2018-2023 yen's architecture portfolio

TAMKANG UNIVERSITY

2018

TKU IT CH AR E

TUR

EC

ARCXHITECTURE

PORTFOLIO

EA1 - EA4 ARCHITECTURE SELECTED WORKS

EA1 - EA4 ARCHITECTURE SELECTED WORKS

YEN YU CHENG

EA1 - EA5 !

2023

EA1 - EA5ARCHITECTURE SELECTED WORKS

EA5 Thesis Design - Space and Notations LAB , Keelung

JUN . 2023

Department of Architecture

Tamkang University , New Taipei City , Taiwan EA4 Option Studio-Miniature and Panorama Studio , Taipei

SEP. 2021 - JUN . 2022

Teacher Wang Jikun Architectural Design Excellence Scholorship 1ST(EA4)

MAR . 2021 - MAY . 2021

On-Campus Housing Design Exhibition

JUL . 2020 - AUG . 2020

大尺建築+郭旭原聯合建築師事務所

Intern

JUL . 2019

Bio architecture Formosana

Part-time worker

Deputation

EA4 Option Studio- Scene and Virtual Architecture Research Studio , Paris

EA4 Option Studio- Scene and Virtual Architecture Research Studio , Paris

EA4 Option Studio- Scene and Virtual Architecture Research Studio , Paris

顏于程 YU-CHENG YEN

JUL . 2022 - JUN . 2023

Tamkang University 55th Graduation Design Association

Leadership Group,Team Leader

JUN . 2022

Tamkang University Graduation Design Exhibition

Speech Representative of Current Students

SEP . 2021 - NOV . 2021

National Architecture Department Invitational Competition

Project Leader

SEP . 2021 - NOV . 2021

TKU Architecture Camp

Director

SEP . 2020 - JUN . 2021

The Badminton Club for Department of School

Club Leader

SEP . 2019 - DEC . 2019

Architecture Week

Bingo

Event Host

INSTAGRAM _ alan4111647

MAR . 2019 - JUL . 2019

TKU Architecture Summer Camp

3D Team

Director

CELLPHONE NUMBE _ +886 989758858

SEP . 2018 - DEC . 2018

Architecture Week

Ghost house

Team Leader

EMAIL _ alan4111647@gmail.com

1:1 Team

EA4 Option Studio- Scene and Virtual Architecture Research Studio , Paris

EA3 Architecture Design- HOUSING , Taipei

EA3 Architecture Design- RELIGIOUS SPACE , Taipei

EA2 Architecture Design- INFORMATION STATION , Taipei

AutoCAD

Rhinoceros 3D

Adobe Premiere

Adobe Illustrator

Adobe InDesign

Lumion

Adobe Photoshop

Revit

Grasshopper

Sketchup

Enscape

EA2 Architecture Design- INCUBATOR , Taipei

EA2 Architecture Design- PAVILION , Taipei

Chinese | English

EA1 Architecture Design

銀色日記本 . 二樓之城 SIGNAL TRANSLATION IN KEELUNG CITY , KEELUNG CITY INDIVIDUAL WORK EA5 Thesis Design - Space and Notations LAB ,SUMMER 2022-SPRING 2023 ADVISOR : 平原英樹 教授

CHAPTER CHAPTER 01 RESEARCH : WHAT IS SIGNALS IN THE- TRAVEL CITYIN THE DARK - DISCONTINUOUS CITY CHAPTER 02RESEARCH DESIGN CHAPTER 03SITE - - SIGNALS IN KEEKUNG CITY CHAPTER 04FINAL DESIGN - SECOND FLOOR CITY

SIGNALS AND IMAGINED CITIES RESEARCH SITE : CITY CORRIDOR

THE CLOTHES STORE IN WUFENPU RESEARCH SITE WUFENPU :

SITE : MINGDE / QINMIN / ZHISHAN BUILDING , KEEKUNG CITY

SALES DEPARTMENT

BACKPACKER HOSTEL

HIDDEN AUCTION HOUSE

LOBBY OF NIGHTLIFE

The night sales department is a place for fishmongers to take a short rest. He is between the preparation period before the opening of the fish market and the place where he sneaks in after the market opens.

For the backpackers who came to Keelung for the first time, a big change occurred between checking in in the afternoon and midnight. This is the first sight of Keelung.

In the background of the fish market, behind the bright fish market, there are also many dark transactions that are inconvenient to be known. The fluctuation and determination of prices can be discussed here.

There are many unspeakable events and stories hidden in the buildings at night in Keelung, and they often face the street in a different way outside, which is actually another thing.

In the past, the space on the first floor and the second floor was defined by floor slabs, but I think that these two spaces are composed of two different spatial atmospheres, two different feelings composed of different signals, when the world composed of two different signals exists , the boundary of the second floor world will be formed automatically.

03

06

SECOND FLOOR CITY

THESIS DESIGN

2022 SUMMER-2023 SPRING

INDIVIDUAL WORK

TRAVEL IN THE DARK

WHAT IS SIGNALS IN THE CITY

My interpretation of architectural signals is that when I walk into a building, I am in a blank state until I receive signals from the building, such as light signals, material signals, various spatial texture signals, or signals that overlap with memory tracks.

My interpretation of architectural signals is that when I walk into a building, I am in a blank state until I receive signals from the building, such as light signals, material signals, various spatial texture signals, or signals that overlap with memory tracks.

- SIGNAL IN THE DEEP OF ALLEY

- SIGNAL IN THE DEEP OF- ALLEY SIGNAL OF STAIRS ON THE EXTERIOR WALL

- SIGNAL OF ARTIFICIAL LANDSCAPE

- SIGNAL OF ARTIFICIAL LANDSCAPE

- SIGNAL OF MYSTERIOUS LIGHT BEHIND THE WALL

- SIGNAL OF PASSAGE TO THE UNDERGROUND

SIGNAL IN THE DEEP OF ALLEY

SIGNAL OF STAIRS ON THE EXTERIOR WALL

SIGNAL OF ARTIFICIAL LANDSCAPE

SIGNAL OF PASSAGE TO THE UNDERGROUND

TRAVEL IN THE DARK

Because it is impossible to clearly see the appearance of the whole city, people will receive signals from the city in their lives, so that they will build a city that belongs to them between imagination and reality in their MIND.

/ 研究_來自都市中的訊號 _ 街道訊號組成的城市 / RESEARCH : WHAT IS SIGNALS IN THE CITY

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SIGNALS AND IMAGINED CITIES

<Invisible City> AND SIGNALS IN THE CITY

卡爾維諾的著作<看不見得城市>中馬可波羅和忽必烈的對話總是圍繞著一 座座完全不同的城市，但隨著篇章的更迭，一個個故事似乎來自同個城市和 不同的訊號。

The dialogue between Marco Polo and Kublai Khan in Calvino's book "Invisible Cities" always revolves around completely different cities, but as the

訊號與訊號構築出的城市 以上述的研究，我對城市的訊號有個初步的觀點,當我們認識一座城市,剛開 始我們是一片空白,直到我們接受到城市的光線/材質/都市紋理等等我認為 那是城市中散發出的一個一個訊號，因為無法清楚的窺探整座城市的面貌， 人們會在生活中接收來自城市的訊號，以此人會在心中構築出一座屬於他 的一座介於想像和真實之間的城市，而不同的接收者能接收到不同的訊號， 因而在心中形成一座完全不同的城市。

05

SIGNAL OF MYSTERIOUS LIGHT BEHIND THE WALL

<看不見的城市>與都市中的訊號

RESEARCH SITE : CITY CORRIDOR

I like to travel alone at night, walking between the sidewalk and the rain shelter, the arcade and the rain shelter cover most of the sight, so the world I can see at this time is actually very limited, and I can only see through the small signals in the city Come to understand and compose this unknown city, such as the small glowing landscape/lanterns in the depths of the alleys/the psychedelic light behind the iron sheet/the iron ladder hanging on the wall/the unknown passage leading to the underground, through these With tiny signals, I began to know this city and use these signals to generate my imagination of THE CITY.

chapters change, each story seems to come from the same city and different signals.

