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BS'c Architecture and Enviromental Design-Y1-S1

Page 1

DES1A: 2021/2022


ALTERNATIVE METRIC HANDOOK 01. PANDEMIC SPACE EFFECT

SEEDING MEMORIES 02. LOVE PATH

ETHNOBOTANY 03. DURIAN THE KING FRUIT “PHYSICAL” 04. DURIAN THE KING FRUIT “HUMAN” 05. ORTHOGRAPHIC FRUIT

06. MALAYSIAN KAPUNG HOUSE 07. MALAYSIAN KAPUNG HOUSE : SECTION AND CLIMATIC DESIGN 08. MALAYSIAN KAPUNG HOUSE MODEL

CULTIVATING CULTURES 09. FLAT LAY DRAWING 10. KEW GARDENS SITE ANALYSIS: SITE C (TEMPLE OF AEOLUS) 11. DEVELOPMENT AND CONCEPT MODELS (AROMA PAVILION) 12. DEVELOPMENT AND CONCEPT MODELS (AROMA PAVILION) 13. CONCEPT MODEL AND PROPOSAL 14. ROOF PLAN AND RAMP DEVELOPMENT 15. RAMP DEVELOPMENT (MOMENTS) 16. RAMP DEVELOPMENT (MOMENTS) 17. AROMA PAVILION PLAN 18. AROMA PAVILLION ELEVATION 19. AROMA PAVILLION SECTION BB’ 20. TEMPLE TECHNICAL DETAILS 21. AROMA PAVILION TECHNICAL DETAILS 22. MODEL (EXTERIOR) 23. MODEL (INTERIOR) 24. COLLAGE: TEMPLE AND AROMA PAVILION INTERIOR

APPENDIX 25. DEVELOPMENT SKETCHES (A4) 26. DEVELOPMENT SKETCHES (A4) 27. RAMP DEVELOPMENT AND CALCULATION A2

TABLE OF CONTENTS

VENACULAR ARCHITECTURE


ALTERNATIVE METRIC HANDBOOK PANDEMIC SPACE EFFECT

Pre-pandemic

The idea behind creating the Pandemic space effect as an alternative metric handbook relies on comprehending the consequences of infectious viruses. The use of space within known norms is questioning whether in near future, once again we humans will need more space per square meter. Especially if we take into consideration that the population growth is expected to increase to 9.7 billion by 2050. Pre-Pandemic social interaction 1x1

Pre-Pandemic social interaction 1.5 x1.5

Pre-Pandemic workout session 2x2

Post-pandemic

Therefore, infectious viruses forced us to adapt the use of space in order to protect people’s lives, leading us to new challenges on how to design spaces where people can socialize whilst respecting social distancing. Hence, this alternative metric handbook stipulates that the space around a human is the main characteristic to pay attention to, rather than the human itself. We cannot design in the same way as the past, but we can go beyond unlimited creativity to design in way according to our time.

Post-Pandemic social interaction 1x1

Post-Pandemic social interaction 1.5 x 1.5

Post-Pandemic workout session 2x2

Sketches

01


SEEDING MEMORIES ANALOGUE COLLAGE : LOVE PATH

02


ETHNOBOTANY DURIAN “THE KING OF FRUIT”

24ºC

30ºC

Durian

Seasonality

Genus: Durio

January to March

Family: Malvaceae

First flowering season

30 cm

15 cm Tropical climate aproximately 18º of the equator. Rainfall of 1500mm is required, but a short dry spell of 2-8 weeks is needed for flower induction.

75%

Order: Malvales

June to August

Species: Durio Thibethinus

Second flowering season

Length

Diameter

80% 1-4kg

Weight

Life cycle

PHYSICAL

Seeding/Seed planting spout and germination.

Durian anatomy

Can grow 50m tall, with a trunk diameter of 120cm. They begin to bear fruit at 8-10 years.

Flowers are 50-70 mm long and grow in stalked clusters of 1 to 45 individual flowers per cluster.

100/120 days from the flowering to the harvest. When ripe the durian falls onto the ground and gives out its peculiar smell.

Abscicion zone

Called the separation zone and is inbetween the peduncle, it swells and bulges when the durian is ripe.

Poliniser

Seed spreder

Peduncle

Known as the fruit stalk or steam.

Husk

Outside shell of the Durian

April

The flesh or pulp of of the fruit, varies in size, texture, tone and taste depending on the duria type.

Spines

Spikes fround across the husk wich protect the april after the fall.

