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Aashna Bajaj Portfolio

Page 1

AASHNA BAJAJ a rc h i t e c t u re . a r t


EXPERIENCE + Student Advisor to the Dean (Jan 2022 - present) Pratt School of Architecture Pratt Institute

+ Work Study Assistant (Jan 2022 - present)

AASHNA BAJAJ

Pratt Institite Rome Program Pratt Institute

+ Contributor (Feb 2022 - present)

Pratt Futures - a student led lecture series Pratt Institute

+ Social Media Manager (2018 - 2020) Pratt Equestrain Team Pratt Institute

+ Alternative Break Chair (2018 - 2019)

PROFILE

Community Engagement Board Pratt Institute

+ 917-388-6542

+ Sustainability Chair (2019 - 2020) Residential Hall Council - Willoughby Hall Pratt Institute

+ abajaj14@pratt.edu + Brooklyn, New York 11206

+ Architecture and Graphics Intern (summer of 2019 - 7 weeks)

Abin Design Studio Kolkata, India

EDUCATION + Pratt Institute B.ARCH / minor in psychology

(2018-2023)

+ The Heritage School I.S.C (2018) : 86.5% I.C.S.E (2016) : 95.6%

(2005 - 2018)

EXTRA CURRICULARS + The Helping Hand Fundraiser Curator (2021)

- a fundraiser to assist with the crisis in Myanmar, Palestine and India - raised over 300$ selling artworks made by students at Pratt and Parsons (www.thehelpindhand.website)

+ Recipe of a Room 2021

SKILLS + + + + + + + + + + +

Rhinoceros 3D Revit Grasshopper Adobe Suite Maya AutoCad Sketchup P5.js Microsoft Suite Graphic Design Advertising

Languages: English, Hindi, Bengali (fluent) Italian (intermediate)

WEBSITE

LINKEDIN

- selected participant for AIANY Interior’s competition - designed a room for children, for stimulatory assisted and indepedant learning in a post pandemic world

+ Student Athelete (2019 - present) Pratt Equestrain Team Pratt Institute - won 4 medals in the precovid competition semester + Training with Prof. Mattia Caseblanca (2021- present) Coding For Interactive Installations - p5.js + Posenet + Projection Mapping + Blob Tracking + Fluidity In Motion Workshop + Competition / Concert Hall (2021)

Mariana Carbugueria and Chantal Matar (maya + houdini) Selected Works - Finalist

+ IAYP Duke of Edinburg Unit Leader (June 2018 - August 2018)

The Heritage School Kolkata, India

AWARDS/ CERTIFICATION + President’s List (2020) + Dean’s List (2018 - 2021)

+ Best Studio Drawing (2019)

Representation 2 : Prof. Enrique Limon Pratt Institute

+ New Delhi National Exhibition Lalitkala Academy (2017)


BUILDING ISOMETRIC

01

Canopy shelter

01

02

commuter community

05

03

terra-hub

13

04

hovering lightwell

21


01

01

Canopy shelter /a cultural center /averne, far rockaway, ny

scan qr code for an audio presentation


02

4 horizontal levels, 2 vertical connections,

one design With a north-south axis on the site mounds and an eastwest axis on the upper level, circulation and interaction is multilevel and fluid.

designed in the flood prone and culturally rich region of averne, far rockaway, the caopy shelter serves as a community space for the rise group by providing a self hriving system of food, growth, individual zones for lockdown and an opportunity to explore culture and educttion.

LONGITUDINAL SITE SECTIONS BEACH 62 ST

LOUVERS - corrugated polycarbonate - can open facade or open to other interior spaces

E

NN CHA CH BEA

ARVENE BOULEVAR

D

E BEACH CHANNEL DRIV

STRUCTURE/WALL/ROOF - hollow concrete column/wall/roof structure - hollow column allows space for MEP and/or rainwater collection

BEACH 59 ST

BEACH 63 ST

BEACH 64 ST

RIV EL D

U - UNIT

RETRACTABLE WALLS - perforated metal sheets - retract up/down or right/left to open up unit space + circulation

UNFLOODED

SLAB

BEACH 60 ST STOP (A TRAIN)

SEA GRASS LANE

WHITE SANDS WAY

FLOODED

BEACH 62 ST

BEACH 59 ST

BEACH 60 ST

EWAY

FRE AWAY ROCK

BE

BEACH 61 ST

AY ROCKAW

- curvilinear gap for double height growing space

RD ULEVA ACH BO

RISE

CIRCULATION - can be exterior space or interior depending on aggregation - circulates around vertical growing space/central “forest”


03

at the reception @Lv3

look into the


04

market @LV2

dining @LV3


05 WALL SECTION

The wall section illustrates rainwater harvesting on the roof, the chase walls, the mechanical space on the mezzanine level, and the hydroponic space in between. The diagram below marks the three different quarantine zones, possible due to a distributed mechanical grid.

KITCHEN

MECH.

DINING HYDROPONIC GROWTH

STRUCTURAL AXONOMETRIC

ROOF SUBSTRUCTURE

+18’-4”

ROOF STRUCTURE - STEEL BEAM/COLUMN FRAME FOR PITCHED ROOF GEOMETRY - COLUMNS EXTEND FROM CONCRETE COLUMNS TO ROOF

WEST ELEVATION

what happens if you want to remove all formatting from text, returning it to the default Normal style? The shortcut Ctrl+Shift+N will apply the Normal style, which you would think would have the effect of removing direct formatting, but sometimes it does not; some direct font

LATERAL STABILITY EGRESS CORES

SLAB

COLUMNS

+16’-0”

+7’-10”

- CONCRETE COLUMNS COMING FROM THE FOUNDATION UP TO 8’-0” ABOVE GRADE (AND DFE)

+ 41’ - 0”