SIGNALS AND CITY CONSTRCTED OF SIGNALS I have a preliminary view on the signals of the city. When we know a city, we are blank at the beginning, until we receive the light/material/urban texture of the city, etc. I think it is a signal sent out by the city. Because it is impossible to clearly see the appearance of the whole city, people will receive signals from the city in their lives, so that they will build a city in their hearts between imagination and reality, and different recipients Can receive different signals, thus forming a completely different city in the mind.

06

SECOND FLOOR CITY

THESIS DESIGN

2022 SUMMER-2023 SPRING

INDIVIDUAL WORK

Wufenpu is a changeable city, and everyone has a completely different description of the city because of their roles in the city and the signals they receive. I would like to use a clothing store as a small microcosm of the city, and use the store manager/customer/non-clothing designer/resident to describe what they think of Wufenpu.

TRAVEL IN THE DARK SMALL DESIGN : DISCONTINUOUS CITY SIGNSLS AND RECEIVERS HOW DO YOU MENTION THE CITY ?

/ 小設計實驗_不連續城市 / RESEARCH DESIGN : DISCONTINUOUS CITY - THE CLOTHES STORE IN WUFENPU

RESEARCH SITE : WUFENPU

貫穿街道的透明拱廊

TRANSPARENT ARCADE RUNS THROUGH THE STREET

五分埔的都市涵構像是被四條大路界定的小城市，它有很多這種 貫穿街道的透明拱廊,它不只貫穿街道也劃分了建築和人的空間， 以剖面來看它讓重知的空間產生了兩種完全不同的空間氛圍,這讓 我產生了好奇心,於是我以這個作為我的開端進行了我的小設計

The urban structure of Wufenpu is like a small city bounded by four main roads. It has many transparent arcades that run through the streets. It not only runs through the streets, but also divides the space of buildings and people. Viewed in section, it is recognizable The space produced two completely different space atmospheres, which aroused my curiosity, so I used this as my starting point for my small design

不連續的裁縫店

STORE MANAGER

Wufenpu is a psychedelic city , which has repeated streets and repeated lights. If you are not careful, you may lose yourself.

For the resident, Wufenpu is his home, and the signals of Wufenpu are everyday to him.

The store manager is probably the person who knows Wufenpu the most. He has experienced day and night, from light to dark, noisy to quiet, complex to simple, and covering to revealing. He feels the flow of time and light.

07

I see the totally different Wufenpu , from day and night .

For fashion designers, Wufenpu is a place to publish designs and find inspiration.

MESSY STREET

ARCADE

MESSY STREET

For store managers, complex streets are not always cluttered. Over time, the streets go from clean facades during the day to lights up at night, and goods begin to pile up on the streets.

The resident lives on the third floor and is separated from Wufenpu by an arcade. Through the light hitting the arcade, he can clearly see the business conditions on the street.

The chaotic street is an insane database for fashion designers, which includes colors, materials and sewing techniques. The chaotic streets always bring countless surprises.

DISCONTINUOUS CLOTHES STORE This is a small design composed of signals in four groups of spaces. The tailor shop is a space composed of several different programs. The shopping mall/showroom/tailoring room each represent a profession and organization. I divided it into four Each space has four roles as receivers of signals.

CUSTOMER - MR . SU

Wufenpu is a changeable city, and you can see its different faces at different times and angles.

This is a city full of light and color, and the light penetrates the clothes and radiates in the city.

MESSY STREET

For customers, the chaotic streets make them disoriented, and the halo of the store makes them lost in the complex intersection DARK STAIRS

For residents, the staircase in the dark is their way home and a place to play as a child.

DARK STAIRS

The awning is a shelter from the wind and rain for the customer, which combines the halo of light reflection.

NARROW ALLEY

Streets in the dark are a shortcut for fashion designers to other studios

The shops in Wufenpu are crowded alleys made up of narrow alleys that are often disturbing and confusing.

MESSY STREET There is a big difference between an empty morning and Wufenpu in the evening, which is a strong difference for residents who leave early and return late.

A trellis may be a roof sheltering from the wind and rain to customers, but a screen that can see through to store managers.

For customers, Wufenpu is a place to buy goods, and they come every one to two weeks.

The stairs in the dark are hidden beside the bright store. For customers, it is an unknown signal, mysterious and dangerous.

ARCADE

DARK STAIRS

ARCADE

這是由四組空間中的訊號組成的一個小設計，裁縫店是由幾種不 同program組成的空間，其中商場/展示間/裁縫室各代表著一種 職業和組織，我把它畫分成四個空間分別由四種角色作為接收訊 號的接收著，以服飾店經理舉例:他穿梭在五分埔的各個空間和時 間，對於他來說五分埔是一個多面的城市，他的空間作為建築的核 心穿越了拱廊之下和拱廊之上，連結著空間中的各個地方，這是店 經理的空間。以這個方式我也另外以居民/衣服設計師/顧客作為 訊號的接收著，並試著透過這些線索來完成這個小設計。

CLOTHING DESIGNER

RESIDENT

Taking the manager of a clothing store as an example, he travels through various spaces and times in Wufenpu. For him, Wufenpu is a multi-faceted city, and it serves as the core of the building. Passing through the arcade and above the arcade, connecting various places in the space, this is the space of the store manager. In this way, I also receive signals from residents/clothes designers/customers, and try to complete this small design through these clues.

UNSTOP CITY

TWO FACE CITY

PALETTE CITY

PSYCHEDELIC CITY

08

SECOND FLOOR CITY CITY SECOND FLOOR

THESIS DESIGN THESIS DESIGN

2022 SUMMER-2023 SPRING 2022 SUMMER-2023 SPRING

INDIVIDUAL WORK INDIVIDUAL WORK

KE

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OC EA

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CITY OF SIGNSLS

PL A

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"How did you mention Keelung?" I think everyone has a different answer. Is it the gateway to Taiwan? The biggest port, the bustling streets, the crowds, the empty streets, or the old, dilapidated and chaotic The streets, the messy piles, and the people who are gradually disappearing and getting old?

The splendor of Keelung and the vicissitudes of life are layered on top of each other, and many fascinating signals are produced in this interweaving and collision, which is why even if they live in the same city, each character thinks Keelung is different.

