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Fine Prints & Photography Online Auction APRIL 7 - 12, 2018


Fine Prints & Photography Online Auction APRIL 7 - 12, 2018


Fine Prints & Photography Online Auction APRIL 7 - 12, 2018

bid online at onlineauctions.waddingtons.ca

senior specialist Susan Robertson sr@waddingtons.ca

all lots can be viewed online at internationalart.waddingtons.ca

416-847-6179

on view Sunday, April 8 from 12:00 pm to 4:00 pm

fine art administrator Kristin Vance kv@waddingtons.ca 416-847-6178

front cover Lot 13 Bridget Riley UNTITLED, (FRAGMENT 1)

front inside

Lot 5 Joan Miró GRANS RUPESTRES I

back inside

Monday, April 9 from 1:00 pm to 7:00 pm

Lot 42 Edward Burtynsky DENSIFIED OIL DRUMS #4

preview held at 275 King Street East, 2nd Floor Toronto, Ontario M5A 1K2

back cover Lot 96

Jim Dine SIX HEARTS

tel: 416-504-9100 toll free: 1-877-504-5700

This catalogue and its contents © 2018 Waddington McLean & Company Ltd.

This auction is subject to the Conditions of Sale printed in the back of this catalogue.

Photography & design by Waddington’s All Rights reserved.


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2

3

JIM DINE (1935-), AMERICAN

JIM DINE (1935-), AMERICAN

LOUISE NEVELSON (1899-1988), AMERICAN

FOR ATHENA, 1994 [CARPENTER, 88]

OWL IN THE KITCHEN, 1996

ESSENCES 6, 1977

Cardboard intaglio on Arches Cover paper; signed, dated 1994 and numbered 1/20 in pencil to margin. Published by Spring Street Workshop, New York. Image 58 x 31 in — 147.3 x 78.7 cm

Lithograph on colour block printed Clarence House wallpaper; signed, dated 1996 and numbered A/P in pencil along the bottom edge Sheet 35.5 x 27.25 in — 90.2 x 69.2 cm

Provenance: Galerie de Bellefeuille, Montreal; Private Collection, Montreal

Provenance: With Art Rental Service, Art Gallery of Windsor, Windsor, Ontario; Private Collection, Montreal

$1,200—1,800

$3,000—4,000

Soft ground etching on Arches; signed, titled, dated -77 and numbered 11/30 in pencil to margin. Published by Pace Editions Inc., New York. Plate 35.25 x 23 in — 89.5 x 58.4 cm Provenance: Pace Gallery, Ohio label verso; Private Collection, Toronto Exhibited: “Nevelson” at Pace Gallery, Colombus, November 9th - December 30th, 1975 exhibition label verso $1,200—1,800

4

5

6

JOAN MIRÓ (1893-1983), SPANISH

JOAN MIRÓ (1893 - 1983), SPANISH

ROBIN CAMERON (1981-), CANADIAN

LA CHASSERESSE, 1965 [MOURLOT, 390]

GRANS RUPESTRES I (CAVE PAINTINGS), 1979 [DUPIN, 1053]

WHEN IS IT?, 2017

Colour lithograph; signed and numbered 24/100 in pencil. Published by Galerie Maeght, Paris. Sheet 19.25 x 16.25 in — 48.9 x 41.3 cm Provenance: Estate Collection, Toronto $1,000—1,500

Colour etching printed to the edges on heavy watermarked paper; signed and numbered 23/30 in pencil (there were also 15 hors commerce), printed by Joan Barbarà, Barcelona. Published by Maeght, Barcelona in 1979. Unframed. Sheet 35.4 x 27.2 in — 89.8 x 69 cm Provenance: Private Collection, Ottawa $5,000—7,000

Chromogenic print using 7 slide projectors, slides, carousel and a timer. Signed, printed in 2017 and numbered 2/25 to label verso 24 x 18 in — 61 x 45.7 cm Provenance: Donated by the artist; Proceeds to benefit the Scotiabank CONTACT Photography Festival $1,200—1,500


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8

9

GUIDO MOLINARI (1933-2004), CANADIAN

JAMES ROSENQUIST (1933-), AMERICAN

ALLAN D’ARCANGELO (1930 - 1998), AMERICAN

UNTITLED, 1958/80

HORSE BLINDERS (NORTH), FROM HORSE BLINDERS: NORTH, SOUTH, EAST, WEST) 1972 [GLENN, 60]

LANDSCAPE I, 1965 (FROM 11 POP ARTISTS, VOLUME I), 1965

Colour lithograph on handmade paper; signed, dated 1958/80 and numbered 11/20 in pen and ink

Colour lithograph and silkscreen with silver foil collage on Arches paper; signed, titled, dated 1972 and numbered 16/19 A.P. in pencil to margin (aside from the edition of 85). Copublished by Multiples Inc., New York and Castelli Graphics, New York. Printed by Styria Studio, New York with their blindstamp to margin.

Sheet 40 x 30 in — 101.6 x 76.2 cm Provenance: Private Collection, Montreal $1,200—1,800

36.5 x 64 in — 92.7 x 162.6 cm Provenance: Prominent Private Collection

Colour silkscreen on paper; signed and numbered 106/200 in pencil, inscribed “Retina” and numbered “# 6920” in pencil verso. Printed by Knickerbocker Machine & Foundry Inc., New York. Published in 1966. Sheet 24 x 20 in — 61 x 50.8 cm Provenance: Private Collection, Toronto $600—1,000

$800—1,200

10

11

12

EDWARD BAWDEN (1903-1989), BRITISH

JOAN MIRO (1893-1983), SPANISH

IVES FARM, GREAT BARDFIELD, 1956 [GREENWOOD, MG, 45]

EXHIBITION POSTER FOR MAEGHT, 1950: GALERIE MAEGHT MIRÓ SCULPTURES ART GRAPHIQUE [MOURLOT, 92; PICAZO, 5]

YANNIS (GIANNIS) GAITIS (1923-1984), GREEK/FRENCH

Colour linocut on wove paper; signed, titled “Ives Farm, Gt Barfield,” dated 1956 and annotated with a presentation in pencil to margin. Unnumbered, an artist’s proof? Image 16 x 24 in — 40.6 x 61 cm Provenance: Gifted directly from the artist with his presentation to margin; With Greenwich Gallery, Toronto; Private Collection, Toronto $3,000—5,000

Colour lithograph; signed lower right. Published by Maeght, Paris in an edition of 500.

FACES IN PROFILE, CIRCA 1970

Colour silkscreen; signed and numbered 34/95 in pencil to margin

Sheet 27.2 x 19 in — 69.1 x 48.3 cm

Image/Sheet 19.75 x 25.5 in — 50.2 x 64.8 cm; 27.7 x 31.9 in — 70.4 x 81 cm

$500—700

Provenance: The Estate of Katerina Haka-Ikse, Toronto $400—600


13 BRIDGET RILEY (1931-), BRITISH UNTITLED (FRAGMENT 1), FROM FRAGMENTS, 1965 [SCHUBERT, 5A ]

Sceenprint in black and white on plexiglass; with incised signature and date ‘65 lower left, numbered 19/25 in pencil verso. Titled “Print 7,” dated “1965” and numbered 19/75 to gallery label verso, dated erroneously “1966” to the original Feigen Gallery receipt accompanying the lot. From the series printed by Kelpra Studio, London. Published by Robert Fraser Gallery, London. 26.5 x 33 in — 67.3 x 83.8 cm Provenance: Richard Feigen Gallery Incorporated, New York; From whom purchased by Dr. Kay Haka, Washington, D.C., on February 14, 1967 together with the original receipt as “Print 7,” and with the date“1966” (sic); The Estate of Katerina Haka-Ikse, Toronto $20,000—25,000


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15

16

BETTY ROODISH GOODWIN, (1923-2008), CANADIAN

SANAZ MAZINANI (1978- ), IRANIAN/CANADIAN

PABLO PICASSO (1881-1973), SPANISH

A BURST OF BLOODY AIR, 2003

ROME/TRIPOLI (FROM CONFERENCE OF THE BIRDS), 2012

FROM LA CELESTINE EN ACTION, ACTE XIX, 1968 [B. 1564; BAER, 1580 B C]

Colour lithograph; signed, dated 03 and numbered 8/100 along the bottom edge

Colour inkjet print; signed in pen and ink to label verso, also titled, dated 2012 and numbered 2/25 to the same label verso

Sheet 18 x 12 in — 45.7 x 30.5 cm

Image Oval/Sheet 14 x 17.75 in — 35.6 x 45.1 cm; 16.2 x 20 in — 41.1 x 50.8 cm

Provenance: Galerie René Blouin, Montreal; Private Collection, Montreal

Provenance: Donated by the artist to support programming at the Scotiabank CONTACT Photography Festival.

$700—900

$1,000—1,200

Etching on Canton laid paper from the Richard-de-Bas Mills, with ‘La Celestine’ watermark to the bottom centre margin; dated “14.5.68 II” in reverse in the plate upper left. One of the 66 illustrations for the play “La Celestine” by Fernando de Rojas (Picasso’s last illustrated and signed book). One plate from the numbered edition of 400 copies of the book, signed on the frontispiece. Printed at Editions Atelier Crommelynck, Paris, published in 1971 according to the Certificate of Authenticity from Park West, Delaware, dated 05/07/2008 accompanying the lot. Plate/Sheet 3.5 x 4.8 in — 9 x 12.3 cm; 8.25 x 6.3 in — 21 x 16 cm Provenance: Park West, Delaware, with Certificate of Authenticity, Registration No. 922620002; From whom purchased by Mr. H. Burgers, Niagara on the Lake on March 20, 2008; The Estate of Helen Burgers, Niagara on the Lake $700—900

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18

PABLO PICASSO (1881-1973), SPANISH

PETER LIK (1959-), AUSTRALIAN

LE PEINTRE ET SON MODELE (FRONTISPIECE FOR PICASSO, LITHOGRAPHE IV), 1964 [MOURLOT, 399]

Lithograph on wove paper printed to the edges; dated 11.1.64 in the plate bottom centre. Sheet 12.6 x 9.4 in — 32 x 24 cm Provenance: Centaur Sculpture Galleries, Ltd., Inc., Las Vegas, Nevada; From whom purchased by Mr. H. Burgers, Niagara on the Lake on July 18, 2000 with receipt; The Estate of Helen Burgers, Niagara on the Lake $600—800

INDIGO SKY

Silver halide Fuji crystal archive print; signed and numbered 49/950 in gold pen. Signed, titled and numbered 49/950 to the accompanying Certificate of Authenticity contained in a black printed envelope with “Peter Lik Fine Art Photographer” lettering. Sight 19 x 58.5 in — 48.3 x 148.6 cm Provenance: Private Collection, Toronto $2,000—3,000


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20

21

JEAN-PAUL RIOPELLE (1923-2002) , CANADIAN

PABLO PICASSO (1881-1973), SPANISH

LE TESTAMENT DE L’OYE (TESTAMENT OF THE EYE) (FROM TESTAMENT DE L’OYE, TEXT BY GILBERT EROUART), 1990-1996

PEINTRE A CHEVALET ET FEMME NUE DEBOUT, 1963 [BLOCH, 1129; BAER, 1126]

MARIA DE LOURDES “MIA” FARROW (1945-)”, AMERICAN DARFUR VILLAGE; WOMAN GATHERING WOOD

Sheet 29.9 x 22.3 in — 76 x 56.7 cm

Etching and aquatint on BFK Rives watermarked paper; signed and numbered 24/50 in pencil to margin, inscribed “P.22 “Peintre au Travail” and “17.11.63” in pencil verso. There were also 15 artist’s proofs. Published by Galerie Louise Leiris, Paris. Printed by Crommelynck, Paris.

