WHOS AFRAID PINK ORANGE GREEN

8 Out of the blue 20 Mint condition 30 India Mahdavi 38 La vie en rose

48 Fun is all you need

60 Under a blue sky

74 Color me happy

84 Muller Van Severen 88 Room with a hue

100 Razzle dazzle

108 Candyshop

122 Color wheel

130 Cupboard love

140 Eclectic chic

146 Studiopepe 152 Color blocking in 3D

162 Make it colorful

174 Unconventional convent

186 Daria Zinovatnaya 192 Puzzle perfect

200 Glam & green

210 Masquespacio 216 Hall the way

224 Code red

234 Pirates of the Balearics

The large poster in the kitchen is by the Russian singer Viktor Tsoi, who was extremely popular in the eighties.

According to Nuriev, he was “the Patti Smith of Russia.�

8

Out of the blue When an interior—like Picasso—has a pink and a blue period WHAT WHERE WHO

A CLASSIC ONE-BEDROOM APARTMENT WITH LOFTY ALLURE. IN THE NEW YORK DISTRICT OF WILLIAMSBURG, HOTSPOT FOR THE HIP. THE RUSSIAN ARTIST, ARCHITECT, AND DESIGNER HARRY NURIEV.

PALETTE

EVERYDAY BLUE MONDAY.

UNIQUE

HE DESIGNED ALL THE FURNITURE HIMSELF AND CALLS IT MINI ARCHITECTURE.

9

The kitchen was inspired by the dotted tiles of the iconic Italian designer Gio Ponti. The glass tiles were handmade

by StudioSilice: an artisanal workshop in the heart of Rome.

The bookcase–designed by architect Annarita Aversa–contains a collection of objects selected by designer Martino Gamper. The yellow armchairs by L’Atelier de Recherche Plastique (A.R.P.) date back to 1953. The Gemstone Table by Dutch designer Hella Jongerius is from 2013.

The central stairwell looks as if it was lifted straight from a Piranesi drawing.

The contrast between the white stairwell and the colorful surroundings further enhances the sculptural effect.

The chairs in the children’s room are from the Finnish brand Artek: a children’s version of the N65 chair.

Daria Zinovatnaya

190

191

Glam & green

The kitchen’s eating area, with original plastic Joe Colombo chairs and a black marble table by Saarinen, all from the American brand Knoll. The rug is Moroccan.

CANDY CANE There would be color in her flat; that much was certain. She simply loves color.

“I worked for David Chipperfield and other somewhat minimalist bureaus in London for a while. Since returning to Milan in 2009 and starting my own studio, I’ve been going at it all out,” she says with a laugh.

“I love aged ‘dusty’ colors. In the living room and hall I went for a timeless sage green. For the corridor, the only space without direct daylight, I used deep cyan.

The weathered old, blue strip leads to the bedroom, which is the same color.

A dark tint like that in a bedroom seems to embrace you,” she explains. “I love layered interiors. That’s why I incorporate something unexpected into every project.

In this case, it’s the candy-cane pink of the kitchen, which provides a cheerful, poppy tone. These walls were actually carrying this color long before it turned hip.”

206

Code red

228

To create wider spaces, Lacasa had iron pillars installed. The two white antique amazon sculptures were bought from a Parisian antique dealer.

The pink-velvet wing chairs and rural coffee table come from La Europea in Madrid. Right behind the red sofa is a new-edition Jean ProuvĂŠ armchair by Vitra. The sitting area holds a lot of contemporary design items: the red sofa by the Bouroullec brothers, the cork stools by Jasper Morrison, and the marble coffee table by Piero Lissoni.

229

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Authors: Iris De Feijter & Irene Schampaert Translation: Irene Schaudies & Xavier De Jonge Editing: Jane Singleton Graphic design: Irene Schampaert If you have any questions or comments about the material in this book, please do not hesitate to contact our editorial team: markedteam@lannoo.com. © Lannoo Publishers, Tielt, Belgium, 2018 D/2018/45/310 – NUR 454 ISBN: 978 94 014 5393 6 www.lannoo.com All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or any other information storage and retrieval system, without prior permission in writing from the publisher.

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Photographic credits Every effort has been made to trace copyright holders. If, however, you feel that you have inadvertently been overlooked, please contact the publishers.

pp. 8, 10-19 Mikhail Loskutov pp. 20, 22-29 Matthieu Salvaing (photos

pp. 60, 62-71 TC Plus & Luc Roymans

pp. 74, 76-83 José Hevia

p. 146 Andrea Ferrari & Giuseppe Dinnella / Club Unseen pp. 148-149 Silvia Rivoltella / Alysi Showroom & Boutique

Ana Cardinale (production/text)

pp. 140, 142-145 Matthieu Salvaing pp. 30, 32-35 Annik Wetter pp. 37, 73, 99, 121, 185, 233 Deborah Zlotsky pp. 38, 40-47 Richard Powers

pp. 84-87 pp. 150-151 Fien Muller Co Van Der Horst / Silvia Rivoltella pp. 88, 90-97 Note Design Studio

pp. 152, 154-161 Kazuyasu Kochi

pp. 100, 102-107 Tekla Evelina Severin & Tham & Videgård

pp. 162, 164-173 James Stokes / Living Inside

pp. 108, 110-119, 130, 132-139 Roberto Ruiz

pp. 174, 176-183 Filippo Bamberghi/Photofoyer

pp. 122, 124-129 pp. 48, 50-59 Helenio Barbetta / Living Inside Katri Kapanen

pp. 4, 186, 188-191 Daria Zinovatnaya

pp. 192, 194-199 Imagen Subliminal (Miguel de Guzman+Rocio Romero) pp. 200, 202-209 Marco Bertolini / Living inside pp. 210, 212-215 Masquespacio

pp. 216, 218-223 MAIO / José Hevia pp. 224, 226-231 Gonzalo Machado pp. 234, 236-239 Montse Garriga