2021 Catalogue

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Three Dimensional Design and Architecture Foundation Diploma in Art and Design Central Saint Martins University of the Arts London

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Architecture and Spatial Design tutors Gabriel Birch Ursula Dimitriou Sarah Harkins

Deborah Akinyosoye serenity My project targets young children and teenagers suffering from mental illnesses.

My aim was to produce a mental health facility that promotes tranquillity and freedom. I hope that users would forget they’re even in a facility, ensuring it is a comfortable safe space. I have used mod roc to create this visualisation with the process of smoothing and sanding to achieve a pebble-like texture.

This is located at Holland Park, near the mesmerising Kyoto Garden, to harmonise with the serene atmosphere, I want the form and interior to be organic, in order for the patients to feel a closeness to nature.

Marwah Arshad re-defining urban density through re-purposing I want to re-define what urban density means to me as a designer, heavily focussing on the user and my site. This is a multi-faith space designed to bring people of the community near the current Masjid-EIlyas in Stratford together.

The choice of glass as the primary material makes it an open and welcoming space for the community to unite in once again after the COVID pandemic. The open plan and flow further add to the community welcoming aspect of the design. I wanted to show urban density as not only adding or removing a space, but enhancing an already existing idea and adapting it throughout time.

Jenny Cheng futuristic gothic A two-page epilogue of a comic book. Set in an alternate future after a worldwide nuclear disaster, humans have decided to deconstruct their abandoned cities and rebuild them hastily and chaotically compact to minimise radiation poisoning. However, the cities are abandoned once again as mankind moves to Mars despite their efforts to survive on Earth. The protagonist is a human left behind on Earth and explores this isolated London, more specifically the Barbican, in hopes of finding any other signs of human life and joining the rest of mankind on Mars.

We explore her sights and views as we follow her journey.

Hao Lun Chiang home 2031 My project focussed on wearable architecture in order to improve peoples’ perceptions of backpackers, nomads and the homeless. A home/shelter that can go wherever you go. I wanted my design to be usercentred. Users can simply build and create a space, creating permanent architecture on site. The structure was inspired by geometric patterns. By changing the different angles of each wall section, you can control how natural light enters the space and also block wind, and other kinds of weather.

Ifsah Chowdhery pandemonium of renaissance This project investigates the chaotic nature in which rebirth occurs in a space. Many places in East London, such as Abbey Ruins in Barking have become dead space, with limited/no evidence of human life or movement present. The process of birth is extremely chaotic. Chaos is inevitable. By using this concept as a tool, one can create a renaissance. Through organising a pandemonium life is brought back to the site, through the curiosity of local communities, and particularly youth engagement; giving young people somewhere to explore and interact with.

A pandemonium is created through architectural structures to intrigue and shock the users. The interruptions in the site forces one to manoeuvre and enter the structure fully immersing them in the space.

Their senses are intrigued as they attempt to navigate in a situation with no sense of order or direction.

Dorian Fernandez-Brandwood sensory stimulation: the natural world as immersive art The project takes a derelict washhouse in the vineyards of Perpignan, Southern France, and wraps it in an open-armed hug, protecting it from the approaching urban developments and allowing it to become an exhibition space for the nature that surrounds it. The structure is designed to appeal directly to the senses, harnessing nature to cultivate an ever-changing experience entirely dependent on weather and time. It will encourage users to escape the passive state we so often adopt in the built environment and truly immerse themselves in the surrounding landscape.

Lilianna Rose Givanakis subterranean social My project was all about creating a community space underground in a place long forgotten. This space was the Hornsey Wood reservoir which had been abandoned years ago. My project focused on turning the space into something modern which everyone could use. My design creates a visual juxtaposition between old and new, creating spaces for activities in the modern areas while being surrounded by the old Victorian reservoir. The space allows people to escape the everchanging London weather and spend time together in a unique place.

Charlie Gravestock marine biomimicry My project creates a tactile and visual sensory experience for the public, allowing a physical and metaphorical connection between land and the marine environment. In my model I have used polystyrene to replicate calcium carbonate, the material used in the actual coral reef structure, along with aluminium wire, transparent acetate, foam board and artificial greenery. The intended users are tourists and locals on the Island of Bermuda and environmental enthusiasts.

The location, Annie’s Bay, allows for a physical connection between land and ocean, with connecting public walkways to and from the structure. My project overall connects humans to the marine environment, changing the scale of the reef structure compared to human scale.

Xixuan Guo rest intersection My project is an exhibition centre young people, which is rare in contemporary Chengdu exhibition halls. I focussed on designing a space with different functionalities using modular partitions to improve the user experience. The first and second floors are divided into different exhibition areas.

The first floor is the main exhibition area and the second floor is mainly used for work that requires natural light. The aim was to maximise the use of each space.

Carla Hardy synergy : redesigning the internal space of borough market Synergy describes the interaction between two or more substances, organisms, or other objects to produce a greater combined effect. A building has its own synergy where everything works together to create its overall impact. I explored Borough Market, London, and through observing the interaction with the site and its surroundings, I designed a garden, hanging theatre and multiple suspended walkways traversing the site.

