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British & Continental Art OCTO B E R 10 — 15, 2 02 0


British & Continental Art OCTOBER 10—15, 2020


bid online at onlineauctions.waddingtons.ca

senior specialist Susan Robertson sr@waddingtons.ca

all lots can be viewed online at www.waddingtons.ca

416-847-6179

important notice Please note that as we are unable to provide access to our offices and gallery during the Covid-19 Pandemic, we are unable to hold Public Previews at this time. Curbside pick ups of purchased items can be arranged through info@waddingtons.ca.

consignment coordinator Alec Kerr ak@waddingtons.ca 416-847-6186

front cover Lot 93 Hendrick Joseph Dillens DON’T TOUCH THAT TREAT! (“GIRL WITH DOGS”), 1864

front inside

Lot 170 Victoriano Codina y Langlin THE FABRIC SELLER, 1881

back inside Lot 49 Alfred Fontville de Breanski Jr. EVENING IN A HIGHLAND VALLEY

back cover Lot 137 August Wilhelm Leu A QUIET COVE IN A FJORD, 1857

Thank you for your understanding.

tel: 416-504-9100 toll free: 1-877-504-5700

This catalogue and its contents © 2020 Waddington McLean & Company Ltd.

This auction is subject to the Conditions of Sale printed in the back of this catalogue.

Photography & design by Waddington’s All Rights reserved.


1 PENRY WILLIAMS (1798-1885), BRITISH CHARNIER (WOMAN OF ROME IN AN INTERIOR WITH GARDEN VIEW)

Oil on canvas; signed at Rome lower left, inscribed “Charnier” in ink verso 12 x 9 in — 30.5 x 22.9 cm $400 — 600

2 ALEX AUSTEN (1859-1924), BRITISH CAVALIERS PLAYING CHESS

Oil on canvas; signed lower left 12 x 16 in — 30.5 x 40.6 cm $200 — 300


3 BRITISH SCHOOL, CIRCA 1810, BRITISH SCHOOL YOUNG LADY IN HER REGENCY DRESSING SALON

Oil on canvas; inscribed “Young Artist By Lovercer” in pencil to the stretcher 12.5 x 9.5 in — 31.8 x 24.1 cm $300 — 400

4 TOM MCEWAN (1846–1914), SCOTTISH ELDER FILLING A PIPE BY THE HEARTH, 1890

Oil on canvas; signed and dated 90 lower left 14.5 x 13 in — 36.8 x 33 cm $400 — 600


5 WILLIAM COLLINS (1788–1847), BRITISH THE YOUNG ANGLER

Oil on panel; signed lower left, titled to the nameplate 9 x 12 in — 22.9 x 30.5 cm PROVENANCE:

The Estate of Lawrence Goode; By descent to the present Private Collection, Nottawa, ON $400 — 600

6 WILLIAM DOBIE (19TH CENTURY), BRITISH THE READING LESSON, 1871

Oil on canvas; signed “W. Dobie” and dated 1871 lower left 21 x 17 in — 53.3 x 43.2 cm PROVENANCE:

Private Collection, Nottawa, ON $600 — 800


7 ABEL HOLD (1815-1891), BRITISH BIRD’S NEST WITH ROBIN EGGS, 1881

Oil on canvas; signed and dated 1881 lower right 10 x 12 in — 25.4 x 30.5 cm $400 — 500

8 DUNCAN MACKELLAR (1849-1908), SCOTTISH GIRL IN A VEGETABLE PATCH GATHERING, 1876

Oil on canvas; signed and dated 1876 lower right 14 x 11.5 in — 35.6 x 29.2 cm PROVENANCE:

George Davidson Gilder, Glasgow label verso $400 — 600


9 FOLLOWER OF SIR EDWIN HENRY LANDSEER (1802 - 1873), BRITISH RETRIEVER IN THE BUSHES

Oil on canvas; matted in the oval; inscribed “E. Landseer” to the canvas verso. Unstretched and framed with an oval mat. Matted oval/overall 7 x 5.75 in — 17.8 x 14.6 cm; 8 x 6.75 in — 20.3 x 17.1 cm PROVENANCE:

Private Collection, London, ON $100 — 150

10 GEORGE ARMFIELD (CIRCA 1808-1893), BRITISH DOGS FLUSHING GAME IN A BARN, 1875

Oil on canvas laid down to masonite; signed and dated 1875 bottom left 21.75 x 25.5 in — 55.2 x 64.8 cm PROVENANCE:

Britnell’s Art Gallery Ltd., Diamond Jubilee, Toronto gallery label verso; Private Collection, Toronto $500 — 800


11 JOHN DOUGLAS MICHIE (ACTIVE CIRCA 1864-1892), SCOTTISH YOUNG WOOD GATHERERS AND THEIR WEST HIGHLAND TERRIER IN THE HILLS, 1872

Oil on canvas; signed “J. Michie” and dated “72” lower right 23 x 30 in — 58.4 x 76.2 cm $1,200 — 1,800

12 JAMES SHAW CROMPTON (1853-1916), BRITISH THE YOUNG TRAVELLER

Oil on academy board; signed lower left, signed and titled indistinctly “Morning/ Donny Brook ...”? in pencil verso 13 x 9 in — 33 x 22.9 cm PROVENANCE:

Prominent Private Collection of a former museum curator, Fredericton, NB $200 — 300


13 ATTRIBUTED TO ALEXANDER CARSE (CIRCA 1770–1843), SCOTTISH SELLING THE CHILDREN’S FAVOURITE SHEEP

Oil on canvas; not signed, given to John Carse to the old nameplate 25.5 x 30.5 in — 64.8 x 77.5 cm $600 — 800

14 ROBERT GEMMELL HUTCHISON (1855-1936), SCOTTISH KNITTING WOOLIES

Oil on canvas; signed upper right 9 x 7 in — 22.9 x 17.8 cm PROVENANCE:

With Aitken Dott & Son, Edinburgh framer’s label verso $400 — 500


15 BRITISH SCHOOL (19TH CENTURY) GENTLEMAN IN HIS DRESSING GOWN WITH CANDLELIGHT

Oil on panel; signed indistinctly with 3 initials lower left: “...A.C.”? 9.1 x 5.1 in — 23.1 x 13 cm PROVENANCE:

Private Collection, Bracebridge, ON; By descent from their mother’s estate $150 — 250

16 GEORGE SMITH (1829 - 1901), BRITISH GENTLEMEN PLAYING CRIBBAGE IN A COTTAGE

Oil on panel; signed lower left 21.75 x 26 in — 55.2 x 66 cm PROVENANCE:

Haynes Art Gallery, Toronto labels verso; By descent to the present Private Collection, ON $2,000 — 3,000


17 19TH CENTURY VICTORIAN SCHOOL, BRITISH PORTRAIT OF A YOUNG MAN WEARING SPECTACLES

Oil on canvas 34 x 25.25 in — 86.4 x 64.1 cm $300 — 500

18 19TH CENTURY BRITISH SCHOOL SEATED SOLDIER IN A TAVERN

Oil on canvas laid down on card; signed indistinctly lower left 12 x 9.75 in — 30.5 x 24.8 cm $150 — 250


19 JOHN CHARLES MAGGS (1819–1895), BRITISH THE CROWN INN, 1882

Oil on canvas; signed and dated 1882 lower left, titled to the gallery label verso and to the nameplate 24 x 36 in — 61 x 91.4 cm PROVENANCE:

Frost & Reed, London, Registered No. 6921 label verso backing; Frederick Thom Gallery, Toronto, Inventory No. T-902 label verso backing; Private Collection, Toronto, ON $2,000 — 3,000

21 19TH CENTURY BRITISH THE FIRST SKATE, CIRCA 1870

Oil on British stamped canvas; signed indistinctly “L. Grier...”? and dated 1870? lower right 11 x 15 in — 27.9 x 38.1 cm $300 — 400


22 ATTRIBUTED TO PATRICK NASMYTH (1787 - AFTER 1831), SCOTTISH LANDSCAPE WITH FIGURES

Oil on canvas; signed lower right, titled to an old auction label verso 12 x 16 in — 30.5 x 40.6 cm PROVENANCE:

Lot 775a, unknown auction label with “Patrick Nasmyth” inscribed in pen and ink on top of the crossed out printed artist description to the label; Levis Fine Art Auctions, sold as “Patrick Nasmyth” on Sunday, November 23, 2003, Lot 207 for $2,990 CAD; Private Collection, Toronto $700 — 900

23 WILLIAM SHAYER THE ELDER (1787–1879), BRITISH GYPSY ENCAMPMENT BY A WATERFALL

Oil on canvas; inscribed “Shayer” in pencil to the frame verso 14 x 12 in — 35.6 x 30.5 cm PROVENANCE:

The Estate of Lawrence Goode; By descent to the present Private Collection, Nottawa, ON $800 — 1,200


