25 blythe road auction 25 january 2017

25 Blythe Road | London’s Specialist Auctioneers Harry Moore-Gwyn BRITISH & CONTINENTAL PICTURES & PRINTS Arnaud Delas PHOTOGRAPHS Wednesday 25th January 2017

AUCTION ENQUIRIES AND INFORMATION Enquiries: Harry Moore-Gwyn, Pictures and Prints Arnaud Delas, Photographs Felix Kaplan, General Enquiries 25 Blythe Road Ltd 25 Blythe Road London W14 0PD Tel: +44 (0)20 7806 5541 Fex: +44 (0)20 7602 5973 Email: pictures@25blytheroad.com

Online Catalogue listed: www.25BlytheRoad.com Live internet bidding available through: www.the-saleroom.com www.invaluable.com

Front cover: Lot 2 opposite page Lot 213 Back cover: Lot 201

25 Blythe Road | London’s Specialist Auctioneers

25 Blythe Road Ltd Harry Moore-Gwyn - BRITISH & CONTINENTAL PICTURES & PRINTS Arnaud Delas – PHOTOGRAPHS

including works by; Walter Sickert, Jonas Plosky, Albert Rutherston, Richard Bankes Harraden, Charles Leickert, Henri-Aime Duhem, Edward Lear, and photographs of Indian and Eastern interest.

TO BE SOLD BY AUCTION AT 25 Blythe Road Ltd 25 Blythe Road London W14 0PD PUBLIC EXHIBITION Sunday 22nd January 12.00noon to 4.00pm Monday 23rd January 10.00am to 8.00pm Tuesday 24th January 10.00am to 5.00pm Wednesday 25th January 10.00am to 12.00noon (Limited View Only) DAY OF SALE Wednesday 25th January 2017 at 1.30pm, precisely

This auction is conducted by 25 Blythe Road Ltd in accordance with our Conditions of Business printed in this catalogue

Harry Moore-Gwyn - BRITISH & CONTINENTAL PICTURES & PRINTS & Arnaud Delas - PHOTOGRAPHS - 25 January 2017

Important Information for Buyers All lots are offered subject to 25 Blythe Road Ltd.’s Conditions of Business and to reserves. The Conditions of Business for Buyers are also published in this catalogue.

Estimates are published as a guide only and are subject to review. The actual hammer price of a lot may well be higher or lower than the range of figures given and there are no fixed “starting prices”.

A Buyer’s Premium of 20% is applicable to all lots in this sale. The Buyer’s Premium is subject to VAT at the standard rate (currently 20%).

Unless otherwise indicated, lots are offered for sale under the auctioneer's margin scheme and VAT on the Buyer’s Premium is payable by all buyers.

A webcast fee of 3% + plus VAT is payable on the hammer price for items bought online.

Cataloguing Practice A work catalogued with the name(s) or recognised designation of an artist, without any qualification, is, in our opinion, a work by the artist.

In other cases, the following expressions with the following meanings are used:

“Attributed to……” In our opinion probably a work by the artist in whole or in part.

“Studio of….” “Workshop of….” In our opinion a work executed in the studio or workshop of the artist, possibly under his supervision.

“Circle of….” In our opinion a work of the period of the artist and showing his influence.

“Follower of…” In our opinion a work executed in the artist’s style but not necessarily by a pupil.

“Manner of….” In our opinion a work executed in the artist’s style but of a later date.

“After….” In our opinion a copy (of any date) of a work of the artist.

“Signed….”, “Dated….”, “Inscribed….” In our opinion the work has been signed/dated/inscribed by the artist. The addition of a question mark (?) adds an element of doubt.

“Bears signature…”, “Bears date….”, “Bears inscription….” In our opinion the signature/date/inscription/stamp is by a hand other than that of the artist.

Artist Resale Right On certain Lots marked '•' in the Catalogue that are sold for a Hammer Price of €1,000 or greater (converted into GBP using the European Central Bank Reference rate prevailing on the Auction End date) an additional premium will be payable by the Buyer to cover the payment of royalties under the Artist Resale Right Regulations 2006. The additional premium will be a percentage of the amount of the hammer price calculated in accordance with the table below, and shall not exceed the equivalent of €12,500.

Hammer Price Percentage Amount From €0 to €50,000 4% From €50,000.01 to €200,000 3% From €200,000.01 to €350,000 1% From €350,000.01 to €500,000 0.5% Exceeding €500,000 0.25% 25 Blythe Road Ltd will be pleased to execute bids on behalf of those clients unable to attend the sale in person, subject to our Conditions of Business. All bids must be submitted in writing in good time and lots will always be purchased as cheaply as possible (depending on any other bids received, reserves and competition). This service is offered free of charge.

25 Blythe Road Ltd can supply quotations for shipping of purchases, including transit insurance and VAT refund administration fees, and will assist in the application for any export licences which may be required. Buyers are reminded that it is their responsibility to comply with UK export regulations and with any local import requirements.

Payment Payment is due in sterling at the conclusion of the sale and before purchases can be released. Please note that we require seven days to clear sterling cheques unless special arrangements have been made in advance of the sale. We are pleased to accept major credit cards (regrettably we are unable to accept American Express), for which a surcharge will be made of 3% of the transaction total. There is no charge for payments made by a UK debit card; however non-UK debit cards will attract a 3% charge. Cash and Credit card payments, made on the premises, above £6,000 will not be accepted without prior arrangement and remote card payments can only be made up to the value of £2,000.

Electronic transfers may be sent directly to our Bank: HSBC Bank Plc 38 High Street Dartford Kent DA1 1DG IBAN No.: GB02MIDL4019042203319 Swift Code: MIDLGB22 Sort Code: 401904 Account Number: 22033119 Account Name: 25 Blythe Road Ltd VAT No. 144 1816 27 Storage On receipt of cleared funds, lots can be collected from 25 Blythe Road during the auction or immediately after its completion. Thereafter, all purchased lots will be stored at 25 Blythe Road Ltd.’s premises. Please note that collection is BY APPOINTMENT on +44 (0) 207 806 5541. All lots should be cleared within two months of the auction date, after which they will be transferred to a third party for storage. A transfer fee of £10 per lot plus all incurred transfer and storage costs due to the third party will be payable prior to release.

25 Blythe Road | London’s Specialist Auctioneers

1 ATTRIBUTED TO HENRY BRIGHT (1814-1873) COASTAL SCENE BY MOONLIGHT oil on canvas 35.5 cm by 52 cm; 9 ¼ in by 20 ½ in £400-600

Harry Moore-Gwyn - BRITISH & CONTINENTAL PICTURES & PRINTS & Arnaud Delas - PHOTOGRAPHS - 25 January 2017

2 FOLLOWER OF JEAN RAOUX (1644-1734) THE CONCERT oil on canvas 99.5 cm by 81 cm; 39 in by 31 1/2 in A work by Raoux of identical composition is recorded as being in a private collection in Béziers in 1967 and was exhibited at the Musée de Beaux-Arts de Béziers in the same year £2000-3000

25 Blythe Road | London’s Specialist Auctioneers

3 FOLLOWER OF THE BASSANO FAMILY (C. 1600) PORTRAIT OF A MAN in elaborate frame oil on canvas 53 cm by 41 cm; 21 in by 16 in £400-600

Harry Moore-Gwyn - BRITISH & CONTINENTAL PICTURES & PRINTS & Arnaud Delas - PHOTOGRAPHS - 25 January 2017

4 RICHARD BANKES HARRADEN (1778-1862) VIEW OF KINGS PARADE, CAMBRIDGE, WITH CORPUS CHRISTI COLLEGE signed and dated l.r.: R. B. Harraden/1842 oil on canvas 42 cm by 60 cm; 16 1/2 in by 23 3/4 in £1500-2000

25 Blythe Road | London’s Specialist Auctioneers

5 CIRCLE OF SIR GEORGE HAYTER (1792-1871) STUDIES OF FIGURES AT A PERFORMANCE oil on board laid to panel 33 cm by 42 cm; 13 in by 16 ½ in £200-300

6 ITALIAN SCHOOL (17TH CENTURY) A SCENE FROM THE LIFE OF MASSINISSA & SOPHONISBA oil on canvas inscribed l.r.: MASINISSA SOFONISBE 47 cm by 37 cm; 18 1/2 in by 14 1/2 in £400-600

7 ATTRIBUTED TO WILLIAM COLLINS R.A. (1788-1847) HARBOUR SCENE oil on panel bears signature and date l.r.: W. Collins 1840 22.5 cm by 30.5 cm; 9 in by 12 in £300-500

Harry Moore-Gwyn - BRITISH & CONTINENTAL PICTURES & PRINTS & Arnaud Delas - PHOTOGRAPHS - 25 January 2017

8 AFTER CARLO DOLCI (1616-1686) THE PENITENT MAGDALEN oil on canvas 118.1 cm by 91.1 cm; 46 ½ in by 35 in Provenance John Ashton Bostock (1815-95); By whom donated to the Chapel of Leavesden Hospital; Sold at the closure sale of the above, where acquired by the present owner.

A copy after the signed and dated work by Dolci of 1670, commissioned by Sir John Finch (1626-82) for Catherine of Braganza, wife of Charles II, and in the English Royal Collection ever since.

Literature See F. Baldassari, Carlo Dolci. Complete catalogue of the paintings, Florence 2015, p. 260, cat. no. 145, reproduced in colour p. 261. £1500-2000

25 Blythe Road | London’s Specialist Auctioneers

9 ENGLISH SCHOOL (MID 19th CENTURY) THE COLOSSEUM, ROME oil on board 30 cm by 24 cm; 12 in by 9 ½ in £80-120

10 FOLLOWER OF RICHARD PARKES BONINGTON (1802-1828) VENETIAN SCENE oil on board 9.5 cm by 12 cm; 3 3/4 in by 4 3/4 in £80-120

Harry Moore-Gwyn - BRITISH & CONTINENTAL PICTURES & PRINTS & Arnaud Delas - PHOTOGRAPHS - 25 January 2017

11 MANNER OF JACOB SALOMONSZ VAN RUYSDAEL (1629-1681) FIGURES IN A WOODED RIVERINE LANDSCAPE oil on canvas 86.5 cm by 120 cm; 34 in by 47 ¼ in £3000-5000

25 Blythe Road | London’s Specialist Auctioneers 12 MANNER OF MATTIA PRETI (1613-1699) POPE SAINT GREGORY I, CALLED THE GREAT oil on canvas 87 cm by 67 cm; 34 ¼ in by 26 ½ in £400-600

13 THEODORE FOURMOIS (1814-1871) WOODED LANDSCAPE WITH FARM BUILDINGS signed l.r.: T Fourmois, oil on canvas 36.5 cm by 50.5 cm; 14 1/ in by 20 in £300-500