Two chromogenic prints; the first: signed, titled and inscribed “notable for the fact that it exists - 90% of the villages of Darfur have been destroyed”; the second: signed, titled and inscribed “very very dangerous as Janjawiid (sic) are near” in black marker

Provenance: Private Collection, Ontario

Plate/Sheet 13 x 9 in — 33 x 22.9 cm; 18.7 x 12.8 in— 47.4 x 32.4 cm

11.75 x 15.75 in — 29.8 x 40 cm; 11.25 x 13.5 in —28.6 x 34.3 cm

$1,000—1,500

Provenance: See website for full catalogue details.

Provenance: Private Collection, Montreal

$6,000—8,000

$400—600

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24

TONI HAFKENSCHEID (1959-), DUTCH/CANADIAN

SHELLEY NIRO (1954-), CANADIAN

Colour lithograph; signed and numbered VII/X in pencil verso. Printed by Voirin Press of l’Atelier du Livre de Imprimerie Nationale under the direction of Christian Jourdai.

22 YVES GAUCHER (1934-2000), CANADIAN TRANSITIONS, 1967, (PORTFOLIO)

The complete suite of eight colour lithographs from zinc plates on Johannot watermarked wove paper; each signed, each plate numbered in Roman numerals from I - VIII, numbered 10/50 and dated ‘67 in pencil along the bottom edge, each plate separated by a plain sheet guard, with title page, introductory text in French and English by Doris Shadbolt, and the colophon. Contained in a white linen-wrapped hard cover folio with a brown linen-covered slipcase. Published by Editions Galerie Godard-Lefort, Montreal on December 27, 1967. There were also 10 sets of Artist’s Proofs numbered I to X. Each Sheet 17.5 x 28 in — 44.5 x 71.1 cm $1,500—2,000

TRAIN AND GUN, HOPE, B.C., 2003

Colour photograph mounted to cintra and plexiglass; signed, titled and dated Jan. 2003 in black felt tip pen to the frame verso. Published in an edition of 3. 48 x 48 in — 121.9 x 121.9 cm Provenance: Herringer Kiss Gallery, Calgary; Private Collection, Calgary $4,000—5,000

TUTELA HEIGHTS, 1990

Chromogenic print; signed, printed in 2017 and numbered 1/25 to label verso 18.5 x 24 in — 47 x 61 cm Provenance: Donated by the artist; Proceeds to benefit the Scotiabank CONTACT Photography Festival $1,200—1,500


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26

27

GEORGES ROUAULT (1871-1958), FRENCH

ELLSWORTH KELLY (1923-2015), AMERICAN

KAREL APPEL (1921-2006), DUTCH

PAYSAGE À LA TOUR (FROM LES FLEURS DU MAL), 1938 [CHAPON/ROUAULT, 281]

YELLOW WITH DARK BLUE (JUAN AVEC BLEU FONCE) (FROM THE SUITE OF TWENTY-SEVEN COLOR LITHOGRAPHS), 1964/65 [AXSOM, 15]

THREE BIRDS, 1970

Colour aquatint; signed with initials and dated 1938 on the image in the plate bottom left. Published by Vollard, Paris in an edition of 250. Printed by Lacouriere, Paris.

Colour lithograph on Rives BFK watermarked paper; signed and numbered 61/75 in pencil. Printed and published by Maeght, Paris.

Plate/sheet 12,.25 x 8.25 in — 31.1 x 21 cm; 17.5 x 13.25 in — 44.5 x 33.7 cm

Image/Sheet 18.9 x 14.5 in — 48 x 36.8 cm; 35 x 23.5 in — 88.9 x 59.7 cm

Provenance: Dunkelman Gallery, Toronto; Estate Collection, Toronto

Provenance: The Pollock Gallery, Toronto; From whom purchased by Dr. K.K. Haka, Toronto on December 17, 1968, together with a copy of the receipt; The Estate of Katerina Haka-Ikse, Toronto

$700—900

$6,000—9,000

Colour lithograph; signed, dated 1970 and numbered 19/100 (possibly 14 indistinctly numbered) in pencil to margin, titled “Composition with Three Birds” and numbered 19/100 to gallery label verso. Framed within shadow box. 28" x 41" — 71.1 x 104.1 cm. Provenance: The Waddington Galleries Inc., Montreal; Private Collection, Toronto $800—1,000

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29

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PATRICK HERON (1920-1999), BRITISH

KAREL APPEL (1921-2006), DUTCH

PATRICK HERON (1920-1999), BRITISH

PLATE 13 (FROM JANUARY 1973), 1973

LOOKING IN TO THE INFINITE, 1970

PLATE 5 (FROM JANUARY 1973), 1973

Colour silkscreen on wove paper; signed, dated 73 and numbered 31/72 in pencil to margin. Printed by Kelpra Studio, London. Published by Waddington Graphics, London.

Colour lithograph; signed, dated 1970 and numbered 20/100 in pencil to margin. Framed within shadow box.

Colour silkscreen on wove paper; signed, dated 73 and numbered 53/72 in pencil to margin. Printed by Kelpra Studio, London. Published by Waddington Graphics, London.

Sight 23 x 32 in — 58.4 x 81.3 cm

28 x 41 in — 71.1 x 104.1 cm

Sight 25 x 34 in — 63.5 x 86.4 cm

Provenance: The Waddington Galleries Inc., Montreal; Private Collection, Toronto

Provenance: The Waddington Galleries Inc., Montreal label verso; Private Collection, Toronto

$1,200—1,800

$800—1,200

Provenance: The Waddington Galleries Inc., Montreal; Private Collection, Toronto $1,200—1,800


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32

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SALVADOR DALI (1904 - 1989), SPANISH

HENRY MOORE (1898 - 1986), BRITISH

HENRY MOORE (1898 - 1986), BRITISH

STILLNESS OF TIME [V] TREE CLOCK) (FROM TIME), 1976 [FIELD, 76-1 (A)

PICTURE BOOK, 1967 [CRAMER, 91]

SEATED FIGURE BACK (PLATE 8 FROM NUDES), 1974 [CRAMER, 404]

Colour photolithograph of an original gouache on Arches France watermarked paper with Dalart NV/ Copyright 1976 blindstamp lower left margin; signed and numbered EA in pencil. There were 30 Epreuve d’artiste’s. Published by Levine and Levine, New York. Sheet 28.7 x 21.3 in — 73 x 54 cm

Etching; signed and numbered 32/50 in pencil to margin Plate 3.9 x 5.1 in — 9.9 x 13 cm Provenance: Private Collection, Toronto $500—700

Provenance: Private Collection, Toronto

Colour lithograph; signed and numbered 34/50 in pencil to margin. Printed by Curwen Prints Ltd., London. Published by Henry Moore, Much Hadham (UK). Image 6.7 x 7 in — 17.1 x 17.8 cm Provenance: Gallery Boutique, Toronto; Private Collection, Toronto $700—1,000

Literature: See website for additional details. $500—700

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HENRY MOORE (1898 - 1986), BRITISH

TOM DEAN (1947-), CANADIAN

JOHN BROWN (1953-), CANADIAN

RECLINING FIGURE BACK (FROM NUDES, ONE PLATE FROM THE SET OF 10), 1976 [CRAMER, 399]

UNTITLED, #18, 1991-1992

UNTITLED, 1982

Colour lithograph; signed and numbered 34/50 in pencil to margin. Published by Henry Moore, Much Hadham in 1976.

Woodcut from a construction grade wood block printed on Kraft paper. Published in an edition of 30.

Image/Sheet 5.6 x 7 in — 14.2 x 17.7 cm; 14.6 x 12.5 in — 37.2 x 31.8 cm

Sheet 35.1 x 45.2 in — 89.2 x 114.7 cm

Monoprint; a red pen and ink preliminary drawing of the subject verso; signed and dated 1982 in black ink along the bottom edge of the drawing verso

Provenance: Purchased at Gallery Boutique, Toronto, their gallery stamp verso backing; Private Collection, Toronto $500—700

Provenance: Private Collection, Massachusetts

Sheet 9.5 x 6.5 in — 24.1 x 16.5 cm

$1,200—1,800

$1,000—1,500

Provenance: Private Collection, Toronto


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38

39

JOHN BROWN (1953-), CANADIAN

GEORGES BRAQUE (1882-1963), FRENCH

JOHN HOWARD GOULD (1929-2010), CANADIAN

UNTITLED, 1982

OISEAU SUR FOND NOIR (FROM LE TIR A L’ARC, FRONTISPIECE), 1960 [VALLIER, 153]

Monoprint; a blue pen and ink and black crayon preliminary drawing of the subject verso; signed and inscribed “S.A” and dated 1982 in black ink along the bottom edge of the drawing verso

Etching printed in black; signed and numbered 32/70 in pencil to margin. Published by Louis Broder, Paris. Printed by Crommelynck and Dutrou, Paris.

WHAT A PIECE OF WORK IS MAN/ THE SHAKESPEARE SUITE (COMPLETE FOLIO OF 6), 1980

Sheet 8 x 11 in — 20.3 x 27.9 cm

Provenance: Estate Collection, Toronto

Provenance: Private Collection, Toronto

Plate 8.75 x 5.5 in — 22.2 x 14 cm

$800—1,200

$1,000—1,500

Six lithographs on Fabriani paper; each signed and numbered 2/X in pencil. Special artist’s proof edition, aside from the edition of 145. With title page and foreward text by Francis Broun, autographed and dated by him at “Toronto, August 2017” in blue pen and ink to the foreward page. With text sheets. Contained in a black cloth folio. Published by Madison Gallery, Toronto in 1980. Sheets/Overall 37 x 26.25 in — 94 x 66.7 cm; 37.5 x 26.75 in — 95.3 x 67.9 cm $600—800

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42

YANNIS (GIANNIS) GAITIS (1923-1984), GREEK/FRENCH

ARNOLD ZAGERIS (1948-), GERMAN/CANADIAN

EDWARD BURTYNSKY (1955-), CANADIAN

EXFOLIATED ROCK

DENSIFIED OIL DRUMS #4, HAMILTON, ONTARIO (FROM THE OIL SERIES), 1997

Painted and unpainted wood construction; signed “Gaitis” and numbered 50/100 in black ink to the yellow painted profile verso

Chromogenic print, signed and numbered 1/25 in pencil to matboard, signed and numbered 1/25 in ink verso

Chromogenic colour print; signed, titled, dated 1997 and numbered 1/5 to artist’s label verso

15.9 x 13.5 x 1 in — 40.4 x 34.3 x 2.5 cm

Sheet 16 x 20 in — 40.6 x 50.8 cm

“LITTLE MAN” IN TOP HAT WITH PUZZLE

Provenance: The Estate of Katerina Haka-Ikse, Toronto $3,000—4,000

Provenance: Private Collection, Connecticut $1,500—2,000

40 x 50 in — 101.6 x 127 cm Provenance: Mira Godard Gallery, Toronto; Private Collection, Toronto $12,000—16,000


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45

EDWARD BURTYNSKY (1955-), CANADIAN

JOHAN HALLBERG-CAMPBELL (1978-), SCOTTISH/CANADIAN

ATTRIBUTED TO HARALD NORITIS (1927-), AUSTRALIAN

HARRINGTON HARBOUR, QUEBEC, 2013

TWO BLUE RECTANGLES WITH CENTER RED STRIPE (A CANADIAN LANDSCAPE?)