24 AFTER GEORGE MORLAND (1763-1804), BRITISH A WOMAN AND CHILD FEEDING PIGS IN A STABLE

Oil on canvas 16 x 21 in — 40.6 x 53.3 cm $400 — 600

25 WILLIAM MELLOR (1851-1931), BRITISH WOODLAND WATERFALL

Oil on canvas; signed lower right 36 x 28 in — 91.4 x 71.1 cm $400 — 600


26 JOHN JAMES BANNATYNE (1836-1911), SCOTTISH LOCH KATRINE

Oil on canvas; signed “J.J. Bannatyne RSW” lower right 15 x 24 in — 38.1 x 61 cm PROVENANCE:

Private Collection, Peterborough, ON $600 — 900

27 SIR JAMES LAWTON WINGATE (1848-1924), SCOTTISH COWS GRAZING IN A SHADY PASTURE, 1876

Oil on canvas; signed and dated 1876 lower left 10.25 x 14 in — 26 x 35.6 cm PROVENANCE:

Private Collection, Toronto inherited from their mother-in-law who formerly resided in Hungary $600 — 900


28 GEORGE VICAT COLE (1833-1893), BRITISH “WEYBRIDGE, SURREY”

Oil on canvas; signed with initial monogram and dated 188_? lower left (visible with ultra violet light), catalogued as Vicat Cole and titled to an old printed catalogue label to the frame verso 20 x 30 in — 50.8 x 76.2 cm PROVENANCE:

An old unidentified catalogue label, with the lot number torn off verso; With The T. Eaton Co., Ltd., Montreal label to the stretcher; Private Collection, New Carlisle, QC $2,000 — 3,000

29 SIDNEY YATES JOHNSON (ACTIVE 1890-1926), BRITISH WATERFALL, BETWS-Y-COED, NORTH WALES; GOLDEN SUNSET, CONWAY, NORTH WALES

Pair of oils on canvas; each signed with scratched signatures lower left and lower right respectively, each signed and titled in pencil to artist’s labels to the top stretcher Each 12 x 24 in — 30.5 x 61 cm PROVENANCE:

Richardson Bros. Art Gallery, Winnipeg, MA labels verso $500 — 700


30 HENRY H. PARKER (1858-1930), BRITISH HARVESTING, EASTBOURNE, SUSSEX

Oil on canvas; signed lower right, signed and titled verso 12 x 18 in — 30.5 x 45.7 cm PROVENANCE:

With William Haines, framer’s label verso; Private Collection, Toronto purchased in the 1930’s $800 — 1,200

31 FRED. MARSTON (19TH CENTURY), BRITISH COUNTRYSIDE WITH PATH , 1894

Oil on canvas laid down to masonite; signed “Fred. Marston” and dated /94 lower right 13 x 17 in — 33 x 43.2 cm PROVENANCE:

Private Collection, Toronto inherited from their mother-in-law who formerly resided in Hungary $200 — 300


32 ALFRED AUGUSTUS GLENDENNING (1890-1910), BRITISH NR HOLMWOOD

Oil on canvas; signed and titled verso 9 x 14 in — 22.9 x 35.6 cm PROVENANCE:

H. Vincent Kidd, purchased at auction in Montreal in 1942/43; By descent to the present Private Collection, Ottawa, ON $1,500 — 2,000

33 ALFRED AUGUSTUS GLENDENNING (1890-1910), BRITISH HILLSIDE WITH SHEEP HERDER RESTING, 1902

Oil on canvas; signed and dated 1902 lower right 16 x 20 in — 40.6 x 50.8 cm PROVENANCE:

H. Vincent Kidd, purchased at auction in Montreal in 1942/43; By descent to the present Private Collection, Ottawa, ON $2,000 — 3,000


34 WILLIAM GREAVES (1852-1938), BRITISH WOODED LANDSCAPE WITH DUCKS FEEDING BY A RIVER, 1890

Oil on canvas laid down to masonite board; signed and dated 1890 lower left 20” x 30” — 50.8 x 76.2 cm. $400 — 600

35 HARRIET HALHED (1851-1933), AUSTRALIAN/BRITISH HAYSTACKS IN THE SHADE

Oil on board; signed lower left, signed in pencil verso 10 x 13 in — 25.4 x 33 cm PROVENANCE:

Provenance: Chapman Bros., Picture Frame Makers, Chelsea, London label verso $300 — 500


36 HENRY JOHN YEEND KING (1855-1924), BRITISH FISHING ON A TRANQUIL RIVER

Oil on panel; signed lower right 14.75 x 21 in — 37.5 x 53.3 cm PROVENANCE:

The Estate of Grace MacInnes, Guelph, ON $500 — 700

37 J. WILLIAMSON (19TH CENTURY), BRITISH MORNING IN THE NEW FOREST

Oil on canvas; signed “J. Williamson” lower right, inscribed “By J. Williamson” and titled verso 14 x 18 in — 35.6 x 45.7 cm PROVENANCE:

De Hart Art Co. Fine Art Dealers, Edmonton, Alberta gallery label to the frame as “J.W. Williamson” verso $300 — 500


38 GEORGE HOUSTON (1869-1947), SCOTTISH THE CLYDE FROM ABOVE FAIRLIE

Oil on canvas; signed lower right, titled to the original gallery receipt accompanying the lot PROVENANCE:

Ian MacNicol, Glasgow Fine Art Dealer, Glasgow; From whom purchased by the present Private Collection, Toronto on August 17, 1970 accompanied by the original receipt $1,500 — 2,500

39 FREDERICK GEORGE SWAISH (1879-1931), BRITISH CHILD WITH PULL TOY, 1906

Oil on canvas; signed “F. G. Swaish” and dated “06” lower left, signed at 98 Redland, Bristol in pen and ink to the frame upper left verso 40 x 28 in — 101.6 x 71.1 cm PROVENANCE:

With Chapman Bros., Chelsea label verso; Private Collection, Montreal, QC $700 — 900


40 ROBERT DUDDINGSTON HERDMAN (1863–1922), SCOTTISH ‘OELGEMÄLDE’ (THE LOVE LETTER), CIRCA 1898-1902

Oil on canvas; given to the artist “Duddingstone (sic) Herdman” and titled to exhibition label to the frame verso 47 x 32.5 in — 119.4 x 82.6 cm PROVENANCE:

With R. Jackson & Son, Liverpool 1898 framer’s label verso; Collection of Mr. John Nanton Clark, by descent from his mother and step-father, Percy Humphrey, who reportedly acquired the painting in trade for a violin; Estate of John Nanton Clark, ON EXHIBITED:

See website for full catalogue details. $3,000 — 5,000

41 SAMUEL MELTON FISHER (1859-1939), BRITISH PROUD MOTHER, 1903

Colour pastel on paper mounted on canvas; signed “S. Melton Fisher” and dated 1903 upper right 44 x 34 in — 111.8 x 86.4 cm PROVENANCE:

Private Collection, Toronto $700 — 900


42 BENJAMIN WILLIAMS LEADER (1831-1923), BRITISH GUILDFORD, SURREY

Oil on board; bears signature lower right, signed at Guildford, Surrey in grey paint verso 10 x 14 in — 25.4 x 35.6 cm PROVENANCE:

Private Collection, ON $2,000 — 3,000

43 MAURICE MACGONIGAL (1900-1979), IRISH A COUNTRY FAIR; HORSES GRAZING IN PLOUGHED FIELDS (A DOUBLE-SIDED PANEL), CIRCA 1929

Oil on panel; signed lower right recto 13.5 x 17.5 in — 34.3 x 44.5 cm PROVENANCE:

Acquired directly from the artist by the grandfather of the present Private Collection, Stratford, ON; Gifted to Frank Dowling as a wedding gift in 1929; By descent to the present Private Collection, Stratford, ON $2,000 — 3,000


44 GODWIN BENNETT (1888-1950), BRITISH HOUSES ON THE BANKS OF A CATHEDRAL

Oil on canvas; signed lower left 14 x 18 in — 35.6 x 45.7 cm $400 — 600

45 18TH/19TH CENTURY BRITISH SCHOOL APPROACHING STORM

Oil on canvas. Unsigned. 18 x 26 in — 45.7 x 66 cm PROVENANCE:

The Estate of Lawrence Goode; By descent to the present Private Collection, Nottawa, ON $500 — 700


46 JAMES SANT (1820-1916), BRITISH TWO CHILDREN IN A WOODED LANDSCAPE

Oil on canvas; signed with monogram lower right 50 x 38 in — 127 x 96.5 cm PROVENANCE:

Gavin Graham Gallery, London, UK; From whom purchased by Mr. S. Lazar, Toronto, ON on November 17th, 1980 accompanied by a copy of the original receipt; Private Collection, Toronto EXHIBITED:

According to the Gavin Gallery, this work was possibly exhibited at the Royal Academy. It may be have been the work, Cat. No. 344: “The Children in the Wood” exhibited in 1854. $1,500 — 2,500

47 AFTER JOHN CONSTABLE (1776-1837), BRITISH SUMMER. AFTER THE RAIN, 1832

Oil on board; give to J. Constable and titled “After Rain” to the nameplate 11 x 14 in — 27.9 x 35.6 cm $300 — 500


