Introduction
Begin Again. Fail Better, Helen Thomas and Marco Bakker interview Manuel Montenegro
Catalogue of Drawings
Interlude, Niall Hobhouse
Interlude, Charles Pictet
Interlude, Adam Caruso
Interlude, Ludovica Molo
Interlude, Irina Davidovici
Interlude, Stéphanie Bender and Philippe Béboux
Interlude, Matt Page
Interlude, Pier Vittorio Aureli
Greater Than All the Towers in the World, or The (hand) drawing as a link between art and architecture, Dorothee Messmer
Sense, Sensibility, and the Terms of Failure, Helen Thomas
The Element of Play in Drawing, Marco Bakker
Some Points on Design and Drawing, Five texts by Álvaro Siza selected by Manuel Montenegro, including a recent statement on beginning a design
Barão Hutter, construction of a new summer kiosk for Strandbad Mythenquai, Zurich, competition, 2010. Felt-tip pen and coloured pencil on tracing paper, ca. 280 × 370 mm
Barão Hutter, sketch plan and section, Weiler Güpsen, conversion and extension of a medieval watchtower, St. Gallen, 2014. Felt-tip pen and coloured pencil on tracing paper, 420 × 297 mm
Lilitt Bollinger Studio, February sketches for a house conversion in Obstalden, 2015. Pencil in sketchbook, 210 × 290 mm
Lilitt Bollinger Studio, October sketches for a house conversion in Obstalden, 2015. Pencil in sketchbook, 210 × 290 mm
Alberto Camenzind, plan,La Voie Suisse, Expo 64, Lausanne, 1961. Pencil, black felt-tip pen, and marker on tracing paper, 325 × 285 mm (Acm-EPFL)
Alberto Camenzind, bird’s-eye view, La Voie Suisse, Expo 64, Lausanne, 1961. Marker on tracing paper, 480 × 675 mm (Acm-EPFL)
Christ & Gantenbein, concept drawing for Lindt Home of Chocolate during feasibility study, Kilchberg, 2014. Pencil on tracing paper, ca. 297 × 420 mm
Christ & Gantenbein, concept drawing for Lindt Home of Chocolate during preliminary project, Kilchberg, 2015. Pencil on tracing paper, ca. 297 × 420 mm
William Dunkel, view of riverfront of the Stampfenbach development from the bridge, Walche cantonal administration buildings, Zurich, 1927. Pencil, charcoal, and pastel on tracing paper, 770 × 920 mm (gta Archiv)
William Dunkel, bird’s-eye view of riverfront of the Stampfenbach development, Walche cantonal administration buildings, Zurich, 1927. Pencil, charcoal, and pastel on tracing paper, 435 × 540 mm (gta Archiv)
E2A, sketch for competition entry, o ce and residential high-rise complex,Berlin, 2023. reMarkable tablet drawing, inkjet on Hahnemühle ne art paper, 220 × 297 mm
E2A, sketch for competition entry, Lecture Hall and Event Centre, Bremen University, 2019. reMarkable tablet drawing, inkjet on Hahnemühle ne art paper, 220 × 297 mm
John Hejduk, axonometric of elements, Wall House, 1972. Black and coloured felt-tip pen on paper, 85 × 273 mm (DMC)
John Hejduk, axonometric, Bye House, Connecticut, ca. 1973. Black, green, blue, and red ink on letter-headed paper with printed title ‘John Hejduk’, 210 × 270mm (DMC)
Edwin Lutyens, facade of outbuilding, possibly the palace of El Guadalperal, Cáceres, 1915–1934. Pencil on thin brown paper, 125 × 220 mm (DMC)
Edwin Lutyens, facade, possibly the palace of El Guadalperal, Cáceres, 1915–1934. Pencil and coloured crayons on thin brown paper, 150 × 215 mm (DMC)
studio WOW, north-west sea facade, beach walk Sutz-Lattringen, 2023. Felt-tip pen on tracing paper, ca. 225 × 260 mm
studio WOW, north-west sea facade, beach walk Sutz-Lattringen, 2023. Felt-tip pen on tracing paper, ca. 225 × 270 mm
Begin Again. Fail Better – Preliminary Drawings in Architecture
Published to coincide with the exhibition at Kunstmuseum Olten (1 June to 25 August 2024) based on the idea and research of Manuel Montenegro
Edited by Kunstmuseum Olten: Helen Thomas, Dorothee Messmer, Katja Herlach, and Manuel Montenegro
Exhibition curated by Manuel Montenegro, Marco Bakker, and Dorothee Messmer
Designed by Studio Mathias Clottu
Printed by robstolk®, the Netherlands
Copy editing by Helen Thomas
Editorial support by Manuel Montenegro, Marco Bakker, Gionata Buzzi, Dorothee Messmer, and Katja Herlach
Proofreading by Penelope Krumm
Essays by Marco Bakker, Dorothee Messmer, Manuel Montenegro, Álvaro Siza, and Helen Thomas
Interludes by Pier Vittorio Aureli, Stéphanie Bender and Philippe Béboux, Adam Caruso, Irina Davidovici, Niall Hobhouse, Ludovica Molo, Matt Page, and Charles Pictet
© 2024 Kunstmuseum Olten and Park Books AG, Zurich © for the texts: the authors © for the images: see image credits
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ISBN 978-3-03860-375-7
