Models of Hiroshima before and after the bombing (By permission of the Hiroshima Peace Memorial Museum).
Jan Letzel, Industrial Promotion Hall (Sangyō Susumu Hagemukan), Hiroshima, 1914–1915, and the Aioi Bridge (Aioibashi), Hiroshima, 1932–1934, rebuilt 1983.
ORO Editions
Jan Letzel, Industrial Promotion Hall after the bombing.
Sasaki Yuichirō, photograph of the hypocenter (bakushinchi) at the Shima Surgical Hospital (Shima Geka Byōin), Hiroshima, August 25, 1945 (Sasaki, Hiroshima, 1954).
Sasaki Yuichirō, photographs of the Industrial Promotion Hall before and after the bombing (Sasaki, Hiroshima, 1954).
ORO Editions
Tange Kenzō, Greater East Asia Co-Prosperity Sphere Memorial Building (Daitōa Kensetsu Kinen Eizō), competition project, 1942 (Tange, Kenchiku zasshi, December 1942).
ORO Editions
Tange Kenzō, with Asada Takashi and Ōtani Sachio, model as built of the Hiroshima Peace Memorial (Hiroshima Heiwa Kinen), 1951–1957 (By permission of the Hiroshima Peace Memorial Museum).
ORO Editions
Tange Kenzō, with Asada Takashi and Ōtani Sachio, Main Hall (Honkan), Hiroshima Peace Memorial, 1952–1955 and 1983–1994.
New Palace (Shingoten), Katsura Rikyū, Kyōto, 1658–1663.
ORO
Tange Kenzō, with Asada Takashi and Ōtani Sachio, Hiroshima Peace Memorial, 1951–1955 and 1983–1994.
Inner Shrine of Ise, Ise Shrine, 690–present (19th-century woodcut).
Plan of the Itsukushima Shrine (Japan Travel Bureau, Japan-The Official Guide, 1958).
Taniguchi Yoshirō, entrance of Jōsenji, Tōkyō, 1965–1966.
Cloister (Kairō) and Mortuary Hall (Ihaidō), Jōsenji.
Main Worship Hall (Hondō), Jōsenji.
Rear elevation and roof of the Main Worship Hall, Jōsenji.
Great Lecture Hall (Daikōdō), Hōryūji, Nara, 990.
Watanabe Jin, Imperial Household Museum (Teishitsu Hakubutsukan), now the Main Hall (Honkan), 1931–1938, and Taniguchi Yoshirō, Gallery of Asian Art (Tōyokan), 1965–1968, Tōkyō National Museum (Tōkyō Kokuritsu Hakubutsukan), Ueno, Tōkyō.
ORO Editions
Taniguchi Yoshirō, National Museum of Modern Art (Kokuritsu Kindai Bijutsukan), Tōkyō, 1964–1969.
Tanaguchi Yoshirō, Peace Pagoda, at Minoru Yamasaki, Japanese Cultural and Trade Center, San Francisco, 1968.
Taniguchi Yoshirō, Gallery of Asian Art.Imperial Residence Hall (Seiryōden), Kyōto Imperial Palace (Kyōto Gosho), Kyōto, 1855–1857.
First and second rooms (ichi-no-ma and ni-no-ma) from the earth veranda (tsuchibisashi) of the Moon Wave Tower.
ORO Editions
Moon Wave Tower and Middle Gate (Chūmon) to the Old Shoin, Katsura Rikyū.
Third and second rooms (san-no-ma and ni-no-ma) of the Moon Wave Tower.
ORO Editions
Survey map locating the hypocenter by triangulating blast marks from the atomic bomb (Donated by the Peace Museum of Saitama from material provided by Hidetsugu Aihara; by permission of the Hiroshima Peace Memorial Museum).
Street with hypocenter, Hiroshima.
ORO Editions
Parking garage on street with hypocenter, Hiroshima.
ORO Editions
Tange Kenzō, with Asada Takashi and Ōtani Sachio, Cenotaph, Hiroshima Peace Memorial, 1951–1955 and 1983–1994.
Hypocenter marker, Hiroshima.
ORO Editions
“Human shadow etched in stone,” August 6, 1945 (By permission of the Hiroshima Peace Memorial Museum).
Lady in kimono passing the hypocenter.
ORO Editions
Panorama of the Cloister (Kairō), Golden Hall/Buddha Hall (Kondō), Middle Gate (Chūmon), and Pagoda (Gojū-no-tō) from the Great Lecture Hall (Daikodō), Hōryūji, Nara, 7th–10th centuries.
ORO Editions
Panorama of the Cloister (Kairō) and Middle Gate (Chūmon) from the Great Buddha Hall (Daibutsuden), Tōdaiji, Nara, 1692–1709.
ORO Editions
Entrance hall of the National Museum of Contemporary Art (By permission of the Kyōto National Museum of Contemporary Art).
View of the gate of the Heian Shrine from the top floor of the National Museum of Contemporary Art (Photograph by Kawata Norimasa; courtesy of the Kyōto National Museum of Contemporary Art).
Sengai Gibon, “Japan’s first Zen cave” (Fusō saisho zenkutsu), n.d./before 1837 (Courtesy of the Idemistu Museum of Art, Tōkyō).
ORO Editions
Maki Fumihiko, Shimane Museum of Ancient Izumo (Shimane Kenritsu Kodai Izumo Rekishi Hakubutsukan), Izumo, 2002–2006.
Approach to the entrance hall of the Shimane Museum of Ancient Izumo.
Lobby with pillar from Izumo Shrine, Shimane Museum of Ancient Izumo (By permission of the Shimane Museum of Ancient Izumo).
Entrance hall of the Shimane Museum of Ancient Izumo looking toward the Izumo Shrine (By permission of the Shimane Museum of Ancient Izumo).
ORO Editions
Mitsui Family Shimogamo Villa (Mitsuike Shimogamo Bettei), Kyōto, Meiji Era, moved to its present site in 1925.
ORO Editions
Clockwise from top right: Kuma Kengo, street façade, entrance veranda (engawa), roof over entrance, and garden façade of the Nezu Museum (Nezu Bijutsukan), Tōkyō, 2006–2009.
ORO Editions
Taniguchi Yoshio, D.T. Suzuki Museum (Suzuki Daisetsu Kan), Kanazawa, 2011 (Photograph by SeanPavonePhoto-adobe.stock.com).
SANAA, 21st Century Museum of Contemporary Art (Kanazawa Nijūisseiki Hakubutsukan), Kanazawa, 1999–2004.
ORO Editions
ORO Editions
Top left: SANAA, 21st Century Museum of Contemporary Art.
Left: Arashiyama Bamboo Grove near Tenryūji, Kyōto.
ORO Editions
Mies van der Rohe, Barcelona Pavilion, Barcelona, Spain, 1928–1929, rebuilt 1986 (Photograph by Torval Mork-stock.adobe.com).
SANAA, Naoshima Ferry Terminal (Naoshimachō Umi no Eki), Naoshima, 2003–2006.