14 CHARLES LEICKERT (1816-1907) DUTCH RIVER LANDSCAPE signed l.r.: C.H. Leickert oil on panel (unframed) 27 cm by 37.5 cm; 10 ½ in by 14 ¾ in Provenance Acquired by the current owner’s father, Bonhams, 26th February, 1970, lot 93 £800-1200 Harry Moore-Gwyn - BRITISH & CONTINENTAL PICTURES & PRINTS & Arnaud Delas - PHOTOGRAPHS - 25 January 2017

15 JAN MORGHEN (FL. MID 19th CENTURY) WINTER LANDSCAPE signed l.l.: J. Morghen oil on canvas 48 cm by 69.5 cm; 19 in by 27 in £200-300

16 GIUSEPPE GOZZINL (FL. 1824-1870) ROAD THROUGH A ROCKY LANDSCAPE signed and dated l.l.: G. Gozzini 1844 oil on canvas 30 cm by 23 cm; 12 in by 9 in £200-300

17 FLORAL PAINTED BOAT-SHAPED TRAY oil on panel 64 cm by 29 cm; 25 in by 11 1/2 in £60-100

18 HENRI-AIMÉ DUHEM (1860-1941) OBJECTS IN AN ELEGANT INTERIOR signed l.l.: Henri Duhem oil on canvas 50 cm by 60 cm; 9 ¾ in by 23 in £400-600

25 Blythe Road | London’s Specialist Auctioneers 19 LUDEK ALOIS MAROLD (1865-1898) AN ELEGANT WOMAN SEATED BY A STOVE signed l.l.: L.Marold watercolour 37.5 cm by 26 cm; 14 ½ in by 10 ¼ in

£1500-2000

20 A GROUP OF FOUR WATERCOLOURS including Cottages in the snow, East Anglian costal scene, Cattle grazing in a landscape various sizes (4) £80-120

21 ATTRIBUTED TO WILLIAM CROUCH (1817-1850) CAPRICCIO LANDSCAPE watercolour 7 cm by 11.5 cm; 3 in by 4 1/2 in £80-120

Harry Moore-Gwyn - BRITISH & CONTINENTAL PICTURES & PRINTS & Arnaud Delas - PHOTOGRAPHS - 25 January 2017

22 E.L. MCCLOY (19th CENTURY) WIFE OF SAMUEL MCCLOY signed l.r.: E.L. Mccloy watercolour 54 cm by 41 cm; 21 in by 16 in £200-300

24 CHARLES SIM MOTTRAM (worked 1876-1903) FROM THE BEACH signed and dated l.r.:Che.S.Mottram/’93 watercolour 30 cm by 45.5 cm; 11 3/4 in by 18 in Mottram was a painter of marine and coastal scenes.

Born in Rotherham, Yorkshire he moved to London at an early age, living in Stoke Newington and Hampstead. He began exhibiting Cornish subjects in 1880s and in 1901 he and his wife and young family moved to Cornwall, taking up residence in St Ives. £300-500

23 ATTRIBUTED TO BENJAMIN WILLIAMS LEADER R.A. (1831-1923) VIEW NEAR BETTWS-Y-COED, NORTH WALES bears signature l.l.: B.W. Leader watercolour 22 cm by 33 cm; 18 ½ in by 13 in £200-300

25 WILLIAM MOORE, J.N.R. (1817-1909) ARDCHONNEL CASTLE, LOCH AWE signed and indistinctly dated; signed and inscribed with title and the artist’s address on a label on the backboard watercolour 10 cm by 16.5 cm; 3 3/4 in by 6 1/2 in The son of the York artist William Moore, Snr and brother of the artists Albert Joseph Moore, Edwin Moore, Henry Moore and John Collingham Moore. He was taught by his father and Henry Barlow Carter and mainly painted watercolour landscapes and exhibited at the Royal Academy, Royal Watercolour Society and elsewhere. £70-100

25 Blythe Road | London’s Specialist Auctioneers

26 JAMES WARD, R.A. (1769-1859) MRS MACNAB OF INVERSNAID AT HER SPINNINGWHEEL signed with initials: JWD/RA inscribed: Mrs McNab, inversnaid and dated: August 24 pencil 16 cm by 23 cm; 6 1/4 in by 9 in £250-350

27 ALBERT GOODWIN, R.W.S. (1845-1932) LAKE MAGGIORE Signed with monogram l.l.: AG and inscribed l.r. Lago Maggiore watercolour 12.5 cm by 21.5 cm; 5 in by 8 1/2 in £300-500 Harry Moore-Gwyn - BRITISH & CONTINENTAL PICTURES & PRINTS & Arnaud Delas - PHOTOGRAPHS - 25 January 2017

28

EDWARD LEAR (1812-1888) VALMONTONE, NEAR TIVOLI inscribed and dated: Lampezza (?)/8 May 1840 pencil 21.5 cm by 41.5 cm; 8 1/2 in by 16 1/4 in Sold together with a framed lithograph after Edward Lear, “Bracciano” from Views of Rome and its Environs of 1841 Provenance (drawing of Valmontone): Sir Rob in Darwin, R.A.; with Agnew’s (2) The drawing forms part of a group of sketches of the area around Rome from the late 1830s and early 1840s which culminated in Lear’s great set of travel prints of the area Views of Rome and its Environs, a lithograph from which is also sold with this lot. The sketch of the figures on horseback (top right in this image) may indeed be a study for the figures a the centre of a lithograph from this celebrated set. A more complete view of Valmontone, dating from 1841, also appeared in the collection of the painter Sir Robin Darwin and was exhibited at the 1986 Royal Academy Edward Lear Exhibition. £1200-1800

25 Blythe Road | London’s Specialist Auctioneers

29 AFTER JAMES WARD, R.A. (1769-1859) STUDY FOR “A POULTRY MARKET” bearing initials l.l.: J.W.D./R.A. with a landscape study in pencil attributed to James Ward (verso) watercolour over pencil 30 cm by 21.5 cm; 11 3/4 in by 8 1/2 in Provenance Peter Cochrane This watercolour appears to be based on the central figure in James Ward’s major subject picture, A Poultry Market, which was engraved as a popular mezzotint by Ward’s brother William in 1803. It has been suggested that this copy has been made on the verso of an original pencil landscape drawing by James Ward. £300-500

Harry Moore-Gwyn - BRITISH & CONTINENTAL PICTURES & PRINTS & Arnaud Delas - PHOTOGRAPHS - 25 January 2017

30 CONSTANTIN GUYS (1802-1892) A SHEET OF STUDIES FROM THE CRIMEAN WAR Numbered l.l.: 109 wash over pen and ink, 25.5 cm by 42 cm; 10 in by 16 1/2 in Provenance Bruno Streiff, Zurich Although a French painter, Guys did much of his most interesting and historically important work as an illustrator for the Illustrated London News in the mid 1850s. Baudelaire described Guys as “the painter of modern life”, a title that is fully justified by the originality and fidelity of his powers as an illustrator, whether in his depictions of lavish Paris society in t Second Empire or in the heat of war. The studies on this sheet relate to a number of finished drawings Guys executed fo the Illustrated London News during the Crimean War, a role he undertook as an equivalent to today’s war photographer.

His ability to capture his subject with a swift but poetic flourish deeply influenced his contemporaries, particularly Hono Daumier, as well as Gautier and his biographer, Baudelaire. £800-1200

25 Blythe Road | London’s Specialist Auctioneers

31 ATTRIBUTED TO JAMES HOLLAND, O.W.S. (1799-1870) A VENETIAN SCENE watercolour and gouache over pencil 23 cm by 29 cm; 9 in by 11 ½ in £200-300

32 RICHARD HENRY NIBBS (1816-1893) TWO LONDON VIEWS including Scene on the Thames and Greenhithe Pier the first signed and dated l.r.: J.H. Nibbs/86, the second signed l.r.: J.H. Nibbs and inscribed and dated l.r.: Greenhithe Pier, April 1841; the first watercolour with bodycolour, the second pen and sepia ink 50.5 cm by 29 cm; 20 in by 11 1/2 in 21 cm by 27 cm; 8 1/3 in by 10 2/3 in £80-120

33 THE HOOD FAMILY (19th CENTURY) A FOLIO OF LANDSCAPE WATERCOLOURS including views of the Alps, Capri, South Coast, Lowestoft, and Navirino Bay, some copies of other artists including after Callow and Robertson, watercolour various sizes (29) £100-150

34 J. VAN ORNBLOOR (ACTIVE C. 1750) FLOWERS IN AN ORNAMENTAL URN IN A LANDSCAPE watercolour signed and inscribed indistinctly l.l.

33.5 cm by 26 cm; 13 in by10 in £200-300 Harry Moore-Gwyn - BRITISH & CONTINENTAL PICTURES & PRINTS & Arnaud Delas - PHOTOGRAPHS - 25 January 2017

35 GEORGE CATTERMOLE, O.W.S. (1800-1868) MONKS READING IN A MEDIEVAL INTERIOR watercolour, in an exceptional antique carved-gilt frame 49 cm by 64.5 cm; 19 1/4 in by 25 1/4 in Exhibited London, Old Watercolour Society, 1850, no. 377 George Cattermole was born at Dickleburgh, in Norfolk. When he was fourteen he began working as an architectural and topographical designer for the antiquary John Britton. He became an associate of the Royal Watercolour Society in 1822 and a full member in 1833. In 1850 he abandoned the society, dedicating his attention to painting in oil. At the Paris Exhibition of 1855 George Cattermole was honoured with one of the five first-class gold medals awarded to Britis painters. He also received professional artistic honours in Amsterdam and in Belgium. Among his leading works are The Murder of the Bishop of Liege, The Armourer (relating the Story of the Sword) and The Assassination of the Regent Murray by Hamilton of Bothwellhaugh. He was strongly influenced by the writing of Walter Scott whose work he also illustrated. The presentwork is a major exhibition piece from his final years as a watercolour painter ÂŁ500-700

25 Blythe Road | London’s Specialist Auctioneers

37 THOMAS DANIELL, R.A. (1749-1840) AUBDAUR,WATER COOLER pencil 20 cm by 16 cm; 8 in by 6 1/4 in 36 THOMAS SEWELL ROBINS, N.W.S. (1810-1880) STUDY OF A FISHERWOMAN signed with initals and dated l.r.:TSR 50 watercolour 31 cm by 18.5 cm;12 1/4 in by 7 1/4 in

£200-300

£100-150

39 HENRY WILLIAM BURGESS (C. 1792-1839) WHITSTABLE HARBOUR inscribed with title l.r. pencil 25.5 cm by 34 cm; 10 in by 13 ½ in £100-150

38 JOHN LAPORTE (1761-1839) LAKESIDE SCENE WITH APPROACHING BOAT watercolour and gouache 41 cm by 35 cm; 16 in by 13 ¾ in £150-200 Harry Moore-Gwyn - BRITISH & CONTINENTAL PICTURES & PRINTS & Arnaud Delas - PHOTOGRAPHS - 25 January 2017

40 THOMAS ROWLANDSON (1756-1827) THE CORTEGE watercolour over pen and ink 14 cm by 20.5 cm; 5 ½ in by 8 in £400-600

41 THOMAS HOSMER SHEPHERD (1793-1864) A FOLIO OF LONDON VIEWS including Whittington’s college, College Hill; and Physicians college, Warwick lane four watercolours on two mounts sepia wash approx. 13 cm by 17 cm; 5 in by 6 ¾ in (when mounted as pair) (unframed) (2) £300-500

42 GEORG GREIS (FL. 1814) THE BRANDENBURG GATE, BERLIN signed dated and extensively inscribed (and verso):Von deinem guten freunde. Georg Greis Koenigsberg ?