BOOK: MANUFACTURED LANDSCAPES: THE PHOTOGRAPHS OF EDWARD BURTYNSKY

Written by Lori Pauli with essays by Mark Haworth-Booth and Kenneth Baker and an interview by Michael Torosian. Published by the National Gallery of Canada, Ottawa, in association with Yale University Press, New Haven and London for the exhibition “Manufactured Landscapes: The Photographs of Edward Burtynsky” in 2005. Autographed by the artist in pen and ink to the title page.

Chromogenic print; signed, printed in 2017 and numbered 1/25 to label verso 30 x 20 in — 76.2 x 50.8 cm

Colour lithograph on BFK Arches watermarked paper; inscribed “ARC” and numbered 77/90 in pencil to margin.

Provenance: Donated by the artist; Proceeds to benefit the Scotiabank CONTACT Photography Festival

Image/Sheeet 22.9 x 16.9 in — 58.2 x 43 cm; 25.7 x 18.9 in — 65.2 x 48 cm

$1,200—1,500

$300—500

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47

48

GORDON APPELBE SMITH (1919 -), CANADIAN

JENNIFER DICKSON (1936-), CANADIAN

THEO TOBIASSE (1927-2012), FRENCH

RAINBOW GREEN, 1971

CANALETTO SHADOW BOX #11

Colour silkscreen; signed, titled and numbered 48/50 in pencil to margin

Mixed media prints on cardboard backing and acrylic glass. Contained in a shadow box frame.

LE PETIT TRAIN QUE MENE AU CHANT DE LA PENSEE, 1970

Book 13 x 11 x .75 in — 33 x 27.9 x 1.9 cm Provenance: Ex-Libris Leontine P. Ebers, bookplate inside front cover; Private Collection, Toronto

Provenance: The Estate of Katerina Haka-Ikse, Toronto

$200—300

Sheet 20.5 x 25 in — 64.8 x 73.7 cm Provenance: Private Collection, Toronto $800—1,000

20.5 x 24.75 x 4 in — 52.1 x 62.9 x 10.2 cm Provenance: Private Collection, Montreal $800—1,200

Colour lithograph on japon paper; signed and numbered EA I/X in pencil to margin. Aside from the edition of 175. Image/Sheet 26 x 20 in — 66 x 50.8 cm; 30 x 22.25 in — 76.2 x 56.5 cm $500—700


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50

51

THEO TOBIASSE (1927-2012), FRENCH

WALTER JOSEPH PHILLIPS (1884-1963), CANADIAN

WALTER JOSEPH PHILLIPS (1884-1963), CANADIAN

THE WATERFRONT, ALERT BAY, 1928 [BOULET, 113]

SUMMER, 1925 [BOULET, 79]

JACOB RECONTRA RACHEL AU BIRD DU PUITS

Colour lithograph on japon paper; signed and numbered 3/150 in pencil to margin Image/Sheet 25.75 x 19.25 in — 65.4 x 48.9 cm; 29.9 x 22.4 in — 76 x 57 cm

Colour woodcut on Goyu paper; signed with initials in the plate lower left, signed in pencil to margin. Printed in an edition of 300.

Colour woodcut on Torinoko paper; signed with artist’s chopmark and dated 1925 in the plate lower left, signed in pencil to margin. Printed in an edition of 500 plus.

$500—700

Image/Sheet 6.25 x 8.75 in — 15.9 x 22.2 cm; 7.1 x 9.8 in — 18 x 25 cm

Image/Sheet 5.4 x 6.8 in — 13.7 x 17.2 cm; 6.6 x 7.9 in — 16.8 x 20 cm

Provenance: Private Collection, United States

Provenance: Private Collection, United States

Literature: See website for full catalogue details.

$600—1,000

$1,500—2,000

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54

DAVID LLOYD BLACKWOOD (1941-), CANADIAN

WALTER JOSEPH PHILLIPS (1884-1963), CANADIAN

LEONOR FINI (1908-1996), ARGENTINIAN/FRENCH

SNAKE ISLAND, LAKE WINNIPEG (FROM TEN WOODCUTS), 1931 [BOULET, 157]; WATERFALL, LAKE OF THE WOODS, 1934 [BOULET, 205]; THE SOURCE OF THE BOW, LAKE OF THE WOODS, 1936 [BOULET, 217]

“BIRTH OF TOAD”

MAN WARNING TWO BOYS, 1983

Colour etching and aquatint; signed, titled, dated 1983 and numbered 11/50 in pencil to margin 19.75 x 31.75 in — 50.2 x 80.6 cm Provenance: Private Collection, Oakville, Ontario Literature: William Gough, “David Blackwood: Master Printmaker,” 2001, reproduced pgs. 14 and 15. $3,000—4,000

Three wood engravings on Japon paper; each signed in pencil to margin, [See website for full catalogue details.] Block 4.1 x 7.7 in — 10.3 x 19.5 cm; 4.3 x 7.3 in — 11 x 18.5 cm; 6.5 x 4.1 in — 16.5 x 10.4 cm Provenance: See website for full catalogue details. $1,500—2,000

Drypoint etching heightened with white on red paper with blindstamp of a cat’s head; signed and numbered 158/290 in pencil to margin Plate/Sheet 15.1 x 11.3 in — 38.3 x 28.8 cm; 26.75 x 20.25 in — 67.9 x 51.4 cm $500—700


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56

57

LILY YUNG (1947-2010), CHINESE/CANADIAN

CHUTA KIMURA (1917-1987), JAPANESE

ALFRED PELLAN (1906-1988), CANADIAN

WHERE IS THE RAINBOW?, 1985

UNTITLED, CIRCA 1975

BESTIAIRE - 4, 1974

Colour lithograph, signed, titled, dated 1985 and numbered 7/8 in pencil to the image along bottom edge

Colour lithograph; signed and numbered 100/120 in pencil to margin

Colour silkscreen; signed, titled and dated 1974 and numbered 26/150 in pencil to margin

Sheet 30 x 22 in — 76.2 x 55.9 cm

Image/Sheet 24 x 19 in — 61 x 48.3 cm; 30 x 21 in— 76.2 x 53.3 cm

Image 28 x 35.5 in — 71.1 x 90.2 cm

Provenance: Private Collection, Toronto

Provenance: The Estate of Katerina Haka-Ikse, Toronto

$300—400

$400—500

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60

OTIS TAMASAUKAS (1947- ), LITHUANIAN/GERMAN/CANADIAN

NOBUYOSHI ARAKI (1940 - ), JAPANESE

BANKSY (1974-), BRITISH

SUNRISE (FROM KUKEI SERIES), 1997

SAVE OR DELETE (GREENPEACE), 2002

Handcoloured silver gelatin print printed to the edges; signed in black ink verso.

Colour offset lithograph on recycled paper. Together with one loose sheet containing eight stickers. Unframed.

SELF PORTRAIT WITH THE SAUGEEN MAN, 1988

Colour monoprint with chine colle, handcolouring and various printing techniques; signed, titled and dated at /88 at Priceville Spring in pencil lower left Sheet 29.5 x 40 in — 74.9 x 101.6 cm

Together with a book by the artist: “Chiro, My Love,” printed in Japan in 1990, autographed in black marker by Araki in Roman and Japanese inside front cover.

Provenance: Mira Godard Gallery, Toronto label verso

Sheet 12 x 17.5 in — 30.5 x 44.5 cm; 7.75 x 5.25 in— 19.7 x 13.3 cm

$700—900

Provenance: Prominent Gallery, Europe $1,000—1,500

Provenance: With Art Rental Service, Art Gallery of Windsor, Windsor, Ontario; Private Collection, Montreal $700—900

Sheet/Stickers Sheet 16.5 x 23.2 in — 42 x 59 cm; 11.6 x 8 in — 29.5 x 20.4 cm Provenance: Private Collection, Ireland $800—1,200


61 OTMAR ALT (1940- ), GERMAN DER STRANDLAUFER (THE BEACH RUNNER), 1971

Colour silkscreen; signed, titled, dated 1971 and numbered 2/75 in pencil to margin Image/Sheet 21.7 x 15.4 in — 55 x 39 cm; 29 x 21 in — 73.7 x 53.3 cm Provenance: The Estate of Bryan Pearson, Iqaluit, First Mayor of Iqaluit, the Capitol of Nunavut $400—600

62

63

64

ANDY WARHOL (1928-1987), AMERICAN

CORNEILLE (1922-2010), DUTCH

JOHN GRAHAM COUGHTRY (1931-1999), CANADIAN

INTERVIEW MAGAZINE, MARCH, 1979: FLORA MCEWAN

BIRD (VOGEL), FROM HERBES, 1973

NUDE, 1979

Colour lithograph printed to the edges on heavy wove paper; signed, dated ‘73 and numbered 28/100 in pencil to the top edge. Published by Michel Casse, Paris. Unframed.

Colour lithograph printed to the edges; signed, titled, dated 79 and numbered 26/45 in pencil along the bottom edge.

Sheet 26 x 20 in — 66 x 50.8 cm

Sheet 38 x 29 in — 96.5 x 73.7 cm

Sheet 18 x 10 in — 45.7 x 25.4 cm

Provenance: Private Collection, Toronto

Provenance: Private Collection, Montreal

Provenance: See website for full catalogue details.

$300—500

$500—700

Colour offset lithograph; signed by Andy Warhol in black felt tip pen along the bottom edge, with two black ink doodles at each side of her face, annotated by Warhol: “To Timothee” in black felt tip pen along the top left edge

$500—700


65

66

67

LINCOLN CLARKES (1957- ), CANADIAN

CALUM COLVIN (1961-), SCOTTISH

GEORGE RAAB (1948- ), CANADIAN

MARTINI WOMAN (OR ANTHEA WITH MARTINI), VANCOUVER, 1997; HELMUT NEWTON, LONDON, 1988

CENOTAPH TRIPTYCH, 1988

WHERE HARRY MOURNS WHAT WAS AND NURTURES WHAT IS, 1988

Two chromogenic prints on Fujifilm paper; each stamped with artist studio stamps verso and to the backboards, the first title, titled with two variant titles verso and to the backboard, dated 1997 and annotated “shot at 640 East Georgia Street” and numbered “2/15 / two A/ P” in pen and ink verso; the second title, signed, titled and dated at London, 1988 and annotated “4/15 two A/P” in pen and ink verso

Three colour Cibachrome prints (triptych); each given to the artist, titled, dated 1988 and numbered 3/10 to the Salama-Caro Gallery label verso Each/Sheet/Sight 60 x 47.6 in — 152.4 x 120.9 cm

Images respectively 13.9 x 9.4 in — 35.4 x 23.8 cm; 13.75 x 9 in — 34.9 x 22.9 cm

Provenance: Salama-Caro Gallery, London, UK, Stock #: A904C labels to each verso; Richard Green Gallery, Santa Monica, CA labels to each verso; With Christie’s, New York labels verso; Prominent Private Collection

Provenance: See website for full catalogue details.