+ 15’ - 0” BEAMS + GIRDERS

DFE + 7’ - 0”

GRADE

SITE

GRADE

structure

levels + core


ROOF PLAN

06 PV FILM ON STANDING SEAM

program organisation_ upper level

circulation_ upper levelFACADE FACING SOUTH

privacy levels_ upper level

dining classrooms offices observation deck seating/ reading open kitchen closed kicthen core locker rooms hydroponic growth

LV4: roof circulation_ upper level

privacy levels_ upper level

dining classrooms offices

UPPER FLOOR PLAN

observation deck seating/ reading open kitchen closed kicthen core locker rooms

6

hydroponic growth 5

3 LEGEND:

2

1 - kitchen 2 - indoor dining 4

3 - classrooms

2

4 - lockerrooms 4

5 - offices 6 - observation deck

1 3

what happensflood if you+want to remove all formatting from entrance text, returning it to the default Normal style? The shortcut Ctrl+Shift+N will apply the Normal style, which you would think would have the effect of removing direct formatting, but sometimes it does not; some direct font formatting may remain. For this reason, Word 2002 and 2003 have added a Clear Formatting item to the Styles list and Styles and Formatting task pane (in Word 2007

LV3: upper floor

MEZZANNE FLOOR PLAN

roof: designed to rainwater and to light maximisation

4

4

1 - lobby

L4: the collect allow

5

2

LEGEND:

1

2 - RISE outdoor classroom 3 - plaza 4 - hydroponic growth

5

5 - mechanical spaces 4 4

5

5 1

3

L3: The upper level: private programs and distributed mechanical grid for safe quarantine. L2: the interstitial level : mechanical rooms and the entrance in a flood situation

LV2: mezzanine

GROUND FLOOR PLAN

6 5

L1: split level site mounds: to store rainwater below and hold more public programs.

2 1 5 LEGEND: 1 - market 2 - RISE “gathering” programs

4 - exterior dining 5 - plaza / restaurant space 5- car parking / truck delivery

Vertical 1: hydropnic growth vertical 2: service chase walls

2

3 - community gardens

6

1

6 - bike parking

4

3

LV1: grounD


07

02

Commuter community /a live - work artist housing complex /784 Myrtle Avenue, Bed Stuy, brooklyn

scan qr code for an audio presentation


08

The notion of work-life balance applies not only to the way we organize and structure our time but also to the way we organize and structure the spaces we inhabit. Located in the artist community of Bed-Stuy, Brooklyn, research started with a focus on the health and safety of the neighbourhood. Relative to other areas of the city, bed stuy’s standard of health was found to be low. Thus, this project approaches the work-live typology by separating programs of “work” and “live” to define the “commute” and the importance it plays in a healthy live-work environment and lifestyle.

Bedford Stuyvesant RANGE - was a mixed income neighbourhood CAUSE OF DEATH POPULATION BY AGE DEATHS HOSPITALIZATIONS with brownstones HEALTH BEHAVIORS POPULATION BY AGE RANGE and apartments. 602.(5

$92,'$%/( $67+0$

+($57 ',6($6(

$92,'$%/( ',$%(7(6

'5,1. 68*$5 '5,1.6

$/&+2+2/

+39 9$&&,1(

- community in the past : diverse mix &+,/' $67+0$ of European immigrants, 12 )58,76 25 9(* African Americans , immigrants from 36<&+,$75,& the west indies 12 (;(5&,6( - entire district 3 has 152,403 inhabitants

121 )$7$/

HOSPITALIZATIONS

'58* 5(/$7('

CAUSE OF DEATH

HEALTH BEHAVIORS

HOSPITALIZATIONS

602.(5

HEALTH BEHAVIORS

+,9 ',$*126(6

'5,1. 68*$5 '5,1.6 &$1&(5 602.(5to the past $92,'$%/( $67+0$ in comparison - a much safer neighbourhood

LIFE EXPECTANCY

SITE CONTEXT

72

77

83

12 )58,76 25 9(* $92,'$%/( ',$%(7(6

36<&+,$75,&

602.(5

$92,'$%/( $67+0$

72

77

83

93

LIFE EXPECTANCY

72

77

12 )58,76 25 9(* $92,'$%/( $67+0$ 12 (;(5&,6( $92,'$%/( ',$%(7(6 +39 9$&&,1( &+,/' $67+0$ )/8 9$&&,1( 36<&+,$75,& +,9 ',$*126(6 $/&+2+2/ %,1*( '5,1. 121 )$7$/

36<&+,$75,& $/&+2+2/

83

93

LIFE EXPECTANCY 72

77

93 LIFE EXPECTANCY 72

77

83

'5,1. 68*$5 '5,1.6

&+,/' $67+0$

12 )58,76 25 9(*

36<&+,$75,&

12 (;(5&,6(

93 $/&+2+2/

+39 9$&&,1(

121 )$7$/

)/8 9$&&,1(

'58* 5(/$7('

+,9 ',$*126(6

+,9 '($7+6

'($7+6

,1)$17DISABLED

&$1&(5 )/8 '($7+6

,1)$17

DEATHS

35(0$785(DISABLED +($57 ',6($6(

77

CAUSE OF DEATH

HEALTH BEHAVIORS 83 93 602.(5

DEATHS +($57 ',6($6(

'5,1. 68*$5 '5,1.6

&+,/' $67+0$

12 )58,76 25 9(*

)/8 '($7+6

36<&+,$75,&

12 (;(5&,6(

',$%7(7(6

$/&+2+2/

+39 9$&&,1(

/2:(5 5(63,725< ',6($6(

121 )$7$/

)/8 9$&&,1(

6752.(

'58* 5(/$7('

+,9 ',$*126(6

5(1$/ ',6($6(

%,1*( '5,1.