03

Carpel

The area that houses the April.

Locules

Chambers formed withing the carpel that house the seeds

03


ETHNOBOTANY DURIAN “THE KING OF FRUIT” Durian economy

Durian fever

26 USD per 1kg

1 tree = 1000 USD (farmer)

China imports 2.3 billion (USD)

Bilateral trade: Malaysia-China

Government backed consortium Aside from being considered the kind of fruit, the Durian is an ingredient in both sweet and savoury Southeast Asian dishes.

Livelyhood and deforestation

Stigma or taste?

HUMAN

Nutritional value

Traditional medicine

Constipation, bloating, indigestion

Cardiovalsular health

Insomnia relief

Prevents anemia

Anti-aging

The fame of the durian fruit is based on Western preconceived ideas. Why do we only refer to it in a demeaning way, when French cheese is referred as a delicacy?

Reduce Cholesterol

Anthony Bourdain “French-kissing your dead grandmother,” The New York Times ‘‘a medieval torture device” “raw sewage”, “stale vomit” and “rotting flesh”

Proteins 4g Research of gel bandages using discarted husks

357 kcal per cup

Richard Sterling “its odor is best described as pig-s--t, turpentine, and onions, garnished with a gym sock.”

Fats 13g

Robb Walsh, food writer “The smell of rotten eggs is so overwhelming. I suppress a gag reaction as I take a bite.”

Carbohydrates 66g

04


ETHNOBOTANY ORTHOGRAPHIC FRUIT

SECTION AA’

SCALE 1:1

ELEVATION

PLAN

05


VENACULAR ARCHITECTURE MALAYSIAN KAPUNG HOUSE

B

B

SCALE 1:50

A

A

5

1

PLAN

ELEVATION AA’

Materials Most common construction style is raised on stilts. Most of the ancient Malay peoples of Southeast Asia maintained a form of self-regenerating environmental culture. Since their houses were built in timber, it was a custom that for every child born, the parents would plant at least one tree on behalf of that child. Thus, trees were replanted with each generation. Further, the Malay construct houses without nails: all elements are pre-cut with holes, allowing for example beams to go through columns and

Rattan

Timber

Bamboo

Leafs

then rigidified with (selak) wedges, while different parts can also be joined by (pasak)that function similarly to nails, yet all pasak and selak are removable and the entire house is dismantlable.

06


VENACULAR ARCHITECTURE MALAYSIAN KAPUNG HOUSE : SECTION AND CLIMATIC DESIGN

Tilted roof allows water to slide through during heavy rain

Low thermal capacity of attap roofing provides insulation against heating

Extra ventilation through roof openings

Tall local trees (coconut) provide shade while Rigid patterns in arrangement of houses creates a barrier for a continous wind path. Hence, traditional Malay houses are arranged randomly, ensuring the wind velocity will not be reduced.

Large roof eaves for effective sun shading

Open (plan) interior and openable windows, with minimal partitions allows for ventilation at body level

Climatic design

Elevated and lightweight construction (low thermal capacity material) catches winds at higher speed and avoids flooding from high precipitation.

Out of scale

Proportion rules of traditional Malay House

1

SECTION BB’

5

SCALE 1:50

Undelighted interior allows to keep the inside cooler

Joints used in creating a nail free structure

There is also at least one raised verandah (called serambi, or selasar in the Malay Peninsular East Coast) attached to the house for working or relaxation or where non-intimate visitors would beentertained. This preserves the privacy of the interior, where private chores can be done during the

day, with the space inside turned into sleeping quarters with mattresses laid out at night. Further, Traditional Malay houses are often directed towards the Meca, This east-west orientation reduces the areas exposed to solar radiation.

07


VENACULAR ARCHITECTURE MALAYSIAN KAPUNG HOUSE MODEL

BACK VIEW

SIDE VIEW

Model internal structure

SCALE 1:50

FRONT VIEW

08


CULTIVATING CULTURES FLAT LAY DRAWING To scale

Out of scale

Glue laminated timber (to be defined)

Ultrasonic oil diffuser, to be designed for the pavilion

13 Liter water tank

SCALE 1:20

Recycled plastic shinglings

40cm long water pumper Coconut waste leather

Used fishing rod

Steam bent timber

Aluminium thermal foil

Decking timber

2x Photovoltaic panels Timber beams (for structure)

Second hand 450W/560W to power the ultrasonic oil diffuser and water pumping system

Disposable paper vomit bag

Collaboration with Jo Malone to provide essential oil

Durian essential oil

Concrete block

09


CULTIVATING CULTURES KEW GARDENS SITE ANALYSIS: SITE C (TEMPLE OF AEOLUS)

51º 28´49´´N 0º17´24´´ W

OUT OF SCALE

Temple

Temple access

Site perimiter

Plane trajectory

Main path

Road

Prevailing wind is west-southwest

Sun Path for Winter and Summer Solstice.

