Locations
Expanse
The firm has worked with clients from:
USA Canada UK Ukraine Saudi Arabia France Germany Italy New Zealand Nigeria Austria Finland China Switzerland Kenya Japan Korea Australia Sweden Bhutan Brazil Russia Denmark Singapore Sri Lanka Bangladesh Nepal Spain
Previous spread: Proposal for the National War Memorial, New Delhi
4
Malaysia Mexico Poland Oman United Arab Emirates Iraq Iran Qatar Israel Turkey Syria Jordan Kuwait Bahrain Netherlands Belgium
•
U.S.A.
•
FRANCE.
•
AUSTRIA
•
JAPAN
•
BRAZIL
•
SRI LANKA
•
CANADA
•
GERMANY
•
FINLAND
•
KOREA
•
RUSSIA
•
BANGLADESH CP Kukreja Architects
•
U.K.
•
ITALY
•
CHINA
•
AUSTRALIA
•
MIDDLE EAST
•
NEPAL
| 5
Locations
Expanse
The firm has worked with clients from:
USA Canada UK Ukraine Saudi Arabia France Germany Italy New Zealand Nigeria Austria Finland China Switzerland Kenya Japan Korea Australia Sweden Bhutan Brazil Russia Denmark Singapore Sri Lanka Bangladesh Nepal Spain
Previous spread: Proposal for the National War Memorial, New Delhi
4
Malaysia Mexico Poland Oman United Arab Emirates Iraq Iran Qatar Israel Turkey Syria Jordan Kuwait Bahrain Netherlands Belgium
•
U.S.A.
•
FRANCE.
•
AUSTRIA
•
JAPAN
•
BRAZIL
•
SRI LANKA
•
CANADA
•
GERMANY
•
FINLAND
•
KOREA
•
RUSSIA
•
BANGLADESH CP Kukreja Architects
•
U.K.
•
ITALY
•
CHINA
•
AUSTRALIA
•
MIDDLE EAST
•
NEPAL
| 5
Essay
India International Convention Centre, New Delhi.
Suneet Paul Editor-in-chief, Architecture+Design
T
he post-Nehruvian era in India, when
forays not only extended to the practice of
budding young practicians and students.
architect C.P. Kukreja set up his
architecture, but also to architectural education
Whether it be their earlier projects, like the all-
practice, was one when architecture in
and journalism. In the eighties, he was the key
encompassing Jawaharlal Nehru University
the country was at its infancy. It was in such
initiator and then a founding member of the
or the recent Gautam Buddha University,
restrictive environs that, driven with passion
Sushant School of Architecture and the journal
interpreting Buddhist architecture in the twenty-
for making a mark, he with a one-track mind,
Architecture+Design, respectively.
first century, CPKA’s strength is demonstrative
successfully pursued his dream to contribute
And then, after equipping himself with the
in the mature handling of material, form and
and bring recognition to the field of architecture
diverse design exposure and liberal approach to
function. Dexterously treating the exteriors, as in
with conviction, hard work and a cheer. Backed
architecture at Taliesin and Harvard, Ar. Dikshu
the Ambadeep Towers or the Hamidia ‘Smart’
with international architectural degrees and an
C. Kukreja, his son, joined the firm and
Medicity Hospital, they have incorporated
understanding of the Indian cultural context, he
incorporated newer perspective towards an
traditional Indian architectural elements with
made his presence felt very strongly through his
architecture driven by technology with a slant
prudence. Spontaneous evolution with time has
architecture of Indian Modernism. His design
towards global vocabulary and rejuvenated
been their hallmark, as well demonstrated in the
methodology portrayed a pulse throbbing with
interpretations to the narrative of tradition.
design and architecture of the Surat Multi–Modal
sensitivity to climatic sustainability, tradition
Charged with a strong pulse for design and
Transportation complex and the Transit–Oriented
and art.
to address architecture with a contemporary
Development Hub. Their JCB Manufacturing
and
idiom, he lost no time in entrenching himself to
Blocks’ end-product image is one that adds an
eighties, took upon himself the significant
evolve a methodology that attempts to root out
architectural elegance to industrial architecture.
task of establishing credibility and respect for
modern day environmental concerns. Dikshu
A positive radiant approach to design is what
the profession of architecture in the country.
imaginatively carries forward the future Indian
classifies their style and design belief.
Very assiduously, brick by brick, he built one
vision of working towards smart design that is
This monograph, I’m sure, is a stimulating
of the largest practices in India, and thus,
responsive and appropriate for a large and fast
insight into the design philosophy of the
simultaneously added depth and a vibrant
developing country. Anchored to the basics
firm, bringing forth the truth that passion
vocabulary to Indian architecture. The inherent
in architecture and culture, he now heads
and innovation can no doubt yield results
robust character in his architecture won him
the legacy created by C.P. Kukreja, taking
beyond comprehension. Their architecture
numerous prestigious awards, national and
further strides to be involved with meaningful
has purposefully responded and dramatically
international, and accolades. Indeed, to be
architecture and gracefully posturing Indian
evolved over the period with society’s changing
listed in the top 100 architecture firms in the
architecture.
requirements while simultaneously stimulating
C.P.
Kukreja,
in
the
seventies
A firm which has, over the years, intelligently
improved results for energy conscious design.
An architect with a vision, C.P. Kukreja’s firm
handled mega-scaled projects in all typologies
If one of the aims of architecture is, albeit
was one of the few firms then which intelligently
– institutional, residential, retail, hospitality,
a challenging one, to provide an aesthetic,
structured a large, self-sufficient office with all
religious, educational and recreational – can
functional and sustainable habitat, then the firm
allied services under one roof. His constructive
but be a massive resource of knowledge for
CPKA sails through with a gigantic applause.
world is no small feat.
12
CP Kukreja Architects | 13
Essay
India International Convention Centre, New Delhi.
