Prints and Photography | August 8 - 13, 2020 by waddingtons

Prints and Photography AUGU ST 8 - 13, 2 02 0

Prints and Photography AU G U ST 8 - 13, 2 02 0

bid online at: onlineauctions.waddingtons.ca

all lots can be viewed online at www.waddingtons.ca

important notice:

SENIOR SPECIALIST

Susan Robertson sr@waddingtons.ca

cover

416-847-6179

Lot 5 William Scott STILL LIFE (WITH FRYING PAN), 1973 (Detail)

ASSOCIATE SPECIALIST

inside cover

Kristin Vance kv@waddingtons.ca 416-847-6178

Private previews by appointment only. Please contact us at internationalart@waddingtons.ca to arrange an appointment.

Lot 2 Barbara Hepworth OLYMPUS (FROM THE AEGEAN SUITE), OCTOBER 1970-JUNE 1971 (Detail)

inside back cover Lot 31 James Rosenquist COLD LIGHT, 1971 [GLENN, 40]

back cover

Lot 28 Alexander Colville BLACK CAT, 1996 (Detail)

This auction is subject to the Conditions of Sale printed in the back of this catalogue.

1 ELISABETH FRINK (1930-1993), BRITISH LYING DOWN HORSE, 1972 [WISEMAN, 57]

Lithograph printed in brown ink on T.H. Saunders mould-made HP paper; signed and numbered 236/250 in pencil along the bottom edge. Printed by Curwen Studio, London under the direction of Stanley Jones. Published by Christie’s Contemporary Art. Accompanied by a signed Certificate of Authenticity from the Director of Christie’s Contemporary Art. 22.5 x 30.5 in — 57.2 x 77.5 cm PROVENANCE:

Private Collection, Kingston, ON $700 — 900

2 BARBARA HEPWORTH (1903-1975), BRITISH OLYMPUS (FROM THE AEGEAN SUITE), OCTOBER 1970-JUNE 1971

Colour lithograph on handmade paper supplied by Barcham Green with his watermark “BH”; signed and numbered 15/60 in pencil to margin. Published in a total edition of 90 of which the “home” edition is numbered 1-60/60, as is this lot, and the overseas edition numbered XI30/30. Printed and published by Curwen Studio, London, with their blindstamp lower left margin on sheets approximately 32” x 32”. Accompanied by a signed Certificate of Authenticity from the Director of Christie’s Contemporary Art. 30 x 21.2 in — 76.2 x 53.8 cm PROVENANCE:

With J&W Graphics Ltd., Kingston, ON for framing; Private Collection, Kingston, ON $2,000 — 3,000

3 BARBARA HEPWORTH (1903-1975), BRITISH DESERT FORMS (FROM THE AEGEAN SUITE), OCTOBER 1970-JUNE 1971

Colour lithograph with embossing on handmade paper supplied by Barcham Green with his watermark “BH”; signed and numbered 22/60 in pencil to margin. Published in a total edition of 90 of which the “home” edition is numbered 1-60/60, as is this lot, and the overseas edition numbered XI-30/30. Printed and published by Curwen Studio, London, with their blindstamp lower left margin on sheets approximately 32” x 32”. Accompanied by a signed Certificate of Authenticity from the Director of Christie’s Contemporary Art. Image/Sheet 31 x 21.5 in — 78.7 x 54.6 cm; 32 x 32 in — 81.3 x 81.3 cm PROVENANCE:

With J&W Graphics Ltd., Kingston, ON for framing; Private Collection, Kingston, ON $1,000 — 1,500

4 GEORGES ROUAULT (1871-1958), FRENCH INCANTATION (FROM RÉINCARNATIONS DU PÈRE UBU), 1918 [ROUAULT, 17 (E)]

Etching and aquatint and roulette on wove paper watermarked: “La Tentation de Saint Antoine” in the bottom margin (left over from the livre d’artiste Odilon Redon executed for Vollard), signed with initials and dated 1918 in the plate lower left. Unsigned as issued. Plate/Sheet 11.5 x 7.7 in — 29.2 x 19.5 cm; 17.1 x 12.8 in — 43.5 x 32.4 cm $200 — 300

5 WILLIAM SCOTT (1913-1989), SCOTTISH/IRISH STILL LIFE (WITH FRYING PAN), 1973

Colour screenprint on Arches paper; signed “W. Scott” and dated 73 in pencil upper left margin, numbered 75/250 in pencil lower left margin. Printed by Kelpra Studio, London, under the direction of Chris Prater with their stamp “K / 8107” to the sheet verso. Published by Christie’s Contemporary Art, London with their blindstamp upper left margin. Accompanied by a signed Certificate of Authenticity from the Director of Christie’s Contemporary Art. Sheet/Image 26.5 x 35 in — 67.3 x 88.9 cm; 25.5 x 32.25 in — 64.8 x 81.9 cm PROVENANCE:

Private Collection, Kingston, ON $4,000 — 6,000

6 RICHARD HAMILTON (1922-2011), BRITISH BY THE WATERS OF MIERS, 1972 [WADDINGTON-CHRISTEA, 87; LULLIN, 88]

Hard-ground and soft-ground etching with drypoint and aquatint en grisaille on wove paper; signed, titled and numbered 61/75 in pencil to margin (there were also 8 artist’s proofs). Published by Petersburg Press S.A. Plate/Sheet 25.5 x 22.5 in — 64.5 x 57.5 cm PROVENANCE:

Private Collection, Victoria, BC $1,000 — 1,500

7 RICHARD HAMILTON (1922-2011), BRITISH TRICHROMATIC FLOWER PIECE, 1973-74 [LULLIN, 92]

Colour etching with engraving, scraper and aquatint on wove paper; signed and numbered 28/150 in pencil. Printed and co-published by Atelier Crommelynck, Paris and Petersburg Press, S.A. Unframed. Image/ Sheet 17.5 x 13 in — 44.5 x 33 cm; 25.6 x 19.7 in — 65 x 50 cm PROVENANCE:

Private Collection, Kingston, ON $1,000 — 1,500

8 SONIA DELAUNAY (1885–1975), UKRAINIAN/FRENCH UNTITLED, 1961

Colour pochoir on wove paper with Johannot watermark; signed, dated 1961 and numbered 13/50 in pencil to margin Sheet 25.6 x 19.6 in — 65 x 49.8 cm PROVENANCE:

Gallery Moos Ltd., Toronto gallery label verso backing; Private Collection, Toronto $2,500 — 3,500

9 SALVADOR DALÍ (1904-1989), SPANISH FLEURS SURRÉALISTES (FLOWERS FOR GALA) FOLIO OF TWO: GALA’S BOUQUET (FLOWERS FOR GALA); VANISHING FACE (PRINTEMPS DE GALA), 1980 [FIELD, 80-10 (A) & (B) RESPECTIVELY, COLOUR VARIATION]

Two colour lithographs from original gouaches (Dumas) on Arches watermarked paper, each with Atelier Dumas Inc. New York blindstamp lower left margin, with blindstamp “Copyright 1980” (only) bottom right edge; each signed and numbered 36/350 in pencil to margin, signed, certified and dated “6 Aug 95” by Albert Field in pencil verso. Bruce Hochman OS has kindly confirmed the authenticity of this lot. Each unframed. Image/Sheet 22.4 x 17.9 in — 57 x 45.5 cm; 29.1 x 21 in — 74 x 53.3 cm PROVENANCE:

Private Collection, Edmonton, AB $1,000 — 1,500

10 KUNIHIRO AMANO (1929- ), JAPANESE DISTANT MEMORY 29, 1968

Colour woodblock with relief; signed, dated “-’68-” and numbered 24/50 in pencil to margin. Block 21.5 x 33 in — 54.6 x 83.8 cm PROVENANCE:

Private Collection, Ontario $400 — 600

11 SALVADOR DALÍ (1904–1989), SPANISH THE BALLET OF THE FLOWERS (THE FASHION DESIGNER) (THE COUTURIER), 1980 [FIELD, 80-6]