November 1814 grey wash over pen and ink 9 cm by 14 cm; 3 ½ in by 5 ½ in (unframed) £60-80

43 THOMAS UWINS, R.A. (1782-1857) THE STATUE OF THE DUKE OF BEDFORD IN RUSSELL SQUARE signed l.l.: Drawn by T.Uwins and inscribed with title under mount sepia wash over pencil 26.5 cm by 16 cm; 10 ½ in by 6 ¼ in (unframed) £100-150 44 JAMES HOLLAND, O.W.S. (1800-1870) THE MARKETPLACE IN ROUEN AND A BOAT, ROUEN (a pair of drawings) one inscribed and dated: Augst 26th/Rouen the other dated: Augst 25th pencil the largest 17.5 cm by 25 cm; 7 in by 10 in (unframed) £120-180

25 Blythe Road | London’s Specialist Auctioneers

45 EDWARD SWINBURNE (1765-1847) PORTLAND HARBOUR inscribed with title verso pencil and pen and ink heightened with grey wash and white 28 cm by 35 cm; 11 in by 13 ¾ in (unframed) £120-180

46 JOHN LINNELL (1792-1882) A CART ON A COUNTRY LANE, BALCOMBE signed inscribed and dated l.r.: J. Linnell/ Balcombe/ 48 pencil heightened with white and green crayon 43 cm by 30 cm; 17 in by 11 ¾ in (unframed) £150-200

47 REV. HORACE PECHELL (1792-AFTER 1881) RECTORY HOUSE, BIX, HENLEY-ON-THAMES inscribed with title on old mount watercolour over pen and ink 22 cm by 17 cm; 8 ½ in by 6 ¾ in

48 ENGLISH SCHOOL (EARLY 19th CENTURY) WITNEY PARISH CHURCH watercolour over pen and ink 19.5 cm by 27 cm; 7 ¾ in by 10 ½

Pechell was the Rector at Bix from 1832 to 1879

£60-80

£60-80

Harry Moore-Gwyn - BRITISH & CONTINENTAL PICTURES & PRINTS & Arnaud Delas - PHOTOGRAPHS - 25 January 2017

49 CHARLES MARSHALL (1806-1890) A VIEW OF ROCHESTER signed with monogram l.l.: C.M watercolour 31 cm by 46 cm; 12 ¼ in by 18 in £1000-1500

25 Blythe Road | London’s Specialist Auctioneers

50 ROBERT HILLS, O.W.S. (1769-1844) CATTLE-DROVING ON A COUNTRY LANE watercolour over pen and ink 46 cm by 59.5 cm; 18 in by 23 ½ in £600-800

Harry Moore-Gwyn - BRITISH & CONTINENTAL PICTURES & PRINTS & Arnaud Delas - PHOTOGRAPHS - 25 January 2017

51 ADRIEN JOSEPH VERHOEVEN-BALL (1824-1882) THE FLOWER SELLER signed and dated l.l.: A.J. Verhoeven Ball /1871 watercolour 34 cm by 46 cm; 13 1/3 in by 18 in £200-300

52 SOLOMON J. SOLOMON, R.A. (1860-1927) A YOUNG GIRL BY A HORSE AND CART pencil 12 cm by 17 cm; 4 3/4 in by 6 2/3 in £100-150

53 ANGLO- INDIAN SCHOOL, 19th CENTURY STUDY OF BREADFRUIT watercolour heightened with body colour 37 cm by 47 cm; 14 1/2 in by 18 3/4 in

54 CIRCLE OF WILLIAM HENRY HUNT (1790-1864) STUDY OF A BOY SLEEPING ON A CHAIR signed by unknown artist, dated 1857 watercolour in a birds-eye maple frame 36 cm by 28 cm; 14 in by 11 in

£600-800

£80-120

55 HAROLD SWANWICK, R.I. (1866-1929) SHEEPFOLD ON THE SOUTH DOWNS signed l.l.: Harold Swanwick watercolour 22 cm by 33 cm; 9 in by 13 in Exhibited Harold Swanwick memorial exhibition 1930

56 L.M.C. IRELAND (19th/20th CENTURY) STILL LIFE OF FLOWERS signed l.r.: L.M.C. Ireland oil on canvas 60 cm by 50 cm; 23 2/3 in by 19 2/3 in

£80-120

£200-300

25 Blythe Road | London’s Specialist Auctioneers

57 A.H. COLE (FL. MID-19th CENTURY) RIVERSIDE LANDSCAPE AT SUNSET signed l.l: A.H. Cole oil on canvas 51 cm by 76 cm; 20 in by 30 in (unframed) £50-70

58 J. LEWIS (19th CENTURY) STAG BY FALLS IN MOUNTAINOUS LANDSCAPE signed l.r. J. Lewis oil on board 76 cm by 49 cm; 30 in by 19 1/4 in. £200-300

59 HORATIO MCCULLOCH, R.S.A., (1805-1867) RUSTIC BUILDINGS IN AN EXTENSIVE LANDSCAPE signed l.r.: H. McCulloch oil on canvas 23.5 cm by 34 cm; 9 ¼ in by 13 ½ in £300-400

60 KEELEY HALSWELLE, A.R.S.A. (1831-1891) AN ESTUARY LANDSCAPE oil on canvas 25 cm by 40 cm; 10 in by 15 ¾ in £300-350

61 GEORGE DUNLOP LESLIE, R.A. (1835-1921) A PORTRAIT OF HELENA FOURMENT AFTER RUBENS oil on board 21.5 cm by 19 cm; 8 ½ in by 7 ½ in A copy by Leslie after Ruben’s portrait of his second wife Helena Fourment from c. 1630, now in the Alte Pinakothek, Munich. £250-350

Harry Moore-Gwyn - BRITISH & CONTINENTAL PICTURES & PRINTS & Arnaud Delas - PHOTOGRAPHS - 25 January 2017

62 EDWARD RICHARD TAYLOR, R.B.S.A. (1838-1911) SUNSET BY THE SCOTTISH COAST signed l.r.: Edward.R.Taylor oil on canvas 24 cm by 58 cm; 9 ½ in by 23 in £300-400

64 CHARLES MARTIN HARDIE, R.S.A. (1858-1916) A COTTAGE NEAR CERES, FIFE Signed l.r.: C.M. Hardie, R.S.A. and further signed and inscribed with title (reverse of panel) oil on panel 15 cm by 16 cm; 6 in by 6 ¼ in £80-120

66 LIONEL PERCY SMYTHE, R.A., R.W.S. (1839-1918) CHILDREN WADING IN A RIVER BY A CONTINENTAL TOWN signed and dated l.l.: Lionel.P.Smythe/1896 oil on board laid to panel 33 cm by 44 cm; 13 in by 17 ¼ in £700-1000

63 SIR ERNEST ALBERT WATERLOW, R.A., P.R.W.S. (18501919) CLOUDS AT SUNSET, MILFORD ON SEA, HAMPSHIRE inscribed and dated l.l.: Milford on Sea/October 3 95 Oil on board 21 cm by 45.5 cm; 8 ¼ in by 18 in £200-300

65 ALEXANDER FRASER JNR., R.S.A., R.S.W. (1828-1899)

BY THE FIRESIDE indistinctly signed on old label (reverse of panel) oil on panel 19 cm by 29 cm; 7 ½ in by 11 ½ in £200-300

25 Blythe Road | London’s Specialist Auctioneers

67 WILLIAM LUKER SNR. (1828-1892) STUDIES OF A YOUNG BOY signed with monogram and dated l.r.: W.L./Dec. 1857 oil on card 36 cm by 26.5 cm; 14 in by 10 ¼ in £300-400

68 GEORGE SHERWOOD HUNTER, R.B.A. (1846-1919) AUTUMN AND WINTER (a pair of landscapes) oil on board each approx. 25 cm by 20 cm; 10 in by 8 in (2) £400-600

69 ROBERT FOWLER, R.I. (1853-1926) STEAM TRAIN BY THE NORTH WELSH COAST oil on board 22.5 cm by 32 cm; 9 in by 12 1/2 in £80-100

70 ALONZO MYRON KIMBALL (1874-1923) PORTRAIT OF A WOMAN SLEEPING pastel 30 cm by 26 cm; 12 in by 10 in £400-600 Harry Moore-Gwyn - BRITISH & CONTINENTAL PICTURES & PRINTS & Arnaud Delas - PHOTOGRAPHS - 25 January 2017

71 JOHN BYAM LISTON SHAW, R.I., R.O.I., (1872-1919) A PORTRAIT OF OLIVE With HER CHINA DOLL signed l.r.: Byam Shaw and inscribed with title u.l. Olive oil on canvas 57 cm by 39 cm; 22 ½ in by 15 ¼ in £1500-2000

25 Blythe Road | London’s Specialist Auctioneers

72 ALEXANDER MANN, R.O.I. (1853-1908) A SHEET OF LANDSCAPE, LIFE AND SEA STUDIES Pencil 25 cm by 37.5 cm; 10 in by 14 ¾ in Provenance with the Fine Art Society, 1985

73 ATTRIBUTED TO ARTHUR WARDLE (1864-1949) MISCHIEF signed u.l.: Arthur Wardle watercolour and gouache 13 cm by 20 cm; 5 in by 8 in £400-600

£200-300

74 H.R. MILLAIS (EARLY 20th CENTURY) SITTING DOG signed and dated l.r.: H.R. Millais/1922 oil on panel 32 cm by 40 cm; 12 1/2 in by 16 in £100-150

75 GEORGE DU MAURIER (1834-1896) DRAWINGS FOR THE SERIES: “THINGS WE WOULD RATHER HAVE EXPRESSED DIFFERENTLY” signed, dated, and inscribed l.r.: G. du Maurier/Hampstead/May 93 and inscribed with the cartoon’s caption pen and sepia ink 23 cm by 32 cm; 9 in by 12 ½ in An illustration for Punch from May 1893 £300-500

76 •GEORGE BELCHER, R.A. (1875-1947) STUDY FOR “THE HOMMES” inscribed indistinctly and signed with initials: G.B. charcoal 14 cm by 12 cm; 5 ½ in by 4 ¾ in £100-150 Harry Moore-Gwyn - BRITISH & CONTINENTAL PICTURES & PRINTS & Arnaud Delas - PHOTOGRAPHS - 25 January 2017