Suneet Paul Editor-in-chief, Architecture+Design
T
he post-Nehruvian era in India, when
forays not only extended to the practice of
budding young practicians and students.
architect C.P. Kukreja set up his
architecture, but also to architectural education
Whether it be their earlier projects, like the all-
practice, was one when architecture in
and journalism. In the eighties, he was the key
encompassing Jawaharlal Nehru University
the country was at its infancy. It was in such
initiator and then a founding member of the
or the recent Gautam Buddha University,
restrictive environs that, driven with passion
Sushant School of Architecture and the journal
interpreting Buddhist architecture in the twenty-
for making a mark, he with a one-track mind,
Architecture+Design, respectively.
first century, CPKA’s strength is demonstrative
successfully pursued his dream to contribute
And then, after equipping himself with the
in the mature handling of material, form and
and bring recognition to the field of architecture
diverse design exposure and liberal approach to
function. Dexterously treating the exteriors, as in
with conviction, hard work and a cheer. Backed
architecture at Taliesin and Harvard, Ar. Dikshu
the Ambadeep Towers or the Hamidia ‘Smart’
with international architectural degrees and an
C. Kukreja, his son, joined the firm and
Medicity Hospital, they have incorporated
understanding of the Indian cultural context, he
incorporated newer perspective towards an
traditional Indian architectural elements with
made his presence felt very strongly through his
architecture driven by technology with a slant
prudence. Spontaneous evolution with time has
architecture of Indian Modernism. His design
towards global vocabulary and rejuvenated
been their hallmark, as well demonstrated in the
methodology portrayed a pulse throbbing with
interpretations to the narrative of tradition.
design and architecture of the Surat Multi–Modal
sensitivity to climatic sustainability, tradition
Charged with a strong pulse for design and
Transportation complex and the Transit–Oriented
and art.
to address architecture with a contemporary
Development Hub. Their JCB Manufacturing
and
idiom, he lost no time in entrenching himself to
Blocks’ end-product image is one that adds an
eighties, took upon himself the significant
evolve a methodology that attempts to root out
architectural elegance to industrial architecture.
task of establishing credibility and respect for
modern day environmental concerns. Dikshu
A positive radiant approach to design is what
the profession of architecture in the country.
imaginatively carries forward the future Indian
classifies their style and design belief.
Very assiduously, brick by brick, he built one
vision of working towards smart design that is
This monograph, I’m sure, is a stimulating
of the largest practices in India, and thus,
responsive and appropriate for a large and fast
insight into the design philosophy of the
simultaneously added depth and a vibrant
developing country. Anchored to the basics
firm, bringing forth the truth that passion
vocabulary to Indian architecture. The inherent
in architecture and culture, he now heads
and innovation can no doubt yield results
robust character in his architecture won him
the legacy created by C.P. Kukreja, taking
beyond comprehension. Their architecture
numerous prestigious awards, national and
further strides to be involved with meaningful
has purposefully responded and dramatically
international, and accolades. Indeed, to be
architecture and gracefully posturing Indian
evolved over the period with society’s changing
listed in the top 100 architecture firms in the
architecture.
requirements while simultaneously stimulating
C.P.
Kukreja,
in
the
seventies
A firm which has, over the years, intelligently
improved results for energy conscious design.
An architect with a vision, C.P. Kukreja’s firm
handled mega-scaled projects in all typologies
If one of the aims of architecture is, albeit
was one of the few firms then which intelligently
– institutional, residential, retail, hospitality,
a challenging one, to provide an aesthetic,
structured a large, self-sufficient office with all
religious, educational and recreational – can
functional and sustainable habitat, then the firm
allied services under one roof. His constructive
but be a massive resource of knowledge for
CPKA sails through with a gigantic applause.
world is no small feat.
12
CP Kukreja Architects | 13
be at the forefront of architectural journalism.
Right: Tropical Architecture, authored by Ar. C.P. Kukreja, is a much celebrated book on ‘Environmental Architecture’ and is a popular reference book in the libraries of prestigious institutions like Harvard University and MIT.
Mr. Kukreja’s attention then moved to address another serious concern in the profession – quality of architectural education. He believed that to enrich the future of the architectural profession, it was important to inculcate the
Below: Ar. C.P. Kukreja being felicitated by the Former President of India, Shri. K.R. Narayanan, for his lifetime contribution in architecture and environment awareness.
right knowledge in our future generations who enter this profession. His strong belief in contextually relevant, climate responsive, vernacular architecture that imbibes the arts led to the establishment of Sushant School
improving, enabling common people to spend
of Art and Architecture (SSAA) in 1989. Over
on personal luxuries and qualifying CPKA to
three decades later, SSAA continues to be
lead hospitality and retail projects as well.
recognized amongst the leading architectural
Indian Institute of Management (IIM),
schools in the country.
Lucknow, and Rumtek Monastery, two of the
Similarly, early on in its journey, in the
most significant projects in the early eighties,
1970s when the architecture profession in India
saw the firm unfold a gallant character. The
primarily looked inwards for projects to engage,
projects were diverse and exhibited the firm’s
the Architects chose to venture overseas. In a
desire to explore new paradigms in architecture.
world which is today often referred as a ‘global
While IIM Lucknow’s design fused modern
village’ we might not be able to appreciate the
design sensibilities and traditional Awadhi
enormity of this feat. As a nation, we were only
architecture, Rumtek Monastery in New Delhi,
seen to produce migrant labour, which could
built for his Holiness the Dalai Lama, inspired
travel ashore to follow instructions of foreign
intricate craftsmanship and a detailed artistic
architects and engineers to build. Here was
sensibility into its design. Grown from a two-
an Indian architect who ventured overseas,
man setup into a multidisciplinary architectural
competed against global design firms, and
and engineering firm opened up new avenues
against all odds, established not one or two but
as large industrial projects made way into the
almost a dozen offices across Middle East Asia,
company’s portfolio. This added a significant
Iran and Iraq. Another unusual feat was when
achievement for the Architects and heralded a revolution for the architectural fraternity into a field which was previously being helmed by
as water tanks, warehouses, paint shops, etc.,
knowledge and critical thinking. He felt a vast
engineers. One could gauge a stark difference
infusing design expressions and aesthetics.
and diverse country such as ours, with a
this shift made as the monotonous industrial
towards
plethora of contemporary architecture being
sheds were replaced with compassionate
architecture was deep and unparalleled.
created, had no medium for sharing these
designs illustrated with jaalis, curtain glazing,
Though by the eighties the Architects had
developments. He put in a pioneering effort
skylights and cantilevers and projections on
established themselves as a reputed design
of establishing the first Indian architecture
façades. The Architects even successfully
firm, C.P. felt the profession was sorely missing
magazine – Architecture + Design (A+D) in
transformed utility and service buildings such
a platform for documentation, exchange of
1984. Thirty-six years later, A+D continues to
16
C.P.
Kukreja’s
commitment
Top: CPKA being a multidisciplinary set-up encourages discourses between different departments. Left: Ar. Dikshu C. Kukreja being felicitated by Dr. Manmohan Singh, Former Prime Minister of India, with the GPS Achievers Award 2014 – Excellence in the field of Architecture (Young Architect).
CP Kukreja Architects | 17
be at the forefront of architectural journalism.
Right: Tropical Architecture, authored by Ar. C.P. Kukreja, is a much celebrated book on ‘Environmental Architecture’ and is a popular reference book in the libraries of prestigious institutions like Harvard University and MIT.
