eWorld Resource : Oct 11 - Oct 24, 2005

En t e rt a i n m e nt Wor ld Resour ce | Houst on, TX

SM

OCT 11 - OCT 24, 2005

The Entertainment

RESOURCE AN EMPTY PLATE...

with Charles Tanner

Houston’s

MUSIC UNIONS ARCHER CD Reviews VIEW ONLINE 24/7 www.eworldresource.com HOUSTON

contents ongoing Signature Sundays (Tribeca) 2 Poetic Justice (McKenzie’s) 5 Sunset Fridays 7 (Scott Gertner’s Sky Bar) Word Play Wednesdays 15 (On The Level Promotions) Division 1 Sports Bar 21

performances Empty Plate...

(Cover Story)

16

this issue Urban Sol Donna Nash Music Unions Archer’s Picks CD Review How To Use Record Pools Addavoy (College Rock Band)

8 10 12 22 26 30

tourist info Important Numbers Information Centers Houston Radio Listing Performing Arts Listing

6 20 28 31

CLICK WITH EASE Visit us online 24/7.

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contents ongoing Signature Sundays (Tribeca) 2 Poetic Justice (McKenzie’s) 5 Sunset Fridays 7 (Scott Gertner’s Sky Bar) Word Play Wednesdays 15 (On The Level Promotions) Division 1 Sports Bar 21

performances Empty Plate...

(Cover Story)

16

this issue Urban Sol Donna Nash Music Unions Archer’s Picks CD Review How To Use Record Pools Addavoy (College Rock Band)

8 10 12 22 26 30

tourist info Important Numbers Information Centers Houston Radio Listing Performing Arts Listing

6 20 28 31

CLICK WITH EASE Visit us online 24/7.

You can LINK as you read!

2

ADVERTISING INFORMATION

713-292-8975

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Oct 11 - Oct 24 HOUSTON eWORLD RESOURCE

3

Wickel Photography

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OCT 11 - OCT 24, 2005

979.289.0549

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KAMITRI eWorld Resource PO Box 10393 Houston, Texas 77206-0393 (713) 292-8975 www.eworldresource.com

Location Photography

EDITOR

Mechelle Garrett CONTRIBUTING WRITERS

J. Archer, Nolan Hodges, JaWar CONTRIBUTORS

Main Street Theater, Donna Nash, Urban Sol Entertainment

Events ~ Weddings

All creative works shown are accredited to the sole advertisers, designers and/or writers.

DESIGN, LAYOUT & WEB

Danielle Miles, Kyla Staten CONTRIBUTING PHOTOGRAPHERS

Keadron Smith INTERNS

Location Portraits

Victoria Albert, Chiquita Hawthorne

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ADVERTISING INFORMATION

Copyright 2005. eWorld Resource is distributed bi-weekly and for special events for the Houston area. No part this publication may be reproduced in any form. including photocopy, without permission in writing from the publisher.

All ads designed by eWorld Resource may not be reproduced for publication elsewhere.

713-292-8975

or

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HOUSTON

Wickel Photography

SM

OCT 11 - OCT 24, 2005

979.289.0549

PUBLISHER

KAMITRI eWorld Resource PO Box 10393 Houston, Texas 77206-0393 (713) 292-8975 www.eworldresource.com

Location Photography

EDITOR

Mechelle Garrett CONTRIBUTING WRITERS

J. Archer, Nolan Hodges, JaWar CONTRIBUTORS

Main Street Theater, Donna Nash, Urban Sol Entertainment

Events ~ Weddings

All creative works shown are accredited to the sole advertisers, designers and/or writers.

DESIGN, LAYOUT & WEB

Danielle Miles, Kyla Staten CONTRIBUTING PHOTOGRAPHERS

Keadron Smith INTERNS

Location Portraits

Victoria Albert, Chiquita Hawthorne

ADVERTISING SALES

Unique ~ Creative ~ Artisitic

(713) 292-8975 ads@eworldresource.com DISTRIBUTION Pollard Industries

979.289.0549 www.WickelPhotography.com

4

ADVERTISING INFORMATION

Copyright 2005. eWorld Resource is distributed bi-weekly and for special events for the Houston area. No part this publication may be reproduced in any form. including photocopy, without permission in writing from the publisher.

All ads designed by eWorld Resource may not be reproduced for publication elsewhere.

713-292-8975

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IMPORTANT NUMBERS Emergency 911

Information (800) 4-Houston

Directory Assistance 411

Time (713) 222-8463

City Departments Inside Loop 610 311

Travelers Aid American Red Cross 2700 Southwest Fwy (713) 526-8300

Outside Loop 610 (713) 837-0600 AAA Road Emergency Service (Members Only) (713) 521-0211 Coast Guard, Air & Sea Rescue (713) 481-0657 Highway Conditions (713) 869-4571

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CURRENCY EXCHANGE American Express Offices Galleria II, Level 3 (713) 626-5740 Town and County Mall (713) 465-3494 Willowbrook Mall (281) 890-7161 Bush Intercontinental Airport (281) 233-3588

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IMPORTANT NUMBERS Emergency 911

Information (800) 4-Houston

Directory Assistance 411

Time (713) 222-8463

City Departments Inside Loop 610 311

Travelers Aid American Red Cross 2700 Southwest Fwy (713) 526-8300

Outside Loop 610 (713) 837-0600 AAA Road Emergency Service (Members Only) (713) 521-0211 Coast Guard, Air & Sea Rescue (713) 481-0657 Highway Conditions (713) 869-4571

Passport Offices (713) 653-3153 (713) 653-3159 Tourist And Convention Poison Control Center (713) 654-1701 Weather Conditions (713) 228-8703

CURRENCY EXCHANGE American Express Offices Galleria II, Level 3 (713) 626-5740 Town and County Mall (713) 465-3494 Willowbrook Mall (281) 890-7161 Bush Intercontinental Airport (281) 233-3588

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Chase Bank 712 Main Street (888) 242-7384 Hobby Airport (713) 649-6664 Thomas Cook Foreign Exchange 10777 Westheimer, Ste. 105 Houston, TX 77042

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Urban Sol Entertainment “Urban” the group consists of Rhyno, Hennessy and Royale’ and was started 3 years ago. The new album is called Soulhop is now ready for the world. “There is a musical renaissance going on in the Houston music scene and there will be no safe haven for weak producers and wack emcees. Urban wants to represent the city of Houston the right way; we want the world to respect Houston music artistically. No disrespect to anybody but when Urban steps up you better bring your ‘A’ game”, says Henn. With a mix of hip-hop, jazz, poetry and a dash of street, Urban has a little bit of flavor for every listener’s ear. Soulhop is the group’s first effort so listen and enjoy.

tle t i l a ith new w

When you talk about up and coming producers in music entertainment you have to include Caro Cambric aka (Hennessy, Hen). Hennessy has also been given a gift to move a crowd which has proven time and time again he can keep it moving. Rapping, singing or production Hennessy is up for the task and will raise the bar in production or vocals in the music industry. “So Kanye & Dr.Dre watch out Hennessy is coming.”

As for Royale’ the years of music history under his belt and the soulful sounds have taken this producer/musician to a high position in the music scene. When it comes time for the finishing touches and the polishing off a piece of music he has created the group knows the music is in good hands.

Rhyno the newest asset to the group he has brought a certain style, some have been known to call it his swagger, some have said its arrogance. The writing Rhyno puts down on paper has become a model for the artist around him. He dares people to make him step his game up. He has only just began and to hear him you would think he was born for this.

This trio is headed in the right direction and definitely going to do their part in keeping Houston hot on the scene. “It’s not a job, but a life style!”

For more information please visit: www.urbansolent.com

old

M O C .