Colour lithograph from an original gouache on Arches France blindstamped paper with “Dalart N.V./ Copyright 1980” blindstamp lower right margin, Atelier Dumas Inc. New York blindstamp lower left margin; signed and numbered 125/350 in pencil to margin. With Albert Field’s signature of approval in pencil verso. Bruce Hochman OS has kindly confirmed the authenticity of this lot. Unframed. Image/Sheet 20.75 x 18 in — 52.7 x 45.7 cm; 29 x 21 in — 73.7 x 53.3 cm PROVENANCE:

Private Collection, Edmonton, AB $800 — 1,200

12 VICTOR VASARELY (1906–1997), HUNGARIAN/FRENCH AFFICHE AVANT LA LETTRE, 1967-1968

Colour silkscreen; signed and numbered 52/175 in pencil to margin Image/Sheet 23.4 x 22 in — 59.5 x 55.8 cm; 26.8 x 26.7 in — 68 x 67.8 cm $500 — 700

13 SALVADOR DALÍ (1904–1989), SPANISH LE TRIOMPHE [3 OF SWORDS] (FROM TRIOMPHE DE L’AMOUR), 1978 [FIELD, 78-4 A]

Colour lithograph from an original painting on Japon paper; signed and numbered E.A. 31/75 in pencil to margin, with DALART N.V. / Copyright 1977 blind stamp lower left margin, signed by Albert Field and dated “3 Dec 96” in pencil verso, inscribed number 52846 in pencil upper left corner verso. Bruce Hochman OS has kindly confirmed the authenticity of this lot. Unframed. Image/Sheet 22.7 x 17 in — 57.7 x 43.2 cm; 29.1 x 21.4 in — 74 x 54.4 cm PROVENANCE:

Private Collection, Edmonton, AB $800 — 1,200

14 GEORGES ROUAULT (1871–1958), FRENCH LE POISSON VOLANT (FROM RÉINCARNATIONS DU PÈRE UBU), 1928 [CHAPON & ROUAULT, 23]

Etching and aquatint; signed with initials and dated 1928 in the plate bottom centre, titled “Dragon Volante” to gallery label verso. Unnumbered. Published by Ambroise Vollard, Paris. Plate 8.3 x 12.2 in — 21.2 x 31 cm PROVENANCE:

Craddock and Barnard, London; Kaspar Gallery, Toronto gallery label verso, certified as an authentic work to gallery label verso; Private Collection, Toronto $500 — 700

15 ADRIAN STIMSON (1964-), CANADIAN (SIKSIKA NATION, BLACKFOOT RESERVE, ALBERTA) BON HOPE & FEAR THE FUTURE, 2006

Block print; signed, titled, dated 2006 and numbered “A/P” in pencil along the bottom edge of the sheet. Unframed. Sheet 15 x 11 in — 38.1 x 27.9 cm PROVENANCE:

Private Collection, Saskatoon, SK $300 — 500

16 ADRIAN STIMSON (1964-), CANADIAN (SIKSIKA NATION, BLACKFOOT RESERVE, ALBERTA) BURNING MAN, 2002

Black inked lithograph on thick grey paper; signed, titled, dated 2002 and numbered 1/25 in pencil to margin. Unframed. Sheet 12 x 10 in — 30.5 x 25.4 cm PROVENANCE:

Private Collection, Saskatoon, SK $200 — 300

17 VICTOR VASARELY (1906-1997), HUNGARIAN/FRENCH UNTITLED (LAPIDAIRE G?)

Colour silkscreen on wove paper; signed and numbered 224/300 in pencil to margin. Image/sheet 7.1 x 7.1 in — 18.1 x 18.1 cm; 13 x 13 in — 33 x 33 cm PROVENANCE:

Private Collection, Vancouver, BC LITERATURE:

Not in Pedro Benavides/Michele Vasarely, Victor Vasarely Catalogue Raisonne Vol. I, Printed Editions 1949-1991, https://issuu. com/pedrobenavides5/docs/tomo_i_victor_ vasarely_editions_num $500 — 700

18 MARGARET PRIEST (1944 -), BRITISH/CANADIAN THE MUSEUM AT NIGHT, 1981

Colour etching on Presswerk Editions blindstamped paper lower left margin; signed, titled, dated 81 and numbered 7/40 in pencil to marginPlate/sheet 10.75 x 10.75 in — 27.3 x 27.3 cm; 18.5 x 15 in — 47 x 38.1 cm PROVENANCE:

Marianne Friedland Gallery, Toronto qallery label verso; Paul Becker Collection, Toronto, number "A-49" inscribed in red pen and ink to a small printed circular label to the side of the frame; Private Collection, Toronto $300 — 500

19 MARGARET PRIEST (1944 -), BRITISH/CANADIAN THE EMPTY MUSEUM, 1981

Etching in black ink on Presswerk Editions blindstamped paper lower left margin; signed, titled, dated 81 and numbered 26/40 in pencil to margin Plate/sheet 10.8 x 10.8 in — 27.5 x 27.5 cm; 18 x 15 in — 45.7 x 38.1 cm PROVENANCE:

Marianne Friedland Gallery, Toronto gallery label verso; Paul Becker Collection, Toronto, number "A-51" inscribed in red pen and ink to a small printed circular label to the side of the frame; Private Collection, Toronto $300 — 500

20 MARGARET PRIEST (1944 -), BRITISH/CANADIAN THE MUSEUM, 1981

Colour etching on Presswerk Editions blindstamped paper lower left margin; signed, titled, dated 81 and numbered 26/40 in pencil to margin Plate/sheet 9.4 x 9.4 in — 24 x 24 cm; 18 x 15 in — 45.7 x 38.1 cm PROVENANCE:

Marianne Friedland Gallery, Toronto gallery label verso; Paul Becker Collection, Toronto, number "A-50" inscribed in red pen and ink to a small printed circular label to the side of the frame; Private Collection, Toronto $300 — 500

21 DIETER ROTH (1930-1998), GERMAN/SWISS DUET, 1971 [DOBKE, 182]

Etching and drypoint printed in black ink on white handmade paper, with sections of photomechanical reproductions of a drawing; signed, dated 72 (1972) and numbered 22/30 in pencil to margin. The edition included 6 artist copies. Printed by Karl Schulz, Braunschweig. Published by Petersburg Press, London. Together with the catalogue raisonne (hardcover): “Dieter Roth: Graphic Works, Catalogue Raisonne 1947-1998” Dirk Dobke, Edition Hansjorg Mayer, London, 2003. Plate/ Sheet 25.2 x 28 in — 64 x 71 cm; 30.7 x 37 in — 78 x 94 cm PROVENANCE:

The Estate of Jack Pollock; Acquired by the present Private Collection, Toronto from the auction held for his estate. See Website for Full Catalogue Detials $1,200 — 1,800

22 BRUCE BELLAS (KNOWN AS BRUCE OF LOS ANGELES), (1909- 1974), AMERICAN TWO BEEF CAKE NUDES, BOTH SEATED: “JIM CONERY” (?) (LOOKING LEFT); BILL WILSON (LOOKING RIGHT)

Two gelatin silver prints; each stamped with pseudonym stamp credit: “Bruce of Los Angeles/ Box 75305, Sanford Station/ Los Angeles 5, Calif.” verso, each signed “Bruce” (the first in pencil; the latter in black ink) and each titled with the sitter’s name in pencil verso Sheets each 9.9 x 7.9 in — 25.2 x 20 cm PROVENANCE:

Private Collection, Toronto $600 — 900

23 LUTZ DILLE (1922-2008), GERMAN BEACH MAN, CONEY ISLAND, NEW YORK CITY, 1962

Gelatin silver print, printed in 1998; signed with initials and dated 1962 in black ink lower right; titled and dated to the typed label verso backing and inscribed to the label: “LD-027-00” Image 12 x 16 in — 30.5 x 40.6 cm PROVENANCE:

Private Collection, Toronto $800 — 1,200

24 AUGUSTE HERBIN (1882–1960), FRENCH LA FIN, 1959

Colour silkscreen; unsigned, dated 1959 and titled “#8 - Fin” to gallery label verso, numbered 32/150 in pencil to margin Image 20.7 x 15.6 in — 52.5 x 39.7 cm PROVENANCE:

Dunkelman Gallery, Toronto gallery label verso, Stock No. 128330; Private Collection, Toronto $600 — 800

