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Old Masters and Related International Art MAY 4 - 9, 2019


Old Masters and Related International Art MAY 4 - 9, 2019


bid online at onlineauctions.waddingtons.ca

senior specialist Susan Robertson sr@waddingtons.ca

all lots can be viewed online at www.waddingtons.ca

416-847-6179

on view Sunday, May 5 from 12:00 pm to 4:00 pm

client services Alec Kerr ak@waddingtons.ca 416-847-6186

Monday, May 6 from 1:00 pm to 7:00 pm

Lot 31 Attributed to Emanuel de Witte INTERIOR OF CATHEDRAL WITH FIGURES

front inside

Lot 128 Attributed to Ferdinand Bol AN OLD BEARDED MAN...

back inside Lot 8 Circle of Andries Cornelis Lens CORIOLANUS, HIS MOTHER VETURIA AND HIS WIFE VOLUMNIA...

preview held at 275 King Street East, 2nd Floor Toronto, Ontario M5A 1K2

back cover Lot 52 After Hans Brosamer PORTRAIT OF WOLFF FUERLEGER...w

tel: 416-504-9100 toll free: 1-877-504-5700

This catalogue and its contents © 2019 Waddington McLean & Company Ltd.

front cover

This auction is subject to the Conditions of Sale printed in the back of this catalogue.

Photography & design by Waddington’s All Rights reserved.


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CIRCLE OF PIER FRANCESCO CITTADINI (1616-1681), ITALIAN

FOLLOWER OF DANIEL MYTENS THE ELDER (1590-1648), DUTCH

PORTRAIT OF A LADY HOLDING A FAN...

KING CHARLES I (1600-1649); QUEEN HENRIETTA MARIA (1609-1669)

Oil on canvas 26.5 x 20.5 in — 67.3 x 52.1 cm Provenance: With La Maison label verso

Pair of oils on oak panels Each 9 x 8 in — 22.9 x 20.3 cm $4,000—6,000

$2,000—3,000

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AFTER GUIDO RENI (1575-1642), ITALIAN

FOLLOWER OF SIR JOSHUA REYNOLDS (1723-1792), BRITISH

PORTRAIT OF BEATRICE CENCI, C. 1600

Oil on canvas 24 x 19.25 in — 61 x 48.9 cm Provenance: With Johnson & Copping, Montreal, early 20th Century label to the frame; Ex. Coll. T.B. Bruun, O!awa, Ontario; Private Collection, Carleton Place, Ontario

BARBARA DAUGHTER OF ROBERT GAMMING OF BIRNES - MARRIED GORDON OF HILTON SCOTLAND

Oil on canvas, in a painted oval; signed “J. Reynolds, dated indistinctly “...3” and titled in sepia pen and ink to an old paper label to the stretcher. Also titled in pen and ink to the Frost and Reed gallery label to the stretcher further inscribed: “From the collection of ... Anne!e de Polignac” to this label.

Note: The original by Guido Reni dated circa 1600 is held in the Palazzo Barberini in Rome.

30 x 24.75 in — 76.2 x 62.9 cm

$800—1,200

$2,000—3,000

Provenance: See website for full catalogue details.


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AFTER THOMAS GAINSBOROUGH (1727 -1788), BRITISH

SCHOOL OF NICOLAS DE LARGILLIÈRE (1656-1746), FRENCH

FOLLOWER OF JEAN-BAPTISTE PATER (1695–1736), FRENCH

LADY IN RED GOWN AND FRILLY CAP (A PORTRAIT OF THE ARTIST’S WIFE?)

PORTRAIT OF A GENTLEMAN IN PERIWIG AT HALF LENGTH WEARING GOLD BROCADE AND BURGUNDY

LA BALANÇOIRE (FÊTE DANS UN PARC)

Oil on canvas in a sculpted oval frame; given to "Gainsborough" to the exhibition label verso, titled "lady in Red Gown and Frilly Cap" to a old catalogue label to the stretcher 30 x 25 in — 76.2 x 63.5 cm

Oil on canvas; given to the artist to the nameplate 29.25 x 24 in — 74.3 x 61 cm $1,000—1,500

Provenance: See website for full catalogue details.

Oil on canvas; unsigned 33 x 23 in — 83.8 x 58.4 cm Provenance: Mr. & Mrs. Heyes, Toronto, grandparents of the present Private Collection; By descent to the present Private Collection, Douro Dummer, Ontario $2,000—3,000

Exhibited: See website for full catalogue details. $800—1,200

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CIRCLE OF ANDRIES CORNELIS LENS (1739 -1822), DUTCH

AFTER ALFRED EDWARD CHALON (1780-1860), SWISS/BRITISH

CORIOLANUS, HIS MOTHER VETURIA AND HIS WIFE VOLUMNIA...

VICTORIA REGINA (QUEEN VICTORIA IN CORONATION ROBES), CIRCA 1837

Pen and ink and watercolour wash on laid paper with D&C Blauw watermark within a coat of arms (Dirk and Cornelis Blauw, a weapon shield with le!ers and lily crest ornament), the sheet laid down to another later sheet verso; the sheet variously inscribed with the name "Lady F. Balfour" verso, given to a 17th Century Italian master: named "Gio. Guercino 1591-1666" to a typed label verso backing

Oil on canvas 30.5 x 21.5 in — 77.5 x 54.6 cm Provenance: See website for full catalogue details. Literature: See website for full catalogue details.

Sheet 14.4 x 18.4 in — 36.5 x 46.8 cm

Note: See website for full catalogue details.

Provenance: See website for full catalogue details.

$1,200—1,800

Note: See website for full catalogue details. $3,000—5,000


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AFTER ANDREA DEL SARTO (1486-1530), ITALIAN

MANNER OF FRANCESCO POLAZZO (1683–1753), ITALIAN

THE MEDICI HOLY FAMILY, 1529

THE CRUCIFIXION OF SAINT PETER AND THE MARTYRDOM OF SAINT PAUL

FOLLOWER OF MATTEO DI GIOVANNI DI BARTOLO (MATTEO DA SIENA), (1430– 1495), ITALIAN

Oil on canvas 54 x 44 in — 137.2 x 111.8 cm Note: This work is a copy of Del Sarto’s original painting on panel executed in 1529, held in the Palazzo Pi!i, Florence $2,000—3,000

Oil on canvas. Contained in an architectural Gothic style frame with pointed arch opening. 23 x 13 in — 58.4 x 33 cm Provenance: See website for full catalogue details. Note: See website for full catalogue details. $800—1,200

VIRGIN AND CHILD WITH SAINTS

Tempera on a gold ground with punched decoration on canvas laid down to wood panel, then laid down to masonite board, with cradling verso 18.9 x 16.9 in — 48 x 43 cm Provenance: See website for full catalogue details. Note: See website for full catalogue details. $3,000—5,000

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AFTER BARTOLOMÉ ESTEBAN MURILLO (1618–1682), SPANISH

FOLLOWER OF CHRISTIAN WILHELM ERNST DIETRICH (1712-1774), GERMAN

MIGUEL JERONIMO ZENDEJAS (1725-1815), MEXICAN

VIRGIN AND CHILD

THE APOSTLE SAINT PAUL IN CONTEMPLATION

ST. FRANCIS ASSISI ADORING THE CROSS, AFTER JACOPO LIGOZZI (1547-1627), ITALIAN

Oil on canvas 19 x 16 in — 48.3 x 40.6 cm Provenance: With Cockaynes Ltd., Sheffield storage, ref. name: inscribed “Jebb” ? in pen and ink to their label verso; Private Collection, Markham, Ontario $1,000—1,500

Oil on panel 10 x 7.25 in — 25.4 x 18.4 cm $300—500

Oil on canvas; signed by the copyist: “Mig. Zendaya F. (fecit)” and inscribed along the top of the canvas indistinctly verso 14 x 9.5 in — 35.6 x 24.1 cm $700—900


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FOLLOWER OF JACOPO LIGOZZI (1547 -1627), ITALIAN

FOLLOWER OF PHILIPPE DE CHAMPAIGNE (1602-1674), FRENCH

ATTRIBUTED TO PHILIP JAMES DE LOUTHERBOURG (1740 – 1812), FRENCH

REST ON THE FLIGHT TO EGYPT WITH ANGELS AND SYMBOLS OF THE PASSION DESCENDING

ST. BENEDICT; ST. SCHOLASTICA

THE AMBUSH- REVENUE AGENTS

Pair of oils on copper; the first with partial title “saint” lower le!, inscribed “17e Siecle” in pen and ink to partial paper label verso, the second title, inscribed “St. Benoch?” and inscribed “17e Siecle” in pen and ink verso

Oil on canvas laid down to masonite; unsigned

Oil on oak panel. Unframed. 13.5 x 10.25 in — 34.3 x 26 cm $400—600

Each 8.5 x 6.4 in — 21.6 x 16.3 cm Provenance: With a collection of French origin; Collection of The Archdiocese of Toronto Note: See website for full catalogue details. $700—900

19 FOLLOWER OF FRANÇOIS BOUCHER (1703–1770) , FRENCH PASTORAL WITH YOUNG SHEPHERDS WITH A BIRD CAGE

Graphite drawing on laid paper; bears a later signature ‘jeanteau’ (Wa"eau?) lower right, bears signature "jeanteau" and inscribed indistinctly in pen and ink verso Sheet 4.1 x 6.5 in — 10.3 x 16.5 cm $300—400