68%67$1&( $%86(

'($7+6

&$1&(5

DISABLED

35(0$785(

MENTAL HEALTH

+,9 NO HEALTH INSURANCE MORTALITY

35(0$785(

LIFE EXPECTANCY 77

83

9(76

INFANT MORTALITY

MENTAL HEALTH

DISABLED

3(5

NO HEALTH INSURANCE

3(5

+263,7$/,=$7,216

INFANT MORTALITY

MENTAL HEALTH

MENTAL HEALTH

DISABLED

NO HEALTH INSURANCE

TEEN BIRTHS

DRUG RELATED HOSPITALIZATIONS

MENTAL HEALTH

TEEN BIRTHS

+263,7$/,=$7,216

93

Site section

NO HEALTH INSURANCE

TEEN BIRTHS

+263,7$/,=$7,216

INFANT MORTALITY NO HEALTH INSURANCE TEEN BIRTHS

3(5

DRUG RELATED HOSPITALIZATIONS

TEEN BIRTHS

,1)$17

)/8 '($7+6

68%67$1&( $%86(

68%67$1&( $%86(

AVG. INCOME

',$%7(7(6

',$%7(7(6

35(0$785(

$/=+(,0(56

DRUG RELATED HOSPITALIZATIONS

DRUG RELATED HOSPITALIZATIONS

FEMALE

+,9

6752.(

6752.(

,1)$17

$/=+(,0(56 +,9

FEMALE

68%67$1&( $%86(

3(5

5(1$/ ',6($6(

5(1$/ ',6($6(

+263,7$/,=$7,216 3(5 3(5 9(76INFANT MORTALITY MENTAL HEALTH DRUG RELATED HOSPITALIZATIONS

$92,'$%/( ',$%(7(6

&$1&(5

3(5

'($7+6

.

/2:(5 5(63,725< ',6($6(

$/=+(,0(56

LIFE EXPECTANCY

$92,'$%/( $67+0$

DRUG RELATED HOSPITALIZATIONS TEEN BIRTHS

:+,7(

35(0$785(

MALE

6752.(

NO HEALTH INSURANCE

/2:(5 5(63,725< ',6($6(

+,9

HOSPITALIZATIONS72

$/=+(,0(56

,1)$17

5(1$/ ',6($6(

:+,7(

%/$&. $6,$1 +,63$1,&

%/$&. $6,$1 +,63$1,&

12 '(*5(( +6

68%67$1&( $%86(

+,9 '($7+6

)/8 '($7+6 ',$%7(7(6

5(1$/ ',6($6(

LEVEL OF EDUCATION

LEVEL OF EDUCATION

,1)$17

6752.(

/2:(5 5(63,725< ',6($6(

+263,7$/,=$7,216 3(5 3(5 +263,7$/,=$7,216 INFANT MORTALITY MENTAL HEALTH DRUG RELATED HOSPITALIZATIONS 3(5 9(76 DISABLED NO HEALTH INSURANCE TEEN BIRTHS MENTAL HEALTH INFANT MORTALITY DRUG RELATED HOSPITALIZATIONS

3(5 9(76

%,1*( '5,1.

$/=+(,0(56 %,1*( '5,1.

INFANT MORTALITY NO HEALTH INSURANCE TEEN BIRTHS $/=+(,0(56 INFANT

DISABLED

+($57 ',6($6(

$92,'$%/( ',$%(7(6

68%67$1&( $%86(

CAUSE OF DEATH

DEATHS

RACIAL DIVERSITY

RACIAL DIVERSITY '($7+6

35(0$785(

',$%7(7(6

/2:(5 5(63,725< ',6($6(

3(5 +263,7$/,=$7,216 3(5 3(5 9(76

DISABLED

602.(5

$92,'$%/( $67+0$

83

'58* 5(/$7('

CAUSE OF DEATH

HEALTH BEHAVIORS

MALE 9(76

5(1$/ ',6($6( )/8 9$&&,1(

+,9 ',$*126(6 Female DEATHS : 52.85%

)/8 '($7+6 602.(5 ',$%7(7(6 '5,1. 68*$5 '5,1.6 /2:(5 5(63,725< ',6($6( 12 )58,76 25 9(* 6752.( 12 (;(5&,6( 5(1$/ ',6($6( +39 9$&&,1( 68%67$1&( $%86( )/8 9$&&,1( $/=+(,0(56 +,9 ',$*126(6 +,9 DEATHS %,1*( '5,1.

9(76

121 )$7$/ '58* 5(/$7('

HOSPITALIZATIONS

Male : +39 9$&&,1( 47.15 %

+($57 ',6($6(

HOSPITALIZATIONS '5,1. 68*$5 '5,1.6 HEALTH BEHAVIORS &$1&(5 $92,'$%/( ',$%(7(6

'($7+6

,1)$17 +($57 ',6($6( 35(0$785( &$1&(5

/2:(5 5(63,725< ',6($6( 12 (;(5&,6( 6752.(

)/8 9$&&,1( $/&+2+2/ +,9 ',$*126(6 121 )$7$/ %,1*( '5,1. '58* 5(/$7('

CAUSE OF DEATH

HEALTH BEHAVIORS

&+,/' $67+0$

',$%7(7(6 12 )58,76 25 9(*

+39 9$&&,1( 36<&+,$75,&

'58* 5(/$7('

LIFE EXPECTANCY

)/8 '($7+6 '5,1. 68*$5 '5,1.6

12 (;(5&,6( &+,/' $67+0$

$/&+2+2/ 93 121 )$7$/

HOSPITALIZATIONS

%,1*( '5,1.

CAUSE OF DEATH

+($57 ',6($6(

$92,'$%/( ',$%(7(6 &+,/' $67+0$

&$1&(5 )/8 '($7+6

DEATHS

- average life expectancy = 76.8 years $92,'$%/( $67+0$

)/8 9$&&,1(

.