T SOLEN

URBAN

713-292-8975

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HOUSTON

Urban Sol Entertainment “Urban” the group consists of Rhyno, Hennessy and Royale’ and was started 3 years ago. The new album is called Soulhop is now ready for the world. “There is a musical renaissance going on in the Houston music scene and there will be no safe haven for weak producers and wack emcees. Urban wants to represent the city of Houston the right way; we want the world to respect Houston music artistically. No disrespect to anybody but when Urban steps up you better bring your ‘A’ game”, says Henn. With a mix of hip-hop, jazz, poetry and a dash of street, Urban has a little bit of flavor for every listener’s ear. Soulhop is the group’s first effort so listen and enjoy.

tle t i l a ith new w

When you talk about up and coming producers in music entertainment you have to include Caro Cambric aka (Hennessy, Hen). Hennessy has also been given a gift to move a crowd which has proven time and time again he can keep it moving. Rapping, singing or production Hennessy is up for the task and will raise the bar in production or vocals in the music industry. “So Kanye & Dr.Dre watch out Hennessy is coming.”

As for Royale’ the years of music history under his belt and the soulful sounds have taken this producer/musician to a high position in the music scene. When it comes time for the finishing touches and the polishing off a piece of music he has created the group knows the music is in good hands.

Rhyno the newest asset to the group he has brought a certain style, some have been known to call it his swagger, some have said its arrogance. The writing Rhyno puts down on paper has become a model for the artist around him. He dares people to make him step his game up. He has only just began and to hear him you would think he was born for this.

This trio is headed in the right direction and definitely going to do their part in keeping Houston hot on the scene. “It’s not a job, but a life style!”

For more information please visit: www.urbansolent.com

old

M O C .

T SOLEN

URBAN

713-292-8975

eworldresource.com

HOUSTON

“Sounds of Country music has never been better than this astonishing country singer. The tantalizing and melodic voice of Donna Nash will leave you wanting more. Her warmth and sincerity shines through with abundant sensuality...”

Editor Leon Beck of Texas Hot Country Magazine This French and Spanish speaking country girl at heart was born in Breaux Bridge, Louisiana and raised in Houston.

“Sounds of Country music has never been better!”

Nash started singing in country music talent competitions and on some of the best Grand Ole’ Opry stages around Texas. She received backto-back awards for Entertainer of the Year 1998-99 and 1999-2000 at the Magnolia Festival hosted by the Magnolia Jamboree Country Music Association and Best Modern Country Female Entertainer & Vocalist of The Year 2000-01 at the Best of Texas Search hosted by the Texas Lone Star Country Music Association.

In continuing her musical venture, this country artist recently performed in Houston for the 2005 Houston Livestock Show & Rodeo. Nash gave an astonishing performance during the Houston Livestock Show & Rodeo at the 12th Annual 2005 Western Gala.

Most recently she performed for the U.S. Army, base in Fort Hood for an audience of approximately 3,000 officers and senior NCO’s of the 4th Infantry and 1st Calvary Divisions who served in Iraq.

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Nash has performanced for Army events, The Belton Lake Outdoor Summer Extravaganza, July 2005. and catch her performance as she opens up for Country artists Tracy Lawrence and Mark Chesnut.

Nash has a deep admiration for country music and country entertainers such as Hank Williams, Sr., Patsy Cline, Tanya Tucker, Jo Dee Messina, Terri Clark, Loretta Lynn, Faith Hill, Brooks & Dunn, and Shania Twain. She feels listening to their music has helped her develop her rich deep-rooted country sound. It’s what keeps her focused on her goal—being one of the best in the business.

Keep up with this diva. She’s gaining notable recognition at a fast pace. You can find out more information via email at donnanash6@aol.com.

msdonnanash.com HOUSTON

“Sounds of Country music has never been better than this astonishing country singer. The tantalizing and melodic voice of Donna Nash will leave you wanting more. Her warmth and sincerity shines through with abundant sensuality...”

Editor Leon Beck of Texas Hot Country Magazine This French and Spanish speaking country girl at heart was born in Breaux Bridge, Louisiana and raised in Houston.

“Sounds of Country music has never been better!”

Nash started singing in country music talent competitions and on some of the best Grand Ole’ Opry stages around Texas. She received backto-back awards for Entertainer of the Year 1998-99 and 1999-2000 at the Magnolia Festival hosted by the Magnolia Jamboree Country Music Association and Best Modern Country Female Entertainer & Vocalist of The Year 2000-01 at the Best of Texas Search hosted by the Texas Lone Star Country Music Association.

In continuing her musical venture, this country artist recently performed in Houston for the 2005 Houston Livestock Show & Rodeo. Nash gave an astonishing performance during the Houston Livestock Show & Rodeo at the 12th Annual 2005 Western Gala.

Most recently she performed for the U.S. Army, base in Fort Hood for an audience of approximately 3,000 officers and senior NCO’s of the 4th Infantry and 1st Calvary Divisions who served in Iraq.

donna nash 713-292-8975

eworldresource.com

Nash has performanced for Army events, The Belton Lake Outdoor Summer Extravaganza, July 2005. and catch her performance as she opens up for Country artists Tracy Lawrence and Mark Chesnut.

Nash has a deep admiration for country music and country entertainers such as Hank Williams, Sr., Patsy Cline, Tanya Tucker, Jo Dee Messina, Terri Clark, Loretta Lynn, Faith Hill, Brooks & Dunn, and Shania Twain. She feels listening to their music has helped her develop her rich deep-rooted country sound. It’s what keeps her focused on her goal—being one of the best in the business.

Keep up with this diva. She’s gaining notable recognition at a fast pace. You can find out more information via email at donnanash6@aol.com.

msdonnanash.com HOUSTON

MUSIC ORGANIZATIONS & UNIONS | HOUSTON AREA The two major unions representing musicians are the American Federation of Musicians of the United States and Canada (AFM) and the American Federation of Television and Radio Artists (AFTRA). However there are many local unions that work together to improve wages and working conditions for musicians.

Unions negotiate and administer agreements with the major recording companies, film and television companies, live music venues and booking agencies. Union agreements designate a basic “scale” wage that the companies must pay to musicians at a minimum and provide for employer contributions to funds designated for health and pension. Joining a union can be very beneficial to artists. Some unions offer job referrals for session and tour work; group and music equipment insurance; and collection of unpaid wages owed to members.

American Federation of Musicians afmhouston.com American Federation of Television and Radio Artists 2 aftra.com American Festival for the Arts afatexas.net Association for Recorded Sound Collections • Texas Chapter arsc-audio.org Association of Texas Small School Bands atssb.org Bay Area Bluegrass Association bayareabluegrass.org Bay Area Gospel Music Association (BAGMA) bagma.org Cajun French Music Association cajunfrenchmusic.org Community Music Center of Houston communitymusiccenter.com/ pages/1/index.htm

HOUSTON AREA | MUSIC ORGANIZATIONS & UNIONS Cultural Arts Council of Houston /Harris County cachh.org Cypress Creek Foundation for the Arts (FACE) cypresscreekface.org Da Camera of Houston dacamera.com Entertainment and Sports Law Section • State Bar of Texas stcl.edu/txeslj/txesljhp.htm Fine Arts Foundation fineartsfoundation.org Gilbert & Sullivan Society of Houston gilbertandsullivan.net Guitar Houston guitarhouston.org HARTMA • Houston Academy of Radio / TV / Music Artists hartma.com Helios heliosrising.org

Houston Acoustic Music Society hometown.aol.com/samfest97/ samfest2000.html Houston Association of Acoustic Musicians (HAAM) haam.us Houston Blues Society houstonbluessociety.org Houston Choral Showcase houstonchoralshowcase.org Houston Choral Society, The houstonchoral.org Houston Folklore and Folk Music Society houstonfolkmusic.org Houston / Fort Bend Songwriters Association hfbsa.org Houston Friends of Music houstonfriendsofmusic.org Houston Highland Games Association houstonhighlandgames.com/

For more on Houston’s area unions visit following the websites.