28.25 x 36.5 in — 71.8 x 92.7 cm Provenance: With Roberts Gallery, Toronto label verso backing $1,000—1,500


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FOLLOWER OF FRANÇOIS BOUCHER (1703–1770), FRENCH

FOLLOWER OF FRANÇOIS BOUCHER (1703–1770), FRENCH

WASHERWOMEN WITH CHILDREN AT A POOL

PASTORAL WITH A YOUNG GIRL AND BOY WITH THEIR DOG

ATTRIBUTED TO MARCANTONIO RAIMONDI (BORN CIRCA 1480–1527), ITALIAN

Sanguine and pencil drawing on laid paper with partial indistinct watermark of grapes, the corners cut on a diagonal; signed “Boucher f” in graphite lower le!; given to Boucher, with the title barely visible due to age patination: “Stude…..enfants.../ pres d'un moulin d'eau...” to an old typed label affixed to the verso

Sanguine crayon on laid paper laid down to card; bears signature "F. Boucher F" bo#om centre, inscribed by another with his name in pencil verso

Sheet 9.4 x 6.9 in — 23.8 x 17.6 cm Provenance: Hacker Co., Montreal label verso $600—900

23 FOLLOWER OF PETER PAUL RUBENS (1577 -1640), FLEMISH NUDE COUPLE WITH CHERUBS TEASING

Sepia ink drawing on laid paper 6 x 8.25 in — 15.2 x 21 cm Provenance: Estate of Rose Wolfe, Ontario $300—500

MADONNA AND CHILD WITH SAINTS JOHN THE BAPTIST AND ELIZABETH IN THE CLOUDS

Sepia ink on vellum; unsigned, inscribed in a recent hand: “Marcantonio Raimondi” in pencil to the wood backboard verso Sheet 9.5 x 7 in — 24.1 x 17.8 cm

Sheet 3 x 4.25 in — 7.6 x 10.8 cm $300—400

Provenance: Collection of Dr. and Mrs. J. Robert Nicholson, London, ON $3,000—4,000


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CIRCLE OF FRANCESCO GUARDI (1712 -1793), ITALIAN

AFTER A 16TH CENTURY GERMAN SCHOOL MASTER

CIRCLE OF PETER PAUL RUBENS (1577– 1640), FLEMISH

VIGNETTES OF A LADY AND GENTLEMEN INTERACTING

CHRIST AS SALVATOR MUNDI (SAVIOR OF THE WORLD, WHO RAISES HIS RIGHT HAND IN BLESSING AND IN HIS LEFT HOLDS A GLOBE REPRESENTING THE EARTH), 1543, PRINTED LATER

JUPITER AND JUNO ON MOUNT IDA

Sepia ink on laid paper; inscribed in pencil verso Sheet 7.7 x 5.7 in — 19.5 x 14.5 cm Literature: This drawing previously A!ributed to Francesco Guardi is inscribed in pencil verso with the book reference and page numbers to G. Fiocco’s, “Francesco Guardi di Florence", 1926, Vol. XIV. 20 f, o.m.- dr. 1926, June pl. 5, 61923, p. 69, no. 39, pi. xxix (as "Francesco Guardi"). According to our research, this is not of the same hand as Guardi and this lot is not illustrated in Fiocco.

Colour woodcut; signed with gilt indistinct monogram initials and dated 1543 in the plate lower right

Provenance: "Etude Rubens" Sale 8. /19 inscribed to the canvas verso; Estate of Rose Wolfe, Ontario

$200—300

$1,200—1,800

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ATTRIBUTED TO SÉBASTIEN BOURDON (1616-1671), FRENCH

FOLLOWER OF GIOVANNI FRANCESCO BARBIERI, CALLED IL GUERCINO (1591 -1661), ITALIAN

Pen, ink, and sepia wash on laid paper, signed with initial "B" lower le#, inscribed "Bourdon, Sebastien" in pencil below a frieze of stars and bell-shaped objects drawn in pencil along the top edge verso Sheet, unevenly cut at the bo!om right edge 7.7 x 5.5 in — 19.5 x 14 cm $1,000—1,500

46 x 37 in — 116.8 x 94 cm

Trimmed to the Plate 10.7 x 6.9 in — 27.2 x 17.4 cm

$600—900

ATHENA, THE GODDESS OF WAR HOLDING A HELMET

Oil en grisaille on a gold ground on canvas; inscribed "Etude Rubens" Sale 8. /19" in white chalk verso

INFANT JESUS REVEALED

Black and sanguine ink drawing heightened with sepia and grey watercolour washes on laid paper laid down to card; given to Giovanni Guercino to a typed label verso Sheet 8.9 x 12.2 in — 22.5 x 31 cm $2,000—3,000


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CIRCLE OF JEAN-HONORÉ FRAGONARD (1732–1806) , FRENCH

FOLLOWER OF BARTOLOMÉ ESTEBAN MURILLO (1617-1682), SPANISH

ATTRIBUTED TO EMANUEL DE WITTE (BORN CIRCA 1617–1692), DUTCH

“ETUDE DE TETES DE FEMME ET D’ENFANT” (IN ECSTASY)

CHRIST AS A YOUNG BOY WITH TWO CHERUBS HOLDING ATTRIBUTES OF THE PASSION

INTERIOR OF CATHEDRAL WITH FIGURES (POSSIBLY THE INTERIOR OF THE GREAT CHURCH (GROTE OR ST. BAVO KERK) IN HAARLEM, NETHERLANDS)

Oil on canvas with sculpted, arched top; given to the “Ecole Francaise” and titled to an old unidentified auction label verso, Cat. No. 19. Contained in an arched architectural frame. 13 x 7.25 in — 33 x 18.4 cm

Oil on canvas 28.5 x 21.25 in — 72.4 x 54 cm $600—800

Provenance: See website for full catalogue details.

Oil on canvas 17 x 14 in — 43.2 x 35.6 cm Provenance: See website for full catalogue details. Literature: See website for full catalogue details.

$1,500—2,500

Note: See website for full catalogue details. $3,000—4,000

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AFTER PHILIP JAMES DE LOUTHERBOURG (1740-1812), FRENCH/BRITISH

19TH CENTURY ORIENTALIST SCHOOL, BRITISH

19TH CENTURY NAIVE SCHOOL

THE HEROISM OF ELEAZAR (1ST BOOK OF MACCABEES, 6:43-46)

ORIENTAL SOLDIER AND HORSEMAN BRINGING THE NEWS

Oil on canvas; bears signature and indistinct date "1776?" lower right, titled “A Ba!le Scene with Elephant” to an old unidentified auction label as “P.J. de Loutherbourg” Cat. No. "16" to the top stretcher

Oil on canvas; inscribed "K. Finlay. Hollyword" to the top stretcher, indistinctly inscribed in pencil to lower stretcher

21.5 x 17.5 in — 54.6 x 44.5 cm

$200—300

Provenance: See website for full catalogue details. Note: See website for full catalogue details. $800—1,200

14 x 11 in — 35.6 x 27.9 cm

SAINT CHRISTOPHER, PATRON SAINT OF ORPHANS

Oil on canvas laid down to masonite 37.75 x 34 in — 95.9 x 86.4 cm Provenance: A partial label inscribed in pen and ink from New York verso; Private Collection, Canada $300—400


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FOLLOWER OF PETER PAUL RUBENS (1577–1640), FLEMISH

SCHOOL OF NICOLAS POUSSIN (1594 -1665), FRENCH

ATTRIBUTED TO CHARLES TOMKINS (1757 -1823), BRITISH

THE INTERVENTION OF THE SABINE WOMEN

CAPRICCIO WITH CLASSICALLY DRAPED HUNTSMEN AT THE COLOSSUS OF RHODES AMID A SHRINE IN AN EXTENSIVE LANDSCAPE WITH AQUEDUCT, CITY VIEWS AND ANTIQUE RUINS

PARKLAND LAKEVIEW WITH RUINS, AND FIGURES MINDING COWS

Oil on canvas; indistinct circular export stamp upper le! verso. Twentieth Century. 37 x 27 in — 94 x 68.6 cm $600—800

Oil on canvas; an old typed label inscribed “Nicolas Poussin” to the stretcher. Unframed. 19.5 x 26 in — 49.5 x 66 cm $600—800

Oil on canvas, apparently unsigned; inscribed ‘Tomkins 4’ to the top stretcher 26.5 x 38 in — 66 x 96.5 cm Provenance: Private Collection, Montreal, Quebec $2,000—3,000

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NEOPOLITAN SCHOOL (19TH CENTURY), ITALIAN

MARIA GIANNI (1873-1956), ITALIAN

WILLIAM COLLINS (1788-1847), BRITISH

COAST OF NAPLES WITH MOUNT VESUVIUS ERUPTING, A MAN ON A DONKEY IN THE FOREGROUND, 1897

NAPLES: YOUNG LAZZARONI PLAYING THE GAME OF ARRAVOGLIO, 1839

MOUNT VESUVIUS ERUPTING; SHIPPING AT MOONLIGHT, BAY OF NAPLES

Pair of watercolours and bodycolours on lightweight cards Each sheet 17 x 25.75 in — 43.2 x 63.5 cm $1,500—2,500

Gouache on paper laid down to a support board; signed "M. Gianni" and dated 1897 lower le! Sheet 25.9 x 21.5 in — 65.7 x 54.5 cm $500—700

Oil on canvas; signed and dated “W Collins 1839” to the stone lower right, titled and dated "Bay of Naples, 1839" and further titled with the exhibition history at the R.A. to gallery label verso 28 x 36 in — 71.1 x 91.4 cm Provenance: Walter Klinkhoff Gallery, Montreal gallery label verso; Private Collection, Toronto Exhibited: Royal Academy, 1839, Cat. No. 366 as "Naples: Young Lazzaroni Playing the Game of Arravoglio" $3,000—4,000


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19TH CENTURY BRITISH SCHOOL

CIRCLE OF GIACOMO GUARDI (1764-1835), ITALIAN

FOLLOWER OF FRANCESCO GUARDI (1712–1793), ITALIAN

CAPRICCIO OF A VENETIAN WATERWAY

TWO VENETIAN VIEWS ON THE CANAL

Oil on canvas 8.25 x 12.25 in — 21 x 31.1 cm

Two pen and ink drawings with grey and brown watercolour wash on thin paper. Unsigned.

