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Asian Art NOVEMBER 30 — DECEMBER 5, 2019


Asian Art NOVEMBER 30 — DECEMBER 5, 2019


bid online at onlineauctions.waddingtons.ca

asian art specialist Austin Yuen ay@waddingtons.ca

all lots can be viewed online at www.waddingtons.ca

416-847-6195

on view

asian art specialist Amelia Zhu az@waddingtons.ca

Friday, November 29 from 2 pm to 5 pm Saturday, November 30

416-847-6185

front cover Lots 63-119 AN IMPORTANT SNUFF BOTTLE COLLECTION FROM A TORONTO ESTATE

front inside

Lot 6A ZHOU ZUOREN TWENTY-FOUR POEMS AUTOGRAPH LETTER

from 11 am to 4 pm

back inside

Sunday, December 1 from 11 am to 4 pm

Lot 125 A CINNABAR LACQUER ‘ENDLESS KNOT’ BOX AND COVER, QING DYNASTY, 18TH CENTURY

Monday, December 2 from 10 am to 12 pm

back cover Lot 166 A LARGE BLACK SCHIST FIGURE OF THE FASTING BUDDHA

preview held at 275 King Street East, 2nd Floor Toronto, Ontario M5A 1K2 tel: 416-504-9100 toll free: 1-877-504-5700 This catalogue and its contents © 2019 Waddington McLean & Company Ltd.

This auction is subject to the Conditions of Sale printed in the back of this catalogue.

Photography & design by Waddington’s All Rights reserved.


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A CHINESE SILK EMBROIDERY ROSEWOOD TABLE SCREEN, 19TH CENTURY

A LARGE SILK EMBROIDERED ‘DAOIST IMMORTALS’ TEXTILE, 19TH CENTURY

ATTRIBUTED TO DONG QICHANG (1555-1636), CALLIGRAPHY

清 十九世紀 刺繡祝壽圖

董其昌 (1555-1636) 款 書法立軸 紙本

十九世紀 酸酯框嵌百鳥圖刺繡插屏

The centre embroidered with Fu, Lu, and Shou, the sides depicting the Eight Immortals and the top with the Queen Mother of the West 113 x 65 in — 287 x 165.1 cm

Ink on paper; hanging scroll mounted image 57.5 x 12.8 in — 146 x 32.5 cm

Decorated with the ‘hundred birds’ motif with pheasants and mandarin ducks by flowering branches; the panel mounted in rosewood frame and raised on a trestle support carved with lotus and key-frets in openwork, flanked by a pair of Shishis on each side. overall 28.3 x 20.7 in — 72 x 52.5 cm

$400 — 600

PROVENANCE:

Purchased in Hong Kong during the 1960s 由藏家於二十世紀六十年代購於香港 $4,000 — 6,000

$800 — 1,200

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TWO ‘BIRDS AND FLOWERS FAN’ PAINTINGS, LATE QING/EARLY REPUBLICAN PERIOD

TWO FAN PAINTINGS OF A LANDSCAPE AND FLOWERS, LATE QING/EARLY REPUBLICAN PERIOD

TWO CALLIGRAPHY FAN PAINTINGS, LATE QING/EARLY REPUBLICAN PERIOD

晚清/民國 花鳥扇面兩張 設色金箔紙本 鏡心

晚清/民國 山水扇面 花卉扇面一組兩張 設 色紙本 鏡心

晚清/民國 書法扇面一組兩張 水墨紙本 鏡心

Ink and colour on gold painted paper largest image width 20.3 in — 51.5 cm $800 — 1,200

Ink and colour on paper largest image width 20.7 in — 52.5 cm $1,000 — 1,500

Ink on paper largest image width 20.1 in — 51 cm $600 — 800


6A

6B

6C

ZHOU ZUOREN (1885-1967), TWENTY-FOUR POEMS AUTOGRAPH LETTER

WU QIZHOU (K.K.CHOW), AUTOGRAPH LETTER SIGNED TO MR. ZHONG FANG, REPUBLICAN PERIOD

XIAO XIAN (1902-1997), CALLIGRAPHY COUPLET

周作人 (1885-1967) 手稿 《兒童生活詩》二 十四首 水墨紙本 信札 signed

蕭嫻 (1902-1997) 書法對聯 水墨紙本 立軸

民國時期 吳啟周 手稿 信札六張 款識: 蕭嫻年八八

See website for full catalogue details. 8.3 x 5.3 in — 21 x 13.4 cm

吳啟周 K.K.CHOW,上海盧吳古董公司創 始人之一 10.7 x 2.9 in — 27.2 x 17 cm

See website for full catalogue details

$300 — 500

$200 — 400

$200 — 400

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WU YISHENG (1929-2009), NINE CARPS

WU YISHENG (1929-2009), ‘A DEVOTED COUPLE’

ATTRIBUTED TO ZHAO SHAO’ANG (1905-1998), FOUR SPARROWS

伍彛生 (1929-2009)「九如圖」設色紙本 鏡心

伍彛生(1929-2009) 「鶼鰈情深」設色紙本 鏡 心

趙少昂 (1905-1998) 款 四雀圖 設色紙本 鏡 心

Ink and colour on paper 37.8 x 23.2 in — 96 x 59 cm

Ink and colour on paper, signed 27.2 x 20.9 in — 69 x 53 cm

Ink and colour on paper, inscribed and signed 68.9 x 37 in — 175 x 94 cm $2,000 — 3,000

LITERATURE:

See website for full catalogue details., $1,200 — 1,500

height 52.8 in — 134.2 cm

$600 — 800


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ATTRIBUTED TO YANG SHANSHEN (1913-2004), WRITING LADY

ATTRIBUTED TO YANG SHANSHEN (1913-2004), SCHOLAR AMONG PINE FOREST

楊善深 (1913-2004) 款 執筆仕女圖 設色紙 本 鏡片 Ink and colour on paper, signed 53.1 x 13.4 in — 135 x 34 cm $600 — 800

楊善深 (1913-2004) 款 松林高士圖 設色紙 本 鏡片 Ink and colour on paper, signed 53.1 x 13.4 in — 135 x 34 cm $600 — 800

12 AFTER LIN FENGMIAN (1900-1991), KING AND HIS CONCUBINE 林風眠(1900-1991) 款「霸王別姬」設色紙本 鏡框 Ink and colour on paper; framed image 26.1 x 26.7 in — 66.3 x 67.8 cm PROVENANCE:

An Important Private Montreal Collection. 來源: 蒙特利爾私人珍藏 $3,000 — 5,000


LOTS 13 — 18 A COLLECTION OF WORKS BY SHI HU PROVENANCE: An Important Private Montreal Collection. The collector befriended and acquired the artwork directly from the artist during his time in Canada. 來源: 重要蒙特利爾私人珍藏,畫家石虎居住於加拿大時期,由藏家直接獲贈於其好友畫家本人

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SHI HU (B.1942), NIGHTSCAPE

SHI HU (B.1942), IN THE BAMBOO FOREST

石虎(1942-)「戴月圖」設色紙本 鏡框 Ink on paper; framed image 39 x 21 in — 99.1 x 53.3 cm

石虎(1942-)「蔽竹圖」水墨紙本 鏡框 Ink on paper; framed image 26 x 22.5 in — 66 x 57.2 cm

$4,000 — 6,000 $3,000 — 4,000


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SHI HU (B.1942), BENDING WOMAN

SHI HU (B.1942), THREE WOMEN

石虎(1942-)「俯人圖」水墨紙本 鏡心

石虎(1942-)「三美圖」設色紙本 鏡心

Ink on paper image 39.2 x 27 in — 99.6 x 68.6 cm

Ink and colour on paper image 40.2 x 29 in — 102.1 x 73.7 cm

$3,000 — 4,000

$2,000 — 3,000

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SHI HU (B.1942), SWEEPING MONK

SHI HU (B.1942), BATHING WOMEN

石虎(1942-)「掃地僧」水墨紙本 鏡框

石虎(1942-)「浴女圖」水墨紙本 鏡框

Ink and colour on paper image 49.7 x 26.7 in — 126.2 x 67.8 cm

Ink on paper; two framed panels each image 14.6 x 10.6 in — 37 x 27 cm

$4,000 — 6,000

$2,000 — 4,000


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A GROUP OF THIRTEEN CHINESE ANTIQUE REFERENCE BOOKS

A GROUP OF SIXTY-SEVEN ISSUES OF ‘ARTS OF ASIA’ MAGAZINE, (1975-1993)

中國古董類參考書籍一組十三本

1975-1993年《亞洲藝術》雜誌期刊一組共六十 七本

A GROUP OF ONE HUNDRED AND TWENTY-THREE ISSUES OF ‘ORIENTATIONS’ MAGAZINE, (19741990)

See website for full catalogue details.

16開/彩色印刷 《亞洲藝術》雜誌創刊於1970年,亞洲藝術領域 的主要主導雜誌,發行量最大的雜誌之一,為 亞洲藝術研究者提供有價值的資源。 11.9 x 9.1 in — 30.2 x 23 cm

1974-1990年《美成在久》雜誌一組一百二十 三本

$300 — 500

11.2 x 8.3 in — 28.5 x 21 cm

$300 — 500

Together with ‘Orientations Index 1981-1985’ and two slip cases; in fair condition

$300 — 500

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A RED GILT LACQUERED OFFICIAL’S CANE, 19TH CENTURY

A RED LACQUER WEDDING BASKET, 19TH CENTURY

A LARGE GILT LACQUERED FIGURAL HEADBOARD, 19TH CENTURY

十九世紀 漆金浮雕’一品當朝’藤杖

十九世紀 漆木喜籃

十九世紀 木漆金鏤雕人物故事床頭板

height 52 in — 132.1 cm

height 22 in — 55.9 cm

20.1 x 77.2 in — 51 x 196 cm

$400 — 600

$600 — 800

$1,500 — 2,000


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A PAIR OF CHINESE GILT WOOD TEMPLE STANDS, 19TH CENTURY

A CHINESE BLACK LACQUER MOTHER-OF-PEARL AND BONE INLAID TWO-TIER CABINET, EARLY 20TH C.