10


CULTIVATING CULTURES DEVELOPMENT AND CONCEPT MODELS (AROMA PAVILION)

Tij Observatory

Gracia Studio (Mexico, Valle de Guadalupe 2014). Raised on steel stils, to reduce impact on the enviroment in a national park.

RAU Architects, in collaboration with Ro&Ad Architects (Netherlands, Stellendam, 2019). Parametric timber structure, easily dismantled.

Parametric, timber structure raised on stilts (bringing the knowledge from vernacular Malay architecture , in order to limit the impact on the environment and the site, allowing for easy dismantling of the pavilion after 1 year. Designed with a curved bench and curved interior, eas-

ing the viewer into a relaxing sensation, enabling to add the physiological benefit of “naturalness” as it is inherently preferred compared to synthetic forms, as well as resembling the soft curved shape of the durian pulp.

Inflatable globe structure with open top skylight, to release the aroma and expand the smell around Kew Gardens. Underneath, a rain water collection basin, understanding the need for water collection in order to infuse the interior

through diffusers whilst creating a fog and humidity inside the pavilion, resembling the tropical climate in which the durian grows naturally.

SCALE 1:100 (MODELS)

Endémico Resguardo Silvestre

Top view

Inflamable Dome

Grotto Sauna

Inflatable dome by Loop.ph (UK, London, 2015). The Roman bath house inspired a temporary immersive pavilion, using steam, and hydroponics.

Grotto Sauna by Partisans (Toronto, Canada, 2019). Custom-made sauna with curved wall panels and bench that allows for steam to come out.

11


CULTIVATING CULTURES DEVELOPMENT AND CONCEPT MODELS (AROMA PAVILION)

A Walk Above the Vineyards

Cycling Through the Trees

Circular ramp designed by architecture studio Keep 4design (Chezch republic, Moravian Region, 2018). Designed in response to the site being the highest point to allow for an elevated view of the vineyards.

BuroLandschaft and De Gregorio & Partners cycling track (Belgium, Limburg, 2019). Created a circular elevated track for cycling close to the existing canopies, allowing for closer contact with the forest and a 360 degree view of it.

Analogue atmospheric collage

Joining outer skin for the aromatherapy pavilion and an understanding of the existing site with the current temple of Aeolus provided the idea to use the temple as an adjacent immersive sensory experience (passage-moment), and linking them both with a ramp. Further, developing the main pavilion as a completely

sealed structure, not allowing the steam, and aroma to come out but rather condensate within the interior space. In this way creating a strong immersive experience, that aims to reeducate and challenge people on their preconceived western stigma towards the durian.

SCALE 1:100 (MODELS)

As the site is located on a hill with the main construction area at 7m high, allowing for an elevated view of Kew Gardens combined with current inaccessibility of the site the idea of creating an engaging ramp which allows for wheelchair access and closer contact with the surrounding nature and views, hence creating a pathway of experiences culminating with aromatherapy pavillion.

12


CULTIVATING CULTURES CONCEPT MODEL AND PROPOSAL

Kampi Chapel

Urbatch Tower ETH Zurich, Empa and the University of Stuttgart (Stuttgart, 2019). Solid wooden construction elements bend themselves into a pre-​set shape without the use of external mechanical force. Hence, non-energy-intensive process that involves predicting how wood will shrink as it dries out. Based on this technique, the flat timber panels are designed to warp into the desired shape.

SCALE 1:50 (MODELS)

K2S architects designed a lumber chapel, with gluelaminated strutural beams and an exterior of finger joined spruce planks screwed with stainless steel screws (Helsinki, Finland, 2012)

Aroma Pavilion

Temple

The proposal for the pavilion is using timber. The goal is to use both the technologies used in Kamppi Chapel and Urbatch tower to create an easy outer skin for both the temple and the pavilion.