12

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MUSIC ORGANIZATIONS & UNIONS | HOUSTON AREA The two major unions representing musicians are the American Federation of Musicians of the United States and Canada (AFM) and the American Federation of Television and Radio Artists (AFTRA). However there are many local unions that work together to improve wages and working conditions for musicians.

Unions negotiate and administer agreements with the major recording companies, film and television companies, live music venues and booking agencies. Union agreements designate a basic “scale” wage that the companies must pay to musicians at a minimum and provide for employer contributions to funds designated for health and pension. Joining a union can be very beneficial to artists. Some unions offer job referrals for session and tour work; group and music equipment insurance; and collection of unpaid wages owed to members.

American Federation of Musicians afmhouston.com American Federation of Television and Radio Artists 2 aftra.com American Festival for the Arts afatexas.net Association for Recorded Sound Collections • Texas Chapter arsc-audio.org Association of Texas Small School Bands atssb.org Bay Area Bluegrass Association bayareabluegrass.org Bay Area Gospel Music Association (BAGMA) bagma.org Cajun French Music Association cajunfrenchmusic.org Community Music Center of Houston communitymusiccenter.com/ pages/1/index.htm

HOUSTON AREA | MUSIC ORGANIZATIONS & UNIONS Cultural Arts Council of Houston /Harris County cachh.org Cypress Creek Foundation for the Arts (FACE) cypresscreekface.org Da Camera of Houston dacamera.com Entertainment and Sports Law Section • State Bar of Texas stcl.edu/txeslj/txesljhp.htm Fine Arts Foundation fineartsfoundation.org Gilbert & Sullivan Society of Houston gilbertandsullivan.net Guitar Houston guitarhouston.org HARTMA • Houston Academy of Radio / TV / Music Artists hartma.com Helios heliosrising.org

Houston Acoustic Music Society hometown.aol.com/samfest97/ samfest2000.html Houston Association of Acoustic Musicians (HAAM) haam.us Houston Blues Society houstonbluessociety.org Houston Choral Showcase houstonchoralshowcase.org Houston Choral Society, The houstonchoral.org Houston Folklore and Folk Music Society houstonfolkmusic.org Houston / Fort Bend Songwriters Association hfbsa.org Houston Friends of Music houstonfriendsofmusic.org Houston Highland Games Association houstonhighlandgames.com/

For more on Houston’s area unions visit following the websites.

12

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PERFORMING M USIC ORGANIZATIONS ARTS & UNIONS | HOUSTON AREA Texas Music Festival uh.edu/music/tmf.html PSALM • Palmer Society for the Appreciation of Liturgy and Music palmertx.com Society for the Performing Arts spahouston.org SumArts, Inc. sumarts.org Tejano Association for Historical Preservation, The tejanoahp.org Texas Accountants and Lawyers for the Arts talarts.org Texas Coalition for Quality Arts Education txarts.net/tcqae Texas Private School Music Educators Association tpsmea.org Young Audiences of Houston yahouston.org

COMING SOON

Houston Institute for Culture 2 cultural-crossroads.com Houston Music Foundation houstonmusicfoundation.org I.A.T.S.E. Local 51 • Houston iatse51.org International Association of Jazz Record Collectors, Inc. geocities.com/iajrc Jazz Education, Inc. jazzeducation.org Kingwood College Songwriters, The groups.msn.com/kcsongwriters MECA Multicultural Education and Counseling through the Arts meca-houston.org Musicians Benevolent Society of Houston houstonculture.org/listings/mbs. html Nashville Songwriters Association International Workshop nsai-houston.com National Zydeco Society zydeco.com

many of the hottest places to be accurate web links direct mail to subscribers no hassle viewing

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••••

••••

entertainment resource made exclusively for you

•• anytime, anywhere!

HOUSTON

PERFORMING M USIC ORGANIZATIONS ARTS & UNIONS | HOUSTON AREA Texas Music Festival uh.edu/music/tmf.html PSALM • Palmer Society for the Appreciation of Liturgy and Music palmertx.com Society for the Performing Arts spahouston.org SumArts, Inc. sumarts.org Tejano Association for Historical Preservation, The tejanoahp.org Texas Accountants and Lawyers for the Arts talarts.org Texas Coalition for Quality Arts Education txarts.net/tcqae Texas Private School Music Educators Association tpsmea.org Young Audiences of Houston yahouston.org

COMING SOON

Houston Institute for Culture 2 cultural-crossroads.com Houston Music Foundation houstonmusicfoundation.org I.A.T.S.E. Local 51 • Houston iatse51.org International Association of Jazz Record Collectors, Inc. geocities.com/iajrc Jazz Education, Inc. jazzeducation.org Kingwood College Songwriters, The groups.msn.com/kcsongwriters MECA Multicultural Education and Counseling through the Arts meca-houston.org Musicians Benevolent Society of Houston houstonculture.org/listings/mbs. html Nashville Songwriters Association International Workshop nsai-houston.com National Zydeco Society zydeco.com

many of the hottest places to be accurate web links direct mail to subscribers no hassle viewing

eworldresource.com

713-292-8975

eworldresource.com SM

••••

••••

entertainment resource made exclusively for you

•• anytime, anywhere!

HOUSTON

An Empty Plate in the Cafe’ du Grand Boeuf

A Delicious Evening of Intriguing Theater September 3 – October 23, 2005

Main Street Theater opens its 30th anniversary season with the delicious comedy An Empty Plate in the Café du Grand Boeuf. L-R: (standing) Celeste Roberts as Mimi, Robert Leeds as Gaston, and James Belcher as Claude; (seated) Charles Tanner as Victor.

713-292-8975

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HOUSTON

An Empty Plate in the Cafe’ du Grand Boeuf

A Delicious Evening of Intriguing Theater September 3 – October 23, 2005

Main Street Theater opens its 30th anniversary season with the delicious comedy An Empty Plate in the Café du Grand Boeuf. L-R: (standing) Celeste Roberts as Mimi, Robert Leeds as Gaston, and James Belcher as Claude; (seated) Charles Tanner as Victor.

713-292-8975

eworldresource.com

HOUSTON

in November 1994. It was subsequently produced at the On an evening in 1961, the staff Berkshire Theatre Festival in of a fine Parisian restaurant 1998 and received its New York awaits the arrival of their premiere at Primary Stages in employer and sole customer, an 2000. expatriate American newspaper tycoon. As the head waiter ABOUT PLAYWRIGHT explains to his new assistant, there is no menu because the Michael Hollinger chef is prepared to serve any Michael Hollinger is the dish Monsieur desires. When he playwright of Red Herring, finally arrives -- disheveled and Incorruptible, An Empty Plate morose -- from the bullfights in the Cafe du Grand Boeuf, in Madrid, Monsieur’s wish is and Tiny Island, all of which simple: to die of starvation premiered at Philadelphia’s at his own table. This is one Arden Theatre Company contingency his frantic staff and have together enjoyed has never contemplated, and it numerous productions around sends them into a panic which the United States, in New York is quieted only when Monsieur City, and abroad. Mr. Hollinger agrees to allow them to prepare has written seven touring a seven course meal for him plays for young audiences, on one condition: they must including Eureka! and Hot Air; keep it in the kitchen, serving he also wrote the 3D Laser him only an empty plate with a Show Extreme Choices for New description of the food. As they Jersey’s Liberty Science Center. serve him a “feast of adjectives Mr. Hollinger has also written and adverbs,” he counters with the plays Trepidation Nation his own story of desire and and Naked Lunch. For PBS, he loss. A “comic tragedy in seven has written three short films and courses,” the play celebrates co-authored the feature-length the joys of cooking, sex, and Philadelphia Diary.

Awards the collected works of Ernest and honors include the Roger Hemingway.