A ROSEWOOD MOTHER-OF-PEARL AND MARBLE INLAID CHAIR, EARLY 20TH CENTURY

二十世紀早期 黑漆嵌骨珍珠母貝花鳥紋大 櫃

二十世紀早期 紅木大理石嵌螺鈿’八仙’太 師椅

In two sections, surface decorated with bone-inlaid scrolling floral vines and birds within borders against black lacquer ground 80.7 x 34.9 x 19.9 in — 205 x 88.7 x 50.5 cm Contains material which may be subject to import/export regulation

The rosewood frame fixed with two slabs of marble, the back circular framed inlaid with attributes of the Eight Immortals in mother-ofpearl 38.7 x 26.9 x 21.1 in — 98.4 x 68.4 x 53.7 cm Contains material which may be subject to import/export regulation

$2,000 — 3,000

$1,000 — 1,500

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A CHERRY INLAID ROSEWOOD TWO-TIERED STAND, 19TH CENTURY

A PAIR OF CHINESE ROSEWOOD CARVED HIGH TABLES

十九世紀 花梨嵌櫻桃木回紋雕高低桌

花梨特高回紋帶托泥香几一對

A SET OF FOUR CHINESE ROSEWOOD NESTING TABLES, LATE QING/EARLY REPUBLICAN PERIOD

The tops inlaid with cherry wood, each tier with a hidden drawer compartment 34.8 x 35.5 x 16.3 in — 88.4 x 90.2 x 41.4 cm

40.9 x 15 x 15 in — 104 x 38 x 38 cm

十九世紀 金漆木雕寺廟建築構件後製落地 燈一對 Later wired into lamps with lantern-form silk lamp shades height 74 in — 188 cm $1,500 — 2,000

Contains material which may be subject to import/export regulation $2,000 — 3,000

晚清/民國 透雕酸枝套桌一組四件 largest 28.3 x 19.7 x 14.6 in — 72 x 50 x 37 cm Contains material which may be subject to import/export regulation $1,500 — 2,000

Contains material which may be subject to import/export regulation $400 — 600


31 A CHINESE ROSEWOOD DRESSING TABLE 花梨梳妝台 31.2 x 28.6 x 15.4 in — 79.2 x 72.6 x 39.2 cm Contains material which may be subject to import/export regulation $800 — 1,200

32 A SET OF TEN BLACK LACQUER PAINTED HANGING PANELS, LATE QING DYNASTY 晚清 黑漆描金木雕人物山水紋掛屏一套十 屏 Painted with a continuous lively courtyard scene, complete with musicians, actors and patrons; each wood frame decorated with stylized chilong dragons each panel 59.5 x 11.5 in — 151.1 x 29.2 cm $2,000 — 2,500

33 A MASSIVE CARVED ZITAN FIVE DRAWER COFFER TABLE, QING DYNASTY, 19TH CENTURY 清 十九世紀 紫檀如意紋五聯櫥 The top comprised of six panels and with everted scroll-ends, the five-drawer and hinged-door front flanked by spandrels all carved with key-fret patterns in low relief 38.8 x 91 x 22.7 in — 98.6 x 231.1 x 57.7 cm $15,000 — 20,000


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A CELADON AND RUSSET JADE CENSER

A CELADON JADE CARVED ‘GU’ VASE

A MASSIVE JADE CARVED CONG

青玉雕螭龍耳菱式觚

玉琮

青玉帶皮簋式爐

With stand 帶座 height 6.2 in — 15.7 cm

diameter 9.4 in — 24 cm

$400 — 600

$400 — 600

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A JADE CARVED FISH

TWO JADE CARVED BEASTS

TWO JADE PLAQUE CARVINGS

玉雕魚擺件

灰玉 青白玉雕瑞獸兩件

谷紋玉插屏 玉鏤雕盆景紋插屏一組兩件

With stand and box 帶座帶盒 length 9.4 in — 24 cm

length 3.5 in — 9 cm

Consisting of a bi disc and a reticulated carving of a flower basket; on stands largest diameter 2.3 in — 5.9 cm

2.3 x 5 in — 5.8 x 12.7 cm $300 — 500

$400 — 600

$400 — 600

$300 — 500


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A WHITE AND RUSSET JADE CARVING OF A RECLINING FIGURE

A CELADON WHITE JADE ‘LOTUS’ BRUSH WASHER, EARLY 20TH CENTURY

A CELADON JADE MINIATURE RUYI SCEPTER, EARLY 20TH CENTURY

二十世紀初期 青白玉荷葉形筆洗 The washer is carved in the form of a lotus leaf, the stone of even pale celadon tone length 13.5 in — 34.3 cm

The ruyi head carved in low relief with a bat flying over double peaches, stone of even celadon colour length 2.6 in — 6.5 cm

$300 — 500

$300 — 500

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A CELADON AND RUSSET JADE ‘MOUNTAIN’ BRUSHREST, EARLY 20TH CENTURY

A CELADON WHITE JADE INK REST

A WHITE JADE ‘CATS AND BUTTERFLY’ CARVING

白玉帶皮人物葉形擺件 The figure carved with flowing robes and reclining on a lotus leaf; with stand 帶座 length 3.7 in — 9.4 cm PROVENANCE:

See website for full catalogue details.

二十世紀初 青玉福壽紋小如意

$600 — 800

二十世紀初期 青玉帶皮臥馬筆架山 Carved in the form of a four-peak mountain range with a recumbent horse resting at the foot; the stone is of celadon tone with patches of russet skin length 3.9 in — 10 cm $300 — 500

青白玉墨床 Carved in the shape of a typical wood stand with scrolled ends that form the supports, the stone an even pale celadon colour length 3.3 in — 8.5 cm $400 — 600

白玉圓雕耄耋擺件 The circular-form stone is carved as two recumbent cats curled head to tail holding a stick of lingzhi between them, a single butterfly hovering above; the stone of even white colour length 2 in — 5.2 cm $200 — 400


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A CELADON WHITE JADE ‘CHILONG’ BELT HOOK, LATE QING DYNASTY

TWO WHITE JADE BELT HOOKS, LATE QING DYNASTY

A WHITE JADE BELT HOOK

晚清 青白玉蒼龍教子帶鉤

晚清 白玉雕蒼龍教子帶鉤一組兩件

Carved and pierced with a chilong grasping a lingzhi fungus clambering on the shaft towards a dragon-head terminal, the stone is of an even pale celadon tone with splashes of russet length 4.8 in — 12.2 cm

Both carved in openwork and undercut with a chilong holding a lingzhi crawling towards the dragon head hook, stones of even white tone with clusters of white inclusions largest length 4.1 in — 10.5 cm

Carved with a dragon head terminal opposite a chilong crawling along the curved shaft, the reverse with a flat oval knob, the stone of a pale celadon colour length 5.1 in — 13 cm

$1,200 — 1,500

$1,800 — 2,400

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A WIDE CELADON WHITE JADE CARVED BELT HOOK

A LARGE WHITE JADE BELT HOOK

TWO CELADON WHITE JADE DRAGON AND PHOENIX BELT HOOKS

青白玉雕螭龍紋帶鉤

Powerfully worked and reticulated in high relief with a dragon head terminal facing an undercut clambering chilong on the curved shaft, the translucent stone of an even white colour length 5.5 in — 14 cm

With a horned dragon’s head forming the hook, the gently curved shaft decorated in openwork with a chilong striding amidst meandering leafy scrolls, with black streaked inclusions to the underside length 5.3 in — 13.5 cm $800 — 1,200

白玉雕蒼龍教子帶鉤

$2,000 — 3,000

白玉雕蒼龍教子帶鉤

$1,200 — 1,500

青白玉雕蒼龍教子紋鳳紋帶鉤兩件 Comprising of a belt hook carved with a chilong clambering on the shaft towards the dragon-head terminal; the other carved with a phoenix-head terminal and cloud scrolls on the body; the stones of even celadon colour longest length 4.3 in — 11 cm $800 — 1,200


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A CELADON AND RUSSET JADE ‘DRAGON’ BI DISC

TWO WHITE JADE SHAPED PENDANT PLAQUES

A WHITE JADE PLAQUE, QING DYNASTY

青玉鏤雕龍紋璧

白玉月下高仕詩文珮兩件

清 白玉雕童子喜鵲牌

Carved on one side in high relief with a writhing dragon, the reverse carved with archaistic beast heads, the stone of a celadon colour with honey-brown inclusions diameter 2.2 in — 5.6 cm

Both carved to one side with a literati figures and the reverse with poetic inscriptions, each cartouche framed under stylized double dragons, the stones of even white tone largest height 2.4 in — 6 cm

$400 — 600

$600 — 800

Carved to one side with two boys playing beneath a magpie, the reverse with four stylised characters, framed by a stylized ruyi heads and scrolling clouds, the stone of an even white tone 3.1 x 2.2 x 0.3 in — 7.8 x 5.5 x 0.8 cm $800 — 1,200

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A JADEITE RUYI HEAD-SHAPED PLAQUE WITH STAND, LATE QING DYNASTY

A WHITE JADE BOY HOLDING LINGZHI CARVING, LATE QING DYNASTY

A WHITE JADE LOCK-FORM PLAQUE WITH STAND, LATE QING DYNASTY

清末 白玉雕童子持靈芝擺件帶座

晚清 和田白玉「長命富貴」鎖形插屏

晚清 翡翠如意頭瓜果紋插屏

The boy well-carved with a cheerful expression on his round face, grasping a lingzhi branch, the creamy white stone with areas of russet inclusions; with stand overall height 2.7 in — 6.8 cm

Carved as a lock in the shape of a ruyi fungus, the characters ‘chang ming’ (longevity) on one side and ‘fu gui’ (prosperity) to the other, stone of even white tone with scattered icy inclusions overall height 4.3 in — 11 cm

$400 — 600

$600 — 800

With ruyi head shaped plaque is carved in low relief with morning glory to one side and fruits to the other. The stone is of good translucency, with rosewood stand overall height 6.1 in — 15.4 cm $600 — 800


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A WHITE JADE AND RUSSET BOY HOLDING LOTUS BRANCH, LATE QING DYNASTY

A JADEITE RECTANGULAR LOCK-FORM PLAQUE WITH STAND, LATE QING DYNASTY

A CELADON JADE RECTANGULAR LOCK-FORM PLAQUE, QING DYNASTY

清末 白玉帶皮巧雕童子持蓮把件

清末 翡翠鎖形插屏

Finely carved with a cheerful boy holding a spray of lotus resting over his shoulder. The stone is of an even white tone with russet inclusions height 2.3 in — 5.8 cm

Carved in the shape of a rectangular lock with two archaistic dragons confronting each other to the top, the stone of emerald green colour with darker inclusions overall height 4.3 in — 11 cm

$400 — 600

$400 — 600

Carved on one side with a four characters reading ‘zhuangyuan jidi’ (highest rank scholar); the reverse with another four stylized Chinese characters reading ‘yongbao pingan’ (eternal peace), all surrounded by two archaistic confronting dragons length 3.1 in — 8 cm

清 青玉雕鎖型「狀元及第」珮

$400 — 600

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A SPINACH JADE CARVED ‘DAJI’ WALL VASE, 19TH CENTURY

A PAIR OF CHINESE SOAPSTONE FIGURES OF FEMALE MUSICIANS, LATE QING/EARLY REPUBLIC PERIOD

清 十九世紀 碧玉雕「大吉」壁瓶 In the shape of a double-gourd, the large characters ‘da ji’ carved in low-relief against key-fret pattern; the flat back carved with a key-shaped aperture for suspension height 6.5 in — 16.5 cm $800 — 1,200

晚清/民國 壽山石雕抱琴仕女立像一對 height 11.1 in — 28.3 cm PROVENANCE:

See website for full catalogue details. $600 — 800


LOTS 63 — 119

AN IMPORTANT SNUFF BOTTLE COLLECTION FROM A TORONTO ESTATE 來源: 多倫多重要私人鼻煙壺珍藏, 於二十世紀初入藏 63 AN ELONGATED RED GLASS SNUFF BOTTLE, 19TH CENTURY 十九世紀 紅料瓜形鼻煙壺 The transparent ruby-red glass of slender form with high shoulders and tapered waist, raised on a recessed oval foot ring height 4.1 in — 10.4 cm $400 — 600

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66

A RUBY-RED GLASS SNUFF BOTTLE, 18TH/19TH CENTURY

A RED OVERLAY ‘HORSES’ GLASS SNUFF BOTTLE, 19TH CENTURY

十八/十九世紀 紅料刻卷草紋鼻煙壺

十九世紀 涅白地套紅料八駿圖鼻煙壺

A DARK OLIVE-GREEN OVERLAY RUBY-RED GLASS SNUFF BOTTLE, 19TH CENTURY

Of compressed globular form and demonstrating deep red complexion, both sides carved with stylized lily in symmetry; possibly for European export height 2 in — 5 cm

Decorated with eight playful horses in a natural landscape, carved against opaque white glass height 2.9 in — 7.3 cm

$400 — 600

$600 — 800

十九世紀 寶石紅地套墨綠料鼻煙壺帶座 The dark-green overlay glass near black, each side carved with a bird perched on a pomegranate; with stand height 2.7 in — 6.8 cm $400 — 600


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A RED OVERLAY SNOWFLAKE GLASS ‘DRAGON AND PHOENIX’ SNUFF BOTTLE, 19TH CENTURY