CH OU NG

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MIN-DE BUILDING / CHING-MIN BUILDING / CHI-SHAN BUILDING , KEELUNG

SITE :

"How did you mention Keelung?" I think everyone has a different answer. Is it the gateway to Taiwan? The biggest port, the bustling streets, the crowds, the empty streets, or the old, dilapidated and chaotic The streets, the messy piles, the gradually disappearing and aging people? Keelung's glory and desolation are layered on top of each other, and many fascinating signals are produced in this mutual interweaving and collision.

SIGNALS IN KEELUNG CITY

/ 基地_隱藏在背後的訊號 / SITE: SIGNALS IN KEELUNG CHARACTER OF SIGNALS IN THE CITY

RESEARCH SITE : KEELUNG

「你是怎麼提到基隆的?」

"How did you mention Keelung CITY?"

130 年前法國人將軍艦停在基隆外港時看到的是一塊平地和兩座突 起的山脈。

130 years ago, when the French warship stopped at the outer port of Keelung, they saw a flat land and two protruding mountains.

1915年日本在台灣建造了第一座現代港口，基隆成為台灣的門戶，巨 型的郵輪隨處停靠。

In 1915, Japan built the first modern port in Taiwan. Keelung became the gateway to Taiwan, and giant cruise ships docked everywhere.

In World War II in 1945, the U.S. military bombed Keelung Port on a large scale, which

1945年第二次世界大戰，美軍大規模轟炸基隆港，這成為了一片廢墟

became a ruin The expansion of the deep-water port 38 years ago made Keelung the largest port in Taiwan. Overnight, thousands of people emptied the streets, and the port and streets

38年前擴大的深水港口，讓基隆成為台灣第一大港，一夕之間萬人空 巷，港口和街道繁盛至極，遊客和工人在日夜之間不間斷的來回交替 ， 「不夜城」成為了基隆的代名詞。

were extremely prosperous. Tourists and workers alternated day and night, and the "city that never sleeps" became synonymous with Keelung.

Keelung has different answers for everyone. It is the gateway to Taiwan, the largest port,

每個人對基隆都有不同的答案，是台灣的門戶,第一大港,擁有繁盛的 街道,擁擠的人潮,也是老舊破敗,雜亂的堆砌,充滿逐漸消失和老去的 人。基隆的輝煌榮光與落寞滄桑訊號層層疊疊，在這相互交錯和對撞 中產生了很多迷人的訊號，也就是這座城市特殊的原因。

09

with prosperous streets and crowded crowds. It is also old, dilapidated, messy and full of people who are gradually disappearing and aging. Signals of Keelung's glory and desolation and vicissitudes are layered on top of each other, and many fascinating signals are produced in this mutual interweaving and collision, which is the reason why this city is special.

10

銀色日記本 . 二樓之城

00 SIGNAL CLASSIFICATION

SIGNALS IN SECOND FLOOR CITY

In some spaces, more than two kinds of spatial signals are often superimposed, and the mutual disturbance between the signals often unexpectedly produces a very special spatial atmosphere.

The fast pace of the fish market at night makes people unable to breathe. The sales department is a space for people to take a break from their busy schedule. With the opening and closing of the fish market, the space of the sales department will change with time.

In the past, the space on the first floor and the second floor was defined by floor slabs, but I think that these two spaces are composed of two different spatial atmospheres, two different feelings composed of different signals, when the world composed of two different signals exists , the boundary of the second floor world will be formed automatically.

BEHIND _ HIDDEN AUCTION HOUSE FLOWING _ BACKPACKER HOSTEL

In the background of the fish market, behind the bright fish market, there are also many dark transactions that are inconvenient to be known. The fluctuation and determination of prices can be discussed here. The most obscure information in the fish market that opens at night is the price of the catch that night. The place where prices are negotiated is often the most obscure space. There is no space that can be seen at a glance in the HIDDEN AUCTION HOUSE, but as the fish market opens, the hidden informations are distributed in the city along with the gaps in the building, the overflowing light, and the refraction of the metal curved wall

The fish market in Keelung is a very special space. It opens at midnight, after all the shops on the street are closed, and all the lights and hustle and bustle unfold at the supposedly quiet time.

The youth hostel provides a very special experience for first-time visitors to Keelung. As time changes, the city's signals smudge the walls and space through the gaps in the space.

"How did you mention Keelung?" I think everyone has a different answer. Is it the gateway to Taiwan? The biggest port, the bustling streets, the crowds, the empty streets, or the old, dilapidated and chaotic The streets, the messy piles, the gradually disappearing and aging people? Keelung's glory and desolation are layered on top of each other, and many fascinating signals are produced in this mutual interweaving and collision.

/ 主設計_銀色日記本.二樓之城 / FINAL DESIGN - SECOND FLOOR CITY CHARACTER OF SIGNALS IN THE CITY

SITE : MINGDE / QINMIN / ZHISHAN BUILDING , KEEKUNG CITY

SECOND FLOOR CITY 「SECOND FLOOR CITY」 並不存在一眼可見的空間，它 存在於基隆層層堆疊的招牌之間，在散發未知訊號的階 梯上，和訊號堆疊的店舖之後。 我想設計的二樓之城是一種屬於基隆的空間氛圍的過 去與現在，新與舊交疊一種訊號/空間氛圍 /無法被一 眼看見的空間。 基隆訊號在空間中的轉譯 透過門後被暈染的牆/窗戶灑進的光線/被不同顏色暈 染疊加的玻璃金屬牆上人和各種活動的投影和反射各 種訊號交織在這原本失落的建築中，藉此產生流動/層 層疊疊得擾動空間中的人和活動，讓這座二樓之城彷彿 回到那個繁華的基隆，我認為這些都是最珍貴和最有魅 力的事，也是我一直想達成和想透過這個設計傳達的事 。

SECOND FLOOR CITY "SECOND FLOOR CITY" does not have a space that can be seen at a glance. It exists between the stacked signboards in Keelung, on the stairs that emit unknown signals, and behind the shops with stacked signals.

The second-floor city I want to design is a space atmosphere of Keelung, past and present, where new and old overlap, a signal/space atmosphere/a space that cannot be seen at a glance.

NOISE _ LOBBY OF NIGHTLIFE

Translation of chielung signals in space Through the blurred wall behind the door/the light from the window/the projection and reflection of people and various activities on the glass and metal walls that are superimposed by different colors, various signals interweave in this originally lost building, thereby creating a flow/ Layers upon layers disturb the people and activities in the space, making this city on the second floor seem to return to the bustling Keelung. I think these are the most precious and charming things, and I have always wanted to achieve and through this Design communicates things.

There are many unspeakable events and stories hidden in the buildings at night in Keelung, and they often face the street in a different way outside, which is actually another thing. On the streets of the city, in the narrow alleys and next to the ordinary shops, there is always a slender staircase protruding from the dark, stained with dangerous signals, attracting people to the mysterious entrance.

The teahouse culture has penetrated into the lives of Keelung people until modern times. That dangerous and charming signal is often hidden in another space, such as a video game factory, grocery store or clothing store. The overlap of these two different spaces adds a layer of mist and mystery to the original dangerous signal.

SECOND FLOOR CITY" does not have a space that can be seen at a glance. It exists between the stacked signboards in Keelung, on the stairs that emit unknown signals, and behind the shops with stacked signals.