$600—800

Each sheet 10.9 x 7.25 in — 27.7 x 18.4 cm

FIGURES AT THE RUINS OF POMPEII

Watercolour on paper, sculpted octagon; unsigned Sheet, octagon shape 11 x 14.5 in — 27.9 x 36.8 cm $300—500

Provenance: With William Haines framer’s, Toronto label verso; Private Collection, Toronto $300—500

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JOHN BERNEY CROME (1794–1842), BRITISH

ATTRIBUTED TO CORNELIS GERRITSZ DEKKER (DECKER ) (1625-1678), DUTCH

FOLLOWER OF DIRK DALENS THE YOUNGER (1659–1688), DUTCH

NEAR LEYDEN - MOONLIGHT, 1840

LANDSCAPE AND FIGURES (COUNTRYMEN RESTING OUTSIDE THE CITY GATE)

EXTENSIVE ITALIANATE MOUNTAINOUS LANDSCAPE WITH TRAVELLERS AND DONKEYS ALONG A PASS

Oil on canvas; inscribed "Decker/ Landscape & Figures" to old label verso

Oil on canvas laid down to red fabric. Unframed.

9.8 x 8.7 in — 25 x 22 cm

46 x 63 in — 116.8 x 160 cm

Provenance: Formerly Ex. Coll. Noel Smith, Esq. Norwich, England; Sold as "Cornelis Gerritsz Dekker" by the Alex Fraser Galleries, Vancouver with their le!er stating the provenance above, accompanying the lot

Provenance: Private Collection, Markham, Ontario

Oil on canvas; titled "Moonlight", inscribed "Crome” and numbered "96." in pen and ink to an old label to the stretcher 12 x 18 in — 30.5 x 45.7 cm Provenance: Vente: unknown date, in the early 20th century, “Sale of Pictures at Christie’s” old newspaper clipping to the stretcher; Sco! & Sons, Montreal gallery label verso; Prominent Collection, Montreal Exhibited: See website for full catalogue details. $3,000—4,000

$1,500—2,500

$1,000—1,500


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CIRCLE OF JOHN WOOD (1801-1870), BRITISH

FOLLOWER OF THOMAS GAINSBOROUGH (1727-1788), BRITISH

W. VALKENBURG (19TH/20TH CENTURY), DUTCH

CRUSADER WITH WOUNDED SOLDIER

COTTAGE CHILDREN GATHERING WOOD

DUTCH INTERIOR AT MEALTIME

Oil on wood panel; the panel stamped with the maker "Brown Holborn" verso

Oil on canvas

Oil on canvas; signed "W. Valkenburg" lower right

36 x 27.5 in — 91.4 x 69.9 cm $600—800

30 x 24.5 in — 76.2 x 62.2 cm Provenance: Ex. Collection Rev. Edward Gardiner; Ward Price Ltd., Toronto; From whom purchased by a Private Collection, Montreal in 1962; His Estate Collection, Montreal

23.5 x 20 in — 59.7 x 50.8 cm $400—600

$1,000—1,500

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PAUL SEIGNAC (1826-1903) THE LITTLE MOTHER

AREND JAN VAN DRIESTEN (1878-1969), DUTCH

AFTER HANS BROSAMER (1500-1554), GERMAN

Oil on panel; signed lower le!, titled to gallery label verso, 15.5 x 12.5 in — 39.4 x 31.8 cm

STORMY WEATHER (WOMAN TENDING COWS IN AN EXTENSIVE POLDER LANDSCAPE)

PORTRAIT OF WOLFF FUERLEGER AGE 32 IN A BLACK EMBROIDERED COAT, ANNO, 1527

Provenance: Rayner MacConnal Fine Art Dealers, London; Coll. Mrs. Hirst, Harrogate, London; With Renoir Galleries Ltd., Harrogate, England on April 28th, 1976 while with owner Mrs. Hirst inscribed to their gallery label verso; Private Collection, Vancouver, B.C.

Watercolour and opaque watercolour on paper mounted on cardboard; signed lower right Sheet 16.5 x 26 in — 41.9 x 66 cm

Oil on panel; inscribed: “WOLFF FVERLEGER CVNTERFET ANNO. 1527. / AD 15. LVIO SEINES ALTERS. IM. 32. IAR” along the top edge. Contained in an architectural frame.

$400—600

18 x 13.25 in — 45.7 x 33.7 cm

$1,000—1,500

Provenance: See website for full catalogue details. Literature: See website for full catalogue details. $1,500—2,500


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AFTER FRANS VAN MIERIS THE ELDER (1635–1681), DUTCH

FOLLOWER OF FRANÇOIS HUBERT DROUAIS (1727-1775), FRENCH

FOLLOWER OF SIR THOMAS LAWRENCE (1769-1830), BRITISH

THE LUTE PLAYER

PORTRAIT OF A WOMAN, SAID TO BE MADAME DE POMPADOUR

YOUNG LADY READING AT A PILLAR

Oil on panel. A 19th Century copy. 14.5 x 11.5 in — 36.8 x 29.2 cm

Oil on canvas; given to the artist and titled to the nameplate

Pencil and red conté crayon on wove paper; bears signature "Sir Thomas Lawrence" in pencil verso

$500—700

20 x 15 in — 50.8 x 38.1 cm

Sheet 11 x 7.75 in — 27.9 x 19.7 cm

Provenance: By descent to the present Private Collection, Toronto from their grandparent's collection

$150—250

$1,000—1,500

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CIRCLE OF SIR HENRY RAEBURN (1756– 1823) , BRITISH

ATTRIBUTED TO SIR MARTIN SHEE (1769 -1850), IRISH

S. SCHWING (ACTIVE 1870), AUSTRIAN/GERMAN

SAID TO BE A PORTRAIT OF THE HONOURABLE CHARLES MARTIN

PORTRAIT OF AN OFFICER OF THE NAGPORE (POSSIBLY THE NAGPORE BRIGADE OF THE MADRAS LIGHT CAVALRY)

OLD SPINNER NAPPING IN A KITCHEN WITH HER CAT, 1870

Oil on canvas; titled to the nameplate and previously given to Thomas Gainsborough to the nameplate 35 x 27.25 in — 88.9 x 69.2 cm

Oil on canvas; given to the artist to the nameplate 29 x 24 in — 73.7 x 61 cm

Provenance: Haynes Art Gallery, Toronto label verso; Collection of Dr. and Mrs. J. Robert Nicholson, London, ON

Literature: “The Naval and Military Magazine”, June 1827

$1,000—1,500

Note: See website for full catalogue details. $800—1,200

Oil on canvas; signed "S. Schwing" and dated 1870 at Munchen lower le! 36 x 29.5 in — 91.4 x 74.9 cm Provenance: "Bregman" inscribed to label verso; Private Collection, Markham, Ontario $700—1,000


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CIRCLE OF CORNELIUS JOHNSON (CORNELIUS JANSSEN VAN CEULEN) (1593–1661), DUTCH/BRITISH

FOLLOWER OF NICOLAS DE LARGILLIÈRE (1656–1746), FRENCH

FOLLOWER OF FRANÇOIS DE TROY (1645 -1730), FRENCH

NOBLEMAN IN ARMOUR WITH LACE CRAVAT; NOBLEWOMAN WITH UPSWEPT HAIR WITH PEARLS WEARING A GOLD EMBROIDERED RED VELVET DRESS AND ERMINE TRIMMED CLOAK

SAID TO BE MADAME DE SERY

PORTRAIT OF A YOUNG WOMAN WITH LONG DARK CURLS IN A 17TH CENTURY GREEN DRESS WITH WHITE RUFFLED AND PLEATED BODICE

Oil on copper, sculpted oval. Given to "C. Janssens (1590-1665)" to the liner 9.5 x 7.75 in — 24.1 x 19.7 cm

Pair of oils on canvas; one with label inscribed “Jules Gaillard”?, possibly the artist verso

Provenance: Ex. Coll. Gloria Eisen, Toronto; By descent to her daughter, Guelph, Ontario

