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Waddington’s West: Canadian Art From Private Collections SE PT EM BE R 19-24 , 2 02 0


Waddington’s West: Canadian Art From Private Collections SEPTEMBER 19-24, 2020


bid online at onlineauctions.waddingtons.ca all lots can be viewed online at www.waddingtons.ca

director, client services waddington’s vancouver Jacqui Dixon jd@waddingtons.ca

front cover Lot 44 ROY ARDEN D’ELEGANCE 1, 2000

778-837-4588

front inside

All artworks are located in Vancouver and shipping will be the responsibility of the successful bidders.

Lot 18 BEAU DICK MOURNING MASK

We are pleased to offer private previews by appointment only. Please contact jd@waddingtons.ca for condition reports or to book a preview appointment. Please note that health and safety protocols are in place.

Lot 19 JACK LEONARD SHADBOLT SUMMER FLIGHT, 1967-80

back inside

back cover Lot 39

KENOJUAK ASHEVAK SUMMER OWL, 1979

tel: 778-837-4588

This catalogue and its contents © 2020 Waddington McLean & Company Ltd.

This auction is subject to the Conditions of Sale printed in the back of this catalogue.

Photography & design by Waddington’s All Rights reserved.


1 BEAU DICK (1955-2017), KWAKWAKA’WAKW UNTITLED MASK

red cedar, feathers, acrylic paint signed overall dimensions 24 x 14 x 7 in — 61 x 35.6 x 17.8 cm PROVENANCE:

Private Collection, British Columbia $3,000 — 5,000

2 BILL (WILLIAM) RONALD REID (1920-1998) HAIDA GRIZZLY-HUAJI, 1973

screen print; signed and dated lower right, 518/600, unframed 25.8 x 19.9 in — 65.5 x 50.5 cm PROVENANCE:

Private Collection, British Columbia $600 — 800


3 BILL (WILLIAM) RONALD REID (1920-1998) CHILDREN OF THE RAVEN, 1977

screen print; signed and dated lower right, 133/195, unframed 29.9 x 22.4 in — 76 x 57 cm PROVENANCE:

Private Collection, British Columbia $800 — 1,000

4 NORVAL MORRISSEAU (1931-2007) ME AND MY DAUGHTER LISA

colour serigraph; signed lower right, 28/99, unframed 29.9 x 21.9 in — 76 x 55.5 cm PROVENANCE:

Private Collection, British Columbia $300 — 400


5 ROBERT CHARLES DAVIDSON (B. 1946) SEA MONSTER, 1976

silkscreen; signed and dated lower right, 116/258, unframed 14.4 x 14.4 in — 36.5 x 36.5 cm PROVENANCE:

Private Collection, British Columbia $150 — 200

6 KENOJUAK ASHEVAK (1927-2013), CAPE DORSET / KINNGAIT IRIDESCENT CHAR, 2009

lithograph; 17/50 21.7 x 25 in — 55 x 63.5 cm PROVENANCE:

Private Collection, British Columbia $500 — 700


7 SHEOUAK PETAULASSIE (1923-1961), CAPE DORSET / KINNGAIT RINGED SEAL, 1960

sealskin stencil; 11/50 17.5 x 11.4 in — 44.5 x 29 cm PROVENANCE:

Fleet Galleries, Winnipeg, MB Estate of Lassy Malowany, British Columbia $2,500 — 3,500

8 SHEOUAK PETAULASSIE (1923-1961), CAPE DORSET / KINNGAIT THREE WALRUSES, 1960

sealskin stencil; 34/50 17.5 x 11.4 in — 44.5 x 29 cm PROVENANCE:

Fleet Galleries, Winnipeg, MB Estate of Lassy Malowany, British Columbia $2,500 — 3,500


9 CHARLIE UGYUK (1931-1999), SPENCE BAY / TALOYOAK HUNTER

stone, bone, sinew, leather; signed in syllabics 12.6 x 7.5 x 2.8 in — 32 x 19 x 7 cm PROVENANCE:

Private Collection, British Columbia $2,000 — 3,000

10 LOUIS MIKKITUQ DRUMMER

bone, hide; signed in roman 7.1 x 6.3 x 2 in — 18 x 16 x 5 cm PROVENANCE:

Private Collection, British Columbia $300 — 500


11 SIMON UTTAQ BIRD SHAMAN TRANSFORMATION

stone, bone, sinew; signed in syllabics 10.6 x 5.9 x 2.8 in — 27 x 15 x 7 cm PROVENANCE:

Private Collection, British Columbia $400 — 500

12 KIAWAK ASHOONA (1933-2014), CAPE DORSET / KINNGAIT MAN

stone; signed in syllabics 14.2 x 12.2 x 7.1 in — 36 x 31 x 18 cm PROVENANCE:

Private Collection, British Columbia $600 — 900


13 SIMEEONIE KILLIKTEE (B. 1973), LAKE HARBOUR / KIMMIRUT HAWK

stone; signed in syllabics 11 x 14 x 5.5 in — 26 x 34 x 15 cm PROVENANCE:

Private Collection, Alberta $400 — 600

14 MOSESEE KAPOYAK DRUM DANCER

bone, leather 24 x 10 x 16 in — 61 x 25.4 x 40.6 cm PROVENANCE:

Private Collection, Alberta $1,500 — 2,500


15 JOSEPH SUSLAQ FACE, 1996

stone, antler 7.9 x 5.1 x 2.4 in — 20 x 13 x 6 cm PROVENANCE:

Private Collection, British Columbia $300 — 500

16 KAKA ASHOONA (1928-1996), CAPE DORSET / KINNGAIT SEDNA, 1999

stone; signed in syllabics 9.1 x 18.1 x 3.9 in — 23 x 46 x 10 cm PROVENANCE:

Private Collection, British Columbia $3,000 — 5,000


17 TOONOO SHARKY (B. 1970), CAPE DORSET / KINNGAIT FANCIFUL FISH, 2003

stone; signed in syllabics 11.4 x 11.8 x 4.7 in — 29 x 30 x 12 cm PROVENANCE:

Private Collection, British Columbia $1,000 — 1,500

18 BEAU DICK (1955-2017), KWAKWAKA’WAKW MOURNING MASK

red cedar, horse hair, copper, acrylic paint; signed 13.4 x 12.2 x 10.2 in — 34 x 31 x 26 cm PROVENANCE:

Private Collection, British Columbia $4,000 — 6,000


19 JACK LEONARD SHADBOLT (1909-1998) SUMMER FLIGHT, 1967-80

mixed media on paper collage 21 x 23.5 in — 53.3 x 59.7 cm PROVENANCE:

Estate of Lassy Malowany, British Columbia $4,000 — 6,000

20 NORMAN ANTHONY (TONI) ONLEY (1928-2004) BLACK SHORE, 1978

oil on panel signed lower right, titled and dated Oct 78 verso 19.5 x 23.5 in — 49.5 x 59.7 cm PROVENANCE:

Estate of Lassy Malowany, British Columbia $3,000 — 4,000


21 NORMAN ANTHONY (TONI) ONLEY (1928-2004) RED BOTTLE

colour serigraph signed, titled and numbered 20/36 plate 11.2 x 12 in — 28.5 x 30.5 cm PROVENANCE:

Private Collection, British Columbia $125 — 175

22 GORDON APPELBE SMITH (1919-2020) WINTER POND II, 2002

etching signed, titled and dated, 16/30 Plate 18.1 x 25.2 in — 46 x 64 cm PROVENANCE:

Charmian Johnson Estate, British Columbia $800 — 1,200


23 GORDON APPELBE SMITH (1919-2020) UNTITLED #1, 1976

acrylic paper signed lower right 6.25 x 8.75 in — 15.9 x 22.2 cm PROVENANCE:

Private Collection, British Columbia $1,200 — 1,500

24 GORDON APPELBE SMITH (1919-2020) IV FROM PORTFOLIO A, 1968

silkscreen signed in pencil to the margin, AP plate 19.9 x 17.7 in — 50.5 x 45 cm PROVENANCE:

Marlborough-Godard Gallery, Toronto, ON Private Collection, British Columbia $300 — 500


25 GORDON APPELBE SMITH (1919-2020) VI-A FROM PORTFOLIO A, 1968

silkscreen signed, titled and numbered 36/65 in pencil to the margin 19.9 x 17.7 in — 46 x 46 cm PROVENANCE:

Downstairs Gallery, Edmonton, AB Private Collection, British Columbia $300 — 500

26 GRAHAM PEACOCK (B. 1945) KRIS CROSS MINIATURE #7, 2014

acrylic on canvas collage signed, titled and dated verso artist made frame 6 x 8 in — 15.2 x 20.3 cm PROVENANCE:

Direct from artist $500 — 700


27 GRAHAM PEACOCK (B. 1945) KRIS CROSS MINIATURE #5, 2014

acrylic on canvas collage signed, titled and dated verso artist made frame 6 x 8 in — 15.2 x 20.3 cm PROVENANCE:

Direct from artist $500 — 700

28 GRAHAM PEACOCK (B. 1945) KRIS CROSS MINIATURE #14, 2014

acrylic on canvas collage signed, titled and dated verso artist made frame 6 x 8 in — 15.2 x 20.3 cm PROVENANCE:

Direct from artist $500 — 700


29 GATHIE FALK (B. 1928) EAST VANCOUVER PLUM #2

watercolor and pencil on paper signed lower right 5.1 x 7.1 in — 13 x 18 cm PROVENANCE:

Charmian Johnson Estate, British Columbia $300 — 400

30 GATHIE FALK (B. 1928) UNTITLED

acrylic on panel signed “To Charmian with love from Gathie” verso 6.5 x 4.1 in — 16.5 x 10.5 cm PROVENANCE:

Charmian Johnson Estate, British Columbia $300 — 400


31 KIAWAK ASHOONA (1933-2014), CAPE DORSET / KINNGAIT MAN CARVING FISH

stone 7.9 x 6.7 x 5.9 in — 20 x 17 x 15 cm PROVENANCE:

Estate of Lorne Balshine Private Collection, British Columbia $400 — 600

32 MAYUREAK ASHOONA (B. 1946), CAPE DORSET / KINNGAIT FRIENDS

stone 18.5 x 11 x 6.7 in — 47 x 28 x 17 cm PROVENANCE:

Private Collection, British Columbia $800 — 1,200


33 MAYUREAK ASHOONA (B. 1946), CAPE DORSET / KINNGAIT TRANSFORMATION

stone 16.5 x 12.2 x 6.7 in — 42 x 31 x 17 cm PROVENANCE:

Private Collection, British Columbia $1,000 — 1,500

34 UNIDENTIFIED ARTIST MOTHER BREAST FEEDING CHILD

stone 10.2 x 8.7 x 3.9 in — 26 x 22 x 10 cm PROVENANCE:

Private Collection, British Columbia $600 — 900


35 URIASH PUQIQNAK (B. 1946), GJOA HAVEN / UQSUQTUUQ TRANSFORMATION

stone; signed in syllabics 16 x 8.5 x 6 in — 40.6 x 21.6 x 15.2 cm PROVENANCE:

Private Collection, Alberta $1,500 — 2,500

36 WAYNE PUQIQNAK (B. 1975), GJOA HAVEN HUNTER WITH THROWING BOLAS

stone, antler, hide; signed in syllabics 12 x 9 x 3 in — 30.5 x 22.9 x 7.6 cm PROVENANCE:

Private Collection, Alberta $600 — 900


37 KENOJUAK ASHEVAK (1927-2013), CAPE DORSET / KINNGAIT LOONS PROTECT THE OWL, 2002

stonecut, stencil; 84/100 22.4 x 28.3 in — 57 x 72 cm PROVENANCE:

Private Collection, British Columbia $1,500 — 2,500

38 KENOJUAK ASHEVAK (1927-2013), CAPE DORSET / KINNGAIT BIRD, ULU AND FISH, C.2002

crayon, ink; measurements to sight 19.3 x 25.2 in — 49 x 64c cm PROVENANCE:

Private Collection, British Columbia $2,000 — 4,000


39 KENOJUAK ASHEVAK (1927-2013), CAPE DORSET / KINNGAIT SUMMER OWL, 1979

lithograph; 23/50 22 x 30.7 in — 56 x 78 cm PROVENANCE:

Private Collection, British Columbia $2,000 — 4,000

40 KENOJUAK ASHEVAK (1927-2013), CAPE DORSET / KINNGAIT DANCING RAVENS II, C.2002

felt tip drawing 19.7 x 25.8 in — 50 x 65.5 cm PROVENANCE:

Private Collection, British Columbia $2,000 — 4,000


41 PITALOOSIE SAILA (B. 1942), CAPE DORSET / KINNGAIT WOMAN AND SNOWBIRD II, 2005

etching, aquatint; 13/50 23.6 x 19.9 in — 55 x 44 cm PROVENANCE:

Private Collection, British Columbia $500 — 700

42 OQUTAQ MIKKIGAK (B. 1936), CAPE DORSET / KINNGAIT THREE RAVENS, 2001

lithograph with chine collé; signed in syllabics and roman, 1/50, framed 14.2 x 39.4 in — 36 x 100 cm PROVENANCE:

Private Collection, British Columbia $700 — 1,000


43 TIM PITSIULAK (1967-2016), CAPE DORSET / KINNGAIT PAST HUNTERS, 2016

linocut 11.2 x 8.9 in — 28.5 x 22.5 cm PROVENANCE:

Private Collection, British Columbia $600 — 900

44 ROY ARDEN (B. 1957) D’ELEGANCE 1, 2000

gelatin silver print 2/5 39.75 x 50 in — 101 x 127 cm PROVENANCE:

Monte Clark Gallery, Vancouver, BC Private Collection, British Columbia $4,000 — 6,000


45 SCOTT MCFARLAND (B. 1975) RESHOEING, FARRIER JAMES FINDEL WITH ASSISTANT IN SOUTHLANDS, 2003

digital c print 2/7 40 x 48 in — 101.6 x 121.9 cm PROVENANCE:

Monte Clark Gallery, Vancouver, BC Private Collection, British Columbia $4,000 — 6,000

46 GRAHAM GILLMORE (B. 1963) YOU MAKE A QUEEN FEEL LIKE A DOUBLE, 2018

mixed media on paper signed and dated lower left; framed in an acrylic box sheet/with acrylic box 24 x 15 in — 61 x 38.1 cm; 27.75 x 18.75 x 3 in — 70.5 x 47.6 x 7.6 cm PROVENANCE:

Monte Clark Gallery, Vancouver, BC Private Collection, British Columbia $1,200 — 1,500


47 STEPHEN WADDELL (B. 1968) ASPHALT LAYER 1, 2001

archival pigment print 2/7 39 x 59 in — 99.1 x 149.9 cm PROVENANCE:

Monte Clark Gallery, Vancouver, BC Private Collection, British Columbia $3,500 — 4,000

48 STEPHEN WADDELL (B. 1968) MAN WITH PAIL, 2004

c-print edition of 7 54 x 43 in — 137.2 x 109.2 cm PROVENANCE:

Monte Clark Gallery, Vancouver, BC Private Collection, British Columbia $3,500 — 4,500


49 HOLGER KALBERG (B. 1967) TOWER WITH FENCE AND SPLASH, 2006

oil on canvas signed, titled and dated verso 72.4 x 60.2 in — 137 x 152 cm PROVENANCE:

Monte Clark Gallery, Vancouver, BC Private Collection, British Columbia $3,000 — 5,000

50 KARIN BUBAŠ, (B. 1976) DRYAD, 2008

digital chromogenic print 1/3 72 ins x 22.75 ins; 182.9 cms x 57.8 cms PROVENANCE:

Monte Clark Gallery, Vancouver, BC Private Collection, British Columbia $3,000 — 5,000