620( %$&+ 0$67(56

&2//(*( 620( %$&+ 0$67(56 &2//(*(

POVERTY RATE

PERSONS PER HOUSEHOLE

MARITAL STATUS

POVERTY RATE

PERSONS PER HOUSEHOLE

AVG. INCOME

12 '(*5(( +6

MARITAL STATUS


09

SHORT SECTION

LONG SECTION


10 ROOF PLAN KEY

13.

11.

9.

7.

DN

5.

4.

1.

12.

10.

2. 6.

7.

4.

3.

DN

8.

1.

outdoor work

2.

indoor work

3.

seating

4.

MEP

5.

roof deck

6.

outdoor dining

7.

core

8.

indoor dining

9.

store w/c kitchen

12.

BBQ

13.

trash

1.

gallery

2.

gymnasium

3.

workrooms

4.

seating + art projection

5.

community gardens

6.

outdoor cafe

DOWN

10. 11.

DOWN DOWN

DOWN

W O

D D

W O

N

N

DOWN DOWN

DOWN

DOWN

DOWN DOWN DOWN

DOWN

D

O

W

N

N

W

O

D

DOWN DOWN

DOWN

DOWN

9. 11.

13.

UP

7.

2.

12. 1.

10.

3.

4.

7.

UP

mailroom

4.

8.

3.

6.

3.

7.

core

8.

resident lounge

9.

compost

10. 11.

w/c security office

12.

bike storage

13.

trash

5.

BASEMENT KEY 3.

5.

7. UP

UP

1.

7. 2.

6.

4.

1.

electrical room

2.

heater room

3.

store/ maintenance

4.

incoming water supply

5.

trash

6.

MEP

7.

core


11

Facade Chunks

4” wooden verticals metal handrail

floor board foam insulation waterproof membrane drain + pipe stud metal fixture double glazed glass L bracket screws

floor board foam insulation concrete slab insulation gypsym board

stud

milkweed planter box

BIPV Panels timber overhang

exterior board waterproof membrane insulation airspace gypsym board

footing

Detailed Wall Section _ North

Detailed Wall Section _ South


12 The circulation between the levels, encourages the occupant to follow a dedicated circulation path of choice, by engaging auditory, visual, and tactile sensory experiences in order to transition the occupant from a “live” state of mind to a “work” state of mind. The north facade, with the design of a facade staircase, engages auditory and visual senses through a connection to the city outside, To see and hear people walking, playing basketball, and cars going by. The south facade, engages visual and tactile senses through a more intimate experience. You can feel the sun’s heat warming you up for a big day of work while getting a visual sense of nature through a view of the backyard. The storyboard illustrates a typical day in the life of a resident and the visitor. The ground floor, as a continuation of the street housing public programs like a gallery, meeting rooms and a gym for the visitor and resident to meet.

Resident 8 pm: Dinner time!

8:30 am: greet the neighbours

5 pm: socialising // time to go home

8 am : making breakfast

9 am: commute to work

1:30pm: Let’s go to the roof for lunch

9:30am: in the fashion studio

9:10 am: coffee first!

1pm: Ah Butterflies! (Break)

5:15 pm : Gym or workroom? 5:15 pm : Gym!

2:10pm : Gallery!

2pm : 784 Myrtle Avenue 2:10pm : enjoying the art projection 2pm : Gallery or cafe? 3 pm : Cafe!

Visitor

5:15pm : workroom!


13 1 A-420

6

0' - 1 3/16"

circular handrail 30mm

29

1 A-420

Non-Monolithic Landing

18 R @ 169.3 mm

60' - 0"

glass panel

0' - 1 31/32"

08 EIGTH FLOOR

0'0'- -8"0"

60' - 0"

03 THIRD FLOOR 10' - 0" 3' - 7 13/64"

9' - 4"

floors 1-8

07 SEVENTH FLOOR

9' - 4"

18 R @ 169.3 mm

18 R @ 169.3 mm

9' - 4"

30' - 0"

9' - 4"

20' - 0"

20' - 0"

9' - 4"

03 THIRD FLOOR

03 THIRD FLOOR 10' - 0"

LV1_Egress Stair_Plan 1/2" = 1'-0"

7' clear head room

03 THIRD FLOOR

10' - 0"

10' - 0" 11 R @ 0' - 6 43/64"

2

3' - 7 13/64"

18 R @ 169.3 mm

Stringer - 50mm Width

9' - 4"

A-420

18 R @ 169.3 mm

0' - 9 27/32"

559

3' - 0"

0' - 1 3/16"

5 A-420

3

glass panel railing

0' - 6 43/64"

04 FOURTH FLOOR

6 am

circular 30mm handrail

559

04 FOURTH FLOOR

0' - 1 3/16"

winter sun

1" = 1'-0"

7' - 0"

5pm

A-420

0' - 8"

05 FIFTH FLOOR

30' - 0"

0' - 0 25/32"

4

05 FIFTH FLOOR

Upper Landing _ detailing

5

1" = 1'-0"

0' - 0 25/32"

40' - 0"

int 61/8"

0' - 1 3/16"

40' - 0"

relief from direct solar gain

Floors 1-8 landing

6 06 SIXTH FLOOR

0' - 3 5/32"

wooden louvren on south facade provide

7 R @ 0' - 6 43/64"

50' - 0"

06 SIXTH FLOOR

3' - 0"

50' - 0" 6 A-420

0' - 3 21/64"

07 SEVENTH FLOOR

EXTENSIVE GREEN ROOF -MITIGATES URBAN HEAT ISLAND EFFECT - AIDS IN RAINWATER HARVESTING

SHADING

2' - 2 49/64"

glass panel railing

18 R @ 169.3 mm

784 Myrtle Av Stuyvesant, B

2' - 7 1/32"