A RED OVERLAY ‘BAT AND LINGZHI’ GLASS SNUFF BOTTLE, 19TH CENTURY

A GROUP OF SEVEN RED OVERLAY PEKING GLASS SNUFF BOTTLES, 19TH/EARLY 20TH CENTURY

十九世紀 雪霏地套紅料龍鳳呈祥鼻煙壺 Of flattened globular form, carved with a sinuous chilong dragon to one side and a phoenix confronting a second dragon to the other, supported on an oval foot ring height 2.6 in — 6.7 cm

Of flattened ovoid form, the red overlay carved with a boy reaching for lingzhi on a cliff as a bat hovers above, continued on the reverse with an old man seated under a pine tree and facing a lingzhi mushroom sprouting from a rocky crag height 2.9 in — 7.4 cm

$400 — 600

$400 — 600

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TWO PEKING GLASS SNUFF BOTTLES, 19TH CENTURY

A GROUP OF SIX VARIOUS COLOUR OVERLAY PEKING GLASS SNUFF BOTTLES, LATE 19TH/20TH CENTURY

A GROUP OF THREE AVENTURINE GLASS SNUFF BOTTLES, 19TH/EARLY 20TH CENTURY

The first a blue glass overlay on white of flattened globular form, carved with bats spaced amongst cloud wisps; the second with green and red glass overlay on yellow of compressed ovoid form, carved with squirrels on grape vines

十九/二十世紀初期 雪霏透明地套各色料鼻 煙壺一組六件

十九/二十世紀初期 紅寶色/綠地灑金星鼻煙 壺一組三件

Of flattened globular, ovoid, and double-gourd forms, with blue, yellow and black overlays, including one with blue iridescent glass overlay tallest height 3.5 in — 8.9 cm

The first of flattened, rounded square-form, opaque green glass with underlying robin’s egg blue revealed at the foot.. largest height 2.7 in — 6.8 cm See website for full catalogue details.

$300 — 500

$400 — 600

十九世紀 套料鼻煙壺兩隻

十九世紀 雪霏地套紅料’福至心靈’鼻煙壺

十九/二十世紀初期 雪霏地套紅料鼻煙壺一 組七件 Each with red glass carved over a translucent body tallest height 3.3 in — 8.3 cm $600 — 800

$400 — 600


73

74

75

A PINK GLASS ‘CABBAGE’ SNUFF BOTTLE, 18TH/19TH CENTURY

AN INTERIOR PAINTED GLASS SNUFF BOTTLE, SIGNED MA SHAOXUAN

A GROUP OF EIGHT COLOURED GLASS SNUFF BOTTLES, 19TH/20TH CENTURY

十八/十九世紀 粉紅地套白料白菜式鼻煙壺

馬少宣款內畫牧羊圖詩文鼻煙壺

十九/二十世紀 各色料器鼻煙壺一組八件

Of elongated tapering form, a layer of dark pink glass sandwiched between two layers of white glass to imitate the natural hues on cabbage, the exterior carved and rendered as overlapping leaves height 3 in — 7.6 cm

Of flattened, rounded rectangular form, calligraphy to one side and a group of three rams to the other height 2.6 in — 6.6 cm

Including one imitation-agate glass snuff bottle; all with jadeite and various hardstone stoppers largest height 3.3 in — 8.3 cm $300 — 500

$400 — 600

$4,000 — 6,000

76

77

78

A GROUP OF TEN AGATE SNUFF BOTTLES, 19TH/20TH CENTURY

A GROUP OF FIVE AGATE SNUFF BOTTLES, 19TH/20TH CENTURY

AN INTERIOR-PAINTED AGATE SNUFF BOTTLE, REPUBLICAN PERIOD

十九/二十世紀 瑪瑙‘松下問童子’等鼻煙壺 一組十件

十九/二十世紀 影子瑪瑙巧雕荷塘清趣 花鳥 布袋和尚紋鼻煙壺一組五件

民國時期 瑪瑙內畫庭園仕女紋鼻煙壺

With amber, coral, and hardstone stoppers tallest height 2.8 in — 7.1 cm

Of flattened circular, ovoid, and rounded rectangular forms; four carved with various animals and figures

$800 — 1,500

largest height 2.9 in — 7.4 cm

Of rounded square form, the natural agate inclusions incorporated as foreground rockery for an interior painted lady standing in a pavilion, the reverse with red flowers height 2.8 in — 7.1 cm

$800 — 1,500

$400 — 600


79

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A GROUP OF FOUR STONE CARVED SNUFF BOTTLES, 19TH/20TH CENTURY

A GROUP OF EIGHT AGATE SNUFF BOTTLES, 19TH/20TH CENTURY

A GROUP OF NINE CHALCEDONY SNUFF BOTTLES, 19TH/20TH CENTURY

十九/二十世紀 石巧雕花鳥紋鼻煙壺一組 四件

十九/二十世紀 瑪瑙礦石虎眼石鼻煙壺一組 八件

十九/二十世紀 玉髓瑪瑙鼻煙壺一組九件

Consisting of opal, fossiliferous limestone, rhodonite, and ruby zoisite tallest height 2.9 in — 7.4 cm

Consisting of tiger’s eye, blue lace, banded, and moss agates largest height 3.2 in — 8.1 cm

$300 — 500

$400 — 600

82

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84

A FILIGREE AND HARDSTONE EMBELLISHED SPINACH JADE SNUFF BOTTLE, LATE 19TH/20TH CENTURY

A BLACK HARDSTONE CARVED SNUFF BOTTLE

A WHITE JADE SNUFF BOTTLE, 19TH CENTURY

黑硬石鼻煙壺

十九世紀 白玉雕牡丹紋鼻煙壺

十九世紀晚期/二十世紀早期 銅掐絲裹碧玉 鼻煙壺帶象牙座

Of flattened circular form, surmounted by a gently waisted neck, mock ring-form handles on the shoulders height 2.6 in — 6.6 cm

Of flattened globular form, one side carved with three sprigs of flower blossoms; the stone of even white tone height 2.2 in — 5.6 cm

$300 — 500

$600 — 800

Including jasper, bloodstone, carnelian, and agate largest height 3 in — 7.6 cm $400 — 600

The metal filigree formed around pear-shaped jade body as flower head scrolls; with ivory carved stand tallest height 3 in — 7.5 cm $400 — 600


85

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87

A WHITE JADE PEBBLE-FORM SNUFF BOTTLE, 18TH/19TH CENTURY

A WHITE JADE ‘BAMBOO’ SNUFF BOTTLE, 19TH CENTURY

A GROUP OF THREE JADE SNUFF BOTTLES, 19TH CENTURY/20TH C.

十八/十九世紀 白玉雕‘喜上眉梢’鼻煙壺

十九世紀 白玉雕竹紋鼻煙壺

Both sides carved with magpies perched amongst plum blossoms; coral stopper length 3.3 in — 8.5 cm

Of flattened globular form, carved with two bamboo stalks on one side, natural fissure incorporated into the rockery with a spray of grass height 2.8 in — 7 cm

十九/二十世紀 玉雕’壽’字紋 人物故事紋鼻 煙壺三隻

$2,000 — 3,000

The first in the form of a double-gourd; the second carved with a horse rider and attendant;See website for full catalogue details. largest height 2.6 in — 6.7 cm

$400 — 600

$600 — 800

88

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A GROUP OF FIVE JADE SNUFF BOTTLES, 19TH/20TH CENTURY

A GROUP OF SIX JADE SNUFF BOTTLES, 19TH/20TH CENTURY

TWO JADEITE SNUFF BOTTLES, 19TH/20TH CENTURY

十九/二十世紀 玉雕鼻煙壺一組五件

十九/二十世紀 玉雕鼻煙壺一組六件

十九/二十世紀 翡翠雕鼻煙壺兩隻

The first pebble-form with colourful embellishments; the second baluster-form with a chilong dragon in relief; the third in the form of a spade; the last two carved as a frog and a lion largest length 3.7 in — 9.4 cm

Of various tones and carved decoration largest height 3.5 in — 9 cm

One of double-gourd form depicting three squirrels; the other of elegant baluster form tallest height 3.3 in — 8.4 cm

$800 — 1,500

$800 — 1,500 $600 — 800


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A GROUP OF SEVEN ROCK CRYSTAL AND QUARTZ SNUFF BOTTLES, 19TH/20TH CENTURY

A GROUP OF THREE LAPIS LAZULI SNUFF BOTTLES, 19TH/20TH CENTURY

TWO TURQUOISE SNUFF BOTTLES, 19TH/20TH CENTURY

十九/二十世紀 青金石雕鼻煙壺一組三件

十九/二十世紀 綠松石雕鼻煙壺兩隻

十九/二十世紀 水晶雕鼻煙壺一組七件 Including rose quartz and smokey quartz largest height 3.2 in — 8.2 cm

Each of deep bluish-purple tone with metallic pyrite inclusions; one carved in relief tallest height 2.3 in — 5.8 cm

One carved as a vase with boys climbing over the body in high relief; the other of flattened ovoid form largest height 2.2 in — 5.7 cm

$600 — 800

$300 — 500

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A CORAL SNUFF BOTTLE, 19TH CENTURY

A CARVED AMBER SNUFF BOTTLE, LATE QING DYNASTY

TWO AMBER SNUFF BOTTLES, 19TH/EARLY 20TH CENTURY

十九世紀 珊瑚雕荷花紋鼻煙壺 硬石仿珊瑚 雕鼻煙壺一組兩隻

晚清 琥珀雕‘太平有象’福獅紋鼻煙壺

十九/二十世紀早期 琥珀雕花卉紋 獅耳紋鼻 煙壺兩隻

$300 — 500

Together with a hardstone coral-imitation snuff bottle largest height 3 in — 7.6 cm

The globular body with two Buddhist lions to one side and an elephant carrying a vase to the other height 2.4 in — 6 cm

$600 — 800

$1,000 — 2,000

Both of differing amber complexion; one with trees and shrubbery, the other with monster-head handles largest height 3.3 in — 8.4 cm $1,000 — 2,000


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A MOTHER-OF-PEARL SNUFF BOTTLE, QIANLONG MARK, 19TH CENTURY

TWO MOTHER-OF-PEARL SNUFF BOTTLES, 19TH/20TH CENTURY

TWO INLAID WOOD SNUFF BOTTLES, 19TH/20TH CENTURY

十九世紀 珍珠母貝開窗人物紋鼻煙壺 乾隆 年製底款

十九/二十世紀 珍珠母貝奔馬紋 牡丹紋鼻煙 壺兩隻

十九/二十世紀 木嵌螺鈿花卉紋鼻煙壺兩隻

Of rounded rectangular form with indented corners, each side depicting a lady within a similarly-shaped rectangular cartouche height 3.3 in — 8.3 cm

One with four-character Daoguang mark to base 奔馬紋鼻煙底部刻‘道光年製’ tallest height 3.3 in — 8.4 cm

$800 — 1,200

$600 — 800

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A GROUP OF THREE LAC BURGAUTÉ SNUFF BOTTLES, 19TH/EARLY 20TH CENTURY

AN INLAID IVORY SNUFF BOTTLE, 19TH/EARLY 20TH CENTURY

TWO POLYCHROME IVORY SNUFF BOTTLES, LATE 19TH/EARLY 20TH CENTURY

十九/二十世紀早期 黑漆嵌螺鈿鼻煙壺三隻 Of varying shapes, possibly from Japan; each similarly inlaid with miniature cut tiles of mother-of-pearls, along with gold and silver foils against a black lacquer ground tallest height 2.6 in — 6.6 cm $1,000 — 2,000

十九/二十世紀早期 牙雕加彩嵌螺鈿仕女花 鳥紋鼻煙壺 Painted and inlaid with miniature mother-ofpearl tiles; possibly from Japan height 3.1 in — 8 cm