51 ATTILA RICHARD LUKAS (B. 1962) ARBOR I

etching signed and numbered 35/40 in pencil to margin sheet 37 x 29.1 in — 94 x 74 cm PROVENANCE:

Private Collection, British Columbia $3,000 — 4,000

52 ARMAND TATOSSIAN (1948-2012) MONTREAL STAIRS

oil on canvas 20 x 30 in — 50.8 x 76.2 cm PROVENANCE:

Galerie 2000, Montréal, QC Private Collection, Pasadena, CA $1,000 — 1,500


53 ARMAND TATOSSIAN (1948-2012) PLACE JACQUES CARTIER

oil on canvas signed lower right 30 x 42 in — 76.2 x 106.7 cm PROVENANCE:

Galerie 2000, Montréal, QC Private Collection, Pasadena, CA $2,500 — 3,500

54 STANLEY MOREL COSGROVE (1911-2002) NATURE-MORTE AUX ORANGES, 1993

oil on panel signed lower left; signed, titled and dated verso 10 x 12 in — 25.5 x 30.5 cm PROVENANCE:

Galerie 2000, Montréal, QC Private Collection, Pasadena, CA $1,800 — 2,400


55 ALBERT ROUSSEAU (1908-1982) UNTITLED, C.1930

oil on panel signed lower right 10.5 x 8.5 in — 26.7 x 21.6 cm PROVENANCE:

Galerie 2000, Montréal, QC Private Collection, Pasadena, CA $800 — 1,200

56 JOHN A. HAMMOND (1843-1939) ROCKAWAY BEACH, N.S.

oil on panel signed lower right; signed and titled verso 10.6 x 16.5 in — 27 x 42 cm PROVENANCE:

John Hammond, R.C.A., Esate Stamp - No. 123 Collection Claude Courcy, Montréal, QC Galerie 2000, Montréal, QC Private Collection, Pasadena, CA $1,000 — 1,500


57 FREDERICK SIMPSON COBURN (1871-1960) TWO UNTITLED SKETCHES

pastel on paper from sketchbook owned by Thomas Garside sight 5 x 8 in — 12.7 x 20.3 cm; 4.25 x 6.25 in — 10.8 x 15.9 cm PROVENANCE:

Kastel Gallery, Westmount, QC Private Collection, British Columbia $1,000 — 1,500

58 DOROTHY KNOWLES (B. 1927) NORTH SASKATCHEWAN RIVER, 1975

oil on canvas signed and dated lower right 12 x 14 in — 30.5 x 35.6 cm PROVENANCE:

Private Collection, British Columbia $1,000 — 2,000


59 ABRAHAM ANGHIK RUBEN (B. 1951) TRANSFORMING RAVEN

stone, bone and leather; signed “ANGHIK 03” 7.5 x 13.2 x 5.9 in — 19 x 33.5 x 15 cm PROVENANCE:

Private Collection, British Columbia $2,000 — 3,000

60 ABRAHAM ANGHIK RUBEN (B. 1951), ᐊᐃᐊᔭᑲ ᐊᐸᑲ ᐊᒋ, SALT SPRING ISLAND BEAR MASK

stone; signed in roman 16 x 12 x 2 in — 40.6 x 30.5 x 5.1 cm PROVENANCE:

Private Collection, British Columbia $2,000 — 2,500


61 JIMMY JACOBSON (B. 1923), TUKTOYAKTUK TWO CRANES

bone, antler 9.5 x 11 x 14.5 in — 24 x 30.5 x 20 cm PROVENANCE:

Private Collection, Alberta $250 — 350

62 PIE KUKSHOUT (1911-1980), RANKIN INLET / KANGIQLINIQ FACES

ceramic 10.5 x 9 x 9 in — 26.5 x 23 x 23 cm PROVENANCE:

Estate of Lassy Malowany, British Columbia $700 — 1,000


63 RUBEN ANTON KOMANGAPIK (B. 1976), POND INLET / MITTIMATALIK CARVED WALRUS TUSK TOTEM OF SEAL, NARWHALS, WALRUS, POLAR BEAR AND MAN MOUNTED ON WHALE BONE

ivory, whale bone, fur; signed in syllabics 16.1 x 9.8 x 7.1 in — 41 x 18 x 24 cm PROVENANCE:

Private Collection, Alberta $400 — 600

64 RON TAYLOR (1933-2011), TUKTOYAKTUK IVORY TOTEM ON STONE BASE

ivory, stone; signed in roman and dated 96 12 x 3.9 x 3.1 in — 30.5 x 10 x 8 cm PROVENANCE:

Private Collection, Alberta. $300 — 500


65 REX GOOSE (B. 1965), HOLMAN / ULUKHAKTOK NARWHAL TOTEM ON BASE

ivory, stone; condition noted 16.5 x 6.5 x 3.5 in — 42 x 9.5 x 8.5 cm PROVENANCE:

Private Collection, Alberta $300 — 500

66 UNIDENTIFIED ARTIST HUNTER, SEALS AND BIRD ON ICE FLOE

ivory, composite clay 2 x 6.7 x 2.2 in — 5 x 17 x 5.5 cm PROVENANCE:

Private Collection, Alberta $100 — 150


67 UNIDENTIFIED ARTIST SEAL HUNTER WITH SEAL ON UMIAK

ivory 2.8 x 5.9 x 1.6 in — 7 x 15 x 4 cm PROVENANCE:

Private Collection, British Columbia $150 — 200

68 ROBERT GENN (1936–2014) SALTSPRING SOUTH, 1977

oil on panel; signed lower right; dated verso 8 x 10 in — 5 x 25.5 cm PROVENANCE:

Jack Hambleton Galleries, Kelowna, BC Private Collection, British Columbia $900 — 1,200


69 ALFRED CROCKER LEIGHTON (1901-1965) UNTITLED

oil on canvas; signed lower left 30 x 41 in — 76 x 102 cm PROVENANCE:

Private Collection, British Columbia $3,000 — 3,500

70 ALFRED CROCKER LEIGHTON (1901-1965) MOUNT EDITH, BANFF, 1928

oil on canvas; signed lower right 24 x 30 in — 61 x 76.2 cm PROVENANCE:

Canadian Art Galleries, Calgary, AB Private Collection, British Columbia $3,000 — 3,500


71 ALFRED CROCKER LEIGHTON (1901-1965) FOOTHILL FARM, MORLEY, ALBERTA, 1928

watercolour; signed lower right sight 13.8 x 18.1 in — 35 x 46 cm PROVENANCE:

Private Collection, British Columbia $700 — 900

72 ALFRED CROCKER LEIGHTON (1901-1965) MOLAR PASS AND SHOULDER OF MOUNT HECTOR

watercolour; signed lower right sight 12.8 x 16.5 in — 32 x 42 cm PROVENANCE:

Canadian Art Galleries, Calgary, Alberta Private Collection, British Columbia $700 — 900


73 ALFRED CROCKER LEIGHTON (1901-1965) VALLEY OF YELLOWSTONE

watercolour; signed lower left sight 12.8 x 16.1 in — 32.5 x 41 cm PROVENANCE:

Canadian Art Galleries, Calgary, Alberta Private Collection, British Columbia $700 — 900

74 ALFRED CROCKER LEIGHTON (1901-1965) MOUNT HECTOR AT MOLAR PASS

watercolour; signed lower right sight 12.4 x 16.5 in — 32 x 42 cm PROVENANCE:

Canadian Art Galleries, Calgary, AB Private Collection, British Columbia $700 — 900


75 ELSIE JOHN (B. 1961), NUU-CHAH-NULTH LADLE

goat horn; carved with totemic figures, with inset copper and abalone shell eyes, measured without base 5 x 10.5 x 2.5 in — 12.7 x 26.7 x 6.4 cm PROVENANCE:

Private Collection, British Columbia $700 — 1,000

76 KEVIN NEAL RYLAND (B. 1968), HAIDA RAVEN, 1999

argillite, abalone shell; signed and dated Nov. ‘99 4.7 x 3.5 x 2.2 in — 12 x 9 x 5.5 cm PROVENANCE:

Private Collection, British Columbia $300 — 500


77 IKE HANS (1899-1961) TOTEM

argillite, abalone shell; “Skidegate, BC” written underneath 6.5 x 2 x 2 in — 16.5 x 5 x 5 cm PROVENANCE:

Private Collection, British Columbia $300 — 500

78 FREDDIE WILSON (B. 1983), HAIDA BEAVER EAGLE WITH 2 HUMANS, 2006

argillite, abalone shell, ivory, catlinite; signed in Roman 14.8 x 3.1 x 3.1 in — 37.5 x 8 x 8 cm PROVENANCE:

Private Collection, British Columbia $800 — 1,200


79 ATTRIBUTED TO PAUL JONES (1847-1929), SKIDEGATE TOTEM POLE

argillite ; Including appraisal attributing provenance to Emily Carr 8.3 x 1.6 x 1.8 in — 21 x 4 x 4.5 cm PROVENANCE:

Private Collection, British Columbia $2,000 — 4,000

80 COOPER WILSON RAVEN & CLAMSHELL

argillite, abalone shell 7.1 x 7.9 x 5.9 in — 18 x 20 x 15 cm PROVENANCE:

Private Collection, British Columbia $400 — 600


81 ATTRIBUTED TO FREDDIE WILSON (B. 1983), HAIDA BEAR

copper, argillite 16.5 x 11.2 x 5.1 in — 42 x 28.5 x 13 cm PROVENANCE:

Private Collection, British Columbia $4,000 — 5,000

82 PITSEOLAK NIVIAQSI (1947-2015), CAPE DORSET / KINNGAIT MOTHER AND CHILD

stone; signed in syllabics 10.6 x 11.4 x 6.7 in — 27 x 29 x 17 cm PROVENANCE:

Private Collection, British Columbia $2,000 — 3,000


83 JOMIE AIPEELEE (B. 1963), FROBISHER BAY / IQALUIT MUSK OX

stone, antler 6.5 x 9 x 4 in — 16.5 x 22.9 x 10.2 cm PROVENANCE:

Private Collection, Alberta $300 — 500

84 UNIDENTIFIED ARTIST TWO WALRUSES

stone 12 x 25 x 11 in — 30.5 x 63.5 x 27.9 cm PROVENANCE:

Private Collection, Alberta $1,500 — 2,500


85 BARBARA (BARLEIGH) LEIGHTON (1911-1986) MORAINE LAKE

woodcut; signed, titled and numbered 17/100 plate 11.8 x 14.6 in — 30 x 37 cm PROVENANCE:

Private Collection, British Columbia $300 — 400

86 BARBARA (BARLEIGH) LEIGHTON (1911-1986) EMERALD LAKE

woodcut; signed, titled and numbered 4/100, 2nd ed. plate 11.3 x 14.6 in — 29 x 37 cm PROVENANCE:

Yukon Gallery, Whitehorse, Yukon Private Collection, British Columbia $300 — 400


87 BARBARA (BARLEIGH) LEIGHTON (1911-1986) BOW LAKE

woodcut; signed, titled and numbered 2/100 2nd ed. plate 11.4 x 14.5 in — 29 x 36 cm PROVENANCE:

Private Collection, British Columbia $300 — 400

88 BARBARA (BARLEIGH) LEIGHTON (1911-1986) MOUNT ASSINIBOINE

woodcut; signed, titled and numbered 19/100 plate 11.1 x 14.5 in — 28 x 36 cm PROVENANCE:

Private Collection, British Columbia $300 — 400


89 BARBARA (BARLEIGH) LEIGHTON (1911-1986) SPRING AT ASSINIBOINE

woodcut; signed, titled and numbered 14/100 plate 7.9 x 10.6 in — 20 x 26.5 cm PROVENANCE:

Private Collection, British Columbia $300 — 400

90 BARBARA (BARLEIGH) LEIGHTON (1911-1986) PRAIRIE GOSSIP

woodcut; signed, titled and numbered 4/100, 2nd ed. plate 11 x 14.6 in — 28 x 37 cm PROVENANCE:

Private Collection, British Columbia $300` — 400


91 CARL RAY (1942-1978) MANG THE LOON

ink on paper; signed in syllabics and roman; dated 73 lower right sight 13 x 16.1 in — 33 x 41 cm PROVENANCE:

Estate of Lassy Malowany, British Columbia $600 — 800

92 RANDY TRUDEAU (1954-2013), ODAWA-OJIBWE UNTITILED, 1979

acrylic on canvas; signed and dated lower right 48.2 x 48.2 in — 122.5 x 122.5 cm PROVENANCE:

Private Collection, British Columbia $250 — 350


93 ZBIGNIEW STANLEY KUPCZYNSKI (B. 1928) UNTITLED (BOY WITH FLUTE ON HORSE)

oil pastel on paper; signed lower right sight 11.4 x 15.4 in — 29 x 39 cm PROVENANCE:

Estate of Lassy Malowany, British Columbia $300 — 350

94 ZBIGNIEW STANLEY KUPCZYNSKI (B. 1928) UNTITLED (GIRL WITH VIOLIN)

oil pastel on paper; signed and dated 1989 sight 12.4 x 9.4 in — 31.5 x 24 cm PROVENANCE:

Estate of Lassy Malowany, British Columbia $250 — 350


95 ZBIGNIEW STANLEY KUPCZYNSKI (B. 1928)

silkscreen with felt tip pen on paper 19.7 x 24.4 in — 50 x 62 cm PROVENANCE:

Estate of Lassy Malowany, British Columbia $125 — 175

96 DAVID SILVERBERG (B. 1936) WOMAN OF CHICHICASTENANGO

colour etching; signed, titled and numbered 1/50 plate 19.4 x 11.8 in — 49.3 x 30 cm PROVENANCE:

Estate of Lassy Malowany, British Columbia $100 — 125


97 ROBERT GENN (1936-2014) START OF THE RACE

watercolour and ink on artist board; signed and dated 6/60 lower right 12 x 17.7 in — 30.5 x 45 cm PROVENANCE:

Estate of Lassy Malowany, British Columbia $400 — 500

98 JACK LEE MCLEAN (1924-2003) J RANCH IN THE VIDETTE LAKE AREA, 50 MILES N.W. OF KAMLOOPS, BC

oil on panel 24 x 36 in — 61 x 91.5 cm PROVENANCE:

Private Collection, British Columbia $500 — 700


99 LUCY QINNUAYUAK (1915-1982), CAPE DORSET / KINNGAIT HAPPY BIRDS, 1979

stonecut; 26/50 16.9 x 22 in — 43 x 56 cm PROVENANCE:

Private Collection, British Columbia $300 — 500

100 MARY PUDLAT (1923-2001), CAPE DORSET / KINNGAIT KEEPER OF THE KELP, 2001

lithograph; 11/50 21.3 x 24.8 in — 54 x 63 cm PROVENANCE:

Private Collection, British Columbia $300 — 500


101 KINGMEATA ETIDLOOIE (1915-1989), CAPE DORSET / KINNGAIT FIRST DAYS OF SPRING

stonecut; 1976, 30/50 19.9 x 25.2 in — 50.5 x 64 cm PROVENANCE:

Private Collection, British Columbia $200 — 400

102 MEELIA KELLY (1940-2006), CAPE DORSET / KINNGAIT RAVEN STEALS THE ULU, 2001

stonecut, stencil; 1/50 24.4 x 19.9 in — 62 x 50.5 cm PROVENANCE:

Private Collection, British Columbia $300 — 500


103 KAKULU SAGIATUK (B. 1940), CAPE DORSET / KINNGAIT FULL POUCH, 2002

etching, aquatint; 40/50 8.9 x 8.3 in — 22.5 x 21 cm PROVENANCE:

Private Collection, British Columbia $200 — 400

104 HAROLD LLOYD LYON (B. 1930) STILL WATERS, 1976

oil on panel; signed lower right 8 x 10 in — 20.5 x 25.5 cm PROVENANCE:

Jack Hambleton Galleries, Kelowna, BC Private Collection, British Columbia $100 — 125


105 HAROLD LLOYD LYON (B. 1930) DEFIANT, 1974

oil on board; signed lower right, dated on verso 16 x 20 in — 40.5 x 50.5 cm PROVENANCE:

Jack Hambleton Galleries, Kelowna, BC Private Collection, British Columbia $200 — 300

106 SARAIN STUMP (1945-1974) FOLIO OF 4 WORKS, 1972

silkscreen; signed and dated, 73/150, unframed GHOST DANCE SPIRIT TALK BRINGING BACK A LOST SOUL ONLY BUFFALOES CAN CALL BUFFALOES 23.4 x 15.4 in — 59.5 x 39 cm PROVENANCE:

Private Collection, British Columbia $200 — 300


107 KEN M. MOWATT (B. 1944) TWO WORKS

silkscreen ; WEGET & THE BULLHEAD, 1976 signed and dated lower right, 15/50, unframed WEGET & THE WOODEN SLAVE, 1977 signed and dated lower right, 8/50, unframed 36.8 x 25.2 in — 93.5 x 64 cm; 29.9 x 22.2 in — 76 x 56.5 cm PROVENANCE:

Private Collection, British Columbia $150 — 200

108 UNIDENTIFIED ARTIST CRIB BOARD

bone, stone 2.8 x 18.7 x 4.1 in — 7 x 47.5 x 10.5 cm PROVENANCE:

Estate of Lassy Malowany, British Columbia $300 — 500


109 ELIJAH MICHAEL (1929-2008), LAKE HARBOUR / KIMMIRUT CRIB BOARD

antler, ivory; written underneath “ELIJAH E7127” 3.1 x 15.6 x 3.9 in — 8 x 39.5 x 10 cm PROVENANCE:

Estate of Lassy Malowany, British Columbia $200 — 400

110 ETULU ETIDLUI (1946-2019), CAPE DORSET / KINNGAIT RESTING DOG

stone; signed in syllabics 4.3 x 13 x 3.9 in — 11 x 33 x 10 cm PROVENANCE:

Private Collection, British Columbia $400 — 600


111 ETULU ETIDLUI (1946-2019), CAPE DORSET / KINNGAIT RESTING DOG

stone 2.4 x 5.5 x 2 in — 6 x 14 x 5 cm PROVENANCE:

Private Collection, British Columbia $200 — 400

112 SILAS KALLUK, BAKER LAKE / QAMANI’TUAQ FAMILY GROUP

stone; signed in syllabics 3.9 x 7.1 x 3.3 in — 10 x 18 x 8.5 cm PROVENANCE:

Private Collection, Alberta $300 — 500


113 ANNIE AINALIK, CAPE DORSET / KINNGAIT THREE SMALL ETCHINGS ON SOAPSTONE

stone; signed in syllabics 4.7 x 2.4 x 1.2 in — 12 x 6 x 3 cm PROVENANCE:

Private Collection, Alberta $150 — 250

114 DAVIDEE ITULU (1929-2006), CAPE DORSET / KINNGAIT ETCHING ON WALRUS TUSK. 1999

ivory; signed in roman and syllabics 3.9 x 3.1 x 2.8 in — 10 x 8 x 7 cm PROVENANCE:

Private Collection, Alberta $100 — 150


115 ISACIE PETAULASSIE (B. 1973), UNIDENTIFEID, CAPE DORSET / KINNGAIT DANCING BEAR AND SMALL BLACK BEAR

stone; signed in syllabics 7.1 x 3.5 x 3.7 in — 18 x 9 x 9.5 cm PROVENANCE:

Private Collection, Alberta $200 — 400

116 LUCIE ANGALAKTE (B. 1931), REPULSE BAY / NAUJAAT MOTHER AND CHILD, 1973

stone; signed in syllabics 7.7 x 4.5 x 3.5 in — 19 x 11 x 9 cm PROVENANCE:

Estate of Lassy Malowany, British Columbia $300 — 500


117 PIERRE KARLIK (1931-2013), RANKIN INLET / KANGIQLINIQ MAN AND WALRUS FACE

stone, ivory; signed in syllabics 4.4 x 2.6 x 3 in — 11.3 x 6.5 x 7.5 cm PROVENANCE:

Estate of Lassy Malowany, British Columbia $250 — 350

118 UNIDENTIFIED ARTIST MOTHER BEAR AND BABY BEAR

stone; signed in syllabics, baby bear 4.5 x 7.5 x 3 cm 3.9 x 9.1 x 3 in — 10 x 23 x 7.5 cm PROVENANCE:

Private Collection, Alberta $200 — 400


Buying at Waddington’s All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or oral announcement. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any oral announcement or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s™ and the consignor (seller) of the lot. Descriptions or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale.

condition of lots

All of the items are to be considered, unless otherwise noted in the description or condition report, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should examine the pieces in person or have our staff answer any questions before bidding. Sizes are approximate. It is the sole responsibility of the bidder to inquire as to the condition of a lot before bidding. Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale. Frames on artwork are not included as part of purchase or condition.

buyers premium

A premium of 20% of the successful bid price of each lot. A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer’s premium, except for purchases exported from Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province.

payment

Payment for purchases must be by cash, INTERAC direct debit (CDN clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), VISA or Mastercard (up to $25,000). ALL PRICES IN CANADIAN FUNDS