Mr. Kukreja’s attention then moved to address another serious concern in the profession – quality of architectural education. He believed that to enrich the future of the architectural profession, it was important to inculcate the
Below: Ar. C.P. Kukreja being felicitated by the Former President of India, Shri. K.R. Narayanan, for his lifetime contribution in architecture and environment awareness.
right knowledge in our future generations who enter this profession. His strong belief in contextually relevant, climate responsive, vernacular architecture that imbibes the arts led to the establishment of Sushant School
improving, enabling common people to spend
of Art and Architecture (SSAA) in 1989. Over
on personal luxuries and qualifying CPKA to
three decades later, SSAA continues to be
lead hospitality and retail projects as well.
recognized amongst the leading architectural
Indian Institute of Management (IIM),
schools in the country.
Lucknow, and Rumtek Monastery, two of the
Similarly, early on in its journey, in the
most significant projects in the early eighties,
1970s when the architecture profession in India
saw the firm unfold a gallant character. The
primarily looked inwards for projects to engage,
projects were diverse and exhibited the firm’s
the Architects chose to venture overseas. In a
desire to explore new paradigms in architecture.
world which is today often referred as a ‘global
While IIM Lucknow’s design fused modern
village’ we might not be able to appreciate the
design sensibilities and traditional Awadhi
enormity of this feat. As a nation, we were only
architecture, Rumtek Monastery in New Delhi,
seen to produce migrant labour, which could
built for his Holiness the Dalai Lama, inspired
travel ashore to follow instructions of foreign
intricate craftsmanship and a detailed artistic
architects and engineers to build. Here was
sensibility into its design. Grown from a two-
an Indian architect who ventured overseas,
man setup into a multidisciplinary architectural
competed against global design firms, and
and engineering firm opened up new avenues
against all odds, established not one or two but
as large industrial projects made way into the
almost a dozen offices across Middle East Asia,
company’s portfolio. This added a significant
Iran and Iraq. Another unusual feat was when
achievement for the Architects and heralded a revolution for the architectural fraternity into a field which was previously being helmed by
as water tanks, warehouses, paint shops, etc.,
knowledge and critical thinking. He felt a vast
engineers. One could gauge a stark difference
infusing design expressions and aesthetics.
and diverse country such as ours, with a
this shift made as the monotonous industrial
towards
plethora of contemporary architecture being
sheds were replaced with compassionate
architecture was deep and unparalleled.
created, had no medium for sharing these
designs illustrated with jaalis, curtain glazing,
Though by the eighties the Architects had
developments. He put in a pioneering effort
skylights and cantilevers and projections on
established themselves as a reputed design
of establishing the first Indian architecture
façades. The Architects even successfully
firm, C.P. felt the profession was sorely missing
magazine – Architecture + Design (A+D) in
transformed utility and service buildings such
a platform for documentation, exchange of
1984. Thirty-six years later, A+D continues to
16
C.P.
Kukreja’s
commitment
Top: CPKA being a multidisciplinary set-up encourages discourses between different departments. Left: Ar. Dikshu C. Kukreja being felicitated by Dr. Manmohan Singh, Former Prime Minister of India, with the GPS Achievers Award 2014 – Excellence in the field of Architecture (Young Architect).
CP Kukreja Architects | 17
Timeline Book authoured by Ar. C.P. Kukreja
Ambadeep Towers, New Delhi
Lifetime Achievement Award for contribution in architecture felicitated to Ar. C.P. Kukreja (received by Ar. Dikshu C. Kukreja on his behalf)
Former President of India, Shri K.R. Narayanan, felicitates Ar. C.P. Kukreja with Lifetime Contribution in Architecture & Environmental Awareness
United Hospital, Bangladesh
Aerocity, New Delhi
GPS Achievers Award for Excellence in the Field of Architecture presented to Ar. Dikshu C. Kukreja
CPKA listed amongst top 5 architects in Asia
CPKA featured amongst top 100 global architects
Awarded Architect of Sustainable Design for Eldeco Ananda CPKA awarded the APAC Excellence Award
Mumbai Metro Rail Corporation Limited
India International Convention Centre (IICC), New Delhi, for G-20 Summit
CPKA wins design for the prestigious HRRL Township in Barmer, Rajasthan
Gomtinagar Railway Station Redevelopment, Lucknow
Opened office in Tokyo Bharat Seva Ratan Gold Medal to Ar. Dikshu C. Kukreja for Outstanding Individual Achievement in Architecture
Firm established by Ar. C.P. Kukreja
1969
1978
1970
1988
1999
1984
1997
Atrium Palace Hotel, Ekaterinburg, Russia
2001 2000
2005 2004
Signature Towers, Gurugram, Haryana
Shiv Nadar University, Greater Noida, Uttar Pradesh
Gautam Buddha University, Greater Noida, Uttar Pradesh
Indian High Commission, Nigeria
Rumtek Monastery, New Delhi
2007 2006
LEED Gold Rating (IGBC)
2011 2007
2012
US Embassy Diplomatic Residences, New Delhi
2014
2012 2013
2014 2014
Best Architecture Firm of the Year
2015 2015
2017 2016
Perto Industrial Facility, Jaipur
World Architecture Community Award for Central Vista Redevelopment proposal
First Indian Architects to acquire a US design firm
Ar. Dikshu C. Kukreja selected amongst the 101 Notable Personalities
2018 2017
Re-development of Pragati Maidan, New Delhi
Opened office in New York
2019
2019
2018 2018
2018
2019
Best Architecture & Urban Design Firm– India BUILD Excellence Award for Healthcare Projects 2017
2019
Medicity Bhopal – 3000-bedded hospital
2019
2019
2020
Bharat Shiromani Award for Excellence in Architecture presented to Ar. Dikshu C. Kukreja by Lord Swraj Paul
Best Architects for Residential Building 120-storeyed building in Sri Lanka – Tallest in South Asia Delhi Metro Rail Corporation National competition winning entry – Jawaharlal Nehru University, New Delhi Opened offices across Middle East Asia, Iran, Iraq
22
The Lalit Golf & Spa Resort, Goa
Society Interiors Honors Award for Outstanding Contribution to Architecture
Baburao Mhatre Gold Medal Award presented to Ar. C.P. Kukreja Ar. C.P. Kukreja felicitated by Building Industry Leadership Award
Infra & Realty Sutra Award for Best Designed Residential Skyscraper
Most Outstanding Urban Design Firm in India
CPKA awarded Most Innovative Indian Architectural Design Firm
HUDCO Design Award for HRRL Township under ‘New and Innovative Town Design Solutions / Eco Cities’
India Pavilion, World Expo 2020, Dubai
Innovation in Institutional Architecture in India Best Eco-friendly Indian Institutional Project, Gautam Buddha University, Uttar Pradesh
2020
2019