25 AUGUSTE HERBIN (1882–1960), FRENCH VITALITE (ALSO KNOWN AS “NU”), 1959

Colour silkscreen; unsigned, dated 1959 and titled “#7 - Vitalite” to gallery label verso, numbered 32/150 in pencil to margin, inscribed “Nu” in pencil to lower right corner verso (visible in the cut-out of the backboard lower right verso) Image 18.3 x 14.7 in — 46.5 x 37.3 cm PROVENANCE:

Dunkelman Gallery, Toronto gallery label verso, Stock No. 128329; Private Collection, Toronto $600 — 800

26 AUGUSTE HERBIN (1882–1960), FRENCH DESTIN, 1959

Colour silkscreen; unsigned, dated 1959 and titled “#9 - Destin” to gallery label verso, numbered 32/150 in black ink to margin 20 x 15.3 in — 50.9 x 38.8 cm PROVENANCE:

Dunkelman Gallery, Toronto gallery label verso, Stock No. 128331; Private Collection, Toronto $600 — 800

27 VICTOR PASMORE (1908-1998), BRITISH VERTICAL DEVELOPMENT, 1979

Etching and screenprint on “W” watermarked paper and with Christie’s Contemporary Art blindstamp lower right margin; signed with initials, dated “VP 79” and numbered 47/60 in pencil to margin. Plate/Sheet 25 x 11.9 in — 63.5 x 30.2 cm; 36 x 25.4 in — 91.5 x 64.5 cm PROVENANCE:

Private Collection, Kingston, ON $1,000 — 1,500

28 ALEXANDER COLVILLE (1920-2013), CANADIAN BLACK CAT, 1996

A partially obscured self-portrait and a cat’s apparent disregard for organization are set against mathematically spaced window panes and floor boards in Black Cat (1996), highlighting one of Colville’s favoured themes: order vs. chaos. The triangular ruler, once precisely arranged on the table top, becomes a mere play thing and breaks the ordered composition. Colour silkscreen; signed, dated 1996 and numbered 35/70 in pencil to the margin Image 14.25 x 14.25 in — 36.2 x 36.2 cm PROVENANCE:

Private Collection, Calgary, AB $6,000 — 8,000

29 ROGER-FRANÇOIS THÉPOT (1925 - 2003), FRENCH/CANADIAN ECHEC AU CARRE - BLACK/RED; ECHEC AU CARRE - BLUE/RED; ECHEC AU CARRE - RED; ECHEC AU CARRE - BLUE, 1966

Four colour silkscreens; each signed and dated 66, the first three titles numbered 27/50 in pencil to margin, the last title, numbered 30/50 in pencil to margin; each titled to gallery labels verso backing PROVENANCE:

Gallery Moos Ltd., Toronto gallery label verso; Private Collection, Toronto $500 — 700

30 LEROY NEIMAN (1921-2012), AMERICAN GAMES OF THE XXI OLYMPIAD / 7-17-76 8-1-76 (IN MONTREAL, QUEBEC, CANADA)

Colour offset lithograph; signed, titled and dated in the plate lower right, signed and numbered A.P. in sepia ink to margin. Copyright 1976 by American Broadcasting Companies, Inc. Unframed. Image/Sheet 20 x 29.9 in — 50.7 x 75.9 cm; 22.7 x 32.7 in — 57.7 x 83 cm PROVENANCE:

Private Collection, Toronto $400 — 600

31 JAMES ROSENQUIST (1933–2017), AMERICAN COLD LIGHT, 1971 [GLENN, 40]

Colour lithograph; signed, titled, dated 1971 and numbered 7/70 in pencil along the bottom edge. Published by Graphicstudio, Tampa, Florida, with their blindstamp. Sheet 22 x 30 in — 55.9 x 76.2 cm PROVENANCE:

Gemst Inc., Montreal label verso; Private Collection, Montreal $2,000 — 3,000

32 SALVADOR DALÍ (1904–1989), SPANISH THE TEAR OF TIME, PUBLISHED 1998

Colour lithograph printed to the edges on Arches France watermarked paper with partial blindstamp “... N.V.” in the extreme lower left corner; signed and numbered H.C. 14/50 in pencil to margin. There was also an edition of 175. With Albert Field’s pencil signature of approval verso. Bruce Hochman OS has kindly confirmed the authenticity of this lot. Unframed. Sheet 29.3 x 20.9 in — 74.5 x 53.2 cm PROVENANCE:

Private Collection, Edmonton, AB $800 — 1,200

33 SALVADOR DALÍ (1904–1989), SPANISH DREAM OF FREEDOM (TAROT OF STAVES), 1978 [FIELD, 78-11]

Colour lithograph from original gouache and original lithographic remarque by transfer paper on Arches France watermarked paper with “Dalart N.V./ Copyright 1978” blindstamp lower left margin; signed and numbered H.C. 17/65 in pencil to margin. With Albert Field’s signature and the date of his approval on “21/94” in pencil verso. Bruce Hochman OS has kindly confirmed the authenticity of this lot. Unframed. Image/Sheet 22.75 x 18 in — 57.8 x 45.7 cm; 29.5 x 21.5 in — 74.9 x 54.6 cm PROVENANCE:

Private Collection, Edmonton, AB $700 — 900

34 SALVADOR DALÍ (1904–1989), SPANISH THE LADY DULCINEA (FROM HISTORIA DE DON QUICHOTTE DE LA MANCHA ), 1980 [FIELD, 80-1 (B)]

Colour etching and aquatint from an original sketch on Arches paper with DALART N.V. / COPYRIGHT 1981” blindstamp lower left margin; signed and numbered 88/300 in pencil to margin, signed by Albert Field in pencil verso. Bruce Hochman OS has kindly confirmed the authenticity of this lot. Unframed. Plate/Sheet 15.75 x 17.5 in — 40 x 44.5 cm; 30 x 22.25 in — 76.2 x 56.5 cm PROVENANCE:

Private Collection, Edmonton, AB $800 — 1,200

35 MARC CHAGALL (1887-1985), RUSSIAN/FRENCH VASE AUX AMOUREUX (LITHOGRAPH FOR A CATALOGUE), 1959 [MOURLOT, 217; CRAMER BOOKS, 37]

Lithograph in black ink on Arches paper with centre fold; signed and numbered 281/300 in pencil (there were also 50 hors commerce). The full sheet, folded as issued. Published by Mourlot, Paris for the exhibition at Musée des Arts Décoratifs, Paris, 1959. Sheet 8 x 12.5 in — 20.3 x 31.8 cm PROVENANCE:

Kyle’s Gallery, Victoria, BC labels verso; Jenkins Showler Gallery, White Rock, BC; Private Collection, Toronto $1,200 — 1,800

36 THÉO TOBIASSE (1927-2012), ISRAELI/ FRENCH AVEC MES MAIN D’EXIL CHARGÉES DE TOUS MES RÊVES, 1978

Colour lithograph; signed and numbered 42/175 in pencil to margin 22.5 x 30.2 in — 57.2 x 76.7 cm PROVENANCE:

Private Collection, Ontario $700 — 900

37 ANTONI TÀPIES (1923–2012), SPANISH PROFIL, 1982 [GALFETTI, 867]

Colour lithograph on Arches paper; signed and numbered 46/75 in pencil to margin. Published by Galerie Lelong, Paris. Image/Sheet 25.5 x 19.5 in — 64.8 x 49.5 cm; 31.7 x 24 in — 80.5 x 61 cm PROVENANCE:

Private Collection, Montreal $1,200 — 1,500

38 ANTONI TÀPIES (1923–2012), SPANISH CHICAGO (AL HANNOVER), 1983 [GALFETTI, 925]

Lithograph in black and white on brown wove paper; signed and numbered H.C. in pencil, inscribed “4 Chicago H.C. Tapies” to verso backing. Aside from the edition of 100. Published by Galerie Lelong, New York. Image/Sheet 28 x 20 in — 71.1 x 50.8 cm PROVENANCE:

Gemst Inc., Montreal label verso; Private Collection, Montreal $1,200 — 1,500

39 JAMES ABBOTT MCNEILL WHISTLER (1834-1903), AMERICAN CHELSEA, AN ORIGINAL ETCHING BY J. MCNEILL WHISTLER, CIRCA 1885

Photogravure in black ink on heavy textured paper; signed with monogram in the plate, titled in the plate and inscribed below it: “An original Etching by J. MacNeill Whistler” in the plate lower right margin. Published by The Art Journal, J. Virtue & Co., Limited, London with letters in the plate above the image in the top margin. Image/Sheet 5 x 7.8 in — 12.8 x 19.7 cm; 7.25 x 9.75 in — 18.4 x 24.8 cm PROVENANCE:

Zwicker’s Gallery, Halifax, N.S. label verso; Private Collection, Waverly, N.S. $300 — 400

40 AFTER JAMES ABBOTT MCNEILL WHISTLER (1834-1903), AMERICAN ARRANGEMENT IN BLACK: LA DAME AU BRODEQUIN JAUNE – PORTRAIT OF LADY ARCHIBALD CAMPBELL, AFTER 1893

Halftone engraving with letters of the publisher: Swan Electric Engraving Company (London, UK) in the plate below the image lower left margin; signed “Whistler” with his butterfly monogram in pencil lower left margin. Image/Sheet 8.9 x 4.3 in — 22.7 x 11 cm; 11.1 x 5.7 in — 28.3 x 14.5 cm PROVENANCE:

Zwicker’s Gallery, Halifax, N.S. label verso; Private Collection, Waverly, N.S. $600 — 800

41 JULIAN TREVELYAN (1910-1988), BRITISH THE PLOUGH, 1976 [TURNER, 322]

Colour etching with soft ground etching on special handmade paper made by Barcham Green paper with Christie’s own watermark, using 2 plates and 3 colours; signed, titled and numbered 92/150 in pencil to margin. Printed by Studio Prints. Published by Christie’s Contemporary Art in an edition of 150 signed and numbered by the artist. Accompanied by a signed Certificate of Authenticity from the Director of Christie’s Contemporary Art. Plate 12.6 x 17.7 in — 32 x 45 cm PROVENANCE:

With J&W Graphics Ltd., Kingston, ON for framing; Private Collection, Kingston, ON $600 — 900

42 RICHARD HAMILTON (1922-2011), BRITISH UN DES EFFETS DES EAUX DE MIERS (ONE OF THE EFFECTS OF THE WATERS OF MIERS) (FROM 18 SMALL PRINTS), 1973 [LULLIN, 90]

Stipple etching with aquatint on Jeyes toilet paper chine collé mounted on rag paper support, hand-made by Peter Rowson, Hazelmere; signed and numbered 38/100 in pencil to margin (there were also 10 artist’s proofs). Printed by the artist and Maurice Payne at the Petersburg Press, London. Published by Bernard Jacobson Ltd., London. Plate/Sheet 4.7 x 7.1 in — 12 x 18 cm; 5.9 x 8.3 in — 14.9 x 21 cm PROVENANCE:

Private Collection, Victoria, BC $1,000 — 1,500

43 NIGEL SCOTT (1956- ), JAMAICAN/CANADIAN JULIE - THE FACE, FEBRUARY, 1986

Gelatin silver print; signed, inscribed “Studio session with the Dull swing and Julie” and dated February 1986 in the plate under the image, signed with initials, dated April 86 and numbered AP# 4 in black ink to lower right corner, signed in black ink marker to the backing paper Sheet 21.1 x 18.1 in — 53.5 x 46 cm $700 — 900

44 MARC CHAGALL (1887–1985), RUSSIAN/FRENCH LES AMOUREUX EN GRIS (FROM CHAGALL BY JACQUES LASSAIGNE), 1957 [MOURLOT, 194]

Colour lithograph; signed and numbered 37/90 in pencil to margin. Maeght Editeur. 11 x 9 in — 27.9 x 22.9 cm PROVENANCE:

Private Collection, Ontario $3,000 — 4,000

45 HENRY MOORE (1898-1986), BRITISH SIX RECLINING FIGURES, 1974 [CRAMER, 353]

Colour lithograph on T.H. Saunders paper; signed and numbered 89/99 in pencil to margin. Printed by Curwen Prints, London. Published by Nathan Silberberg, New York. Image 15 x 19.75 in — 38.1 x 50.2 cm PROVENANCE:

Private Collection, Ontario $1,000 — 1,500

46 CAROL MARINO (1943- ), CANADIAN GUILDED LILY WITHOUT NUMBER, 1981

Gelatin silver print; signed, titled “Guilded Lily without number” and dated 1981 in pencil verso Image/Sheet 14 x 11 in — 35.5 x 28 cm; 18 x 14.6 in — 45.8 x 37 cm $300 — 500

47 KAREL APPEL (1921-2006), DUTCH RED CAT, 1971

Colour lithograph on Arches watermarked paper with blindstamp; signed, dated 71 and numbered 42/100 in pencil to margin 26.2 x 40.1 in — 66.5 x 101.9 cm PROVENANCE:

Waddington Galleries, Montreal gallery label accompanying the lot; From whom purchased by Professor Gordon MacLachlan, Westmount, Quebec on April 30th, 1974 together with original receipt, No. 5520; La Guide Graphique, Montreal, Quebec label accompanying the lot; Private Collection, Vancouver, BC $600 — 800

48 RUFINO TAMAYO (1899-1991), MEXICAN FEMME AU COLLANT NOIR (FROM MUJERES), 1969 [PEREDA, 111]

Colour lithograph; signed and numbered 80/150 in pencil to margin. Printed by Atelier Desjobert, Paris. Published by Touchstone Publishers, New York. Unframed. Image/sheet 27.4 x 21.1 in — 69.5 x 53.5 cm; 30 x 22.5 in — 76.2 x 57.2 cm PROVENANCE:

Private Collection, Toronto LITERATURE:

Pereda, Juan Carlos et ál., “Rufino Tamayo Catalogue Raisonné Gráfica / Prints 1925-1991”, México, Turner, 2004, P. 108, Catalogue No. 111. $600 — 800

49 JOHN PIPER (1903-1992), BRITISH FOLIATE HEAD, 1976 [LEVINSON, 256]

Colour lithograph on Arches paper; signed and numbered 78/90 in pencil to margin. Printed by Curwen Studio, Chilford. Published by Curwen Press, Chilford. Accompanied by a signed Certificate of Authenticity from the Director of Christie’s Contemporary Art. Image/Sheet 17.6 x 12.5 in — 44.7 x 31.8 cm; 21.1 x 14.2 in — 53.6 x 36.1 cm PROVENANCE:

With J&W Graphics Ltd., Kingston, ON for framing; Private Collection, Kingston, ON $700 — 900

50 GENE DAVIS (1920-1985), AMERICAN FROM PEACE PORTFOLIO II, 1974

Colour silkscreen printed to the edges; signed “Davis”, dated 1974 and numbered 78/90 in pencil to the bottom edge of the image lower left Sheet 32.25 x 22 in — 81.9 x 55.9 cm PROVENANCE:

Private Collection, Toronto $2,000 — 3,000

51 AFTER MAURICE DE VLAMINCK (1876–1958), FRENCH MARLY-LE-ROI, CIRCA 1955

Colour collotype and pochoir stencil in colours on wove paper; signed and numbered 47/50 in pencil to margin. Aside from the edition of 250. Published by Guy Spitzer, Paris, with their blindstamp lower right. Image/Sheet 21.7 x 29.1 in — 55 x 74 cm; 26.4 x 33 in — 67 x 83.7 cm PROVENANCE:

Private Collection, Ontario $2,000 — 3,000

52 BERNARD BUFFET (1928-1999), FRENCH PAIX, 1970

Colour lithograph; signed and numbered E.A. in pencil to margin. Aside from the edition of 220. 25.5 x 20 in — 64.8 x 50.8 cm PROVENANCE:

Louis Rozette, Editions De luxe, Livres Rares, 23/3, 1987, his handwritten COA verso; Gallery Phillip, Toronto label verso; Private Collection, Ontario $700 — 900