L. Stevens Award from the Empty Plate… received its world Kennedy Center’s Fund for New premiere at the Arden Theatre American Plays, a Barrymore Company in Philadelphia, PA, Award for Outstanding New ABOUT

18

Empty Plate…

ADVERTISING INFORMATION

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Play, the F. Otto Haas Award for an Emerging Theatre Artist, a Mid-Atlantic Emmy Award, a commission from The Ensemble Studio Theatre/ Alfred P. Sloan Foundation Science and Technology Project, and fellowships from the Independence Foundation, Mid-Atlantic Arts Foundation, and Pennsylvania Council on the Arts. Mr. Hollinger is a resident playwright at New Dramatists and Assistant Professor of Theatre at Villanova University.

ABOUT THE Production Rebecca Greene Udden directs Empty Plate…. Most recently, Ms. Udden directed last season’s world premiere of The Rice and appeared on stage in the world premiere of Somebody’s Sons, both at Main Street Theater.

The production will feature Charles Tanner as Victor, a.k.a.

“Monsieur,” the owner of the Café du Grand Boeuf. Mr. Tanner recently appeared in Main Street’s production of Copenhagen. James Belcher plays head waiter Claude; Mr. Belcher was last seen at Main Street in Hapgood. Celeste Roberts (Comic Potential, The Women) is Mimi, Claude’s wife; Robert Leeds (On the Razzle, Promises, Promises) is Gaston,

the Chef; Andrew Ruthven (Comic Potential, Seussical) plays the stuttering, tubaplaying Antoine, and Leslie Maness (On Approval, Night and Day) appears as Miss Berger.

The design team includes Jodi Bobrovsky (set and props), Robert Eubanks (lighting), Janel J. Badrina (sound), and Rebecca Greene Udden (costumes).

Janel J. Badrina is the stage manager.

Since 1975, Main Street Theater has produced high quality professional theater for audiences of all ages through its MainStage productions and Main Street Youth Theater.

The Main Street Theater Kids On Stage program offers performing arts classes and camps for children 5 years to 14 years of age. The organization produces plays at two locations, 2540 Times Boulevard in Rice Village and 4617 Montrose Boulevard at Chelsea Market.

Oct 11 - Oct 24 HOUSTON eWORLD RESOURCE

19

in November 1994. It was subsequently produced at the On an evening in 1961, the staff Berkshire Theatre Festival in of a fine Parisian restaurant 1998 and received its New York awaits the arrival of their premiere at Primary Stages in employer and sole customer, an 2000. expatriate American newspaper tycoon. As the head waiter ABOUT PLAYWRIGHT explains to his new assistant, there is no menu because the Michael Hollinger chef is prepared to serve any Michael Hollinger is the dish Monsieur desires. When he playwright of Red Herring, finally arrives -- disheveled and Incorruptible, An Empty Plate morose -- from the bullfights in the Cafe du Grand Boeuf, in Madrid, Monsieur’s wish is and Tiny Island, all of which simple: to die of starvation premiered at Philadelphia’s at his own table. This is one Arden Theatre Company contingency his frantic staff and have together enjoyed has never contemplated, and it numerous productions around sends them into a panic which the United States, in New York is quieted only when Monsieur City, and abroad. Mr. Hollinger agrees to allow them to prepare has written seven touring a seven course meal for him plays for young audiences, on one condition: they must including Eureka! and Hot Air; keep it in the kitchen, serving he also wrote the 3D Laser him only an empty plate with a Show Extreme Choices for New description of the food. As they Jersey’s Liberty Science Center. serve him a “feast of adjectives Mr. Hollinger has also written and adverbs,” he counters with the plays Trepidation Nation his own story of desire and and Naked Lunch. For PBS, he loss. A “comic tragedy in seven has written three short films and courses,” the play celebrates co-authored the feature-length the joys of cooking, sex, and Philadelphia Diary.

Awards the collected works of Ernest and honors include the Roger Hemingway.

L. Stevens Award from the Empty Plate… received its world Kennedy Center’s Fund for New premiere at the Arden Theatre American Plays, a Barrymore Company in Philadelphia, PA, Award for Outstanding New ABOUT

18

Empty Plate…

ADVERTISING INFORMATION

713-292-8975

or

eworldresource.com

Play, the F. Otto Haas Award for an Emerging Theatre Artist, a Mid-Atlantic Emmy Award, a commission from The Ensemble Studio Theatre/ Alfred P. Sloan Foundation Science and Technology Project, and fellowships from the Independence Foundation, Mid-Atlantic Arts Foundation, and Pennsylvania Council on the Arts. Mr. Hollinger is a resident playwright at New Dramatists and Assistant Professor of Theatre at Villanova University.

ABOUT THE Production Rebecca Greene Udden directs Empty Plate…. Most recently, Ms. Udden directed last season’s world premiere of The Rice and appeared on stage in the world premiere of Somebody’s Sons, both at Main Street Theater.

The production will feature Charles Tanner as Victor, a.k.a.

“Monsieur,” the owner of the Café du Grand Boeuf. Mr. Tanner recently appeared in Main Street’s production of Copenhagen. James Belcher plays head waiter Claude; Mr. Belcher was last seen at Main Street in Hapgood. Celeste Roberts (Comic Potential, The Women) is Mimi, Claude’s wife; Robert Leeds (On the Razzle, Promises, Promises) is Gaston,

the Chef; Andrew Ruthven (Comic Potential, Seussical) plays the stuttering, tubaplaying Antoine, and Leslie Maness (On Approval, Night and Day) appears as Miss Berger.

The design team includes Jodi Bobrovsky (set and props), Robert Eubanks (lighting), Janel J. Badrina (sound), and Rebecca Greene Udden (costumes).

Janel J. Badrina is the stage manager.

Since 1975, Main Street Theater has produced high quality professional theater for audiences of all ages through its MainStage productions and Main Street Youth Theater.

The Main Street Theater Kids On Stage program offers performing arts classes and camps for children 5 years to 14 years of age. The organization produces plays at two locations, 2540 Times Boulevard in Rice Village and 4617 Montrose Boulevard at Chelsea Market.

Oct 11 - Oct 24 HOUSTON eWORLD RESOURCE

19

INFORMATION CENTERS Bay Area Houston Convention & Visitors Bureau 20710 Gulf Fwy, Ste. 40 Webster, TX 77598 (281) 338-0333 (800) 844-LAKE visitbayareahouston.com City of Webster 311 Pennsylvania Webster, TX 77598 (281) 316-4121 cityofwebster.com Destination League City South Shore Harbour Resort & Conference Center 2500 South Shore Blvd.

League City, TX (800) 442-5005 sshr.com Fort Bend Convention/ Visitors Services 445 Commerce Green Blvd.

Sugar Land, TX 77478 (281) 491-0800

Greenspoint Visitors Information, (Ask Me Booth) 12300 North Fwy., Ste. 208 Houston, TX 77060 (281) 875-4201 Huntsville Convention/ Visitors Bureau & Sam Houston Statue 7600 Hwy. 75 S. (I-45 Exit #109) Huntsville, TX (936) 295-8113 (800) 289-0389 Katy Mills/West Houston Visitors Center Katy, TX (877) KATY SHOP Kemah Visitor Center 603 Bradford Kemah, TX 77565 (281) 334-3181 kemah.net

Lake Conroe Convention And Visitors Bureau Galleria Chamber Of Commerce 505 W. Davis St. 2700 Post Oak Blvd., Ste. 2425 Conroe, TX 77301 Houston,TX 77056 (936) 756-6644 (713) 629-5555 (877) 4-CONROE

WEDNESDAYS

Ladies Night

Galveston Island Convention Nassau Bay And Visitors Bureau I-45 S. Exit #25 2504 Church St., Ste. 200 Nassau Bay, TX 77058 Galveston, TX 77550 (281) 333-4211 (409) 763-6564; (888) GAL-ISLE (877) 622-7728 galvestoncvb.com 713-292-8975

eworldresource.com

Oct 11 - Oct 24 HOUSTON eWORLD RESOURCE

21

INFORMATION CENTERS Bay Area Houston Convention & Visitors Bureau 20710 Gulf Fwy, Ste. 40 Webster, TX 77598 (281) 338-0333 (800) 844-LAKE visitbayareahouston.com City of Webster 311 Pennsylvania Webster, TX 77598 (281) 316-4121 cityofwebster.com Destination League City South Shore Harbour Resort & Conference Center 2500 South Shore Blvd.