Non-Monolithic Landing 08 EIGTH FLOOR

1' - 11 5/8"

70' - 0"

summer sun

www.aash

rail

3' - 0"

09 ROOF

70' - 0"

29

9' - 4"

-FOR MAXIMUM ABSORPTION OF SOLAR RATION IN THE EVENING AND AT NOON

0' - 0 25/32"

8' - 6"

6

09 ROOF

10 am

BIPV PANELS ON ROOF AND SOUTH FACADE

4' - 2 21/32"

0' - 3 21/64"

noon

PRATT IN

0' - 1 31/32"

02 LIVE LEVEL

VENTILATION:

3' - 7 5/16"

3' - 3 3/8"

02 LIVE LEVEL

0' - 0"

0' - 0"

1

Door Schedule 2 Mark 2 739

786

- ALLOWS FOR RAINWATER DRAINAGE - PROXIMITY TO GREENERY white water reuse tank

Family and Type

Width

Height

Thickness

M_Single-F 2' - 6" lush: 0762 x 2032mm Door-Interio 3' - 0" r-Single-3_ Panel_VertWood: 36" x 96"

6' - 8"

0' - 2 1/64"

8' - 0"

0' - 1 3/8"

Door-Interio 3' - 0" r-Single-Ful l Glass-Woo d: 36" x 96"

8' - 0"

Fire Rating Type Mark

Comments

Full Building Stair Section

4

3/16" = 1'-0"

Assembly Code

Type

18

for schedule

0762 x 2032mm

27

for schedule

36" x 96"

Head Sill Height solar Height

radiation 6' - 8" analysis

Full Building_stair elevation

C1020300

2

3/16" = 1'-0"

LV1_Egress Stair Detail

Date Drawn by

1/2" = 1'-0"

Checked by

A-4 Scale

Finish

0' - 0"

wood

-0' - 0 1/64" 7' - 11 63/64"

wood

City drainage

1

1 5/8" MTL. STUD

SEALANT TYP. BOTH SIDES

0' - 1 3/8"

1

28

for schedule

36" x 96"

C1020300

0' - 0"

8' - 0"

Rain Water Harvesting

glass + wood

- water from roof is treated in the basement and then bumped back up for resident use) - used to water planters on the facade

black water

1/2" GYPSUM BOARD BOTH SIDES

STEEL DOOR FRAME

SCHEDULED DOOR

6

7

0' - 1" 2' - 2 1/2"

EXTENSIVE GREEN ROOF 4' - 3 9/16"

0' - 4 3/4"

27

8' - 1"

GRASS SOIL FILTER FABRIC

0' - 7 1/2"

RESERVOIR MOISURE RETENSION

WOODED DOOR FRAME SCHEDULED DOOR

AERATION

1' - 11 1/8"

2' - 2 1/2"

3" = 1'-0"

0' - 0 3/4"

8' - 1"

3' - 0"

Door Head Detail

1' - 4 1/16"

0' - 8 29/64"

3' - 0"

4

0' - 4 11/16"

6' - 2"

THERMAL INSULATION DRAINAGE ROOT BARRIER

8' - 5 21/64"

CONRETE FLOOR

MEMBRANE PROTECTION CONCRETE SLAB

Elevation _ Egress Door

5

1/2" = 1'-0"

Door_Bottom 3" = 1'-0"

SEALANT TYP. BOTH SIDES

2' - 2 1/2" 0' - 4 1/2"

WOODED FRAME INTERIOR 1HR DOOR

0' - 1"

1 5/8" MTL. STUD

8' - 0 63/64"

1/2" GYPSUM BOARD BOTH SIDES

36" x 96" 3 panel interior wood door

0' - 3 1/8"

0' - 4 3/16"

2

STEEL DOOR FRAME SCHEDULED DOOR

0' - 0 1/2"

0' - 9 7/64"

0' - 4 1/4"

2' - 0 25/64"

0' - 1"

SUN + SHADING OF 3 UNITS (CLUSTER)

Commuter EGRES Project number

Split levels to move cool air through the building (cross + stack ventilation)

PERMEABLE PAVING + BIOSWALE + VEGETATION (BACKYARD)

15' - 11"

02 LIVE LEVEL

0' - 0"

DAYLIGHTING

- DOUBLE GLAZED WINDOWS - LIGHT SHELVES - FIBER OPTICS CABLES + HELIOSTAT ( ON ROOF)

3

Unit Door

02 LIVE LEVEL

1

Door Jamb Detail 3" = 1'-0"

0' - 0"

VENTILATION ( SOUTHERN SUMMER WINDS)

1/2" = 1'-0"

The building also encourages occupants to have a more intimate experience with nature and non-human occupants with “pockets” of outdoor space that feature specific vegetation (milkweed) to attract monarch butterflies, (migratory species foung in new york). BRICK PAVER.

GRASS

HAND TIGHT JOINTS

PERMEABLE INFILL

GLUTTON

PERMEABLE SETTING PERMEABLE BASE

GLUTTON

PERMEABLE SUBBASE

GEOTEXTILE

AGGREGATE

GEOTEXTILE FABRIC

DRAIN TUBE

SUBGRADE

PERMEABLE PAVERS + BIOSWALES ( BACKYARD)

Sustainable features in the building includes a green roof, permeable pavers on the rood for rainwater harvesting, solar film is installed on top of the louvres and an open plan with core stairs allowing stack and cross ventilation. The technical drawings illustrate a simplified version of the door, windows, stairs, a typical bath, a typical floor, and an elevation.


