTION P-P BEDROOM 2.9X3.66

505

OUTLET PIPE

SLOPE

TOILET 1.22X2.13

STORE (11'4" X 8'0")

KITCHEN (10'11" X 8'0")

2'-6"

508

SCHEDULE OF OPENINGS

PUJA (4'0" X 3'0")

0.1M TH RCC WORK

7.62

SLOPE

KITCHEN 2.74X2.13

0.37M DIA MAN HOLE ABOVE 0.06M TH BAFFLE WALL

INLET CHAMBER

1.8

504

B 7.62

SHEET NO: 1

506

FRONT ELEVATION

503

507

30'-0"

PRAKRUTI VASTUKALA DESIGN STUDIO,25 GAYATRI NAGAR, BOMIKHAL, BBSR 789-43-56789 : prakrutivastukala@gmail.com

DATE - 11.08.2020

KEY PLAN

7.62

MR SHRIPATI - ELEVATION

FRONT ELEVATION

PRAKRUTI VASTUKALA DESIGN STUDIO,25 GAYATRI NAGAR, BOMIKHAL, BBSR 789-43-56789 : prakrutivastukala@gmail.com

DATE - 11.08.2020

MR SHRIPATI - ELEVATION

PLINTH 00

.07M TH. P.C.C.(1:4:8) OVER 4" B.F.S OVER 6" TH.SAND FILLING

FRONT ELEVATION

SIDE ELEVATION

SIGN OF THE APPLICANTS

SIGN OF THE ARCHITECT

HEALING ARCHITECTURE Introduction

ADYASHA PRIYADARSHINI 116AR0015 VII SEMESTER UNDER SUPERVISION OF: Prof. BINIT KUMAR DEAPARTMENT OF PLANNING AND ARCHITECTURE

Earthquake Resistant Vernacular Architecture In Himalayas

MUKTANGAN MURTI

Healing environment:

➢ Entrance pathway is converging, giving a Location-Mohanwadi,off pune alandi road. hospitality approach. Designed by Ar. Sirish Beri. ➢ Façade is stone cladded, This building showing the healing elements by its architecture. that shows the importance It has maintained a balance between the sense of freedom by creating of local elements in the interactions with nature. structure • Visual connection to nature is established from the cut-outs, the terraced balconies and therefore the seating encourage the patients to open up. spaces for physical and visual interaction. Site is sloped towards south with respect to its landform. • outdoor seating for guests. • Raised planters and flower bed are planted within the window sill small-enclosed amphitheatre of capability 150, breathes light and ventilation within the building, it binds the varied functions along, • Opening within the lobby give light and ventilation in room. • Clearstory windows within the meditation hall give light in interior from top. Waiting lobby Sources: APKPure Analysis: • As per reports, having a visual contact with nature reduced the stress and ➢ The general wards, balconies aggression level in the patients. and common corridors all have a view from amphitheatre. • It is situated far from the township, so that the noisy environment couldn’t ➢ Which gives these spaces light, hamper the inner peace. ventilation. • This care centre has huge landscaped area , which allows patients to walk

The goal is to have interaction patients within the method of healing and recovery. Areas ought to be designed to reduced patient and family stress. Healing through design aims to: • Eliminate environmental stresses • Connect people to nature. • Providing choices and decisions to people • Encourage opportunities for social support. • Inspire feelings of peace, hope, reflection and religious affiliation.

Benefits of Healing Architecture

Source: meditation

A measurable impact on patient recovery, along with shorter hospital stays, fewer infections shrunken within the hospital and reduced pain. • Patients with manic-depressive psychosis appointed to brighter, east-facing rooms with morning daylight had hospital stays nearly four days shorter than those with west facing rooms. • posters of realistic nature scenes were decorated on wall is way more effective than a blank wall.

•

Human Senses

Location of Muktangan Murti, Pune

Surveillance from houses

Temp. rise

Energy level

Hazelwood school sources: jayob architects,2018

1. 2. 3. 4. 5. 6. 7.

• Mud - easy availability, good insulation and the good binding properties • Wood - the forests of the deodar wood and other mixed forests were easily available. Wood is used to impart stability to tall structures. • Stone – remains in use but its usage is restricted to the plinth to give strength.

Corridor having a view of OAT. Sources: APKPure

RHS Wisely Well being Garden, UK

• • • •

Source: (disaster management , 2017)

Stepped Foundation

Building quality stone and aggregate is available and cheap. 1. The irregular shaped stones are laid in steel moulds 2. Concrete is poured , over these stones 3. Compacted by using plate vibrators Mass production of the stone/concrete blocks is possible.