League City, TX (800) 442-5005 sshr.com Fort Bend Convention/ Visitors Services 445 Commerce Green Blvd.

Sugar Land, TX 77478 (281) 491-0800

Greenspoint Visitors Information, (Ask Me Booth) 12300 North Fwy., Ste. 208 Houston, TX 77060 (281) 875-4201 Huntsville Convention/ Visitors Bureau & Sam Houston Statue 7600 Hwy. 75 S. (I-45 Exit #109) Huntsville, TX (936) 295-8113 (800) 289-0389 Katy Mills/West Houston Visitors Center Katy, TX (877) KATY SHOP Kemah Visitor Center 603 Bradford Kemah, TX 77565 (281) 334-3181 kemah.net

Lake Conroe Convention And Visitors Bureau Galleria Chamber Of Commerce 505 W. Davis St. 2700 Post Oak Blvd., Ste. 2425 Conroe, TX 77301 Houston,TX 77056 (936) 756-6644 (713) 629-5555 (877) 4-CONROE

WEDNESDAYS

Ladies Night

Galveston Island Convention Nassau Bay And Visitors Bureau I-45 S. Exit #25 2504 Church St., Ste. 200 Nassau Bay, TX 77058 Galveston, TX 77550 (281) 333-4211 (409) 763-6564; (888) GAL-ISLE (877) 622-7728 galvestoncvb.com 713-292-8975

eworldresource.com

Oct 11 - Oct 24 HOUSTON eWORLD RESOURCE

21

Industry Echoes

BELIEVE IT OR NOT, NEARLY EVERY ONE OF THESE

CDS WAS

EXCEPTIONALLY WELL REVIEWED ACROSS THE WEB, WITH

PIMP C’S “THE SWEET JAMES JONES STORIES” BEING LABELED A

NEAR PERFECT ALBUM

BY EVERY SOURCE

I COULD FIND. GO FIGURE. J ARCHER

713-292-8975

eworldresource.com

gface Freak Show a sets the standard for the the world, but %*&# me if uropeans are acknowledging a 3-4 defense, you never where it’s coming from next, s time the latest overseas n hails from Norway. You help but associate the ess of Hangface with a anti-Napster band we’re all amiliar with, and their lead whose name is so complex duces himself simply as “B”) ly echoes the style of Chris and Scott Weiland at times t just when they’re covering ), but outside of that I’d rather these guys short with heavy isons to native artists. As for um, it doesn’t take long to hat you’re listening to a wellted storybook of the world us, from the talk show inspired ck, “Freak Show,” to the wellperspective on homelessness d Be You,” a track I’ve already to over half a dozen times. But the other 10 tracks? Well, due nfortunate space constraints of printed publications, I can’t o into all of them here, but I have a sneaking uspicion hese guys ight make n encore pearance ewhere in issue. Enjoy nvasion.

HOUSTON eWORLD RESOURCE

23

Industry Echoes

BELIEVE IT OR NOT, NEARLY EVERY ONE OF THESE

CDS WAS

EXCEPTIONALLY WELL REVIEWED ACROSS THE WEB, WITH

PIMP C’S “THE SWEET JAMES JONES STORIES” BEING LABELED A

NEAR PERFECT ALBUM

BY EVERY SOURCE

I COULD FIND. GO FIGURE. J ARCHER

713-292-8975

eworldresource.com

gface Freak Show a sets the standard for the the world, but %*&# me if uropeans are acknowledging a 3-4 defense, you never where it’s coming from next, s time the latest overseas n hails from Norway. You help but associate the ess of Hangface with a anti-Napster band we’re all amiliar with, and their lead whose name is so complex duces himself simply as “B”) ly echoes the style of Chris and Scott Weiland at times t just when they’re covering ), but outside of that I’d rather these guys short with heavy isons to native artists. As for um, it doesn’t take long to hat you’re listening to a wellted storybook of the world us, from the talk show inspired ck, “Freak Show,” to the wellperspective on homelessness d Be You,” a track I’ve already to over half a dozen times. But the other 10 tracks? Well, due nfortunate space constraints of printed publications, I can’t o into all of them here, but I have a sneaking uspicion hese guys ight make n encore pearance ewhere in issue. Enjoy nvasion.

HOUSTON eWORLD RESOURCE

23

Liquid Sand This Goodbye This Goodbye, quid Sand’s low-up to Aura, eighs in with 7 ongs and a mere 5 minutes of music, roughly half the size s predecessor.

In music, however, it seems that size doesn’t matter as This Goodbye proves itself to be a concisely crafted manifestation of the band’s many talents. The CD kicks off with “My Demise,” a dose of adrenaline for anyone with ears, and transitions perfectly into “Away From the World,” a personal favorite that closes with a cooled techno beat and relaxes the listener for “The Emptiness,” a song that maintains the rock style of Liquid but slips into more solemn lyrics. Of course, as the band seems to thicken the tone of the lyrics throughout the CD, the music seems to solidify as well, showing the unity of Liquid’s trio of vocalists. The final track, “Cross,” is an excellent finisher about giving everything and getting nothing in return, a scenario which doesn’t seem to be a problem for this band whose previous albums are now out of print, having sold every copy ever made.

told, this New Orleans band might not seem so bad if they were simply sub-par, but as the crappy version of a good band, their inadequacy shines bright. It’s hard to justify the money for this one when you already own the upgrade.

MOJOE

Classic Ghetto Soul

I’m convinced this band catered themselves to my own personal taste, but I can’t figure out if they started with smooth poetically intelligent rhymes and added music, or started with jazz-inspired instrumentally alive music and added lyrics. Either way, they cheated just to get a good review. The “True Jewels” on this album go well beyond the second track. The old school blues beginning of “V-OO-D-OO C-OOCHIE” is heaven in this modern age of corrupted chart-topping Hip-Hop, and is that a tuba I hear throughout the Texas-born “3rd Coast Anthem?”

I can’t say enough about the lyrics, blessed with a flawless vocabulary of rhymes and themes, as well as references to legends like Marvin Gaye.

From beginning to end, Funky is simply too cool for words, Lowerline t that statement applies to The Clearer I See arly every track on the disc. hat’s that sound? That’s Rap Think Fuel without lus Blues plus Jazz plus Soul. the quality vocals of Write that down. I wish I had Brett Scallions. The en pages to write about instrumental offerings his album, because maybe are on the level, but then I could do it justice. But for now, Lowerline’s entire sound seems to be a diminished reproduction hmmm…what’s another word for of existing industry talent. Truth be perfect?

24 ADVERTISING INFORMATION 713-292-8975 or eworldresource.com

Pimp C The Sweet

James Jones Stories Another Lone Star rapper, with quite a diehard following from what I understand, but I myself just missed the bandwagon on this one. While the rhy thmic composition of “A Thin Line,” “My Angel,” “Play Hard,” and “I Gotta Thang” do stand out in my mind as worth a possible listen, the beats over the remaining album just feel like more of the same in the genre, with the music failing to entertain my ears long enough for me to even absorb the lyrics. The album would have had a better chance with me as a music-free collection of rhymes, more of a spoken word endeavor, but when you add music to lyrics I tend to expect something of note from the tunes, and it just wasn’t there. The assortment of sounds throughout “Slow Down” made for a nice change of pace midway through the album, but all in all Pimp C’s solo of unreleased freestyles facilitates little more than a polite nod of recognition from me.

Z-Ro

Let the Truth be told The guitar riffs of “The Mule” and “Going Platinum” had me sold on this album before I even finished listening to it, as any rap artist whose music pays homage to its roots (that being Jazz and classic R&B) is immediately worthy of praise in my book. Add in the exceptional rapping displayed

throughout, team-ups with Lil’Flip and Ashanti, and more hooks than a tackle box, and you’ve got something that every fan of music should own.