$300 — 500

One decorated with mother-of-pearl inlays, the other with fine silver inlays largest height 3.2 in — 8.1 cm $600 — 800

十九世紀晚期/二十世紀早期 牙雕加彩人物 花鳥紋鼻煙壺兩隻 One with ivory carved stand largest height 3.1 in — 8 cm

$600 — 800


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A GROUP OF FIVE IVORY SNUFF BOTTLES, 19TH/EARLY 20TH CENTURY

A CINNABAR LACQUER SNUFF BOTTLE, 18TH/19TH CENTURY

TWO CINNABAR LACQUER SNUFF BOTTLES, 19TH/20TH CENTURY

十九/二十世紀早期 牙雕加彩鼻煙壺一組 五件

十八/十九世紀 剔紅刻松下高仕紋鼻煙壺

十九/二十世紀 剔紅雕庭院人物紋鼻煙壺 兩隻

Including a pair of Japanese export figural bottles in the form of a gentleman and a lady seated on caparisoned elephants tallest height 2.7 in — 6.8 cm

Finely carved with scholar and attendant in a mountain landscape to each side height 3 in — 7.6 cm

Both with Qianlong marks to bases tallest height 3.1 in — 7.8 cm

$600 — 800

$300 — 500

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108

A GROUP OF EIGHT METAL SNUFF BOTTLES, LATE 19TH/20TH CENTURY

A GROUP OF ELEVEN BLUE AND WHITE SNUFF BOTTLES, 19TH/20TH CENTURY

A GROUP OF TEN BLUE AND WHITE SNUFF BOTTLES, 19TH/20TH CENTURY

十九世紀晚期/二十世紀早期 銅胎掐絲琺瑯 鼻煙壺一組八件

十九/二十世紀 青花鼻煙壺一組十一件

十九/二十世紀 青花鼻煙壺一組十件

Including cloisonné and Peking enamel largest height 3 in — 7.7 cm

tallest height 3.7 in — 9.4 cm

tallest height 3.3 in — 8.3 cm

$600 — 800

$600 — 800

$300 — 500

$300 — 500


109

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111

A GROUP OF EIGHT UNDERGLAZED-DECORATED PORCELAIN SNUFF BOTTLES, 19TH/20TH CENTURY

TWO COPPER RED BLUE AND WHITE SNUFF BOTTLES, 19TH/EARLY 20TH CENTURY

A GROUP OF FIVE FAMILLE ROSE MOULDED SNUFF BOTTLES, 19TH/EARLY 20TH CENTURY

十九/二十世紀 釉下彩鼻煙壺一組八件

十九/二十世紀早期 青花礬紅人物故事紋鼻 煙壺兩隻

十九/二十世紀早期 模製粉彩瓷胎鼻煙壺一 組五件

tallest height 3.6 in — 9.2 cm

tallest height 3.7 in — 9.5 cm

$400 — 600

$400 — 600

One depicting a story from the ‘Twenty-four Filial Exemplars’, Tan Zi harvesting doe’s milk; another a lady playing pipa in a lake; one with a scene from ‘The Investiture of the Gods’ height 3.4 in — 8.7 cm $600 — 800

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114

TWO MOULDED PORCELAIN ‘CORN’ AND ‘LOTUS-FORM’ SNUFF BOTTLES, 19TH/EARLY 20TH CENTURY

A CARVED AND MOULDED ‘LANDSCAPE’ PORCELAIN SNUFF BOTTLE, QIANLONG MARK, 19TH C.

A GROUP OF SIX ENAMELED PORCELAIN SNUFF BOTTLES, 19TH/20TH CENTURY

十九/二十世紀早期 模製瓷胎螳螂玉米紋 蟋 蟀荷花紋鼻煙壺兩隻 Both in high relief with an insect traversing the surface length 3.5 in — 9 cm $600 — 800

十九世紀 瓷胎模印牧歸圖鼻煙壺 乾隆年製 四字底款 The porcelain body carved in the style of Wang Bingrong, depicting a horse rider and attendant traversing the foreground of a continuous mountain landscape height 2.6 in — 6.5 cm $800 — 1,500

十九/二十世紀 瓷胎粉彩’五子登科’紋鼻煙壺 等一組六件 Enameled with various scenes and figures from folk tales; including Zhong Kui marrying off his sister tallest height 3.5 in — 8.8 cm $300 — 500


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117

A GROUP OF EIGHT IRON-RED DECORATED PORCELAIN SNUFF BOTTLES, 19TH/20TH CENTURY

A GROUP OF SIX MONOCHROME PORCELAIN SNUFF BOTTLES, 19TH/EARLY 20TH CENTURY

A GROUP OF EIGHT ENAMELED PORCELAIN SNUFF BOTTLES, 19TH/20TH CENTURY

十九/二十世紀 礬紅瓷胎鼻煙壺一組八件

十九/二十世紀早期 單色釉鼻煙壺一組六件

十九/二十世紀 瓷胎粉彩鼻煙壺一組八件

Of various shapes, decorated in overglaze enamels with dragons, fish, and demons tallest height 3.8 in — 9.6 cm

Including teadust and peachbloom glazes tallest height 3.5 in — 9 cm

Overglaze enamels on porcelain, depicting various animals, insects, and plants tallest height 3.2 in — 8.1 cm

$300 — 500 $300 — 500

$300 — 500

118

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120

TWO FAMILLE ROSE PORCELAIN ‘ZHONG KUI’ SNUFF BOTTLES, 19TH CENTURY

A GROUP OF FOUR FAMILLE ROSE PORCELAIN SNUFF BOTTLES, 19TH CENTURY

A CORAL CARVED ‘BAMBOO STALK-FORM TEAPOT’ SNUFF BOTTLE, 19TH CENTURY

十九世紀 礬紅粉彩鍾馗捉小鬼鼻煙壺兩隻

十九世紀 瓷胎粉彩人物故事紋鼻煙壺四隻

One with four-character Daoguang mark to base 道光年製四字底款 tallest height 3 in — 7.7 cm

Depicting various scenes from Chinese folklore; including one of Jiang Ziya and King Wen of Zhou tallest height 3.3 in — 8.4 cm

十九世紀 珊瑚巧雕仿竹鼻煙壺 瓷胎彩繪人 物紋鼻煙壺一組兩隻 Together with a flattened enamel decorated porcelain snuff bottle with rose quartz top height 2.8 in — 7.1 cm

$400 — 600 $600 — 800

$600 — 800


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123

A SHADOW AGATE CARVED SNUFF BOTTLE

A CHINESE COURT NECKLACE, CHAO ZHU, LATE QING DYNASTY

AN AMBER BEADED NECKLACE

瑪瑙巧雕‘馬上封侯’鼻煙壺 瑪瑙鼻煙壺蓋一 組兩隻

晚清 料器朝珠一串

含47顆,每顆直徑約2.4公分,重404克 The strand is comprised of 47 rounded amber beads each diameter 0.9 in — 2.4 cm, 13 oz. — 404 grams

琥珀珠串

Carved around the dark inclusions to reveal a monkey riding a horse; together with a separate agate stopper height 2.5 in — 6.3 cm

Comprised of 107 black beads, three strings of 10 smaller beads of typical court necklace formation, strung together with glass pendants 共107顆 length 25 in — 63.5 cm

$300 — 500

$800 — 1,200

124

125

126

A CHINESE INKSTONE WITH HARDWOOD BOX

A CINNABAR LACQUER ‘ENDLESS KNOT’ BOX AND COVER, QING DYNASTY, 18TH CENTURY

A PAIR OF ZITAN WOOD CARVED CIRCULAR SEAL BOXES WITH COVERS, EARLY 20TH CENTURY

清十八世紀 剔紅盤腸紋菊式蓋盒

二十世紀早期 紫檀金錢紋圓蓋盒一對

The cover intricately carved with the auspicious Buddhist endless knot lined with a key-fret pattern; See website for full catalogue details. diameter 4.1 in — 10.5 cm

Carved with twelve coin shaped medallions with stylized characters; together with one textile-covered stand height 2.8 in — 7 cm, diameter 2.8 in — 7.2 cm

$600 — 800

雲龍紋端硯 帶紫檀盒 length 6.7 in — 17 cm $600 — 800

$2,000 — 3,000

$600 — 800


127

128

129

A YIXING ‘GOLDFISH’ TEAPOT, SIGNED JIANG PANDI

A CHINESE PIERCED IVORY PUZZLE BALL, 18TH/19TH CENTURY

蔣盤娣 宜興紫砂紅泥金魚壺

十八/十九世紀 牙雕纏枝花卉紋鬼工球

TWO CHINESE IVORY CARVED SCHOLAR’S OBJECTS, QING DYNASTY/ REPUBLIC PERIOD

款:蔣盤娣製 diameter 3.8 in — 9.6 cm

The outer casing carved with floral scrolls and fitted with flower roundels, the interior containing balls pierced with a geometric pattern; resting atop a wood stand diameter 3 in — 7.6 cm

晚清/民國 牙雕山水紋筆筒 印泥盒一組兩件

Contains material which may be subject to import/export regulation

Contains material which may be subject to import/export regulation

NOTE:

With certificate from ‘Yixing Purple Clay Art and Crafts Jiangsu Province’ 帶證書 《江蘇省宜興市紫砂工藝作品證書-紫 砂工藝陶瓷名人作品證書》

Consisting of a brushpot incised with a mountain landscape; and a seal paste box inscribed with calligraphy height 3.9 in — 9.8 cm, diameter 3 in — 7.6 cm

$600 — 800

$600 — 800

$800 — 1,200

130

131

132

A FINELY CARVED IVORY FIGURE OF MANJUSHRI SEATED ON A LION, EARLY 20TH CENTURY

AN IVORY CARVED IMMORTAL, 18TH/19TH CENTURY 十八/十九世紀 牙雕仙人立像

TWO CHINESE IVORY CARVED FIGURES OF LIN DAIYU AND SHOULAO, LATE QING/EARLY REPUBLICAN

overall height 8.2 in — 20.9 cm

晚清/民國 牙雕’黛玉葬花’像 壽老擺件一組 兩件

二十世紀早期 牙雕文殊菩薩騎獅像 The Bodhisattva seated on a Buddhist lion, holding a vajra in one hand and prayer beads in the other; with silver inlaid rosewood stand 帶座 6.5 x 5.2 in — 16.6 x 13.1 cm Contains material which may be subject to import/export regulation $2,000 — 3,000

Contains material which may be subject to import/export regulation $500 — 700

largest height 6.9 in — 17.4 cm Contains material which may be subject to import/export regulation $700 — 900


133

134

135

AN IVORY CARVED ‘LANDSCAPE’ PANEL AND MINIATURE BRUSHPOT, 19TH CENTURY

A PAIR OF IVORY CARVED WRIST RESTS WITH BIRDS, CIRCA 1900 約1900年 牙雕花鳥紋臂搁一對

TWO IVORY CARD CASES WITH FIGURAL LANDSCAPES, EARLY 20TH CENTURY

height 8 in — 20.3 cm

二十世紀早期 牙透雕花卉人物紋卡片盒一 組兩件

十九世紀 牙雕纏枝花卉開窗人物紋板 鏤雕 庭園人物小筆筒一組兩件 Panel likely originally fixed as a box lid largest 5.3 x 10.6 in — 13.5 x 26.8 cm Contains material which may be subject to import/export regulation

Contains material which may be subject to import/export regulation $800 — 1,200

$500 — 700

4.3 x 2.7 in — 10.9 x 6.9 cm Contains material which may be subject to import/export regulation $400 — 600