Source: (Wikipedia, 2019)

WALLS

Protects Dead load by falling down snow. Projects less load to the base structure of bhattar Roof frame binds all walls together Roof space can be used as attic.

Stone Foundation

Solid Filling

Source: (Wikipedia, 2019)

• Beams (bhattar) in the walls act as ‘seismic bands’. • All walls are connected to each other through stone masonry and timber beams. Can be used for the walling system are a) Stone Concrete Blocks b) Solid Concrete Blocks Cator and Cribbage wall c) Burnt Clay Bricks in English & Rat– trap Bond d) Improved Random Rubble masonry

Gable Roof

Source: (Bhatt, kumaon houses, 2008)

Openings

Planning

Taq Walls

•

➢ Landscaping of green land is an essential part of a care centre. ➢ It creates visual and physical interaction with nature also the smell of herbal trees or plants fasten the process of recovery

House in Srinagar and Ladakh

Interference in concentration Problem in meditation and recreational activities Temporary hearing loss

• • • •

Mental stress Frustration Taste interference Irritability

Source: (Singh, houses, 2011)

• •

Important References:

Plan Of A Kumaoni House

Source: (Aditya, garhwal houses, 2015)

Source: (Rani village, 2009)

• The most natural structural configuration is to accommodate the shape of the slope in foundation arrangement through a step-back configuration. • This is basically achieved by providing separate foundations at gradually increasing levels. In some cases, the superstructure, in addition, follows the shape of the slope, resulting in a combination of step-back and set-back configurations.

Column

Anchor Center, a top blind education facility.

Step Back

Set Back And Step Back

Cross-slop

Along-slop

Unequal Heights

Floor Plan of Himalayan House

Kath-kuni Style House Source: (Rani village, 2009)

Source: (Rani village, 2009)

Modern Strategies 1. Step Back Vs Set Back And Step Back Type Buildings

Symmetric Configuration

Performance

More Vulnerable

Good

Torsional Moments

High

Low

Cost Of Construction

Costly

Economic

Shear Failure

Low Chance

High Chance

❑ The term dhajji dewari comes from the Persian. ❑ Literally means “patchwork quilt wall”. ❑ Dhajji dewari consists of a complete timber frame that is integral with the masonry, which fills in the openings in the frame to form walls. ❑ The wall is commonly one-half brick in thickness, so that the timber and the Construction Details Elevation of Dhajji-Dewari masonry are flush on both sides. ❑ Walls with many smaller panels have performed better in earthquakes than those with fewer and larger panels. A dhajji wall is strong because: • The small panels distribute the earthquake energy evenly. • Friction between all small elements and their in-fills breaks down the energy. • There may be a lot of small cracks which are not dangerous. • But large destructive cracks become very rare. Application: View of a construction Framing Details In the vale of Kashmir, the infill is usually of brick made from fired or unfired Source: (Randolph Langenbach,2009) clay.

Kumaoni Architecture

Step Back Type

Set Back & Step Back Type

Kath-Kuni Architecture

(Uttarakhand)

Source: (Kumar, Satish 1996)

2. Buildings on Vertical Cuts

(Himachal Pradesh)

E.g.. Of Kath-kuni House Source: (Amlan Pande,2011)

• • • •

Comfort sleep interference Communication problem Hampered privacy Habit of talking loudly

All species including human beings use this sense to help them in the survival in the environment. It helps in detection of spoiled food or escaping gas. smell qualities of any space provide it with special characteristics that differentiate it from all other spaces. These associations could be used in architecture. To stimulate emotions, to guide, or to distract.

Architecture can stimulate the sense of taste. In this case together with the sense of vision not with smell. Vision becomes transferred to taste. The taste in architecture does not literally mean to kneel down and try to eat the stone bricks, but it means that architecture can make our mouth water just by the sight of appealing materials.

• This is a heavier, more timber-intensive version of timberlaced masonry than taq and bhatar. • A combination of cribbage at the corners with timber bands, known as “cator and cribbage”. • The corners consist of a cribbage of timber filled with masonry. • These are connected with timber belts (cators) that extend across the walls. • These construction traditions have followed patterns of migration and cultural influence over centuries. • Historic mosques in Srinagar are of “cribbage” construction.

