Part C: Communication

Architecture is undoubtedly a form of visual art, and like any form of art, good architecture should effectively tell a story. Every building has a unique history that may influence how people perceive how they can live. There are many ways to communicate the story in architecture which is through materials, aesthetics and context and these could convey the meaning and ideas of each building’s hidden story. However, some buildings are purely functional and follow the “form follow function” and their design is driven solely by practical considerations.

AI as a language model cannot replace the human role (architect). Architects will play a critical role in the design process, providing creative input and critical thinking.

However, it is a tool to help architects to focus on creativity, exploring more design and construction options, and high-level tasks to design sustainable and innovative buildings by providing analysis of building performance, design assistance, customization, automation and other collaboration tools

AI is expected to make a big difference in the architecture design process by providing architects with a high range of resources and tools that could help them work more efficiently and create more innovative and sustainable buildings.

Also, AI could help architects to explore new design options and increase building performance. These assistants would lead to a more simplest design process and more sustainable and environmentally friendly buildings.

Through visual cues, a 2D line drawing suggests a 3D object. Converging lines produce perspective, which gives the appearance of depth. Volume and form are suggested by shading and shadows, while shape and curvature are shown by contour lines. Intermingling objects show spatial relationships and depth. Distance is indicated by size and proportions, with larger objects appearing closer. Line patterns that convey texture imply surface characteristics. Foreshortening distorts proportions to show objects moving closer or farther away. We can produce a drawing that causes our brain to interpret it as a threedimensional form by deftly combining these techniques.

By using techniques like motion blur, dynamic poses, and multiple frames, images of a 3D object can imply movement. By purposefully blurring specific portions of the object, motion blur produces the appearance of motion. Dynamic poses capture the subject in positions that emphasise movement. Animation is produced when several frames are placed in order. Speed lines indicate direction and speed. Movement and changes in posture are implied by body language and gestures. Environmental cues like dispersed objects increase the perception of movement. Images are arranged in a sequential composition to show progression. Through the use of these visual cues, we are able to perceive movement within still pictures of 3D objects.

Designers can capture and document objects/subjects in detail using video recording or photography, which enables them to observe and evaluate different aspects like form, texture, lighting, and movement. These recorded visuals serve as useful resources for designers to use as sources of knowledge and inspiration.