The second-floor city I want to design is a space atmosphere of Keelung, past and present, where new and old overlap, a signal/space atmosphere/a space that cannot be seen at a glance.

11

12

01

02

SIGNAL CLASSIFICATION

SIGNAL CLASSIFICATION

NOISE

BEHIND

DESIGN STRATEGY The clothing store on the first floor and the tea room on the second floor are divided into two different signals, the surface layer and the inner layer, which are superimposed, and the openings in the wall and the curved metal wall are used to overlap the two different signals’ flowing and disturbance, resulting in the signal in the space. To the receiver of the signal it is a noise, which is a unique signal in Keelung.

BEHIND SIGNALS NOISE SIGNALS

SECOND FLOOR CITY

DESIGN STRATEGY

The trading space is placed in the cracks of the building space, the volume is cut with curves to let the light overflow in the dark, and it is connected with stairs and narrow passages.

13

I think the charm of the city cannot be seen at a glance. Under the thick and neat facades, in the crowded and narrow alleys, and in the low and oppressive arcades, there are always some small voices telling the story behind..

There are many unspeakable events and stories hidden in the buildings at night in Keelung, and they often face the street in a different way outside, which is actually another thing.

NOISE _ LOBBY OF NIGHTLIFE

BEHIND _ HIDDEN AUCTION HOUSE

LOBBY OF NIGHTLIFE

BEHIND SIGMALS IN KEELUNG

There are many unspeakable events and stories hidden in the buildings at night in Keelung, and they often face the street in a different way outside, which is actually another thing. On the streets of the city, in the narrow alleys and next to the ordinary shops, there is always a slender staircase protruding from the dark, stained with dangerous signals, attracting people to the mysterious entrance.

Keelung is a city full of clutter, but it also exudes a very charming signal. The flickering light of the windows behind the complicated signboards, and the psychedelic light of the bar on the second floor are blurred on the translucent glass of the entrance, implying with dangerous and mysterious messages. The signal behind Keelung hides many interesting and mysterious stories.

The teahouse culture has penetrated into the lives of Keelung people until modern times. That dangerous and charming signal is often hidden in another space, such as a video game factory, grocery store or clothing store. The overlap of these two different spaces adds a layer of mist and mystery to the original dangerous signal.

HIDDEN AUCTION HOUSE In the background of the fish market, behind the bright fish market, there are also many dark transactions that are inconvenient to be known. The fluctuation and determination of prices can be discussed here. The most obscure information in the fish market that opens at night is the price of the catch that night. The place where prices are negotiated is often the most obscure space. There is no space that can be seen at a glance in the HIDDEN AUCTION HOUSE, but as the fish market opens, the hidden informations are distributed in the city along with the gaps in the building, the overflowing light, and the refraction of the metal curved wall

03

04

SIGNAL CLASSIFICATION

SIGNAL CLASSIFICATION

AGITATION

FLOWING

DESIGN STRATEGY The sales department is placed above the fish market, and the walls are made of thick glass bricks and curved metal walls. With the successive openings of the sales department and the fish market, the signals are continuously blurred on the glass bricks and metal walls to form a very special signal.

AGITATION SIGNALS

FLOWING SIGNALS

In some spaces, more than two kinds of spatial signals are often superimposed, and the mutual disturbance between the signals often unexpectedly produces a very special spatial atmosphere.

As time changes, the signals composed of lights and activities in the city will also change, and some very special signals will only occur in certain short periods of time.

AGITATION _ SALES DEPARTMENT AGITATION SIGNALS IN KEELUNG

FLOWING SIGNALS IN KEELUNG

The low arcades and the streets full of debris make people feel oppressed, but as night comes, the lanterns hanging on the arcades light up, and the special light cuts the original messy space, forming a new space atmosphere.

The first time I walked on the streets of Keelung, I felt ordinary, but as the sudden heavy rain soaked all the objects and floors on the street, the originally chaotic streets became blurred and blurred with the ordinary light. The floor covered with rainwater forms a very special signal belonging to Keelung.

The fish market in Keelung is a very special space. It opens at midnight, after all the shops on the street are closed, and all the lights and hustle and bustle unfold at the supposedly quiet time.

SALES DEPARTMENT (BACKSTAGE)

The youth hostel provides a very special experience for first-time visitors to Keelung. As time changes, the city's signals smudge the walls and space through the gaps in the space.

The fast pace of the fish market at night makes people unable to breathe. The sales department is a space for people to take a break from their busy schedule.

With the opening and closing of the fish market, the space of the sales department will change with time.

DESIGN STRATEGY Place the youth hostel above the fish market, and use metal curved walls and white walls to collect signals from the city.

15

FLOWING _ BACKPACKER HOSTEL

BACKPACKER HOSTEL

ONE WAY

MONUMENT TO THE WHITE TERROR INDIVIDUAL WORK EA4 Option Studio-Miniature and Panorama Studio ,SUMMER 2021-WINTER 2022 ADVISOR : 周書賢 教授 Kerby Chou

To commemorate Principal Zhang Minzhi and 7,000 suffering students

17

04 18

ONE WAY

ROAD OF ZHANG MINZHI - SITE

馬場町紀念公園

- EVENT

澎湖七一三事件

- Trace-Scape

860 KM

0

39

DESCRIPTION

KM

「寧鳴而死，不默而生」-胡適 0

45 KM

偉大的教育者總是在面對強權時捍衛學生， 捍衛教育的權利。 澎湖七一三事件又稱為「山東流亡學生冤案 」。張敏之校長為了延續學生教育的權利， 1949年帶著18000名學生、歷時9個月、2300 公里的顛沛流離來到澎湖，卻因為捍衛學生 的權利被迫入獄，與七名學生槍決於馬場町 。

BACKGROUNG TRAINING GROUND

(IN 1895 ~ 1945)

EXECUTION GROUND (IN 1945 ~ 1965)

馬場町曾作為日本的練兵場，國民政府時期 作為白色恐怖的刑場，後來成為官員的練兵 場。歷史的軌跡在這塊新店溪旁的話外之地 留下了屬於那個時代的痕跡。 延續歷史的軌跡我將校長堅韌的意志和學生 的失意化作一條路徑乘載過去的時間和記憶 ，覆寫在土地的痕跡上，希望以此紀念1949 年校長張敏之的勇氣與對於教育的犧牲。

NERBA

(IN 1965~)

HISTORICAL TRACES

DESIGN STRATEGY

PLAYGROUND

STEP 01

ROAD OF ZHANG MINZHI

STEP 02

STEP 03

PLAYGROUND

- OVERWRITE - PATH

HOPE( HEIGHT+4 )

LOST( HEIGHT-2)

- DISTURB

1949 .03 1949 .12

- SEPARATE

19

STEP 04

BEND THE STRAIGHT LINE

STEP 05

HOPE / LOST

STEP 06 FINISH

20

STAGE INTRODUCTION PEOPLE

SPEED

DISTANCE

TIME

STAGE 01

18641+1

+0

STAGE 01

03

STAGE 01

STATE

TRACE

LOCATION IN 1949 HEIGHT

04

STAGE 02

STAGE 02

STAGE 02 STATE

- 2 (m)

