100 Houses

100 HOUSES

100 Houses

NATURE AND NURTURE

100 Houses

NATURE AND NURTURE

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books@imagespublishing.com www.imagespublishing.com Copyright © The Images Publishing Group Pty Ltd 2019 The Images Publishing Group Reference Number: 1512 All photography is attributed in the Credits on pages 311—20 with the following exceptions. Page 1: Bruce Damonte (Belzberg Architects, Bridge Residence); Pages 2—3: Hudson Cooper Photography (Signature Group Mallorca, Voltor 16); Pages 4—5: Joseph / Infinitude (FOMA, Stacked Kampung); Page 6: Roehner + Ryan (The Ranch Mine, Weave); Page 10: Matthew Millman (Ehrlich Yanai Rhee Chaney Architects, Waverley Residence); Page 13: Sam Hartnett (PRau Limited, Cabinet of Curiosities); Pages 14—15: Simon Berlyn (McClean Design, Bel Air); Page 310: Bert Leandersson (Bornstein Lyckefors Architects, Öjersjö House); Pages 314—15: Joe Fletcher (Ehrlich Yanai Rhee Chaney Architects, Ridge Mountain Residence).

Quote on page 14 is taken from philosopher George Santayana’s book titled The Sense of Beauty: Being the Outline of Aesthetic Theory (New York: Scribner’s, 1896).

This book follows American spellings and usage throughout with an exception: floor plan labels refer to ground floor in lieu of first floor.

All rights reserved. Apart from any fair dealing for the purposes of private study, research, criticism or review as permitted under the Copyright Act, no part of this publication may be reproduced, stored in a retrieval system or transmitted in any form by any means, electronic, mechanical, photocopying, recording or otherwise, without the written permission of the publisher.

Title: 100 Houses: Nature and Nurture ISBN: 9781864708431 This title was commissioned in IMAGES’ Melbourne office and produced as follows: Editorial coordination Jeanette Wall, Graphic design Ryan Marshall, Art direction/production Nicole Boehringer, Senior editorial Georgia Tsarouhas Printed on 140gsm Sun Woodfree paper by Everbest Printing Investment Limited, in Hong Kong/China IMAGES has included on its website a page for special notices in relation to this and its other publications.

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CONTENTS

INTRODUCTION

11

Hannah Jenkins

30TH STREET HOUSE

16

Robert Gurney Architect / United States

ALEXANDRA FAMILY HOME

20

Bull O’Sullivan Architecture / New Zealand

AMARA HOUSE

22

Swatt | Miers Architects / United States

ARROWTOWN FAMILY HOME

26

Bull O’Sullivan Architecture / New Zealand

BARDON HOUSE

28 bureau^proberts / Australia

BEL AIR

32

McClean Design / United States

BGS HOUSE

36

Alvaro Moragrega - arquitecto / Mexico

BLACK ROCK

38

MUS Architects / Poland

BLUE DOG RESIDENCE

40

smitharc architects / United States

BLUE OAKS

42

Swatt | Miers Architects / United States

THE BOOKS HOUSE

46

Luigi Rosselli Architects / Australia

BRIDGE HOUSE

BRIDGE RESIDENCE

54

Belzberg Architects / United States

BRISE SOLEIL HOUSE

58

Ruben Muedra Estudio de Arquitectura / Spain

CABINET OF CURIOSITIES

62

PRau LImited / New Zealand

CALETA 18

CANAL HOUSE

CASA MANNS

CHUCAO HOUSE

50 ArchLAB / Lithuania

66 R79 / Mexico 68

The Ranch Mine / United States

72

Felipe Assadi / Chile

76 ABESTUDIO / Chile

CONTAINER HOUSE

78

McCleod Bovell Modern Houses / Canada

CORKSCREW HOUSE

80

rundzwei Architekten / Germany

CS CASA

84

Daniel Laubrich / Germany

FABER DRIVE

86

HYLA Architects / Singapore

THE FARM

90

Scott Posno Design / Canada

FOREST HOUSE

92

Bloc Architects / South Africa

GEORGICA COVE

94

Bates Masi + Architects LLC / United States

GLASS VILLA

GRAPHIC HOUSE

H VILLA

HOFMANN HOUSE

HOUSE 7105

HOUSE ON CLIFDEN BAY

HOUSE T

98 Mecanoo / United Kingdom 100 Marlon Blackwell Architects / United States 102 Mer Arkkitehdit Oy / Finland 104 Fran Silvestre Arquitectos / Spain 108 Robert Gurney Architect / United States 112 Tierney Haines Architects / Ireland 116 monovolume architecture+design / Italy