Selling at Waddington’s bidding

The Auctioneer may also execute bids on behalf of the consignor to protect the reserve. The reserve is the confidential minimum price the seller is willing to accept for his or her property, below which it will not be sold.

shipping

waddington’s commission rates Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $251 to $2,500 20%

The Auctioneers will not undertake packing or shipping. The purchaser must designate and arrange for the services of an independent shipper and be responsible for all shipping, insurance expenses and any necessary export permits that may apply. The Auctioneers will, upon request, provide names of professional packers and shippers but will not be held responsible for the service or have any liability for providing this information. Reliable preauction estimates of shipping costs of lots offered in this sale may be obtained from:

Items selling for $250 or less 25%

PakShip

*There is a minimum handling charge of $20 per item

905-470-6874 / 905-470-6875 / 416-293-8225 taurus@pakship.ca / www.pakship.ca Safer Shipping Inc. 416-299-3367 / 416-299-9750 perry@safershipping.ca / www.safershipping.ca

removal of purchases

Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15). Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients.

cites

Restrictions exist regarding the import and export of species protected under CITES (Convention on International Trade in Endangered Species). This includes but is not limited to items made of or containing bone (whalebone etc.), ivory, tortoise shell, seal skin, rhinoceros horn and any other animal part and is strictly controlled or forbidden by most countries. Please review your country’s laws before bidding on pieces made of or containing these restricted items. It is the sole responsibility of the buyer to inquire about and obtain the proper permits for artwork purchased that may contain restricted materials, if such permit can be obtained. Please contact the department for further assistance. Failure to obtain necessary import/ export permits will not void any sale. All Narwhal Tusks must have a Marine Harvest Number or a Marine and Mammal Transport number to be sold at Waddington’s. For more information please visit: www.cites.org

*There is a minimum handling charge of $20 per item canadian art department commission rates Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $2,500 or less 20%

insurance

A 1% insurance charge, based on the hammer price of the property, will be applied to all accounts.

auction advice

For auction advice on paintings, drawings, prints, jewellery, and various forms of decorative arts and other collectibles, please feel free to contact us via email or telephone. We are pleased to review emails containing photographs and information on your pieces in order to provide auction estimates for you to consider. For collections with a variety of objects, please contact our Appraisals and Consignments department (consignments@waddingtons. ca). For department-specific inquiries, please contact the specialist and/or department directly. All contact information can be found at www.waddingtons.ca. Our offices are located in Toronto and Vancouver, but our specialists occasionally travel to major Canadian cities to meet with prospective consignors. To receive more information on Valuation Days across Canada or to arrange an appointment, please contact our Toronto office (416-504-9100). Please note that property typically arrives at Waddington’s at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items. Consignors will receive a contract to sign, setting forth terms and fees for our services.


Conditions of Sale 1. All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted or announced verbally in the auction room prior to the time of sale. While the auctioneer has endeavoured not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made. An opportunity for inspection of each article is offered prior to the time of sale. No sale will be set aside on account of lack of correspondence of the article with its description or its reproduction, if any, whether colour or black & white. Some lots are of an age and/or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others. Frames on artwork are not included as part of purchase or condition. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid, relying upon their own advisers, and to bid accordingly. 2. Each lot sold is subject to a 20% buyers premium as part of the purchase price. 3. Unless exempted by law, the buyer is required to pay Harmonized Sales Tax on the total purchase price including the buyer’s premium. For international buyers, taxes are not applicable when purchases are shipped out of country. Items shipped out of Ontario, the buyer is required to pay taxes as per the tax status of that province, whether it HST or GST (Goods and Services Tax).

6. Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in attendance at the sale. 7. The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The auctioneer’s decision in all cases shall be final. 8. Immediately after the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-offering the item for sale. 9. The buyer shall pay for all lots within 48 hours from the date of the sale, after which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale, after which storage charges may be incurred.

4. The auctioneer reserves the right to withdraw any lot from sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice.

10. Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away.

5. The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized.

11. Notwithstanding condition no. 1, if the buyer, prior to removal of a lot, makes arrangements satisfactory to the auctioneer for the inspection of such lot by a fully qualified person acceptable to the auctioneer to determine the genuineness or authenticity of the lot, to be carried out promptly following the sale of the lot, and if, but only if, within a period of 14

days following the sale a written opinion of such person is presented to the auctioneer to the effect that the lot is not genuine or authentic, accompanied by a written request by the buyer for rescission of the sale, then the sale of the lot will be rescinded and the sale price refunded to the buyer. 12. Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), and VISA or Mastercard (up to $25,000). 13. In the event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for: (a) any deficiency in price between the resale amount and the amount to have been paid by the original buyer; (b) any reasonable charge by the auctioneer for the storage of such articles until payment and removal by the subsequent buyer; and (c) the amount of commission which the auctioneer would have earned had payment been made in full by the original buyer. 14. It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them. 15. The auctioneer acts solely as agent for the consignor and makes no representation as to any attribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada). 16. The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.


Waddington’s 275 King Street East, Second Floor Toronto, Ontario M5A 1K2

tel: 416-504-9100 toll free: 1-877-504-5700 www.waddingtons.ca

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Waddington's West: Canadian Art From Private Collections | SEP 19 - 24, 2020  

Waddington's West: Canadian Art From Private Collections | SEP 19 - 24, 2020  

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