Published on the occasion of the exhibition
CyANotyPEs: PHotogrAPHy’s BlUE PErioD January 16, 2016 through April 24, 2016
this exhibition and publication are generously supported by Higgins school of Humanities and Dean of the College, Clark University, and skinner Auctioneers. © 2016 Worcester Art Museum 55 salisbury street / Worcester, Massachusetts 01609 / worcesterart.org All rights reserved. No part of the contents of this publication may be reproduced without the written permission of the publisher. All works © Worcester Art Museum unless otherwise noted. Photography by stephen Briggs Design by Kim Noonan Printed by Puritan Capital Font: scalasans ot isBN 978-0-936042-06-0
outside cover: Meghann Riepenhoff, American, born 1979, Littoral Drift #3 (Rodeo Beach, CA) (detail), 2013, Worcester Art Museum, Funded by the Douglas Cox and Edward Osowski Fund for Photography in memory of Robert A. Royka (1933–1996) and Margaret Kent Royka, 2015.44 inside front cover: William H. Cades, American, 1820–after 1892, Two Men Fishing from Rocks at Seaside Resort (detail), 1890s, Worcester Art Museum, Gift of Mr. and Mrs. Karl L. Briel, 1987.70 inside back cover: Arthur Wesley Dow, American, 1857–1922, “Little Venice,” Ipswich (detail). about 1900, Museum of Fine Arts, Boston, Gift of Philio Wigglesworth Cushing and Henry Coolidge Wigglesworth from the collection of their parents, Frank and Anne Wigglesworth, in memory of their love for Ipswich. M. and M. Karolik Fund and Charles H. Bayley Picture and Painting Fund, 2006.1277.33
Published on Feb 10, 2016
Cyanotypes: Photography’s Blue Period Edited by Nancy Kathryn Burns, Assistant Curator of Prints, Drawings, and Photographs Kristina Wilson...