CONTENTS CONTINUED

HUIS CB005

IRON MAIDEN HOUSE

KALEIDOS HOUSE

126 Taller Estilo Arquitectura / Mexico

KIHT’HAN HOUSE

128 Bates Masi + Architects LLC / United States

LA BINOCLE

132 _naturehumaine / Canada

LA MIRA RA

134 AUM Pierre Minassian / France

LIGHT HOUSE

138 Sigurd Larsen Design & Architecture / Denmark

LILY AVENUE

140 HYLA Architects / Singapore

LONG HORIZONTALS

142 Thellend Fortin Architectes / Canada

LUI HOUSE

146 D’Arcy Jones Architects Inc / Canada

M VILLA

MAISON CTN

MASUTO

MF HOUSE

MIRAVENT CASA

120 GAAGA / The Netherlands 122 CplusC Architectural Workshop / Australia

148 Graft / Germany 150 Brengues Le Pavec architectes / France 152 Jamison Architects / Australia 156 Studio Raro / Italy 158 Perretta Arquitectura / Spain

MK5 HOUSE 160 ORTRAUM Architects / Finland MOVING CUBES 162 arches / Lithuania NY HOUSE 164 Urbanscape Architects / Canada ÖJERSJÖ HOUSE 168 Bornstein Lyckefors / Sweden OMAHA ART HOUSE 170 Olson Kundig / United States OZ RESIDENCE 174 Stanley Saitowitz | Natoma Architects / United States PARALLEL HOUSE 178 En Route Architects / Greece PECONIC HOUSE 180 Mapos Architects, DPC / United States PETALUMA HOUSE 184 Trevor McIvor Architect Inc / Canada PETRY RETREAT 188 N + P Arkitektur / Denmark PHEASANTS 190 Sarah Griffiths and Amin Taha / United Kingdom PORCH HOUSE 192 StudioMET / United States PORTICO HOUSE 194 Ofis Arhitekti / Slovenia RESERVOIR DOGS 198 TCA | Thier+Curran Architects Inc. / Canada

RIDGE MOUNTAIN RESIDENCE 200 Ehrlich Yanai Rhee Chaney Architects / United States

RIDGE RESIDENCE 204 TCA | Thier+Curran Architects Inc. / Canada

RIVER HOUSE 206 Neil Cownie Architect / Australia

RODRIGUEZ HOUSE 208 Luciano Kruk Arquitectos / Argentina

ROOFLESS HOUSE 212 Craig Steely Architecture / United States

ROSCOMMON HOUSE 216 Neil Cownie Architect / Australia SCREEN HOUSE 220 The Grid Architects / India SHROPSHIRE RESIDENCE 224 Gregory Phillips Architects / United Kingdom SIMPLEXITY 228 URBAN Architectes / Belgium SKINNYSCAR HOUSE 230 Marijn Boterman and Gwen Huisman / The Netherlands

SLENDER HOUSE 232 MU Architecture / Canada

SOUTH HARBOR 234 Blaze Makoid Architecture / United States

SPINY GROUSE 238 FWC Architecture / Canada SQUARE HOUSE 240 Cocoon Architecten / Belgium STACKED KAMPUNG 242 FOMA / Singapore STONE HOUSE 246 MM++ Architects / Vietnam STOUFFVILLE RESIDENCE 250 Trevor McIvor Architect Inc / Canada STRADBROKE ISLAND HOUSE 254 Gabriel Poole + Tim Bennetton Architects / Australia SWISS HOUSE XXXIV 256 Davide Macullo Architects / Switzerland SYDNEY STREET HOUSE 258 Fouché Architects / Australia TM HOUSE 262 CDM Casas de México / Mexico TRANQUIL HOUSE 264 FORM/Kouichi Kimura Architects / Japan TREEHOUSE 266 StudioMET / United States TRELDEHUSET 268 CEBRA Architecture / Denmark TRIPTYCH 270 YH2 / Canada TWO HALVES 274 Moloney Architects / Australia

UPPER EAST SIDE TOWNHOUSE 276 Michael K Chen Architecture / United States

VEX 280 Chance de Silva Architects / United Kingdom

VILLA MISTRAL 282 Mercurio Design Lab / Singapore

VILLA YPSILON 286 LASSA Architects / Greece

VILLA ZEIST 2 288 HofmanDujardin / The Netherlands

VOLTOR 16 290 Signature Group Mallorca / Spain

THE WATERFRONT RETREAT 292 Koichi Takada Architects / Australia WAVE HOUSE 296 Seppo Mantyla / Finland WAVERLEY RESIDENCE

298 Ehrlich Yanai Rhee Chaney Architects / United States

WEAVE 302 The Ranch Mine / United States WEDGE CASA

306 Antonio Altarriba Arquitecto / Spain

WOONHUIS DOETINCHEM 2 308 Maas Architecten / The Netherlands 100 HOUSES CREDITS 311

INTRODUCTION There’s plenty to be said about how humankind interacts with the natural world, particularly within modern times. But despite the ever-increasing breadth of manmade domains and their arguably detrimental effects on the environment, architecture as an element within this manufactured realm bears an adaptability that has the potential to redefine notions of how, why, and where we take up residency. An appreciation for the natural world is not a new concept within architectural practice. Consider some of the greats, for example: Frank Lloyd Wright coined organic architecture and believed a structure should be a product of its time and place; Antoni Gaudí’s masterpieces merged aesthetic aspects of nature with modernism; and Zaha Hadid’s otherworldly creations brilliantly enhance the characteristics of their surrounding landscapes.