53 JOAN MIRÓ (1893–1983), SPANISH CONSTELLATIONS, 1959 [MOURLOT, 191; MAEGHT, 259]

Colour lithograph on Arches watermarked paper; signed, dated 1959 and numbered 107/150 in pencil to margin. Printed by Mourlot, Paris. Published by Berggruen, Paris. Sheet 25.6 x 19.6 in — 65 x 49.7 cm PROVENANCE:

Private Collection, Toronto $2,000 — 3,000

54 JOSÉ LUIS CUEVAS (1934-), MEXICAN GIANTS SUITE (5 PLATES), 1971

Suite of five colour lithographs on wove paper; the top and bottom sheets dated “16-8-71” in the plates, signed, numbered 13/100 and dated ‘71 in pencil to the bottom sheet. Published by Tamarind Lithography, Workshop Inc., Los Angeles with their blindstamp. Each Sheet/ Overall 18 x 30 in — 45.7 x 76.2 cm; 94.5 x 30 in — 240 x 76.2 cm $500 — 700

55 GEORGES ROUAULT (1871–1958), FRENCH AUTOMNE, 1933 [CHAPON & ROUAULT, 364]

Lithograph; signed, dated 1933, titled and inscribed: “3 e tirage” in sepia ink to margin Image/Sheet 16.9 x 22.6 in — 43 x 57.5 cm; 22.1 x 28.6 in — 56.2 x 72.7 cm PROVENANCE:

Private Collection, Toronto $800 — 1,200

56 GEORGES ROUAULT (1871–1958), FRENCH CHRIST EN CROIX, 1924 [CHAPON & ROUAULT, 306]

Lithograph on chine volant with black ink stamp “ZS” letters lower left edge of margin; signed and dated 1929 in blue ink by Rouault lower right margin, numbered 30/50 in pencil to lower left margin. From the total edition of 575. Published by Galerie des Peintres Graveurs, Paris, with their blindstamp lower right margin. Image/Sheet 11.8 x 8.7 in — 30 x 22.2 cm; 19.5 x 12.8 in — 49.5 x 32.4 cm PROVENANCE:

Private Collection, Toronto $700 — 900

57 JIM DINE (1935-), AMERICAN CALLA LILIES, VERONA I, 1992

Colour woodcut, aquatint and drypoint with handcolouring on Hahnemuhle paper; signed, dated 1992 and numbered 50/50 in pencil to margin. Co-published by Pace Editions, New York, and Waddington Graphics, London. Sheet 31.3 x 26.5 in — 79.4 x 67.3 cm PROVENANCE:

Collection of Dr. and Mrs. J. Robert Nicholson, London, ON $800 — 1,200

58 JIM DINE (1935-), AMERICAN CALLA LILIES, VERONA II, 1992

Collection of Dr. and Mrs. J. Robert Nicholson, London, ON $800 — 1,200

59 FRANCO FONTANA (1933- ), ITALIAN UNTITLED (LANDSCAPE), 1978

Extacolour print on Kodak paper; signed, dated ‘78 and numbered 15/100 in black ink to margin; inscribed “Untitled” and dated 1978 to typed label verso backing Image/Sheet 8.9 x 13.4 in — 22.5 x 34 cm; 9.4 x 14.2 in — 23.8 x 36 cm $800 — 1,200

60 SALVADOR DALÍ (1904-1989), SPANISH THE IMPOSSIBLE DREAM (FROM HISTORIA DE DON QUICHOTTE DE LA MANCHA), 1980 [FIELD, 80-1 (O)]

Colour etching and aquatint from an original sketch on Arches paper with DALART N.V. / Copyright 1981” blindstamp lower right margin; signed and numbered H.C. 14/65 in pencil to margin, signed and certified by Albert Field and dated on “2 Nov 92” in pencil verso, inscribed T0340 in pencil upper right verso. Bruce Hochman OS has kindly confirmed the authenticity of this lot. Unframed. Plate/Sheet 15.75 x 17.5 in — 40 x 44.5 cm; 30 x 22 in — 76.2 x 55.9 cm PROVENANCE:

Private Collection, Edmonton, AB $800 — 1,200

61 SALVADOR DALÍ (1904–1989), SPANISH DON QUIXOTE (THE DREAMER), FROM HISTORIA DE DON QUICHOTTE DE LA MANCHA, 1980 [FIELD, 80-1 (A)]

Colour etching and aquatint from an original sketch on Arches paper with DALART N.V. / COPYRIGHT 1981” blindstamp lower right margin; signed and numbered 254/300 in pencil to margin, signed and certified by Albert Field and dated on “2 Oct 94” in pencil verso. Bruce Hochman OS has kindly confirmed the authenticity of this lot. Unframed. Plate/Sheet 15.75 x 17.5 in — 40 x 44.5 cm; 29.9 x 22.25 in — 76 x 56.5 cm PROVENANCE:

Private Collection, Edmonton, AB $800 — 1,200

62 SALVADOR DALÍ (1904–1989), SPANISH JUDGEMENT (FROM HISTORIA DE DON QUICHOTTE DE LA MANCHA), 1981, [FIELD 80-(M)]

Colour etching and aquatint from an original sketch on Arches France watermarked paper with Dalart N.V. / Copyright 1981 blindstamp lower left margin; signed and numbered 90/300 in pencil to margin. With Albert Field’s signature and the date of his approval on “8 Feb 94” in pencil verso. Bruce Hochman OS has kindly confirmed the authenticity of this lot. Unframed. Plate/Sheet 15.75 x 17.5 in — 40 x 44.5 cm; 29.8 x 22.1 in — 75.7 x 56.1 cm PROVENANCE:

Private Collection, Edmonton, AB $800 — 1,200

63 SALVADOR DALÍ (1904-1989), SPANISH ONE’S IDENTITY (FROM THE CYCLES OF LIFE), 1979 [FIELD, 79-1 (B)]

Colour photolithograph of a collage and original etching on Arches watermarked paper with DALART N.V. / copyright 1977 blind stamp lower left margin; signed and numbered “A.P. 45/50” in pencil to margin. Published by Duall Graphics for DALART. Image/Sheet 7.9 x 9.75 in — 20.1 x 24.8 cm; 14.75 x 21.9 in — 37.5 x 55.6 cm LITERATURE:

“The Official Catalog of Graphic Works of Salvador Dalí”, The Salvador Dalí Archives, Ltd. (Astoria, NY, USA), 1996, p. 119, Cat. No. 79-1 (B) $500 — 700

64 AFTER ANDY WARHOL (1928–1987), AMERICAN

FLOWERS 11.71, 1967 PRINTED LATER (ONE PLATE FROM THE SET OF 10) SUNDAY B MORNING Colour silkscreen printed to the edges on Archival Museum Board. Published by Sunday B. Morning, with their rubber stamps in blue ink verso. Unframed. Sheet 35.4 x 35.4 in — 90 x 90 cm PROVENANCE:

Private Collection, Ontario $600 — 900

65 AFTER ANDY WARHOL (1928–1987), AMERICAN FLOWERS 11.70, PRINTED LATER (ONE PLATE FROM THE SET OF 10), SUNDAY B MORNING

Colour silkscreen printed to the edges on Archival Museum Board. Published by Sunday B. Morning, with their rubber stamps in blue ink verso. Unframed. Sheet 35.4 x 35.4 in — 90 x 90 cm PROVENANCE:

Private Collection, Ontario $600 — 900

66 FRIEDENSREICH HUNDERTWASSER (1928–2000), AUSTRIAN TWO CLOUDS RAINING SEVEN COLOURS (FROM MIDORI NO NAMIDA, 1972), 1976 [KOSCHATZKY, FÜRST HWG 60]

Colour woodcut with metallic imprints; signed, dated “9 January 1976” at Vienna, numbered “473A” in a circle and numbered 136/200 in black ink with red chop mark to margin. Published by Gruener Janura AG, Glarus, Switzerland. Block 11.3 x 20 in — 28.8 x 50.8 cm PROVENANCE:

Private Collection, Ontario $1,500 — 2,500

67 NAOKO MATSUBARA (1937- ), JAPANESE SOLITUDE (A FOLIO OF 11 PLATES FROM WALDEN, SOLITUDE), 1971

Folio of colour and black and white woodcuts, titles including: Solitude, Decaying Beauty, Rain, Winter Serenity, Winter Pond, Autumn Color, Wind, Pine, Spring Visitor, Thoreau, Drop of Life, plus cover Walden Pond, 10 blocks being printed on Hosho mulberry paper handmade by Ichibel Iwano, with the exception of “Wind” printed on Moriki paper. Printed under the artist’s supervision at the Press of A. Colish in Mount Vernon, New York, assisted by Bert Clarke, designer of the text. The portfolio was made by Moroquain, Inc., New York. Prints/ Overall 15.5 x 14.25 in — 39.4 x 36.2 cm; 16.5 x 15.5 x 1 in — 41.9 x 39.4 x 2.5 cm See Website for Full Catalogue Details PROVENANCE:

Private Collection, Nepean, ON $500 — 700

68 GEN YAMAGUCHI (1896–1976), JAPANESE “PENETRATION #25” / “QUIETNESS” (POSSIBLY KNOWN AS), 1958

Colour woodcut on Japon paper, signed in Roman script in pencil to the image lower right, dated 1958 and numbered 12/50 in pencil to margin, inscribed “Penetration #25” to an unknown gallery label verso backing inscribed with the artist’s name Block/Sheet 32.9 x 17.8 in — 83.5 x 45.3 cm; 35.1 x 20.2 in — 89.2 x 51.2 cm $500 — 700

69 ALVAR SUNOL MUNOZ RAMOS (1935- ), SPANISH DEUX FEMMES À LA COLOMBE

Glazed ceramic relief; signed and numbered 2/10 in black ink, mounted on wood panel, Frame Detached 36 x 30 in — 91.4 x 76.2 cm PROVENANCE:

Private Collection, Toronto; From whom purchased from Fred Grossman (Park West Gallery, Michigan), circa 1979 $800 — 1,200

70 MARGARET TAYLOR GOSS BURROUGHS (1917-2010), AMERICAN ABSTRACT COMPOSITION, CIRCA 1962

Lino-cut on paper; signed with initials “MB” and numbered ‘TP’ (Trial Proof) in pencil to margin. Unframed. Block/Sheet 6.9 x 6.1 in — 17.5 x 15.6 cm; 10.6 x 8.3 in — 27 x 21 cm $300 — 400

71 AFTER BERNARD BUFFET (1928-1999) BY CHARLES SORLIER (1921-1990), FRENCH CARMEN, DECORS ET COSTUMES (CARMEN, DECORATIONS AND COSTUMES), BY CHARLES SORLIER (ONE PLATE FROM THE PORTFOLIO OF 15), 1981 [SORLIER, 504]

Colour lithograph on Arches wove paper; signed and numbered EA 3/20 in pencil to margin (epreuve d’artiste, aside from the edition of 180 and 30 in Roman numerals). Printed by Editions A.C. Mazo et Cie, Paris. Published by Charles Sorlier, Paris. Sheet 26 x 20 in — 66 x 50.8 cm PROVENANCE:

Provenance: Park West Galleries, Michigan , Reg . No. 34910.000, as “Carmen” accompanied by their Certificate of Authenticity; Private Collection, Ontario $700 — 1,000

72 RICHARD HAMILTON (1922-2011), BRITISH ESQUISSE (SKETCH), (ALSO KNOWN AS DOUBLE HAPPINESS, SHIZIZHI), 1972 [LULLIN, 87]

Soft-ground etching with handcolouring with colour pencil on Hodgkinson Waterleaf paper; signed, titled, and numbered 22/40 in pencil to margin (there were also 4 artist’s proofs). Published by Petersburg Press, London. Plate/Sheet 7.5 x 10.6 in — 19.1 x 26.9 cm; 14.5 x 17.75 in — 36.5 x 45 cm PROVENANCE:

Private Collection, Victoria, BC LITERATURE:

Edition Hansjörg Mayer in association with Waddington Graphics, “Richard Hamilton: Prints 1939-83”, Stuttgart and London 1984, no. 85 (another from the edition illustrated). See Webiste for Full Catalogue Details $1,200 — 1,800

73 MARC CHAGALL (1887-1985), RUSSIAN/FRENCH AUTOPORTRAIT AU COUPLE, PARIS, NOVEMBER, 1964 [MOURLOT, 422]

Lithograph printed in black ink on Arches watermarked paper; signed and numbered 14/30 in pencil to margin Image/Sheet 25.6 x 19.3 in — 65 x 49 cm; 29.8 x 22.2 in — 75.7 x 56.5 cm PROVENANCE:

Private Collection, Ontario $4,000 — 6,000

74 DOROTHY ELVERY KAY (1886–1964), IRISH/SOUTH AFRICAN FINGO WITCH DOCTOR; NONGQAI (WATCHMAN), 1925

Two sepia etchings; each signed and titled in pencil to margin. Certified to gallery label verso backing of the first title, inscribed in pen and ink: “This is a certificate for the pictures” Plate 9.5 x 7.7 in — 24.1 x 19.5 cm PROVENANCE:

Hallis & Co., Port Elizabeth, November 26, 1928 the gallery label inscribed with certification for the two works verso backing; Private Collection, Toronto by descent $800 — 1,200

75 MARTIN SCHONGAUER (C.1445-1491), GERMAN THE ENTOMBMENT (FROM THE PASSION), CIRCA 1480 [BARTSCH, 18; LEHRS, 28; HOLLSTEIN, 28], LATER IMPRESSION

Copper engraving on laid paper; watermark of a bell-shaped shield with fleur-de-lys in centre and with a crown made of flower heads Image/Plate/Sheet 6.4 x 4.5 in — 16.3 x 11.4 cm; 8.5 x 5.5 in — 21.6 x 14 cm; 9.7 x 6.8 in — 24.6 x 17.3 cm PROVENANCE:

Private Collection, Toronto $400 — 600

76 MARTIN SCHONGAUER (C.1445-1491), GERMAN CHRIST ON THE MOUNT OF OLIVES (FROM THE PASSION), CIRCA 1480, [BARTSCH, 9; LEHRS, 19], LATER IMPRESSION

Engraving on laid paper with indiscernible watermark, possibly a hoofed animal with one leg upheld (a horse?); Unframed Image/Plate/Sheet 6.4 x 4.4 in — 16.3 x 11.2 cm; 8.5 x 9.4 in — 21.6 x 23.9 cm; 9.8 x 7 in — 24.9 x 17.8 cm PROVENANCE:

Private Collection, Toronto $400 — 600

77 PAUL CÉZANNE (1839–1906), FRENCH PORTRAIT DU PEINTRE ARMAND GUILLAUMIN AU PENDU (FROM THE FIRST EDITION OF “HISTOIRE DES PEINTRES IMPRESSIONNISTES” BY THEODORE DURE), 1873, LATER IMPRESSION, 1906 [CHERPIN, 2]

Etching with plate tone on laid paper; signed in the plate with Cezanne’s “hanging man” signature upper left (not hand-signed). Published in Paris by Floury in 1906. Unknown edition size, unnumbered, circa 1000 impressions Plate/Sheet 6 x 4.7 in — 15.3 x 12 cm; 11 x 8.3 in — 28 x 21.2 cm NOTE:

The poet and painter Armand Guillaumin was Cezanne’s friend and probably introduced him to etching. He is depicted sitting beneath the sign of the inn, Le Pendu / The Hanged Man. v$300 — 500

78 AFTER PABLO PICASSO (1881-1973), SPANISH FAUNE ET FEMME NUE (FROM LA FLÛTE DOUBLE PORTFOLIO OF 15 POCHOIRS BY JACOMET), 1967

Colour collotype with pochoir on Richard de Bas paper, dated “7 Avril XXXVI” in the plate lower right; Estate stamped “Picasso” in green ink lower right on the image, numbered 23/500 in pencil to margin. Printed by Daniel Jacomet. Edited by “Au vent d’Arles”, SaintPaul-de- Vence in 1967. 16.5 x 21.5 in — 41.9 x 54.6 cm PROVENANCE:

Private Collection, Ontario $500 — 700

79 PABLO PICASSO (1881-1973), SPANISH PEINTRE EN COSTUME ESPAGNOL PEIGNANT SUR SON MODÈLE, PL.7 (FROM SERIES 347), 1968 [BLOCH, 1490]