These were inspired by the micro imagery of bones, with the theatre at the heart of the market. I visualised the garden in watercolour and modelled the theatre from mod roc, and cardboard. This design would encourage a more diverse social atmosphere with people visiting the market to, for example, watch a play or sit and have their lunch on the grass in the garden, listening to the echoes of the running water and trains running across the tracks above.

Leon Harris organic For this project I wanted to explore organic forms as a means of creating healing spaces that support communities and the individuals within them. Using brutalist structures, I aimed to emphasise and contrast these forms, highlighting the user’s connection with the natural world. Within my site (future housing estate, Holloway Prison) I propose a community space that will act as a social epicentre, encouraging positive interaction between inhabitants. This will be achieved through shared social activities such as gardening, eating, exercise and community-led classes.

Benedict Hill checkpoints on a journey For my project I have designed an experiential journey through a natural space. Along the journey the user comes across three follies that I have designed as ‘checkpoints’, each one inspired by a different antonym: Appear / Vanish Clarity / Confusion Transparent / Opaque Each folly encourages the user to ruminate on the design, wondering how it works as they complete the journey.

William H Jenner iterated space A community centre designed to connect people of fortunate and unfortunate backgrounds in Northern Jakarta over a river dividing these two extremely different areas. The building is designed to protect against flooding which is a prominent problem in this area of the world, giving a space to seek refuge and safety. The design uses an iterative, randomised design to create an organic layout inspired by the chaotic patterns created by the informal architecture of the slums the building resides in.

Hyemin Kim zero power Zero Power is a space with absolutely no electricity.

Though it doesn’t run on power, the colours in the structure represent the positive aspects of technology. The structure is outlined with curves and imperfect lines, as found in nature. Located in the middle of a busy power-hungry district, the space provides time away from the highly technical urban environment, aiming to ease the tired minds of those who struggle to stay away from the disruption of the digital.

Yier Lu re-wild Re-wild aims to explore sustainability and the mutual relationship between nature and human habitats. I assumed that the start date of this project is 2070, when the population growth rate has been declining for 100 years, and churches and physical shops are no longer necessary.

Hence, numerous buildings scattered around the city are abandoned.

I chose Superdrug in London Blackfriars, an obsolete store, as my site. I introduced soil, creating artificial mountains according to geographical maps, instead of tearing it down. Green spaces not only reduce air pollution, but also reduce negative behaviour.

Carlene Nassif container community A problem exists in the UAE in regard to poor living conditions for migrant workers. ‘Container Community’ is a residential area designed for low-income, migrant workers in the UAE. Current labour accommodation houses up to fifteen people in a tiny room, with unhygienic kitchens shared between hundreds of individuals, with no room for leisure activities, shops, or anything apart from the bare necessities.

My aim with this project is to provide a better lifestyle for these workers by designing a community, rather than just accommodation. Made out of shipping containers and incorporating eco-friendly and sustainable technologies.

Time Numpituckchaikul transforming the underused canal by a series of the life cycle of a lotus This project aims to recreate a new environmentallyfriendly public park, inspired by the Buddhist lotus flower, that is also a place to relax.

Importantly, I want people to be aware of existing historical structures and Thai traditions.

It will be located adjacent to the main river Chao Praya, in Bangkok, Thailand. I have chosen this site because of its views; numerous traditional Thai buildings surround it.

Within the space, there will be public facilities for people to socialise and engage.

Yuanjin Qiao undertopia My final product is a wooden model, using paper, wire and other materials. A combination of engravings, stickers and models is used. My users are all people living in the city of London. My location is in the underground world, which includes a wealth of abandoned underground stations and other spaces. I want to imagine a way of life in the future. I want to warn people about the effects of climate change and nuclear fallout.

Emma Saavedra Sarget into space…

My design proposal is a oneof-a-kind academy in space for creative, artistic young people. Just a short trip away, the institute sits in the Earth’s low orbit and would accommodate the students during their year abroad. The resources provided on-board are very limited, thus the aim is to use the debris and waste orbiting Earth for designing and making.

The structure would be fabricated in titanium due to its inherent strength and lightness, but for the model, I used thick paper. The final visualisations, show my academy from different perspectives, with both drawings and images, to communicate the experience.

Soumia Sadoun reflective light This project experiments and develops a modernised reflective build, using light as the driving source for change from traditional religious architecture.

The design creates an inclusive and unifying space for people of all religious and non-religious backgrounds.

Iram Shaikh ethereal architecture The word ethereal means other-worldly or divine. I have laid emphasis on the idea of escape. Being caught up in a busy urban lifestyle myself, I believe that an escape from a fixed routine is required from time to time in order to focus on self-analysis and reflection. Inner peace and true satisfaction comes from detaching from worldly things.

The design is of a meditative pavilion urges people to take that time to reflect. The space reflects the contrast between the urban and the ethereal.