And while these design philosophies indeed hold recognition for the beauty of the natural world, they rest predominantly upon a foundation of utilization, which, one might argue, resides at the core of prevalent modern-day dissociation with the natural environment.

The works throughout this book shine a light on architectural union rather than utilization. They reveal a design tendency that bears a deeper appreciation for the landscape while offering new understandings about occupancy. One of the defining elements of this contemporary approach is experiential design, which has observation and immersion at its heart. Together, these contemplative aspects have a powerful effect on both the purpose and aesthetic makeup of a home.

And although the idea is not entirely new, it seems to have intensified and taken on prominence within the initial stages of architectural design, as is demonstrated in Craig Steely Architecture’s Roofless House, an ingenious home that innovatively appeased the client’s desire for a life lived predominantly outdoors. Inspired by a dynamic skyscape adorned by an ever-changing mature tree canopy, its defining quality is a curving timber wall that encloses both interior and exterior living spaces while establishing a breathtaking, albeit, unconventional upward-focused context. Another example is Fran Silvestre Arquitectos’s Hofmann House, a home that expels cliché expectations of grand seaside living by incorporating a vast, unadorned belvedere-style rooftop, which allows occupants to feel the landscape rather than simply view it.

11

Also emerging beneath the umbrella of architectural union is the idea of solicitous design, which, in essence, harbors principles associated with compromise, transition, and adaptability. The need for a modus vivendi between humankind and the natural environment is increasingly looming, so it’s encouraging to learn that such principles, when incorporated into a current-day residential design, have the potential to facilitate momentum toward a more harmonious existence. This is evident in Sigurd Larsen Design & Architecture’s Light House, of which untreated larch panels that weather with the seasons bear a sense of graceful surrender and aesthetic impermanence. There’s also Alvaro Moragrega’s BGS House, a refreshing example of when manmade pursuits appease the natural environment, as opposed to the all too common reverse situation. Located in the depths of Mexico’s Tapalpa forest, both the design and construction of the home prioritize the natural layout of the forest, respecting every tree on the site.

The construction of habitat is another notion that bears promise when it comes to unification with the surrounding environment. Human habitat can all too easily hinder the natural world, so how we choose to create the place in which we live and to what extent have a direct effect on pre-existing domains. When projects

such as Marijn Boterman and Gwendolyn Huisman’s skinnySCAR assert themselves within the realm of contemporary design, new perspectives emerge as we’re forced to reconsider the potential of our own habitats.

Located within otherwise neglected space amid the Rotterdam cityscape, the home demonstrates how seemingly redundant areas can be upgraded to complete the urban fabric while creating new forms of living.

Though they’ve always been present, preservationist and conservationist ideals are beginning to stir with greater fervor and relevance within today’s society. Perhaps it’s due to the obvious fact that we are not separate from or superior to the natural environment in which we exist. It is within this context that architecture has the potential to be used as an impactful medium through which we can further shift humankind’s relationship with the natural world. By taking a contemplative and considered approach to residential design, as is revealed in the examples featured throughout this book, our home becomes far more than a built structure upon the ground. Instead, it is an extension of the landscape upon which it resides, an anchor point through which we can rediscover our ever-present union with the environment and our place within it.

Hannah Jenkins Editor and writer of several high-profile compilations of global contemporary residential architecture.

12

“A landscape to be seen has to be composed” —George Santayana, The Sense of Beauty

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30TH STREET HOUSE Robert Gurney Architect / 2018 Washington, D.C., United States

Occupying slightly more than one acre (4,046 square meters), this grand dwelling is specifically positioned to align with and continue the rhythm of the large and typically traditional homes existing in the area.

Structurally, it is divided into three volumes connected via two glass links. Exterior materials employed include red brick, Indiana limestone, black slate, iron, and Impala Black granite, all of which are consistent with the materials used on many of the buildings in the area. While gabled-roof forms, tall chimneys, and steel windows evoke a traditional language, the glass links and crisp detailing are intended to render the house modern and allude to a more contemporary way of life.

Due to an abundance of space, the design was able to include sprawling manicured lawns and gardens that reach a boundary of surrounding woodlands. Such areas further enhance the home’s grandeur while affording occupants unrivaled opportunities for contemplation and leisure within the natural environment.

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Ground-floor plan

First-floor plan

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20ft

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STACKED KAMPUNG

“Captivating and inspiring�

100 houses: Nature and Nurture combines creative and sophisticated residential design responses within the art of nature and the urban realm from across the globe.

$40.00 [USA] ÂŁ30.00 [GB]