48 ARTHUR JOSEPH MEADOWS (1843-1907), BRITISH FISHING BOATS COMING AND GOING FROM A BUSY HARBOUR, 1862

Oil on canvas; signed “Arthur J. Meadows” and dated /62 lower right 18 x 32 in — 45.7 x 81.3 cm PROVENANCE:

Private Collection, Toronto $1,000 — 1,500

49 ALFRED FONTVILLE DE BREANSKI JR. (1877-1945), BRITISH EVENING IN A HIGHLAND VALLEY

Oil on canvas laid down to masonite; signed lower right, resigned and titled by the restorer based on the information provided by Breanski to the original canvas before being laid down 20.25 x 30.25 in — 51.4 x 76.8 cm PROVENANCE:

Family Collection, Toronto $2,000 — 3,000


50 JOHN JAMES BANNATYNE (1836-1911), SCOTTISH IN SHELTER- WEST KINTYRE

Oil on canvas; signed “J.J. Bannatyne RSW” lower left, signed and titled at the bottom right verso, remains of the artist’s handwritten name and address in Glasgow in pen and ink to a paper label to the top stretcher 21 x 30 in — 53.3 x 76.2 cm PROVENANCE:

Private Collection, Peterborough, ON $1,000 — 1,500

51 THOMAS SPINKS (ACTIVE 1872-DIED CIRCA 1907), BRITISH TRANQUIL LAKE WITH PASTURES, 1898

Oil on canvas; signed and dated 1898 lower left 18 x 26 in — 45.7 x 66 cm PROVENANCE:

The Estate of Lawrence Goode; By descent to the present Private Collection, Nottawa, ON $500 — 700


52 W. RICHARDS (1895-1950), BRITISH HIGHLAND CATTLE DRINKING AT A POOL

Oil on canvas; signed “W. Richards” lower left 16 x 24 in — 40.6 x 61 cm $100 — 200

53 E. WELFORD (?) (19TH CENTURY), BRITISH/CANADIAN? SHIPS IN A STORM

Oil on Academy board; signed indistinctly lower left 11.5 x 17.75 in — 29.2 x 45.1 cm PROVENANCE:

With Classic Art Co., Art Dealers & Picture Framers, 317 Roncesvalles Avenue, Toronto label verso; Private Collection, St. Catharines, ON $500 — 700


54 JOHN SHAPLAND (1865-1929), BRITISH VENICE (BACINO SAN MARCO TOWARDS SAN GIORGIO MAGGIORE)

Watercolour; signed lower right Sight 14.5 x 21 in — 36.8 x 53.3 cm $200 — 300

55 CHARLES EDWARD DIXON (1872-1934), BRITISH SHIPPING NEAR ITCHENOR, 1898

Watercolour on paperboard; signed and dated 98 lower left, inscribed verso Sheet 7 x 10 in — 17.8 x 25.4 cm PROVENANCE:

Gifted to the father of the present Private Collection, directly from the artist “who painted at Itchenor” inscribed in pen and ink verso $500 — 700


56 W. STEWART (19TH/20TH CENTURY), BRITISH VENICE

Watercolour; signed lower left Sight 12.5 x 19.5 in — 31.8 x 49.5 cm $300 — 400

57 HERCULES BRABAZON BRABAZON (1821-1906), BRITISH VENICE. GRAND CANAL CHURCH OF SAN SALUTE

Watercolour on wove paper; signed with initials “HBB” in pencil lower right, titled along the bottom edge. Unframed. Together with another by the artist: ARCH RUINS, Watercolour and ink; signed with initials “HBB” lower right. Framed. Together with a third by the artist: VILLAGE LANE ON THE COAST, Watercolour and pencil on paper; signed with script initials HBB lower left. Unframed. Sheet 10.5 x 12.75 in — 26.7 x 32.4 cm; 6.25 x 4.3 in — 15.9 x 10.9 cm; 9 x 7 in — 22.9 x 17.8 cm PROVENANCE:

W.E. & J.J. Mark Fine Art Dealers, London label to the second title; Private Collection, London, Ontario $1,000 — 1,500


58 EDWIN EARP (1851-145), BRITISH LAKE GENEVA, 1871

Watercolour; signed “EE” and dated 71 lower right 7 x 14 in — 17.8 x 35.6 cm PROVENANCE:

H. Vincent Kidd, purchased at auction in Montreal in 1942/43; By descent to the present Private Collection, Ottawa, ON $100 — 150

59 JOHN ERNEST AITKEN (1881-1957), SCOTTISH/ENGLISH THE HARBOUR AT STONEHAVEN, SCOTLAND

Watercolour; signed lower left, titled to label verso Sight 9.5 x 13.75 in — 24.1 x 34.9 cm PROVENANCE:

J.B. Robertson Fine Art Dealer, Toronto gallery label verso, frame No. 5637 $500 — 700


60 JAMES ROBERTSON MILLER (1880-1912), BRITISH STREET IN ROUEN; CHURCH OF ST. GERMAINS, TIRLEMONT; CANAL, GHENT;

Three watercolours; each signed, one lower right, the others lower left, each titled to the matboards Sight each approximatley 10 x 7 in — 25.4 x 17.8 cm $300 — 400

61 VICTOR WYATT BURNAND (1868-1940), BRITISH CORFE CASTLE VILLAGE AND THE CHURCH OF ST. EDWARD KING AND MARTYR, DORSET

Watercolour on paper board; signed lower left, titled ‘The Village Church and Street Corfe Castle. Dorset” in pen and ink to a label adhered to the verso upper left Sight 7 x 9.5 in — 17.8 x 24.1 cm PROVENANCE:

De Hart Art Co. Fine Art Dealers, Edmonton, Alberta gallery label verso backing $100 — 150


62 THOMAS CAFE (1817-1909), BRITISH WASHDAY

Watercolour; signed “Thos. Cafe” lower right Sight 16 x 12 in — 40.6 x 30.5 cm $200 — 300

63 WALTER FREDERICK ROOFE TYNDALE (1855-1943), BRITISH CROWD AT THE MOSQUE, 1898

Watercolour; signed and dated 1898 lower right sight 13.5 x 9 in — 34.3 x 22.9 cm PROVENANCE:

With Thielson Galleries Inc., Custom Framing Dept., London, ON stamp verso $600 — 800


64 ROBERT HERDMAN-SMITH (1879-1945), BRITISH A GATEWAY, TANGIER, MOONLIGHT; NORMAN STAIRCASE, CANTERBURY

Two watercolours; the first, signed lower left, the second, signed lower right, each titled to the nameplates Each 10 x 14 in — 25.4 x 35.6 cm $300 — 400

65 WILLIAM WOOD DEANE (1825-1873), BRITISH FIGURES ON THE STEPS OF A MEDIEVAL COURTYARD

Watercolour; signed lower left Sight 21 x 15.5 in — 53.3 x 39.4 cm $300 — 400


66 JOHN HENRY HENSHALL (1856-1928), BRITISH FIORONDINA, 1891

Watercolour on paper, sculpted oval; signed and dated 1891 along the right edge, titled and inscribed “Painted by J. Henry Henshall/ ‘Redholme’” in pen and ink to an old label verso PROVENANCE:

A & F Ponzini & Co., Hatton Garden, E.C., label verso; Nash Galleries Fine Arts & Antiques, London, ON stamp to verso backing EXHIBITED:

Inscribed “Exhibition of the “Royal Society of Painters in Water Colours”, 1891 to the mat recto and to the old inscribed label verso $500 — 700

67 SARAH GIBB (ACTIVE 1871), BRITISH SCHOOL STILL LIFE WITH PIPE, BREAD, DRINK AND THE EVENING NEWSPAPER, 1871

Watercolour and opaque watercolour heightened with white on stiff paperboard; signed “S. Gibb” and dated 1871 lower right, signed “Sarah Gibb” and dated 1871 verso Sheet 16 x 19 in — 40.6 x 48.3 cm $300 — 400


68 JAS. T. WILSON (19TH/20TH CENTURY), AMERICAN/BRITISH STUDY OF A FAVOURITE HORSE

Charcoal heightened with white chalk on brown paper; signed “Jas. T. Wilson” lower right Sight 8.25 x 10.25 in — 21 x 26 cm PROVENANCE:

Private Collection, Markham, ON $100 — 150

69 HENRY JOHN SYLVESTER STANNARD (1870-1951), BRITISH COUNTRY LANE WITH DUCKS

Watercolour; signed lower left Sight 12 x 21 in — 30.5 x 53.3 cm $300 — 400


70 FOLLOWER OF MYLES BIRKET FOSTER (1825–1899), BRITISH CHILDREN RESTING ON A HILLSIDE PICKING WILDFLOWERS

Watercolor on watercolour board; signed with monogram lower left. Framed. Together with: Children Playing with a Boat, Colour chromolithographic print. Unframed. Each respectively Image size 10 x 18 in — 25.4 x 45.7 cm; 9.3 x 14.4 in — 23.5 x 36.7 cm PROVENANCE:

Private Collection, Bracebridge, ON; By descent from their mother’s estate $300 — 500