Vallabh Bhawan Secretriat – Architectural Design of the year–2018
Gautam Buddha University – Winner in the Institutional Category (BUILT)
East Delhi Hub – Tallest building in Delhi
CP Kukreja Architects | 23
Timeline Book authoured by Ar. C.P. Kukreja
Ambadeep Towers, New Delhi
Lifetime Achievement Award for contribution in architecture felicitated to Ar. C.P. Kukreja (received by Ar. Dikshu C. Kukreja on his behalf)
Former President of India, Shri K.R. Narayanan, felicitates Ar. C.P. Kukreja with Lifetime Contribution in Architecture & Environmental Awareness
United Hospital, Bangladesh
Aerocity, New Delhi
GPS Achievers Award for Excellence in the Field of Architecture presented to Ar. Dikshu C. Kukreja
CPKA listed amongst top 5 architects in Asia
CPKA featured amongst top 100 global architects
Awarded Architect of Sustainable Design for Eldeco Ananda CPKA awarded the APAC Excellence Award
Mumbai Metro Rail Corporation Limited
India International Convention Centre (IICC), New Delhi, for G-20 Summit
CPKA wins design for the prestigious HRRL Township in Barmer, Rajasthan
Gomtinagar Railway Station Redevelopment, Lucknow
Opened office in Tokyo Bharat Seva Ratan Gold Medal to Ar. Dikshu C. Kukreja for Outstanding Individual Achievement in Architecture
Firm established by Ar. C.P. Kukreja
1969
1978
1970
1988
1999
1984
1997
Atrium Palace Hotel, Ekaterinburg, Russia
2001 2000
2005 2004
Signature Towers, Gurugram, Haryana
Shiv Nadar University, Greater Noida, Uttar Pradesh
Gautam Buddha University, Greater Noida, Uttar Pradesh
Indian High Commission, Nigeria
Rumtek Monastery, New Delhi
2007 2006
LEED Gold Rating (IGBC)
2011 2007
2012
US Embassy Diplomatic Residences, New Delhi
2014
2012 2013
2014 2014
Best Architecture Firm of the Year
2015 2015
2017 2016
Perto Industrial Facility, Jaipur
World Architecture Community Award for Central Vista Redevelopment proposal
First Indian Architects to acquire a US design firm
Ar. Dikshu C. Kukreja selected amongst the 101 Notable Personalities
2018 2017
Re-development of Pragati Maidan, New Delhi
Opened office in New York
2019
2019
2018 2018
2018
2019
Best Architecture & Urban Design Firm– India BUILD Excellence Award for Healthcare Projects 2017
2019
Medicity Bhopal – 3000-bedded hospital
2019
2019
2020
Bharat Shiromani Award for Excellence in Architecture presented to Ar. Dikshu C. Kukreja by Lord Swraj Paul
Best Architects for Residential Building 120-storeyed building in Sri Lanka – Tallest in South Asia Delhi Metro Rail Corporation National competition winning entry – Jawaharlal Nehru University, New Delhi Opened offices across Middle East Asia, Iran, Iraq
22
The Lalit Golf & Spa Resort, Goa
Society Interiors Honors Award for Outstanding Contribution to Architecture
Baburao Mhatre Gold Medal Award presented to Ar. C.P. Kukreja Ar. C.P. Kukreja felicitated by Building Industry Leadership Award
Infra & Realty Sutra Award for Best Designed Residential Skyscraper
Most Outstanding Urban Design Firm in India
CPKA awarded Most Innovative Indian Architectural Design Firm
HUDCO Design Award for HRRL Township under ‘New and Innovative Town Design Solutions / Eco Cities’
India Pavilion, World Expo 2020, Dubai
Innovation in Institutional Architecture in India Best Eco-friendly Indian Institutional Project, Gautam Buddha University, Uttar Pradesh
2020
2019
Vallabh Bhawan Secretriat – Architectural Design of the year–2018
Gautam Buddha University – Winner in the Institutional Category (BUILT)
East Delhi Hub – Tallest building in Delhi
CP Kukreja Architects | 23
Below: Master Plan of the University.
38
the low-lying terrain. Inspired by regional
In addition, water presents itself in
architecture, low-rise structures have been
many forms in Kashmir’s landscape – lakes,
given preference to provide resilience against
rivers, canals and natural reservoirs. Existing
earthquakes. Furthermore, low-height buildings
depressions and watery marshes on the
respect the horizontality of the landscape,
site were studied and strengthened through
creating a serene skyline.
design developments like a freely flowing
A ‘pedestrian spine’ has been conceived
waterway, punctuated by pools, fountains and
as a pleasant tree-lined avenue that shades
reservoirs. This water system also provides
the walking path through the day, its thick
the opportunity of on-site storing, recycling
canopy animated with the colours and life of
and re-charging water. Shikaras (houseboats)
with the landscape. The extensive use of
the biodiversity housed within. Designed to
have been planned as an energy-efficient and
gardens as a tool to blend outdoor with indoor
open on to play fields, the informal gardens
environment-friendly mode of transport.
spaces is inspired by the Mughal gardens of
were documented and analysed to derive a
and shaded courts become student activity
The design approach has also helped
feasible approach. Vernacular architecture was
zones, discussion areas and leisure spaces.
create an opportunity for surrounding villages
Engravings and sculptural massing have
studied to understand how the relationship
The landscape has been extensively tapped
to come together and be a part of the campus
been incorporated into the building elevations,
between nature and built environment is
into as both – a cultural symbol and connection
design. The traditional design language of
which are reminiscent of the local art. Lattice
translated through the local architecture, which
between major built complexes. The built
Kashmir was studied to understand how the
screens and window shutters, intricately
is a prominent cultural image of the region.
masses occupy central space in a compact
architecture of the region responds to the local
carved wooden brackets, eaves boards (locally
As part of a design strategy that
manner to minimize distance and enhance
context of climate and geography through
called ‘morakh patt’), pendants (locally called
advocates natural urbanism, nature is also a
walkability. Forest-like buffers line the site
material gestures of form and space. Since the
‘dour’) are architectural details borrowed from
major structuring element within the site. The
boundaries, and trees with dense canopies
buildings have been designed to follow these
the traditional art and architecture of Kashmir.
campus is designed to promote walkability
wrap around the buildings and clusters,
parameters, they are characterized by green
This built cultural language of the land has
and establishing common areas of interaction.
creating a comfortable microclimate. This
sloping roofs, stepped forms and towering
been integral, both aesthetically and practically,
The buildings are placed in a compact manner
helps in natural humidification, preventing the
canopies. The long, pitched roof steeply slopes
to the University’s overall form.
on higher ground to avoid interference with
extreme cooling that takes place in Kashmir.
down, resulting in the buildings almost merging
Kashmir.