Naomi Sie designing wellness In this project, I aim to explore different forms, materials and structures through light and space in order to improve mental wellness and health. I am focusing on rebuilding an abandoned psychiatric hospital in Indonesia because right now, mentally ill patients are stigmatised and uncared for.

Straying away from structures and forms that represent traditional hospitals, I wanted to create something that emphasises nature and natural light while still evoking a sense of calmness. With this project, I hope to de-stigmatise mental health issues and continue to support the treatment of mental health in Indonesia.

Gemma Tai Hoi Kiu metamorphosis: parasitic foldable homes There is an unrealistic trust in stability because we are in denial of underlying continuous change. We should embrace the unknown to pursue unfamiliar challenges. This concept is explored through targeting housing issues in Hong Kong and the ‘Rat Tribe’ in China; workers and new arrivals to Beijing live in bomb shelters with unpleasant and unpredictable conditions.

The parasitic and foldable structure is a response to gentrification and exclusion. It is designed to provide a safe shelter in any location and is easily packed, attached and transported to ease the struggle of living and travelling to multiple workplaces in unaffordable commercial areas. Hope and recognition are offered by allowing the coming into existence through the use of public space.

Hossain Takir the tesseract – in the box My project focussed on designing a compact youth centre for teenagers between the age of 12 to 17, located in an empty space opposite the Limehouse Town Hall. I decided to design a youth centre targeted to this age group, to decrease the amount of knife crime by providing a place where young people can relax and study. I used wood and textured paper to replicate shipping containers. I wanted to use these for the structure due to their affordability and availability.

Pia Maria Tedy a lebanese sustainable model: share, celebrate, innovate This project aims at sharing and celebrating the beauty of the Lebanese culture. Renovating the traditional Lebanese house to create a more sustainable model that brings nature into the heart of the house and integrates an environmentally friendly approach.

The house was transformed into a centre for the public, which includes a public library, a restaurant, and spaces to study and relax in connection with the nature that surrounds it. The solar panels and copper cladding, as well as the rainwater harvesting system, reduce energy consumption and makes the house not only aesthetic, but functional.

Daniela Urquijo structure in minds The aim of this project is to explore the spatial stimuli of Autistic children and young adults.

Visiting Romanian children at the House of Angels Orphanage awoke in interest in me towards mental illnesses and their relation to space. I realised their living conditions were minimal and therefore they had a lack of necessary facilities.

I researched and explored the effect of different elements on autistic patients, such as colour stimulation, light and form. My design consists of natural shaped structures with openings and cool toned lights inside, for the children at the orphanage to feel comfortable in. It is meant to calm them and reduce the over-stimulation.

This lounging area would be located beside the orphanage in Gaesti, Romania.

Stefanie von Appen plastic fantastic – building from waste To confront the rising buildup of waste in urban areas my concept aims to address the recycling of plastic materials.

To achieve this I’ve explored how plastic waste can be reused for spatial designs and developed a proposal for the community of North Hackney to utilise and transform their discarded objects. Coming together as an aesthetic social community space, the herb garden promotes engagement and social gatherings in an area hugely influenced by reconstruction projects and a missing sense of community.

Everet Wright-Palmer hidden spaces As the world gets warmer due to climate change, the increasing heat, especially in cities, has led to increased death from heatstroke.

“Cities with extremely hot days and many residents who cannot afford air conditioning will need to create cooling centres; facilities where people can go to escape the heat.” – Bill Gates The solution is underground in a space hidden from the elements. This project proposes a tunnel that allows tourists and residents of Westminster to pass under the River Thames in a cool, purified environment. This tunnel also acts as a direct walkway to London Waterloo Station from Westminster Underground Station and alleviates congestion on Westminster Bridge. As well as creating a respite for its users, this tunnel will also have an indoor green space that will filter the air to allow for an oasis in a polluted central London.

Hanzhou. W new kowloon city The new Kowloon City offering a compact complex and a flowing, ecologically friendly rooftop neighbourhood, both to protect green space and to accommodate more people.

The roof was kept as a reminder of ancient Kowloon City and extended so that visitors could see its historic shadow.

Batuhan Zenginer multipurpose For this project, I aimed to build a structure into, onto or connecting to an existing building. Vacant land for constructing new buildings is becoming increasingly scarce due to population growth. My chosen site is Palazzo Pitti in Florence, which is already a multi-purpose building.

Although it was built as a palace, it is used as a museum.

The material of the palace is concrete and it shows the old fashioned architectural style of building, using glass and stainless steel to make a new intervention. I used Rhino to model my final outcome.

Jiaxin Zhang creatures and architecture This is a project about creatures and architecture, where I try to find a species of creature in nature and analyse and study it. I eventually chose birds, whose shape appealed to me, and then I extended the structure of the model based on the shape of a bird’s structure. Its site I chose to use as a lookout in a bird park for visitors to watch birds in flight, from all angles, heights and directions.

Tom Zhong reform I chose the Palace of Westminster to reform. It is iconic, solemn, historic and highly detailed. When reformed, it gains different functions. It is more convenient to access and explore the centre of the palace. The debating courts are relocated. Half of the palace is transformed into a tourist site, including a river view sky garden. Glass covers Victoria Tower and the entrance to the sky garden.