While every track doesn’t having me drooling, you can’t expect a 17-song album to appeal flawlessly to everyone, and he sp r e a d eaves plenty or all. From the mile -inducing Don’t Wanna urt Nobody” to he ill guitars in “I’m a Soldier,” this Texas-bred artist’s latest venture is slated to help finally show the entire nation that the best rappers are neither East nor West coast, but straight “From the South.”

j Archer

1/6 Page Vertical

(2.4063” x 4.9375”)

$225

Oct 11 - Oct 24 HOUSTON eWORLD RESOURCE

25

Liquid Sand This Goodbye This Goodbye, quid Sand’s low-up to Aura, eighs in with 7 ongs and a mere 5 minutes of music, roughly half the size s predecessor.

In music, however, it seems that size doesn’t matter as This Goodbye proves itself to be a concisely crafted manifestation of the band’s many talents. The CD kicks off with “My Demise,” a dose of adrenaline for anyone with ears, and transitions perfectly into “Away From the World,” a personal favorite that closes with a cooled techno beat and relaxes the listener for “The Emptiness,” a song that maintains the rock style of Liquid but slips into more solemn lyrics. Of course, as the band seems to thicken the tone of the lyrics throughout the CD, the music seems to solidify as well, showing the unity of Liquid’s trio of vocalists. The final track, “Cross,” is an excellent finisher about giving everything and getting nothing in return, a scenario which doesn’t seem to be a problem for this band whose previous albums are now out of print, having sold every copy ever made.

told, this New Orleans band might not seem so bad if they were simply sub-par, but as the crappy version of a good band, their inadequacy shines bright. It’s hard to justify the money for this one when you already own the upgrade.

MOJOE

Classic Ghetto Soul

I’m convinced this band catered themselves to my own personal taste, but I can’t figure out if they started with smooth poetically intelligent rhymes and added music, or started with jazz-inspired instrumentally alive music and added lyrics. Either way, they cheated just to get a good review. The “True Jewels” on this album go well beyond the second track. The old school blues beginning of “V-OO-D-OO C-OOCHIE” is heaven in this modern age of corrupted chart-topping Hip-Hop, and is that a tuba I hear throughout the Texas-born “3rd Coast Anthem?”

I can’t say enough about the lyrics, blessed with a flawless vocabulary of rhymes and themes, as well as references to legends like Marvin Gaye.

From beginning to end, Funky is simply too cool for words, Lowerline t that statement applies to The Clearer I See arly every track on the disc. hat’s that sound? That’s Rap Think Fuel without lus Blues plus Jazz plus Soul. the quality vocals of Write that down. I wish I had Brett Scallions. The en pages to write about instrumental offerings his album, because maybe are on the level, but then I could do it justice. But for now, Lowerline’s entire sound seems to be a diminished reproduction hmmm…what’s another word for of existing industry talent. Truth be perfect?

24 ADVERTISING INFORMATION 713-292-8975 or eworldresource.com

Pimp C The Sweet

James Jones Stories Another Lone Star rapper, with quite a diehard following from what I understand, but I myself just missed the bandwagon on this one. While the rhy thmic composition of “A Thin Line,” “My Angel,” “Play Hard,” and “I Gotta Thang” do stand out in my mind as worth a possible listen, the beats over the remaining album just feel like more of the same in the genre, with the music failing to entertain my ears long enough for me to even absorb the lyrics. The album would have had a better chance with me as a music-free collection of rhymes, more of a spoken word endeavor, but when you add music to lyrics I tend to expect something of note from the tunes, and it just wasn’t there. The assortment of sounds throughout “Slow Down” made for a nice change of pace midway through the album, but all in all Pimp C’s solo of unreleased freestyles facilitates little more than a polite nod of recognition from me.

Z-Ro

Let the Truth be told The guitar riffs of “The Mule” and “Going Platinum” had me sold on this album before I even finished listening to it, as any rap artist whose music pays homage to its roots (that being Jazz and classic R&B) is immediately worthy of praise in my book. Add in the exceptional rapping displayed

throughout, team-ups with Lil’Flip and Ashanti, and more hooks than a tackle box, and you’ve got something that every fan of music should own.

While every track doesn’t having me drooling, you can’t expect a 17-song album to appeal flawlessly to everyone, and he sp r e a d eaves plenty or all. From the mile -inducing Don’t Wanna urt Nobody” to he ill guitars in “I’m a Soldier,” this Texas-bred artist’s latest venture is slated to help finally show the entire nation that the best rappers are neither East nor West coast, but straight “From the South.”

j Archer

1/6 Page Vertical

(2.4063” x 4.9375”)

$225

Oct 11 - Oct 24 HOUSTON eWORLD RESOURCE

25

advertisement

How To Use Record Pools To Test-Market Your Next Hit! Record pools are DJ Membership organizations that give you costeffective access to the radio, club and mobile DJs. Essentially DJs pay either monthly, quarterly or yearly dues to be a record pool member. In exchange for paying membership dues, the record pool distributes new music to the DJs in either CD or vinyl formats.

Normally the DJs are required to give feedback or listener response to the pool director in a timely fashion. The DJs may report to the pool director once a week. When the DJs have sent in their feedback reports the pool director compiles a chart list that is distributed to record companies via fax and/or email. The chart list is sent regularly. It may be sent once a week or twice a month. Record pools are one of the most cost-effective ways to either generate a buzz or monitor a potential hit. It should be noted that record pools tend to work best for styles of music that are played in clubs i.e. Dance, Hip Hop, R&B, Pop, Trip Hop, etc. One of the reasons that there may be a club or dance remix to a song is so it may be played in a night club setting.

Many record pools have regular meetings either bi-weekly, monthly or quarterly. Actively attending these meetings is a fantastic way to meet the DJs that can help break your record. By actively attending I mean attending these meetings prepared to network. Make sure you have business cards, flyers and other promotional material to distribute to 26

ADVERTISING INFORMATION

everyone at the meeting. I attended the Legion of Doom Record Pool Meeting in Atlanta and was able to give a few copies of my newspaper the MIC (Music Industry Connection) to Greg Street. Greg is one of the top radio-personalities in Atlanta, Georgia, and Dallas, Texas, yet he was very approachable during the meeting.

Because record pool meetings are music business events most people are receptive to networking. It has been my experience that record pool meetings are some of the best places to meet industry tastemakers in your own backyard.

volume 3

“Networking creates windows of opportunity.”

In addition to networking with industry tastemakers in your own backyard, record pool meetings are an excellent way to get immediate response from DJs about your new music. DJs tend to be very honest when giving feedback about new music at these events. Some of the record pool meetings offer live talent showcases for artist to perform.

While sponsorship (paying money) is normally required to perform in the record pool talent showcases, it is usually worth the investment to perform in front of the DJs that can help propel your career. Remember to treat everyone that you meet like they are the most important person on earth! Not only will this move your career forward faster, it will help you

713-292-8975

(continued on page 31) or

eworldresource.com

volume 2

For the most up-to-date news, events, and promotions, join the Cheddar DVD Magazine mailing list. Please send your E-mail and/or mailing address to: holla@cheddardvd.com

Cheddar Money & Hip Hop

Cheddar is a DVD Magazine designed to show young urban America how to make money. Cheddar specializes in interviewing entrepreneurs in the “Hip Hop world”. When you watch a Cheddar DVD, you will be both educated and entertained simultaneously.

Cheddar DVD gets up close and personal with rappers, actors, singers, athletes, as well as the people behind the scene.

The main focus of Cheddar is to bring you the hottest Hip Hop events, while focusing on money-making entrepreneurs.