13


CULTIVATING CULTURES ROOF PLAN AND RAMP DEVELOPMENT

4

EXISTING PLAN 3

5 Moment 1

2

Moment 2

3

Moment 3

4

Moment 4 (Temple of Aelous)

5

Moment 5 (Aroma pavillion)

SCALE 1:200

1

2

1

Accessibility

As Kew Gardens is frequented by elderly individuals and families with children, however, the majority of Kew Gardens is completely inaccessible for people with disabilities. The aim is to create a pavilion accessible for all who would like to experience the pavilion and the elevated views of the gardens. Designed in accordance with UK wheelchair accessibility regulations. The top of the hill is at 7m high achieving a ramp of 13,2m in length and 0.9m in height, with landings every 4,5 metres. Furthermore, throughout the ramp the visitors will enjoy brief educational moments.

+7

1

PROPORSED PLAN

10

14


CULTIVATING CULTURES RAMP DEVELOPMENT (MOMENTS)

OUT OF SCALE

NORTH ELEVATION (SCALE 1:100) AND SKETCH

The ramp is not only used as an access point to the main pavilion, as well as an educational pathway in relation to the durian, through physical subtle elements. In the first moment a bench and platform close to the canopy a chestnut tree, creating a moment closer to nature and allowing for visitors to view kew gardens from an elevation, giving a new life to an unused, desolate hill. In Moment 2, segments of the ramp have deconstructed plastic (durian) flower shinglings, connected by a fishing rod, allowing for them to be moved through by the blowing wind. In Moment 3, laser cut triangles, resembling the shape of the durian husk.

MOMENT 1

15


CULTIVATING CULTURES RAMP DEVELOPMENT (MOMENTS)

OUT OF SCALE

MOMENT 2

Destructured durian flowers, approximately 30 cm in length, made from recycled plastic shinglings as used in the Peoples Pavilion by Bureau SLA and Overtreders W (2017)

Laser cut triangles in the shape of the durian husk, decreating in size, from 10cm to 3.

MOMENT 3

16


CULTIVATING CULTURES AROMA PAVILION PLAN

B

1

B

SCALE 1:50

3

2 4

A

A

5

1

5

1

Ramp upward

2

Moment 4 (Temple)

3

Connecting ramp

4

Moment 5 (Aroma pavilion)

5

Exit

17


CULTIVATING CULTURES AROMA PAVILLION ELEVATION

SCALE 1:50

1

5

18


CULTIVATING CULTURES AROMA PAVILLION SECTION BB’

SCALE 1:50

1

5

19


CULTIVATING CULTURES TEMPLE TECHNICAL DETAILS

Based on basic parametric wall and Bench by Essam ElSaadany, (Egypt, 2021)

OUT OF SCALE

Joining the base structure for the furniture piece

Materials

Isometric view of the temple mounted furniture piece

Using mortise and tenon joint combined with velcro hook for easy dismantling

Moment 4 of the immersive experience relies on creating tactile immersive passage for the users, designed to make one feel squished, yet with a silky and smooth surface resembling the pulp of the durian. Designed taking into consideration the importance of a dark atmosphere to increase the tactile experience.

Malai: Coconut waste leather

Timber (steam bent)

Velcro hook

20


CULTIVATING CULTURES AROMA PAVILION TECHNICAL DETAILS

Skylight and panels

OUT OF SCALE

Outer skin base and water pumping system

Essential oil diffusion system through bench

Materials Wall panels: Development from raw timber to cndc panel

Photovoltaics and water collection system

The Aroma pavilion, (Moment 5) is designed to indulge or intoxicate the users with an olfactory sensation. After a long ramp, the users are able to take a moment of breath, break and relaxation with the distinct aroma of the durian, combined with condensed air, steam and light shining only through one point creates a mysterious yet comforting and calming atmosphere, an atmosphere that allows us to think or take a moment to abandon any form of thinking. Aluminium foil

Timber

Glass

Concrete block

21


CULTIVATING CULTURES MODEL (EXTERIOR)

SCALE 1:50

*Hill is shown from meter 5 to 7

22


CULTIVATING CULTURES MODEL (INTERIOR)

SCALE 1:50

23


CULTIVATING CULTURES COLLAGE: TEMPLE AND AROMA PAVILION INTERIOR

MODEL AND PHOTOSHOP

Temple interior (entrance perspective)

Aroma pavilion interior

24


APPENDIX DEVELOPMENT SKETCHES (A4)

25


APPENDIX DEVELOPMENT SKETCHES (A4)

26


APPENDIX RAMP DEVELOPMENT AND CALCULATION A2

27


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