Literature: See website for full catalogue details.

$600—1,000

$1,500—2,000

Etching; signed, titled, dated ‘88 and numbered “artist proof” in pencil to margin Plate 10 x 23.5 in — 25.4 x 59.7 cm Provenance: Private Collection, Ontario $600—900

68

69

70

HUGH MARTIN (1973 - ), CANADIAN

LITA ALBUQUERQUE (1946-), AMERICAN

EDVARD MUNCH (1863-1944), NORWEGIAN

ÊTES-VOUS PRÊTE POUR L’ÉTÉ? ARLES, 2002

UNTITLED, 1987

Chromogenic print; signed, titled and numbered 2/12 below the image as signed and inscribed by the artist in pencil to the backing paper verso, with the artist’s studio label to the backing, also titled, dated 2002 and numbered 2/12 to the typed label verso

Monoprint heightened with iridescent powder pigment and gold leaf on paper, tipped to a wove Arches watermarked paper support; signed and dated ‘87 in pencil to support margin. Unframed.

NORWEGISCHE LANDSCHAFT (NORSK LANDSKAP) (FROM DIE KUNST DES RADIERENS), FINAL STATE, 1908 [SCHIEFLER, 268]

Image sight 15.25 x 15 in — 38.7 x 38.1 cm

Image/Sheet 11 x 14 in — 27.9 x 35.6 cm; 22.25 x 30 in — 56.5 x 76.2 cm

Provenance: Private Collection, Toronto

Provenance: Prominent Private Collection

$200—400

$400—600

Etching and drypoint on cream laid paper with plate tone. Printed in 1919. Plate 4.1 x 5.7 in — 10.5 x 14.5 cm $700—900


71 MARC CHAGALL (1887-1985), RUSSIAN/FRENCH BIBLE. VERVE, VOL. VIII, NOS. 33-34 (BOOK W/30 WORKS, INCL. 18 IN COLOUR), 1956 [CRAMER, 25; MOURLOT, 117-146]

The complete volume, 1956, comprising 18 lithographs in colour, with the first lithograph on the front and back covers, text in French. Printed by Mourlot Frères, Paris. Published by Editions de la Revue Verve, Paris, bound as issued within original lithographed pictorial boards, with tissue guards. Overall 14.25 x 10.2 in — 36.2 x 26 cm Provenance: See website for full catalogue details. $2,000—3,000

72

73

74

KENNETH A. WEBB (1950- ), CANADIAN

THADDEUS HOLOWNIA (1949 - ), CANADIAN

TOTEM (A TRIPTYCH), 1989

56 CHEVY COUPLE (FROM THE “HEADLIGHTING” SERIES OF 24), 1974-1977

AFTER HENRI DE TOULOUSE-LAUTREC (1864– 1901), FRENCH

Three etchings en grisaille; each plate signed and numbered 22/25 in white pencil to margins, the central image, also titled in white pencil, dated 1989 to gallery label verso. Each tipped onto a white sheet support and contained in one frame. Each/Plate/Overall 38.75 x 12.25 in — 98.4 x 31.1 cm; 33.75 x 11 in — 85.7 x 27.9 cm; 24.5 x 9 in — 62.2 x 22.9 cm; 45.5 x 44.5 in — 115.6 x 113 cm Provenance: Mira Godard Gallery, Toronto $500—700

Toned gelatin silver contact print from a paper negative; signed with a typed artist’s studio label, titled and dated to the attached handwritten label in pencil attached to the verso 8 x 20 in — 20.3 x 50.8 cm Provenance: Private Collection, Toronto $500—700

FOOTIT ET CHOCOLAT, 1894 [WITTROCK 87; ADHEMAR, 108; ADRIANI, 104; DELTEIL, 98]

Sepia lithograph on wove paper; signed with monogram chop mark in the plate lower left Image/Sheet 7.4 x 9.8 in — 18.8 x 24.9 cm; 11.1 x 15 in — 28.2 x 38.1 cm Provenance: Private Collection, Toronto $200—300


75

76

77

EDWARD S. CURTIS (1868-1952), AMERICAN

EDWARD S. CURTIS (1868-1952), AMERICAN

EDWARD S. CURTIS (1868-1952), AMERICAN

FROM "THE NORTH AMERICAN INDIAN" (3 OGALALA PORTRAITS), ORIGINALLY PUBLISHED 1907-1930: GOOD LANCE OGALALA, 1907; OGALALA CHILD, 1907; ELK HEAD, AND THE SACRED PIPE BUNDLE, 1907

FROM "THE NORTH AMERICAN INDIAN" (3 PORTRAITS), ORIGINALLY PUBLISHED 1907 -1930: “KO-PIN” "BUFFALO MOUNTAIN" - SAN JUAN, 1905; NAKOAKTOK CHIEF AND COPPER, 1914; RUNNING FISHER - ATSINA, 1908

FROM "THE NORTH AMERICAN INDIAN" (4 PORTRAITS), ORIGINALLY PUBLISHED 1907 -1930: FOG IN THE MORNING - APSAROKE, 1908; THE EAGLE MEDICINE MAN - APSAROKE, 1908; APPROACHING WINTER - APSAROKE, 1908; BIRD ON THE GROUND APSAROKE, 1908

Three photogravures in sepia tone on Van Gelder blindstamped paper with deckled edges; each with titles in the plate lower left margin and with the photographer's copyright with its date: “From Copyright Photograph 1907 by E.S. Curtis" in the plate below the image in the centre margin. From the 17th Volume (Cambridge, Massachusetts): 1926 printed in an edition of 500 copies. In matching wood frames of the same size. Sheets/Approximately 13 x 11 in — 33 x 27.9 cm Provenance: Private Collection, Toronto $900—1,200

Three photogravures in sepia tone, two on Van Gelder blindstamped paper, each with deckled edges; each with titles in the plate lower left margin and with the photographer's copyright with the date of each: “From Copyright Photograph by E.S. Curtis" in the plate below the image in the centre margin. From the 17th Volume (Cambridge, Massachusetts): 1926 printed in an edition of 500 copies. In matching wood frames of the same size. Sheets/Approximately 13 x 11 in — 33 x 27.9 cm Provenance: Private Collection,Toronto $900—1,200

Four photogravures in sepia tone on Van Gelder blindstamped paper with deckled edges; each with titles in the plate lower left margin and with the photographer's copyright with its date: “From Copyright Photograph 1908 by E.S. Curtis" in the plate below the image in the centre margin. From the 17th Volume [Cambridge, Massachusetts): 1926 printed in an edition of 500 copies. In matching wood frames of the same size. Sheets/Approximately 13 x 11 in — 33 x 27.9 cm Provenance: Private Collection, Toronto $1,200—1,600


78 EDWARD S. CURTIS (1868-1952), AMERICAN FROM "THE NORTH AMERICAN INDIAN" (2 PORTRAITS OF WOMEN), ORIGINALLY PUBLISHED 1907-1930: TABLITA WOMAN DANCER - SAN ILDEFONSO, 1905; TSAWATENOK GIRL, 1914

Two photogravures in sepia tone on Van Gelder blindstamped paper, each with deckled edges; each with titles in the plate lower left margin and with the photographer's copyright with the date of each: “From Copyright Photograph by E.S. Curtis" in the plate below the image in the centre margin. From the 17th Volume (Cambridge, Massachusetts): 1926 printed in an edition of 500 copies. In matching wood frames of the same size.

79

Sheets/Approximately 13 x 11 in — 33 x 27.9 cm

EDWARD S. CURTIS (1868-1952), AMERICAN

Provenance: Private Collection, Toronto

FROM "THE NORTH AMERICAN INDIAN" ORIGINALLY PUBLISHED 1907-1930: IN THE MEDICINE-LODGE - ARIKARA, 1908 (ONE PLATE)

$600—800

Photogravure in sepia tone on Van Gelder blindstamped paper with deckled edges; with title in the plate lower left margin and with the photographer's copyright and date: “From Copyright Photograph 1908 by E.S. Curtis" in the plate below the image in the centre margin. From the 17th Volume (Cambridge, Massachusetts): 1926 printed in an edition of 500 copies. Sheet/Approximately 13 x 11 in — 33 x 27.9 cm Provenance: Private Collection, Toronto $300—500

80 EDWARD S. CURTIS (1868-1952), AMERICAN FROM "THE NORTH AMERICAN INDIAN" (4 PORTRAITS), ORIGINALLY PUBLISHED 1907 -1930: AKATSIM-ATSISSI ("WHISTLE SMOKE") PIEGAN, 1926; A JICARILLA, 1904; THE EAGLE CATCHER, 1908; TYPICAL APACHE, 1906

Four photogravures in sepia tone on Van Gelder blindstamped paper with deckled edges; each with titles in the plate lower left margin and with the photographer's copyright with its date: “From Copyright Photograph by E.S. Curtis" in the plate below the image in the centre margin. From the 17th Volume (Cambridge, Massachusetts): 1926 printed in an edition of 500 copies. In matching wood frames of the same size. Sheets/Approximately 13 x 11 in — 33 x 27.9 cm Provenance: Private Collection, Toronto $1,200—1,600


81

82

83

PAUL KANE (1810-1871), AMERICAN/CANADIAN

REMBRANDT VAN RIJN (1606-1669), DUTCH

PIERRE-AUGUSTE RENOIR (1841-1919), FRENCH

THE DEATH OF OMOXESISIXANY OR BIG SNAKE, 1860

ABRAHAM CARESSING ISAAC, CIRCA 1637 [NEW HO., 165 III (OF IV); BARTSCH, 33; WHITE-BOON, 33]

ETUDE DE FEMME NUE, ASSISE; DOUBLE-SIDED WITH ANOTHER STATE OF THE SAME VERSO (FROM L'ALBUM DES DOUZE LITHOGRAPHIES), CIRCA 1904 [DELTEIL, 42]

Colour lithograph; titled to the Publisher’s label and further inscribed to this label: “From one of the series of Pictures of the North West by Paul Kane Esq. in the possession of the Honourable G.W. Allan of Moss Park, Toronto, C.W. to whom this plate is respectfully dedicated by his obedient Servants” mounted to the sheet verso. Published by Fuller & Bencke, Victoria Hall, Toronto, Canada West, February 1860

Etching on thin paper with fine fibres and laid lines in both directions, no watermark; signed “Rembrandt f.” in plate lower left Plate 4.6 x 3.5 in — 11.6 x 8.8 cm

Lithograph on wove paper, double-sided, the verso image, printed the opposite way; with the same printed signature as issued to recto and verso images

$800—1,200

Sheet 11.5 x 9.75 in — 29.2 x 24.8 cm Provenance: Greenwich Art Shop, Toronto; Carol Solway Collection, Toronto; Her Estate Collection, Toronto

Sight 14 x 17.5 in — 35.6 x 44.5 cm Provenance: See website for full catalogue details.