77 •TOM KEOGH (1921-1980) A SPANISH DANCE, AND LADY IN A LONG DRESS (a pair of watercolours) both signed l.l.: Keogh one watercolour over brush and ink, another grey wash over pen and ink heightened with white the largest 41 cm by 29 cm; 16 in by 11 ½ in (2)

78 PERCY TARRANT (1855-1934) THE FAVOURITE HAT sold together with another similar picture oil on board (unframed) The first 21 cm by 14 cm; 8 1/4 in by 5 1/2 in The other 14 cm by 16 cm; 5 1/2 in by 6 1/4 in (2)

£350-450

£200-300

79 PAUL-CHARLES RENOUARD (1845-1924) A LONDON CROWD wash over pencil and pen and ink to be sold to together with a drawing of a ballet dancer in the manner of Louis Legrand the first 38 cm by 26.5 cm; 15 in by 10 ¼ in (2) £600-800

25 Blythe Road | London’s Specialist Auctioneers

80 HILARY GREENFIELD (FL. 1933) TWO PICTURES OF DANCERS one signed, dated 1933 perhaps costume designs for ballet pastel on paper the first 47 cm by 36 cm; 18 1/2 in by 14 in the second 50 cm by 35 cm; 19 3/4 in by 13 3/4 in

81 S.R. PITCHERS (EARLY 20th CENTURY) R.M.S. AQUITANIA gouache on paper 26 cm by 46 cm; 10 in by 18 1/2 in £200-300

£80-120

82 •PETER NUTTALL (1943-2011) OYSTERS mixed media 63 cm by 49.5 cm; 24 1/2 in by 19 1/2 in £60-80

83 MAUDE GOODMAN (1860-1938) MOTHER AND CHILD signed l.r. oil on board 25 cm by 11.5 cm; 10 in by 5 in £80-120

84 ATTRIBUTED TO DUDLEY HARDY, R.I., R.O.I. (1867-1922) GAITEY GIRL signed l.r.: Dudley Hardy oil on board 28 cm by 20 cm; 11 in by 8 in £100-150 Harry Moore-Gwyn - BRITISH & CONTINENTAL PICTURES & PRINTS & Arnaud Delas - PHOTOGRAPHS - 25 January 2017

85 HENRY GREVILLE WOOD I.R.W. I.N., R.B.A. (1893-1947) THE ENSIGN Signed on the reverse Oil on panel 35.5 cm 24.5 cm; 14 in by 9 3/4 in Irwin studied in Paris at the Academie Julian and in 1926 at the Academie des Beaux Arts in Brussels. Severely wounded in the First World War he was left paralysed but despite his disability he painted and exhibited prolifically at the Royal Academy, Royal Glasgow institute, New English Art Club and Royal Society of British Artists, of which he was elected a member. He painted a number of Royal and military events as well as landscape and coastal scenes. He lived in Surrey, London and Warwickshire and spentintervals in St Ives. He took his own life in 1947. £200-300

86 •FRANCES WATT (1923-2014) SOLDIERS oil on board signed and dated l.r.: Frances Watt 1954; signed, inscribed with title and the artist’s address on a label on the reverse 39.5 cm by 65 cm; 15 1/2 in by 25 1/2 in Frances Watt was born in Falkirk and educate at Aberdeen High School for Girls and in Geneva, Switzerland. in 1941 she went to Hornsey School of Art and later to the Byam Shaw School, where she was to later teach. She began exhibiting her paintings in the early 1950s at the Royal Scottish Academy, Royal Academy, Royal institute of Oil Painters and elsewhere.

She was a member of the Highgate Artists Group. £800-1200

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87 •RUDOLF SAUTER R.B.A., R.I., P.S. (1895-1977) ANNUNCIATION Signed l.l.: R.H. Sauter signed and inscribed with title and the artist’s address on a label on the reverse tempera on board 66 cm by 51 cm; 26 in by 20 in The present work was painted during the Second World War when Sauter was living at The Stocks, Wittersham, Tenterden, Kent. Always interested in flying and aviation he would have witnessed much of the action of the Battle of Britain from this house and this work, with the swirling flight pattern of the dove, may reflect his concerns and hopes fo salvation and victory in the battle being fought above his head. £300-500

88 •AGNES L. REID (1902-1972) THE TRAIN SET signed l.l.: A.L. Reid oil on canvas 66.5 cm by 86.5 cm; 26 in by 34 in £100-200

89 WINIFRED EVELINE WILD (FL. 1919-1940) NEAR ESTORIL, PORTUGAL signed l.l.: W.E. Wild oil on canvas 45 cm by 39 cm; 17 ¾ in by 15 ¼ in £200-300

Harry Moore-Gwyn - BRITISH & CONTINENTAL PICTURES & PRINTS & Arnaud Delas - PHOTOGRAPHS - 25 January 2017

90 •ALEXANDER JAMES MAVROGORDATO (1869-1947) SUNSET OVER THE OCEAN signed l.l.: Alex Mavrogordato oil on panel 24 cm by 33.5 cm; 9 ½ in by 13 in

91 CHRISTOPHER WILLIAMS, R.B.A. (1873-1935) SCENE IN A NORMANDY HARBOUR inscribed with artists name reverse of board oil on board 27 cm by 37 cm; 10 ½ in by 14 ½ in

£150-200

£300-400

92 ALFRED PRIEST, R.P. (1874-1929) BOATS MOORED IN A CONTINENTAL HARBOUR signed and dated indistinctly l.r.: Alfred Priest/1929 oil on canvas 49.5 cm by 55 cm; 19 ½ in by 21 ¾ in

93 •ARTHUR SPOONER (1873-1962) AUTUMN signed l.l: Arthur Spooner titled (reverse of panel) with the artist’s own label oil on canvas laid to panel (unframed) 35 cm by 39 cm; 13 ¾ in by 15 ¼ in

£350-450

£200-300

94 FRANK WASLEY (1854-1930) WOBURN HILL, HAMPSHIRE, ANDINGLEBOROUGH, YORKSHIRE (a pair of paintings) both inscribed with titles (reverse of board) One signed and dated (1905) both oil on board the larger 19 cm by 26 cm; 7 ½ in by 10 ¼ in (2)

95 ARTHUR SPOONER (1873-1962) HORSES PULLING A CART UP A HILL oil on canvas 26.5 cm by 37 cm; 10 ¼ in by 14 ½ in A note on the reverse of the original stretcher stated that Spooner painted the present work as a demonstration for an art school.

£200-300

£200-300

25 Blythe Road | London’s Specialist Auctioneers

96 ATTRIBUTED TO LEONARD B. EICHHORN (b. 1872) POLISH FESTIVAL IN LVOV signed l.r.: Eichhorn oil on board 27.5 cm by 42 cm; 11 in by 16 1/2 in £300-400

97 •CHARLES CUNDALL, R.A., R.W.S. (1890-1971) THE WOOD GATHERER signed l.r.:C Cundall oil on canvas 63 cm by 53 cm; 24 1/4 in by 21 in £400-600

98 CIRCLE OF WILLIAM ROBERTS, R.A. (1895-1980) THE ARTILLERY MEN monogrammed and dated l.r.: PC /44 oil on board 45 cm by 54 cm; 17 3/4 in by 21 1/3 in

99 •HARRY BILSON (B.1948) TAROT oil on canvas 90 cm by 120 cm; 35 in by 47 in £600-800

£400-600

100 •HARRY BILSON (B.1948) HARLEQUIN oil on canvas 90 cm by 120 cm; 35 in by 47 in £300-500

101 •RONALD OSSORY DUNLOP, R.A., R.B.A. (1894-1973) THE SEINE, PARIS BY PONT ST-MICHEL oil on canvas 37 cm by 44.5 cm; 14 1/2 in by 17 1/2 in Provenance Acquired directly from the artist’s family by a previous owner £400-600

Harry Moore-Gwyn - BRITISH & CONTINENTAL PICTURES & PRINTS & Arnaud Delas - PHOTOGRAPHS - 25 January 2017

102 •BRIAN MASON (LATE 20th CENTURY) THE WHITE DOOR signed and dated l.r. Brian Mason 1980 tempera on board 86 cm by 59 cm; 34 in by 23 1/4 in

103 •JAMES EDWARD DUGGINS (1881-1968) THE COTTAGE COURTYARD signed l.r.: J.E. Dugg ins oil on canvas, (unframed) 51 cm by 61 cm; 20 in by 24 in £100-150

£200-300

104 RUDOLPH ONSLOW FORD (FL. 1880-1915) THE HARVEST Oil on canvas signed and dated reverse of canvas (1915) 51 cm by 61 cm; 20 in by 24 in

105 •SIMON GARROW (b.1946) VASE OF FLOWERS signed reverse: Simon Garrow oil on board 40 cm by 30 cm; 16 in by 11 3/4 in £120-180

£250-350

106 XANTI SCHAWINSKY (1904-1929) ABSTRACT COMPOSITION ink 34 cm by 27 cm; 13 in by 10 1/2 in

107 •IAN GRANT (1904-1993) ABSTRACT COMPOSITION signed and dated l.r.: Ian Grant/1941 watercolour and gouache over brush and ink and pencil 54 cm by 34 cm; 21 in by 13 in £200-300

£200-300

25 Blythe Road | London’s Specialist Auctioneers

108 •MYLES TONKS, R.I., R.B.A. (1890-1960) A FOLIO OF PASTELS OF COASTAL SCENES Including holiday makers bathing on a beach, sailing boats by a Continental port, views of the Scottish coast and other subjects, pastel various sizes (5) Provenance The artist’s studio, by direct descent to the present owner £100-120

109 •CYRIL SAUNDERS SPACKMAN (1887-1963) ADMIRING THE VIEW signed l.r.: Cyril Saunders Spackman watercolour 35 cm by 36 cm; 13 3/4 in by 14 1/4 in Born in Cleveland, Ohio, USA, he studied at King’s College architectural department in London and was a pupil of the architect T E Lidiard James. Spackman was a member of many artistic and architectural bodies, including the R.B.A., R.M.S. and S.G.A. He settled in the Croydon area of Surrey in the early 1920s where he was a member of the Camera Club and a regular exhibitor at the Royal Academy, Walker Art Gallery, Liverpool and elsewhere. The print room of the British Museum holds his work. £150-200

110 REGINALD BRILL (1902-1974) THE BLACK BULL Grey watercolour wash and pencil, squared for transfer 21.5 cm by 31 cm; 8 1/2 by 12 1/4 in Provenance The artist’s studio Literature Judith Bumpus, Reginald Brill, Scholar Press, 1999, illus.pl.34.