Top: A panoramic view of the academic complex. Above: Typical hostel elevation drawings.
Institutions | 39
Below: Master Plan of the University.
38
the low-lying terrain. Inspired by regional
In addition, water presents itself in
architecture, low-rise structures have been
many forms in Kashmir’s landscape – lakes,
given preference to provide resilience against
rivers, canals and natural reservoirs. Existing
earthquakes. Furthermore, low-height buildings
depressions and watery marshes on the
respect the horizontality of the landscape,
site were studied and strengthened through
creating a serene skyline.
design developments like a freely flowing
A ‘pedestrian spine’ has been conceived
waterway, punctuated by pools, fountains and
as a pleasant tree-lined avenue that shades
reservoirs. This water system also provides
the walking path through the day, its thick
the opportunity of on-site storing, recycling
canopy animated with the colours and life of
and re-charging water. Shikaras (houseboats)
with the landscape. The extensive use of
the biodiversity housed within. Designed to
have been planned as an energy-efficient and
gardens as a tool to blend outdoor with indoor
open on to play fields, the informal gardens
environment-friendly mode of transport.
spaces is inspired by the Mughal gardens of
were documented and analysed to derive a
and shaded courts become student activity
The design approach has also helped
feasible approach. Vernacular architecture was
zones, discussion areas and leisure spaces.
create an opportunity for surrounding villages
Engravings and sculptural massing have
studied to understand how the relationship
The landscape has been extensively tapped
to come together and be a part of the campus
been incorporated into the building elevations,
between nature and built environment is
into as both – a cultural symbol and connection
design. The traditional design language of
which are reminiscent of the local art. Lattice
translated through the local architecture, which
between major built complexes. The built
Kashmir was studied to understand how the
screens and window shutters, intricately
is a prominent cultural image of the region.
masses occupy central space in a compact
architecture of the region responds to the local
carved wooden brackets, eaves boards (locally
As part of a design strategy that
manner to minimize distance and enhance
context of climate and geography through
called ‘morakh patt’), pendants (locally called
advocates natural urbanism, nature is also a
walkability. Forest-like buffers line the site
material gestures of form and space. Since the
‘dour’) are architectural details borrowed from
major structuring element within the site. The
boundaries, and trees with dense canopies
buildings have been designed to follow these
the traditional art and architecture of Kashmir.
campus is designed to promote walkability
wrap around the buildings and clusters,
parameters, they are characterized by green
This built cultural language of the land has
and establishing common areas of interaction.
creating a comfortable microclimate. This
sloping roofs, stepped forms and towering
been integral, both aesthetically and practically,
The buildings are placed in a compact manner
helps in natural humidification, preventing the
canopies. The long, pitched roof steeply slopes
to the University’s overall form.
on higher ground to avoid interference with
extreme cooling that takes place in Kashmir.
down, resulting in the buildings almost merging
Kashmir.
Top: A panoramic view of the academic complex. Above: Typical hostel elevation drawings.
Institutions | 39
Shri Vaishnav Vidyapeeth Vishwavidyalaya
Maitreyi College, University of Delhi
Location Indore, Madhya Pradesh Site 51 acres Built-up area 2,86,000 sq. ft. Year of completion Ongoing
Location New Delhi Site 10 acres Built-up area 4,00,000 sq. ft. Year of completion 1987
Envisaged to be a Green Campus, the design incorporates compact axial planning to create an evident and efficient circulation network
Maitreyi is a first-of-its-kind women’s college in Delhi and is designed for an intake of 1,500 students
L
capital
campus’ modern edifices. Ultimately, exposed
a central square; the built form invites the
of Madhya Pradesh, Shri Vaishnav
brick façades reflect a grounded and vibrant
open area to permeate through its apertures,
academic institution that is quintessentially
encouraging a seamless interaction between
Indian.
the exterior and the interiors.
ocated
in
the
commercial
Vidyapeeth Vishwavidyalaya embodies
the rich heritage of Indore city in a modern and practical style. This is the result of the architectural
in
garden’ typology – its basic structure is defined
due to the solid massing’s exposed brickwork.
1987, is located in the prestigious
by a central court, which all buildings of the
Brick was chosen not only as a tool to create
Chanakyapuri area of Delhi. It is one
campus can look into. The physical solidity of
aesthetic appeal but also to protect the interior
of the constituent colleges of University of
the buildings is balanced with the void created
and exterior environment of the campus
The University as a ‘green campus’
Delhi’s South Campus, and therefore, draws
by the open spaces, bringing harmony into the
from the extremes of Delhi climate. An earthy
strongly promotes walkability and universal
from an urban design layout that is commonly
design. The building also uses solid blocks with
material, it reflects incoming heat and also acts
accessibility in a variety of ways across the
identifiable. It is part of a larger urban statement
deep arches, creating an interesting interplay
as an insulator, keeping indoors cool in summer
interpretation of the traditional architecture
site. Compact axial planning has been adopted
that forms the design vision of Chanakyapuri.
of light and shade, which changes as the sun
and warm and cozy in winter.
of
Indore
to create an efficient circulation network,
architecture, such as chhatris (umbrella shaped
punctuated by greens and play fields. The
roofs), jaalis and chhajjas, have influenced the
academic complex has been planned around
40
the
established
campus
Pradesh.
of
College,
design, which involves a contemporaneous Madhya
vocabulary
M
aitreyi
Jewels
of
Below: A visualization of a thriving central courtyard leading to the library and flanked by academic blocks.
The college campus is flanked by plots
moves.
of international embassies, all of which follow
The architecture of the campus captures
the urban layout of ‘villas in the garden’. The
the very essence of Indian Modernism. The
landscape plan also followed the ‘urban
sculptural composition of the architecture is
Below: The frontal façade of Maitreyi College with its iconic arched windows.
Institutions | 41
Shri Vaishnav Vidyapeeth Vishwavidyalaya
Maitreyi College, University of Delhi
Location Indore, Madhya Pradesh Site 51 acres Built-up area 2,86,000 sq. ft. Year of completion Ongoing
Location New Delhi Site 10 acres Built-up area 4,00,000 sq. ft. Year of completion 1987
Envisaged to be a Green Campus, the design incorporates compact axial planning to create an evident and efficient circulation network
Maitreyi is a first-of-its-kind women’s college in Delhi and is designed for an intake of 1,500 students
L
capital
campus’ modern edifices. Ultimately, exposed
a central square; the built form invites the
of Madhya Pradesh, Shri Vaishnav
brick façades reflect a grounded and vibrant
open area to permeate through its apertures,
academic institution that is quintessentially
encouraging a seamless interaction between
Indian.
the exterior and the interiors.
ocated
in
the
commercial
Vidyapeeth Vishwavidyalaya embodies
the rich heritage of Indore city in a modern and practical style. This is the result of the architectural
in
garden’ typology – its basic structure is defined
due to the solid massing’s exposed brickwork.