Each 16.75 x 12.5 in — 42.5 x 31.8 cm

$600—800

$1,500—2,000

Provenance: Collection of Dr. and Mrs. J. Robert Nicholson, London, ON

Oil on canvas; previously given to François de Troy and titled. "Madame de Sery" to the old labels verso, with the name of the artist scratched out 29 x 23.5 in — 73.7 x 59.7 cm Provenance: Private Collection, Waterloo, Ontario $1,000—1,500

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CIRCLE OF GODFREY KNELLER (1646 -1723), BRITISH

FOLLOWER OF THOMAS LAWRENCE (1769 -1830), BRITISH

PIERRE BERGAIGNE (1652-1708), FRENCH

PORTRAIT OF A LADY, HEAD AND SHOULDERS IN GREEN, JEWEL TRIMMED CAPE OVER WHITE CHEMISE

PORTRAIT OF A LADY LOOKING RIGHT

Oil on canvas laid down to masonite, sculpted oval 30 x 24 in — 76.2 x 61 cm Provenance: The Fine Art Galleries, The T. Eaton Co. Ltd., Canada partial label over the backing paper inscribed “Kneller” by them verso; Estate Collection Innisfil, Ontario $700—800

Black chalk heightened with sanguine and white chalk on laid buff coloured paper; bears initials “T.L.” in black chalk lower le" Sheet 10 x 8 in — 25.4 x 20.3 cm Provenance: Estate Collection, Montreal Note: Maria Siddons (1779-1798) $300—500

NARCISSUS GAZING INTO A POOL

Oil on canvas; signed “P. Bergaigne P (Pinxit)” lower right 21.25 x 24.75 in — 54 x 62.9 cm $1,500—2,500


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CIRCLE OF MICHELANGELO PALLONI (1637-1712), ITALIAN

THOMAS ROWLANDSON (1757–1827), BRITISH

PHILIBERT LOUIS DEBUCOURT (1765-1832), FRENCH

PASTORAL WITH CUPID AND PSYCHE AND ATTENDANT CHERUBS BRINGING THE BOUNTY OF FALL (STUDY FOR A FRESCO?)

THE BEAUTY OF BATH (A FAIR YOUNG LADY APPEARS AT THE CENTRE OF A GROUP OF MALE ADMIRERS)

CARICATURE OF FASHION, 1801

Watercolour en grisaille and in colour with pen and ink on paper, sculpted oval, laid down to panel Oval 7 x 9. in — 17.8 x 22.9 cm $600—900

Pen and ink and watercolour washes in colour and en grisaille on paper laid down Sight 6.5 x 9 in — 16.5 x 22.9 cm to a card support with monogram initial stamp: "FR in an H"; to the card support $700—900 verso, the bo!om margin of the card support inscribed: "Rowlan - 4" in pencil, the card verso inscribed indistinctly in pencil "Rowlandson del", variously titled to two old unknown auction labels verso and inscribed in pen and ink, in quotes “Pass a grille” to another label verso Sheet 5.7 x 9.2 in — 14.5 x 23.3 cm Provenance: Halsey Sale, January 8, 1918, lot 309 label verso; Private Collection, Toronto $700—900

68 FOLLOWER IN THE MANNER OF LOUIS CARROGIS CARMONTELLE (1717-1806), FRENCH A LOUIS XV MUSICAL PARTY WITH FRENCH OFFICER

Watercolour and pencil on paper. Nineteenth Century. Sheet 18 x 13.7 in — 45.7 x 34.8 cm Provenance: Family Collection, Newmarket, ON $300—400

Watercolour and pen on paper; signed and dated "Debucourt 1801" lower right


69

70

71

FOLLOWER OF JEAN-ANTOINE WATTEAU (1684–1721) , FRENCH

SCHOOL OF NICOLAS DE LARGILLIÈRE (1656-1746), FRENCH

MANNER OF FERDINAND VICTOR LÉON ROYBET (1840–1920), FRENCH

A HALT DURING THE CHASE

PRESUMED TO BE THE PORTRAIT OF MARQUIS DE FONTAGES

A LOUIS XV COURTIER

Watercolour on paper laid down to board Sheet 19 x 22 in — 48.3 x 55.9 cm Provenance: The Alice Peck Gallery, Burlington, ON label verso; Family Collection, Newmarket, ON $500—700

Oil on canvas; given to the artist and titled to the nameplate and to the old unknown catalogue entry verso 29 x 23.5 in — 73.7 x 59.7 cm

Oil on canvasboard 16.7 x 10.8 in — 42.3 x 27.5 cm $300—400

Provenance: Ex. Collection Baron Serge de Henning, Poland, to the old typeset label accompanied by a black and white illustration of this work from an unknown catalogue affixed to frame verso $2,000—3,000

72

73

74

CIRCLE OF JEAN-BAPTISTE VAN LOO (1684-1745), FRENCH

ATTRIBUTED TO SIR NATHANIEL DANCE HOLLAND (1735-1811), BRITISH

AFTER A 19TH/20TH CENTURY BRITISH MASTER

A YOUNG MAN IN ARMOUR

TWO GENTLEMAN IN AN ESTATE GARDEN

Oil on board backed with canvas

Oil on canvas

KING EDWARD VII OF GREAT BRITAIN (1841-1910)

9 x 7.25 in — 22.9 x 18.4 cm

29.5 x 24.25 in — 74.9 x 61.6 cm

Provenance: Saml. Coombs, 331 Strand, W.C., label to the frame;

Provenance: EC7S7 stencil number to the stretcher; “Freeman, 3602” inscribed label verso; Ex. Coll. Gary Bell, B.C.; With Maynards, March 15, 2011, Lot 78; Private Collection, Lake Country, B.C.

$300—500

$1,000—1,500

Oil on canvas; "Wyvern House" red wax seal and stamp to canvas verso 29.75 x 23.75 in — 75.6 x 60.3 cm Provenance: Wyvern House red wax seal and stamp verso $300—400


75

76

77

ALEX DE ANDRIES (1880-1929), BELGIAN/BRITISH

FERDINAND VICTOR LEON ROYBET (1840 -1920), FRENCH

JWAN PETOWITSCH ORLOFF (1815-1861), RUSSIAN

THE ROYALIST

A NOBLE CAVALIER IN BROCADE CAPE

KOSSACKS AUX RUSSLAND

Oil on canvas; signed lower right, titled in pencil to the stretcher

Oil on panel; signed upper right

Oil on panel; signed “J. Orloff” lower right, titled in Russian and numbered "No. 4821/Art. No. 5/ Fr. No. 96" in pen and ink to an unidentified label verso

32 x 27.5 in — 81.3 x 69.9 cm Provenance: Frederick Thom Gallery, Toronto gallery label verso; Private Collection, Richmond Hill, Ontario since the 1960’s

36 x 28 in — 91.4 x 71.1 cm $3,000—5,000

6.25 x 12.5 in — 15.9 x 31.8 cm Provenance: Frederick Thom Gallery, Toronto gallery label verso; Private Collection, Richmond Hill, Ontario since the 1960's

$800—1,200

$700—900

78

79

PETR IVANOVICH LVOV (1882–1944), RUSSIAN

HERMAN FREDERIK CAREL TEN KATE (1822-1891), DUTCH

KUNDERSTEG (SWITZERLAND)

THE KING'S MESSENGERS

Oil on canvas; signed lower right, titled to the stretcher

Watercolour on paper; signed "Hermann Ten Kate" lower right, titled to the matboard

19.5 x 31 in — 49.5 x 78.7 cm Provenance: Estate Collection Innisfil, Ontario $2,000—3,000

Sight 6.25 x 9.5 in — 15.9 x 24.1 cm Provenance: Alex Fraser Galleries, Vancouver gallery label verso backing; Private Collection, Burlington, Ontario $300—500


80

81

82

ATTRIBUTED TO ADRIAEN BROUWER (CIRCA 1605-1638), FLEMISH

HARRY MORLEY (1881-1943), BRITISH

FREDERIC (FREDERICK) HOLDING (1817 -1874), BRITISH

PEASANTS DRINKING TOASTING THE CARDPLAYER, 1637

Oil on canvas; reportedly signed with cypher monogramn “AB-1637 on the tablecloth," titled “Peasants Drinking” to an old unidentified catalogue label verso 13 x 15.75 in — 33 x 40 cm Provenance: Ex. Coll. the Late Chas. Calvert according to the catalogue description to the old label verso and inscribed to the canvas verso; Coll. D.S.M. Field inscribed to canvas verso; By Descent

LABOURERS, NO. 1 (RAISING THE POLE)

DAMSEL AND KNIGHT HELD CAPTIVE IN A CAVE WITH DRUNKEN CAVALIERS, 1848

Watercolour and pen and ink on grey paper; signed lower right, titled and numbered in pencil verso, inscribed "Raising the Pole" in pencil to the matboard verso

Watercolour, graphite and pen and ink on textured paper; signed "Frederic Holding" and dated 1848 lower right

Sheet 11 x 15 in — 27.9 x 38.1 cm

Sheet/Image 10 x 13.5 in — 25.4 x 34.3 cm

Provenance: Christie's, UK, Lot 115 (One of 12 works, n. d.; With Hari Gurung Picture Framing, Tunbridge Wells, UK; Private Collection, Toronto, formerly of the UK

Provenance: Family Collection, Newmarket, ON Note: See website for full catalogue details. $300—400

$300—500

$1,500—2,500

83

84

85

JOHN SANDERSON-WELLS (1872–1955), BRITISH

H. ALBENYAS (19TH/20TH CENTURY), SPANISH?

CIRCLE OF JEAN-BAPTISTE-SIMEON CHARDIN (1699-1779), FRENCH

CAVALIERS FLIRTING WITH THE COOK IN A CELLAR TAVERN

LA PARTIE D’ECHECS (CHESS PLAYERS)

WOMAN AND CHILD TENDING CHICKENS

Oil on panel; signed lower le!