$300—400

Literature: See website for full catalogue details. $5,000—7,000

85 ALBRECHT DURER (1471-1528), GERMAN

84 ALBRECHT DURER (1471-1528), GERMAN CHRIST AMONG THE DOCTORS (FROM THE LIFE OF THE VIRGIN), 1503 [BARTSCH, 91; MEDER, HOLSTEIN, 203]

THE MARTYRDOM OF ST. CATHERINE OF ALEXANDRIA, CIRCA 1497/98 [BARTSCH, 120; MEDER 236]

Woodcut on light brown laid paper of German origin with Gothic Pea with Flower watermark type Nr. 9185 (Briquet), the paper dated, circa 1461-1490 to the typed catalogue information verso backing

Woodcut on laid paper with Fish Bladder (IM countermark) watermark with margins

Image/Sheet 15.25 x 11 in — 38.7 x 27.9 cm; 15.9 x 11.6 in — 40.4 x 29.5 cm

Plate/Sheet 8.7 x 11.5 in — 22.1 x 29.1 cm; 12.9 x 9.6 in — 32.7 x 24.3 cm

Provenance: See website for full catalogue details.

Provenance: See website for full catalogue details.

Literature: See website for full catalogue details.

$1,500—2,500

$1,500—2,500


86

87

88

ALBRECHT DURER (1471-1528)

JAMES ABBOTT MCNEILL WHISTLER (1834 -1903), AMERICAN

NICOLAS LE SUEUR (1690–1764), FRENCH/ITALIAN

THE VIRGIN SURROUNDED BY MANY ANGELS (FROM THE LIFE OF THE VIRGIN), 1518 [BARTSCH, 101; MEDER, II C.]

Woodcut on laid paper with fish bladder watermark bottom centre; thread margins. A Meder IIc impression, after the crack in the block extending from the centre of the lower border to the edge of the Virgin's cloak. Unframed. Block/Sheet 11.7 x 8.4 in — 29.8 x 21.4 cm; 11.8 x 8.5 in — 30 x 21.6 cm $1,000—1,500

THE RAG GATHERERS, 1858 KENNEDY, 23, MACDONALD'S FIFTH STATE (OF 5)]

Etching and drypoint on cream laid paper; signed and dated 1858 in the plate. Recorded as the fifth state to the typed biography from the Vincent Price Gallery verso. Plate /Sheet 6 x 3.5 in — 15.3 x 9 cm; 7.1 x 5 in —18.1 x 12.7 cm Provenance: See website for full catalogue details. $800—1,200

DIANE ET ENDIMION (COLLAB. W/MADELEINE FRANÇOISE BASSEPORTE AFTER SEBASTIANO CONCA, BORN CIRCA 1676-1764) [LE BLANC, II, 543, 27; CROZAT, NR. 47]

Chiaoscuro woodcut printed in shades of blue with white highlights on heavy laid paper, without watermark, with centre fold, with letters cut from the bottom margin and affixed to the bottom of the sheet verso, trimmed to the plate mark. Circa 1742. Sheet 17.5 x 12.25 in — 44.5 x 31.1 cm Provenance: Private Collection, Toronto $500—700

89 ALBRECHT DURER (1471-1528), GERMAN THE GLORIFICATION OF THE VIRGIN (FROM LIFE OF THE VIRGIN: 19), CIRCA 1504 [BARTSCH, 95; MEDER, 207]

Woodcut on fine laid paper, signed with monogram initials in the plate bottom centre, the margins cut close to the black border. A Meder II f impression with the two fine vertical cracks in the block upper centre to the right of Moses and centre to the left of the Virgin’s head. Unframed. Block/Sheet 11.75 x 8.3 in — 29.8 x 21 cm; 12 x 8.8 in — 30.5 x 22.3 cm Provenance: Private Collection, Toronto $1,000—1,500

90 MASSIMO CAMPIGLI (1895-1971), ITALIAN THREE SCENES (FROM LIRICHE DI SAFFO): LA FIGLIA DI SAFFO, 1944; ELEGANZA E MOLLEZZA, 1944; DANZE NOTTURNE, 1946 [MELONI-TAVOLA, 73; 70 AND 72 RESPECTIVELY]

Three lithographs; each signed and dated 44 in the plate, the first two, each signed and dated 44 in pencil to margins. The last dated 46, each numbered: the first inscribed “epreuve d‘artiste”; the next numbered 5/20; the third numbered 11/20 in pencil to margins, one titled verso. Published by Edizioni del Pellicano, Vicenza 1944. Images 6 x 8 in — 15.2 x 20.3 cm; 5.5 x 7.5 in — 14 x 19.1 cm; 7.5 x 12.25 in — 19.1 x 31.1 cm Provenance: See website for full catalogue details. $700—1,000

91 MARINO MARINI (1901-1980), ITALIAN CONTEMPLATIVI, 1970 (FROM IMAGINES, PLATE 6) [GUASTALLA, A110]

Etching and aquatint on BFK Rives watermarked paper; signed and numbered 31/40 in pencil to margin. Unframed. Plate/Sheet 16.1 x 11.6 in — 41 x 29.5 cm; 65 x 50 in — 165.1 x 127 cm Provenance: Private Collection, Toronto Literature: See website for full catalogue details. $400—600


92

93

94

HENRI DE TOULOUSE-LAUTREC (1864-1901), FRENCH

ROBERT RAUSCHENBERG (1925-2008), AMERICAN

ROBERT RAUSCHENBERG (1928-2008), AMERICAN

CHANTEUR AMÉRICAN (FROM LE CAFE CONCERT), 1893 [DELTEIL, 38]

FEATURES #73 (FROM CURRENTS), 1970

TAMPA 3 (FROM MADE IN TAMPA), 1972-73 [RRF 72.E009]

Lithograph; signed with monogram in the plate. Published by L’Estampe Originale, Paris in an edition of 500.

Handprinted silkscreen on Aqua B 844 paper; signed, dated 70 and numbered 13/50 in pencil to margin. There were also 4 artist’s proofs. Copublished by Dayton Gallery 12, Minneapolis and Leo Castelli Graphics, New York.

Lithograph, blueprint and sepia print with paper collage on brown paper with circular starburst blindstamp of the print workshop and publisher Graphicstudio, University of South Florida lower left corner; signed, numbered “USF XVIII” and dated 72 in black crayon to the bottom edge. From an edition of 20 Arabic numerals and 20 Roman numerals, this being number XVIII/XX.

Image 11.5 x 7.5 in — 29.2 x 19.1 cm Provenance: Private Collection, Montreal $300—500

Sheet 40 x 40 in — 101.6 x 101.6 cm Provenance: With Piers Feetham Gallery Picture Framers and Restorers, London, UK; Private Collection, UK $2,000—3,000

Sheet 43.9 x 47.25 in — 111.4 x 120 cm Provenance: Private Collection, Toronto $2,500—3,500

95

96

97

GENERAL IDEA (1968-1994), CANADIAN

JIM DINE (1935- ), AMERICAN

GREG MURDOCK (1954-), CANADIAN

URSA MAJOR AND TAURUS: PAVILLION FRAGMENTS FROM THE STARRY VAULT, 1983

SIX HEARTS, 1970 [WILLIAMS COLLEGE, 12]

GENUS II, 1998

Two colour relief prints; the first: signed, titled, dated 1983 and numbered 43/100 in pencil along bottom edge; the second: signed, titled, dated 1983 and numbered A.P. in pencil along the bottom edge

Colour offset lithograph with collage, spraypaint and handcolouring on Crisbrook Waterleaf paper; signed, dated 1970 and numbered 57/79 in pencil along the top edge. There were also 20 artist’s proofs. Published by Petersburg Press, London.

Colour etching and aquatint with chine collé; signed, titled, dated 1998 and numbered AP6 in pencil to margin, numbered “A/P 6/6” to gallery label verso. Published by Landfall Press.

Each 23 x 31 in — 58.4 x 78.7 cm

Sheet 31.5 x 22.25 in — 80 x 56.5 cm

Provenance: Private Collection, Toronto

Provenance: See website for full catalogue details.

$700—900

$4,000—6,000

Plate/Sheet 19.75 x 17.75 in — 50.2 x 45.1 cm; 25.75 x 23.75 in — 65.4 x 60.3 cm Provenance: Equinox Gallery, Vancouver; Alumni gift to University of Michigan’s Ross School of Business; Private Collection, Toronto $600—800


98

99

100

FERNAND LEGER (1881-1955), FRENCH

ANTONI CLAVE (1913-2005), SPANISH

GORDON APPELBE SMITH (1919-), CANADIAN

LE PORT DE TROUVILLE, 1951 [SAPHIRE, 117]

ROI BANDE ROUGE, 1960

WEST COAST SUMMER, 1978

Colour lithograph; signed in pen and ink lower right (faded) and numbered 29/75 in pencil to margin. Printed by Mourlot, Paris. Published by Galerie Louise Leiris, Paris.

Colour lithograph with L’Oeuvre Gravee blindstamp to lower left corner; signed, dated 60 and numbered 10/50 in pencil to margin

Colour silkscreen on BFK Rives France watermarked paper; signed, titled and numbered 46/50 in pencil to margin, titled and dated 1978 to gallery label verso

14 x 18 in — 35.6 x 45.7 cm

Sheet 29.75 x 22.25 in — 75.6 x 56.5 cm

Provenance: With PSG Framing, Boston, Mass.; The Estate of Bryan Pearson, Iqaluit, First Mayor of Iqaluit, the Capitol of Nunavut

Provenance: Carol Solway Collection, Toronto; Her Estate Collection, Toronto

Image/Sheet 18.25 x 25 in — 46.4 x 63.5 cm; 21.75 x 29.75 in — 55.2 x 75.6 cm Provenance: See website for full catalogue details.

$600—800

$600—800

101

102

103

ELDON GARNET (1946-), CANADIAN

PHILIPPE CHANCEL (1959- ), FRENCH

ERTÉ (1892-1990), RUSSIAN/FRENCH

NO, 1997

ARIRANG, 2006

LOVERS & IDOL, 1980

Chromogenic print; signed, titled, dated 97 and numbered A/P verso

Colour chromogenic print; signed, titled, dated 2012 and numbered 3/25 to typed label verso, signed and dated 2012 in pen and ink to the same label verso. Printed in 2012.