In the 1960s Brill made a series of paintings of livestock markets, making studies of the characters and events in the markets of King’s Lynn, Bury St Edmunds and Sudbury. The present work is a study for his 1966 oil painting The Black Bull in the Ring (private collection.) £300-500

Harry Moore-Gwyn - BRITISH & CONTINENTAL PICTURES & PRINTS & Arnaud Delas - PHOTOGRAPHS - 25 January 2017

111 ASHLEY RYE (b. 1955) CREATURES OF THE IMAGINATION Signed, dated and inscribed: 19/10/73/ If I were to shrink/ Expanding London down/ The result would definitely be/ Ack-actown;/ Yes, if I paused to think/ I’d tell you where it lies/ Turn left around the clock/ And eat a hundred pies Pen and ink 41 cm by 59 cm; 16 in by 23 1/4 in

112 •MYLES TONKS, R.I., R.B.A. (1890-1960) THE HAYCART Signed l.r.: Myles Tonks Watercolour 25 cm by 35 cm; 10 in by 14 in £80-120

£200-300

113 •CYRIL POWER, R.B.A. (1872-1951) GUILDHALL STREET, BURY ST EDMUNDS Watercolour 18 cm by 26.5 cm; 7 in by 10 1/2 in Provenance Acquired by the previous owner in April 2002 from Giles Power, the artist’s grandson The present work dates from the early 1920s when Power was living in Bury St Edmunds. £200-400

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114 •ALGERNON NEWTON, R.A. (1880-1968) COUNTRY HOUSE signed with in initials and dated l.r.: AN/23 watercolour 26.5 cm by 35.3 cm;10 1/2 in by 14 in Provenance Acquired by the previous owners at Abbott & Holder in Barnes (c.late 1960s) The present watercolour relates to a larger oil (26 by 36 inches) reproduced in Newton’s photographic record of his own work now in the Tate Archive (no.41, Vol.I). That painting depicts the same house although from a different angle and is likewise unidentified (referred to as “A Country House” then crossed out and replaced with the phrase “A Conversation Piece”). The architecture possibly suggests a house in the Midlands, perhaps in Worcestershire or Shropshire. Like Newton’s imposing oils, this watercolour still possesses something of the strange stillness that characterises those works.

We are grateful for Henry Potts for providing his research on the present picture. £1500-2000

Harry Moore-Gwyn - BRITISH & CONTINENTAL PICTURES & PRINTS & Arnaud Delas - PHOTOGRAPHS - 25 January 2017

115 HARRY MORLEY, A.R.A. (1881-1943) FIGURES ON A BEACH, LOW TIDE with the artist’s studio stamp Watercolour 23 cm by 28.5 cm; 9 in by 11 1/4 in

116 •VERONICA BURLEIGH, S.W.A. (1909-1999) ART DECO STAGE DESIGN signed l.r.: Veronica Burleigh watercolour and gouache 35 cm by 46 cm; 13 ¾ in by 18 in

A winner of the prestigious Rome Scholarship in the mid 1920s, Morley’s best work reflects the influence o Italian Art of the Renaissance with a characteristic British twentieth century twist. He was a keen painter of the sea throughout his life, executing many watercolours of scenes along the British coast in places such as the North Norfolk, Kent and Dorset.

£300-500

£300-400

117 HANS HANSEN, R.S.W. (1853-1947) SNAKECHARMERS watercolour signed l.r.: Hans Hansen R.S.W. 33 cm by 50.5 cm; 13 in by 20 in £400-600 119 ATTRIBUTED TO KEN HOWARD, R.A. (B.1932) HARBOUR SCENE watercolour with touches of gouache 11 cm by 15 cm; 4 ¼ in by 6 in £100-150

118 LEONARD WINTEROWSKI (1886-1927) COSSACK watercolour signed, inscribed and dated indistinctly l.r.

26 cm by 20 cm; 10 in by 8 in £200-300

25 Blythe Road | London’s Specialist Auctioneers 120 WALTER TAYLOR, R.I. (1860-1943) A FOLIO OF DRAWINGS AND WATERCOLOURS including Study of a Bass brewery cart, London scene, Snowy landscape, The beach tree, Bouquet of flowers, Horse chestnut, R.A.C. Epsom; three i pencil (mounted together), seven in watercolour various sizes (10) £250-350

121 •A PAIR OF WATERCOLOURS BY WILL ROBERTS (1907-2000) BIGGIN HILL CAMP, KENT, 1943 signed l.l.: WMR and inscribed and dated Billet Biggin Hill/1943, watercolour over pen and ink 17.5cm by 25.5cm; 7in by 10in BURTON HASTINGS, WARWICKSHIRE, 1944 signed, inscribed and dated l.r.: (Will) William Roberts/Burton Hastings/1994, watercolour over pencil 28 cm by 37 cm; 11 in by 14 1/2 in During World War Two, Roberts trained at the Colerne Airfield in Wiltshire where he captured this intriguin scene from the everyday life of the Wartime RAF cadet. Roberts, one of the greatest Welsh painters of the twentieth century, was a scholar at Swansea School of Art, not far from his hometown of Neath, There he was discovered by Josef Herman, becoming the painter’s great disciple and executing work in a powerful expressionist style reminiscent of his master. Always recognised as a particularly fine draughtsman, his earlie Wartime work is very rare. £200-300

122 •JACOB KRAMER (1892-1962) SEATED WOMAN signed u.r.: Kramer gouache with indian ink 24.5 cm by 18 cm; 9 3/4 in by 7 in £600-800

Harry Moore-Gwyn - BRITISH & CONTINENTAL PICTURES & PRINTS & Arnaud Delas - PHOTOGRAPHS - 25 January 2017

123 BALE (FL. 1948) THE PUB signed and dated l.l.: Bale/48 squared for transfer watercolour and crayon over pencil and pen and ink £70-100

124 •GLYNN PORTEOUS (1935-2003) A GROUP OF THREE STILL LIVES OF MILITARIA each signed and dated watercolour and gouache various sizes (the largest 74 cm by 43 cm; 29 in by 17 in) (3) £300-500

125

ERNEST PROCTER, A.R.A. (1886-1935) CROWDS BY THE HARBOUR AT BOULOGNE signed and dated l.l.: Ernest Procter/19 watercolour and gouache 27.5 cm by 42.5 cm; 10 ¾ in by 16 ¾ in £250-350

126 FRED MAYOR (1868-1916) STUDY OF FLOWERS watercolour 40 cm by 32 cm; 16 ¾ in by 12 ½ in £200-300

25 Blythe Road | London’s Specialist Auctioneers

127 •GEORGES CSATO (1910-1983) A GROUP OF FRAMED ABSTRACT COLLAGES two signed: Csato, one dated: 65, collage various sizes (4) The Hungarian born artist Georges Csato studied in Vienna then in Prague under some of the great names of the period including Archipenko, Hofer, Kokoschka and Thiel who had taken refuge there having fled from Nazi Germany. After the War (when he was imprisoned by the Russians) he became a distinguished portrait painter with sitters including Colette, Einstein, Rachmaninov and Bertrand Russell. His first exhibition, organized by Jean Cocteau, was held in Paris in 1948.

Attractive abstracts like the present work were generally produced to great acclaim in the post-war years. A recent retrospective was held by the Burford art dealer Brian Sinfield. £300-500

128 EDNA SIMPSON (20th CENTURY) TWO BOTANICAL STUDIES OF UGANDAN PLANT LIFE both signed watercolour on paper one 33 cm by 22 cm; 13 in by 9 in the other 20 cm by 30 cm; 8 in by 11 3/4 in.

(2)

129 •MICHAEL RENTON (1934-2001) SHEPHERDING initialled and dated 1971 Watercolour 25 cm by 38 cm; 10 in by 15 in £40-60

£80-120

Harry Moore-Gwyn - BRITISH & CONTINENTAL PICTURES & PRINTS & Arnaud Delas - PHOTOGRAPHS - 25 January 2017

131 •JONAS PLOSKY (1940-2011) UNEARTHED STILL LIFE oil on board 27 cm by 31.5 cm; 10 2/3 in by 12 1/3 in £100-150

130 •RONALD MADDOX (b.1930) PALM HOUSE AT KEW watercolour 58 by 40 cm; 23 by 16 in £200-300

133 •JONAS PLOSKY (1940-2011) MUSIC MAID signed l.r.: J. PLOSKY oil on board 70 cm by 90 cm; 27 1/2 in by 35 1/2 in 132 •JONAS PLOSKY (1940-2011) CORNISH CHURCHYARD oil on board 51 cm by 76 cm; 20 in by 30 in (unframed) £200-300

£300-500

25 Blythe Road | London’s Specialist Auctioneers

134 WALTER SICKERT, R.A. (1860-1942) TWO WOMEN SEATED IN AN INTERIOR signed l.l.: Sickert watercolour and pencil 28 cm by 38 cm; 11 in by 15 in Provenance with Durlacher Bros. New York, January 1962; Sotheby’s, London 12th October 1988, Lot 60 Acording to a label on the reverse of this drawing it has been suggested that one of the sitters in this work could be Nina Hamnett (1890-1956) £2500-3500

Harry Moore-Gwyn - BRITISH & CONTINENTAL PICTURES & PRINTS & Arnaud Delas - PHOTOGRAPHS - 25 January 2017

135 •WENDELA BOREEL A.R.E. (1895-1985) A GROUP OF THREE ETCHINGS OF WOMEN including: My devoted nurse Mary Anne Seller, Portrait of fellow Sickert pupil Christiana Cutter, and one other. (Two framed, one unframed.) two signed in pencil l.r.

(3) Provenance Abbott and Holder Exhibited (Christiana Cutter): Michael Park in Gallery, Walter Sickert - the artist, his wife, his mistress, his friends and one enemy.