Oil on canvas; signed indistinctly lower right, titled to the nameplate

Oil on cradled panel; inscribed "Chardin" to the frame verso

9 x 12 in — 22.9 x 36.2 cm

23.5 x 29 in — 59.7 x 73.7 cm

16 x 11 in — 40.6 x 27.9 cm

Provenance: J.A. Cooling & Sons, London gallery label verso; From whom “Purchased March - 1934” inscribed in ink on top of this label

$600—800

Provenance: Waddington's, Toronto, November 17, 2003, lot 229; From whom purchased by the present Private Collection, Toronto

$500—700

$2,000—3,000


86

87

88

AFTER REMBRANDT VAN RIJN (1606–1669), DUTCH

WILLIAM HENRY HUNT (1790-1864), BRITISH

MARIANNE STOKES (1855-1927), AUSTRIAN/BRITISH

SELF PORTRAIT, CIRCA 1660 (A 19TH CENTURY COPY OF ONE OF OVER 40 SELF-PORTRAITS BY THE MASTER)

PORTRAIT OF A LADY, UNKNOWN; PORTRAIT (WOMAN WITH LONG RED HAIR)

TWO EDWARDIAN RED-HAIRED BEAUTIES: A PROFILE LOOKING LEFT WITH ROSES; A PROFILE LOOKING RIGHT WITH ROSES

Colour chalk on browned paper; indistinctly signed by the copyist "F. Watson?" in pencil lower le!. Contained in an antique Baroque frame with gold leaf.

Pair of watercolours on paper; each signed "W. Hunt" lower le!, each inscribed to gallery labels and to the backings verso

Pair of watercolours, each sculpted tondos; the first signed "M. Stokes" lower right, the second signed with initials "M.S." lower le!

Sheet 11.9 x 9.4 in — 30.3 x 23.8 cm $500—$700

Sight 7.5 x 5.5 in — 19.1 x 14 cm; 7.25 x 6 in — 18.4 x 15.2 cm Provenance: Canadian Art Galleries, Calgary, Alberta Exhibited: Exhibited by Western Canada Art Circuit, with J.F. Baron (Union Tractor Co., Calgary) collection, September 1954 - April 1955, Cat.. Nos. 36 and 91 respectively to gallery labels verso

Diameter, sight each approximately 19 x 19 in — 48.3 x 48.3 cm; 15.5 in — 39.4 cm Provenance: Private Collection, Providence, RI $1,200—1,800

$1,000—1,500

89 AMERICAN FOLK ART SCHOOL PAIR OF AMERICAN COLONIAL STYLE PORTRAITS...

Pair of oils on canvas; unsigned. 34 x 27.75 in — 86.4 x 70.5 cm Provenance: With The Rowley Gallery Ltd., Frame Makers, London, UK gallery label verso to one; The Fine Art Galleries, The T. Eaton Co. Limited labels verso as “Portrait (Woman unsigned)” and “Portrait (Man) unsigned)”, Inventory numbers 29297 and 2928 respectively; From whom purchased by the parents of the present Private Collection circa 1960s; By descent to the Private Collection, Oakville, Ontario over 30 years ago $1,200—1,800


90

91

92

AFTER GEORGE MORLAND (1763-1804), BRITISH

ATTRIBUTED TO CORNELIS DE KRUYFF (1771-1854), DUTCH

AFTER SIR AUGUSTUS WALL CALCOTT (1779-1844), BRITISH

SELLING CHERRIES

MOEDER EN KIND IN EXTERIEUR (MOTHER AND CHILD WITH HOOLA HOOP IN A COURTYARD)

RETURNING FROM MARKET

Oil on canvas; bears signature and date "Geo. Morland 1797" lower le! 20.25 x 26 in — 51.4 x 66 cm Provenance: Estate of Adolph Rolin, Toronto Note: A mezzotint print was published a!er the original painting by George Morland. $300—500

Oil on panel; signed A.C. de Kruyff” lower le!, given to “A.C. de Kruyf (sic)” and titled to the gallery label verso, No. 594 9 x 8 in — 22.9 x 20.3 cm Provenance: Roelofs Kunsthandels Art Gallery, Amsterdam, a red wax seal with impressed initials “CR” on top of the gallery label verso; Estate of Adolph Rolin, Toronto $800—1,200

93

94

LEON GERMAIN PELOUSE (1838-1891), FRENCH

JOHANNES HUBERTUS LEONARDUS DE HAAS (1832-1908), DUTCH

“HORS CONCOURS” (EARLY MORNING FARMYARD SCENE)

SHEEP GRAZING OUTSIDE TOWN WITH SMOKE STACKS FROM VILLAGE HOUSES

Oil on canvas; signed lower le!, titled “Hors Concours” to the nameplate

Oil on canvas; bears signature lower right. Contained in a Canadian frame signed with monogram initials "GT" (overlapping), "Geo. Thomson," the frame maker? verso

21.5 x 30.25 in — 54.6 x 76.8 cm Provenance: The Estate of Anne Laurier, Mulmur, Ontario $1,000—1,500

30 x 36 in — 76.2 x 91.4 cm Provenance: Estate Collection Innisfil, Ontario $800—1,200

Oil on canvas, laid down on masonite. Copy A!er the original painted in 1834. 28 x 36 in — 71.1 x 91.4 cm $200—400


95

96

97

FOLLOWER OF JAMES ABBOTT MCNEILL WHISTLER (1834-1903), AMERICAN

DAVID COX THE ELDER (1783-1859), BRITISH

ATTRIBUTED TO JOHN FREDERICK TENNANT (1796-1872), BRITISH

LANDSCAPE, 1893

WINDY DAY, 1854

Watercolour on paper; bears monogram lower right, inscribed "James McNeil (sic) Whistler/ Bri!any (?), 1893" in pencil, in another hand verso

Watercolour on paper laid down on card; signed and dated 1854 lower right. The backing paper inscribed: "Certified by British Museum & Colin Graham of Victoria Art Museum" in pen and ink verso

FIGURES FISHING OUTSIDE A STONE COTTAGE IN A RIVER LANDSCAPE

Sheet 5.1 x 9.9 in — 13 x 25.1 cm Provenance: Said to have been "From the artist's Estate 1925", inscribed in pencil in an unknown hand to the backboard verso; Private Collection, Montreal; His Estate, Montreal $300—500

98 FOLLOWER OF JOSEPH MALLORD WILLIAM TURNER (1775-1851), BRITISH WINDSOR CASTLE

Oil on card laid down to card; previously given to J.M. W. Turner to the frame 7 x 9 in — 17.8 x 22.9 cm Provenance: Estate Collection Innisfil, Ontario $400—600

Sheet 7.5 x 9.5 in — 19.1 x 24.1 cm Provenance: Alex Fraser Galleries, Vancouver gallery label verso backing; Private Collection, Burlington, Ontario $700—900

Oil on canvas; given to John Tennant to the nameplate and to an old label a!ached to the verso 12 x 14 in — 30.5 x 35.6 cm Provenance: Estate Collection Innisfil, Ontario $300—500


99

100

101

ATTRIBUTED TO GAINSBOROUGH DUPONT (CIRCA 1754-1797), BRITISH

JOHN CRAWFORD WINTOUR (1825-1882), SCOTTISH

THOMAS WORTHINGTON WHITTREDGE (1820 – 1910) , AMERICAN

"SMALL SKETCH STUDY"

NEAR QUEEN’S FERRY

Watercolour wash and black ink brush on blue paper; unsigned, the verso with measurements, simple line drawn diagram and dimensions headed: "the breadth of Curtain" in pen and ink verso; given to “Gainsborough” and titled “Small Sketch Study” in pen and ink to gallery label verso

Oil on canvas; signed with monogram “JCW” lower right, signed and dated 1882 verso, titled to exhibition label verso

HUDSON RIVER LANDSCAPE WITH BOATMAN AND COWS IN PASTURE

Sheet 5 x 5.75 in — 12.7 x 14.6 cm Provenance: See website for full catalogue details. Note: See website for full catalogue details.

24 x 29 in — 61 x 73.7 cm Provenance: See website for full catalogue details. Exhibited: See website for full catalogue details.

Oil on canvas; signed lower le" 9 x 14 in — 22.9 x 35.6 cm Note: An American artist of the Hudson River School. $1,500—2,500

$1,500—2,000

$300—500

102

103

104

MANNER OF JACOB VAN RUISDAEL (CIRCA 1628-1682) AND NICOLAES PETERSZ BERCHEM (1620–1683), DUTCH

ATTRIBUTED TO JAN VAN GOYEN (1596 -1656), DUTCH

ARNOLD MARC GORTER (1866-1933), DUTCH

“RIVERSCENE NEAR DORDRECHT”

QUIET POND WITH DUCKS NESTING

Oil on canvas; bears initials “IvG” lower le", given to Jan Van Goyen and titled to an old typed label to the stretcher. Unframed.