136

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138

A LARGE IVORY CARVING OF A STELE, 18TH/19TH CENTURY, QING DYNASTY

AN IVORY CARVED DRAGON BOAT, EARLY 20TH CENTURY

AN IVORY CARVED DAGGER, CIRCA 1940

清 十八/十九世紀 牙雕「萬古流芳」碑

二十世紀早期 牙雕人物龍舟

約1940年 牙雕龍紋匕首

Carved as a stone tablet supported by the dragon-headed bixi, calligraphic inscription to both sides 碑額刻對稱二龍戲珠,中央篆書“萬古流芳”四 字,碑文題寫“萬笏朝天”詩文 12.2 x 4.3 x 7.9 in — 31 x 11 x 20 cm Contains material which may be subject to import/export regulation

With hardwood carved stand 帶硬木座 length 23.3 in — 59.2 cm

With stand 帶座 length 22.3 in — 56.6 cm

Contains material which may be subject to import/export regulation

Contains material which may be subject to import/export regulation

$2,000 — 3,000

$1,000 — 1,500

$3,000 — 4,000


139

140

141

A PAIR OF MASSIVE MARBLE STONE SEALS

A CHINESE BRONZE ‘DAOIST IMMORTALS’ INCENSE HOLDER, MING DYNASTY

TWO POTTERY FIGURES OF FEMALE POLO PLAYERS, TANG DYNASTY

明 銅八仙紋香插

The horses standing foursquare, each rider in full tunic with one arm raised height 14.8 in — 37.5 cm

大理石雕福獅戲珠鈕章一對 height 11.8 in — 30 cm $600 — 800

Of cylindrical form, four panels in pierced openwork depicting four of the Eight Immortals, traces of gilt throughout; incised seal script characters to underside, 底部書”汉诸葛 武候丞相用” height 10.5 in — 26.7 cm $1,500 — 2,500

唐 灰陶加彩馬球仕女俑一組兩件

PROVENANCE:

Private Collection, Montreal 來源: 蒙特利爾私人珍藏 $1,000 — 2,000

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143

144

TWO POTTERY FIGURES OF HORSE RIDERS, TANG DYNASTY

A POTTERY MODEL OF A STANDING HORSE, TANG DYNASTY

A LARGE POTTERY FIGURE OF A LOKAPALA, TANG DYNASTY

唐 灰陶加彩騎馬俑一組兩件

唐 彩繪陶馬

唐 陶彩繪天王俑

The male and female riders each wearing long robes and seated astride a horse, hands positioned to hold reins height 13.7 in — 34.8 cm

The horse is shown standing foursquare on a rectangular base with the head turned slightly to the left, mouth agape, a saddle and blanket of different coloured pigment resting on its back, the rear fitted with a later horsehair tail; clear resin platform 15.8 x 15.3 in — 40.1 x 38.9 cm

The formidable guardian standing atop a recumbent deer, dressed in full military attire including a breastplate with scrolls and animal-mask epaulets height 28.4 in — 72.1 cm

$1,000 — 1,500

$2,000 — 3,000

PROVENANCE:

Private Collection, Montreal 來源: 蒙特利爾私人珍藏 $1,000 — 2,000

See website for full catalogue details.


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147

A PAIR OF SANCAI GLAZED GUARDIAN LIONS, MING DYNASTY

A BLACK GLAZED VASE, POSSIBLY SONG/MING DYNASTY

A ‘GUAN’ INSCRIBED DING-TYPE SQUARE DISH

明 三彩瑞獅一對

或宋/明 黑釉玉壺春瓶

定窯式白瓷四蒂紋花口臥足方蝶

height 15 in — 38.1 cm

height 6.5 in — 16.5 cm

$1,500 — 2,000

$300 — 400

The square section with flared petal-shaped rims, the interior inscribed with quatrefoil motifs, all covered in a clear glaze save for the base; incised ‘guan’ (official’s) mark to base 1 x 4.3 x 4.2 in — 2.5 x 11 x 10.6 cm See website for full catalogue details. $600 — 800

148

149

150

A LONGQUAN CELADON GLAZED ‘TWIN-PHOENIX’ MALLET VASE

A PAIR OF CAFE-AU-LAIT GLAZED CUP STANDS

A PAIR OF DEHUA LIBATION CUPS, 17TH/18TH CENTURY

龍泉窯青瓷鳳耳瓶

定窯醬釉盞托一對

十七/十八世紀 德化白瓷仿犀角杯一對

Flanked by two phoenix handles along an elongated neck, the vase is heavily-potted with a mallet-shaped body; covered in even glaze of green tone with foot ring unglazed height 6.3 in — 16 cm See website for full catalogue details. $1,200 — 1,500

See website for full catalogue details.

Of typical rhinoceros horn cup shape, each moulded with a deer and crane to one side, and a tiger and dragon to the other height 2.4 in — 6.2 cm

$1,500 — 2,000

See website for full catalogue details.

height 2.2 in — 5.5 cm, diameter 4.3 in — 11 cm

$800 — 1,200


151

152

153

A PAIR OF DEHUA POTTED PLANTS, QING DYNASTY

A BLUE AND WHITE BOTTLE VASE, TRANSITIONAL PERIOD, LATE MING/ EARLY QING DYNASTY

A PAIR OF BLUE AND WHITE ‘PEONY’ BOWLS, CHENGHUA MARK, KANGXI PERIOD (1662-1722)

明晚期/清早期 青花高士圖賞瓶

清 康熙 仿成化青花纏枝花卉紋碗一對

The body painted with figures in a garden landscape and the neck with tulips, separated by a band of scrolling vines height 9.8 in — 25 cm

Decorated to the centre with a floral spray within a circular reserve, the exterior painted with various floral sprays; six-character Chenghua mark to base in underglaze blue, “大明成 化年製”底款 height 2.9 in — 7.3 cm, diameter 6 in — 15.3 cm

清 德化白瓷盆景一對 The base heavily potted with a miniature cherry blossom sprouting from makeshift soil, all covered in a milky-white glaze height 7 in — 17.8 cm PROVENANCE:

From a private collection in Toronto. 來源: 多倫多私人珍藏

$6,000 — 8,000

$600 — 800

$400 — 600

154

155

156

A BLUE AND WHITE BARBED-RIM BOWL, KANGXI MARK AND PERIOD (1662-1722)

A CLAIR-DE-LUNE GLAZED MEIPING VASE, LATE QING DYNASTY 晚清 天藍釉梅瓶

A RECTANGULAR ‘LANDSCAPE’ PORCELAIN VASE, REPUBLICAN PERIOD

清 康熙 青花花卉紋菱口碗

height 13.1 in — 33.3 cm

民國時期 礬紅描金粉彩山水人物紋斜方瓶

With deep rounded sides rising from a short straight foot to an everted barbed rim, both the interior and exterior decorated with floral motifs “大清康熙年製”六字楷書雙圈底款 height 3 in — 7.5 cm, diameter 6.1 in — 15.4 cm $2,000 — 3,000

$800 — 1,200

Four-character Qianlong mark to base “乾隆年製” 四字底款 height 6.5 in — 16.4 cm $400 — 600


157

158

159

A FAMILLE ROSE ‘ZHONGKUI’ BRUSHPOT, JU REN TANG MARK

A PAIR OF ENAMELED PORCELAIN ‘LOTUS’ PLANTERS, SIGNED DAI YUCHENG AND DATED 1917

A FAMILLE ROSE BEAKER VASE, 19TH CENTURY

戴裕成作 民國時期1917年 彩瓷詩文荷花圖 花盆一對

height 15.3 in — 38.9 cm

居仁堂款 粉彩鍾馗訓鬼圖筆筒 height 4.8 in — 12.1 cm $300 — 500

diameter 10.2 in — 26 cm

十九世紀 松石綠地粉彩開窗花鳥紋鳳尾尊 $400 — 600

$400 — 600

160

161

162

A GROUP OF THREE CANTON FAMILLE ROSE TEA WARES, 19TH/EARLY 20TH CENTURY

A FAMILLE ROSE BIRDS AND FLOWERS PORCELAIN PLAQUE, REPUBLICAN PERIOD

A PAIR OF FAMILLE ROSE FIGURAL GARDEN SEATS, REPUBLICAN PERIOD

十九/二十世紀早期 廣彩開窗人物花鳥紋茶 具一組三件

民國時期 粉彩石竹花鳥紋瓷板

height 18.3 in — 46.5 cm

tallest height 7.3 in — 18.5 cm

with wood frame 帶木框 12.4 x 18.2 in — 31.6 x 46.3 cm

$1,500 — 2,000

$300 — 500

$400 — 600

民國時期 粉彩人物故事紋瓷凳一對


163

164

165

A LARGE YELLOW GROUND CLOISONNÉ ‘NINE PEACHES’ VASE, 20TH CENTURY

A BRONZE FIGURE OF LAKSHMI, NORTH INDIA, 18TH/19TH CENTURY

A BRONZE STANDING FIGURE OF SHIVA, INDIA, 18TH/19TH CENTURY

十八/十九世紀 北印度銅雕吉祥天女座像

印度 十八/十九世紀 銅濕婆立像

晚清 黃地掐絲琺瑯九桃紋天球瓶 元善堂底 款

The four-armed figure seated on a conical square base height 4 in — 10.2 cm

Hands in abhaya and varada mudras, the upper hands holding a battle-axe and an antelope, the large figure standing tall with hair arranged in jatamukuta, the torso dressed waist down centered by a kirtimukha lion mask belt; overall covered in a dark-brown patina height 18.1 in — 46 cm

Of globular tianqiuping form, the nine peaches cast in high relief against a bright yellow ground with interlocking wire-inlaid fret pattern; three-character Yuan Shan Tang mark to base height 24.9 in — 63.2 cm

PROVENANCE:

Private Collection, Oakville, ON 來源: 安大略奧克維爾私人珍藏 $400 — 600

$3,000 — 5,000

$3,000 — 5,000

166

167

168

A LARGE BLACK SCHIST FIGURE OF THE FASTING BUDDHA, POSSIBLY ANCIENT REGION OF GANDHARA

A GILT BRONZE FIGURE OF ELEVEN-HEADED AVALOKITESHVARA, TIBET, 19TH CENTURY

A GILT BRONZE FIGURE OF VAJRABHAIRAVA, TIBET, 18TH/19TH C.