1993 Boreel was a pupil of Walter Sickert and Harold Gilman at Westm inster School of Art. For a short period she was also Sickert’s studio assistant, falling strongly under his influence and developing a particularly strong style as an etcher. Her first solo show was with the Walker Gallery in London in 1919. £80-120

136 MALCOLM DRUMMOND (1880-1945) THE WOMAN IN THE MIRROR pencil 25 cm by 17 cm, 10 in by 6 ¾ in

137 MALCOLM DRUMMOND (1880-1945) STUDY OF A WOMAN SEWING IN AN INTERIOR pen and sepia ink 24.5 cm by 18; 9 ¾ in by 7 in

Provenance Acquired by the present owner from the Fine Art Society, Bond Street

Provenance Acquired by the present owner from Abbott and Holder

£600-800

£300-500

25 Blythe Road | London’s Specialist Auctioneers

138 HENRI GAUDIER-BRZESKA (1891-1915) STANDING NUDE pen and black ink 37 cm by 25 cm; 14 ½ in by 10 £2000-3000

Harry Moore-Gwyn - BRITISH & CONTINENTAL PICTURES & PRINTS & Arnaud Delas - PHOTOGRAPHS - 25 January 2017

139 HENRI GAUDIER-BRZESKA (1891-1915) CROUCHING NUDE pen and black ink 19.5 cm by 15 cm; 7 ¾ in by 6 in £2000-3000

25 Blythe Road | London’s Specialist Auctioneers

140 HENRI GAUDIER-BRZESKA (1891-1915) TANKER AND DINGY signed with monogram l.l.: HGB pencil 18 cm by 25 cm; 7 in by 10 in £600-800

141 ATTRIBUTED TO AUGUSTUS JOHN, O.M., R.A. (1878-1961) PORTRAIT OF A LADY Pencil 32 cm by 25 cm; 12 ½ in by 10 in £200-300

Harry Moore-Gwyn - BRITISH & CONTINENTAL PICTURES & PRINTS & Arnaud Delas - PHOTOGRAPHS - 25 January 2017

142 •AUGUSTUS JOHN, O.M., R.A. (1878-1961) RECLINING FEMALE NUDE including a copy of a letter from the artist pencil signed l.r.:John 36 cm by 42 cm; 14 in by 16 1/2 in £800-1200

25 Blythe Road | London’s Specialist Auctioneers

144 PHILIP WILSON STEER, O.M. (1860-1942) RECLINING FEMALE NUDE signed l.l.: P.W. Steer black and white chalk 37.5 cm by 23 cm; 14 ¾ in by 9 in 143 •ARCHIBALD STANDISH HARTRICK, R.W.S., O.B.E. (1864-1950) PUTNEY BRIDGE FROM FULHAM PALACE lithograph together with the original study in pencil for the lithograph both 24 cm by 31 cm; 9 1/2 in by 12 in, (2 framed as 1)

£120-180

£200-300

145 JOHN DOYLE, P.P.W.R.S. (b.1928) A PAIR OF DRAWINGS OF CANTERBURY. one signed with monogram l.l.: J.D. the other signed l.l.: John Doyle both pen and sepia ink the largest 16 cm by 23.5 cm; 6 ¼ in by 9 ¼ in (2) Provenance Acquired from the artist’s studio, 12th June 1988 £60-80

146 •CRAWFURD ADAMSON (b. 1953) STANDING MAN, FRONT pastel signed l.r. Crawfurd Adamson 71 cm by 43 cm; 28 in by 17 in Provenance with Jill George Gallery, London £200-300

Harry Moore-Gwyn - BRITISH & CONTINENTAL PICTURES & PRINTS & Arnaud Delas - PHOTOGRAPHS - 25 January 2017

147 •PAUL MCPHAIL (b. 1966) SPARRA charcoal signed l.r. McPhail 73 cm by 54 cm; 28 ¾ in by 21 ¼ in McPhail was a prize-winning student at Glasgow School of Art where he undertook postgraduate studies in 1990. Today he is best-known as having been the long-term partner of the painter Jenny Saville. His own style belongs to the powerful uncompromising school of realism that characterises Saville’s work and the two artists have had a significant mutual influence on each other. £300-400 148 •PAUL MCPHAIL (b. 1966) SEATED MAN charcoal 151 cm by 84 cm; 59 ¼ in by 33 in £400-600

25 Blythe Road | London’s Specialist Auctioneers 149 •ALFRED WOLMARK (1877-1961) DAME EDITH EVANS signed and dated l.r. Wolmark/1926 inscribed: Edith Evans pen and black ink 35.5 cm by 25 cm; 14 in by 10 in Exhibited: Sally Hunter Fine Art, Modern British Drawings, October 1995, no. 73 Dame Edith Evans (1888-1976) was one of the most memorable British actresses of her generation with an incredible career that spanned some sixty years and one hundred roles on the stage. A late flourishing in her career also included three Academy Award nom inations between 1964 and 1968. She became best-known for her portrayal of aristocratic women on screen and is for many provided the ultimate portrayal of Lady Bracknell in Oscar Wilde’s The Importance of Being Earnest. £300-400

150 •GEORGE BISSILL (1896-1973) “BROTHER TO BERT” design for a book spine pen and black ink 23 cm by 5 cm; 9 in by 2 in £200-300

Harry Moore-Gwyn - BRITISH & CONTINENTAL PICTURES & PRINTS & Arnaud Delas - PHOTOGRAPHS - 25 January 2017

151 •JOHN BRATBY, R.A. (1928-1992) PATTI ON THE FERRY, NEWHAVEN-DIEPPE signed, inscribed with title, and dated l.r. 9pm June 5/ beginning of jubilee week/John Bratby Pencil 27.5 cm by 20 cm; 10 3/4 in by 8 in

152 •RANDOLPH SCHWABE, R.W.S. (1885-1948) SUMMER DAY ON THE BEACH signed, dated, and dedicated l.r.: R. Schwabe to D. Towner/1931 pen and sepia ink with a touch of wash 16.5 cm by 32.5 cm; 6 ½ in by 12 3/4 in

£200-300

£100-150

153 •ADRIAN ALLINSON (1890-1959) SELF PORTRAIT signed l.l,: Adrian Allinson black crayon 33 cm by 20 cm; 13 in by 8 in £300-400

154 •WILLIAM CROSBIE, R.S.A. (1915-1999) SEATED NUDE pencil 42 cm by 22 cm; 16 ½ in by 8 ¾ in £300-400 155 •BERNARD TOZER PIKE (1908-1996) STUDY OF A WOMAN IN A SHAWL red, black, and white chalk 26 cm by 24 cm, 10 ¼ in by 9 ½ in Provenance Acquired by the present owner from Campbell Wilson fine art, Aberdeenshire. £200-300

25 Blythe Road | London’s Specialist Auctioneers

156 •BERNARD MENINSKY (1891-1950) RECLINING NUDE signed l.r.: Meninsky black chalk 26.5 cm by 56 cm; 10 ¼ in by 22 in £800-1200

157 •MICHAEL SALAMAN (1911-1987) WITCH dates from c. 1936-37. soft pencil 13 cm by 7.5 cm; 5 in by 3 in

158 •CLAUDE ROGERS (1907-1979) HOSPITAL SCENE pencil 19.5 cm by 25.5 cm; 7 ¾ in by 10 in £100-200

£80-120

159 •GEORGE CHARLTON, N.E.A.C. (1899-1979) A GROUP OF FOUR DRAWINGS including Portrait of a huntsman, Seated girl, Standing male nude, A fallen carthorse all pencil, two framed various sizes (the largest 22 cm by 35.5 cm; 8 ¾ in by 14 in) (4) £100-150 Harry Moore-Gwyn - BRITISH & CONTINENTAL PICTURES & PRINTS & Arnaud Delas - PHOTOGRAPHS - 25 January 2017

160 A GROUP OF DRAWINGS OF FEMALE NUDES by various artists including: Sydney Carl ine, Charles Robinson, and attributed to Horace Brodzky two framed various sizes (the largest 56 cm by 33 cm; 22 in by 13 in) (4) Provenance (Carline): The Court Gallery, Somerset; the artist’s studio sale £120-180

161 WILLIAM STRANG, R.A. (1859-1921) STANDING WOMAN WITH A PAIL signed l.r.: W. Strang pencil 42 cm by 20 cm; 16 ½ in by 8 in Sold together with an etching by William Strang, The Feather Fan. in an impression by David Strang.

(2) £300-400

162 •ALFRED WOLMARK (1877-1961) ARTHUR WING PINERO Signed l.r. Wolmark inscribed u.l.: Arthur Pinero Pen and black ink 33.5 cm by 24.5 cm; 13 1/4 in by 9 ¾ in

163 A FOLIO OF FIGURE DRAWINGS including Frank Carter by Bernard Sickert, a double-sided life drawing dedicated to Winifred Kinghts, seated male nude by Sir Charles Holroyd, study of a seated soldier, a pair of head studies by Colin Gill (mounted as one) (7)

Provenance Acquired by the present owner from Sally Hunter Fine Art

Provenance (Knights): The estate of Sir Thomas Monnington; with Liss fine art.

£200-300

£100-150

25 Blythe Road | London’s Specialist Auctioneers

164 •PAULE VÉZELAY (1892-1984) STRANGE FRAGMENTS, 1950 Signed and dated (twice) l.r.: P.Vézelay/1950 and P.Vézelay/Nov 1950 Pencil 43 cm by 26.5 cm; 17 in by 10 ½ in Exhibited England & Co., Paule Vézelay and Andre Masson: Paintings & Works on Paper 1928-1934, December 1989, Ex.Cat. £500-700

Harry Moore-Gwyn - BRITISH & CONTINENTAL PICTURES & PRINTS & Arnaud Delas - PHOTOGRAPHS - 25 January 2017

Lot 165 – 174: A collection of works from the family of Albert Rutherston Albert Rutherston was born in Bradford into a family of German-Jewish descent. His brother was the highly influential teacher and painter Sir William Rothenstein (Rutherston himself anglicised his name from Rothenstein to Rutherston in the middle of World War One) and both his second brother and sister were prominent collectors. A talented and versatile artistic talent, Rutherston excelled as a painter, draughtsman, designer and decorative painter. He designed tickets and posters for London Underground and stage sets for productions by Henry Granville Baker. His influential Decoration in the Art of the Theatre was published in 1919. This important group of works from the artist’s family highlights these talents showing his adept abilities as figure and life draughtsman, watercolourist, painter in oils and designer.

165 ALBERT RUTHERSTON, R.W.S. (1881-1953) THE “FAIR WOMEN” BALL signed l.r.: Albert R and inscribed l.c.: A group at the “Fair Women” ball watercolour over pen and ink 19.5 cm by 34 cm; 7 ¾ in by 13 ½ in included in this interesting group drawing are depictions of William Rothenstein and Frank Harris.