1987, is located in the prestigious
by a central court, which all buildings of the
Brick was chosen not only as a tool to create
Chanakyapuri area of Delhi. It is one
campus can look into. The physical solidity of
aesthetic appeal but also to protect the interior
of the constituent colleges of University of
the buildings is balanced with the void created
and exterior environment of the campus
The University as a ‘green campus’
Delhi’s South Campus, and therefore, draws
by the open spaces, bringing harmony into the
from the extremes of Delhi climate. An earthy
strongly promotes walkability and universal
from an urban design layout that is commonly
design. The building also uses solid blocks with
material, it reflects incoming heat and also acts
accessibility in a variety of ways across the
identifiable. It is part of a larger urban statement
deep arches, creating an interesting interplay
as an insulator, keeping indoors cool in summer
interpretation of the traditional architecture
site. Compact axial planning has been adopted
that forms the design vision of Chanakyapuri.
of light and shade, which changes as the sun
and warm and cozy in winter.
of
Indore
to create an efficient circulation network,
architecture, such as chhatris (umbrella shaped
punctuated by greens and play fields. The
roofs), jaalis and chhajjas, have influenced the
academic complex has been planned around
40
the
established
campus
Pradesh.
of
College,
design, which involves a contemporaneous Madhya
vocabulary
M
aitreyi
Jewels
of
Below: A visualization of a thriving central courtyard leading to the library and flanked by academic blocks.
The college campus is flanked by plots
moves.
of international embassies, all of which follow
The architecture of the campus captures
the urban layout of ‘villas in the garden’. The
the very essence of Indian Modernism. The
landscape plan also followed the ‘urban
sculptural composition of the architecture is
Below: The frontal façade of Maitreyi College with its iconic arched windows.
Institutions | 41
India International Convention Centre Location New Delhi Area 225 acres Built-up area 1,22,00,000 sq. ft. Year of completion Phase 1: 2021; Phase 2: 2025 A first-of-its-kind urban scale mixed-use development, the state-of-the-art Convention Centre is Asia’s second largest and third largest in the world, with a capacity to host 10,000 people
D
espite India’s sustained levels of growth
The state-of-the-art Convention Centre is
is being tailored are innovative and futuristic:
and immense economic potential,
Asia’s second largest, and third largest in the
Green Building principles and IGBC (Indian
the exhibition industry has not grown
world, with a capacity to host 10,000 people
Green
in tandem with the economic expansion and
at any given time. The centre is designed
standards are being used as a benchmark for
urban development in the capital city. A need
to host the G20 Summit and other such
formulating the design.
was felt to provide a space which could be a
mega international events in India, along with
common ground for interaction between Indian
international conferences, exhibitions and trade
businesses, investors and buyers to catalyse
shows. With a site area of 225 acres, the project
existing economic activities in the country. To
also boasts of mixed land use such as retail,
exhibit India’s growth and achievements at
commercial spaces and 3,700 hotel rooms as
an international level, the India International
well as a 20,000 seater, one-of-its-kind, world-
Convention
class indoor arena with a retractable roof, which
Centre
has
been
conceived
as a smart and efficient mixed-use urban
would be built in India for the first time.
development which would help support the
Not only is the scale of the project vast,
country’s GDP growth in the long haul. The
but also the parameters with which the design
The
Building
project
Council)
is
Platinum
strategically
rating
located
adjacent to the international airport and at Facing page: A visualization of the aerial view of the project. Below: A perspective visualization of the exhibition halls in a stepped form giving a sense of buoyancy to the building.
concept has been curated as a successful juxtaposition of varied nature of developments such
as
exhibition,
convention,
retail,
hospitality, offices, museum and many more, and is designed to cater to the indigenous as well as the international exhibitors. Envisaged at the scale of a Central Business District (CBD), the design of this massive project pays close attention to creating connections with Indian culture and tradition while aiming to embody the ambitions of a forward looking nation through a
contemporary
interpretation
of
Indian
planning principles and architecture. Multiple accesses to this complex create porosity and permeability to the urban context, thereby integrating it to its vicinity.
312
Miscellaneous | 313
India International Convention Centre Location New Delhi Area 225 acres Built-up area 1,22,00,000 sq. ft. Year of completion Phase 1: 2021; Phase 2: 2025 A first-of-its-kind urban scale mixed-use development, the state-of-the-art Convention Centre is Asia’s second largest and third largest in the world, with a capacity to host 10,000 people
D
espite India’s sustained levels of growth
The state-of-the-art Convention Centre is
is being tailored are innovative and futuristic:
and immense economic potential,
Asia’s second largest, and third largest in the
Green Building principles and IGBC (Indian
the exhibition industry has not grown
world, with a capacity to host 10,000 people
Green
in tandem with the economic expansion and
at any given time. The centre is designed
standards are being used as a benchmark for
urban development in the capital city. A need
to host the G20 Summit and other such
formulating the design.
was felt to provide a space which could be a
mega international events in India, along with
common ground for interaction between Indian
international conferences, exhibitions and trade
businesses, investors and buyers to catalyse
shows. With a site area of 225 acres, the project
existing economic activities in the country. To
also boasts of mixed land use such as retail,
exhibit India’s growth and achievements at
commercial spaces and 3,700 hotel rooms as
an international level, the India International
well as a 20,000 seater, one-of-its-kind, world-
Convention
class indoor arena with a retractable roof, which
Centre
has
been
conceived
as a smart and efficient mixed-use urban
would be built in India for the first time.
development which would help support the
Not only is the scale of the project vast,
country’s GDP growth in the long haul. The
but also the parameters with which the design
The
Building
project
Council)
is
Platinum
strategically
rating
located
adjacent to the international airport and at Facing page: A visualization of the aerial view of the project. Below: A perspective visualization of the exhibition halls in a stepped form giving a sense of buoyancy to the building.
concept has been curated as a successful juxtaposition of varied nature of developments such
as
exhibition,
convention,
retail,
hospitality, offices, museum and many more, and is designed to cater to the indigenous as well as the international exhibitors. Envisaged at the scale of a Central Business District (CBD), the design of this massive project pays close attention to creating connections with Indian culture and tradition while aiming to embody the ambitions of a forward looking nation through a
contemporary
interpretation
of
Indian
planning principles and architecture. Multiple accesses to this complex create porosity and permeability to the urban context, thereby integrating it to its vicinity.