71 EDMUND MORISON WIMPERIS (1835-1900), BRITISH HORSEMAN AT A RIVER; SHEEP GRAZING BY A RIVER, 1871

Pair of watercolours; each signed and dated /71 lower left and lower right respectively Sight 11 x 18 in — 27.9 x 45.7 cm $300 — 500


72 HAROLD JOSEPH SWANWICK (1866– 1929), BRITISH A DAY’S WORK DONE

Watercolour; signed lower right, titled to the nameplate Sheet 8 x 12 in — 20.3 x 30.5 cm PROVENANCE:

Gifted to Susan Daglish from her sister Dorothy who purchased the watercolour from their grandfather in 1948 inscribed to the verso backboard $300 — 400

73 HENRY JOHN KINNAIRD (ACTIVE CIRCA 1880- DIED CIRCA 1920), BRITISH A SUSSEX HAYFIELD

Watercolour; signed lower left, titled lower right Sight 13.25 x 20.5 in — 33.7 x 52.1 cm $500 — 700


74 AUGUSTUS WALFORD WEEDON (18381908), BRITISH SHOWERY WEATHER, 1891

Watercolour; signed and dated ‘91 lower right, titled to the printed artist’s exhibition label verso Sight 13 x 22 in — 33 x 55.9 cm PROVENANCE:

The Estate of Lawrence Goode; By descent to the present Private Collection, Nottawa, ON EXHIBITED:

“A.W. Weedon R.I., R.B.A.” printed exhibition label, Cat. No. 32 entitled “Showery Weather” to the verso backing $200 — 300

75 HAROLD LAWES (1865-1940), BRITISH SHEEP AT GRASMERE

Watercolour; signed at ‘Grasmere’ lower left 21 x 15 in — 53.3 x 38.1 cm PROVENANCE:

Geo. Hughes Carver & Gilder, Newcastleon-Tyne label to the stretcher and frame; The Estate of Lawrence Goode; By descent to the present Private Collection, Nottawa, ON $200 — 300


76 ALBERT ERNEST BROCKBANK (1862– 1958), BRITISH OVER MOOR & FEN

Watercolour; signed lower left, signed and titled to the artist’s handwritten label with his address in pen and ink to the backing verso Sight 13.5 x 20.5 in — 34.3 x 52.1 cm PROVENANCE:

The Estate of Lawrence Goode; By descent to the present Private Collection, Nottawa, ON $150 — 250

77 JOHN MOGFORD (1821-1885), BRITISH TWO VIEWS: KYNANCE COVE, CORNWALL; VALLEY OF THE ROCKS, NEAR TINTAGEL

Two watercolours; each signed lower left and lower right respectively, each titled to nameplates. Contained in matching frames. Each sight 13 x 20 in — 33 x 50.8 cm $800 — 1,200


78 DUBOIS FENELON HASBROUCK (18601934), AMERICAN UPSTATE NEW YORK CABIN ON THE RIVER

Watercolour; signed at N.Y. lower right Sight 10.5 x 30 in — 26.7 x 76.2 cm $500 — 700

79 LESLIE CHARLES POWLES (1860-1942), BRITISH TAYLOR MANOR, 1900

Watercolour; signed twice and dated 1900 in pencil lower right, titled lower left Sight 8.5 x 12 in — 21.6 x 30.5 cm $100 — 150


80 STYLE OF THE EARP FAMILY (19TH CENTURY), SCOTTISH LOCH WITH FISHERMAN IN A KILT AND RUINS

Watercolour on watercolour paperboard. Unsigned. Sheet 12.25 x 19 in — 31.1 x 48.3 cm PROVENANCE:

Woodward’s label verso $100 — 150

81 FREDERICK (FRANCIS) FLOCKTON (1835-1901), BRITISH/AUSTRALIAN STILL LIFES WITH FRUIT, 1879

Pair of watercolours; each signed and dated 1879 lower right. In matching frames. Sight each 5.5 x 7.5 in — 14 x 19.1 cm PROVENANCE:

Mrs. Law, Edmonton, AB gifted this pair in April 1983 inscribed verso backings $150 — 250


82 R.A. FOSTER (19TH/20TH CENTURY), BRITISH NASTURTIUMS AND SUMMER BLOOMS IN A BASKET WITH FRUIT; CHINESE LANTERNS IN A BLUE VASE

Two watercolours; each signed lower left Sight 11 x 14.5 in — 27.9 x 36.8 cm; 13.5 x 9 in — 34.3 x 22.9 cm PROVENANCE:

T.H. Morgan Ltd., Edmonton, Alberta label verso to one; Collection of Mrs. Law, Edmonton, Alberta $300 — 400

83 HARRY MORLEY (1881-1943), BRITISH DEPOSITION OF CHRIST

Charcoal, chalk and ink drawing on blue paper; signed with monogram initials lower right Sight 11 x 15.2 in — 27.9 x 39.4 cm PROVENANCE:

Hari Gurung Picture Framing, Tunbridge Wells, UK label verso backing; Private Collection, Toronto formerly residing in the UK $300 — 500


84 DAME LAURA KNIGHT (1877–1970), BRITISH BALLET DANCER EN PENCHÉ

Graphite on paper; signed bottom centre. Matted and unframed. Sheet 11.25 x 7.75 in — 28.6 x 19.7 cm PROVENANCE:

Private Collection, Victoria, BC $600 — 800

85 DAME LAURA KNIGHT (1877–1970), BRITISH CLOWN

Graphite on paper; signed lower right. Matted and unframed. Sight 11.25 x 7.75 in — 28.6 x 19.7 cm PROVENANCE:

Private Collection, Victoria, BC $600 — 800


86 DAME LAURA KNIGHT (1877–1970), BRITISH BALLET DANCER PRACTICING

Graphite on paper; signed lower right. Matted and unframed. Sheet 11.25 x 7.75 in — 28.6 x 19.7 cm PROVENANCE:

Private Collection, Victoria, BC $600 — 800

87 DAME LAURA KNIGHT (1877–1970), BRITISH TWO BALLET DANCERS

Graphite on paper; signed bottom centre. Matted and unframed. Sheet 12.75 x 9 in — 32.4 x 22.9 cm PROVENANCE:

Private Collection, Victoria, BC $600 — 800


88 J. A. C. BERTEN? (19TH/20TH CENTURY), DUTCH SCHOOL SHELLFISHERS ON THE BEACH, 1917

Oil on board; signed indistinctly and dated 1917 lower left Sight 6.25 x 8.5 in — 15.9 x 21.6 cm $100 — 150

89 UNKNOWN (19TH CENTURY) “CASTLES AND RUINS”

Oil on board; with the artist’s name scratched out and titled to gallery label verso 11.75 x 9.75 in — 29.8 x 24.8 cm PROVENANCE:

Ex. Collection Fraser Institute, Free Public Library, Montreal as “Unknown’, titled ‘ Greek landscape with ruins’; From whom purchased by Max Stern as one of several artworks acquired on January 27, 1949; Dominion Gallery, Montreal, Inventory No. B982 gallery label and gallery stamps verso and frame verso; From whom purchased by Mr. and Mrs. C. Goode on May 9, 1953; The Estate of Lawrence Goode; By descent to the present Private Collection, Nottawa, ON $600 — 900


90 EDUARD BOEHME (1830-1890), AUSTRIAN TWO TYROLIAN RIVER LANDSCAPES: SPORTSMAN HUNTING; SPORTSMAN FISHING

Pair of oils on canvas; each signed lower left, each titled indistinctly in pen and ink to old labels verso 20.75 x 16.5 in — 52.7 x 41.9 cm PROVENANCE:

By descent in the family residing in Germany; Private Collection, Alcove, Quebec $600 — 800

91 FRANZ SCHAMS (1823–1883), AUSTRIAN DIE ERMAHNUNG (THE ADMONITION) OR THE MISSED SERMON - A YOUNG COUPLE IS REBUKED BY THE PASTOR

Oil on canvas; signed “Schams” lower right 18 x 23 in — 45.7 x 58.4 cm PROVENANCE:

With Nagel Auktionen: Thursday, February 24, 2011, Lot 870; With Im Kinsky: Tuesday, November 8, 2011, Lot 229; Private Collection, Williamsville, NY $2,500 — 3,500


92 FRANCOIS VANDEVERDONCK (1848-1875), BELGIAN HENS, ROOSTERS, CHICKS AND OTHER BIRDS IN A FARMYARD LANDSCAPE

Oil on canvas; signed bottom centre, certified by the artist in pen and ink to the canvas verso 7.25 x 10.25 in — 18.4 x 26 cm $800 — 1,200

93 HENDRICK JOSEPH DILLENS (1812-1872), BELGIAN DON’T TOUCH THAT TREAT! (“GIRL WITH DOGS”), 1864

Oil on canvas; signed and dated 1864 lower right 37.5 x 29.5 in — 95.3 x 74.9 cm PROVENANCE:

Ledbury Galleries, Fine Art Dealers, London, UK as “Girl with Dogs” ; From whom purchased by Mr. S. Lazar, Toronto on February 20, 1979 accompanied by a copy of the original receipt; Private Collection, Toronto $1,000 — 1,500