Oil on canvas; signed lower le"

"LANDSCAPE WITH CASTLE, MEN AND HORSES" (ITALIAN LANDSCAPE FORMERLY ATTRIBUTED TO NICHOLAS POUSSIN, LATER GIVEN TO RUYSDAEL OR BERCHEM)

Oil on canvas; unsigned, inscribed "Claude" (Lorrain) in black ink to the verso. Accompanied by declarations and le!ers a!ributing the landscape to Jacob van Ruisdael (Circa 1628-1682) and the figures and ca!le to Nicolaes Petersz Berchem (1620–1683), both last quarter of the 17th Century. 25 x 30 in — 63.5 x 76.2 cm Provenance: See website for full catalogue details. $2,000—3,000

40.5 x 53.5 in — 102.9 x 135.9 cm Provenance: See website for full catalogue details. Note: See website for full catalogue details. $2,000—3,000

14.75 x 20 in — 37.5 x 50.8 cm Provenance: Private Collection, Toronto $300—500


105

106

107

FOLLOWER OF GEORGE MORLAND (1763 -1804), BRITISH

FOLLOWER OF SIR DAVID WILKIE (1785 -1841), SCOTTISH

MANNER OF JEAN BAPTISTE GREUZE (1725–1805) , FRENCH

INTERIOR OF A STABLE

THE STROLLING MUSICIAN

Oil on canvas; given to the artist and titled "Interior of a Stable" to gallery label verso

Oil on panel; signed lower right, titled to the nameplate

THE BLIND HURDY-GURDY PLAYER AND THE YOUNG SINGER

Oil on canvas

25.5 x 30 in — 64.8 x 76.2 cm

16 x 12.75 in — 40.6 x 32.4 cm

15.25 x 13 in — 38.7 x 33 cm

Provenance: Garfield Galleries, Toronto gallery label verso as "George Morland"; By descent from the parents of the present Private Collection, Toronto

Provenance: Collection of Dr. and Mrs. J. Robert Nicholson, London, ON

Provenance: Private Collection, Markham, Ontario

$400—600

$600—800

$1,000—1,500

108

109

110

BERNARD DE HOOG (1867-1943), DUTCH

AFTER GERRIT DOU (1613-1675), DUTCH

ATTRIBUTED TO JEAN CAROLUS (1814-1897), BELGIAN

TENDING TO THE NEWBORN IN AN OLD SUNLIT KITCHEN

Oil on canvas; signed lower right 16 x 13 in — 40.6 x 33 cm Provenance: William Haines, Toronto label to the backing; Private Collection, Toronto $500—700

FIDDLER IN A WINDOW

Oil on panel. A 19th Century copy. 14 x 10 in — 35.6 x 25.4 cm Provenance: Private Collection, St. Louis, MO $600—900

JEALOUSY (THE PARROT)

Oil on panel 16.5 x 20.25 in — 41.9 x 51.4 cm Provenance: Unknown sale, "Every Picture Guaranteed" Cat. No. 103 as "J. Carolus", entitled "Jealousy" to label verso; Garfield Galleries, Toronto as "Jean Carolus" label verso; By descent to the present Private Collection, Toronto from their parents $2,000—3,000


111

112

113

JOHN HAYNES WILLIAMS (1836-1908), BRITISH

VICTORIAN FOLLOWER IN THE MANNER OF JAMES WARD (1769–1859), BRITISH

AFTER CASPAR NETSCHER (1639-1684), DUTCH

THE YOUNG MASTER

A SPANIEL IN THE BUSHES

WOMAN FEEDING A PARROT

Oil on panel; signed "Haynes Williams" lower right

Oil on grey board painted as a tondo

Oil on white metal

diameter 7.5 in — 19.1 cm; 9.25 x 9 in — 23.5 x 22.9 cm

10 x 8.5 in — 25.4 x 21.6 cm

Arched gilt liner 15 x 9.75 in — 38.1 x 24.8 cm $500—700

$200—300

Provenance: Private Collection, Hillsbourgh, On gi!ed by his mother, originally of Holland and Tel Aviv; Thence to Canada, circa 1979 $300—400

114

115

116

BENNET HUBBARD (1806-1870), BRITISH

ATTRIBUTED TO ISAAC OUWATER (1748 -1793), DUTCH

MANNER OF ANTOINE COYPEL (1661–1722), FRENCH

COASTAL VILLAGE SCENE WITH BOATMEN AND WINDMILL IN DISTANCE, 1793?

TOBIAS HEALING HIS FATHER'S BLINDNESS

THE MASTER OF HIS GAME, (TERRIER IN A BARNYARD), MARCH, 1848

Oil on canvas; signed "B. Hubbard" and dated "March 1848" verso 8 x 10 in — 20.3 x 25.4 cm $200—300

Oil on panel; signed and dated 1793 (2nd last digit unclear) lower right, given to the artist to the nameplate 10.5 x 13.5 in — 26.7 x 34.3 cm $400—600

Oil on canvas 9.5 x 13.5 in — 24.1 x 34.3 cm Provenance: Collection of Dr. and Mrs. J. Robert Nicholson, London, ON $500—700


117

118

119

JOHANNES JACOBUS PALING (1844-1892), DUTCH

WILLIAM HENRY MANDER (1850-1922), BRITISH

ITALIAN SCHOOL- LOMBARDY (18TH CENTURY)

THE HAPPY FAMILY

... NORTH WALES (RIVER VIEW WITH WOMAN FISHING AT A RAPIDS), CIRCA 1882 OR 1907

DAMSEL FLEEING A MAN IN A LANDSCAPE

Oil on canvas; signed lower le!, titled to gallery labels verso 21 x 28 in — 53.3 x 71.1 cm Provenance: Watson Art Galleries, Montreal gallery labels verso; Private Collection, Toronto $1,500—2,500

Oil on canvas; signed lower le!, signed and titled to artist's handwri"en partial label to the stretcher 20.75 x 30.5 in — 52.7 x 77.5 cm Provenance: The artist's studio at 370? Mosley Rd., Brimingham label verso; The Cooling Galleries, London & Toronto label verso; By descent to the present Private Collection, Markham, Ontario in the 1990's

Oil on canvas laid down to a sheet of plexiglass; a detail from a larger canvas 4.9 x 3.4 in — 12.5 x 8.7 cm Provenance: Ex. Coll. Achille Passi, found in in Milan; in 1962 inscribed to the frame verso $100—200

$1,000—1,500

120

121

122

HUDSON RIVER SCHOOL, AMERICAN

EARLY 19TH CENTURY AMERICAN SCHOOL

FOLLOWER OF ANGELIKA KAUFFMANN (1741 - 1807), SWISS

LADY IN REGENCY DRESS, SEATED ON A COLONNADED TERRACE AT SUNSET

THE SHEPHERDS

IMAGINARY LANDSCAPE WITH RUINS, ELEGANTS AND NATIVE AMERICANS PLAYING MUSICAL INSTRUMENTS

Oil on canvas laid down to board

Oil on canvas

Oil on canvas; given to "Angelica Kauffman" to the old nameplate.

33 x 47.5 in — 83.8 x 120.7 cm

28 x 23 in — 71.1 x 58.4 cm

29 x 24.5 in — 73.7 x 62.2 cm

Provenance: Estate Collection, Montreal

$400—600

$1,000—1,500

$1,200—1,800


123

124

125

MANNER OF GEORGE ROMNEY (1734–1802), BRITISH

LEYNARD? (EARLY 19TH CENTURY), AUSTRIAN

PAUL FALCONER POOLE (1807-1879), BRITISH

COUNTRY GIRL IN A BLUE DRESS AND CURLS AT A GARDEN FENCE

RUIN EHRENFELS IN MEMORY OF STYRIA, ON THE MÜRZ, 1839

AT THE SPRING, 1838

Oil on canvas

Provenance: Private Collection, Westmount, Quebec

Watercolour on thick paper; signed indistinctly Leynard and dated 1839 lower right, titled "Ruine Ehrenfels zur Erinnerung an Steiermark Mine Liflenrk in Murzshal" in pencil to the backboard verso.

$200—300

Sheet 6.6 x 10.25 in — 16.8 x 26 cm

14 x 12 in — 35.6 x 30.5 cm

$600—800

126

127

SIR JOHN ARNESBY BROWN (1866-1955), BRITISH

ATTRIBUTED TO CHARLES WALLER SHAYER (1826-1914), BRITISH

SAILBOATS GOING TO SEA

A GYPSY ENCAMPMENT

Oil on canvas laid down to masonite; signed "Arnesby Brown" lower right

Oil on canvas; signed "C. Shayer" and dated indistinctly lower right (uv inspection shows a strengthened reinscribed date of 1839, too early for this artist), given to Charles Shayer and titled "A Gypsy Encampment" to an old typed label verso

19 x 23 in — 48.3 x 58.4 cm Provenance: William Haines, Toronto label to the backing; Private Collection, Toronto $2,000—3,000

22 x 29.5 in — 55.9 x 74.9 cm $1,000—1,500

Oil on canvas; signed and dated 38 lower le! 24 x 18.5 in — 61 x 47 cm Provenance: Collection of Dr. and Mrs. J. Robert Nicholson, London, ON $300—500


128

129

130

ATTRIBUTED TO FERDINAND BOL (1616–1680), DUTCH

CIRCLE OF THEOBALD MICHAU (1676-1765), FLEMISH

ALEX DE ANDREIS (1871-1939), BELGIAN/BRITISH

AN OLD BEARDED MAN, HALF LENGTH, IN PROFILE, FACING RIGHT, HIS EYES FIXATED DOWNWARDS TO THE LEFT, WEARING A BLACK, HIGH-NECKED JACKET ACCENTUATED WITH A LACETRIMMED COLLAR...