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Jewellery, Footwear and Fashion Accessories tutors Tamzin Lillywhite Nicola Malkin Karla Newell Helmert Robbertsen

Lili Barglowska forgotten streets Forgotten Streets is a personal reflection on Warsaw and the Polish cultural spirit. The piece, a protective shield, draws inspiration from historical armour and military uniform.

The patination and aging references history, and is reminiscent of artefacts found after the war.

The animal parts, deer antlers and boar teeth, convey themes of strength and resilience whilst referencing Slavic mythology and Polish pagan tradition.

The piece is meant to function as a talisman and provides protection while representing the toughness and strength of the Polish people.

Zilin Chen food hunters Recently, there is a tendency for people to stay at home or indoors rather than going out socially. In China, this phenomenon leads to a modern product, food delivery, which enables people to order food online and accelerate their life pace. More innovation and improvement to food also brings higher efficiency, for example, instant cup-noodles and hot pots, redesigned forks and packaging. I want to discuss and explore this evolution and put my interpretation into designs and jewellery pieces that reflect this trend.

Ziyi Chen being ‘different’ Through this project, I want to express how I identify myself in society and in a traditional and contemporary cultural environment. How surroundings for people like us are divided into two polarities, where I can be myself to my friends and peers, but have to pretend to be normal to my elders and family members.

My final design will also be a reflection of this point, its surface looks ordinary, but once opened, the inside world will be colourful and gorgeous.

I tried a lot of materials, including argil, balloons, rubber and plastic, even slimes and so on, but I carefully thought and tested their sustainability, and finally chose a combination of clay and metal; a collision of softness and hardness.

I hope to communicate my experience, raise awareness in our society and promote equality and understanding through this project.

Florence Dighton a russian fantasy Inspired by the contrast between the innocence of traditional Russian folklore stories and the corruption of the political reality in Russia, I designed a headpiece and balaclava that impairs the wearer’s vision, replicating the feeling of confinement felt by Russians today. The details of my piece include a handsculpted replica of Putin’s face in the centre of the headpiece to convey the power that he holds, and two pieces of hand embroidery inspired by a famous Russian children’s tale about a magical fire bird to represent the unattainable dream of ‘the Russian fantasy’.

Ciara Draganova the plastic age The planet is suffering before our eyes. Plastic is already choking our oceans, scarring the land and creeping into the food chain. I created a piece of abstract armour to protect us from the inevitable inhospitable environment, where we are swarmed and engulfed in plastic waste. We will be left to fend for ourselves while we suffer the consequences of industrial greed. I burned and manipulated plastic bottles. as this process emulates our dystopian future. This armour transforms the wearer into a creature from the future to warn us of what’s to come.

Idrees Dubar-Bernard l’ombre des toiles A society slowly losing its common identity and values.

Slowly ripping apart the social fabric which holds us together.

How does this translate into the future decision making process of critical, social and political conversations, such as policing and the relationship between citizens and public service officials? How can we find resolution in an age where technological advancements are not being used as tools to build upon the positive aspects of our humanity, rather being weaponised to leverage human potential and perpetuate division amongst us by preying on our most instinctual reactions? Where is our common ground?

Hager El Dawy all that remains After experiencing something as traumatic as sexual abuse, the victim struggles to carry out mundane tasks. It has stained their life; however, they try to adapt to normalcy. My concept became an organic and figurative accessory that adjusts to movement, which symbolises the ‘perception’ and journey one takes to overcome this trauma. The indentations and bruised markings in the accessory are representative of the story and physical trauma. The placement of the accessory literally and metaphorically highlights the victim’s burden.

Yue Fu awsd Our hearts are always switching back and forth from contentment to being broken, just like the AWSD keys on the keyboard (when we play the computer game, we use AWSD to move our steps). The player doesn’t know the road ahead, they can only constantly explore. Sometimes, hiding in the comfort zone is also a kind of self-protection and relaxation. This reflects situations and the choices we make in our daily lives. The main materials I used were wood and expanding foam.

Jie Gao fairy tale world I want to express the two sides of fairy tales. The good side is obvious, enriching children’s lives and making them understand something.

The downside is that children can imitate the behaviour of the story or take something ridiculous as fact.

My work depicts the story of The Little Mermaid. I wanted people to see the beauty and the badness of this story in my work, and it is easy for children (especially girls) to grow up with the value of sacrificing everything for love and to lose themselves in love.

At first I wanted to use bubblegum, but this material was too fragile, so I switched to a resin material to make hard bubbles. Then I changed the look of the piece. Some of these bubbles tell the beauty of the fairy tale and some depict its darkness.

Jiayang He surgery I explored the paradoxical feelings from my childhood memory – the fear and obsession towards medical instruments. I found there is a certain similarity between a priest and a surgeon. The procedure of surgery in my eyes is like a solemn performance under the spotlight, a quiet ritual balances life and death.