3. Dhajji-Dewari Construction

➢ Designed by: Daniel Libeskind ➢ Installation of copper plated making the face of humans in a place called void. ➢ He created a drama inside the space. ➢ People can hear noises while walking through the path which reminds them the suffering of Jewish people at the time of holocaust. ➢ Creating a sense of pain and sorrow inside the visitors.

Wooden balcony space

3. Retaining wall

Senses in architecture. 2011 Healing architecture by S. Mondol 2006 Jacob architects 2019 Considering five senses of architecture 2008 Architectural spaces designed to simulate senses

Vertical cuts Type

Vertical cuts Type Building Source: (Kumar, Satish 1996)

Step Back Type Buildings Source: (Kumar, Satish 1996)

Set Back & Step Back Type Source: (Kumar, Satish 1996)

Source: (Kumar, Satish 1996)

Provide usable land Create terraces of usable land on slopes Manage water runoff Help slow the flow of rainwater Can increase the utility of gardening and lawn care • Minimize erosion by decreasing the angle of a slope and holding back soil

Retaining Wall

Source: (Wikipedia, 2019)

Types of Retaining Wall

▪ ▪ Source: (Wikipedia, 2019)

▪

Sikkim Earthquake Case-study

Conclusion

❑ Environment and climate should be the most essential concern for architects. Elements like daylight, temperature, water, noise etc. can affect a humans physical and mental health. ❑ We behave and acts according to our designed environment. ❑ Our body gets information from our senses, so the surrounding influence our mental health. ❑ Architects should show concern about all the senses not only focusing on one. ❑ A space surrounded by different colors and shade could improve the quality of that space by making it more pleasant and productive. ❑ Avoid noisy spaces for well being centers. ❑ Nice fragrance plant reduce the stress level so landscaping is must. ❑ Choosing of materials carries lot of importance in a user behavior towards the space.

• • • • • • • • •

Source: (Pratyush Shankar,2018)

Sikkim faced earthquake of M6.9 on September 18, 2011. Gangtok was 100km away from the epicentre. RC frame buildings were heavily damaged. 2 high rise RC frame building in Gangtok were collapsed. This unusual failure of RC frame building motivated the authors to take up the analytical study summarized above to understand seismic behavior of RC frame buildings on hill slopes. Sikkim earthquake highlighted the peculiar failure pattern of hill buildings. Under along-slope excitation, the varying heights of columns cause stiffness irregularity. The short columns resist almost all of the shear pressure. Traditional buildings performed well in earthquake.

▪ ▪ ▪ Damages done with RC frame buildings

Less damaged traditional constructed old buildings

Source: (Kumar, Satish 1996)

1. Kumar, Satish 1996. Seismic analysis of setback and setback buildings, Earthquake engineering, University of Roorkee, Roorkee. 2. Agarwal and Shrikhande, ―Earthquake Resistant Design of Structures‖; PHI Learning Private Limited; New Delhi; 2010. 3. Langenbach,Randolph.(2009). Don’tTearitDown! Preserving the Earthquake Resistant Vernacular Architecture of Kashmir, UNESCO, New Delhi.

Wall details from outer layer Source: (Pratyush Shankar,2018)

Structural System And Its Seismic Resistance

▪ ▪ ▪ ▪ ▪

• • • • •

SMELL • •

Construction Details from Outer Layer

The foundations of the building are provided at two levels • at the base downhill • at the road level

Jewish museum sources: paths,2009

•

Construction Details

Source: (Randolph Langenbach,2009)

In case of hill buildings geometric configuration also affects its seismic response.

Himalayan House with Openings

Narrow street of Venezia, Italy

Noise nuisance

Noise hazards Permanent hearing loss Neural-humoral stress response destruction of artefacts

Construction Details

Source: (Randolph Langenbach,2009)

Direction

➢ Narrow make our vision close and we feel symptoms of stress hormones. ➢ Some people may be claustrophobia in this kind of space. ➢ This type of space should be avoided.

House in Srinagar

2. Cator And Cribbage Construction

Random Rubble Masonry

Source: (Sharma, building construction,21 Oct 2017)

Osaka and Ando’s church of light sources: churches,2018

Effects of noise on human being

•

Refers to the modular layout of the piers and window bays. Consists of : load-bearing masonry walls +horizontal timbers embedded in • Timbers are tied together and laid into the walls at each floor level and at the window lintel level. • Serve to hold the masonry walls together • Tie them to the floors Important factor in the structural integrity of taq • Full weight of the masonry is allowed • Bear on the timber lacing • The ends of the floor joists penetrate the exterior walls holding them in place. • Timbers in turn keep the masonry from spreading. ❑ It does not have elements-which could shift this overburden weight of the masonry off and onto columns buried in the walls. ❑ It is this weight, and the resulting compression of the mud-laid masonry. ❑ Essential component of what it needs in order to resist the earthquake forces. Application : In Srinagar this modular pier and bay design and the timber-laced load-bearing masonry pier and wall system go together, the name has come to identify the structural system as well.