14

13

12

9' - 0 1/8"

1

20' - 3 1/16"

2

19' - 8 5/8"

3

19' - 10 7/16"

4

5

5' - 5"

224' - 5 5/8"

12' - 8 3/4"

3' - 0"1' - 11 1/4"3' - 0" 2' - 6 3/64"

6' - 4 17/64"

3' - 2 7/16" 2' - 11 1/4" 2' - 0 3/4" 2' - 11 1/4" 2' - 5 9/16"

6' - 4 5/8"

1' - 0"

6' - 3 3/8"

6

7

9

10

11

20' - 10 1/2"

1

2' - 5 9/16" 3' - 0"1' - 11 1/4"3' - 0" 2' - 8 1/4"

20' - 5 13/16"

A-300

74' - 4"

www.aashnabajaj.com

38' - 10 11/16" 1 A-420

27

27

STUDIO BEDROOM

27

27

STUDIO BEDROOM

28

74

BALCONY

69

65

28

70

27

27

STUDIO BEDROOM

28 804

803

20' - 0 5/32"

BALCONY

1' - 0 3/8" 4' - 5 1/32"

27

66

805

27

27

3' - 1"

STUDIO BEDROOM

67

27

STUDIO BEDROOM

28

50

17' - 3 11/64"

27 BALCONY

BALCONY

45

41

28

27

27

5' - 4 3/8"

28 810

27

28

STUDIO BEDROOM

46 809

3' - 0 0' 1/32" - 7 5/16"

27

27

27

8' - 0 5/64"

26

806

66

BALCONY

21

17

28

STUDIO BEDROOM 22

811

3

BALCONY

784 Myrtle Avenue, BedfordStuyvesant, Brooklyn, 11205

29

STUDIO BEDROOM

28 812

27

18

808

A-420

58

56

54

46

44

42

34

32

30

UP

4

BATHROOM

KITCHEN

67

72

KITCHEN

KITCHEN

BATHROOM

KITCHEN

BATHROOM

KITCHEN

KITCHEN

BATHROOM

68

64

63

48

43

44

40

39

A-420 -

KITCHEN

BATHROOM

KITCHEN

KITCHEN

BATHROOM

24

19

20

16

15

-

16' - 11 31/32"

53

3' - 0 1/32"

13' - 8 3/4"

45

3' - 0 1/32"

10' - 0 31/32"

5' - 5 1/64" 30' - 0 15/32"

43

41

33

5' - 2 21/32"

int 61/8"

31

26' - 3 3/4"

mirror with metal frame

24' - 10 9/64" 30' - 3 5/32"

784 Myrtle Avenue

6' - 11 3/4"

18' - 3 9/32"

0' - 1 1/2"

51

49

47

39

37

A-400

BATHROOM

19' - 5 13/16"

60

KITCHEN

KITCHEN

56

52

55

BATHROOM

27

STUDIO BEDROOM

1' - 0"

28

STUDIO BEDROOM

62

27

58

28 BALCONY 57

2

28

1

4

KITCHEN

26

2

2 796

STUDIO BEDROOM

STUDIO BEDROOM

54

795

STUDIO BEDROOM 28 BALCONY 33

34

28

38

801

BALCONY 28 29

787

30

10

8

794

793

STUDIO BEDROOM

28

28 BALCONY 9

BALCONY 28 3

A-402

STUDIO BEDROOM 4 4

27

27

27

18

18

27

27

27

27

27

27

27

1

27

27

30' - 10 7/8"

27

24

14

15

16

17

A-600_2

27

26

27

PRATT INSTITUTE

59' - 7"

Commuter Community TYPICAL FLOOR PLAN

3

A-200

25

1

27

A-403 5

8

36

800

STUDIO BEDROOM

BALCONY 28 53

KITCHEN

30' - 10 7/8"

27

38

--BATHROOM

19 3

int 61/8"

BATHROOM

28

31 40

560 798

KITCHEN

BATHROOM

UP

48

797

25

BATHROOM 7

36

51

50 799

Bedford - Stuyvesant, Brooklyn, 11205

2

35

KITCHEN KITCHEN

52

https://abajaj14.myportfolio.com/

28

29

17' - 8 7/64"

55

3' - 0 1/32"

5' - 4 49/64"

10' - 6 31/32"

5' - 4 49/64"

3' - 2"

6' - 6 7/8"

57 5' - 3 13/16"

18

19

20

21

22

23

A-600_2

0001 01 FEBRUARY, 2021 Author Otto Ruano

Project number

LV1_ floor plan

Date

3/16" = 1'-0"

Drawn by Checked by

A-101

ceramic sink

3' - 6"

3/16" = 1'-0"

Scale

1' - 6"

wooden storage drawers

5' - 5" 5' - 5"

3' - 1"

5' - 4 3/8"

www.aashnabajaj.com mirror with metal frame

784 Myrtle Avenue, BedfordStuyvesant, Brooklyn, 11205

0' - 1 1/2"

4' - 0"

1' - 0"

9' - 0"

ceramic sink wooden storage drawers

1' - 6"

3' - 6"

Bathroom south elevation

3

1/2" = 1'-0"

Bathroom west elevation

4

1/2" = 1'-0"

Bathroom east elevation 1/2" = 1'-0"

1' - 5 3/8"

27

1' - 0 3/8" 0' - 8 39/64"

0' - 6 17/64"

27

5' - 6"

BATHROOM

2

1 -

4' - 0"

-

5' - 6"

1

BATHROOM

A-402 4

3' - 0" 2' - 5 9/16"

3' - 0"

8' - 10 3/32" 2' - 5 1/8"

1' - 11 1/4"

concrete wall

9' - 4"

10' - 0"

25

24

14

15

3

16

2' - 7 1/2"

12

curtain wall detail

2' - 5 1/2"

1/2" = 1'-0"

1/2" = 1'-0"

A-402

0' - 1 3/16"