The movement of the hands and the divine intention behind it is the exact thing that attracts me. It’s the feeling and the experience that I want to deliver through my design work, which consists of the admiration and curiosity for the medical world, accompanied with the intuitive reverence for life.

Vivian Hu (Zheming) the backside of the skyline My outcome is in two parts. One is a model made of jewellery clay mixed with granite.

Another is a design drawing (gouache and acrylic). A sketch helps people understand the details: the bright finishing for the ring’s surface, the v-shaped prong for gemstone setting and slots for the collapsible piece. This ring is for people who live in the modern city and want to find their identity or explore the local culture. Users could customise the interactive part. Different cultures are hidden behind similar urban landscapes.

Anisa Said retrofuturism The pieces I have created are a reflection of how AI will play a big role in our lives in the foreseeable future, even in jewellery. The embedded AI wearable pieces are like a cyborg, without the chip implant and authoritarianism in place. A fusion of retro futuristic aesthetic and modern speculative design for the future. The irony of exploring a past and a future I have never experienced unlocked a creative freedom. Examining the innate desire within humans to reminiscence on the distant past and reflect on unwritten future, my project takes a more optimistic stance towards AI as I believe it could improve people’s daily lives.

Josephine Kang Zhuo Yu pressure My project is about pressure in adolescence. I researched stresses associated with puberty.

These pressures aren’t any less than those experienced by adults. I wish to present how difficult it is for girls going through puberty, experiencing pressure in almost every aspect of their lives. I’d like to show people how stress has affected some of us in puberty, and let those that are still suffering through this know that it’s alright to feel stressed and insecure. It’s normal, because adolescence is a process of growing up. Your hormones and metabolism will cause psychological and physical changes. It’s alright to be lost and stressed over these changes. I want them to know that we’ve all been through more or less what they’re experiencing at the moment, so they shouldn’t be scared because they’re not alone.

Aadya Keshav patterns in nature My project focuses on the appreciation of unique patterns that appear in nature.

It has been made without a proper sole so that the wearer is in direct contact with the earth. I experimented with a few patterns and decided on creating an armour-like piece resembling a chameleon. The position of the foot in the piece is extremely elevated so the wearer has to focus on balance, the ground, themselves, the piece, everything around them; the surroundings, the earth etc.

The situation focuses a person and hopefully evokes certain emotions in them with regard to their environment.

Yinuo Li expectation We all live with the expectations of others. The bigger one wants you to succeed, the smaller one wants you to be healthy and happy. No matter big or small, these expectations are all based on caring, but when they all pile up, they could be harmful. These expectations are like dragon scales. They seem to arm you, but only you know the pain and oppression you are actually experiencing.

Hana Mulaku the seducer’s gift A series of jewellery pieces aiming to intensify the seduction between the seducer and their ‘victim’ through physical, suggestive and sensual interaction between them. The jewellery is made in the style of the infamous seductive character, the dandy. Cold, androgynous, fluid, sensual, detached and elegant. The seducer is to give these jewellery pieces to their victim. However, only the seducer can trigger the sensual experience, the victim only wears and exposes these jewellery pieces, allowing the seduction to begin. It is a dance between the two individuals, one initiates, the other takes it further. Metal, wire, aluminium, tracing paper and thread.

Yea In Park not a pandemic problem Hate against minorities has being brought to light during recent months as crimes against Asians have risen. This ongoing issue needs to be constantly raised to educate society. The sharp metal barbs symbolise the ugliness of this oppression of minorities, but through protest marches, awareness is increased and slowly builds a better society.

This gradual outcome is shown through fabric covered in heatpressed slogans and patched using the Korean jogakbo technique, highlighting the beauty of Asia. I want the wearer to remember what it takes for the world to learn from its mistakes and to see the light at the end of the tunnel during these difficult times.

Nina Srdanovic be prepared In the hypothetical age where humans have to adapt and evolve to breathe and survive underwater, my jewellery piece is the gateway to adapting to this new alien environment.

The user opens and closes the clips on the base of the piece to fasten it to their skin. This fish gill-inspired, temporary body modification, is portable and convenient and allows the user to be prepared to adapt and mutate in order to survive. It is constructed from steel sheet, steel rod, and steel bulldog clips welded together and detailed with orange leather.

Rui Wang death is not taboo I think memory may be the only connection we have with those people we love but have left this world. In my opinion, memory is like the existence of armour. It will protect us in a war called ‘reality’.

Most of the time, we want to remember those who have left us, but in a way without mourning. When their names are mentioned, it may hurt us, but the memories of the good old days with them will heal us.

Their names and the memories are not taboos, but treasures.

Yayan Wang killer During the pandemic, everyone wears masks to go out every day. With this comes a large amount of discarded protective equipment. Masks discarded by humans are becoming the new killer of wild animals. I want people to take this issue seriously and not let the masks that protect us end up being the tools that kill us. With the mask as the main material of my work, I wanted to make people feel suffocated. The viewer can see the desperate and helpless eyes of the wearer through the layers of broken masks.