Construction Details of Walls Rat Trap Bond

• Smaller openings provided • It minimise the movement in an earthquake • Only required for ventilation

➢ Universal design for blind people in educational institutional. ➢ By providing railings on the corridor to guide them and also by making the surface rough.

• The touch sense is connected with the choice of materials we use. • Thus, the materials employed in any house have a clear result on the user, the variations between the materials from the degree of hardness and softness, rigidity and adaptability, lightness and heaviness, etc. • For blind people, touching sense is used the most. Through architecture we can guide them them.

•

1. Taq Construction

Box Gable Roof

Source: (Singh, houses, 2011)

TOUCH

• • •

• Dwellings and structures that are built as a product of traditional customs and practices • Built by the users • Representing a far less degree of specialization • The structures made by empirical builders without the invention of professional architects • They have emerged out of hard necessities, hard work and hard lives • Construction methodology that natives employ to build shelters using locally prevalent resources and conditions.

Shading devices installed in a office, India source: shading,2017

• We must put into consideration the climatic conditions of this space. • Human behavior in any space can be affected by the abnormal levels of heat, cold and wind. The human skin is the sense the special degree in which it will be in comfort zone. • When the human body is in uncomforting zone it behaves abnormal.

TASTE

• • • •

Characteristics of vernacular architecture:

Fill and Cut-Fill

AUDITORY

• The visual Sense and also the auditory sense are the key senses for perceiving and understanding the atmosphere. • Not all sounds within the atmosphere have negative effects on the human beings; some sounds have positive effects on each the psychological and also the physiological status. Music for fast, (not all quite music) might decrease the stress level and make the mood better. • As well, it might scale back the affected by pain and increase the sensation of relaxation and luxury. The result of Noise • Expected effects of exposure to noise is that the hearing impairment. • Noise has a lot of damaging effects on the hearing sense. • Noise is considered to be best-known stressors, • People don't like to stay in a noisy community or neighborhood. • Frequent exposure to noise is coupled with severe and chronic diseases. • Noise is also the most reason behind a range of physiological changes that will contribute to those diseases. • Top level of noise may cause the rise in arousal and stress

Source: (concretecivil.com, 2020)

Materials And It’s Significance

• Temperature has a relation with aggression as it is directly proportional. • We can feel the depth , shape and size of a structure by touching it.

Masses of buildings

Source: (Susant Danekar, 2010)

Regularity Of Block

Foundation

ROOF Sloping - Wooden

Salk Institute, US sources: ipmt 2007

Source: (theconstructor.org, 2020)

Source: (disaster management , 2017)

➢ Making the environment of the space by its shape and controlled daylighting.

Shading devices

Symmetry And Separation Of Blocks

Symmetry Regularity Separation of blocks Simplicity Enclosed area Less openings Location of the house

Earthquake Resistant Methods in a Building

Landscaping around the centre. Sources: APKPure

Office of Apple source:revisted,2009

▪ ▪ ▪ ▪ ▪ ▪ ▪

Difficulty of getting suitable orientation on the hill slopes. Problems of soil erosion and land slides. Restrictions by the forest department Existence of tall shady trees and dense forest area, which obstruct the winter sun required for the buildings. Limitations on the height of the building due to earthquake risk. High cost involved in the site development due to the cutting and the filling process. Non-availability and transportation problems of construction

Cator Cribbage Construction in Srinagar

Views . Comparative between 2 types of building placement

➢ This school specially designed for dual disability blind and deaf. ➢ Feeling the masses through touching.

➢ Views can be use in surveillance. ➢ This type of design not only help for surveillance but also help to minimize the criminal activities.

Intensity of earthquake Type of earthquake waves Type of structure Type of design Shape of structure both in plan and elevation Type of soil Type of foundation Type of material used for construction Load of construction

Construction is complicated due to :

➢ Daylights can control the well beingness and performance efficiency of employees at work place. ➢ Apple’s office have these kind of window design and furniture arrangement in office to improve the mood of staffs.