CAVALIERS TENDING A BEACHED FISHING BOAT, COUNTRY FOLK AND MILITARY FIGURES IN A BUSY VILLAGE HARBOUR WITH A TAVERN AND DISTANT TOWN

CAVALIER IN RED FACING RIGHT LOOKING UPWARD

Oil on canvas; possibly signed and possibly dated 1667 lower right, given to "Ferdinand Bol 1611-1681 (sic)" and titled "Portrait of an Old Man" to an old typed label to the stretcher. Unframed.

Oil on canvas; signed lower right

Oil on panel; inscribed “Theobald Michau” twice in pencil verso

26 x 21.5 in — 66 x 54.6 cm

9 x 11.75 in — 22.9 x 29.8 cm

Provenance: Estate Collection Innisfil, Ontario

$800—1,200

$500—700

24 x 20 in — 61 x 50.8 cm Provenance: See website for full catalogue details. Note: See website for full catalogue details. $3,000—5,000

131

132

133

EDGAR BUNDY (1862-1922), BRITISH

ALEX DE ANDREIS (1871-1939), BELGIAN/BRITISH

FOLLOWER OF GEORGE MORLAND (1763 -1804), BRITISH

CAVALIER IN AN INTERIOR

Oil on canvas; signed lower le!

CAVALIER POISED LOOKING LEFT IN AN INTERIOR WITH LEADED WINDOWS

18 x 14 in — 45.7 x 35.6 cm

Oil on canvas; signed lower right

$500—700

32.5 x 25.5 in — 82.6 x 64.8 cm Provenance: Wunderly Galleries, Pi"sburgh, PA gallery label to the stretcher; Private Collection, Tiny, Ontario $600—900

REFRESHMENT OUTSIDE THE INN

Oil on canvas 18 x 22 in — 45.7 x 55.9 cm Provenance: By descent from the parents of the present Private Collection, Toronto $1,000—1,500


134

135

136

ATTRIBUTED TO FRANCOIS XAVIER HENRI VERBEECK (1686-1755), FLEMISH

EDWARDO SCOGNAMIGLIO (19TH/20TH CENTURY), ITALIAN

SCHOOL OF ANGELICA KAUFFMAN (1741–1807), SWISS

AN ELEGANT MUSICAL CELEBRATION IN A BAROQUE HALL WITH SPECTATORS

COMBAT

PORTRAIT OF A RENAISSANCE GIRL

Oil on canvas; signed “Scognamiglio” lower right, titled to the nameplate

Oil on canvas. Unframed.

Oil on panel. Apparently unsigned. Previously given to "Pieter Cornelius Verbeeck" to the nameplate. 9 x 12 in — 22.9 x 30.5 cm

20.25 x 27 in — 51.4 x 68.6 cm $600—800

17 x 13.75 in — 43.2 x 34.9 cm $300—500

Provenance: Private Collection, Carleton Place, ON $1,000—1,500

137

138

139

ATTRIBUTED TO EGISTO FERRONI (1835 -1912), ITALIAN

18TH/19TH CENTURY DUTCH SCHOOL

JACQUES STEPHAN WITJENS (1881-1956), DUTCH

A DARK HAIRED BEAUTY WEARING A BLUE SHAWL

Colour pastel on paperboard; signed indistinctly lower le! Sheet 13.3 x 9.4 in — 33.7 x 24 cm $400—600

PASTORAL WITH PEASANTS COUPLE STOPPING TO REMOVE A SLIVER IN HIS FOOT

PAISAGE CON PESCADOR

Oil on canvas, relined. Unframed.

Oil on canvas; signed lower le!, titled to the nameplate

47 x 30 in — 119.4 x 76.2 cm

15 x 24 in — 38.1 x 61 cm

Provenance: Private Collection, Toronto

Provenance: Purchased in an art gallery in Buenos Aires, Argentina; Private Collection, Toronto

$400—600

$500—700


140

141

142

MANNER OF EDWIN HAYES (1820–1904), BRITISH

SIR HUBERT VON HERKOMER (1849-1914), BRITISH

RAFFAELE FRIGERIO (1875-1948), ITALIAN

YACHT NEARING A COAST

YOUNG STREET MUSICIAN PLAYING THE VIOLIN

Oil on canvas 12 x 22 in — 30.5 x 55.9 cm

Oil on panel; signed with initials and dated 1876 lower le!

$200—300

14.5 x 10.5 in — 36.8 x 26.7 cm

LIGHTING GRANDPA’S PIPE

Oil on canvas; signed upper mid right 19.5 x 27 in — 49.5 x 68.6 cm

Provenance: Parisienne Gallery, Toronto label verso

Provenance: Great grandfather’s collection, O"awa acquired circa 1935-1940; By descent

$600—900

$600—900

143

144

145

EDUARDO ZAMACOIS Y ZABALA (1841-1871), SPANISH

LUDWIG GLOSS (1851 - 1903), AUSTRIAN

GOTTHARDT JOHANN KUEHL (1850-1915), GERMAN

MAN IN SPANISH COSTUME SEATED BY A WINDOW

Oil on panel; signed lower le! 8.5 x 6.5 in — 21.6 x 16.5 cm Provenance: By descent from the parents of the present Private Collection, Toronto $1,500—2,500

THE STUDENT

Oil on panel; signed lower right, titled to gallery label verso 11 x 13 in — 27.9 x 33 cm Provenance: Luscombe Carroll (The Carroll Galleries), Toronto, London and New York label verso; Private Collection, St. Louis, MO $600—900

THE ANTIQUE DEALER, 1876

Oil on panel; signed and dated 76 at “Munchen” lower right 11.25 x 8.25 in — 28.6 x 21 cm $800—1,200


Notes:


Notes:


Index A

D

H

Albenyas, H. (84)

Dalens, Follower of Younger Dirk (46)

Haas, Johannes Hubertus Leonardus de (94)

American, Early 19th Century School (121)

Debucourt, Philibert Louis (67)

Hayes, Manner of Edwin (140)

American Folk Art, 20th Century School (89)

Dekker, Attributed to Cornelis Gerritsz (45)

Herkomer, Sir Hubert von (141)

Andreis, Alex de (75, 130, 132)

Dietrich, Follower of Christian Wilhelm

Holding, Frederic (82)

Ernst (14)

Holland, Attributed to Sir Nathaniel

Dou, After Gerrit (109)

Dance (73)

B

Driesten, Arend Jan Van (51)

Hoog, Bernard de (108)

Berchem, Manner of Nicolaes Petersz (102)

Drouais, Follower of François Hubert (54)

Hubbard, Bennet (114)

Bergaigne, Pierre (64)

Dupont, Attributed to Gainsborough (99)

Hudson River School (120)

Bol, Attributed to Ferdinand (128)

Dutch, 18th/19th Century School (138)

Hunt, William Henry (87)

British, 19th Century School (41)

F

L

British, After a 19th/20th Century Master (74)

Ferroni, Attributed to Egisto (137)

Largillière, Follower of Nicolas de (60)

Brosamer, After Hans (52)

Fragonard, Circle of Jean-Honoré (29)

Largillière, School of Nicolas de (6, 70)

Brouwer, Attributed to Adriaen (80)

Frigerio, Raffaele (142)

Lawrence, Follower of Sir Thomas (55, 63)

Boucher, Follower of François (19, 20, 21) Bourdon, Attributed to Sébastien (27)

Brown, Sir John Arnesby (126)

Lens, Circle of Andries Cornelis (8)

Bundy, Edgar (131)

Leynard, ? (124) G

Ligozzi, Follower of Jacopo (16)

Gainsborough, After Thomas (5)

Lombardy, Italian School- (119)

C

Gainsborough, Follower of Thomas (48)

Loo, Circle of Jean-Baptiste van (72)

Calcott, After Sir Augustus Wall (92)

German, After a 16th Century Master (25)

Loutherbourg, After Philip James de (18, 32)

Carmontelle, Follower in the manner of

Gianni, Maria (39)

Lvov, Petr Ivanovich (78)

Louis Carrogis (68)

Giovanni di Bartolo, Follower of Matteo di

Carolus, Attributed to Jean (110)

(Matteo da Sienna) (12)

Chalon, After Alfred Edward (9)

Gloss, Ludwig (144)

J/K

Champaigne, Follower of Philippe de (17)

Gorter, Arnold Marc (104)

Johnson, Circle of Cornelius (59)

Chardin, Circle of Jean-Baptiste-Simeon (85)

Goyen, Attributed to Jan van (103)

Kate, Herman Frederik Carel ten (79)

Cittadini, Circle of Pier Francesco (1)