或古犍陀羅時期 灰片岩雕釋迦牟尼苦行像

西藏 十九世紀 銅鎏金八臂十一面觀音立像

The ascetic Buddha’s emaciated features emphasized by gaunt cheeks and deep-set eyes, protruding ribcage contrasted by his sunken abdomen, and skeletal frame held together by taut musculature and veins,; See website for full catalogue details. 29.9 x 19.9 x 8.1 in — 75.9 x 50.5 x 20.7 cm

Standing on a single lotus base height 6.4 in — 16.2 cm

The deity standing in alidhasana trampling two figures, his central ferocious bull face flanked by six human faces and two above, thirty-two hands holding a multitude of implements while the two primary hands carrying a skull cup and curved knife, wrapped around his consort Vajravetali height 4.1 in — 10.3 cm

$8,000 — 12,000

PROVENANCE:

Private Collection, Oakville, ON 來源: 安大略奧克維爾私人珍藏 $400 — 600

西藏 十八/十九世紀 銅鎏金大威德金剛像

$2,000 — 3,000


169

170

171

A SINO-TIBETAN GILT BRONZE BUDDHA FIGURE, QING DYNASTY, 18TH CENTURY

A SINO-TIBETAN BRONZE SEATED FIGURE OF SHADAKSHARI LOKESHVARA BUDDHA, 18TH C. OR LATER

A GILT BRONZE FIGURE OF VAJRAPANI, 15TH CENTURY OR LATER

清 十八世紀 漢藏銅鎏金佛

漢藏 十八世紀 銅四臂觀音座像

The finely cast figure seated in dhyanasana upon a double lotus pedestal, the hands in dhyana mudra, the face with downcast eyes and an ornate crown on the head; with wood base height 6 in — 15.2 cm

Cast with the two principal hands in namaskara mudra, the raised left hand holding a lotus flower and the right grasping a rope, seated dhyanasana on a double lotus pedestal 13.6 x 9.7 in — 34.5 x 24.6 cm

The face demonstrating a wrathful expression, wearing a five-point skull crown, large lotus earrings, snake embellishments and a tiger loin cloth; the base sealed by a small copper plate and sitting atop a wood base height 9.4 in — 24 cm

$1,500 — 2,000

$6,000 — 8,000

$4,000 — 6,000

172

173

174

A SMALL BRONZE FIGURE OF ACHALA, TIBET, 12TH CENTURY OR LATER

A GILT BRONZE FIGURE OF VAJRAPANI, NEPAL, 15TH CENTURY OR LATER

西藏 十二世紀或更晚 鎏金銅不動明王像

尼泊爾 十五世紀或更晚 鎏金銅彩繪金剛手 菩薩立像

A GILT BRONZE STANDING FIGURE OF PADMAPANI, NEPAL, 15TH CENTURY OR LATER

The wrathful deity characteristically depicted kneeling while brandishing a sword, traces of gilt throughout height 2 in — 5 cm PROVENANCE:

Estate of Sonja Bata, Toronto $600 — 800

Standing in typical pratayalidha pose on a single lotus pedestal, the face and hair painted in gold and red pigment, the right arm raised holding a vajra height 6.9 in — 17.5 cm

十五世紀或更晚 銅鎏金金剛手菩薩像

尼泊爾 十五世紀或更晚 鎏金銅蓮花手觀音 立像 Hands in vitarka and varada mudra, the deity dressed in sashes and robes incised with flower head decoration; See website for full catalogue details. height 6.7 in — 17 cm

$2,000 — 3,000 $4,000 — 6,00O


175

176

177

A SMALL GILT BRONZE FIGURE OF PADMAPANI, NEPAL, 15TH CENTURY OR LATER

A GILT PAINTED IVORY FIGURE OF SHAKYAMUNI, 18TH/19TH CENTURY

A GROUP OF FIVE BRONZE BUDDHA FIGURES, MING DYNASTY AND LATER

十八/十九世紀 牙雕鎏金彩繪釋迦牟尼立像

明或更晚 銅佛像一組五件

尼泊爾 十五世紀或更晚 小鎏金銅蓮花手觀 音立像

The neck, face and finial gilt painted, with traces of lapis lazuli and red pigment in the hair curls height 5.5 in — 14 cm

With traces of lacquer and gilt tallest height 7 in — 17.8 cm

The figure cast atop a pedestal, the left hand grasping a large lotus flower and the right in varada mudra height 3.5 in — 9 cm $2,000 — 3,000

$400 — 600

Contains material which may be subject to import/export regulation $600 — 800

178

179

180

A GROUP OF FOUR GILT LACQUER WOOD FIGURES, 18TH CENTURY AND LATER

A CHINESE ‘SUTRA OF MULTIPLE BUDDHAS’ WOOD PRINTING BLOCK, 18TH CENTURY

A THANGKA OF FOUR-ARMED AVALOKITESHVARA, TIBET, 18TH CENTURY

十八世紀或更晚 木漆金造像一組四件

十八世紀 中國木雕「諸品經」 印經板

西藏 十八世紀 四臂觀音唐卡

The carved wood block depicting five Dharmapalas, inscribed ‘Sutra of Multiple Buddhas Number 14, Volume 2, Chapter 1’ in Chinese characters to the left of the panel, Sanskrit characters to the right 「諸品經第十四卷下一」 length 24.8 in — 63 cm

Opaque pigment on textile; mounted on silk image 18.9 x 13.4 in — 48 x 34 cm

largest height 13.3 in — 33.8 cm $300 — 500

$400 — 600

$800 — 1,200


181

182

183

A THANGKA DEPICTING THE WHEEL OF LIFE, TIBET, 18TH CENTURY OR LATER

UTAGAWA HIROSHIGE (1797-1858), ARAI

A GROUP OF FOUR PAINTINGS OF SAMURAI AND LORDS, EDO PERIOD

歌川廣重(1797-1858)「東海道五十三次」系列 之「荒井, 新居」木版畫 鏡框

日本 江戶時期 武士大名繪卷 設色紙本 鏡框 一組四件

From the series ‘The Fifty-Three Stations of Tokaido’, colour woodblock print; trimmed and framed 8.6 x 13.1 in — 21.9 x 33.2 cm

Sections of emaki handscrolls, ink and colour on paper; framed longest image length 30.2 in — 76.7 cm

西藏 十八世紀或更晚 六道輪迴圖唐卡 Opaque pigment on silk 25.8 x 18.7 in — 65.5 x 47.5 cm $600 — 800

$400 — 600 $400 — 600

184

185

186

TWO LACQUER GUNBAI WAR FANS, EDO PERIOD, 19TH CENTURY

A BLACK LACQUER SUIT OF SAMURAI ARMOUR, EDO PERIOD, 19TH CENTURY

日本 十九世紀 江戶時期 嵌螺鈿軍配團扇 兩把

日本 十九世紀 江戶時期 武士盔甲

A JAPANESE FIREMAN’S HELMET (KAJI KABUTO) AND PICK AXE, EDO PERIOD, 18TH/19TH CENTURY

Each with red lacquer ground and decorated with mother-of-pearl inlays largest 19.8 x 12.4 in — 50.3 x 31.5 cm NOTE:

For a similar example, please see Christie’s South Kensington, November 7, 2012, lot 277 $400 — 600

Consisting of kabuto (helmet), menpo (mask) and yodarekake (throat guard), front-piece do (chest armour), front kusazuri (skirt plates), kote (armoured sleeves), shino-suneate (shin guards) overall 40 x 18 in — 101.6 x 45.7 cm

日本 十八/十九世紀 江戶時期 消防武士頭 盔帶斧一組兩件 Copper fireman’s helmet covered with protruding rivets, interior trim in original fabric; together with a pick axe longest length 19.5 in — 49.5 cm

$800 — 1,500 $300 — 500


187

188

189

A PAIR OF IRON SODE SHOULDER ARMOUR PADS AND A SHIN GUNKI TSUKA, EDO PERIOD AND LATER

TWO NODOWA ARMOUR NECK GUARDS, MEIJI PERIOD AND LATER

AN AINU-STYLE ANTLER AND WOOD FITTED TANTO, MEIJI PERIOD

日本 明治時期或更晚 武士服護頸兩件

日本 明治時期 阿伊努風格鹿角木短刀

日本 江戶時期或更晚 武士服護肩 刀柄 一 組三件

Lacquered iron, with some later replacement lacing largest 8.8 x 10.8 in — 22.3 x 27.5 cm

The wood koshirae decorated and inlaid with metal and antler carved fittings, sheathed curved iron blade; with matching kozuka, signed overall length 19 in — 48.3 cm

Consisting of a pair of Bishamon-style shoulder armour pieces, Edo Period; together with a WWII military-style sword handle with triple cherry blossom menuki and matching fuchi-kashira sode 9.4 x 7.8 in — 24 x 19.8 cm

$500 — 700

Contains material which may be subject to import/export regulation $300 — 500

$200 — 300

190

191

192

A RED LACQUER ‘DRAGON’ TANTO, SIGNED IZUMI KAMI FUJIWARA KUNISADA, EDO/MEIJI PERIOD

A JAPANESE TACHI IN SHIRASAYA, MUMEI, 15TH CENTURY OR LATER

A JAPANESE TACHI, SIGNED INOUE SHINKAI, 17TH CENTURY OR LATER

日本 十五世紀或更早 無名 白鞘太刀

日本 十七世紀或更晚 井上真改造 太刀

日本 江戶/明治時期 和泉守藤原國貞製 雕 漆龍短刀

Nagasa (length of tip to beginning of tang): 34.3 in (87 cm); Motohaba (width at start of tempered edge): 1.2 in (3.1 cm); Sakihaba (width before tip): 0.8 in (2.1 cm); Tang unsigned overall length 48.5 in — 123.2 cm

With nanban tsuba, matching leaf-decorated fuchi and kashira, lobster menuki, and leather-wrapped tsuka; See website for full catalogue details. overall length 41.1 in — 104.5 cm

Signed on the tang overall length 21 in — 53.3 cm $500 — 700

$800 — 1,200

$1,000 — 2,000


193

194

195

A JAPANESE TANTO, 19TH CENTURY

A JAPANESE AIKUCHI TANTO, SIGNED YOSHIHIRO, 19TH CENTURY

A JAPANESE KATANA, MUMEI, 18TH CENTURY

日本 十九世紀 義弘造 短刀

日本 十八世紀 無名 武士刀

With black lacquer saya decorated with taiko in hiramaki-e, fuchi decorated with books and kashira with kabuto helmet, sparrow menuki, with kozuka; signed on the tang length 13.4 in — 34 cm

In black lacquer saya, tsuba with inscription, decorated fuchi and Daruma kashira, dragon menuki; tang unsigned length 37 in — 94 cm

日本 十九世紀 短刀 In black lacquer saya with matching crane fuchi and kashira, menuki with Toyotomi kamon; kozuka with signature to the blade length 20.1 in — 51 cm $500 — 700

$400 — 600 $300 — 500

196

197

198

A GROUP OF FIVE JAPANESE SWORDS, 19TH/20TH CENTURY

A GROUP OF THREE WAKIZASHI, ONE SIGNED, 19TH/20TH CENTURY

TWO NANBAN-STYLE TSUBA, 17TH CENTURY OR LATER

日本 十九/二十世紀 武士刀一組七把

日本 十九/二十世紀 脇差一組三把

Consisting of four wakizashi and one tanto, one signed on the tang; two out of four kozuka signed longest length 22.7 in — 57.7 cm

One signed on the tang longest length 30.7 in — 78 cm

日本 十七世紀或更晚 南蠻風格刀鐔一組兩 件 In wooden box largest diameter 3.8 in — 9.7 cm

$400 — 600 $400 — 600

$600 — 800


199

200

201

A GROUP OF FOUR MIXED METAL AND IRON TSUBA, EDO/MEIJI PERIOD

A GROUP OF FIVE IRON AND MIXED METAL TSUBA, EDO/MEIJI PERIOD

A GROUP OF FIVE IRON TSUBA, EDO/ MEIJI PERIOD

日本 江戶/明治時期 銅/鐵合金刀鐔一組四 件

日本 江戶/明治時期 銅/鐵合金刀鐔一組五 件

日本 江戶/明治時期 鐵地刀鐔一組五件

In wood boxes largest diameter 3.2 in — 8.1 cm

largest diameter 3.1 in — 8 cm

$400 — 600

$400 — 600

202

203

204

A GROUP OF FIVE IRON TSUBA, EDO/ MEIJI PERIOD

A GROUP OF FIVE NANBAN-STYLE TSUBA, EDO/MEIJI PERIOD

A GROUP OF SIX IRON TSUBA, EDO/ MEIJI PERIOD

日本 江戶/明治時期 鐵地刀鐔一組五件

日本 江戶/明治時期 南蠻風格刀鐔一組五件

日本 江戶/明治時期 鐵地刀鐔一組六件

largest diameter 3.3 in — 8.4 cm

largest diameter 3.4 in — 8.6 cm

largest diameter 3.8 in — 9.6 cm

$300 — 500

$300 — 500

$300 — 500

largest diameter 3.3 in — 8.5 cm $300 — 500


205

206

207

A GROUP OF SEVEN KATANA AND TANTO TSUBA, EDO/MEIJI PERIOD

A GROUP OF TWELVE IRON TSUBA, EDO/MEIJI PERIOD

A GROUP OF SEVENTEEN IRON TSUBA, EDO/MEIJI PERIOD

日本 江戶/明治時期 合金刀鐔一組七件

日本 江戶/明治時期 銅地刀鐔一組十二件

日本 江戶/明治時期 銅地刀鐔一組十七件

largest diameter 2.8 in — 7 cm

largest diameter 3.1 in — 7.8 cm

largest diameter 3.6 in — 9.1 cm

$300 — 500

$300 — 500

$300 — 500

208

209

210

A GROUP OF NINE KOZUKA, MEIJI PERIOD

A FOUR-TIERED TSUBA WOOD STORAGE BOX, EDO/MEIJI PERIOD

日本 明治時期 合金小柄一組九件

A GROUP OF FOURTEEN FUCHI, KASHIRA, MENUKI, AND BOX, MEIJI PERIOD

longest length 3.8 in — 9.7 cm

日本 明治時期 刀縁 刀頭 目貫 銅合金小盒 一組十四件

$400 — 600

Consisting of nine fuchi, three kashira, one menuki, and one locket box largest length 1.5 in — 3.8 cm $200 — 300