PO Box 185 Dorchester, MA 02121

617.304.4674

Oct 11 - Oct 24 HOUSTON eWORLD RESOURCE

27

advertisement

How To Use Record Pools To Test-Market Your Next Hit! Record pools are DJ Membership organizations that give you costeffective access to the radio, club and mobile DJs. Essentially DJs pay either monthly, quarterly or yearly dues to be a record pool member. In exchange for paying membership dues, the record pool distributes new music to the DJs in either CD or vinyl formats.

Normally the DJs are required to give feedback or listener response to the pool director in a timely fashion. The DJs may report to the pool director once a week. When the DJs have sent in their feedback reports the pool director compiles a chart list that is distributed to record companies via fax and/or email. The chart list is sent regularly. It may be sent once a week or twice a month. Record pools are one of the most cost-effective ways to either generate a buzz or monitor a potential hit. It should be noted that record pools tend to work best for styles of music that are played in clubs i.e. Dance, Hip Hop, R&B, Pop, Trip Hop, etc. One of the reasons that there may be a club or dance remix to a song is so it may be played in a night club setting.

Many record pools have regular meetings either bi-weekly, monthly or quarterly. Actively attending these meetings is a fantastic way to meet the DJs that can help break your record. By actively attending I mean attending these meetings prepared to network. Make sure you have business cards, flyers and other promotional material to distribute to 26

ADVERTISING INFORMATION

everyone at the meeting. I attended the Legion of Doom Record Pool Meeting in Atlanta and was able to give a few copies of my newspaper the MIC (Music Industry Connection) to Greg Street. Greg is one of the top radio-personalities in Atlanta, Georgia, and Dallas, Texas, yet he was very approachable during the meeting.

Because record pool meetings are music business events most people are receptive to networking. It has been my experience that record pool meetings are some of the best places to meet industry tastemakers in your own backyard.

volume 3

“Networking creates windows of opportunity.”

In addition to networking with industry tastemakers in your own backyard, record pool meetings are an excellent way to get immediate response from DJs about your new music. DJs tend to be very honest when giving feedback about new music at these events. Some of the record pool meetings offer live talent showcases for artist to perform.

While sponsorship (paying money) is normally required to perform in the record pool talent showcases, it is usually worth the investment to perform in front of the DJs that can help propel your career. Remember to treat everyone that you meet like they are the most important person on earth! Not only will this move your career forward faster, it will help you

713-292-8975

(continued on page 31) or

eworldresource.com

volume 2

For the most up-to-date news, events, and promotions, join the Cheddar DVD Magazine mailing list. Please send your E-mail and/or mailing address to: holla@cheddardvd.com

Cheddar Money & Hip Hop

Cheddar is a DVD Magazine designed to show young urban America how to make money. Cheddar specializes in interviewing entrepreneurs in the “Hip Hop world”. When you watch a Cheddar DVD, you will be both educated and entertained simultaneously.

Cheddar DVD gets up close and personal with rappers, actors, singers, athletes, as well as the people behind the scene.

The main focus of Cheddar is to bring you the hottest Hip Hop events, while focusing on money-making entrepreneurs.

PO Box 185 Dorchester, MA 02121

617.304.4674

Oct 11 - Oct 24 HOUSTON eWORLD RESOURCE

27

RADIO STATIONS

RECORD POOLS...NEXT HIT (continued from page 28)

HoustonTexas AM STATIONS 610 650 700 740 790 850 880 920 950 980 1010 1070 1090 1110 1140 1180 1230 1320 1360 1430 1480 1500 1520 1560 1590

KILT KIKK KSEV KTRH KBME KEYH KJOJ KYST KPRC KRTX KLAT KKHT KNUZ KTEK KYOK KGOL KQUE KXYZ KWWJ KCOH KLVL KANI KYND KILE KMIC

Sports Business News News/Sports/Talk News/Sports/Talk Big Band Spanish Vietnamese Spanish News/Sports/Talk Spanish News/Talk Spanish News/Talk Christian Talk Radio Spanish Religious Religious/Vietnamese Gospel Asian Spanish Music Spanish News/Talk Gospel R&B Spanish Religious Gospel Spanish Religious Spanish Religious Radio Disney

88.1 88.7 89.3 89.7 90.1 90.9 91.3 91.7 92.1 92.9 93.3 93.7 94.5 95.7 96.5 97.1 97.5 97.9 98.5 99.1 100.3 100.7 101.1 102.1 102.9 103.3 104.1 105.7 106.5 106.9 107.5 107.9

KJIC KUHF KSBJ KACC KPFT KTSU KPVU KTRU KRTS KKBQ KOVE KKRW KTBZ KIKK KHMX KKTL KAYD KBXX KTJM KODA KILT KRTX KLOL KMJQ KLTN KJOJ KRBE KHCB KQQK KHPT KLDE KXTJ

Southern Gospel Houston’s Classic Choice Christian Alvin Community College Pacifica Texas Southern University Prairie View A&M University Rice Radio Classical Country Spanish Adult Contemporary Rock Oldies Alternative Rock Country Adult Pop Rock Pop Oldies (KLDE) Country Urban Contemporary Rhythmic Oldies Adult Contemporary Country Top 40 Album Rock Urban Contemporary Spanish Rhythmic Oldies (KTJM) Top 40 Christian Tejano 80’s Pop Oldies Tejano

have more fun in a cutthroat industry.

In addition, you never know whom you may be talking to. This is especially true when you begin attending record pool meetings outside your home market.

Now, let’s say that you are an independent record company in Atlanta, Georgia, and you’re preparing to release a CD. Before spending all your advertising dollars in Atlanta, you will want to test market your first single using record pools in Georgia, Alabama, South Carolina and Florida. After a few weeks you might find that your single is getting a so-so response in Atlanta, but in Birmingham, Alabama, and South Carolina your single has the potential of being this year’s summer hit! Since, Birmingham and South Carolina are only a two and three hour drive from Atlanta respectively it might make good sense to spend more of your advertising dollars in those areas. This would increase your opportunities for creating a street buzz faster and

turning a profit sooner via CD, concert ticket and merchandising sales.

Before spending you hard earned money from your day job pursuing your music career at night, consider record pools as a cost-effective method of test-marketing your next hit! This excerpt was written by JaWar and is included in the Atlanta Music Industry Connection Book. The book is a directory that contains contact names, mailing and website addresses, phone and fax numbers and emails to Atlanta entertainment attorney’s, managers, recording studios, commercial and college radio stations, music retail stores, graphic artists, music magazines, record companies, performance rights organizations and much more. To order your copy of the Atlanta Music Industry Connection Book send a money-order in the amount of $16.95 made payable to Music Industry Connection, LLC, P.O. Box 52682, Atlanta, GA 30355, USA. Contact JaWar at jawar@mt101.com www.mt101.com 800-963-0949.

JAWAR

SIMULCAST 97.1 KKTL ........ 97.1 KLDE 103.3 KJOJ ........ 98.5 KTJM

28

ADVERTISING INFORMATION

FM STATIONS 713-292-8975

or

eworldresource.com

Oct 11 - Oct 24 HOUSTON eWORLD RESOURCE

29

RADIO STATIONS

RECORD POOLS...NEXT HIT (continued from page 28)

HoustonTexas AM STATIONS 610 650 700 740 790 850 880 920 950 980 1010 1070 1090 1110 1140 1180 1230 1320 1360 1430 1480 1500 1520 1560 1590

KILT KIKK KSEV KTRH KBME KEYH KJOJ KYST KPRC KRTX KLAT KKHT KNUZ KTEK KYOK KGOL KQUE KXYZ KWWJ KCOH KLVL KANI KYND KILE KMIC

Sports Business News News/Sports/Talk News/Sports/Talk Big Band Spanish Vietnamese Spanish News/Sports/Talk Spanish News/Talk Spanish News/Talk Christian Talk Radio Spanish Religious Religious/Vietnamese Gospel Asian Spanish Music Spanish News/Talk Gospel R&B Spanish Religious Gospel Spanish Religious Spanish Religious Radio Disney

88.1 88.7 89.3 89.7 90.1 90.9 91.3 91.7 92.1 92.9 93.3 93.7 94.5 95.7 96.5 97.1 97.5 97.9 98.5 99.1 100.3 100.7 101.1 102.1 102.9 103.3 104.1 105.7 106.5 106.9 107.5 107.9

KJIC KUHF KSBJ KACC KPFT KTSU KPVU KTRU KRTS KKBQ KOVE KKRW KTBZ KIKK KHMX KKTL KAYD KBXX KTJM KODA KILT KRTX KLOL KMJQ KLTN KJOJ KRBE KHCB KQQK KHPT KLDE KXTJ

Southern Gospel Houston’s Classic Choice Christian Alvin Community College Pacifica Texas Southern University Prairie View A&M University Rice Radio Classical Country Spanish Adult Contemporary Rock Oldies Alternative Rock Country Adult Pop Rock Pop Oldies (KLDE) Country Urban Contemporary Rhythmic Oldies Adult Contemporary Country Top 40 Album Rock Urban Contemporary Spanish Rhythmic Oldies (KTJM) Top 40 Christian Tejano 80’s Pop Oldies Tejano

have more fun in a cutthroat industry.