DISPLACED

HOPE

LOCATION IN 1949 05

STAGE 03

STAGE 03 STATE

- 2 (m) DISPLACED

06

LOCATION IN 1949

7000+1 1400+1

STAGE 05

+2050

07

+2050

STAGE 04

HEIGHT STAGE 04

STAGE 04 STATE

- 2 (m) HOPE

LOCATION IN 1949 HEIGHT

08

STAGE 05

STAGE 05

STATE

09

HEIGHT

7+1

+2300

10

STAGE 06

11

STAGE 04 第四階段，走在+4米 的平台上迎接久違 的天空，隨著金屬圍 牆的漸低，視線漸漸 穿透到厚牆的內側， 原本期待的大草地 卻是一大片穿孔的 深色耐厚鋼板，金屬 的扶手帶來了刺痛， 金屬板上佈滿7000 個刻著名字的孔，象 徵著原本該在操場 上的學生被迫的缺 席，整個階段象徵著 從希望到失落的巨 變。

STAGE 05

STAGE 06

STAGE 07

第五階段，溜滑梯。 從+4米急速滑落到 -5米，是一段急速邁 向黑暗的過程，在完 全進入黑暗之前右 側的開口正對著 7000名缺席的學生， 轉眼即逝。

第六階段，走在-5米 的漆黑長廊上，伴隨 著7000個穿過圓孔 的光點走著，遠處的 微光是唯一的指引 象徵著1949年被押 送來台灣後，孤身幾 人走著。

第七階段，從-5米的 漆黑長廊直到終點 後迎接著無法碰觸 到的銅板後小心翼 翼的回到標高+-0， 終點牆上的7顆彈孔 象徵著陪著校長抵 達終點的七名學生。

7+1

STAGE 03 第三階段，從-2米的 石頭路走往+4米的 平台，低矮的牆依舊 壓迫著行走的人，走 到輕輕托開厚重的 牆面讓人感受到著 到牆的渾厚，遠方的 光洗在弧形的牆上， 漸層的光隨著洞口 的接近漸亮，也象徵 著艱辛的旅程即將 結束，即將穿過厚牆 抵達象徵教育的平 台

12

STAGE 07

STAGE 02

HOPE IN CHINA + 4 (m) REALITY IN PENGHU + 4 (m)

REALITY

LOST IN TAIWAN

+ 4 (m)

- 5 (m)

LOST

END

LOCATION IN 1949

IN TAIWAN

STAGE 06 STATE HEIGHT

STAGE 07

第二階段，走在-2米 的石頭路上，承受著 傾斜混凝土牆的壓 迫，被引導看向遠方 的操場，希望穿過厚 牆就能抵達象徵教 育的操場，雖然承受 壓迫並且顛沛流離 走著但還是帶著希 望的走著。

IN CHINA

HEIGHT STAGE 03

STAGE 06

STAGE 01

IN CHINA

+ 0 (m)

LOCATION IN 1949

起點，連結歷史的軌 跡將從標高正負0米 帶向標高-2米，經由 緩坡將人帶往1949 年那段張敏之帶著 18000 名學生經由中 國到台灣的路，隨著 坡度下降水的聲音 漸升。

PAST 1949

STAGE 07 STATE

- 5 (m) END

NOW (FREEDOM)

LOCATION IN 1949

IN TAIWAN

HEIGHT

- 5 (m)

+ 0 (m)

MEMORIAL - ROAD OF ZHANG MINZHI _ SITE PLAN ( PLAN +0m / PLAN +6m / PLAN -6m ) 21

22

MEMORIAL - ROAD OF ZHANG MINZHI _ STAGE 01

MEMORIAL - ROAD OF ZHANG MINZHI _ STAGE 04

( STAGE 01 / STAGE 02 / STAGE 02 )

( STAGE 03 / STAGE 03 / STAGE 04 )

23

24

MEMORIAL - ROAD OF ZHANG MINZHI _ STAGE 06

( STAGE 05 / STAGE 05 / STAGE 06 )

( STAGE 06 / STAGE 07 / STAGE 07 )

25

BEHIND PARIS

MEMORIAL - ROAD OF ZHANG MINZHI _ STAGE 05

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2050 PARIS UNDERGROUND CITY , PARIS INDIVIDUAL WORK EA4 Option Studio- Scene and Virtual Architecture Research Studio , SPRING 2021- FALL 2022 ADVISOR : 黃昱豪 教授

NOVEL CHAPTER CHAPTER 01 - THE WAR BEGINS CHAPTER 02 - RESTORE PARIS CHAPTER 03 - UNKNOWN PROGRAM _ BANQUET IN THE GRASS CHAPTER 04 - CITY CORRIDOR CHAPTER 05 - MTSTERIOUS SIGNAL _ UNDERGROUND HOTEL

Even though Paris has gone through such a long war, it has not changed much, but there is always a mysterious atmosphere between the buildings, and the psychedelic light overflows from the gaps.

27

BEHIND PARIS

《悶騷巴黎》

28

BEHIND PARIS

- CHAPTER 01 - THE WAR BEGINS

-西元2050年，巴黎第八區

即使經歷了那麼長時間的戰爭，2050年巴黎的街道還是和2030年看似相同，150年來幾乎未 曾改變的巴黎在工整秩序的外表下，建築和城市之間的縫隙中總是散發著一種神秘的氣息，溫 暈的迷幻的光線常伴隨著薄霧溢出，好像透漏著不能說的秘密。

V-Studio V-Studio 擬建築工作室的全名為Scene and Virtual Architecture Research Studio 虛擬場景與 腳本空間設計。學生設計由書寫一部關於未來的微型小說開始, 從文字中建立有系統邏輯的空間觀,由 故事中創作者的特殊事件與當代觀察進而編織出相應的都市規 則脈絡,在時間軸的催化下,推敲不同空 間尺度上的改變,藉此探討人與都市的更多面向。

PATTERN TRANSFORMATION

TIMESCAPE IN PARIS

SPACE TRANSFORMATION BEFORE THE WAR 1850 ~ 2035 POOR / STUDENT

ROOF FLOOR

THE WAR

AFTER THE WAR

FRAME WORK IN 1850

2035 ~

- TRANSFORM THE BOUNDARY OF THE FLOOR - TRANSFORM THE BOUNDARY OF THE CLASS

5 FLOOR

- CREAT A NEW SPACE BETWEEN THE BOUNDARY

CITY SALON

SERVANT

EXPLOSION DIRECTION

FRAME WORK IN 1850 NEW PATTERN 2035 ~

4 FLOOR

CIVIL SERVANT

NEW BOUNDARY

3 FLOOR

PATTERN C - LONG BALCONY

PATTERN B - PIECES

PATTERN A - VIRTUAL SPACE BOURGEOIS

『擬建築』這個工作室並非訓練建築系學生成為一位偉大的電 影導演或小說家,而是希望學生藉由 自己的文字將其對建築的好奇有系統邏輯的記錄下來,眞誠的面

2 FLOOR

MIX CLASS

NEW PATTERN 2035 ~

( ARISTOCRACY )