Tianqi Wang past dream of the tang dynasty The theme of this project is to show the charm of the history of the Tang Dynasty. Making more people interested in this history. This piece of jewellery can be worn on the forearm. It would suit someone who wears a traditional Chinese dress with long sleeves. Its main materials are plastic, metal powder and linen. I sculpted the parts and then applied metal powder to the parts. Finally, hydrogen peroxide is used to help them rust. Linen and linen threads are used to help them connect.

I designed and made it in China, where I visited various cities for historical research.

Noah Williams hedonism: a form of self destruction?

My project is an exploration of hedonism, focusing on the links between extreme hedonism and self destruction.

Through my piece I wanted to illustrate the dazzling, colourful glamour that comes with this lifestyle, inspired by New York’s early 90’s Club Kids, while also telling the story of the other side of hedonism, revealing the precarious, dangerous life that comes with it.

Wenxiu Yin reborn In this project, I have tried to explore many ways to improve the recycling value of plastic waste. I want to give this waste a new life, to increase people’s awareness of recycling.

I have incorporated the growth characteristics of parasitic plants in this jewellery set. From another perspective, I think plastic is like a plant, parasitic on the human body. Human mass production and arbitrary disposal are their nourishment.

Eventually, these nutrients will support them to occupy our bodies. I hope that while this set of jewellery is exquisite, it can also serve as a warning.

For materials, I selected some waste items that have a bad impact on humans and marine life, and then re-created them, giving them a new texture.

I want to break the inherent impression that plastic waste is dirty in people’s minds.

Xinmiao Yu the multiverse I’m interested in the relationship between the multiverse and religions. My work is a large coloured ball with Christian and Hindu words on it. I mainly used metal and laser paper because I wanted to show a feeling full of fantasy and colour.

In Christianity and Hinduism, they believe that gods exist, but they exist in another time and space. So there are many people from ancient times who want to open the door of space to see what it is. My work can be worn by most people, and I think people who believe in the multiverse will love it, and its immersive experience.

Yichen Zhao persecutory delusion My final work is soft for the wearer, but offensive to others.

I protect myself so that I am ready. As a soldier wears armour; the armour is not for killing people, but to protect them. I used cotton to express softness and acrylic to express offensive feelings. Wearing on the shoulders and neck means that this is more from imagination and not actual action. When wearing it, I want to make myself look stronger.

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Product Design and Ceramics tutors Kathleen Hills Tom Nelson Georgia Steele

Samriddhi Arya emotive A project exploring romanticism in contemporary design by evoking emotions and dreams within the user. I have designed a camera which is emotionally responsive and changes filter according to the emotional state of the user. Products that we form emotional attachments with last longer and are therefore more sustainable. The camera is divided into two halves: the mirror-finished brass reflects the outside world, tarnishing over time (depicting how we show a fake socially-reflected image to others but gradually let that stigma go away), while the clear acrylic, reveals the complex inner workings of the camera (depicting the true confused state of our mind).

Kristy Cheung feminine product My aim was to create a new version of the menstrual cup, in order to provide a more comfortable experience for teenage girls and women. My design is reusable; it can last up to ten years with proper care. It is painless to insert and remove; suitable for younger girls whose vaginal muscles tend to be more tense. It has a reassuring, non-intimidating appearance, compared with traditional cups. Manufactured from medical-grade silicone, it comes in two sizes.

Anousha Chowdhry expeditious ‘Expeditious’ aims to make travel more comfortable and personal for users. I have designed an Air Temperature Control device allowing users to set the car to suitable temperatures, prior to their journey, via an app. It filters the air using solar energy to ensure efficiency and sustainability. The sphere, divided when removed from its stand, can be placed anywhere in the space, while its tops are interchangeable for personalisation. The model is manufactured using plasterprofiling, however, sustainable materials would be used for the product. My target audience are individuals in their early20’s, who associate with digital and physical elements.

Chen Jie Dong beacon My project explores the potential for a beacon in daily life. I investigated interactions between humans and lighting.

My design is for contemporary interior spaces. The lamp is made from Tyvek, a lightweight, waterproof material originally developed for the construction industry. This product is a blooming lamp which functions to solve the problem of excessively bright situations.

I was inspired by the lighting designs of Issey Miyake, hence I applied minimalist and layering elements in this product.

Xinnan Gan companion table lamp A table lamp that can accompany the elderly. My target users are widowers. They can find some companionship through this lamp. It may not be significant, but even small improvements can make a big difference in users’ lives. It can be placed on a bedside table.

Made from wood, aluminium, a frosted plastic lampshade lamp and a screen. It creates a warm atmosphere; there is even artificial intelligence inside that can talk to the users, and via the screen they can browse through their photos or videos – full of memories.

Manya Gupta divyaang - e - gyaan (inclusive education for disabled children) I believe that by introducing Braille and sign language teaching in public schools we would facilitate inclusive education whereby disabled children could experience standard education alongside other children. Based on the technique of cognitive hand memory and tactile graphics we can teach English and sign language to visually impaired children. For this, I designed a playful learning alphabet book as well as a specially designed pen and Braille-needle stylus (both made of sugar cane PLA) and filled with coloured ink that enables students to carve the paper and feel their words on paper, or use the needle to write Braille.