In addition, you never know whom you may be talking to. This is especially true when you begin attending record pool meetings outside your home market.

Now, let’s say that you are an independent record company in Atlanta, Georgia, and you’re preparing to release a CD. Before spending all your advertising dollars in Atlanta, you will want to test market your first single using record pools in Georgia, Alabama, South Carolina and Florida. After a few weeks you might find that your single is getting a so-so response in Atlanta, but in Birmingham, Alabama, and South Carolina your single has the potential of being this year’s summer hit! Since, Birmingham and South Carolina are only a two and three hour drive from Atlanta respectively it might make good sense to spend more of your advertising dollars in those areas. This would increase your opportunities for creating a street buzz faster and

turning a profit sooner via CD, concert ticket and merchandising sales.

Before spending you hard earned money from your day job pursuing your music career at night, consider record pools as a cost-effective method of test-marketing your next hit! This excerpt was written by JaWar and is included in the Atlanta Music Industry Connection Book. The book is a directory that contains contact names, mailing and website addresses, phone and fax numbers and emails to Atlanta entertainment attorney’s, managers, recording studios, commercial and college radio stations, music retail stores, graphic artists, music magazines, record companies, performance rights organizations and much more. To order your copy of the Atlanta Music Industry Connection Book send a money-order in the amount of $16.95 made payable to Music Industry Connection, LLC, P.O. Box 52682, Atlanta, GA 30355, USA. Contact JaWar at jawar@mt101.com www.mt101.com 800-963-0949.

JAWAR

SIMULCAST 97.1 KKTL ........ 97.1 KLDE 103.3 KJOJ ........ 98.5 KTJM

28

ADVERTISING INFORMATION

FM STATIONS 713-292-8975

or

eworldresource.com

Oct 11 - Oct 24 HOUSTON eWORLD RESOURCE

29

LIVE MUSIC VENUES | HOUSTON AREA

PERFORMING ARTS Alley Theatre Info/Tickets: (713) 228-8421 alleytheatre.org

11246 SOUTH POST OAK ROAD SUITE #110 HOUSTON, TX 77035

Broadway In Houston Info/Tickets: (713) 629-3700 broadwayacrossamerica.com

713.283.5533 DJLUMP@AOL.COM

IO RAD

IL RETA

LIFESTYLE

Cynthia Woods Mitchell Pavilion Info/Tickets: (281) 363-3300 pavilion.woodlandscenter.org

STR

EET

S

BRANDS

CLUBS

Da Camera of Houston Info/Tickets: (713) 524-5050 dacamera.com Houston Ballet Info/Tickets: (713) 227-ARTS houstonballet.org Houston Grand Opera Info/Tickets: (800) 626-7372 houstongrandopera.org Houston Symphony Info/Tickets: (713) 224-7575 houstonsymphony.org Main Street Theater Info/Tickets: (713) 524-6706 mainstreettheater.com

Addavoy is a college rock / modern rock band from Gonzales, LA whose music is catching the eye of Houston’s nightclub scene. After playing House of Blues / New Orleans before 900 plus fans the band focused it’s attention on the road. Scoutbar / Clearlake gave the guys their first shot in Texas and have since featured the band in opening slots with national touring acts. Most recently supporting Virgin Records / “The Exies” for Scoutbar’s Pre-Buzz Fest Party.

July 2005 kicks off the bands east coast tour with stop off dates in Atlanta, GA; New York, NY; Boston, MA; Wilmington, DE; Chicago, IL. Look for the band to return to Houston, Texas for a shows at Fitzgerald’s.

N Hodges

Miller Outdoor Theatre Info/Tickets: (713) 284-8350 milleroutdoortheatre.com Society for the Performing Arts Info/Tickets: (713) 227-4SPA spahouston.org Theatre Under The Stars (TUTS) Info: (713) 558-2600 Tickets: (713) 558-8887 tuts.com Uniquely Houston Info/Tickets: (713) 315-2525 uniquelyhouston.org

For more information please visit: www.addavoy.com or myspace.com/addavoy

30

ADVERTISING INFORMATION

713-292-8975

or

eworldresource.com

Verizon Wireless Theater Info/Tickets: (713) 230-1600 verizonwirelesstheater.com Oct 11 - Oct 24 HOUSTON eWORLD RESOURCE

31

LIVE MUSIC VENUES | HOUSTON AREA

PERFORMING ARTS Alley Theatre Info/Tickets: (713) 228-8421 alleytheatre.org

11246 SOUTH POST OAK ROAD SUITE #110 HOUSTON, TX 77035

Broadway In Houston Info/Tickets: (713) 629-3700 broadwayacrossamerica.com

713.283.5533 DJLUMP@AOL.COM

IO RAD

IL RETA

LIFESTYLE

Cynthia Woods Mitchell Pavilion Info/Tickets: (281) 363-3300 pavilion.woodlandscenter.org

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BRANDS

CLUBS

Da Camera of Houston Info/Tickets: (713) 524-5050 dacamera.com Houston Ballet Info/Tickets: (713) 227-ARTS houstonballet.org Houston Grand Opera Info/Tickets: (800) 626-7372 houstongrandopera.org Houston Symphony Info/Tickets: (713) 224-7575 houstonsymphony.org Main Street Theater Info/Tickets: (713) 524-6706 mainstreettheater.com

Addavoy is a college rock / modern rock band from Gonzales, LA whose music is catching the eye of Houston’s nightclub scene. After playing House of Blues / New Orleans before 900 plus fans the band focused it’s attention on the road. Scoutbar / Clearlake gave the guys their first shot in Texas and have since featured the band in opening slots with national touring acts. Most recently supporting Virgin Records / “The Exies” for Scoutbar’s Pre-Buzz Fest Party.

July 2005 kicks off the bands east coast tour with stop off dates in Atlanta, GA; New York, NY; Boston, MA; Wilmington, DE; Chicago, IL. Look for the band to return to Houston, Texas for a shows at Fitzgerald’s.

N Hodges

Miller Outdoor Theatre Info/Tickets: (713) 284-8350 milleroutdoortheatre.com Society for the Performing Arts Info/Tickets: (713) 227-4SPA spahouston.org Theatre Under The Stars (TUTS) Info: (713) 558-2600 Tickets: (713) 558-8887 tuts.com Uniquely Houston Info/Tickets: (713) 315-2525 uniquelyhouston.org

For more information please visit: www.addavoy.com or myspace.com/addavoy

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ADVERTISING INFORMATION

713-292-8975

or

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Verizon Wireless Theater Info/Tickets: (713) 230-1600 verizonwirelesstheater.com Oct 11 - Oct 24 HOUSTON eWORLD RESOURCE

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7303 Ardmore - Houston, TX 77054 713.741.7426 www.studio7303.com

world class facilities | world class equipment 713-292-8975

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