4

10 17

18

19

20

A-300

27

864

27

3' - 0" 1' - 11 1/4" 3' - 0"

22

23

PRATT INSTITUTE Commuter Community

3' - 0"

07 SEVENTH FLOOR

23

50' - 0"

revit work sample

06 SIXTH FLOOR 40' - 0"

819

27

05 FIFTH FLOOR

LV1_ Typical Unit Floor 5 Plan* 1/4" = 1'-0" 27

18

30' - 0"

NORTH ELEVATION

Project number

04 FOURTH FLOOR

PRATT INSTITUTE Date

20' - 0"

03 THIRD FLOOR

18

10' - 0" 3

glass panel railing

1

22

60' - 0"

828

*north and south elevation are the same, thus only one shown

26

08 EIGTH FLOOR

837

799

21

09 ROOF

846

27

www.aashnabajaj.com

784 Myrtle Avenue, BedfordStuyvesant, Brooklyn, 11205

2' - 5 1/8"

855

27

20

70' - 0"

2' - 5 9/16"

3

As indicated

11 A-400 13

1

1 A-600_1

0001 01 FEBRUARY, 2021 Aashna Bajaj Otto Ruano

A-402

22' - 0 15/32"

1' - 10 53/64"

02 LIVE LEVEL

3

unit facade

3' - 0"

BALCONY 28

0' - 0"

2

3' - 0"

glass panel railing

12' - 10 1/4"

Checked by

4' - 4 57/64"

STUDIO BEDROOM

794

glass panel railing

Date Drawn by

8

curtain wall facade

36" x 96" interior glass wood door

2

7' - 9 3/16"

concrete column

fixed window

6' - 11 3/8"

Project number

A-402

9' - 11"

6' - 4"

PRATT INSTITUTE Commuter Community TYPICAL UNIT BATHROOM

23

1' - 5 33/64"

19 10' - 0"

1' - 0 5/16"

26

2' - 5 1/8"

Scale

2

03 THIRD FLOOR concrete panels

8' - 6 3/8"

1

3

-

-

27

LV1_ Typical Unit Floor 5 Plan* 6 1/4" = 1'-0"

LV1_ Unit Floor Plan Callout 1/2" = 1'-0"

10

3' - 0" 1' - 11 1/4" 3' - 0"

22

1' - 0 3/8"

-

6

23

0' - 3 1/8"

-

1/2" = 1'-0"

11 A-400 13

27 2' - 5 9/16"

1

LV1_RCP bathroom

27

12

2' - 5 1/2"

3

0' - 8"

7

1/2" = 1'-0"

A-402

4

1' - 1"

Bathroom door elevation

6 A-402

8

STUDIO BEDROOM

2 8

2

7' - 9 3/16"

BALCONY 28

KITCHEN

0' - 0"

2

6' - 11 3/8"

2

0' - 11 17/64"

A-402 4

-

0' - 9 13/16"

A-402 4

light 2

02 LIVE LEVEL

-

1 3

-

20' - 0"

6' - 10 63/64"

4' - 5"

1' - 5 3/8" 3

27

27

light1

2' - 6"

1' - 9"

0' - 9 13/16"

KITCHEN

8' - 6 3/8"

2' - 11 63/64" 0' - 2 63/64"

0' - 3 1/8"

2

1/2" = 1'-0"

9' - 11"

Bathroom north elevation

20' - 0"

bathtub

1' - 0 3/8"

0' - 1"

1/2" = 1'-0"

3' - 6"

metal railing

1' - 6"

2' - 10"

1

Bathroom east elevation

4

stone shelves

1' - 7 1/2"

6' - 7 1/4"

metal showerhead

A-200

2 A-200

Commuter Community Drawn by BUILDING ELEVATIONChecked by

Project number Date

02 LIVE LEVEL 0' - 0"

Drawn by Checked by

0001 01 FEBRUARY, 2021 Author Checker

A-200

1/8" = 1'-0" Scale

As indicated

Scale

0001 01 FEBRUARY, 2021 Aashna Bajaj Otto Ruano

A-400

As indicated


15

03 T

E

R H

R U

A B

/a terrapin habitat /exhibition live at haverstraw, NY

w, New York

+

+

ementing digital tools to develop a system which then can be aggregated and deobotic arm and clay extruders we achieve a system that self aggregates and interoped to be deplyed at Haverstraw, which is also known for it’s rich brick history and Terra we question the future of brick making, mass customization, and a space for e use of a tesselation study, we developed a system that iterlocks and self aggres. To support the system we developed a space frame sub-structure by first introumscribe the tessalation. Looking at the individual brick, we create apertures for th. The conical geomtry of the bricks allow for the placement of soil and the growth A hub for terrapins and humans the interior. We’re excited to see what possibilities the tesselation and structure can

TERRA is a project that explores the possibilities tools TERRA: of implementing digital in Haverstraw, New York to develop a system which then can be mplementar herramientas digitales para desarrollarand un sistema que luego se puede aggregated deployed at DAVIS the site. ANDRES RONCAL, AASHNA BAJAJ, CODY

razo industrial robótico de seis ejes y extrusoras de arcilla logramos un sistema que érica. El estudio se desarrolló para ser implementado en Haverstraw, que también TERRA is a project that explores the possibilities of implementing digital tools to develop a system which the de Terraapains a lo largo de la costa del río. Con Terra cuestionamos el futuro de la pacio para experimentar la fauna y la flora la zona. Mediante el uso de un estudio ployed atdethe site. through the use of six axis industrial robotic arm and clay extruders we achieve a system t se autoagrega sin el uso de mortero para formar formas esféricas. Para apoyar el create hexagonales spherical cial introduciendo primero unlocks poliedroto y geometrías queenvelope. circunscriben The study was developed to be deplyed at Haverstraw, which is also know berturas para que las tortugas de agua pasen oof aniden y para que las mariposas inter- river coastline. With Terra we question the future of brick making, mass c prescense Terraapains along the locación de tierra y el crecimiento de plantas como la raíz de serpiente virginia y redito experience the fauna and flora of the area. Through the use of a tesselation study, we developed a system qué posibilidades pueden ofrecer la teselación y la estructura con estudios continuos.

