Volume 126, Issue 5 • For a Better Davidson • The Independent Student Newspaper of Davidson College since 1914 • March 4, 2026
Living presidents speak on Davidson’s values ANNALEE STUARDI-DRUMM ’27 (SHE/HER)
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avidson’s five living presidents gathered in the Duke Family Performance Hall on Thursday night to reflect on Davidson’s values before a nearly soldout audience. Hosted by the recently renamed Martin Institute for Public Good, the conversation followed an
Davidson’s past presidents sit in front of memorabalia from their times at Davidson. Photo by Kaspars Golos ’27.
Davidson expands AI guidance CLAIRE IRELAND ’28 (SHE/HER)
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avidson is implementing and clarifying new AI guidance following rising use on college campuses and perceived concern among students about how to use AI responsibly. Without endorsing it, the College is offering students new tools to manage AI and yielding to faculty to make case-by-case judgements on acceptable academic use. Davidson has not released a comprehensive college-wide policy. Instead, the Academic Affairs office is collaborating with the AI Innovation Initiative, Center for Teaching and Learning and Technology and Innovation services to formulate guidance and set guardrails for AI use among faculty and students. That allows the College to stay flexible. According to Shelley Rigger, vice president for academic affairs and dean of faculty, responding to a rapidly evolving technology requires an iterative response. “We need a continuous conversa-
tion about this new technology,” Rigger wrote in an email to The Davidsonian. “Three years is not much time to figure out everything – especially when we are chasing a moving target.” The target is moving and often inconsistent across departments. Accordingly, the mainstay of Davidson’s approach is a new requirement that professors must include AI policy statements on course syllabi starting this spring. MarQuita Barker, vice president for student life and dean of students, said this approach allows professors to determine whether AI may be appropriate in a certain class or assignment. “Some classes encourage the use of AI because they want you to know how to use it, and some actually don’t want you to use AI at all in their classes because they really want you to learn how to do things yourself in terms of writing or coding or whatever that is,” Barker said. “I would say that our general philosophy is just to have students refer to the syllabus for their classes.”
The syllabi requirement took shape following a vote at the Sept. 2025 faculty meeting, according to CTL director Mark Barsoum. “We felt it was important for students to know exactly what is expected of them with regard to AI in each of their courses,” Barsoum wrote in an email to The Davidsonian. “Having a specific policy is also an important protection for both students and faculty against any misunderstandings around academic conduct, academic integrity, and honor code concerns. The less ambiguity and the fewer questions, the better for everyone involved,” Barsoum continued. Allowing professors to craft their own policy provides clarity within individual courses. But according to Jacob Heil, assistant director of research, learning and scholarship, faculty understand that inconsistent policies across courses can be challenging for students. “I was in a CTL meeting recently, and faculty are acutely aware of the
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his semester, Lucy Budde’s (’27) first art class assignment was to make four bad pieces of art. The class, Junior Advanced Study, aimed at third-year studio art majors, is unlike any other class at Davidson. Rather than asking students to repeatedly produce perfect pieces, the class, often described as a ‘junior capstone,’ requires students to mess around from the beginning. That experimental ethos allows students to develop their own style, said Budde, a computer science and studio art major. “It’s really hard to grow as an art-
ist, much less as a person, if you’re not constantly trying new things and messing up and discovering what you don’t like,” said Budde. Unlike many art classes, this course doesn’t just tolerate experimentation; it relies on it. “If you come out of this class having not made a single finished piece of art, that’s fine,” Budde said. Such growth is intentionally built into the class. Professor of Art Katie St. Clair, who is teaching the course this year, noted that it was not always centered on play. When she began teaching the class, it comprised both contemporary art history and students’ first exposure to independent studio work. The balance between dense read-
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Democratic contenders speak at campus forum prior to election CASEY SCHEINER ’28 (HE/HIM)
Three candidates for Democratic nominee for North Carolina District 14 of the House of Representatives clashed in a student-moderated forum on Feb. 24 ahead of the Democratic primary on Tuesday. Seeking the nomination were attorney and political organizer Brent Caldwell, business consultant Lakesha Wom-
ack and former IT professional and 25-year-old political newcomer Ahmid Kargbo. Prior to Tuesday’s election, each candidate vied to present themselves as the strongest general election challenger to incumbent Rep. Tim Moore (R-NC-14) who carried the district by 16 points in 2024. The forum gave students a chance to get to
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Game Theorists creator MatPat visits Davidson MARTHA NOBLE ’27 (SHE/HER)
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hen Matthew “MatPat” Patrick walked onto the Duke Family Performance Hall stage, the reaction from the audience wasn’t just applause, it was recognition. For many students in the audience, the creator behind The Game Theorists was not just a distant internet personality, he was a voice from middle school after-
‘Junior capstone’ pushes Studio Art Majors to explore materiality SOPHIA SCHUR ’27 (SHE/HER)
event that morning announcing the new name and over $47 million in funding. Titled, “Davidson’s Enduring Values: A Conversation with Davidson’s Presidents, Past and Present,” the event brought together John Kuykendall ’59, Bobby Vagt ’69, Tom Ross ’72, Carol Quillen and Doug Hicks ’90. Each led the col-
noons, late night lore deep dives and the first time a YouTube video made them feel smarter instead of just entertained. Patrick, the creator of the YouTube channel The Game Theorists, spoke at Davidson as part of a Union Board event on Feb. 24. Known for breaking down video games and pop culture through research-driven theory videos, Patrick used his talk to
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INSIDE Katie Jung ’28 on the Honor Code in crisis Uday Ahuja ’26 defends deception. Colin Decker ’27 on men’s golf Anna Morrow ’28 interviews Professor Brad Johnson The Yowl covers Brazilian Horse Flu outbreak
Various materials left to sit in the junior studio. Photo by Sophia Schur ’27.
ings and hands-on studio hours was hard on students, so the department implemented a shift into more investigative studio time. Each student is given studio space in the Visual Arts Center, which they share with a few classmates. But in St. Clair’s own undergrad-
uate career at the Art Academy of Cincinnati, studio classes were often quite rigid. “There were a lot of things we couldn’t do. Like we weren’t even allowed to choose what we wanted
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