94 ALEXIS DE LEEUW (1822–1900), BELGIAN THE LOGGING TEAM, WINTER, 1871

Oil on canvas; signed and dated “1871 f” lower left, titled and described to the printed label from an old unidentified auction, lot 491 verso 27.25 x 39.25 in — 69.2 x 99.7 cm EXHIBITED:

Exhibited at The Royal Academy in 1871 according to the old typed catalogue entry to the frame verso (not confirmed). $2,000 — 3,000

95 FRIEDRICH (BEDRICH) FEIGL (18841965), GERMAN/CZECHOLSOVAKIAN VYŠEHRAD HISTORIC FORT/ CASTLE PRAGUE

Watercolour and gouache on paper; signed lower right, titled to verso backing Sight 14.5 x 21.5 in — 36.8 x 54.6 cm PROVENANCE:

Private Collection of a Czech family who brought it to Canada years ago $700 — 900


96 AART KEMINK (1914- 2006), DUTCH/ CANADIAN AMSTERDAM, 1953

Watercolor and pencil; signed and dated ‘53 lower left, inscribed “Amsterdam” number “221” to handwritten label verso 11 x 15 in — 27.9 x 38.1 cm PROVENANCE:

Private Collection, Markham, ON $200 — 300

97 LEO VAN DEN ENDE (B. 1939), DUTCH FARM AT SASSENHEIM

Oil on masonite; signed lower left, titled to the handwritten label to the frame verso 10.5 x 14.5 in — 26.7 x 36.8 cm PROVENANCE:

Private Collection, Markham, ON $300 — 400


98 AFTER REMBRANDT HARMENSZOON VAN RIJN (1606-1669), DUTCH DANAE (DANAYA)

Oil on canvas. A commissioned copy by Ukrainian artist Boris Plaksii (1937-2012). 36 x 48 in — 91.4 x 121.9 cm PROVENANCE:

Commissioned from the artist in 1999 by the present Private Collection, Thornhill, ON $800 — 1,200

99 HENDRIK GERRIT TEN CATE (1803-1856), DUTCH MOULIN EN FEU!

Oil on panel; signed lower right, titled, numbered “No. 15” and inscribed “par Tencaten” in pen and ink to label verso 7.25 x 9.25 in — 18.4 x 23.5 cm PROVENANCE:

Private Collection, Markham, ON $600 — 900


100 WILLEM STEELINK (1856-1928), DUTCH BOAR HUNT IN SNOW

Oil on panel; signed lower right 8 x 11 in — 20.3 x 27.9 cm PROVENANCE:

Private Collection, Markham, ON $300 — 500

101 WILLEM STEELINK (1856-1928), DUTCH FIGURE IN A POLDER LANDSCAPE IN FALL

Oil on board; signed lower right 9.5 x 13.5 in — 24.1 x 34.3 cm PROVENANCE:

Private Collection, Markham, ON $300 — 400


102 DUTCH (20TH CENTURY) COWS IN PASTURE BY A RAIL FENCE

Oil on canvas; signed indistinctly lower right 9.5 x 7.25 in — 24.1 x 18.4 cm PROVENANCE:

Private Collection, Markham, ON $300 — 400

103 ATTRIBUTED TO LOUIS APOL (1850-1936), DUTCH POLDER LANDSCAPE WITH COUNTRY WOMAN ALONG THE BANK NEAR A DRYING RACK

Oil on panel; signed indistinctly lower left 7.25 x 10.25 in — 18.4 x 26 cm PROVENANCE:

Private Collection, Markham, ON $500 — 700


104 PAUL JOSEPH CONSTANTIN GABRIËL (1828–1903), DUTCH HAULING HAY ON FROZEN POND

Oil on panel; signed bottom centre right 5.25 x 7.5 in — 13.3 x 19.1 cm PROVENANCE:

Sold Levis Fine Art Auctions, Sunday, April 18, 2004, Lot 210 for $4,600 Cdn; Private Collection, Toronto $2,000 — 3,000

105 CORNELIS CHRISTIANN DOMMELSHUIZEN (1842-1928), DUTCH CANAL WITH WINDMILLS, AMSTERDAM, 1896

Oil on panel; signed “Chr. Dommelshuizen” and dated 1896 lower right 11 x 9 in — 27.9 x 22.9 cm PROVENANCE:

Galerie Gabriels, The Hague, label verso $700 — 1,000


106 FRANS PIETER MEULEN (1843-1927), DUTCH FARMER AND OXEN TEAM

Watercolour; signed “ter Meulen” lower right Sight 9.5 x 15.5 in — 24.1 x 39.4 cm PROVENANCE:

Antoine’s Art Gallery, Montreal label verso; By descent to the present Private Collection, Waterloo, ON $400 — 600

107 JOHAN FREDERIK CORNELIS SCHERREWITZ (1868-1951), DUTCH HOMEWARDS

Oil on canvas; signed lower right, titled to the nameplate 26 x 20 in — 66 x 50.8 cm PROVENANCE:

Park Lane Galleries, inscribed to the frame verso $1,000 — 1,500


108 THAMINE TADAMA-GROENEVELD (1871-1938), DUTCH WINDMILL ON A RIVER

Oil on canvas; signed lower right 8.25 x 11.75 in — 21 x 29.8 cm $600 — 800

109 CORNELIS BOUTER (1888–1966), DUTCH RETURN OF THE FISHERMEN

Oil on canvas; signed lower right, stamped with artist’s studio stamp verso and titled to the partial Dominion Gallery label to the top stretcher 16.25 x 20.25 in — 41.3 x 51.4 cm PROVENANCE:

Dominion Gallery, Montreal, partial gallery label to the stretcher, Inventory No. G7038; Waddington’s, Toronto, April 14th - April 18th, 1980, Lot 997a; From whom purchased by Mr. S. Lazar, Toronto, ON; Private Collection, Toronto $600 — 800


110 JAN DE JONG (1863–1901), DUTCH FISHERFOLK ON A BEACH

Watercolour on board; signed lower right Sheet 12.5 x 18.75 in — 31.8 x 47.6 cm $200 — 300

111 ATTRIBUTED TO BERNARDUS JOHANNES BLOMMERS (1845–1914), DUTCH STUDIES OF TWO SEATED CHILDREN IN BONNETS (A PENCIL SKETCH OF DUTCH SCHOONERS AND A RESCUE BOAT CROSSED OUT VERSO)

Crayon and watercolour wash on ‘Gemeente Amsterdam’ watermarked Dutch laid paper; signed indistinctly: “... Blommers” ? lower right Sheet 8.5 x 13.5 in — 21.6 x 34.3 cm PROVENANCE:

Private Collection, Markham, ON $300 — 400


112 CORNELIS BOUTER (1888–1966), DUTCH THE MORNING MEAL

Oil on canvas; signed “Cor Bouter” lower right 16 x 20 in — 40.6 x 50.8 cm $700 — 900

113 JAN JACOBUS MATTHIJS DAMSCHRÖDER (1825-1905), DUTCH READING WITH GRANDMOTHER

Oil on canvas; signed lower left 13.25 x 16.25 in — 33.7 x 41.3 cm $700 — 900


114 A*** DEKKERS (ACTIVE 1893), DUTCH SCHOOL? CARD PLAYERS, 1893

Oil on panel; signed “A. Dekkers” and dated 1893 lower right 15.25 x 16.25 in — 38.7 x 41.3 cm PROVENANCE:

The Town House Antiques, St. Catharines, ON stamp to paper backing $400 — 600

115 20TH CENTURY ESTONIAN SCHOOL PORTRAIT OF A GIRL WEARING A HAT (VIROPALLE OLELTA?), 1943

Oil on board; ascribed to Ole Kandelin to the nameplate, inscribed indistinctly in the wet paint “Viropalle Oleta”? and dated -43 lower right 26.75 x 19.75 in — 67.9 x 50.2 cm $600 — 900


116 PAUL (LOUIS NARCISSE) GROLLERON (1848-1901), FRENCH FRENCH SOLDIER, 1983

Oil on panel; signed and dated 83 lower right 10.5 x 7.75 in — 26.7 x 19.7 cm PROVENANCE:

Unidentified partial British gallery label verso; Cooling Galleries Ltd., London & Toronto label verso $1,500 — 2,000

117 LOUIS TOUSSAINT (1826-1921), GERMAN THE BOOK ANTIQUARIAN

Oil on canvas laid down to masonite; signed lower left $500 — 700


118 FERDINAND VICTOR LÉON ROYBET (1840–1920), FRENCH THE GUARDSMAN

Oil on panel; signed lower left, titled to the handwritten label of provenance verso 19 x 12.5 in — 48.3 x 31.8 cm PROVENANCE:

The Estate of Theron R. Butler Esq.; Sold by American Art Galleries on January 7, 1910, item #18 photographed according to the handwritten label verso; Private Collection, Toronto $2,000 — 3,000