日本 江戶/明治時期 四層刀鐔盒 3.9 x 7.8 x 4 in — 10 x 19.7 x 10.1 cm $100 — 200


211

212

213

TWO WOOD NETSUKE OF AN ONI IN A BOX AND MONKEYS, 18TH/19TH CENTURY

A GROUP OF SIX WOOD NETSUKE, THREE SIGNED, 18TH/19TH CENTURY

A GROUP OF FIVE WOOD NETSUKE, ONE SIGNED RYUZAN, 18TH/19TH CENTURY

日本 十八/十九世紀 木雕雙猴盒中鬼根付一 組兩件

Of various figures, animals, and beasts; two signed to the backs and one signed on the underside largest height 2.1 in — 5.3 cm

日本 十八/十九世紀 木雕根付一組五件

$300 — 500

$300 — 500

214

215

216

TWO WOOD NETSUKE OF A SMALL BOY AND FUKUROKUJU, SIGNED, 19TH CENTURY

A GROUP OF FOUR IVORY AND ANTLER NETSUKE, 18TH/19TH C.

A GROUP OF SIX IVORY NETSUKE AND OKIMONO, THREE SIGNED, 18TH/19TH CENTURY

The oni taking cover from thrown beans; the two crouched monkeys covering their mouths and faces largest 1.5 x 1.7 x 1 in — 3.7 x 4.2 x 2.5 cm

日本 十八/十九世紀 木雕根付一組六件

Depicting various figures and a shishi; the man lifting a rock signed Ryuzan to the underside tallest height 1.9 in — 4.8 cm

$300 — 500

日本 十九世紀 木雕童子壽老根付一組兩件 The small boy seated at a desk writing and taunting, signed on a reserve to the underside; the god of longevity seated and accompanied by a crane, incised signature and seal to the underside longest length 1.6 in — 4.1 cm

日本 十八/十九世紀 牙雕鹿角雕根付一組 四件 The figures consisting of the folk yokai pair Ashinaga-tenaga, Shoki the demon queller, Monju Bosatsu seated on a lion, and Chokaro Sennin tallest height 3.6 in — 9.1 cm $400 — 600

$200 — 300

日本 十八/十九世紀 牙雕人物根付擺件一 組六件 Three signed to the underside tallest height 2.3 in — 5.8 cm $400 — 600


217

218

219

A GROUP OF SIX IVORY NETSUKE, THREE SIGNED, 18TH/19TH CENTURY

TWO IVORY NETSUKE OF A SHISHI AND A CLUSTER OF MASKS, 19TH CENTURY

TWO IVORY ‘SKELETON’ NETSUKE, ONE SIGNED MASAYUKI, MEIJI PERIOD

日本 十八/十九世紀 牙雕根付一組六件

日本 十九世紀 福獅面具根付一組兩件

日本 明治時期 牙雕骷髏根付一組兩件

Two signed on the back and one signed on the underside tallest height 1.9 in — 4.9 cm

The recumbent shishi carved with swirling tufts of fur; the cluster of masks in a flattened round manju-form largest length 2 in — 5 cm

Both signed to the underside; the skeleton signed Masayuki 玉之 tallest height 2 in — 5 cm

$400 — 600

$300 — 500 $300 — 500

220

221

222

A IVORY TRICK NETSUKE OF A THEATRE WITHIN A BOX, SIGNED KAGETOSHI, EARLY 19TH CENTURY

A GROUP OF THREE IVORY CARVED NETSUKE, TWO SIGNED, 19TH/EARLY 20TH CENTURY

A GROUP OF FOUR IVORY AND HORN NETSUKE OF STANDING FIGURES, 18TH/19TH CENTURY

日本 十九世紀早期 牙雕機關根付

日本 十九/二十世紀早期 牙雕根付一組三件

日本 十八/十九世紀 牙雕人物根付一組四件

Carved with a mask and other props resting on the lid, the surface of the box decorated with cranes in low relief; See website for full catalogue details. 1.3 x 1.3 x 1 in — 3.2 x 3.2 x 2.6 cm

The first a monkey inspecting a miniature monkey netsuke through a magnifying glass, signed Masatomo; the second a figure of kijo, signed Tomochika; the third a dragonfly resting on a lotus. tallest height 2.2 in — 5.7 cm

Consisting of a Nanban figure holding a bird and a fan, Gama Sennin, Chokaro Sennin, and an old man with child tallest height 3.1 in — 8 cm

$400 — 600

$400 — 600

$300 — 500


223

224

225

A GROUP OF THREE IVORY NETSUKE, ONE SIGNED, MEIJI PERIOD

TWO IVORY NETSUKE, MID-20TH CENTURY

A GROUP OF SIX JAPANESE INRO, MEIJI PERIOD

日本 明治時期 芝山象嵌工藝根付兩件

日本 二十世紀中期 牙雕人物根付一組三件

日本 明治時期 印籠一組六件

The first a Shibayama-inlaid manju netsuke depicting the twelve zodiac animals in tortoise shell, mother-of-pearl, and various hardstones; the second depicting a samurai slaying a nue chimera, signed on the underside; the third a man crouched under a tattered umbrella manju diameter 1.8 in — 4.5 cm

含鍾馗望井 撐傘人 井早太刺鵺 Consisting of a Shibayama-inlaid trick netsuke of a sedan with sliding door to reveal a passenger; the other depicting Shoki peering down a well, a small oni carved separately and strung through the well longest length 2.7 in — 6.8 cm

Including gilt lacquered, boxwood, ivory, and bone inro, with netsuke and ojime beads largest length 3.4 in — 8.6 cm

$600 — 800

$300 — 500

226

227

228

A GROUP OF FOUR JAPANESE INRO, 19TH CENTURY

AN IVORY CARVED ONI MASK GROUP OKIMONO, MEIJI PERIOD

AN IVORY OKIMONO OF AN OCTOPUS AND FISHERMEN, MEIJI PERIOD

日本 明治時期 十九世紀 漆器描金印籠一組 四件

日本 明治時期 牙雕人物鬼面具根付

日本 明治時期 牙雕章魚人物擺件

Five-case inros decorated in gold, silver, and black takamaki-e with kirin, spider, dragon, and landscape motifs longest length 3.4 in — 8.6 cm

1.5 x 3.4 x 1.8 in — 3.9 x 8.7 x 4.6 cm

PROVENANCE:

See website for full catalogue details. $600 — 800

$800 — 1,200

Robert Deveau Galleries, Toronto, 1978

A group of five fishermen armed with cuttlefish hoes, tangled with a giant octopus, as a child crawls under the group, baskets and fish scattered around the action width 6.3 in — 16.1 cm

$200 — 300

$400 — 600

PROVENANCE:


229

230

231

AN IVORY OKIMONO OF A SKULL, SIGNED GYOKUJU, MEIJI PERIOD

AN IVORY OKIMONO OF THE SEVEN LUCKY GODS, SIGNED SHINRYUSAI CHIKAHIRO, MEIJI PERIOD

TWO IVORY CARVED OKIMONO OF FIGURES WITH CHILDREN, ONE SIGNED, MEIJI PERIOD

日本 明治時期 親廣真龍齋製 牙雕七福神 擺件

日本 明治時期 牙雕人物擺件一組兩件

日本 明治時期 玉樹製 牙雕骷髏蛇蛙擺件 Realistically rendered from walrus ivory with a skeleton clambering over the top of a large skull, a frog clutched in its right arm and a snake in the left, a second frog positioned at the back of the group; signed on the underside 2.4 x 1.5 x 2.3 in — 6.1 x 3.9 x 5.9 cm $600 — 800

The seven gods dynamically rendered in a circle, all fitted with miniature inlays of coral, turquoise, and tortoise shell; signed to the underside 嵌玳瑁,龜甲,珊瑚 2.4 x 3.1 x 2.5 in — 6.1 x 7.9 x 6.3 cm

One depicting a man holding a bird nest up to a small boy, signed to the underside 耕正款; the other a lady collecting seashells with two children tallest height 4.6 in — 11.8 cm $800 — 1,200

$800 — 1,200

232

233

234

TWO IVORY OKIMONO OF A TEXTILE WORKER AND AN ARTIST, ONE SIGNED NOBUTAKA, MEIJI PERIOD

A CARVED IVORY MONKEY GROUP, EARLY 20TH CENTURY

AN IVORY BRUSHPOT AND ‘JAPANESE MASKS’ COVERED BOX, MEIJI PERIOD

二十世紀早期 牙雕群猴摘桃擺件

日本 明治時期 牙雕人物擺件一組兩件

Realistically carved with six monkeys forming a ladder and attempting to reach a peach height 8.7 in — 22.2 cm

日本 明治時期 牙雕面具蓋盒 牙雕漆金人物 山水紋小筆筒一組兩件

One depicting a woman kneeling at a desk and inspecting a flower in one hand, preparing to draw with the other, signed Nobutaka 信孝 to the underside; the second a man stacking a pile of folded fabric largest 3.2 x 3.1 x 3.1 in — 8.1 x 7.9 x 8 cm $800 — 1,200

$400 — 600

The box carved with a multitude of masks and dynamic facial expressions, including the underside, the base interior, and the underside of the lid; See website for full catalogue details. largest 4.2 x 3.7 x 3 in — 10.6 x 9.5 x 7.7 cm $400 — 600


235

236

237

A LARGE ‘KACHO-E’ SATSUMA VASE, YABU MEIZAN MARK, MEIJI PERIOD

A SQUARE-FORM SATSUMA VASE, KINKOZAN MARK, MEIJI PERIOD

日本 明治時期 藪明山造 薩摩燒紫藤小鳥 紋瓶

日本 明治時期 錦光山造 薩摩燒紅葉小鳥 紋瓶

A GROUP OF THREE SATSUMA VASES, SHUZAN AND RYOZAN MARKS, MEIJI PERIOD

Decorated on a clear crackled glaze in gilt and polychrome enamels with a bird perched on a tangled branch, the elongated neck delicately painted with trailing white and purple wisteria; signed in gilt on the underside height 8.7 in — 22 cm

Painted with sparrows and maple trees in enamels and gilt, the top edge with key-fret border and the foot rim with triangle waves height 7.4 in — 18.7 cm $300 — 500

$1,000 — 2,000

日本 明治時期 薩摩燒花鳥人物紋瓶一組三 件 Consisting of a small pierced vase painted with women and children, signed Ryozan to the base; See website for full catalogue details. 款: 亮山,珠山 tallest height 7.1 in — 18 cm $800 — 1,200