NG

Through the use of six axis industrial robotic arm and clay extruders we achieve a system that self aggregates and interlocks to create spherical envelope.

gates without the use of mortar to form spherical shapes. To support the system we developed a space fram ducing a Polyhedron and hexagonal geometries that circumscribe the tessalation. Looking at the individual b With terrapins Terra to we question the future of brick pass or nest and for butterflies to engage with. The conical geomtry of the bricks allow for the pl making, mass customization, and space of plants like the virginia snakeroot and offer redirect a light to the interior. We’re excited to see what possibilities th to experience the fauna and flora of the area. offer with continued studies.

TERRA es un proyecto que explora las posibilidades de implementar herramientas digitales para desarrollar un agregar e implementar en el lote. Mediante el uso de un brazo industrial robótico de seis ejes y extrusoras de a


16


17

Looking at the individual brick, we create apertures for terrapins to pass or nest and for butterflies to engage with. The conical geomtry of the bricks allow for the placement of soil and the growth of plants like the virginia snakeroot and redirect light to the interior.


18

Through the use of a tesselation study, we developed a system that iterlocks and self aggregates without the use of mortar to form spherical shapes. To support the system we developed a space frame sub-structure by first introducing a Polyhedron and hexagonal geometries that circumscribe the tessalation. after numerours experiments, the volume was found to naturally curve into a dome - hence, The volume of our selected prgram, the classroom imitates a turtle shell from the inside, offering a completely different experience on the outside.


19


20

The work on this page illustrates the different conditions designed in haverstraw: terra on land,in water, for structure, and for the non- human and human inhabitants.


21


22


23

04

The hovering lightwell /a van cortlandt museum extension /bronx, new york

The Hovering Lightwell is a Library Extension to the existing Van Cortlandt Museum located in the Bronx, New York. The design encloses the museum, to form a new entrance, allowing the small outdoor garden to be expanded onto a central programmed space, around four massing blocks - programmed as a library, offices, classrooms or meeting rooms. The name Hovering Lightwell is in line with the use of sunlight to carve into the volumes - giving the occupant an illusion of a massive hovering building from the outside and a surprise of a well lit interior.


24

F7

INTERIOR VIEW AASHNA BAJAJ

CATHRYN DWYRE


25

A3.1

CONTINUOUS OBLIQUE MICROSCOPIC CELLS AASHNA BAJAJ | 201:11 201:11 BRIAN CHING

Sliced - 45 degree cuts

Sliding / Offseting

45 degree rotation + Simplification

Extruded Volume

Detailed Volume

Simplification

Deleting

Extention at 45 degrees

NORTH

Deleting

Simplification

The diagrammatic matrix illustrates the strategies used to divide the programmatic masses, from it’s initial scale, as seen on this page, to it’s incorportation as an extension to the van corlandt house.

Oblique sun angle cut (40 degrees)

Rearrangement of Shapes

PROF.DWYER DWYER | PROF.

Final Detailed Volume

DN


43.5

42.5

42

43

26

41.5 42.5 42

41

41.5

40.5

41

40

40.5 40

39.5

39.5 39

39

38.5 38

37.5 37

36

38.5

36.5

35.5

35 34.5

38

34 37.5

37

33.5

36.5 36 35.5 35

33

34.5

32.5 32 31.5

34

31 30.5 30

33.5

29.5 29

33

28.5 28 27.5 27

SITE PLAN

F1 AASHNA BAJAJ

27.5

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28.5

29

29.5

30

30.5

31

31.5

CATHRYN DWYRE

32

1’= 1/16”

N

32.5

given the planar nature of the site,in van cortlandt park, i also explored site strategies and topography, creating new pathways while still preserving the historic site. a site model, sections and interior shots are found on this page.

FIRST FLOOR PLAN

SECOND FLOOR PLAN

CIRCULATION

F5

GROUND FLOOR PLAN AASHNA BAJAJ

CATHRYN DWYRE

1’= 1/8”

N


27

SECTIONS - 1

F3 AASHNA BAJAJ

CATHRYN DWYRE

1’= 1/8”

SECTIONS-2

F4 AASHNA BAJAJ

CATHRYN DWYRE

1’= 1/8”


28 ROOF FROSTED GLASS CLEAR GLASS

SECOND FLOOR

FIRST FLOOR INTERIOR AND EXTERIOR WALLS

VAN CORTLANDT HOUSE

RAMP ACCESS TO THE SECOND FLOOR

PATH

F8

EXPLODED AXONOMETRIC AASHNA BAJAJ

CATHRYN DWYRE


29

an ing

ode to hand

india , designed for the helpfundraiser (www.thehelpinghand.art)

s h e k h a w a t i


30

a woman’s journey, through the different threshold’s of life to success, symbolised through the transition of a village girl making her way into the city.

t h e

d a w n

o f

m o d e r n i s a t i o n


About the author Born and brought up in India, I moved to New York as a teenager. To a city that showed me how different the world was, economically and culturally. My experience has inspired thought and interests towards exploring architecture through the visions of culture and psychology. Vitruvius offered us all a definition of architecture - “firmitas, utilitas, and venustas” or “commodity, firmness and delight”. I believe that a fourth word - ‘dignitas’ should be added to this definition. When designing a new space, we should ask ourselves - how does this offer dignity to its user? Does that space fulfill psychological needs in addition to the physiological ones?


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