312
Miscellaneous | 313
Above: A visualization of the jaali detail used throughout the project.
to the green landscape, complementing the
is poised to be the world’s largest, LED video
The sustainable approach in design
plant species, creating green boulevards and
providing an arena to display its spectacular
design and breaking the monotony of the
wall. Specially engineered for the project,
thinking also reflects through an effort to recycle
courtyards wherever possible, shading areas
innovation and engineering skills. The project,
static hardscape and also influencing the
the video wall LEDs will be accessible from
and reuse waste being generated at the site,
with colonnades and canopies, keeping in mind
with its revolutionary ideas, is being touted
Facing page: The indoor arena’s exterior membrane is reminiscent of a saree.
microclimate of the area.
behind, and grating catwalks would be
and effectively manage solid waste produced
a universal accessibility for users. Façades
as a fine example of development of a mini-
provided for ease of maintenance.
through a comprehensive management plan.
have been designed intelligently in order to
cityscape, thriving as an urban biodiversity in
The design utilizes abundant solar energy
regulate diffused sunlight in public areas. Water
the midst of a concrete jungle.
through power and water heating systems.
bodies throughout the site help passively cool
316
The Convention Centre fronts the site at the northern end. The exhibition centre is
Adding to the long list of features designed
a collection of a sequence of five exhibition
as per international standards, the exhibition
halls, fronted by a large arched lobby. The
hall has a 4,200 seater auditorium, which is
The design is a representation of an
the environment while complementing the
roof is shaped into a series of leaning arches,
furnished with retractable seats and stage area
integration between traditional architectural
green spaces. The design and materials for
fusing a mix of contemporary design with
and can serve as a multipurpose hall when the
elements
green
the pavement are conceptualized to make
ethnic
with
requirement arises. The façades of the halls
open spaces, a lotus motif embossed on
percolation of water possible. The idea is to
movement of the observer. The arches also
would be a combination of three dimensional
the retractable roof of the indoor arena, to
push for methods which can help in stabilizing
provide spaces for skylights, penetrating
and flat Glass-fibre Reinforced Concrete (GRC)
name a few – projected with a contemporary
the otherwise parched water table of the region.
natural daylight inside the halls. One of the
panels, which would serve as a responsive
outlook through forms and spaces at the
The project is a futuristic development
most talked about design feature includes
system towards thermal control, structural
site. Walkability has been kept at the core of
model to catapult India as a forerunner in
crowning of the Convention Centre with, what
energy and acoustic regulations.
landscape design with paths lined with local
sustainable
sensibilities, which changes
–
like
jaalis,
stepwells,
design
practices
while
also
Miscellaneous | 317
Above: A visualization of the jaali detail used throughout the project.
to the green landscape, complementing the
is poised to be the world’s largest, LED video
The sustainable approach in design
plant species, creating green boulevards and
providing an arena to display its spectacular
design and breaking the monotony of the
wall. Specially engineered for the project,
thinking also reflects through an effort to recycle
courtyards wherever possible, shading areas
innovation and engineering skills. The project,
static hardscape and also influencing the
the video wall LEDs will be accessible from
and reuse waste being generated at the site,
with colonnades and canopies, keeping in mind
with its revolutionary ideas, is being touted
Facing page: The indoor arena’s exterior membrane is reminiscent of a saree.
microclimate of the area.
behind, and grating catwalks would be
and effectively manage solid waste produced
a universal accessibility for users. Façades
as a fine example of development of a mini-
provided for ease of maintenance.
through a comprehensive management plan.
have been designed intelligently in order to
cityscape, thriving as an urban biodiversity in
The design utilizes abundant solar energy
regulate diffused sunlight in public areas. Water
the midst of a concrete jungle.
through power and water heating systems.
bodies throughout the site help passively cool
316
The Convention Centre fronts the site at the northern end. The exhibition centre is
Adding to the long list of features designed
a collection of a sequence of five exhibition
as per international standards, the exhibition
halls, fronted by a large arched lobby. The
hall has a 4,200 seater auditorium, which is
The design is a representation of an
the environment while complementing the
roof is shaped into a series of leaning arches,
furnished with retractable seats and stage area
integration between traditional architectural
green spaces. The design and materials for
fusing a mix of contemporary design with
and can serve as a multipurpose hall when the
elements
green
the pavement are conceptualized to make
ethnic
with
requirement arises. The façades of the halls
open spaces, a lotus motif embossed on
percolation of water possible. The idea is to
movement of the observer. The arches also
would be a combination of three dimensional
the retractable roof of the indoor arena, to
push for methods which can help in stabilizing
provide spaces for skylights, penetrating
and flat Glass-fibre Reinforced Concrete (GRC)
name a few – projected with a contemporary
the otherwise parched water table of the region.
natural daylight inside the halls. One of the
panels, which would serve as a responsive
outlook through forms and spaces at the
The project is a futuristic development
most talked about design feature includes
system towards thermal control, structural
site. Walkability has been kept at the core of
model to catapult India as a forerunner in
crowning of the Convention Centre with, what
energy and acoustic regulations.
landscape design with paths lined with local
sustainable
sensibilities, which changes
–
like
jaalis,
stepwells,
design
practices
while
also
Miscellaneous | 317
Facing page: Lessons in environment-friendly concepts from ancient India inspired designs of heritage, such as Hawa Mahal, Rajasthan, and Adalaj ni vav, Gujarat.
Sustainability and India
Bottom: Historical learnings combined with latest design tools and technologies.
India has also started making significant
non-environment-friendly or non-innovative.
of the hour is to wisely use applicable historic
contributions in the matter. Very recently,
However, most of these claims are far from
principles, overlap them with latest technologies
the country hosted COP14 attended by the
reality and offer very expensive solutions which
and develop a well-balanced solution.
heads of UN, international organizations,
are not sustainable for developing countries.