Sikai Ha the dark young This work is based on the dark young from H. P. Lovecraft’s novel. Because of the limited availability of materials, I could only use clay for production.

This work is completely handmade. It can be used as a table decoration or in the home; of course, you can also hang some clothes on the tentacles.

Randa Halaby loosen up – self-awareness, self-care, self-reflection The COVID pandemic has necessitated a new way of living and being in check with our bodies. Observing the way a household takes care of themselves, there is a huge reliance on technology as a source of entertainment. My project is concerned with the need to listen to our bodies and take a moment to disconnect from the digital world. The product is a light source and wireless charger that allows the user to engage socially or take time for themselves without the use of their phone.

Qian Hu modular glasses As a glasses wearer all year round, I find that there are a lot of inconveniences. I have modularised the design of these spectacles so that more people like me can benefit.

It breaks the system down into smaller parts that can be created, modified, replaced, or swapped independently.

Through the combined configuration of modules, products with different requirements can be created to meet customers’ customised requirements.

TzuChieh Huang lighten your backpack Over the last year, the importance of shared experiences, and spending time outdoors in nature has become clear to us all. My project focusses on the hiking experience, and my final designs provide users with a set of lightweight vessels to carry food and drink. When users stop for to eat, the set facilitates a convenient and comfortable dining experience in the wild. I chose to use silicone as a primary material, as it is flexible, food-safe and easy to clean.

Ananya Jain the college experience Upgrade your outdoor social scenes with this compact foldable table . With compartments for your food, drinks, games and a picnic mat, this product is all in one.

The package service will plan your picnic with everything you want within the product - food, drinks and games.

Plywood provides the structural integrity the product needs.

The blue plastic reduces weight and adds colour. Fabric hinges connect the foldable pieces.

Triangular side panels make sure the table is stable. Using a trolley to carry the product makes it easy and convenient.

This ‘ultimate party in a box’ and the package service app is something every college student needs.

Elin Johansson finding quiet time I have designed a product that helps people better understand their body and mood to assist them in creating positive habits for living a less stressful life. A simple leather bracelet that monitors pulse and physical activity is connected to an app via Bluetooth where mood tracking is recorded daily.

The data is then compiled into simple graphics that help the person recognise which situations and habits have a negative effect on their daily life. Everyone could benefit from this product, but it is designed with young adults in mind. Despite research showing they are currently the largest age group affected by stress, wearable technology isn’t usually designed for this user group.

Zicheng Kang memory and attention I have explored memory and attention through my project.

I want to use my research and findings to produce a product to help people remember words in foreign languages in their free time.

I have designed a wallmounted towel rack for the bathroom. The main materials are ceramics and stainless steel as they are commonly used in the bathroom, are easy to clean, hygienic and the colours are neutral. This design is based on scientific theories that I have researched and experimented with.

The user group for my design are teenage students learning a second language. Learning a language is a lengthy process and I want to help people develop new routines and habits to help with remembering over time.

The bathroom is a place that everyone need to visit regularly.

The experience of using this product should be very natural and fresh.

Zhengxin (Anny) Li touch TOUCH is a product that focuses on providing a better quality of life for the hearing impaired. Hearing impairment can create isolation and vulnerability in society, my product aims to be inclusive and educational.

I have designed a voice keyboard for hearing impaired children with an associated app. My product encourages users to learn to pronounce words by mimicking the buttons that vibrate in the vocal cords of the human throat. The vibrations enable the user to express and communicate.

The shape of the product is simple, and it is lightweight and fun to use. This product can be carried and used anywhere.

The product is made from injection-moulded plastic and die-cut polyurethane sponge.

Wenxin Li transient spaces The context for my project was to explore the demands of different types of people by designing a product for an airport. The design of this furniture set addresses our changing needs for privacy.

It uses a screen that can be rolled up horizontally making it easy to carry and store. The product can be easily adjusted and reconfigured to fit users’ needs. Bamboo battens stiffen the acoustic fabric membrane; two stools complete the set.

Maya Menon urban nomad Urban Nomad addresses mobility issues students face as they travel in an increasingly digital world. My final outcome is a travel case that allows the students to travel with ease with all their digital devices, allowing them to create a portable workspace on the go. This product designed for Apple will be created out of blue vegan leather, complimenting their current range of products, and the urban and sustainable lifestyle of their user group.

The product will encourage students to explore the city around them, engage them with the community they live in, whilst coming up with a sustainable solution.

Grace Omoigui encapsulated My project explores the emotional relationship between spatial comfort and natural elements. It was inspired by the Japanese wabi-sabi philosophy that describes an appreciation for raw and timeless materials. I designed a fountain that incorporates the sound of running water against bamboo for indoor settings. A built-in plant holder is centred above the pump to enhance the visualisation of water flow against leaves.

The size allows for versatile placement and can be used as an aesthetic compliment that evokes tranquillity for the user.