Colour silkscreen; signed and numbered 175/300 in pencil to margin

Sheet 15 x 22 in — 38.1 x 55.9 cm

$800—1,200

$2,500—3,500

Image 7 x 7 in — 17.8 x 17.8 cm Provenance: Private Collection, Toronto Exhibited: A print of this edition was exhibited in “Hitchcock and Art: Fatal Coincidences” at the Montreal Museum of Fine Arts, Montreal (2000) and the Centre Georges Pompidou, Paris (2001). $1,000—1,500

Provenance: Donated by the artist; Proceeds to benefit the Scotiabank CONTACT Photography Festival $600—1,000

Image 18.5 x 13 in — 47 x 33 cm


104

105

106

ALFRED PELLAN, (1906-1988), CANADIAN

VICTOR VASARELY (1906-1997), HUNGARIAN/FRENCH

PHILIP GUSTON (1913-1980), AMERICAN

MINI - J, 1975

Colour silkscreen; signed, titled, dated 75 and numbered 25/150 in pencil to margin Image 21.75 x 26.25 in — 55.2 x 66.7 cm Provenance: With The Art Gallery of Windsor Art Rental Service, Windsor, Ontario; Private Collection, Montreal $700—900

PLATE I (FROM MORPHEMES SUITE), 1965

Black and white embossed silkscreen and engraving in relief; signed and numbered 10/75 in pencil to margin Plate/Sheet 12.4 x 9.6 in — 31.5 x 24.5 cm; 15 x 11 in — 38.1 x 27.9 cm Provenance: The Pollock Gallery, Toronto; From whom purchased by Dr. K.K. Haka, Toronto on December 17, 1968, together with a copy of the receipt; The Estate of Katerina Haka-Ikse, Toronto

RUG (FROM CARTOON PAINTINGS), 1980 [GEMINI, 876]

Lithograph; signed, titled, dated ‘80 and numbered 34/50 in pencil along the bottom edge. Printed and published by Gemini, G.E.L., Los Angeles, with their blind stamps lower right Sheet 19.5 x 28.75 in — 49.5 x 73 cm Provenance: Private Collection, London $3,000—5,000

$400—600

107

108

109

GORDON APPELBE SMITH (1919-), CANADIAN

LISS PLATT (1965- ), AMERICAN/CANADIAN

ROBERT BURLEY (1957-), CANADIAN

FEBRUARY SNOW, 2004

CONSTANT

THUNDER BAY #2

Etching and aquatint; signed, titled, dated 2004, numbered 6/35 and inscribed “For Roy With Affection - Gordon and Marion” in pencil to margin

Chromogenic print; signed and numbered 2/3 verso

Chromira digital print; signed and numbered 22/30 verso

24 x 24 in — 61 x 61 cm

16 x 20 in — 40.6 x 50.8 cm

Provenance: Gallery TPW, Toronto; From whom purchased by the present Private Collection, Toronto

Provenance: Gallery TPW, Toronto; From whom purchased by the present Private Collection, Toronto

Exhibited: See website for full catalogue details.

$500—700

Plate 15.5 x 23.5 in — 39.4 x 59.7 cm Provenance: Private Collection, Montreal $600—800

$300—400


112

110

111

OSKAR KOKOSCHKA (1886-1980), AUSTRIAN

ODILON REDON (1840-1916), FRENCH

JESSE BOLES (1980-), CANADIAN

FROM MARRAKESCH (OR MARRAKECH/MARRAKESH), 1965

LA VIEILLE (LA TENTATION DE SAINTANTOINE), (FROM THE TEMPTATION OF SAINT ANTHONY), 1895, (VOLLARD EDITION, 1933)

Lithograph on wove paper; titled to label verso. Published by Ambroise Vollard, Paris in 1933. Together with: Two illustrations from Baudelaire's LES FLEURS DU MAL, 1890: CouvertureFrontispiece [Mellerio, 198]; JE T’ADORE A L’EGAL DE LA VOUTE NOCTURNE [Mellerio, 199] Two Evely process photogravures from copper plates for the book Image/Plates 6.4 x 4.1 in — 16.3 x 10.5 cm; 10.8 x 8.1 in — 27.5 x 20.5 cm; 10 x 6.5 in — 25.5 x 16.5 cm Provenance: See website for full catalogue details. $600—800

113 JIM DINE (1935- ), AMERICAN THE PICTURE OF DORIAN GRAY, (EDITION B), 1968 [GALERIE MIKRO, 47]

Portfolio with 12 colour lithographs (one with collage and one with acetate overlay) and with the extra loose suite of 4 colour etchings on Velin Arches paper contained in a black velvet folder within the book; the four signed in pencil to margins; each stamped “EDITION B” in blue typeface and each numbered 74/200 in black ink verso. Contained in the original green velvet hard cover book with title blocked in silver lettering. Printed by Atelier Desjobert and Atelier Leblanc, Paris. Published by Petersburg Press, London in an edition of 200 with 25 artist’s proofs, this being signed, inscribed “Edition B” and numbered 74/200 in green felt tip pen to the justification page. Together with a duplicate framed plate titled, “Dorian Gray at Opium Den” in the plate; signed in pencil to margin. Overall 17.7 x 12.6 in — 45 x 32 cm Provenance: See website for full catalogue details. $1,500—2,500

HUMBOLDTHOHE, 2012

Archival pigment print; titled, dated and numbered “AP” to label verso Image 20 x 15.5 in — 50.8 x 39.4 cm Provenance: Private Collection, Toronto $600—800

Lithograph on japon paper, signed and numbered 20/60 in pencil, titled “Marrakesh” to gallery label verso. Published by Marlborough Fine Art, London. Sheet 15.2 x 22.4 in — 38.6 x 56.9 cm Provenance: Dunkelman Gallery, Toronto, Stock No. 121019; Estate Collection, Toronto $300—400


114

115

116

NAOKO MATSUBARA (1937-), JAPANESE

JOAN MIRO (1893-1983), SPANISH

JOAN MIRÓ (1893 - 1983) , SPANISH

SOLITUDE (A FOLIO OF 11 PLATES FROM WALDEN, SOLITUDE), 1971

ROCA, 1978 [MAEGHT, 1178

LE CÂLIN CATALAN (FROM ALLEGRO VIVACE), 1981 [MOURLOT, 1242]

Folio of 11 colour and black and white woodcuts on japon paper contained in a hardcover folio box with block printed cover. Accompanied by the Japanese-style bound booklet printed on japon paper, “Solitude: An Essay from Walden by Henry David Thoreau, 11 Woodcuts by Naoko Matsubara.” Signed and numbered 141/200 in pencil to the colophon. Published by Aquarius Press, Baltimore, New York, 1971.

Colour lithograph on “Roca” watermarked paper; signed and numbered E.A. in pencil. Aside from the edition of 60. Unframed.

Colour lithograph; signed and numbered 44/100 in pencil. Unframed.

Sheet 22 x 30 in — 55.9 x 76.2 cm

Sheet 24 x 35 in — 61 x 88.9 cm

Provenance: Private Collection, Toronto by descent from her father

Provenance: Private Collection, Ottawa

$1,500—2,500

$8,000—10,000

Together with “Cogwheels and Other Stories” by Akutagawa Ryunosuke and illustrated by Naoko Matsubara; autographed in pen and ink by Matsubara to title page. Each approximately/Overall 15.5 x 14.25 in — 39.4 x 36.2 cm; 16.5 x 15.5 x 1 in — 41.9 x 39.4 x 2.5 cm Provenance: Private Collection, Ontario $500—700

119 JEAN-PAUL RIOPELLE (1923-2002), CANADIAN VÉTHEUIL, 1970 [YSEULT RIOPELLE, 1970.14EST. LI]

118 117 CHARLES PACHTER (1942-), CANADIAN THE PAINTED FLAG, 1981

Colour offset lithograph; signed in pen and ink. Published in an edition of 300. Image 30.5 x 18 in — 77.5 x 45.7 cm Provenance: Private Collection, Montreal $300—500

CHARLES PACHTER (1942-), CANADIAN SIDE BY SIDE, 2001

Colour lithograph on Arches; signed and numbered 20/120 in pencil to margin. Printed by Arte Adrien Maeght. Maeght Editeur, Paris. 21 x 15 in — 53.3 x 38.1 cm

Colour lithograph; signed, titled and numbered 34/50 in pen and ink to margin

Provenance: With Galerie Rolland, Montreal, label verso; Private Collection, Montreal

Image 16 x 24 in — 40.6 x 61 cm

Exhibited: See website for full catalogue details.

Provenance: Private Collection, Montreal

Literature: See website for full catalogue details.

$800—1,200

$1,000—1,500


120

121

122

BARTOLOMEU CID DOS SANTOS (1931-2008), PORTUGUESE

MAURICE DE VLAMINCK (1876-1958), FRENCH

HENRY MOORE (1898-1966), BRITISH

BOUQUET DE FLEURS, CIRCA 1955 [WALTERSKIRCHEN, 45]

FOUR RECLINING FIGURES - CAVES, 1974 [CRAMER, 335]

Colour pochoir and collotype; signed and numbered 16/400 in pencil to margin. Published by Editions Guy Spitzer, Paris, his justification label with the title and edition size of 400 noted and inscribed No. “16” in green crayon to the label verso, together with the publisher’s folded text sheet affixed to the verso.

Colour lithograph; signed and numbered XII/ XX in pencil to margin. Aside from the edition of 100. Printed by Curwen Prints Ltd., London. Published by the Art Gallery of Ontario, Toronto.

16.9 x 13.6 in — 42.9 x 34.5 cm

Provenance: See website for full catalogue details.

$600—800

$1,500—2,000

123

124

125

HENRY MOORE (1898-1986), BRITISH

HENRY MOORE (1898-1986), BRITISH

FOUR SILHOUETTE FIGURES, 1973 [CRAMER, 283]

FOUR STANDING WOMEN, 1974-75 [CRAMER, 336]

VLADIMIR GRIEGOROVICH TRETCHIKOFF (1913 -2006), RUSSIAN

Lithograph on Rives watremarked paper; signed and numbered IX/XV in pencil to margin, inscribed “Artist Proof IX/XV” to gallery label verso backing. Aside from the edition of 50. Printed by Curwen Prints Ltd, London. Published by Gérald Cramer, Geneva.

Lithograph on BFK Rives watermarked paper; signed and numbered XIV/XV in pencil to margin, titled, dated 1974 and numbered “Artist Proof XII/XV” to gallery label verso. Aside from the edition of 75.

Colour reproduction; with artist’s signed presentation “To Dawn” dated 59 (1959) in black ink to the lower left

Image/Sheet 8.9 x 15.7 in — 22.7 x 40 cm; 18 x 22 in — 45.7 x 55.9 cm

$100—200

FADED FLOWERS, 1967

Colour aquatint; signed, titled, dated 67 and numbered 48/70 in pencil to margin Irregular Plate/Sheet 20.25 x 18.5 in — 51.4 x 47 cm; 30.75 x 22.5 in — 78.1 x 57.2 cm Provenance: Dunkleman Gallery: Graphics, Toronto; Print Room, Toronto & Markham; Carol Solway Collection, Toronto; Her Estate Collection, Toronto $300—400

Image/Sheet 5.4 x 8.8 in — 13.7 x 22.4 cm; 12.9 x 17.8 in — 32.7 x 45.2 cm Provenance: See website for full catalogue details. $800—1,000

Provenance: See website for full catalogue details. $700—900

Image/Sheet 17 x 23.5 in — 43.2 x 59.7 cm; 29.9 x 27.4 in — 75.9 x 69.6 cm

THE DYING SWAN

Sheet 20 x 26 in — 50.8 x 66 cm


126

127

128

VLADIMIR GRIEGOROVICH TRETCHIKOFF (1913 -2006), RUSSIAN

GRAHAM CLARKE (1941- ), BRITISH

GRAHAM CLARKE (1941- ), BRITISH

TRETCHIKOFF COLOUR PRINTS REPRODUCED FROM ORIGINAL PAINTINGS WITH INTRODUCTION BY LESLIE RICHFIELD

Spiral bound book contained within marbled cardboard portfolio envelope illustrated with 10 colour reproductions of the artist’s paintings tipped to heavy grey boards; with one pasted to the front of the book (a duplicate of “SelfPortrait”), with two of the bound plates, autographed and dated 1954 in pen and ink by Tretchikoff (the two depicting the artist) and with two loose mounted illustrations: “Zulu Girl” and “Zulu Couple” included at the front; each autographed in pen and ink by Tretchikoff. Autographed and dated 1954 in pen and ink to the title page. Contained in a folio with colour illustration of “Self-Portrait” on front cover. Published by Howard Timmins, Cape Town.