Greuze, Manner of Jean Baptiste (107)

Kauffmann, Follower of Angelika (122)

Collins, William (40)

Guardi, Circle of Francesco (24)

Kauffmann, School of Angelika (136)

Coypel, Manner of Antoine (116)

Guardi, Follower of Francesco (43)

Kneller, Circle of Godfrey (62)

Cox, the Elder David (96)

Guardi, Circle of Giacomo (42)

Kruyff, Attributed to Cornelis de (91)

Crome, John Berney (44)

Guercino (28)

Kuehl, Gotthardt Johann (145)


M

R

W

Mander, William Henry (118)

Raeburn, Circle of Sir Henry (56)

Ward, Victorian Follower in the manner

Michau, Circle of Theobald (129)

Raimondi, Attributed to Marcantonio (22)

of James (112)

Mieres, Elder After Frans van (53)

Reni, After Guido (3)

Watteau, Follower of Jean-Antoine (69)

Morland, After George (90)

Reynolds, Follower of Sir Joshua (4)

Whistler, Follower of James Abbott

Morland, Follower of George (105, 133)

Rijn, After Rembrandt van (86)

McNeill (95)

Morley, Harry (81)

Romney, Manner of George (123)

Whittredge, Thomas Worthington (101)

Murillo, After Bartolomé Esteban (13)

Rowlandson, Thomas (66)

Wilkie, Follower of Sir David (106)

Murillo, Follower of Bartolomé Esteban (30)

Roybet, Ferdinand Victor Léon (76)

Williams, John Haynes (111)

Mytens, Follower of Elder Daniel (2)

Roybet, Manner of Ferdinand Victor Léon (71)

Wintour, John Crawford (100)

Rubens, Circle of Peter Paul (26)

Witjens, Jacques Stephan (139)

Rubens, Follower of Peter Paul (11, 23, 35)

Witte, Attributed to Emanuel de (31)

Ruisdael, Manner of Jacob van (102)

Wood, Circle of John (47)

S

Z

Sanderson-Wells, John (83)

Zabala, Eduardo Zamacois y (143)

Sarto, After Andrea Del (10)

Zendejas, Miguel Jeronimo (15)

N Naive, 19th Century School (34) Netscher, After Caspar (113) Neopolitan School (38)

O

Schwing, S. (58)

Orloff, Jwan Petowitsch (77)

Scognamiglio, Edwardo (135)

Orientalist , 19th Century School (33)

Seignac, Paul (50)

Ouwater, Attributed to Isaac (115)

Shayer, Attributed to Charles Waller (127) Shee, Attributed to Sir Martin (57) Stokes, Marianne (88)

P Paling, Johannes Jacobus (117) Palloni, Circle of Michelangelo (65)

T

Pater, Follower of Jean-Baptiste (7)

Tennant, Attributed to John Frederick (97)

Pelouse, Leon Germain (93)

Tomkins, Attributed to Charles (37)

Polazzo, Manner of Francesco (11)

Troy, follower of François de (61)

Poole, Paul Falconer (125)

Turner, Follower of Joseph Mallord William

Poussin, School of Nicolas (36)

(98)

V Valkenburg, W. (49) Verbeeck, Attributed to Francois Xavier Henri (134)


International Art JUNE 8 - 13, 2019

EDWARD SEAGO THE QUAYSIDE, HONFLEUR (DETAIL) ESTIMATE: $20,000 - 30, 000


Buying at Waddington’s All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or oral announcement. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any oral announcement or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s™ and the consignor (seller) of the lot. Descriptions or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale.

condition of lots

All of the items are to be considered, unless otherwise noted in the description, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should examine the pieces in person or have our staff answer any questions before bidding. Sizes are approximate. It is the sole responsibility of the bidder to inquire as to the condition of a lot before bidding. Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale. Frames on artwork are not included as part of purchase or condition.

buyers premium

A premium of 20% of the successful bid price of each lot. A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer’s premium, except for purchases exported from Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province.

payment

Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), VISA or Mastercard (up to $25,000). ALL PRICES IN CANADIAN FUNDS

Selling at Waddington’s bidding

The Auctioneer may also execute bids on behalf of the consignor to protect the reserve. The reserve is the confidential minimum price the seller is willing to accept for his or her property, below which it will not be sold.

shipping

waddington’s commission rates Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $251 to $2,500 20%

The Auctioneers will not undertake packing or shipping. The purchaser must designate and arrange for the services of an independent shipper and be responsible for all shipping, insurance expenses and any necessary export permits that may apply. The Auctioneers will, upon request, provide names of professional packers and shippers but will not be held responsible for the service or have any liability for providing this information. Reliable preauction estimates of shipping costs of lots offered in this sale may be obtained from:

Items selling for $250 or less 25%

PakShip

*There is a minimum handling charge of $20 per item

Envoy 416-299-3367 / 416-299-9750 ph@envoy.ca / www.envoypackandship.com

A 1% insurance charge, based on the hammer price of the property, will be applied to all accounts.

905-470-6874 / 905-470-6875 / 416-293-8225 taurus@pakship.ca / www.pakship.ca

removal of purchases

Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15). Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients.

cites

Restrictions exist regarding the import and export of species protected under CITES (Convention on International Trade in Endangered Species). This includes but is not limited to items made of or containing bone (whalebone etc.), ivory, tortoise shell, seal skin, rhinoceros horn and any other animal part and is strictly controlled or forbidden by most countries. Please review your country’s laws before bidding on pieces made of or containing these restricted items. It is the sole responsibility of the buyer to inquire about and obtain the proper permits for artwork purchased that may contain restricted materials, if such permit can be obtained. Please contact the department for further assistance. Failure to obtain necessary import/ export permits will not void any sale. All Narwhal Tusks must have a Marine Harvest Number or a Marine and Mammal Transport number to be sold at Waddington’s. For more information please visit: www.cites.org

*There is a minimum handling charge of $20 per item canadian art department commission rates Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $2,500 or less 20%

insurance

auction advice

For auction advice on paintings, drawings, prints, jewellery, and various forms of decorative arts and other collectibles, please feel free to contact us via email or telephone. We are pleased to review emails containing photographs and information on your pieces in order to provide auction estimates for you to consider. For collections with a variety of objects, please contact our Appraisals and Consignments department (consignments@waddingtons. ca). For department-specific inquiries, please contact the specialist and/or department directly. All contact information can be found at www.waddingtons.ca. Our offices are located in Toronto and Vancouver, but our specialists regularly travel to major Canadian cities to meet with prospective consignors. To receive more information on Valuation Days across Canada or to arrange an appointment, please contact our Toronto office (416-504-9100). Please note that property typically arrives at Waddington’s at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items. Consignors will receive a contract to sign, setting forth terms and fees for our services.


Conditions of Sale 1. All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted or announced verbally in the auction room prior to the time of sale. While the auctioneer has endeavoured not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made. An opportunity for inspection of each article is offered prior to the time of sale. No sale will be set aside on account of lack of correspondence of the article with its description or its reproduction, if any, whether colour or black & white. Some lots are of an age and/or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others. Frames on artwork are not included as part of purchase or condition. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid, relying upon their own advisers, and to bid accordingly. 2. Each lot sold is subject to a 20% buyers premium as part of the purchase price. 3. Unless exempted by law, the buyer is required to pay Harmonized Sales Tax on the total purchase price including the buyer’s premium. For international buyers, taxes are not applicable when purchases are shipped out of country. Items shipped out of Ontario, the buyer is required to pay taxes as per the tax status of that province, whether it HST or GST (Goods and Services Tax).

6. Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in attendance at the sale. 7. The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The auctioneer’s decision in all cases shall be final. 8. Immediately after the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-offering the item for sale. 9. The buyer shall pay for all lots within 48 hours from the date of the sale, after which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale, after which storage charges may be incurred.

4. The auctioneer reserves the right to withdraw any lot from sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice.

10. Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away.

5. The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized.

11. Notwithstanding condition no. 1, if the buyer, prior to removal of a lot, makes arrangements satisfactory to the auctioneer for the inspection of such lot by a fully qualified person acceptable to the auctioneer to determine the genuineness or authenticity of the lot, to be carried out promptly following the sale of the lot, and if, but only if, within a period of 14

days following the sale a written opinion of such person is presented to the auctioneer to the effect that the lot is not genuine or authentic, accompanied by a written request by the buyer for rescission of the sale, then the sale of the lot will be rescinded and the sale price refunded to the buyer. 12. Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), and VISA or Mastercard (up to $25,000). 13. In the event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for: (a) any deficiency in price between the resale amount and the amount to have been paid by the original buyer; (b) any reasonable charge by the auctioneer for the storage of such articles until payment and removal by the subsequent buyer; and (c) the amount of commission which the auctioneer would have earned had payment been made in full by the original buyer. 14. It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them. 15. The auctioneer acts solely as agent for the consignor and makes no representation as to any attribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada). 16. The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.


Waddington’s 275 King Street East, Second Floor Toronto, Ontario M5A 1K2

tel: 416-504-9100 toll free: 1-877-504-5700 www.waddingtons.ca

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Old Masters and Related International Art Online Auction | May 4 - 9, 2019  

Waddington's Auction Catalogue

Old Masters and Related International Art Online Auction | May 4 - 9, 2019  

Waddington's Auction Catalogue