CPKA has a rich history of designing
leaders of states and ministers from many
It is an irony that the solutions which need to
climate responsive designs. Our founder,
countries. Alongside with other countries,
be contextual are bought from completely non-
Ar. C.P. Kukreja, laid a strong foundation
India has promised timebound contributions
contextual countries or companies. Rather than
demonstrating
to the movement. Clean Energy Program,
looking for answers from our history, our available
principles in building design. His book Tropical
Environment Clearance to check the impact
resources and our way of life, which have a
Architecture has been acknowledged by not
of buildings on environment, green ratings to
proven record of sustainability in our climate,
only Indian architects but is also used as a
promote environment friendly designs are some
we are looking for answers from countries or
reference book in prestigious institutes like
of the positive steps taken by the country.
companies that are completely different in all of
MIT and Harvard. Moving ahead, we at CPKA
how
to
utilize
historic
It is not now that India has become
these aspects. This trend demonstrates non-
are determined to effectively build upon this
energy conscious. Historically, we have been
belief in our own historic knowledge and lack
foundation and develop it further to make it
living in harmony with nature for centuries.
of confidence in our capability to develop that
effective in today’s new age architecture. For
Our food, clothing, rituals and way of life were
knowledge to recent needs. It is not wise to
the first time in Indian architectural history, our
ustainability, Green Buildings, Net Zero
always environment sensitive. Vastu Shastra,
ignore available knowledge and blindly follow
firm has established an ‘Innovation Studio’ to
Buildings,
Conscious:
the ancient knowledge on building design
what is being sold to us.
carry out research and development in the field
these words have become the most
and construction, meritoriously combines the
There is no denying that learning from our
of sustainability. We have a dedicated team,
read, heard and spoken terms in recent times.
knowledge of astrology, universal energies,
historic knowledge has some limitations. The
equipped with latest tools and technologies,
Climate change being the most important topic
human energies and many subtle aspects of life
scale, function, right use, comfort parameters,
which ensures that each building designed
for earth’s future, the world has now started
in easy-to-use principles. It also has a unique
construction materials, etc., are very different
by CPKA goes through a rigorous process of
taking tangible steps towards addressing
way of ensuring its implementation: the rules
from those used historically, but these still offer
brainstorming, development, implementation
these important issues. In recent times, various
subtly integrate with spiritual practices and daily
relevant fundamental principles. Orientation
and validation of sustainable principles. We
countries have taken different approaches to
rituals.
specific to location, wall thickness and openings
are confident that in years to come, we will
S
Environment
tackle these concerns. On one hand, developed
These days, everyone is claiming to
related to direction, allocation of functions
be able to significantly contribute to shaping a
countries are focusing on doing research to
have found techniques to reduce demand
related to wind direction, shading systems
sustainable and nature-friendly environment for
find effective ways to reduce, reuse and recycle
and innovate products to generate clean
related to sun movement, building proportion
India and for the planet.
natural resources; on the other hand, developing
energy.
as
linked to construction material, food habits
countries are trying to learn from mistakes of
the
country,
and clothing related to outdoor temperature
Sameer Divekar
developed countries to ensure they have a lower
product or company. There are hardly any
developed historically – all these still provide
Executive Vice President, Sustainability and
impact on environment in future development.
advertisements which do not claim to be
a relevant starting point for the design. Need
Principal Innovation Studio
356
Many
most
declare
themselves
environment-friendly
Orientation
Daylight
Wind
Shading 357
Facing page: Lessons in environment-friendly concepts from ancient India inspired designs of heritage, such as Hawa Mahal, Rajasthan, and Adalaj ni vav, Gujarat.
Sustainability and India
Bottom: Historical learnings combined with latest design tools and technologies.
India has also started making significant
non-environment-friendly or non-innovative.
of the hour is to wisely use applicable historic
contributions in the matter. Very recently,
However, most of these claims are far from
principles, overlap them with latest technologies
the country hosted COP14 attended by the
reality and offer very expensive solutions which
and develop a well-balanced solution.
heads of UN, international organizations,
are not sustainable for developing countries.
CPKA has a rich history of designing
leaders of states and ministers from many
It is an irony that the solutions which need to
climate responsive designs. Our founder,
countries. Alongside with other countries,
be contextual are bought from completely non-
Ar. C.P. Kukreja, laid a strong foundation
India has promised timebound contributions
contextual countries or companies. Rather than
demonstrating
to the movement. Clean Energy Program,
looking for answers from our history, our available
principles in building design. His book Tropical
Environment Clearance to check the impact
resources and our way of life, which have a
Architecture has been acknowledged by not
of buildings on environment, green ratings to
proven record of sustainability in our climate,
only Indian architects but is also used as a
promote environment friendly designs are some
we are looking for answers from countries or
reference book in prestigious institutes like
of the positive steps taken by the country.
companies that are completely different in all of
MIT and Harvard. Moving ahead, we at CPKA
how
to
utilize
historic
It is not now that India has become
these aspects. This trend demonstrates non-
are determined to effectively build upon this
energy conscious. Historically, we have been
belief in our own historic knowledge and lack
foundation and develop it further to make it
living in harmony with nature for centuries.
of confidence in our capability to develop that
effective in today’s new age architecture. For
Our food, clothing, rituals and way of life were
knowledge to recent needs. It is not wise to
the first time in Indian architectural history, our
ustainability, Green Buildings, Net Zero
always environment sensitive. Vastu Shastra,
ignore available knowledge and blindly follow
firm has established an ‘Innovation Studio’ to
Buildings,
Conscious:
the ancient knowledge on building design
what is being sold to us.
carry out research and development in the field
these words have become the most
and construction, meritoriously combines the
There is no denying that learning from our
of sustainability. We have a dedicated team,
read, heard and spoken terms in recent times.
knowledge of astrology, universal energies,
historic knowledge has some limitations. The
equipped with latest tools and technologies,
Climate change being the most important topic
human energies and many subtle aspects of life
scale, function, right use, comfort parameters,
which ensures that each building designed
for earth’s future, the world has now started
in easy-to-use principles. It also has a unique
construction materials, etc., are very different
by CPKA goes through a rigorous process of
taking tangible steps towards addressing
way of ensuring its implementation: the rules
from those used historically, but these still offer
brainstorming, development, implementation
these important issues. In recent times, various
subtly integrate with spiritual practices and daily
relevant fundamental principles. Orientation
and validation of sustainable principles. We
countries have taken different approaches to
rituals.
specific to location, wall thickness and openings
are confident that in years to come, we will
S
Environment
tackle these concerns. On one hand, developed
These days, everyone is claiming to
related to direction, allocation of functions
be able to significantly contribute to shaping a
countries are focusing on doing research to
have found techniques to reduce demand
related to wind direction, shading systems
sustainable and nature-friendly environment for
find effective ways to reduce, reuse and recycle
and innovate products to generate clean
related to sun movement, building proportion
India and for the planet.
natural resources; on the other hand, developing
energy.
as
linked to construction material, food habits
countries are trying to learn from mistakes of
the
country,
and clothing related to outdoor temperature
Sameer Divekar
developed countries to ensure they have a lower
product or company. There are hardly any
developed historically – all these still provide
Executive Vice President, Sustainability and
impact on environment in future development.
advertisements which do not claim to be
a relevant starting point for the design. Need
Principal Innovation Studio
356
Many
most
declare
themselves
environment-friendly
Orientation
Daylight
Wind
Shading 357
Proposal for the campus of Indian Institute of Technology, Goa
366
367
Proposal for the campus of Indian Institute of Technology, Goa
366
367
372