Exhibited Carfax Gallery, 1910, no. 3 £400-600

166 •ALBERT RUTHERSTON, R.W.S. (1881-1953) A VISIT TO THE STUDIO signed l.r.: Albert R pen and blue ink 22 cm by 29 cm; 8 ¾ in by 11 ½ in Provenance With The Bloomsbury Workshop This drawing probably depicts a studio exhibition in Fitzrovia in circa 1910. A number of prominent artist figures of the period are depicted: the tall woman to his right is probably Rutherston’s sister-in-law Alice Rothenstein, the bearded figure to the far right is probably Augustus John. £300-500

25 Blythe Road | London’s Specialist Auctioneers

167 •ALBERT RUTHERSTON, R.W.S. (1881-1953) THE ROTHENSTEIN CHILDREN ON THE BEACH AT VAUCOTTES-SUR-MER signed and dated l.r.: Albert R/1910 and with a label in the artist’s hand (reverse of frame) oil on canvas 47.5 cm by 74.5 cm; 18 ¾ in by 29 ¼ in The present work shows the children of Rutherston’s brother, Sir William Rothenstein on the beach at Vaucottes-sur-Mer in 1910. In descending order of age they are John, Rachel, Betty, Michael. £1200-1800

Harry Moore-Gwyn - BRITISH & CONTINENTAL PICTURES & PRINTS & Arnaud Delas - PHOTOGRAPHS - 25 January 2017

•ALBERT RUTHERSTON, R.W.S. (1881-1953) ONE OF THE ROTHENSTEIN CHILDREN ON THE BEACH watercolour, 18.5 cm by 19 cm; 7 ¼ in by 7 ½ in Executed circa 1910-11 the present painting is likely to relate to Rutherston’s larger painting of the Rothenstein children (see lot.167) £300-500

169 •ALBERT RUTHERSTON, R.W.S. (1881-1953) A PAIR OF DRAWINGS OF FEMALE NUDES one signed and dated l.r.: Albert R/1933 and dedicated l.l.: For my dear Patricia Albert R 1942 one red chalk, the other pencil the largest 29.5 cm by 21 cm; 11 ¾ in by 8 ¼ in (2)

170 •ALBERT RUTHERSTON, R.W.S. (1881-1953) COSTUME DESIGN FOR A NYMPH IN “LE REVEIL DE FLORE” signed and dated l.r.: Albert R/1914 and inscribed u.r.: No 16/4 Nymphs watercolour and gold paint over pen and ink 31.5 cm by 21 cm; 11 ½ in by 8 ¼ in

£200-300

A design for the ballet produced by Anna Pavlova in 1914. £500-700

25 Blythe Road | London’s Specialist Auctioneers

171 •ALBERT RUTHERSTON, R.W.S. (1881-1953) RECLINING NUDE (PATRICIA) signed and dated l.r.:Albert R/1939 coloured crayon with touches of wash and pen and black ink 17 cm by 37 cm; 6 3/4 in by 14 1/2 in

172 •ALBERT RUTHERSTON, R.W.S. (1881-1953) COASTAL LANDSCAPE IN LOUISVILLE, MAINE signed, dated and inscribed l.r.: Albert R/Louisville, Maine/48 watercolour and gouache over touches of pencil 26 cm by 36.5 cm; 10 ¼ in by 18 ¼ in

£400-600

£200-300

173 •ALBERT RUTHERSTON, R.W.S. (1881-1953) A PAIR OF TREE STUDIES one signed and dated l.l.: Albert R/11 the other signed and dated l.l.: Albert R/10 one pen and sepia ink, the other pencil one 24 cm by 25.5 cm; 9 ½ in by 10 in the other 30 cm by 23 cm; 12 in by 9 in (2)

174 •ALBERT RUTHERSTON, R.W.S. (1881-1953) PADDLING GIRL signed, dated and inscribed l.r.: Albert R/1911/for Patricia Oct 46 pencil 34 cm by 22 cm; 13 ¼ in by 8 ½ in

£200-300

The present work is a study for the mural for the Borough Polytechnic from 1911. Other artists involved in the scheme included Duncan Grant, Roger Fry and Frederick Etchells. They are now in the Tate £200-300

Harry Moore-Gwyn - BRITISH & CONTINENTAL PICTURES & PRINTS & Arnaud Delas - PHOTOGRAPHS - 25 January 2017

175 AFTER JAMES NORTHCOTE R.A. (1746-1831) SIR WILLIAM WALWORTH, LORD MAYOR OF LONDON, KILLING WAT TYLER IN SMITHFIELD, 1381

by Anker Smith (1759-1819) published by John Boydell 1796 engraving 50 cm by 63.5 cm; 19 3/4 in by 25 in £30-50

176 THOMAS BAINES (1820-1875) THE VICTORIA FALLS Centre Rock Fall and the eastern cataracts and The Falls by sunrise with the “spray cloud” rising 1,200 feet hand coloured lithographs published by Day & Son, October 1865 30 cm by 39.5 cm; 12 in by 15 ½ in (2) £600-800

177 JEAN-LOUIS FORAIN (1852-1931) DANCERS IN THEIR DRESSING ROOM etching 28 cm by 19 cm; 11 in by 7 1/2 in £80-120

178 JEAN-FRANCOIS RAFFAELLI (1850-1924) SOUS LA PLUIE, LES RAPINS, LES MAIGRES REPAS a group of three etchings, one signed within a plate: J.F. Raffaelli /79, one signed in pencil, etching various sizes (3) £100-150

25 Blythe Road | London’s Specialist Auctioneers

179 JAMES-JACQUES-JOSEPH TISSOT (1836-1902) LE CROQUET (Wentworth 37) 1878, etching and drypoint, on wove paper, from an edition of about 100 30 cm by 18 cm; 11 3/4 in by 7 in £800-1200

180 GEORGE CRUIKSHANK (1792-1878) THE BRIGHTON REFORM BILL engraving 26.5 cm by 36.5 cm; 10 1/2 in by 14 1/3 in £30-50

181 MARK CATESBY (1683-1749) THE POLE-CAT, PUTORIUS AMERICANUS STRIATUS Hand coloured engraving for “The natural History of Carolina, Florida and the Bahama Islands, second edition, London 1754”.

Together with assorted prints and other pictures of ornithological subjects including canaries, cockatoos and a hummingbird. various sizes (6) £300-500

Harry Moore-Gwyn - BRITISH & CONTINENTAL PICTURES & PRINTS & Arnaud Delas - PHOTOGRAPHS - 25 January 2017

182 WILLIAM WOOLLETT (1735-1785), AFTER GEORGE STUBBS, A.R.A. SHOOTING engravings on laid paper, the complete set of four plates published by Thomas Bradford, London, 1769-1771 45.5 x 56.5 cm. 18 x 22 ¼ in.

(4) £1000-1500

25 Blythe Road | London’s Specialist Auctioneers

183 CHARLES CATTON AFTER GEORGE MORLAND (17631804) PARTRIDGE SHOOTING AND SNIPE SHOOTING a pair of stipple engravings published by T. Smith, New Bond Street, February 1789 sold together with Woodcock shooting and Pheasant shooting a pair of coloured prints after James Pollard various sizes (4)

184 HENRY ALKEN SNR. (1785-1851) PIGEON SHOOTING AT THE RED-HOUSE CLUB hand-coloured etching by and after Alken, aquatinted by R.G. Reeve 34 cm by 49 cm; 13 in by 19 in sold together with an equestrian print after James Seymour and a photographic reproduction after Durer.

(3) £100-150

£100-150

185 A GROUP OF PRINTS OF MEDIEVAL SUBJECTS various sizes (4)

186 NELSON DAWSON, R.B.A., R.E. (1859-1941) VENICE GONDOLA signed and titled and signed with monogram etching 21 cm by 17 cm; 8 in by 6 1/2 in

£50-70

£30-40

187 MARIE LAURENCIN (1883-1956) YOUNG GIRL WITH A PINK ROSE signed and dated within plate: Marie Laurencin 1930 and further signed in pencil l.r.:Marie Laurencin and numbered l.l.: 211/250 coloured print 47 cm by 55 cm; 18 ½ by 21 ¾ in

188 ERIC GILL, A.R.A. (1882-1940) LADY WITH UMBRELLA, AND FOUR FIGURES (a pair of wood engravings) wood engraving the largest 14 cm by 9 cm; 5 ½ in by 3 ½ in (2)

£350-450

£150-200 Harry Moore-Gwyn - BRITISH & CONTINENTAL PICTURES & PRINTS & Arnaud Delas - PHOTOGRAPHS - 25 January 2017

189 •VICTOR VASARELY (1906-1997) COMPOSITION signed and numbered in pencil: Vasarely/73/180, silkscreen 45 cm by 32 cm; 17 3/4 in by 12 1/2 in

190 GEORGE GROSZ (1893-1959) SEATED WOMAN etching signed in pencil with in plate l.r.: Grosz 30 cm by 21 cm; 12 in by 8 ¼ in

£150-200

£400-600

191 •EDWARD GORDON CRAIG (1872-1966) HENRY IRVING AS ROBESPIERRE woodblock print 16.5 cm by 13 cm; 6 ½ in by 5 in

192 •DAVID HOCKNEY (b. 1937) TWO APPLES & ONE LEMON & FOUR FLOWERS coloured print 34.5 by 54.5 cm; 13½ in by 21½ in (unframed)

£80-120

£100-150

193 A FOLIO OF PRINTS including a group of portraits after Sir Gerald Kelly, Side of Mount Caburn - an artists proof etching by Carolyn Trant, and other artists (6) £100-150

194 •SIR KYFFIN WILLIAMS, R.A. (1918-2006) FARM NEAR CYFFYLLIOG signed in pencil l.r.: Kyffin Williams and numbere 59/75 limited edition coloured print 43 cm by 51cm; 17 in by 20 in £300-500

25 Blythe Road | London’s Specialist Auctioneers

195 ATTRIBUTED TO CHITTAPROSAD (1915-1975) THE TIRED SHOESHINE BOY signed, inscribed and dated l.l.: Chittaprosad/Bombay Sept ‘57 print 22.5 m by 27.5 cm; 9 in by 11 in mounted, (unframed) £800-1000 196 •DAME ELISABETH FRINK, R.A. (1930-1993) WILD CAT signed l.r.: Frink and numbered l.l.: 5/70 lithograph 52 cm by 65 cm; 20 1/2 in by 25 1/2 in £400-600

197 CECIL ALDIN (1870-1935) HARROW SCHOOL, print together with two English school mid 20th century works one a ‘View of Palladian House’, sepia wash and the other ‘View of House’ watercolour over pen and ink, and a study of an ‘interior with French window’ by Moore (4) various sizes, the largest 34 cm by 49 cm; 13 1/2 in by 19 1/4 in

198 •TOM MERRIFIELD (b. 1932) TWO SIGNED PRINTS OF BALLET: ANTHONY DOWELL AND FLOOR EXERCISE the first 30 cm by 46 cm; 11 3/4 in by 18 in the second 32 cm by 46 cm; 12 in by 18 in (2) £80-120

£80-120

Harry Moore-Gwyn - BRITISH & CONTINENTAL PICTURES & PRINTS & Arnaud Delas - PHOTOGRAPHS - 25 January 2017

199 THREE WILLAM EDWARD KILBURN STEREOSCOPIC DAGUERREOTYPES In their Kilburn patent viewing cases inscribed “By appointment Mr. Kilburn 222 Regent Street” portrait of a Victorian Lady portrait of two Victorian ladies, one seated portrait of a lady, the two plates detached from the case, in bad condition with scratches. The case in good condition.

(3) £1200-1500

25 Blythe Road | London’s Specialist Auctioneers

200 WILLIAM GLADSTONE’S FUNERAL 31, four mounted photographs, mostly William Gladstone’s funeral. Mainly albumen, few gelatine silver prints and five silver prints. Diverse formats, around 12 cm by 28 cm Published by the London Stereoscopic & Photographic Co. £300-500

Harry Moore-Gwyn - BRITISH & CONTINENTAL PICTURES & PRINTS & Arnaud Delas - PHOTOGRAPHS - 25 January 2017

201 JAPAN, SRI LANKA, EGYPT, MALAYSIA, ADEN Album of 78 photographs Japan, 34 photographs, c. 1890. Types and views, some later prints including Felice Beato’s “Sumo Wrestlers”, “Aino”, “nuns”, “the hairdressers”, “Nagasaki view” and Baron von Stillfried’s “view of Nagasaki” and “Papenberg”… Most hand coloured.