Imp. Of daylighting in office source: 2030pellete

• • • • • • • • •

Vernacular Architecture Components

➢ Using of neem tress for healing through smell. ➢ Creating atriums for bringing the natural light inside the building. Providing huge atriums for lighting. Sources: APKPure

VISION

Earthquake resistant construction and safety regulations is the most serious concern for planning and design of buildings in hill regions. • Many vernacular have good response during previous earthquakes. • presently adopted construction practices in hilly areas do not have good earthquake response and may result in serious damage. • Therefore, vernacular practices with suitable modifications can be adopted for design and construction of earthquake resistant buildings in hill regions.

➢ Waiting lobby has a view of amphitheatre and so the centre of the building. ➢ Not only the landscaping around the lobby make people engage with outside but also doesn’t bore them.

around the site. Trees like neem, banyan etc are best known for healing properties through their presence itself. The fragrances help to recover. • Walking on the grass with barefoot helps the blood pressure to function better.

• Architecture an important part of our environment disturbs our experiences, feelings, memories and ultimately decision we make. • Everything created by man has an effect on his environment. • We all live with it and have an unconscious impression on it. • We understand buildings through our senses. • The senses felt by the eyes, ears, nose, mouth and skin. • The integration of senses using reason and logic.

• Visual qualities of areas dominate our perception of a building. • Daylighting has been related to improved mood, increased morale, less fatigue, and reduced asthenopia. • Bright lighting is create alertness, and well-daylighted areas are perceived by occupants to be “better" than dim gloomy ones. • There's a general perception that daylight ought to be the first source of illumination for the sake of our health and well-being. • In dwellings show that natural light-weight is that the single most significant attribute in a very home, with over hour of respondents ranking it as vital Building interiors ought to be designed in a very manner that allows the human got to be joined to the natural environment by minimising overshadowing and permitting distant views. A natural view is most popular to a view towards the man-made environment, and a large and distant view is appreciated A view to nature could have a positive influence on people’s • sense of well-being • higher subjective health • higher environmental satisfaction • better mood reduced health issues • job satisfaction • recovery of surgical patients • seating preference

Entrance to the centre

General Planning And Design Considerations To Reduce The Effect Of Earthquakes –

Factors affecting effect of earthquake on structure

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The Goal of Healing Architecture

Design elements for guiding blind people

Introduction

DRUGS REHABILITATION CENTRE, PUNE

Healing surroundings for care centre describes a physical surroundings that supports patients and families through the stresses that develop as a results of unwellness. The physical care surroundings i.e. Physically healthy and psychologically applicable will create a distinction in peoples’ recovery.

ADYASHA PRIYADARSHINI 116AR0015 VIII SEMESTER UNDER SUPERVISION OF: Prof. BINIT KUMAR DEAPARTMENT OF PLANNING AND ARCHITECTURE

Rectangular plan Symmetry in planning Linear shape in floor plans Primary building material: stone and wood Walls consists of alternating horizontal bands of wooden beams Stone masonry support a sloping wooden roof Intermediate floors are made of wooden rafters with board Floor of the verandah is supported by wooden columns Use of wood in walls provides stability Shorter upper floors Extensive use of wood results in a lighter construction

Conclusion

Foundation and plinth Source: (Amlan Pande,2011)

Vertical Section of Kumaoni house

E.g.. Of Kumaoni House Source: (Pratyush Shankar,2018)

▪ Materials used: stone, wood and slate ▪ Foundation: stone plinth about 1m high from ground level and trench 1m deep ▪ Walls made of stone and wood Ver. Sec. of walls =alternatively stacked up, one over another ▪ Outer layer comprise random rubble masonry and wood, laid out alternately ▪ Cavity walls of every outer course of wood/stone is filled with smaller stones ▪ Hip roofs ▪ Dormer windows for small openings ▪ Energy efficient construction Construction Details of Wall ▪ Upper floor has shorter ceiling height Source: (Amlan Pande,2011)

Planning strategies: • Floor plan should have be symmetrical in geometry Attic • Building blocks should be placed at some distance • Buildings should have less openings to avoid massive movements Location of the building: foot of the slope for lower damage Building placement strategy: step back building Construction strategies: dhajji wall, kath-kuni, koti-banal, taq and wooden buildings Material used : timber, thatch, stone in traditional buildings • The adoption of such earthquake resistant practices with durable and fire resistant materials can be made mandatory through building regulations. Source: (Ankita Mehta,2013)

Floor plan layout

Materials

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