CHIANTI DANTE; MENN TURISTICO (TRIPTYCH)

LEFT RIGHT OOPS!

Two colour etchings and aquatints with handcolouring; the first title, signed, titled and numbered 191/400 in pencil to margin, the second title, (a triptych) signed, titled and numbered 158/400 in pencil to margin

Colour etching and aquatint with handcolouring; signed, titled and numbered 147/250 in pencil to margin

Arched tops, plates 13.5 x 10.5 in — 34.3 x 26.7 cm; 17 x 31 in — 43.2 x 78.7 cm

Provenance: Private Collection, Toronto

Provenance: CCA Galleries, London, New York Tokyo Private Collection, Toronto

$300—500

Plate 13.3 x 21.25 in — 33.8 x 54 cm

$500—700

14.5 x 11 in — 36.8 x 27.9 cm Provenance: See website for full catalogue details. $200—300

129

130

131

GRAHAM CLARKE (1941- ), BRITISH

STEVEN BECKLY (1981-), CANADIAN

WINTER GOODS; YE FAITHFUL

UNTITLED, 2015

BETTY ROODISH GOODWIN R.C.A. (1923-2008), CANADIAN

Two colour etchings and aquatints with handcolouring; the first title, signed, titled and numbered 280/400 in pencil to margin, the second title (a triptych), signed and signed with initials, titled and numbered in pencil to margin

Chromogenic print; signed, printed in 2017 and numbered 3/25 to label verso

Arched tops, Plates 14 x 21.25 in — 35.6 x 54 cm; 9 x 22.25 in — 22.9 x 56.5 cm Provenance: CCA Galleries, London, New York, Tokyo Private Collection, Toronto $500—700

30 x 24 in — 76.2 x 61 cm Provenance: Donated by the artist; Proceeds to benefit the Scotiabank CONTACT Photography Festival $1,200—1,500

ESCAPE, 2003

Colour lithograph on japon paper; signed, dated 03 and numbered 15/100 in pencil along the bottom edge; titled to gallery label verso; “Artmuir” inscribed on Rheal Olivier Lanthier Francois St-Jacques business card affixed to backing Sheet 18 x 15.25 in — 45.7 x 38.7 cm Provenance: See website for additional details. $700—900


132

133

134

UNIDENTIFIED (20TH/21ST CENTURY)

PETRA COLLINS (1992-), CANADIAN

TATSUMI ORIMOTO (1946 - ), JAPANESE

HANDS REACHING AND RESTING WITH CLASSICAL FIGURE IN ECSTASY

ANNA & KATHLEEN (SKY), 2017

UNTITLED (FROM BREADMAN SON + ALZHEIMER MAMA), 1996/2007

Colour photograph; indistinctly signed in pen and ink under a label verso Image 16 x 16 in — 40.6 x 40.6 cm Provenance: Prominent Private Collection $100—200

Chromogenic print mounted to Omegabond; signed and numbered 1/3 to artist’s label verso 65 x 43 in — 165.1 x 109.2 cm Provenance: Donated by the artist; Proceeds to benefit the Scotiabank CONTACT Photography Festival

C-print mounted on acrylic glass; signed and numbered 2/20 in black ink verso. Sheet/Image 22.6 x 18.2 in — 57.5 x 46.3 cm; 21.7 x 17.1 in — 55 x 43.5 cm Provenance: Prominent Toronto Gallery

$10,000—12,000

$1,500—2,000

135

136

137

MARTIN PARR (1952- ), BRITISH

DAVID DREBIN (1970 - ), CANADIAN

BILL STONE (20TH/21ST CENTURY), AMERICAN

CANADA. TORONTO. 2012

HANGING ON, 2015

MADONNA, 1978

Pigment print; printed in 2013 in an edition of 10, this being numbered 1 of 10 to artist’s signed studio label verso.

Digital c-print; numbered 1/7 to original gallery receipt accompanying lot

Toned gelatin silver Cibachrome print; with numeric notations in pencil and in red crayon inscribed: “98” “Sepia” / ”10. 11 x 14” along the bottom edge and the left side in the artist’s hand verso. Contained in a white lacquer frame.

Image 20 x 30 in — 50.8 x 76.2 cm

Image/Sheet 72 x 48 in — 152.4 x 121.9 cm

Provenance: Donated by the artist; Proceeds to benefit the Scotiabank CONTACT Photography Festival

Provenance: Galerie de Bellefeuille, Montreal from whom purchased by the present Private Collection, Toronto on May 22, 2015 accompanied by the receipt

$2,500—3,500

$4,000—5,000

19.6 x 12.4 in — 49.8 x 31.5 cm Provenance: From the personal Collection of the Late Bob Guccione, Sr. (1930-2010), New York founder of Penthouse magazine; Gifted to the present Private Collection, Toronto in 2014 Literature: See website for full catalogue details. $4,000—5,000


138

139

140

RICHARD HARRINGTON (1911-2005), CANADIAN

YANNIS TSAROUCHIS (1910-1989), GREEK

BERT STERN (1929 - 2013), AMERICAN

KALUT WITH SEAL HE HAS SHOT NEAR IGLOOLIK N.W.T., 1952

PORTRAIT OF A SAILOR, CIRCA 1985

MARILYN WITH DIAMONDS (LATER IMPRESSION, 2012)

Gelatin silver print; given to the artist, signed, titled, dated 1952, numbered 2/5 and inscribed “Print by R. Harrington 1979 / Negatives with Archives of Canada” verso. Titled, dated 1952 and numbered 2/5 to the gallery label verso Sheet 20 x 15.75 in — 50.8 x 40 cm Provenance: The Burton Gallery, Toronto; Private Collection, Toronto

Colour lithograph with “Printing Art Studio” blindstamp lower left margin; signed in Greek and numbered 43/180 in pencil to margin Image 20.7 x 15.7 in — 52.5 x 40 cm Provenance: The Estate of Katerina Haka-Ikse, Toronto $500—700

$800—1,000

Pigment print; signed and titled “Marilyn” in red pencil recto, signed and dated 2012 with copyright symbol in red pencil to the artist’s stamp verso. Signed in red crayon, titled “Marilyn with Diamonds” and dated “2012” in black ink to the accompanying artist’s Certificate of Authenticity label. Sheet 13 x 19 in — 33 x 48.3 cm Provenance: Prominent Gallery, Europe $4,500—6,500

141

142

143

BERT STERN (1929 - 2013), AMERICAN

TAKASHI SUZUKI (1971-), JAPANESE

KEN LUM (1956-), CANADIAN

MARILYN WITH PINK SCARF (LATER IMPRESSION, 2012)

BAU GRID (CONTACT EDITION), 2015

I DON’T KNOW WHETHER TO LAUGH OR CRY, 2003

Chromogenic print; titled, dated 2015 and numbered 1/20 to the unidentified label, signed in black pen and ink to the unidentified label verso

Digital inkjet print on archival paper; signed and numbered 46/75 in pencil to margin; titled and dated 2003 to label verso

Sheet 20 x 16 in — 50.8 x 40.6 cm

22.5 x 15 in — 57.2 x 38.1 cm

Sheet 19 x 13 in — 48.3 x 33 cm

Provenance: Donated by the artist; Proceeds to benefit the Scotiabank CONTACT Photography Festival

Provenance: Donated by the artist; Sold to benefit the Scotiabank CONTACT Photography Festival

Provenance: Prominent Gallery, Europe

$1,000—1,500

$500—700

Pigment print; signed, titled “Marilyn” and numbered 14/25 in black crayon recto, signed and dated 2012 with copyright symbol in black crayon to the artist’s stamp verso. Signed in black crayon, titled “MM Pink Scarf” dated “2012” and numbered 14/25 in black ink to the accompanying artist’s Certificate of Authenticity label.

$1,500—2,500


145 144 MICHAEL EARLE (20TH/21ST CENTURY), CANADIAN THE LEAF TREADER, 1981

Colour silkscreen; signed, titled, dated 81 and numbered 26/37 in pencil to margin Sight 26.25 x 32.25 in — 66.7 x 81.9 cm Provenance: Sword Sheet Press Ltd., Toronto, Cat. #05.8 to gallery label verso; Private Collection, Toronto $300—500

ED RUSCHA (1937 - ), AMERICAN HOME WITH COMPLETE ELECTRONIC SECURITY SYSTEM, 1982 [WALKER ART CENTER, 117; ENGBERG, 117]

146 VID INGELEVICS (1952-), CANADIAN

Colour screen print on Stonehenge paper with the “Wasserman Silkscreen Co., Santa Monica” blindstamp lower right margin; signed, titled, dated 82 and numbered 76/100 in pencil to margin. Published by the artist, Venice, California in an edition of 100. Unframed.

