柴覓1985年生於北京，是一位活躍於當代藝術領域的多媒體藝術家，2007年畢業於清華大學美術學院動畫專業。
其創作以繪畫、動畫、裝置與影音劇場為核心媒介，聚焦個體身份、日常經驗與自然環境的關聯性探索。2015年至 2017年間，她通過實驗性作品《《《氵》》》將水裝置與行為表演結合，引發國際動畫節關註。2024年憑借攝影作品《A 的寓言》獲三影堂攝影獎「靳宏偉收藏獎」，同年參與探討親子關係的互動裝置《集體遊戲》則展現了其創作維度的 多樣性。
Chai Mi (born 1985 in Beijing) is a multimedia artist active in the contemporary art scene. She graduated from the Animation Department of the Academy of Arts & Design at Tsinghua University in 2007. Her practice centers on painting, animation, installation, and audiovisual theater as core mediums, exploring the interconnectedness of individual identity, everyday experience, and the natural environment. From 2015 to 2017, her experimental work, 《《《氵》》》, which combined water installations with performance art, garnered attention at international animation festivals. In 2024, she received the Jin Hongwei Collection Award at the Three Shadows Photography Award for her photographic series A's Fable. That same year, her interactive installation Collective Game, exploring parent-child relationships, demonstrated the diversity of her creative dimensions.
區廷柱，生於廣東江門，畢業於廣州美術學院漆藝專業並獲碩士學位，現為廣州城市理工學院珠寶學院視覺傳達 設計專業講師。其藝術創作以漆藝為核心，作品《女相》《夜鳴》《寥寥》等多次在國內外展覽中獲獎，並被廣州美 術學院美術館、廈門美術館等機構收藏。截至2023年，他已參與50余次國內外展覽，涵蓋漆藝新媒體互動展、青年 漆畫大展等多元形式，並在2023年舉辦《暗示和碎片》雙個展。2024年，其作品《蠔式鏡》入選大灣區「水墨異重奏」 展覽，展現傳統工藝的當代轉化 。
Ou Tingzhu, born in Jiangmen, Guangdong, currently serves as a lecturer in Visual Communication Design at the School of Jewelry, Guangzhou City University of Science and Technology. He graduated from the Guangzhou Academy of Fine Arts with a master’s degree in lacquer art. His artistic practice centers on lacquer artistry, with works such as Female Portrait, Night Cry, and The Few receiving multiple awards in domestic and international exhibitions. His pieces are held in collections including the Guangzhou Academy of Fine Arts Museum and Xiamen Art Museum. As of 2023, he has participated in over 50 exhibitions globally, spanning diverse formats including interactive lacquer art and new media shows, as well as major youth lacquer painting exhibitions. In 2023, he held the dual solo exhibition “Hints and Fragments.” In 2024, his work Oyster-Style Mirror was selected for the Greater Bay Area’s “Ink Duet” exhibition, showcasing the contemporary transformation of traditional craftsmanship.
《清明》
材料：金竹，樺樹皮，烏桕
材料：佛手，蘭花，臘梅，錫紙，蠟，紙，清代竹籃
Meditation
Materials: Buddha’s hand citrus, orchids, wintersweet, tinfoil, wax, paper, Qing Dynasty bamboo basket