119 F. GERARD (19TH CENTURY), FRENCH THE SHIP’S ARRIVAL

Oil on canvas; signed “F. Gerard” lower left, titled to label verso 38.5 x 28.5 in — 97.8 x 72.4 cm $700 — 900


120 ARMAND DÉSIRÉ GAUTIER (1825-1894), FRENCH STANDING NUN

Oil on canvas laid down to panel; signed lower left. Unframed. 19 x 11.75 in — 48.3 x 29.8 cm $800 — 1,200

121 MARIE DIETERLE (1856-1935), FRENCH HORSEMAN DRIVING COWS TO WATER

Oil on canvas; signed lower left 16.5 x 12.75 in — 41.9 x 32.4 cm PROVENANCE:

Frederick W. Thom Gallery, Toronto label verso $800 — 1,200


122 ATTRIBUTED TO THÉODORE ROUSSEAU (1812-1867), FRENCH FOREST WITH ORANGE SKY

Oil on canvas; signed “TH Rousseau” in red paint lower left 31 x 38.75 in — 78.7 x 98.4 cm PROVENANCE:

Said to have been acquired from the collection of Gail Barber, Guelph, Ontario; By the husband of the present Private Collection in 2003 until his death in 2012; By descent to his wife who understood from notes that her late husband received the painting from Gail Barber in Guelph, Ontario $3,000 — 5,000

123 ATTRIBUTED TO HENRI JOSEPH HARPIGNIES (1819–1916), FRENCH BARBIZON LANDSCAPE WITH TREES AT SUNSET

Watercolour and bitumen on stiff paper; inscribed “Harpignies” in pencil to the backing paper verso Sheet 3.75 x 5.5 in — 9.5 x 14 cm $500 — 700


124 MANNER OF CHARLES ÉMILE JACQUE (1813 - 1894), FRENCH RAINING IN THE FIELD- THE RESCUE OF THE BABY LAMB

Oil on canvas; unsigned 24 x 36 in — 61 x 91.4 cm $800 — 1,200

125 PIERRE EDOUARD FRERE (1819-1886), FRENCH AMATEUR BIRD CATCHERS: CHILDREN WITH THE BIRD BASKET; SETTING IT FREE, 1873 AND 1876 RESPECTIVELY

Pair of charcoal drawings heightened with watercolour on paper; each signed and dated 73 and 76 respectively lower left, each titled “Amateur Bird Catchers” to the nameplate on the matching frames 11 x 15 in — 27.9 x 38.1 cm PROVENANCE:

Private Collection, Dollard des Ormeaux, QC by descent from the consignor’s late wife in 2014, inherited from her grandmother’s collection. $1,000 — 1,500


126 ATTRIBUTED TO THEODORE ROUSSEAU (1812-1867), FRENCH “A ROCKY COAST”

Oil on canvas; signed “TH. Rousseau” in black paint lower left, given to “Th. Rousseau” and titled “A Rocky Coast” to an old unidentified typeset catalogue label to the verso backing 17.9 x 25.7 in — 45.5 x 65.4 cm PROVENANCE:

The Carroll Gallery, London, England gallery label to the frame verso; A.J. Philips, (Major RAF), Brockville and Ottawa, Ontario purchased in London, England when he was stationed there during WWII; By descent to the present Private Collection, Kingston, Ontario $1,500 — 2,500

127 JULES FREDERIC BALLAVOINE (BORN CIRCA 1855-1901), FRENCH BEAUTY WITH RED HAIR

Oil on canvas; signed upper right 18.25 x 15 in — 46.4 x 38.1 cm $800 — 1,200


128 ERNEST PHILLIPPE ZACHARIE (1849-1915), FRENCH LYING NUDE REACHING UPWARDS TO A DOVE

Oil on canvas; traces of a signature under ultra violet light lower right. Circa 18801890. 46.75 x 78 in — 118.7 x 193 cm PROVENANCE:

Private Collection, Toronto, purchased in Rome $2,000 — 4,000

129 ANTOINE BOUVARD (1870-1956), FRENCH HOUSES ON FROZEN POND

Oil on canvas; signed with pseudonym “Pelletier” lower left 9.5 x 12.5 in — 24.1 x 31.8 cm PROVENANCE:

Gifted to the present Private Collection Bracebridge, ON from her friend Alma and her estate in 1991 $500 — 700


130 RENÉ RICARD (1889-1989), FRENCH THE OLD BRIDGE

Oil on board; signed ‘Ricard’ lower left, titled to the frame’s liner 10.5 x 13.75 in — 26.7 x 34.9 cm PROVENANCE:

With William Haines, Toronto label verso backing $400 — 600

131 CHARLES ALEXANDRE PICART LE DOUX (1881-1959), FRENCH VILLAGE FRANÇAIS, PROVENCE, 1920

Oil on canvas; signed and dated 20 lower left, titled and dated 1920 to gallery label verso 28 x 36 in — 71.1 x 91.4 cm PROVENANCE:

Galerie Bernard Desroches, Montreal partial gallery label to the frame verso, Inventory No. 1538; Collection of Paul Duval, Toronto $1,000 — 1,500


132 LÉON SOLÀ (20TH CENTURY), FRENCH WOMAN READING, 1917

Watercolour and pencil drawing; signed “Solà” and dated 1917 upper right Sheet 12 x 7.75 in — 30.5 x 19.7 cm $200 — 300

133 MICHEL CIRY (1919-2018), FRENCH PORTRAIT OF A LADY, 1960

Pen and ink drawing; signed and dated 1960 at Toronto in pen and ink lower right, titled to gallery label verso Sight 12 x 16 in — 30.5 x 40.6 cm PROVENANCE:

Galerie Dresdnere, Toronto, Inventory No. 6399, gallery label verso; Collection of Paul Duval, Toronto $400 — 600


134 GASTON HOFFMANN (1883 - CIRCA 1960), FRENCH LE DERNIER ARGUMENT

Oil on canvas; signed lower right, titled to the nameplate 15 x 18.25 in — 38.1 x 46.4 cm PROVENANCE:

Property of H.L. Livergant inscribed verso; With Perry Custom Framers, Regina, Saskatoon stamp to the frame verso $700 — 900

135 KARL VEL CHARLES MARCHAND KAUFMANN (1843-1901), GERMAN FJORD WITH BOATMAN (AT OSTEND?)

Oil on canvas; signed with pseudonym “B. Lambert” lower left; indistinctly inscribed to the centre of the canvas verso in faded blue/ green writing, faintly signed “C. Kaufman” and titled faintly to the top stretcher (preceded by the number: “3394”) and with the visible letters “... stend au W…?” Contained In a classical revival gilt decorative frame. 14.5 x 22.8 in — 36.8 x 57.9 cm PROVENANCE:

Collection of Paul Moller, Schoneberg, Erdmannstr. 4 III inscribed to the stretcher; Private Collection, ON $700 — 900


136 ALBERT FRIEDRICH SCHRÖDER (1854–1939), GERMAN CAVALIER PLAYING A MANDOLIN, 1886

Oil on braced panel; signed and dated 86 at Munchen upper left 10.25 x 8 in — 26 x 20.3 cm PROVENANCE:

Frederick Thom Gallery, Toronto gallery label verso; Private Collection of a military collector, Toronto $500 — 700

137 AUGUST WILHELM LEU (1819-1897), GERMAN A QUIET COVE IN A FJORD, 1857

Oil on canvas laid down to panel with canvas covering the verso; signed and dated “A. Leu 1857” lower left 17 x 25 in — 43.2 x 63.5 cm PROVENANCE:

Thomas Wilson, Edinburgh label to the frame verso; The Estate of Lawrence Goode; By descent to the present Private Collection, Nottawa, ON $1,500 — 2,500


138 FRANZ SCHREYER (1858–1936), GERMAN BOATS AT HARBOUR, NAPLES BAY, 1887

Oil on canvas; signed and dated 87 lower right 13 x 21 in — 33 x 53.3 cm PROVENANCE:

Private Collection of Frantisek Sevcik, (former Consul General for the Czechoslovakian government in Paris or Helsinki), the consignor’s grandfather, probably acquired pre-WWII in Helsinki c.1926-1935; By descent $800 — 1,000

139 F. KARDAETZ (19TH CENTURY), GERMAN MÄDCHEN MIT WEINTRAUBEN (GIRL WITH GRAPES), 1893

Oil on canvas; signed bottom centre, titled in German and numbered “Kat. 107” in pen and ink to the partial Gemälde vom Preußischen Kunstverein label to the top stretcher, 20 x 17 in — 50.8 x 43.2 cm PROVENANCE:

Paintings from the Prussian Art Association (Gemälde vom Preussischen Kunstverein) remains of label to the stretcher, Kat. 107; The Estate of Lawrence Goode; By descent to the present Private Collection, Nottawa, ON EXHIBITED:

Paintings from the Prussian Art Association (Gemälde vom Preussischen Kunstverein) label to the frame, Kat. 107, partial label to the top stretcher $800 — 1,200