Sri Lanka, 9 photographs circa 1885-1890 by Skeen.

Malaysia, Singapore, 6 photographs, all 20 by 26 cm, including a good group portrait.

Egypt, 13 photographs by Bonfils, Arnoux, and Zangaki including a view of the Sphinx by Bonfils. One photograph o Aden. One panorama of Malta.

Albumen prints, diverse formats from 21.5 by 28 cm to 20 by 25 cm.

Half-calf binding in good condition £700-1000

25 Blythe Road | London’s Specialist Auctioneers

202 ANDAMAN ISLANDS, BURMA, INDIA Topographical album circa 1920 Port Blair, Andaman Islands, good group of 23 “Kodak 2” interesting panoramic photographs, 8 small format silver prints. Burma, views of Rangoon, Burmese scenes, Mandalay, Bassein, Burmese tribes. 141 photographs, diverse formats including many snapshots, mainly silver prints with 44 mechanical prints. Diverse subjects, views, architectural studies, scenes, and types. India, Calcutta, Bombay. The race course at Bombay, departure of H.R.H the Duke of Connaught Gelatine silver prints HRH the Duke of Connaught and Strathearn was Governor-General of Canada from 1911 to 1916, and following the war visited India in 1921, taking part in a number of official activities and opening several governmen buildings constructed after the 1919 Government of India Act. £300-400

Harry Moore-Gwyn - BRITISH & CONTINENTAL PICTURES & PRINTS & Arnaud Delas - PHOTOGRAPHS - 25 January 2017

203 THAILAND AND HONG KONG Good album, including 72 photographs.

24 of Thailand attributed to the Bangkok studio T. Chitt, 10 large format, 25 by 35 cm, and 14 20 by 27 cm albumen prints circa 1890, portrait of King Chulalongkorn and Queen Sunanda Kumnariratana. King’s birthday celebration (3) in 1892. Bangkok, many views of architecture, including the King’s palace.

Hong Kong circa 1895, 19 photographs, diverse format, albumen prints and silver prints. examples include “Electrical installation 1895”, “Native portion Hong Kong R.E.” “R.E. Working order”.

England, several photographs including Spithead naval fleet review Half calf binding, back missing The owner of this album seems to have been a member of the Royal Engineers, or to have been connected with them £1000-1500

25 Blythe Road | London’s Specialist Auctioneers

204 PERSONAL ALBUM OF LIEUT. CASSON WITH AUTOGRAPH BY THE DUKE OF WELLINGTON 59 photographs and ephemera, including an autograph of the Duke of Wellington and an invitation to a St George’s Day ball at Buckingham palace. Two group portraits showing winners of the Infantry Polo Cup 1890, large format Albumen prints, military life and group portraits, St George’s Day celebrations 1893, album ending with 17 photographs of pencil portrait caricature of military figures. Three pages torn at the beginning of the album Diverse formats, albumen prints and gelatine silver prints. £250-350

205 CDV ALBUM containing photographs on cabinet card circa 18801890 albumen prints, probably the same family as the travel albums of the same date. 26 photographs, mainly portraits.

Full leather binding

206 CDV ALBUM with wood and leather binding in the form of a satchel containing later family snapshot photographs. Binding circa 1880s-1890s £20-30

£30-50

Harry Moore-Gwyn - BRITISH & CONTINENTAL PICTURES & PRINTS & Arnaud Delas - PHOTOGRAPHS - 25 January 2017

207 A GROUP OF FOUR ALBUMS BY THE VICKERS (OF VICKERS-ARMSTRONG) FAMILY The first mostly family life circa 1920s, The second mainly family portraits including larger format, 32 by 25 cm, and smaller 8 by 12 cm, circa 1910-1947 mainly silver prints.

The third, c. 1960s Kodak photographs of Greece and Venice The fourth, photographs of Austria and the Tyrol £100-150

208 EGYPT group of fifteen photographs some with the photo raphers name Zangaki, mainly landscape views and a good portrait of the mummy Seti I, albumen print, c.

1885 21 cm by 28 cm; 8 in by 11 in, all unmounted (15) £60-80

209 TANGIER group of nineteen photographs attributed to Cavilla showing a local market, horse racing andinteriors, albu-men prints, c. 1885 approx. 18 cm by 24 cm; 7 in by 9 1/2 in (19) £60-80

25 Blythe Road | London’s Specialist Auctioneers

210 ITALY group of thirty-five views of monuments in Pompei and Naples, albumen prints, c. 1885 credit by Sommer, Lambiase stamp on verso, Luigi Armoni stamp on verso 19 cm by 25 cm; 7 1/2 in by 10 in (35) £60-80

211 FORTY INDIAN PALACE AND STREET PHOTOGRAPHS (19th CENTURY) STUDIES OF PALACES, CITADELS, OTHER BUILDINGS, AND STREET SCENES various sizes, approx. 19 cm by 28 cm; 7 1/2 in by 11 in £400-500

212 SIXTEEN ARCHITECTURAL AND LANDSCAPE VIEWS OF INDIA (19th CENTURY) MOSTLY OF MUGHAL INTEREST INCLUDING: The Taj Mahal, The Tomb of Humayun, The Ruined City of Jukhlakabad and other architectural scenes each 14.5 cm by 21.5 cm; 5 3/4 in by 8 1/2 in £100-200

Harry Moore-Gwyn - BRITISH & CONTINENTAL PICTURES & PRINTS & Arnaud Delas - PHOTOGRAPHS - 25 January 2017

213 THIRTY FOUR STEREOPTICON PHOTOGRAPHS (19th CENTURY) PRIMARILY OF INDIAN SCENES INCLUDING: The arrival of troops at the Dehli Durban Processions of Indian Princes at the Durban Also including architectural studies and scenes of Indian life published by Underwood & Underwood each mounted pair 9 cm by 18 cm; 3 1/2 by 7 in £150-200

215 ETON v WINCHESTER A CRICKET MATCH sepia photograph £60-80

214 TWENTY INDIAN MILITARY, ARCHITECTURAL AND PORTRAIT PHOTOGRAPHS (19th CENTURY) INCLUDING ROYAL FIGURES, THE 1911 DURBAN AND GROUP PORTRAITS various sizes, the largest 21 cm by 29 cm; 8 1/4 in by 11 1/2 in £300-400

END OF SALE

Conditions of Business for Buyers 1. Introduction (a) The contractual relationship of 25 Blythe Road Ltd and Sellers with prospective Buyers is governed by:(i) these Conditions of Business for Buyers; (ii) the Conditions of Business for Sellers displayed in the saleroom and available from 25 Blythe Road Ltd; (iii) 25 Blythe Road Ltd’s Authenticity Guarantee; (iv) any additional notices and terms printed in the sale catalogue, in each case as amended by any saleroom notice or auctioneer's announcement. (b) As auctioneer, 25 Blythe Road Ltd acts as agent for the Seller. Occasionally, 25 Blythe Road Ltd may own or have a financial interest in a lot.

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4. Exclusions and limitations of liability to Buyers (a) BR shall refund the Purchase Price to the Buyer in circumstances where it deems that the lot is a Counterfeit, subject to the terms of BR’s Authenticity Guarantee. (b) Subject to Condition 4(a), neither BR nor the Seller:(i) is liable for any errors or omissions in any oral or written information provided to Bidders by BR, whether negligent or otherwise; (ii) gives any guarantee or warranty to Bidders and any implied warranties and conditions are excluded (save in so far as such obligations cannot be excluded by English law), other than the express warranties given by the Seller to the Buyer (for which the Seller is solely responsible) under the Conditions of Business for Sellers;

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Earlier release shall not affect passing of title or the Buyer's obligation to pay the Purchase Price, as above. (c) The refusal of any licence or permit required by law, as outlined in Condition 6, shall not affect the Buyer’s obligation to pay for the lot, as per Condition 8(a).

(d) The Buyer must arrange collection of lots within 10 working days of the auction. Purchased lots are at the Buyer's risk from the earlier of (i) collection or (ii) 10 working days after the auction. Until risk passes, BR will compensate the Buyer for any loss or damage to the lot up to a maximum of the Purchase Price actually paid by the Buyer. BR’s assumption of risk is subject to the exclusions detailed in Condition 5(d) of the Conditions of Business for Sellers. (e) All packing and handling of lots is at the Buyer's risk.

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25 Blythe Road Ltd’s Authenticity Guarantee If 25 Blythe Road Ltd sells an item of Property which is later shown to be a “Counterfeit”, subject to the terms below 25 Blythe Road Ltd will rescind the sale and refund the Buyer the total amount paid by the Buyer to 25 Blythe Road Ltd for that Property, up to a maximum of the Purchase Price.

The Guarantee lasts for one (1) year after the date of the relevant auction, is for the benefit of the Buyer only and is nontransferable.

“Counterfeit” means an item of Property that in 25 Blythe Road Ltd’s reasonable opinion is an imitation created with the intent to deceive over the authorship, origin, date, age, period, culture or source, where the correct description of such matters is not included in the catalogue description for the Property.

Property shall not be considered Counterfeit solely because of any damage and/or restoration and/or modification work (including, but not limited to, recolouring, tooling or repatinating).

Please note that this Guarantee does not apply if either:(i) the catalogue description was in accordance with the generally accepted opinions of scholars and experts at the date of the sale, or the catalogue description indicated that there was a conflict of such opinions; (ii) the only method of establishing at the date of the sale that the item was a Counterfeit would have been by means of processes not then generally available or accepted, unreasonably expensive or impractical; or likely to have caused damage to or loss in value to the Property

(in 25BR’s reasonable opinion); (iii) there has been no material loss in value of the Property from its value had it accorded with its catalogue description.

To claim under this Guarantee, the Buyer must:(i) notify 25 Blythe Road Ltd in writing within one (1) month of receiving any information that causes the Buyer to question the authenticity or attribution of the Property, specifying the lot number, date of the auction at which it was purchased and the reasons why it is believed to be Counterfeit; and (ii) return the Property to 25 Blythe Road Ltd in the same condition as at the date of sale and be able to transfer good title in the Property, free from any third party claims arising after the date of the sale.

25 Blythe Road Ltd has discretion to waive any of the above requirements. 25 Blythe Road Ltd may require the Buyer to obtain at the Buyer's cost the reports of two independent and recognised experts in the relevant field and acceptable to 25 Blythe Road Ltd. 25 Blythe Road Ltd shall not be bound by any reports produced by the Buyer, and reserves the right to seek additional expert advice at its own expense. In the event 25 Blythe Road Ltd decides to rescind the sale under this Guarantee, it may refund to the Buyer the reasonable costs of up to two mutually approved independent expert reports, provided always that the costs of such reports have been approved in advance and in writing by 25 Blythe Road Ltd.

25 Blythe Road Ltd

25 Blythe Road London W14 0PD Tel: +44(0)20 7806 5541 Fax: +44(0)20 7602 5973 Email: enquiries@25BlytheRoad.com www.25BlytheRoad.com