對自己的字句,以其專業的建築素養介入設計探討,於小說中所建 立的世界觀僅扮演著其建築養成的種子,在這小說中所列之疑問 也許能成為 學生日後建築設計的提醒與紀錄。

NOVEL CONTENT - CHAPTER01 _ THE WAR BEGINS

V-Studio 11屆《再見黑天鵝》序 黃昱豪老師 00

2022年 俄羅斯打破長期以來和西方國家的恐怖平衡，進軍烏克蘭，開啟了戰爭的序幕。 2035年 8月 21日 俄國終於推進到了巴黎，法國人不願意再像一百年前一樣拱手交出國家，於是維持了近兩百年的巴黎市容和砲彈一起引爆了。 2035年的轟炸後香榭裡社大道的街道上、建築被留下了無數個不同大小的孔洞，炸彈的力道將不同層的樓板和外牆同時炸開，由大到小的顆粒 夾雜著塵土灑在空氣中結合深和淺的破口形成連續的有機空間。

30

- CHAPTER 02 - RESTORE PARIS

- CHAPTER 02 - RESTORE PARIS

UNDERGROUND HOTEL / COMMUNITY UNIT URBAN GREEN SPACE

CITY CORRIDOR / SEWER SYSTEM

BANQUET HALL / FACTORY

RAILWAY SYSTEM

PROPOSAL_A SPACE RECONSTRUCTION

PROPOSAL_A 有機空間再造 SPACE RECONSTRUCTION

UNDERGROUND CITY

PROPOSAL_B 地下城市 UNDERGROUND CITY PROPOSAL_C 新材質的填補 NEW MATERIAL REPAIR PROPOSAL_D 高架城市 ELEVATED CITY

UNDERGROUND CITY 巴黎地下城市

DESIGN PROPOSAL 設計提案 - 草叢中的宴會廳 BANQUET IN THE GRASS

PROPOSAL_B UNDERGROUND CITY

31

PROPOSAL_C NEW MATERIAL REPAIR

PROPOSAL_D ELEVATED CITY

修復巴黎的起點需要先研究巴黎的都市計畫，巴黎的都市計畫是由19世紀的奧 斯曼爵士規劃設計，他利用明確的軸線和道路區分巴黎的建築，所以巴黎的建 築是由一個一個的社區單元形成的。四面環繞建築的社區單元中心會有個共一 個共有的中庭空間。 同時巴黎的地下有非常稠密的下水道系統和地下鐵系統，在二戰時巴黎的地下 鐵就曾經被拿來作為巴黎的暫時閉鎖，有些月台會被當作醫院和收容所，節日 廣場站還曾經被當作生產戰鬥機零件的工廠。 我試著依循著資料的線索提出了地下城市的提案，這是我初期提出的一張圖， 為了躲避戰火，人退回街道劃分出的社區單元以內並且建築地下城市。 ，地下 城市的主要空間會與地上的社區單元和都市的開放空間連接，地下的主要空間 會再由巴黎的下水道和地下鐵系統連接。

2050年的巴黎地下城市不再只是戰爭時期躲避砲彈轟炸的場所，他 需要是個擁有巴黎驕傲與繁華的地下城市，於是我透過觀察試著描 述幾個屬於巴黎的質感。 巴黎的質感包含城市中葉片間滲入的幾束陽光、佈滿落葉的人行走 道、驟雨下微弱閃爍的幾盞路燈、積水的磁磚上反射的建築倒影、 夜晚濃霧中的幾株光點，巴黎的街道被各種瑣事反覆的暈染出屬於 它的質感。我認為巴黎街道的美不在張狂而是將美好匯聚在幾束光 點，蘊藏在材質中，建築之下。 我試著透過設計回應我認為的巴黎。

- 城市廊道 CITY CORRIDOR - 地下飯店 UNDERGROUND HOTEL PARIS INFRASTRUCYURE 巴黎基礎設施 - 下水道系統 SEWER SYSTEM - 城市綠地 URBAN GREEN SPACE - 地下鐵系統 RAILWAY SYSTEM - 社區單元 COMMUNITY UNIT

32

《悶騷巴黎》 2050 PARIS UNDERGROUND CITY , PARIS INDIVIDUAL WORK EA4 Option Studio- Scene and Virtual Architecture Research Studio , SPRING 2021- FALL 2022 ADVISOR : 黃昱豪 教授

BANQUET HALL / PARIS FACTORY

Now the mechanical transmission device is used as a runway to provide models for the catwalk, and the pipeline system is converged as a light guide. The linear light combined with the interlacing of dots, smudged and superimposed to form a rhythmic light and shadow combined with the catwalk on the stage, the underground world belonging to Paris is officially revealed to outsiders.

00

00

00

34

- CHAPTER 03 - UNKNOWN PROGRAM _ BANQUET IN THE GRASS CHAPTER 03 - UNKNOWN PROGRAM _ BANQUET IN THE GRASS

CHAPTER 03 - UNKNOWN PROGRAM _ BANQUET IN THE GRASS

- CHAPTER 03 - UNKNOWN PROGRAM _ BANQUET IN THE GRASS

BANQUET HALL / PARIS FACTORY BANQUET IN THE GRASS

DESIGN DESCRIPTTION

The underground of Paris has a very dense sewer system and subway system. During World War II, the Paris subway was used as a temporary blockade of Paris. Some platforms were used as hospitals and shelters. Used as a factory for the production of fighter jet parts.

ENTRANCE TO THE GRASS ENTRANCE TO THE GRASS

URBAN GREEN SPACE

VERTICAL LINE

BANQUET HALL

Gradually, the citizens of Paris no longer walk in the parks in the city calmly. The siren of the missile attack disrupted the original 00continuous segments of life, and people began to think about moving some of the life segments to the underground world.

NOVEL CONTENT - CHAPTER 03 _UNKNOWN PROGRAM 「哇巴黎即使經歷了那麼長時間的戰爭,還是沒什麼改變,不過建築間 總隱隱約約傳來神秘的氣息,迷幻的光從縫隙中隱晦的溢出,巴黎生活 的人也太可愛,來公園散步還要穿著西裝和晚禮服,我還以為是舉辦了 盛大的宴會。」 庫柏隨意的躺在草坡上欣賞著巴黎帶來的樂趣,隨著夜色籠罩,更多的 人穿著正裝往深處移動,這場鬧劇完全逗樂了庫柏,他撐起身體追上那 群西裝怪人,隨著人群搖曳著很快的他發現了遠處有片草叢的顏色不 太一樣,他散發著不尋常的艷紫色光芒,他隨著時間散發著不同程度的 光,好像從遠方傳來的息,越接近中心才發現,地板不是平的甚至蠻傾斜, 漸漸這發光的草淹過了庫柏的頭頂疏密不同的條,結合夜晚的薄霧讓 他迷失了方向,緊跟著西裝怪人我才終於在像隧道的平坦空間停下。 來到深處奇異的光迴盪在遠方的轉彎處,這裡彷彿是現實世界的邊界, 他接著未知的世界。