PLATFORM 5A, 2002

Image/Sheet 12.6 x 42.4 in — 32 x 107.8 cm; 19.1 x 48 in — 48.5 x 121.9 cm

22 x 18 in — 55.9 x 45.7 cm

Provenance: Prominent Private Collection

Provenance: Donated by the artist; Sold to benefit the Scotiabank CONTACT Photography Festival

Literature: Siri Engberg, 117 $10,000—15,000

Digital inkjet print mounted on mat board; signed, titled, dated 2002 (printed 2005 and numbered 15/25 to label verso

$400—600

147

148

149

MAX DEAN (1949-), BRITISH/CANADIAN

JAMES NIZAM (1977- ), BRITISH/CANADIAN

SUZY LAKE (1947- ), AMERICAN/CANADIAN

TWO STACKS OF PHOTO ALBUMS, 2012

PYRAMID, 2013

Chromogenic print; signed and numbered 11/25 to label verso

Archival pigment print on fibre paper; signed in black ink to label verso, also titled, dated 2013 and numbered 4/25 to the same label verso

EXTENDED BREATHING WITH MOVING GRASSES, 2009

20 x 16 in — 50.8 x 40.6 cm Provenance: Donated by the artist; Sold to benefit the Scotiabank CONTACT Photography Festival $700—900

Image/Sheet 20 x 16 in — 50.8 x 40.6 cm; 21 x 17 in — 53.3 x 43.2 cm Provenance: Donated by the artist to support programming at the Scotiabank CONTACT Photography Festival $800—1,200

Colour light ink jet print; signed, dated ‘09/11 and numbered 11/25 in black ink to margin Image 18 x 24 in — 45.7 x 61 cm Provenance: Donated by the artist to support programming at the Scotiabank CONTACT Photography Festival. $1,200—1,500


150 PABLO PICASSO (1881 - 1973) , SPANISH PAUL ELUARD, LE VISAGE DE LA PAIX, EDITIONS CERCLE D'ART, PARIS, 1951 [CRAMER BOOKS, 62; MOURLOT, 203; BLOCH, 687]

Folio of 29 reproductions of the artist's drawings, hors-texte, title page, text in French and justification, on Velin Offset Superieur, this copy being stamp numbered "608" of 2,100 to the justification page (the total edition was 2250). Published by Editions Cercle D’Art, Paris with inscription “from friends of social services of “Comite d’Entreprise Reyault - Friendly” in red ink to the title-page. Printed by Mourlot Freres, Paris. Stitch bound (as issued). Overall 11.5 x 9 in — 29.2 x 22.9 cm Provenance: See website for full catalogue details. $500—700

151

152

PIERRE-AUGUSTE RENOIR (1841-1919), FRENCH

HANS LEONHARD SCHAUFELEIN (C.1482-1539), GERMAN

SUR LA PLAGE, À BERNEVAL, CIRCA 1892 [DELTEIL, 5]

Etching on laid paper; signed within the plate lower right; inscribed “D-5; SUR LA PLAGE ORIG ETCH BY RENIOR” verso; inscribed “Sur La Plage original by Renoir” on the mat verso and on the backing Plate/Sheet 5.3 x 3.7 in — 13.5 x 9.5 cm; 9.75 x 8.25 in — 24.8 x 21 cm Provenance: Private Collection, Toronto $400—600

CHRIST DRIVING THE MONEY CHANGERS FROM THE TEMPLE [BARTSCH, 34-2]; THE INCREDULITY OF THOMAS [HOLSTEIN, VOL. XLIII, NO. 734] (TWO PLATES FROM SPECULUM PASSIONIS DOMINI NOSTRI JESU CHRISTI (MIRROR OF THE PASSION OF OUR LORD

Two woodcuts on pulpy paper, the margins trimmed to the ruled border; each laid down to an acidic support, each sheet with text on the verso faintly visible recto Each Image 9.25 x 6.1 in — 23.5 x 15.5 cm Provenance: Collection of The Archdiocese of Toronto $800—1,200


Artist Index

A

E

Albuquerque, Lita…69 Alt, Otmar…61 Appel, Karel…27, 29

Earle, Michael…144 Erte…103

B Banksy…60 Bawden, Edward…10 Beckly, Steven…130 Blackwood, David Lloyd…52 Boles, Jesse…111 Braque, Georges…38 Brown, John…36, 37 Burley, Robert…109 Burtynsky, Edward…42, 43 C Cameron, Robin…6 Campigli, Massimo…90 Chagall, Marc…71 Chancell, Philippe…102 Clarke, Graham…127, 127 Clarkes, Lincoln…65 Clave, Antoni…99 Collins, Petra…133 Colvin, Calum…66 Corneille…63 Coughtry, John Graham…64 Curtis, Edward S.…75-80

F Farrow, Maria de Lourdes “Mia”…21 Fini, Leonor…54 G Gaitis, Yannis (Giannis)…12, 40 Garnet, Eldon…101 Gaucher, Yves…22 General Idea…95 Goodwin, Betty Roodish…14, 131 Gould, John Howard…39 Griegorovich, Vladimir…125, 126 Guston, Philip…106 H Hafkenscheid, Toni…23 Hallberg-Campbell, Johan…44 Harrington, Richard…138 Heron, Patrick…28, 30 Holownia, Thaddeus…73 I Ingelevics, Vid…146

D

K

D’Arcangelo, Allan…9 Dali, Salvador…31 de Vlaminck, Maurice…121 Dean, Max…147 Dean, Tom…35 Dickson, Jennifer…47 Dine, Jim…1, 2, 96, 113 Drebin, David…136 Durer, Albrecht…84-86, 89

Kane, Paul…81 Kelly, Ellsworth…26 Kimura, Chuta…56 Kokoschka, Oskar…112


L

R

Lake, Suzy…149 le Sueur, Nicolas…88 Leger, Fernand…98 Lik, Peter…18 Lum, Ken…143

Raab, George…67 Rauschenberg, Robert…93, 94 Redon, Odilon…110 Renoir, Pierre-Auguste…83, 151 Riley, Bridget…13 Riopelle, Jean-Paul…19, 119 Rosenquist, James…8 Rouault, Georges…25 Ruscha, Ed…145

M Marini, Marino…91 Martin, Hugh…68 Matsubara, Naoko…114 Mazinani, Sanaz…15 Miro, Joan…4, 5, 11, 115, 116 Molinari, Guido…7 Moore, Henry…32-34, 122-124 Munch, Edvard…70 Murdock, Greg…97 N Nevelson, Louise…3 Niro, Shelley…24 Nizam, James…148 Nobuyoshi, Araki…59 Noritis, Harald (Attributed to)…45 O Orimoto, Tatsumi…134 P Pachter, Charles…117, 118 Parr, Martin…135 Pellan, Alfred…57, 104 Phillips, Walter Joseph…50, 51 Picasso, Pablo…16, 17, 20, 150 Platt, Liss…108

S Santos, Bartolomeu Cid dos…120 Schaufelein, Hans Leonhard…152 Smith, Gordon Appelbe…46, 100, 107 Stern, Bert…140, 141 Stone, Bill…137 Suzuki, Takashi…142 T Tamasaukas, Otis…58 Tobiasse, Theo…48, 49 Toulouse-Lautrec, Henri de (after)…74 Toulouse-Lautrec, Henri de…92 Tsarouchis, Yannis…139 U-V Unidentified 20th/21st…132 van Rijn, Rembrandt…82 Vasarely, Victor…105 W-Y-Z Warhol, Andy…62 Webb, Kenneth…72 Whistler, James Abbott McNeill…87 Yung, Lily…55 Zageris, Arnold…41


Conditions of Sale 1. All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted or announced verbally in the auction room prior to the time of sale. While the auctioneer has endeavoured not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made. An opportunity for inspection of each article is offered prior to the time of sale. No sale will be set aside on account of lack of correspondence of the article with its description or its reproduction, if any, whether colour or black & white. Some lots are of an age and/ or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others. Frames on artwork are not included as part of purchase or condition. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid, relying upon their own advisers, and to bid accordingly. 2. Each lot sold is subject to a 20% buyers premium as part of the purchase price. 3. Unless exempted by law, the buyer is required to pay Harmonized Sales Tax on the total purchase price including the buyer’s premium. For international buyers, taxes are not applicable when purchases are shipped out of country. Items shipped out of Ontario, the buyer is required to pay taxes as per the tax status of that province, whether it HST or GST (Goods and Services Tax). 4. The auctioneer reserves the right to withdraw any lot from sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice. 5. The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized. 6. Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in attendance at the sale. 7. The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The auctioneer’s decision in all cases shall be final. 8. Immediately after the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-offering the item for sale.

9. The buyer shall pay for all lots within 48 hours from the date of the sale, after which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale, after which storage charges may be incurred. 10. Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away. 11. Notwithstanding condition no. 1, if the buyer, prior to removal of a lot, makes arrangements satisfactory to the auctioneer for the inspection of such lot by a fully qualified person acceptable to the auctioneer to determine the genuineness or authenticity of the lot, to be carried out promptly following the sale of the lot, and if, but only if, within a period of 14 days following the sale a written opinion of such person is presented to the auctioneer to the effect that the lot is not genuine or authentic, accompanied by a written request by the buyer for rescission of the sale, then the sale of the lot will be rescinded and the sale price refunded to the buyer. 12. Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), and VISA or Mastercard (up to $25,000). 13. In the event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for: (a) any deficiency in price between the re-sale amount and the amount to have been paid by the original buyer; (b) any reasonable charge by the auctioneer for the storage of such articles until payment and removal by the subsequent buyer; and (c) the amount of commission which the auctioneer would have earned had payment been made in full by the original buyer. 14. It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them. 15. The auctioneer acts solely as agent for the consignor and makes no representation as to any attribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada). 16. The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.


Selling at Waddington’s waddington’s commission rates Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $251 to $2,500 20% Items selling for $250 or less 25% *There is a minimum handling charge of $20 per item

canadian art department commission rates Items selling for $7,500 or more 10% Items selling for $2,501 to $7,499 15% Items selling for $2,500 or less 20% *There is a minimum handling charge of $20 per item Paintings, drawings, prints, furniture, jewellery and all forms of decorative arts and collectibles may be brought to our Toronto office where we can provide you with preliminary auction estimates and consignment procedures. Please visit our website at www.waddingtons.ca for details on our various departments and how to contact the specialists. We also accept mailed and emailed requests for advice on the marketability of objects. A photograph and phone number must accompany a full description of each item.

Our specialists regularly travel to major Canadian cities to meet with prospective consignors. For further information, or to arrange an appointment, please contact our Toronto office. Property normally arrives at Waddington’s at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items. Consignors will receive a contract to sign, setting forth terms and fees for our services.

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A 1% insurance charge, based on the hammer price of the property, will be applied to all accounts.

cites

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Buying at Waddington's

All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or oral announcement. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any oral announcement or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s™ and the consignor (seller) of the lot. Descriptions or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale.

condition of lots

All of the items are to be considered, unless otherwise noted in the description, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should examine the pieces in person or have our staff answer any questions before bidding. Sizes are approximate. It is the sole responsibility of the bidder to inquire as to the condition of a lot before bidding. Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale. Frames on artwork are not included as part of purchase or condition.

buyers premium

A premium of 20% of the successful bid price of each lot. A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer’s premium, except for purchases exported from Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province.

payment

Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), VISA or Mastercard (up to $25,000). ALL PRICES IN CANADIAN FUNDS

bidding

The Auctioneer may also execute bids on behalf of the consignor to protect the reserve. The reserve is the confidential minimum price the seller is willing to accept for his or her property, below which it will not be sold.

shipping

The Auctioneers will not undertake packing or shipping. The purchaser must designate and arrange for the services of an independent shipper and be responsible for all shipping, insurance expenses and any necessary export permits that may apply. The Auctioneers will, upon request, provide names of professional packers and shippers but will not be held responsible for the service or have any liability for providing this information. Reliable pre-auction estimates of shipping costs of lots offered in this sale may be obtained from: PakShip 905.470.6874 / 905.470.6875 / 416.293.8225

taurus@pakship.ca www.pakship.ca Envoy 416.299.3367, 416.299.9750 ph@envoy.ca www.envoypackandship.com Fero Transport 514.453.1462, 514.543.7585 www.ferotransport.ca

removal of purchases

Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15). Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients.


Waddington’s 275 King Street East, Second Floor Toronto, Ontario M5A 1K2

tel: 416-504-9100 toll free: 1-877-504-5700 www.waddingtons.ca

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Fine Prints & Photography Online Auction | Apr. 7 - 12, 2018  

Waddington's online auction taking place on April 7 - 12, 2018

Fine Prints & Photography Online Auction | Apr. 7 - 12, 2018  

Waddington's online auction taking place on April 7 - 12, 2018