Etching on Rives wove paper; signed and numbered 4/50 in pencil to margin (the total edition includes 17 artist’s proofs). Printed by Crommelynck. Published by Galerie Louise Leiris, Paris. Plate 16.1 x 12.2 in — 41 x 31 cm PROVENANCE:

Private Collection, Ontario $4,000 — 6,000

80 PABLO PICASSO (1881-1973), SPANISH TOILE REPRÉSENTANT DES BACCHANTES, ET SPECTATEURS, DONT UN AU CHAPEAU REMBRANESQUE, DEUX GROSSES FEMMES NUES ET UN VOYEUR (FROM 347 SERIES, NO. 243), 1968 [BLOCH, 1723]

Etching on wove paper, dated in the plate “4.8.68 IV” in reverse upper right; signed and numbered 22/50 in pencil to margin, titled and inscribed “347 Engravings No. 243 4.8.68 IV” to gallery label verso. Published by Galerie Louise Leiris, Paris. Plate/Sheet 7.8 x 12.7 in — 19.8 x 32.3 cm; 12.8 x 17.9 in — 32.5 x 45.5 cm PROVENANCE:

The Waddington Galleries, London, UK gallery label verso; Private Collection, Toronto $4,000 — 6,000

81 LUDMILA JIRINCOVA (1912-1994), CZECHOSLOVAKIAN GIRL HOLDING A FAN, A HARLEQUINN BEHIND HER

Lithograph in black ink; signed in pencil to margin Image/Sheet 8.3 x 6.1 in — 21 x 15.5 cm; 14 x 10.5 in — 35.5 x 26.7 cm $200 — 300

82 ROBERT TOMBS (20TH/21ST CENTURY), CANADIAN 2 AM

Colour silkscreen; signed and numbered 5/30 in pencil to margin, titled to gallery label verso backing Image 21 x 12.6 in — 53.3 x 32 cm PROVENANCE:

Property of Stanley Colbert, inscribed to label verso; Mira Godard Gallery, Toronto gallery label verso NOTE:

This Ottawa-based artist and arts administrator practices graphic design, photography, painting, site-specific installation, curating, self-publishing and advocacy. He was elected President, Royal Canadian Academy of Arts in 2018, and in 2020, became a founding director of the Portrait Gallery of Canada. $200 — 300

83 PETER MACCALLUM (1947-), CANADIAN FOUR TORONTO VIEWS (FROM YONGE STREETSCAPES SERIES, 2006-2010)

Four archival silver prints, titles including: 1. Dack’s Shoes for Men, 104 Yonge Street, 2007, 2. Buildng Awaiting Demolition, 721-719 Yonge Street at Roy’s Square, 2008, edition 3. Laneway Behind the Lumsden Building, Looking North, 2008, 4. Discount Adult Video, IC World, Silver Nail/HL Shoes, David’s Café, 538-544 Yonge Street, 2008, Image/Framed 12 x 18 in — 30.5 x 45.7 cm; 21.5 x 26.75 in — 54.6 x 67.9 cm See Website for Full Catalogue Details PROVENANCE:

Private Collection, Toronto $1,200 — 1,800

84 JOHN PIPER (1903-1992), BRITISH TICKENCOTE (9 TICKENCOTE, RUTLAND: THE NORMAN CHANCEL ARCH), 1964 [LEVINSON, 130]

Colour lithograph on wove paper; signed and numbered 62/70 in pencil to margin. Published by Marlborough Fine Art, London. Image 16.5 x 25.75 in — 41.9 x 65.4 cm PROVENANCE:

Private Collection, Kingston, ON $1,000 — 1,500

85 JEAN DUBUFFET (1901-1985), FRENCH LES ASSEMBLAGES DE JEAN DUBUFFET (BY PIERRE VOLBOUDT WITH 17 WORKS), 1958 [WEBEL, 395]

Folio with nine colour and eight black and white collotype prints all executed in pochoir by Daniel Jacomet after Dubuffet’s originals on velin blanc paper, loose as issued in original publisher’s printed wrappers with monochrome design and text to front cover. From the edition of 700 on velin blanc (white wove paper) numbered 51 to 750, this being numbered 351/750 to the colophon. Hardcover slip case. Published by XXth Century, F. Hazan, Paris, 1958. Typography by Marthe Fequet and Pierre Baudier. Overall dimensions 13.4 x 9.6 x 1.8 in — 34 x 24.5 x 4.5 cm See Website for Full Catalogue Details $800 — 1,200

86 LISL LEVINSOHN (1924-1983), AUSTRIAN/CANADIAN AN OPTICAL GEOMETRIC DESIGN WITH TWO SPIRALS, 1970; A SOURCE OF EXILE, 1971

Two works: The first a pen and ink drawing; signed and inscribed “To David - September 6 / 1970” in ink lower right, extensively annotated and dated variously in the year of 1970 in pen and ink verso, the second title: a lithograph in black ink; signed, titled, dated 1971, numbered 5/10 and inscribed “For David Cobb” in red ink to margin. 22 x 22 in — 55.9 x 55.9 cm PROVENANCE:

Both gifted to David Cobb from the artist, Toronto, ON in the early 1970s $500 — 700

87 JAMES ABBOTT MCNEILL WHISTLER (1834-1903), AMERICAN SIX PLATES FROM THE STUDIO AND ART JOURNAL [WAY, 26, 68, 110, 52; LEVY, 40, 96, 159, 83, 164; SPINK 35, 107, 146, 124] 1890; 1894 (2); 1896 (2); 1895

Six transfer lithographs, titles including: 1. GANTS DE SUÈDE; 2. LA ROBE ROUGE; 3. LITTLE EVELYN; 4. THE LONG GALLERY AT THE LOUVRE; 5. THE SMITH’S YARD; 6. SAVOY PIGEONS Each on cream wove or laid paper; each signed in the stone with the butterfly in the plate. Published by The Studio, London, in an edition of about 3,000 with their blind stamp to the bottom margins, Sheets approximately (5) and one larger 11.1 x 7.8 in — 28.1 x 19.8 cm; 8.75 x 4.3 in — 22.2 x 11 cm See Website for Full Catalogue Details $2,000 — 4,000

88 JAMES ABBOTT MCNEILL WHISTLER (1834-1903), AMERICAN THE LITTLE POOL, 1861 [KENNEDY, 74 (VIII/ VIII); WEDMORE, 72]

Etching and drypoint printed in black ink on cream coloured paper with vertical laid lines, the bottom of the sheet with partial watermark with countermark upper case letters “JH & Z” below a partial shield with legs of a lion and an “X” shape in the bottom centre of the shield, signed and dated 1861 (diagonally) in the plate mid left; titled and inscribed in pencil to margin. Matted and unframed. Plate/Sheet 4 x 4.9 in — 10.1 x 12.5 cm; 6.3 x 7.9 in — 16 x 20 cm PROVENANCE:

Private Collection, Toronto $1,000 — 1,500

89 EADWEARD MUYBRIDGE (1830-1904), BRITISH/AMERICAN FROM ANIMAL LOCOMOTION, PLATE 17, 1887

Collotype with Muybridge’s letterpress credit, series title, plate number, copyright and date 1887 on recto Image/Sheet 6.5 x 17.9 in — 16.5 x 45.5 cm; 13.9 x 20.1 in — 35.4 x 51 cm PROVENANCE:

Jane Corkin Gallery, Toronto label verso $600 — 800

90 ROCKWELL KENT (1882-1971), AMERICAN STARRY NIGHT, 1933 [BURNE-JONES, 103]

Woodcut on Japon paper; signed in pencil to margin. Unnumbered from the edition of 1750. Published by the Literary Guild of America. Printed by Pynson Printers, New York. Image/Sheet 6.9 x 4.9 in — 17.5 x 12.5 cm; 9.7 x 7.8 in — 24.6 x 19.7 cm PROVENANCE:

Private Collection, Toronto $800 — 1,200

91 PATRICK CAULFIELD (1936-2005), BRITISH GLAZED EARTHENWARE, 1976 [CRISTEA, 51]

Colour silkscreen on wove paper; signed and numbered 55/76 in pencil to margin (there were also 15 proofs). Printed by Kelpra Studio, London with their ink stamp and number “8329” stamped verso. Published by Leslie Waddington Prints, London, UK. Image/Sheet 21.25 x 29.75 in — 54 x 75.6 cm; 30.3 x 39 in — 77 x 99 cm PROVENANCE:

The Estate of Grant L. Reuber, Toronto $1,500 — 2,000

Index A Amano, Kunihiro...10 Appel, Karel...47 B Bellas, Bruce...22 Buffet, After Bernard...71 Buffet, Bernard...52 Burroughs, Margaret Taylor Goss...70 C Caulfield, Patrick...91 Cézanne, Paul...77 Chagall, Marc...73, 35, 44 Colville, Alexander...28 Cuevas, José Luis...54 D Dalí, Salvador…9, 11, 13, 32-34, 60-63 Davis, Gene...50 Delaunay, Sonia...8 Dille, Lutz...23 Dine, Jim...57, 58 Dubuffet, Jean...85 F Fontana, Franco...59 Frink, Elisabeth...1 H Hamilton, Richard...6, 7, 42, 72 Hepworth, Barbara...2, 3 Herbin, Auguste...24-26 Hundertwasser, Friedensreich...66 J/K Jirincova, Ludmila...81 Kay, Dorothy Elvery...74 Kent, Rockwell...90 L Levinsohn, Lisl...86

M/N Maccallum, Peter...83 Marino, Carol...46 Matsubara, Naoko...67 Miró, Joan...53 Moore, Henry...45 Muybridge, Eadweard...89 Neiman, LeRoy...30 P Pasmore, Victor...27 Picasso, After Pablo...78 Picasso, Pablo...79, 80 Piper, John...49, 84 Priest, Margaret...18-20 R Ramos, Alvar Sunol Munoz...69 Rosenquist, James...31 Roth, Dieter...21 Rouault, Georges...4, 14, 55, 56 S Schongauer, Martin ...75, 76 Scott, Nigel...43 Scott, William...5 Stimson, Adrian...15, 16 T Tamayo, Rufino...48 Tàpies, Antoni...37, 38 Thépot, Roger-François...29 Tobiasse, Théo...36 Tombs, Robert...82 Trevelyan, Julian...41 V/W/Y Vasarely, Victor...7, 12 Vlaminck, After Maurice de...51 Warhol, After Andy...64, 65 Whistler, After James Abbott McNeill...40 Whistler, James Abbott McNeill...39, 87, 88 Yamaguchi, Gen...68

Buying at Waddington’s All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or oral announcement. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any oral announcement or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s™ and the consignor (seller) of the lot. Descriptions or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale.

condition of lots

All of the items are to be considered, unless otherwise noted in the description or condition report, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should examine the pieces in person or have our staff answer any questions before bidding. Sizes are approximate. It is the sole responsibility of the bidder to inquire as to the condition of a lot before bidding. Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale. Frames on artwork are not included as part of purchase or condition.

buyers premium

A premium of 20% of the successful bid price of each lot. A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer’s premium, except for purchases exported from Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province.

payment

Payment for purchases must be by cash, INTERAC direct debit (CDN clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), VISA or Mastercard (up to $25,000). ALL PRICES IN CANADIAN FUNDS

Selling at Waddington’s bidding

The Auctioneer may also execute bids on behalf of the consignor to protect the reserve. The reserve is the confidential minimum price the seller is willing to accept for his or her property, below which it will not be sold.

shipping

waddington’s commission rates Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $251 to $2,500 20%

The Auctioneers will not undertake packing or shipping. The purchaser must designate and arrange for the services of an independent shipper and be responsible for all shipping, insurance expenses and any necessary export permits that may apply. The Auctioneers will, upon request, provide names of professional packers and shippers but will not be held responsible for the service or have any liability for providing this information. Reliable preauction estimates of shipping costs of lots offered in this sale may be obtained from:

Items selling for $250 or less 25%

PakShip

*There is a minimum handling charge of $20 per item

Safer Shipping Inc. 416-299-3367 / 416-299-9750 perry@safershipping.ca / www.safershipping.ca

A 1% insurance charge, based on the hammer price of the property, will be applied to all accounts.

905-470-6874 / 905-470-6875 / 416-293-8225 taurus@pakship.ca / www.pakship.ca

removal of purchases

Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15). Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients.

cites

Restrictions exist regarding the import and export of species protected under CITES (Convention on International Trade in Endangered Species). This includes but is not limited to items made of or containing bone (whalebone etc.), ivory, tortoise shell, seal skin, rhinoceros horn and any other animal part and is strictly controlled or forbidden by most countries. Please review your country’s laws before bidding on pieces made of or containing these restricted items. It is the sole responsibility of the buyer to inquire about and obtain the proper permits for artwork purchased that may contain restricted materials, if such permit can be obtained. Please contact the department for further assistance. Failure to obtain necessary import/ export permits will not void any sale. All Narwhal Tusks must have a Marine Harvest Number or a Marine and Mammal Transport number to be sold at Waddington’s. For more information please visit: www.cites.org

*There is a minimum handling charge of $20 per item canadian art department commission rates Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $2,500 or less 20%

insurance

auction advice

For auction advice on paintings, drawings, prints, jewellery, and various forms of decorative arts and other collectibles, please feel free to contact us via email or telephone. We are pleased to review emails containing photographs and information on your pieces in order to provide auction estimates for you to consider. For collections with a variety of objects, please contact our Appraisals and Consignments department (consignments@waddingtons. ca). For department-specific inquiries, please contact the specialist and/or department directly. All contact information can be found at www.waddingtons.ca. Our offices are located in Toronto and Vancouver, but our specialists occasionally travel to major Canadian cities to meet with prospective consignors. To receive more information on Valuation Days across Canada or to arrange an appointment, please contact our Toronto office (416-504-9100). Please note that property typically arrives at Waddington’s at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items. Consignors will receive a contract to sign, setting forth terms and fees for our services.

Conditions of Sale 1. All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted or announced verbally in the auction room prior to the time of sale. While the auctioneer has endeavoured not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made. An opportunity for inspection of each article is offered prior to the time of sale. No sale will be set aside on account of lack of correspondence of the article with its description or its reproduction, if any, whether colour or black & white. Some lots are of an age and/or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others. Frames on artwork are not included as part of purchase or condition. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid, relying upon their own advisers, and to bid accordingly. 2. Each lot sold is subject to a 20% buyers premium as part of the purchase price. 3. Unless exempted by law, the buyer is required to pay Harmonized Sales Tax on the total purchase price including the buyer’s premium. For international buyers, taxes are not applicable when purchases are shipped out of country. Items shipped out of Ontario, the buyer is required to pay taxes as per the tax status of that province, whether it HST or GST (Goods and Services Tax).

6. Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in attendance at the sale. 7. The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The auctioneer’s decision in all cases shall be final. 8. Immediately after the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-offering the item for sale. 9. The buyer shall pay for all lots within 48 hours from the date of the sale, after which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale, after which storage charges may be incurred.

4. The auctioneer reserves the right to withdraw any lot from sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice.

10. Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away.

5. The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized.

11. Notwithstanding condition no. 1, if the buyer, prior to removal of a lot, makes arrangements satisfactory to the auctioneer for the inspection of such lot by a fully qualified person acceptable to the auctioneer to determine the genuineness or authenticity of the lot, to be carried out promptly following the sale of the lot, and if, but only if, within a period of 14

days following the sale a written opinion of such person is presented to the auctioneer to the effect that the lot is not genuine or authentic, accompanied by a written request by the buyer for rescission of the sale, then the sale of the lot will be rescinded and the sale price refunded to the buyer. 12. Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), and VISA or Mastercard (up to $25,000). 13. In the event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for: (a) any deficiency in price between the resale amount and the amount to have been paid by the original buyer; (b) any reasonable charge by the auctioneer for the storage of such articles until payment and removal by the subsequent buyer; and (c) the amount of commission which the auctioneer would have earned had payment been made in full by the original buyer. 14. It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them. 15. The auctioneer acts solely as agent for the consignor and makes no representation as to any attribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada). 16. The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.