轉彎後迎面而來的是巨大且深的空間,彷彿全巴黎的人都聚集在這裡。 原以為是奇怪顏色的草叢的光條由上而下的肆意蔓延,它是連結地上和 地下資訊的媒介,它舞者一樣華麗的搖擺,和地上平整的草叢形成某種 程度的對比。 隨著意識逐漸淸晰,庫柏發現這裡原來是以前的廢棄月台,他早就聽說 巴黎在戰爭的期間就有使用廢棄的月台作為生產飛機零件的工廠,因為 它的位置相當隱蔽,隱藏在城市的開放綠地之下,被草叢包圍著,旁人根 本不會主動靠近,所以可以當作良好的補給基地,在入口處有個大型的 垂直升降機,連結著地下的地鐵車站,零件製作後就直接運送至列車上 載網需要的戰區。如今機械的傳動裝置被當作伸展台提供模特兒走秀, 管線系統被收斂其來作為光線的導覽。線性的光結合圓點的交錯,暈染 、疊合出了律動的光影結合舞台的走秀,屬於巴黎的地下世界正式展露 在外人面前。

CHAPTER 03 - UNKNOWN PROGRAM_CITY GARDEN ( ENTRANCE OF BANQUET HALL / ARTIFICIAL LANDSCAPE / LINEAR LIGHT SOURCE ) 36

BANQUET HALL / PARIS FACTORY

CHAPTER 03 - UNKNOWN PROGRAM_ BANQUET HALL , TRAIN STATION , LINEAR LIGHT SOURCE , FACTORY

CHAPTER 03 - UNKNOWN PROGRAM _ BANQUET IN THE GRASS

CHAPTER 03 - UNKNOWN PROGRAM _ BANQUET IN THE GRASS

- CHAPTER 03 - UNKNOWN PROGRAM _ BANQUET IN THE GRASS

CHAPTER 03 - UNKNOWN PROGRAM_BANQUET HALL / FACTORY ( TRAIN STATION , VERTICAL TRANSPORTER / ARTIFICIAL LANDSCAPE / LINEAR LIGHT SOURCE )

37

38

2050 PARIS UNDERGROUND CITY , PARIS INDIVIDUAL WORK EA4 Option Studio- Scene and Virtual Architecture Research Studio , SPRING 2021- FALL 2022 ADVISOR : 黃昱豪 教授

Cooper recalled that when he first arrived in Paris, it happened to be raining heavily for several days in a row. The dark floor tiles soaked in water blurred the light and shadow of street lamps and people's journeys, and the crowd walked lightly in the rain. Under the cover of mist, the psychedelic and mysterious streets and the underground streets in front of him overlapped in his eyes, "That is the most beautiful Paris in my mind."

2539

00

00

BEHIND PARIS

《悶騷巴黎》

26

CHAPTER 03 - UNKNOWN PROGRAM _ BANQUET IN THE GRASS

CITY CORRIDOR / SEWER SYSTEM

SMOOTH METAL SKIN

CHAPTER 04 - CITY CORRIDOR / SEWER SYSTEM ( LIGHTWEIGHT METAL FRAME / SMOOTH METAL SKIN / STEEL STRUCTURE MAIN STRUCTURE / HIGH REFLECTIVITY GLASS ) LIGHTWEIGHT METAL FRAME

NOVEL CONTENT - CHAPTER 04 _ CITY CORRIDOR

STEEL STRUCTURE MAIN STRUCTURE

CONCRETE TRANSFORM TO ( LIGHTWEIGHT METAL FRAME / SMOOTH METAL SKIN / STEEL STRUCTURE MAIN STRUCTURE / HIGH REFLECTIVITY GLASS )

宴會結束後,庫柏跟著散場的人群走回地面。在牆上他認出了這裡曾是11 號線路的月台,2050 年的 現在深色的玻璃映照了屬於這個時代的都市街景。深色的玻璃淸晰和厚實,他將個人和空間的關 係結合在一起。輕型的金屬框架讓地下的隧道沾染上了一層金屬的質感,它取代了厚重的混凝土 牆隨著經過不同的空間,它穿上了光線給他的一層外衣,在溫暖的黃光一點一點的暈染下,金屬的外 框染上了屬於巴黎街道的黃色,庫柏想起初次抵達巴黎時,剛好遇上了連下好幾日的大雨,被水浸淫 的深色地磚暈開了路燈和人行程的光和影,人群在雨中輕盈的漫步。在薄霧的罩蓋下,迷幻神秘的 街道和眼前的地下街道重疊在他的眼裡,「那就是我腦海裡最美的巴黎」。庫柏接近地面時光線 漸漸消失,原本四溢的光點開始消逝空間只留下夜晚的薄霧和銀光,肆意地穿梭後他莫名的找到了 回到地面上的出口。

41

HIGH REFLECTIVITY GLASS

00

BEHIND PARIS

- CHAPTER 04 - CITY CORRIDOR

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2050 PARIS UNDERGROUND CITY , PARIS INDIVIDUAL WORK EA4 Option Studio- Scene and Virtual Architecture Research Studio , SPRING 2021- FALL 2022 ADVISOR : 黃昱豪 教授

The light from the sky in the hall and the lights in the room blurred into a lavender light and shadow. He couldn't believe that this was actually an underground space, and that was the source of the light. intertwined lights and lines

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BEHIND PARIS

《悶騷巴黎》

44

- CHAPTER 05 - MTSTERIOUS SIGNAL _ UNDERGROUND HOTEL

COMMUNIYT UNIT

NEW FACADE / ENTRANCE The curtain glass composed of light steel structure is hidden in the Paris of

NEW FACADE / ENTRANCE

long balconies, and it emits a dark red light like some kind of signal to indicate the existence of the underground restaurant.

ARTIFICIAL LANDSCAPE

MTSTERIOUS SIGNAL 未知的訊號

There is a large atrium in the community unit, which is the common garden of the community. The artificial landscape above echoes the light strips blown by the wind. It is also the ceiling of the underground stage, and it is

COMMUNITY UNIT

「地址：第八區 香榭裏社大道 765B」看著記事本中 的地址，Cooper已經在700到800號之間來回走第三 次了。「Hay,Murphy 香橙飯店到底在哪？ 依照路上 的標示 ，香橙飯店應該會在街角數來的第三家店，但 這棟六層樓的巴黎街屋跟我訂的12層酒店完全不符合 啊，Jennie怎麼會推薦這種地方給我。」

the interface between the underground and the ground.

SIDEWALK

ROAD

ARTIFICIAL LANDSCAPE

ROAD TO UNDERGROUND There is only one corridor leading to the underground in the hall. The further

The underground hotel in Paris was used as a base for housing citizens during wartime, and as an underground hotel for tourists during non-war times. It is located in the community unit of Paris. The only space connecting the above-ground world is the entrance hall and the entrance hall hidden in the façade. Garden of Lights in the Atrium.

you explore, the weaker the subsidence becomes, until deep underground,

HOTEL ROOM

people can only rely on the mansion to move forward.