Hafiz Onitolo domestic ritual My research explored secular rituals within the domestic space, leading to a modular planter that aims to introduce a new ritual into the family home.

Situated on the dining table, each family member would care for their own herb plant and before eating would pick and garnish their food with fresh herbs they have grown.

This project also focused on developing an innovative material and process, using recycled plant pots however this aspect of the project is still under development. A modular glass base, made from recycled jars allow for selfwatering and can fit to multiple sizes of planters designed to accommodate plant growth.

The planters are designed to provide supermarket herb pots with a longer life through allowing them to be re-potted.

Xinyu Pan self-soothing Overeating is a frequent phenomenon when people are dealing with pressure and negative emotions. It’s not a good behaviour and has many bad effects, including obesity, chronic disease, fatigue, insomnia and so on.

After reading the article Why Visual Cues of Portion Size May Influence Intake, I realised the influence of visual effects on food intake. This became an essential element in my design. My tableware design features mirrored surfaces.

Food appears to double in size, giving users the illusion of having eaten more than they have. Wood was chosen for sustainable reasons, but its weight will also make users feel that the vessel contains more food than it does.

Deborah Rebbouh transmission My project explores the Jewish tradition of lighting candles for women. My design consists of a kit to offer to another woman from the age of twelve: a calico pouch, a copper candle holder, two silicone moulds, a brass ring, two soy wax candles, matches and a brass striker.

After lighting, the candle melts into the mould placed at the bottom. The wax casting is placed onto the centre of the ring as a ‘stone’. The ring can be worn with or without the wax stone, which can be changed using different moulds, each capturing a different message or moment. My design offers a different way of lighting candles on Friday night, creating something new from an ancient tradition.

Emily Rose outdoor gymscape My project looks at the way the pandemic has impacted those who regularly attend a gymnasium or fitness centre.

COVID restrictions have stopped them using indoor facilities. Many have had to train at home using improvised equipment and weights.

My idea was to create a bench from birch wood (the model is MDF) that looks good in the garden but can also be used for outdoor exercise. The top section is removed for push ups using the armrests and the legs convert to a barbell. The whole unit can be used as an aerobic stepper or for stomach crunches.

My product is aimed at regular gym users who have had to change their routines due to lockdown. Through a balance of form and function this attractive outdoor seating doubles as exercise equipment.

Jiayi Shen immanuel kant’s lamp Nowadays, many young people often sleep in until late and they cannot go to sleep on time. This makes them lose control. My project is a lamp to help people go to sleep on time.

There is a gravity sensor at the bottom of the lamp, and it has a special way to turn off the lamp. The lamp is supposed to be located in the bedroom near the bed. If the user doesn’t go to sleep on time, they should receive different punishments.

The lamp is made from steel, translucent acrylic and ABS, with an LED light. With the help of the lamp, users can improve their self-control.

Ashna Thakker compact This project aims to make student life in dorms easier.

To make a product that will use the tiny space in the halls to its fullest potential. Being a student and moving into my dorm room for the first time has made a huge impact on my life. Packing my entire life and travelling miles with a lot of luggage (basically 18 years of my life) and trying to fit all of it in a tiny dorm room makes me think about using every inch of that space. I seek to improve the quality of life of students in dorms far away from home with a smart and efficient product to have a cleaner, more comfortable and organised lifestyle.

Billy Wilson the dissolution of childhood My project is a modular furniture/play set. It consists of nine standard steel components: three flat sheets and four moulded sheets with a 90° curve, plus two unique pieces (the swing and slide).

Although this is mainly a furniture set, the things you can create are really only limited by your imagination. Inspired by Meccano and the Tripp Trapp chair, the product, due to its modularity, can change and evolve with its user as they grow up. It will start off by being attached to your infant carrier and over the course of your life will grow with you into a fully-fledged chair. On the way it might stop off and become a swing or perhaps a coffee table.

Doris Xu coexistence Throughout my project I have been exploring the idea of rewilding and how children can be encouraged to appreciate nature in high-rise apartments where it is often out of reach. I have designed a flat packed bird feeder that can be assembled by the user and slotted onto the ledge of an apartment balcony. Taking inspiration from the overlapping feathers of birds, the product can be customized with a series of stickers with colours taken from various bird species. The product is made primarily out of oiled manila paper and can shield the seeds from rain as well as offer shelter for birds.

Rui Yang gleam My product is an exploration of how human beings can make choices without thinking about them and get the results they want. The design concept of the product follows the unconscious design concept of Naoto Fukasawa. The products have the characteristics of lamps and lanterns, hanger and shoe cabinet, following the simple and practical style.

The product is applicable to a wide range of age groups, Easy to use for young and old, focussing on interaction and user experience.

Xinyun Zou purpose Nowadays, e-books are becoming more and more popular, but many people still have the habit and preference of reading paper books.

However, paper books are very inconvenient to read on the underground, bus or in places with insufficient lighting. The aim of my project is to design a multifunctional lamp to solve the problem of reading paper books outdoors and at night, which is lightweight, easy to carry and adjustable. It also can be used as a desk lamp and writing board.

–2021