238

239

240

TWO SATSUMA VASES, MEIJI PERIOD

A GROUP OF SIX SATSUMA VESSELS, MEIJI PERIOD

A JAPANESE MILITARY MEDAL AND AN ORDER, MEIJI PERIOD

日本 明治時期 薩摩燒器物一組六件

日本 明治時期 明治卅七八年戰役從軍紀章 勳七等瑞寶章帶鈕一組兩件

日本 明治時期 薩摩燒籬笆花卉紋瓶一組兩 件 Consisting of a tall-necked spherical body vase painted with bamboo mats and fences interspersed with florals; and a heavily potted and similarly decorated ovoid-form vase largest height 8.6 in — 21.8 cm $600 — 800

Each decorated in enamels and gilt; See website for full catalogue details. largest height 2.8 in — 7.2 cm $400 — 600

帶原盒 Comprising a Military Medal of Honor (jugun kisho) of Russo-Japanese War (1904-1905); ‘Russo-Japanese War’ (明治卅七八年戰役) ‘Military Medal of Honor’ (從軍紀章); See website for full catalogue details. $400 — 600


241

242

243

A GOLD AND SILVER INLAID CIGARETTE CASE, BY THE KOMAI COMPANY OF KYOTO, CIRCA 1900

A JAPANESE INLAID SILVER BOX, SIGNED MIYAMOTO, MEIJI PERIOD

A SILVER BRACELET OF NINE JAPANESE MIXED METAL PANELS, MEIJI PERIOD

日本 約1900年 駒井製 鉄地金象嵌煙草盒

日本 明治時期 宮本造 銅錯銀嵌金松林寶塔 紋紫檀盒

The exterior decorated with medallions and three large panels against a maple-leaf ground, one panel with a view of a torii gate from the ocean, another with houses in front of Mount Fuji, and the last with birds and flowers; See website for full catalogue details. 3.2 x 3 in — 8.2 x 7.6 cm

The lid etched and inlaid with a temple at night and a calligraphic signature and seal in the bottom left corner, the interior lined with hardwood; maker and silver marks impressed on the base 底部:宮本造 純銀 2 x 5.9 x 4 in — 5.1 x 15 x 10.1 cm

$800 — 1,200

$600 — 800

$300 — 400

244

245

246

A PAIR OF MINIATURE BRONZE MIXED METAL INLAID VASES, MEIJI PERIOD

A PAIR OF MINIATURE BRONZE ‘CRANE’ VASES, NOGAWA MARK, MEIJI PERIOD

A BLUE GROUND CLOISONNÉ VASE, INABA MARK, EARLY 20TH CENTURY

日本 明治時期 喜鵲竹芙蓉圖銅花瓶一對

日本 明治時期 能川登製 銅仙鶴紋小瓶一對

二十世紀早期 稻葉款 景泰藍花鳥紋瓶

The miniature baluster vases inlaid with magpies flying over peonies shrubs and bamboo bushes height 4.1 in — 10.5 cm

Both decorated with a pair of cranes standing in water; the base incised with the Nogawa Company mark height 3.7 in — 9.4 cm

Decorated with kacho-e sakura trees in blossom and a sparrow in flight, sprigs of white and red daisies to the other side height 4.8 in — 12.2 cm

$100 — 200

$300 — 500

$400 — 600

日本 明治時期 銀鑲嵌銅合金花鳥人物紋手 鐲 Inlaid with gold, silver and bronze; consisting of two panels of musicians, two of cranes, two of predatory birds and quails, two of a boat diptych, and a large panel with two quails below cranes largest panel 1.6 x 1.4 in — 4 x 3.6 cm


247

248

249

A JAPANESE KOMAI-STYLE GOLD AND SILVER INLAID BRONZE ‘SHISHI’ CENSER, MEIJI PERIOD

A BALUSTER TALL-NECKED BRONZE DRAGON VASE, MEIJI PERIOD

日本 明治時期 駒井風格 銅錯金銀福獅三 足爐

The dragon cast in high relief rising from the stylized waves above a footed base, one claw grasping the neck of the vase and the other a rock crystal sphere representing the pearl of wisdom; signature with drilled hole to the base height 14 in — 35.6 cm

A JAPANESE BRONZE FIGURE OF FUDO MYO-O (ACALA) WITH ATTENDANTS, LATE EDO PERIOD, EARLY 19TH CENTURY

The body raised on tripod legs and inlaid with gold and silver roundels height 11.4 in — 29 cm $400 — 600

日本 明治時期 銅浮雕盤龍長頸瓶

$400 — 600

日本 江戶時期 十九世紀早期 銅不動明王與 隨從立像 Standing tall with the left hand holding a lasso and the right raising a sword, the robes draped around his waist and over his left shoulder; See website for full catalogue details height 17.7 in — 45 cm $2,000 — 3,000

250

251

252

A BRONZE FIGURE OF A WOODSMAN, CIRCA 1900

A BRONZE FIGURE OF A WARRIOR, SIGNED YOSHIMITSU, LATE 19TH/ EARLY 20TH CENTURY, MEIJI PERIOD

A MASSIVE BRONZE ‘DRAGONS’ INCENSE BURNER, MEIJI PERIOD

日本 明治時期 芳光製 銅武士像

Comprised of a central koro censer flanked by winged dragon handles and raised by two sinuous dragons rising from turbulent waves, topped by a perched eagle as the cover finial; cast in three separate removable sections, the bronze of warm brown patina with areas of enamel decoration overall height 75.6 in — 192 cm

約1900年 銅樵夫像 On a turned wooden socle height 7.5 in — 19 cm $100 — 200

Likely depicting one of the forty-seven ronin, the warrior holding a yari spear in one hand and a lantern in the other, signed in reverse on a rectangular reserve; fixed on a carved wooden stand overall height 14 in — 35.6 cm $1,000 — 2,000

日本 明治時期 銅加琺瑯彩浮雕大香爐

$2,000 — 3,000


Buying at Waddington’s All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or oral announcement. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any oral announcement or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s™ and the consignor (seller) of the lot. Descriptions or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale.

condition of lots

All of the items are to be considered, unless otherwise noted in the description or condition report, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should examine the pieces in person or have our staff answer any questions before bidding. Sizes are approximate. It is the sole responsibility of the bidder to inquire as to the condition of a lot before bidding. Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale. Frames on artwork are not included as part of purchase or condition.

buyers premium

A premium of 20% of the successful bid price of each lot. A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer’s premium, except for purchases exported from Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province.

payment

Payment for purchases must be by cash, INTERAC direct debit (CDN clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), VISA or Mastercard (up to $25,000). ALL PRICES IN CANADIAN FUNDS

Selling at Waddington’s bidding

The Auctioneer may also execute bids on behalf of the consignor to protect the reserve. The reserve is the confidential minimum price the seller is willing to accept for his or her property, below which it will not be sold.

shipping

waddington’s commission rates Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $251 to $2,500 20%

The Auctioneers will not undertake packing or shipping. The purchaser must designate and arrange for the services of an independent shipper and be responsible for all shipping, insurance expenses and any necessary export permits that may apply. The Auctioneers will, upon request, provide names of professional packers and shippers but will not be held responsible for the service or have any liability for providing this information. Reliable preauction estimates of shipping costs of lots offered in this sale may be obtained from:

Items selling for $250 or less 25%

PakShip

*There is a minimum handling charge of $20 per item

Safer Shipping Inc. 416-299-3367 / 416-299-9750 perry@safershipping.ca / www.safershipping.ca

A 1% insurance charge, based on the hammer price of the property, will be applied to all accounts.

905-470-6874 / 905-470-6875 / 416-293-8225 taurus@pakship.ca / www.pakship.ca

removal of purchases

Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15). Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients.

cites

Restrictions exist regarding the import and export of species protected under CITES (Convention on International Trade in Endangered Species). This includes but is not limited to items made of or containing bone (whalebone etc.), ivory, tortoise shell, seal skin, rhinoceros horn and any other animal part and is strictly controlled or forbidden by most countries. Please review your country’s laws before bidding on pieces made of or containing these restricted items. It is the sole responsibility of the buyer to inquire about and obtain the proper permits for artwork purchased that may contain restricted materials, if such permit can be obtained. Please contact the department for further assistance. Failure to obtain necessary import/ export permits will not void any sale. All Narwhal Tusks must have a Marine Harvest Number or a Marine and Mammal Transport number to be sold at Waddington’s. For more information please visit: www.cites.org

*There is a minimum handling charge of $20 per item canadian art department commission rates Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $2,500 or less 20%

insurance

auction advice

For auction advice on paintings, drawings, prints, jewellery, and various forms of decorative arts and other collectibles, please feel free to contact us via email or telephone. We are pleased to review emails containing photographs and information on your pieces in order to provide auction estimates for you to consider. For collections with a variety of objects, please contact our Appraisals and Consignments department (consignments@waddingtons. ca). For department-specific inquiries, please contact the specialist and/or department directly. All contact information can be found at www.waddingtons.ca. Our offices are located in Toronto and Vancouver, but our specialists occasionally travel to major Canadian cities to meet with prospective consignors. To receive more information on Valuation Days across Canada or to arrange an appointment, please contact our Toronto office (416-504-9100). Please note that property typically arrives at Waddington’s at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items. Consignors will receive a contract to sign, setting forth terms and fees for our services.


Conditions of Sale 1. All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted or announced verbally in the auction room prior to the time of sale. While the auctioneer has endeavoured not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made. An opportunity for inspection of each article is offered prior to the time of sale. No sale will be set aside on account of lack of correspondence of the article with its description or its reproduction, if any, whether colour or black & white. Some lots are of an age and/or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others. Frames on artwork are not included as part of purchase or condition. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid, relying upon their own advisers, and to bid accordingly. 2. Each lot sold is subject to a 20% buyers premium as part of the purchase price. 3. Unless exempted by law, the buyer is required to pay Harmonized Sales Tax on the total purchase price including the buyer’s premium. For international buyers, taxes are not applicable when purchases are shipped out of country. Items shipped out of Ontario, the buyer is required to pay taxes as per the tax status of that province, whether it HST or GST (Goods and Services Tax).

6. Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in attendance at the sale. 7. The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The auctioneer’s decision in all cases shall be final. 8. Immediately after the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-offering the item for sale. 9. The buyer shall pay for all lots within 48 hours from the date of the sale, after which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale, after which storage charges may be incurred.

4. The auctioneer reserves the right to withdraw any lot from sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice.

10. Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away.

5. The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized.

11. Notwithstanding condition no. 1, if the buyer, prior to removal of a lot, makes arrangements satisfactory to the auctioneer for the inspection of such lot by a fully qualified person acceptable to the auctioneer to determine the genuineness or authenticity of the lot, to be carried out promptly following the sale of the lot, and if, but only if, within a period of 14

days following the sale a written opinion of such person is presented to the auctioneer to the effect that the lot is not genuine or authentic, accompanied by a written request by the buyer for rescission of the sale, then the sale of the lot will be rescinded and the sale price refunded to the buyer. 12. Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), and VISA or Mastercard (up to $25,000). 13. In the event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for: (a) any deficiency in price between the resale amount and the amount to have been paid by the original buyer; (b) any reasonable charge by the auctioneer for the storage of such articles until payment and removal by the subsequent buyer; and (c) the amount of commission which the auctioneer would have earned had payment been made in full by the original buyer. 14. It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them. 15. The auctioneer acts solely as agent for the consignor and makes no representation as to any attribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada). 16. The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.


Fine Jewellery and Watches MONDAY, DECEMBER  AT  PM

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Holiday Jewellery DECEMBER 7 — 12, 2019

Lot 8 18k Yellow Gold Chain And Pendant


Canadian Studio Ceramics: The Paul Duval Collection - Part 1 D ECEMBER 7 — 12


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Asian Art | Nov. 30 - Dec. 5, 2019  

Asian Art | Nov. 30 - Dec. 5, 2019