PARIS BALLROOM The Paris Ballet is located on the bottom floor of the underground hotel. The

PARIS BALLROOM

765號的門牌掛在一扇散發出紅色光暈的玻璃門上， 門後的大廳只有一座通往地下的樓梯通往地下的樓梯 它並不是筆直的下降而是像一條很長的坡道繞著一個 粗糙的弧面降越往低處光線越暗，走到深處時只能依 靠者扶手前進，最後停止在像是圓管的平坦地板上， 在暗處裡Cooper只能繼續依靠者扶手前進終於在穿過 到很厚的牆後看到了光，「原來香城酒店是在地下阿 ，這個光是建築中的縫隙滲透的光吧如果沒有打開那 扇門，這個深邃的洞穴恐怕永遠不會被發現。」 大廳中天空灑入的光線和室內的燈光暈染出了淡紫色 的光影，他不敢相信這裡竟然是地下的空間那裏就是 光的來源把，想不到在規矩的結構底下，會有像薄霧 依樣交織的燈和線條，櫃台人員打斷了我的思考，趁 著天氣不錯可以上到天花板看看我們的屋頂花園。那 裡的光點花園是我們熱門的打卡景點。來到大廳的最 底岑層，他們說我趕上了今天的紅酒交流會，在紅酒 和音樂的催促下，人們跳起了華爾滋，沒想到在在這 個陌生的環境下，人們依舊過著巴黎美好的生活。

multi-layer steel structure metal exterior wall combined with the overlapping lights from below creates a prosperous space no less than the

CITY CORRIDOR

Champs-Elysées.

NOVEL CONTENT - CHAPTER 03 _UNKNOWN PROGRAM 45

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00

ROAD TO UNDERGROUND

32

CHAPTER 05 - UNDERGROUND HOTEL _ PARIS BALLROOM

CHAPTER 02 - UNKNOWN PROGRAM_BANQUET HALL

( TRAIN STATION , VERTICAL TRANSPORTER / ARTIFICIAL LANDSCAPE / LINEAR LIGHT SOURCE )

( LINEAR LIGHT SOURCE / ARTIFICIAL LANDSCAPE , COURTYARD / LINEAR LIGHT SOURCE , CEILING )

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48

CHAPTER 03 - UNKNOWN PROGRAM _ BANQUET IN THE GRASS

07 HOUSING / ARTIST'S HOUSE INSTRUCTOR : 林珍瑩 老師

HOUSING / ARTIST'S HOUSE _ DIGITAL MODEL

HOUSING / ARTIST'S HOUSE _ DIGITAL MODEL EXTERNAL PART ( DIGITAL MODEL EXTERNAL PART / RESIDENTIAL UNIT / PUBLIC SPACE )

49

ARTIST'S HOUSE

-EA3 HOUSING

50

HOUSING 聚落的多元性和鄰里關係是都市中新型住宅聚落型態重要的課題， 我想 以這個以年輕人和單身族群組成的PROJECT回應。多元性的組成和密度 和差異性有關，差異又分成建築型式的差異和PROGRAM的差異， 我利用 板系統的延伸/抬伸/轉軸的手法介入住宅的單元空間，將單元中的燈光 / 家具 / 人 / 活動 透過半私密空間溢出，也就是利用建築型式的差異導致 PROGRAM的差異。在公共性方面，利用折板系統連結半私密空間結合成 微型聚落/中型聚落。連結公共空間的折板會轉化成緩的階梯/藝廊空間/ 戶外的交流平台。

多元性

折板系統 延伸 抬伸

密度 X 差異性

轉軸

差異性

連結公共空間的折板

建築型式的差異

緩的階梯

SITE PLAN

2TH FLOOR PLAN

4TH FLOOR PLAN

7TH FLOOR PLAN

10TH FLOOR PLAN

藝廊空間 PROGRAM的差異

戶外的交流平台

CONCEPT

單元

虛化的介面

折板界定出半私密空間

燈光/家具/人/活動溢出

DIAGRAM

ELEVATION TYPE 01

/

TYPE 02

微型聚落

TYPE 03

SECTION

6TH FLOOR PLAN

TYPE 04

利用折板系統連結半私密空間

中型聚落

HOUSING / ARTIST'S HOUSE _ MODEL EXTERNAL PART ELEVATION WEST SIDE

ELEVATION EAST SIDE

ELEVATION NORTH SIDE

ELEVATION SOUTH SIDE

SECTION A-A’

SECTION B-B’

( MODEL EXTERNAL PART / BALCONY / PUBLIC SPACE ) 52

CHAPTER 03 - UNKNOWN PROGRAM _ BANQUET IN THE GRASS

CHURCH

- EA3 - RELIGIOUS SPACE

08 RELIGIOUS SPACE / CHURCH

RELIGIOUS SPACE / CHURCH _ DIGITAL MODEL

RELIGIOUS SPACE / CHURCH _ DIGITAL MODEL EXTERNAL PART ( DIGITAL MODEL CITY CONTEXT / DIGITAL MODEL CITY CONTEXT / DIGITAL MODEL CITY CONTEXT )

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54

09 INFORMATION STATION / URBAN INTERFACE

PLAN BASEMENT FLOOR PLAN

1.緊急儲物間 Emergency storage

INSTRUCTOR : 楊登貴 老師

4.

2.

1.

3.

UNIT:CM 0

50 100 150

2.儲物室

Storage

3.地下室

Basement

4.電梯

Elevator

5.草地

Grassland

6.大廳

Hall

7.展覽空間

Exhibition space

250

GROPND FLOOR PLAN

SECTION

ELEVATION

4.

5.

6.

UNIT:CM 0

50 100 150

250

A-A’SECTION

ELEVATION

UNIT:CM

UNIT:CM

0

50 100 150

250

0

50 100 150

250

FIRST FLOOR PLAN

4.

7.

B-B’SECTION UNIT:CM

UNIT:CM 0

50 100 150

250

0

50 100 150

250

EA2 - INFORMATION STATION / URBAN INTERFACE ARCHITCTURE DRAWING EA2 - INFORMATION STATION / URBAN INTERFACE MODEL 55

( MODEL A / MODEL B / MODEL C)

ELEVATION UNIT:CM 0

50 100 150

250

URBAN INTERFACE

- EA2 - INFORMATION STATION

56

CHAPTER 03 - UNKNOWN PROGRAM _ BANQUET IN THE GRASS

10 INCUBATOR / TAIPEI FACTORY

5.

INSTRUCTOR : 劉啟文 老師

6.

5.

9.

4.

7.

8.

0

3.

50 100 150

250

0

FIRST FLOOR PLAN

50 100 150

1.

A’ 4.

2.

6.

5.

12. 9.

B’ B

0

50 100 150

11. 10.

9.

GROUND FLOOR PLAN 250

THIRD FLOOR PLAN 0

50 100 150

UNIT:CM

0

50 100 150

250

FORTH FLOOR PLAN

250

A-A’SECTION

ELEVATION UNIT:CM 0

50 100 150

250

B-B’SECTION UNIT:CM 0

50 100 150

250

ELEVATION UNIT:CM 0

EA2 - INCUBATOR / TAIPEI FACTORY ARCHITCTURE DRAWING EA2 - INCUBATOR / TAIPEI FACTORY MODEL 57

( MODEL A / MODEL B / MODEL C))

50 100 150

ELEVATION UNIT:CM

250

250

SECOND FLOOR PLAN

B

A

TAIPEI FACTORY

- EA2 - INCUBATOR

0

50 100 150

250

0

50 100 150

250

58

11

EA2 - PAVILION

EA1 COLLECTION OF WORKS

( STEEL CONSTRUCTION , FOLDING SYSTEM , TIDE )

( METAL , PERFUSION , IMAGE CONVERSION WOOD )

INSTRUCTOR : 王文安 老師

59

12

INSTRUCTOR : 柯純融 老師

60

TAMKANG UNIVERSITY EA1 - EA5 ARCHITECTURE SELECTED WORKS