140 M. G. FRIEDRICH (1800 - 1899), GERMAN YACHT RACING

Oil on canvas; signed lower right 24 x 36 in — 61 x 91.4 cm PROVENANCE:

Private Collection, Niagara-on-the-Lake, ON $500 — 700

141 RAINER RETLEUF (20TH CENTURY), GERMAN IN BALDHAM NEAR MUNICH, 1943

Oil on canvas; signed and dated 1943 in the wet paint lower left, signed by another and inscribed indistinctly in German dated 1.8.43 at Baldham in pencil verso 23.75 x 31.75 in — 61 x 81.3 cm PROVENANCE:

Gifted by the artist in friendship and memory on August 1, 1943 $600 — 800


142 MIKLÓS (NIKOLAUS) SANTHÓ (1869-1932), HUNGARIAN LADY IN HER BOUDOIR, 1921

Oil on canvas; signed ‘Santho Senior’ and dated 1921 lower left 28 x 22 in — 71.1 x 55.9 cm PROVENANCE:

Private Collection, Toronto inherited from their mother-in-law who formerly resided in Hungary $700 — 900

143 MIKLÓS (NIKOLAUS) SANTHÓ (1869-1932), HUNGARIAN TREES BY THE RIVER, 1916

Oil on canvas; signed “S” and dated 1916 lower left 28 x 24 in — 71.1 x 61 cm PROVENANCE:

Private Collection, Toronto inherited from their mother-in-law who formerly resided in Hungary $500 — 700


144 MIKLÓS (NIKOLAUS) SANTHÓ (1869-1932), HUNGARIAN GENTLEMAN AND LADY SPECTATORS ON A HILLSIDE LOOKING OUT TO AN EXTENSIVE LANDSCAPE BELOW, 1921

Oil on canvas; signed ‘Santho Senior’ and dated 1921 lower left 21.5 x 17.75 in — 54.6 x 45.1 cm PROVENANCE:

Private Collection, Toronto inherited from their mother-in-law who formerly resided in Hungary $500 — 700

145 LÁSZLÓ MEDNYÁNSZKY (1852–1919), HUNGARIAN LAKEVIEW THROUGH TREES

Watercolour; signed mid right Sight 10 x 13.5 in — 25.4 x 34.3 cm PROVENANCE:

With Griette Et Anis, France label verso; Private Collection, Halifax, NS by descent through the family from their grandparents $800 — 1,200


146 LÁSZLÓ MEDNYÁNSZKY (1852–1919), HUNGARIAN RIVER WATERFALL, 1919

Watercolour heightened with white on grey paper; signed in pencil lower right and stamped and dated “Mednyanszky Hagyatekabol 1919” to estate stamp lower right 10.25 x 14.25 in — 26 x 36.2 cm PROVENANCE:

Georges Sirugue Encadremont d’Art, Paris label verso; Private Collection, Halifax, Nova Scotia by descent through the family from their grandparents $800 — 1,200

147 REZSÖ RAKSSÁNYI (1879-1950), HUNGARIAN A ROYAL CEREMONY IN A VAULTED INTERIOR

Oil on canvas; signed lower right 20 x 16 in — 50.8 x 40.6 cm PROVENANCE:

Private Collection, Halifax, Nova Scotia by descent through the family from their grandparents $900 — 1,200


148 ANTAL (ANTON) PECZELY (1891–1963), HUNGARIAN THE COLLECTOR

Oil on canvas; signed lower right 21 x 26 in — 53.3 x 66 cm $700 — 900

149 GYULA RUDNAY (1878-1957), HUNGARIAN PARK SCENE WITH FIGURES AWAITING HORSEMAN, CIRCA 1912 -1922

Oil on canvasboard: signed, dated indistinctly 1912 or 1922 and indistinctly inscribed at “Lovas” lower right 14 x 18 in — 35.6 x 45.7 cm PROVENANCE:

With Griette Et Anis, Paris label verso Private Collection, Halifax, Nova Scotia by descent through the family from their grandparents $1,000 — 1,500


150 ANTAL BERKES (1874-1938), HUNGARIAN SNOW REMOVAL ON THE STREETS OF BUDAPEST

Oil on canvas; signed lower left 16” x 19.73” — 40.6 x 50.1 cm. $800 — 1,200

151 ILONA E. ELLINGER DEAK-EBNER (1943- ), HUNGARIAN/AMERICAN ESTE (TWO WOMEN WALKING ON A SNOWY NIGHT WITH A BLACK CAT), 1981

Acrylic on board; signed and dated 1981 lower right, titled to label verso 18.8 x 23.5 in — 47.7 x 59.7 cm PROVENANCE:

Képcsarnok V. label verso stamp dated “1981 May” $300 — 500


152 MARIA GIANNI (1873-1956), ITALIAN BAY OF NAPLES (TWO VIEWS)

Pair of gouache and watercolours on paper; each signed lower left Each sight 7.5 x 16 in — 19.1 x 40.6 cm PROVENANCE:

The Estate of Lawrence Goode; By descent to the present Private Collection, Nottawa, ON $300 — 400

153 Y. GIANNI (19TH/20TH CENTURY), ITALIAN BAY OF NAPLES; NEAPOLITAN STREET SCENE

Pair of watercolours on board; the first signed lower right, the second signed lower left Each sight 13.75 x 9.75 in — 34.9 x 24.8 cm PROVENANCE:

The Estate of Lawrence Goode; By descent to the present Private Collection, Nottawa, ON $300 — 400


154 A. LUZZI (19TH CENTURY), NEAPOLITAN LANDSCAPE WITH AQUADUCT; CORALLING THE BULL, 1875

Pair of oils on panel; each signed and dated ‘75, the first lower right, the second lower left Each 7.5 x 11.5 in — 19.1 x 29.2 cm PROVENANCE:

The Estate of Lawrence Goode; By descent to the present Private Collection, Nottawa, ON $400 — 600

155 OSCAR RICCIARDI (1864-1935), ITALIAN ITALIAN MARKET SCENE

Oil on canvas; signed “Ricciardi” lower left 16 x 10 in — 40.6 x 25.4 cm $200 — 400


156 F. ROSSI (19TH CENTURY), BRITISH CAVALIER PRACTICING DRUMS

Oil on British stamped canvas; signed with unknown monogram initials lower left, ascribed to “F. Rossi” to the nameplate 13.25 x 9.5 in — 33.7 x 24.1 cm $400 — 500

157 ATTRIBUTED TO EUGENE EDMUND LADELL (BORN CIRCA 1850 - ), BRITISH A SWEET COMPOSITION (STILL LIFE WITH FLOWERS AND A BUTTERFLY ON A MARBLE LEDGE)

Oil on canvas; signed with “EL” monogram initials lower left, signed “E. E. Ladell ... Liner” to the stretcher, further inscribed “Eugene Edmund Ladell ... Born about 1850... and inscribed “Brother Edward Ladell” in pen and ink to the remains of an handwritten label to the top stretcher, titled to the nameplate 23.75 x 19.75 in — 60.3 x 50.2 cm $300 — 500


158 SERGIO CIRNO BISSI (1902-1987), ITALIAN SUNDAY IN THE PARK, 1958

Oil on canvas; signed lower left, signed and dated 1958 at Firenze verso 25 x 21 in — 63.5 x 53.3 cm PROVENANCE:

Doyle, New York, Lot 204a, 06/04/2008 label verso; Leonardo Galleries, Toronto label verso; Private Collection, Whitby, ON $1,200 — 1,800

159 MICHELE FEDERICO (1884 - 1966), ITALIAN A VIEW FROM THE CLIFFS OF CAPRI

Oil on canvas; signed bottom right, the canvas numbered “No. 4” verso, titled and inscribed “Cav. Michele Federico” in pencil to the liner verso 11.5 x 15.5 in — 29.2 x 39.4 cm $800 — 1,200


160 MARIA LUISA RUFFO (1904-1981), ITALIAN PAESAGGIO BORGATA

Oil on masonite; signed lower left, titled to exhibition label verso 19.75 x 27.5 in — 50.2 x 69.9 cm EXHIBITED:

Mostra Italiana D’Arte, Toronto (Canada) exhibition label verso $200 — 300

161 JACK CLEMENTE (1926-1974), ITALIAN PARIS JARDIN, 1961

Oil on canvas; signed “Clemente” and dated 61 lower right, signed “Clemente”, titled twice and dated 61 in black paint verso. 35 x 23.75 in — 88.9 x 60.3 cm PROVENANCE:

With Arthur Lenars & Cie., Paris, label to the stretcher, it being inscribed in pen and ink “Max Stern”; Dominion Gallery, Montreal, Inventory No. F3076; Private Collection, Grimsby, ON $1,000 — 1,500


162 LUCIO RANUCCI (1925 - 2017), ITALIAN PORTOFINO, 1967

Oil on canvas; signed and dated 67 upper right, signed, titled and dated verso. Unframed. 19.75 x 27.5 in — 50.2 x 69.9 cm $400 — 600

163 *** RUIZ (20TH CENTURY), MEXICAN TWO CHILDREN WALKING

Grisaille watercolour and ink; signed “Ruiz” lower left Sight 12.5 x 9.5 in — 31.8 x 24.1 cm PROVENANCE:

Private Collection, Markham, ON $200 — 300


164 MIECZYSLAW KRZYZAK (1914–1984), POLISH WOLF ATTACK

Oil on canvas; signed lower right, titled to the stretcher 24 x 32 in — 61 x 81.3 cm $700 — 900

165 EDWARD PIERZYNSKI (B. 1921), POLISH TROIKA RACING THROUGH THE SNOW

Oil on canvas; signed lower right 24 x 36 in — 61 x 91.4 cm $400 — 600


166 KONSTANTY MACKIEWICZ (1894-1985), POLISH SUMMER FOREST

Oil on canvas; signed lower right, titled to gallery label verso 27 x 39 in — 68.6 x 99.1 cm PROVENANCE:

The Fine Art Galleries, The T. Eaton Co. Limited, Canada, Inv. No. 15705, Code 560 to gallery label verso $1,000 — 1,500

167 LEONID KUZMIN (1891-1951), RUSSIAN KRAJINA IN KOLI, 1929

Colour pastel on paper; signed lower left, titled and dated 1929 in pen and ink verso and inscribed by the artist at Helsinki in 1930 verso 12.5 x 18.25 in — 31.8 x 46.4 cm PROVENANCE:

Private Collection of Frantisek Sevcik, (former Consul General for the Czechoslovakian government in Paris or Helsinki), the consignor’s grandfather, probably acquired pre-WWII in Helsinki c.1926-1935; By descent $500 — 800


168 ALFREDO PALMERO DE GREGORIO (1901–1991), SPANISH NOTRE DAME IN SNOW, PARIS, 1961

Oil on canvas; signed and dated 1961 at Paris lower right 16 x 24 in — 40.6 x 61 cm $500 — 700

169 CIRCLE OF MARIUS ALEXANDER JACQUES BAUER (1867 – 1932), DUTCH EL NENE

Oil on canvas 66 x 28.25 in — 167.6 x 71.8 cm PROVENANCE:

Purchased in Spain in the 1940’s as “El Nene” by the grandparents of the present Private Collection, Toronto $400 — 600


170 VICTORIANO CODINA Y LANGLIN (1844-1911), SPANISH THE FABRIC SELLER, 1881

Oil on canvas; signed ‘V. Codina-L’ and dated 1881 lower left 18 x 12 in — 45.7 x 30.5 cm PROVENANCE:

Private Collection, Toronto $800 — 1,200

171 LAUROIX? (20TH CENTURY), FRENCH SCHOOL ORIENTALIST GATEWAY TO A VILLAGE

Oil on canvas; indistinctly signed lower right 15.75 x 12 in — 40 x 30.5 cm $100 — 200


172 UNIDENTIFIED (20TH/21ST CENTURY), EUROPEAN/NORTH AMERICAN MAN SEATED WITH HIS WHITE PERSIAN CAT

Oil on canvas; signed with indistinct conjoined initials possibly “KN” or “KM” lower left 24 x 30 in — 61 x 76.2 cm PROVENANCE:

Private Collection, Brampton; Private Collection, Toronto $300 — 400


Buying at Waddington’s All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or oral announcement. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any oral announcement or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s™ and the consignor (seller) of the lot. Descriptions or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale.

condition of lots

All of the items are to be considered, unless otherwise noted in the description or condition report, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should examine the pieces in person or have our staff answer any questions before bidding. Sizes are approximate. It is the sole responsibility of the bidder to inquire as to the condition of a lot before bidding. Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale. Frames on artwork are not included as part of purchase or condition.

buyers premium

A premium of 20% of the successful bid price of each lot. A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer’s premium, except for purchases exported from Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province.

payment

Payment for purchases must be by cash, INTERAC direct debit (CDN clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), VISA or Mastercard (up to $25,000). ALL PRICES IN CANADIAN FUNDS

Selling at Waddington’s bidding

The Auctioneer may also execute bids on behalf of the consignor to protect the reserve. The reserve is the confidential minimum price the seller is willing to accept for his or her property, below which it will not be sold.

shipping

waddington’s commission rates Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $251 to $2,500 20%

The Auctioneers will not undertake packing or shipping. The purchaser must designate and arrange for the services of an independent shipper and be responsible for all shipping, insurance expenses and any necessary export permits that may apply. The Auctioneers will, upon request, provide names of professional packers and shippers but will not be held responsible for the service or have any liability for providing this information. Reliable preauction estimates of shipping costs of lots offered in this sale may be obtained from:

Items selling for $250 or less 25%

PakShip

*There is a minimum handling charge of $20 per item

Safer Shipping Inc. 416-299-3367 / 416-299-9750 perry@safershipping.ca / www.safershipping.ca

A 1% insurance charge, based on the hammer price of the property, will be applied to all accounts.

905-470-6874 / 905-470-6875 / 416-293-8225 taurus@pakship.ca / www.pakship.ca

removal of purchases

Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15). Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients.

cites

Restrictions exist regarding the import and export of species protected under CITES (Convention on International Trade in Endangered Species). This includes but is not limited to items made of or containing bone (whalebone etc.), ivory, tortoise shell, seal skin, rhinoceros horn and any other animal part and is strictly controlled or forbidden by most countries. Please review your country’s laws before bidding on pieces made of or containing these restricted items. It is the sole responsibility of the buyer to inquire about and obtain the proper permits for artwork purchased that may contain restricted materials, if such permit can be obtained. Please contact the department for further assistance. Failure to obtain necessary import/ export permits will not void any sale. All Narwhal Tusks must have a Marine Harvest Number or a Marine and Mammal Transport number to be sold at Waddington’s. For more information please visit: www.cites.org

*There is a minimum handling charge of $20 per item canadian art department commission rates Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $2,500 or less 20%

insurance

auction advice

For auction advice on paintings, drawings, prints, jewellery, and various forms of decorative arts and other collectibles, please feel free to contact us via email or telephone. We are pleased to review emails containing photographs and information on your pieces in order to provide auction estimates for you to consider. For collections with a variety of objects, please contact our Appraisals and Consignments department (consignments@waddingtons. ca). For department-specific inquiries, please contact the specialist and/or department directly. All contact information can be found at www.waddingtons.ca. Our offices are located in Toronto and Vancouver, but our specialists occasionally travel to major Canadian cities to meet with prospective consignors. To receive more information on Valuation Days across Canada or to arrange an appointment, please contact our Toronto office (416-504-9100). Please note that property typically arrives at Waddington’s at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items. Consignors will receive a contract to sign, setting forth terms and fees for our services.


Conditions of Sale 1. All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted or announced verbally in the auction room prior to the time of sale. While the auctioneer has endeavoured not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made. An opportunity for inspection of each article is offered prior to the time of sale. No sale will be set aside on account of lack of correspondence of the article with its description or its reproduction, if any, whether colour or black & white. Some lots are of an age and/or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others. Frames on artwork are not included as part of purchase or condition. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid, relying upon their own advisers, and to bid accordingly. 2. Each lot sold is subject to a 20% buyers premium as part of the purchase price. 3. Unless exempted by law, the buyer is required to pay Harmonized Sales Tax on the total purchase price including the buyer’s premium. For international buyers, taxes are not applicable when purchases are shipped out of country. Items shipped out of Ontario, the buyer is required to pay taxes as per the tax status of that province, whether it HST or GST (Goods and Services Tax).

6. Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in attendance at the sale. 7. The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The auctioneer’s decision in all cases shall be final. 8. Immediately after the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-offering the item for sale. 9. The buyer shall pay for all lots within 48 hours from the date of the sale, after which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale, after which storage charges may be incurred.

4. The auctioneer reserves the right to withdraw any lot from sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice.

10. Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away.

5. The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized.

11. Notwithstanding condition no. 1, if the buyer, prior to removal of a lot, makes arrangements satisfactory to the auctioneer for the inspection of such lot by a fully qualified person acceptable to the auctioneer to determine the genuineness or authenticity of the lot, to be carried out promptly following the sale of the lot, and if, but only if, within a period of 14

days following the sale a written opinion of such person is presented to the auctioneer to the effect that the lot is not genuine or authentic, accompanied by a written request by the buyer for rescission of the sale, then the sale of the lot will be rescinded and the sale price refunded to the buyer. 12. Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), and VISA or Mastercard (up to $25,000). 13. In the event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for: (a) any deficiency in price between the resale amount and the amount to have been paid by the original buyer; (b) any reasonable charge by the auctioneer for the storage of such articles until payment and removal by the subsequent buyer; and (c) the amount of commission which the auctioneer would have earned had payment been made in full by the original buyer. 14. It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them. 15. The auctioneer acts solely as agent for the consignor and makes no representation as to any attribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada). 16. The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.


Waddington’s 275 King Street East, Second Floor Toronto, Ontario M5A 1K2

tel: 416-504-9100 toll free: 1-877-504-5700 www.waddingtons.ca

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British & Continental Art | OCT 10-15, 2020  

British & Continental Art | OCT 10-15, 2020  

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