How are art fictions created, in terms of an artist’s identity or persona, and how do fictions lie across/drive/speak to our work. How might one artist’s practice shift or colour another artist’s practice. Where might a consideration of the way artists share and offer up their practices take us in relation to the way artwork is constructed, built, or deconstructed?
Guest editor:
Sarah Wishart
Contributions by:
Lois Keidan
Elly Clarke
Liv Fontaine
Alistair Gentry
Sandino Scheidegger
Daniel Devlin
Keran James
Plastique Fantastique
Stefan Riebel
Motsonian
Mary Paterson
Deborah Pearson
