No Blank Walls
SEPTEMBER 16 — 21, 2023
SEPTEMBER 16 — 21, 2023
SEPTEMBER 16 — 21, 2023
bid and view all lots online at www.waddingtons.ca
on view
Previews are available for this auction by appointment only. Please note that four lots in this auction are located in Vancouver.
preview held at 275 King Street East, 2nd Floor
Toronto, Ontario M5A 1K2
specialist
Mark Gleberzon
mjg@waddingtons.ca
416-489-6105
front cover
Lot 12
THOMAS FREDERICK HAIG CHATFIEL
OCTOBER, 1966 (DETAIL)
front inside cover
Lot 27
ÉLÈNE GAMACHE
RED ROSES WITH HERON, 2001
back inside cover
Lot 52
HENRY MOORE
HENRY MOORE IN ISRAEL
back cover
Lot 10
KARIN BUBAŠ
AUDRINA (CRYING), 2009
This catalogue and its contents © 2023 Waddington McLean & Company Ltd. Photography & design by Waddington’s All Rights Reserved. This auction is subject to the Conditions of Sale printed in the back of this catalogue.MALAYA AKULUKJUK (1915-1995), PANNIRTUQ (PANGNIRTUNG)
UNTITLED, 1972
wool, cotton; dated; artist’s and weaver’s names in Roman and syllabics
26 x 52 in — 63.5 x 115.6 cm
PROVENANCE:
Private Collection, Toronto, ON
$400 — 600
CRIS ALEXANDER (1920-2012), AMERICAN DAGMAR; LILIAN GISH; HUNK WITH BOOTS; MYSTERY; RICHARD THOMAS, 1974 reproductions of original photographs; each signed and numbered 1/20 to margin
image 9.9 x 7.6 in — 25.1 x 19.3 cm;
image 16.9 x 14 in — 42.9 x 35.6 cm;
image 16 x 12 in — 40.6 x 30.5 cm;
image 12 x 9 in — 30.5 x 22.9 cm;
image 15.9 x 19.6 in — 40.4 x 49.8 cm
PROVENANCE:
Private Collection, Mexico
$150 — 200
PRINCESS NATASHA; PRINCESS NATASHA (PORTRAIT); PRINCESS OF MOLDAVIA; SONO OSATO
reproductions of original photographs; each signed and numbered 1/20 to margin image 13.75 x 10.9 in — 34.9 x 27.7 cm; image 19.9 x 15.9 in — 50.5 x 40.4 cm; image 10 x 7.6 in — 25.4 x 19.3 cm; image 11 x 14 in — 27.9 x 35.6 cm
PROVENANCE:
Private Collection, Mexico
$150 — 200
THOMASIE ALIKATUKTUK (B. 1953), PANNIRTUQ (PANGNIRTUNG) MY GREAT GRANDMOTHER WAS A SHAMAN, 1992 stencil; titled, dated and numbered 10/50; artist’s name in Roman and syllabics; framed sight 17.25 x 24.25 in — 43.8 x 61.6 cm
PROVENANCE:
Private Collection, Ontario
$100 — 200
KALLUK ANGUTIKJUAQ (B. 1943), KANGIQTUGAAPIK (CLYDE RIVER)
A PERSON’S DREAM print; titled and numbered 19/50; artist’s name in Roman and syllabics
sight 17.5 x 16 in — 44.5 x 40.6 cm
PROVENANCE:
Private Collection, Toronto, ON $100 — 200
PEGGY BACON (1895-1987); ROBERT SWAIN GIFFORD (1840-1905), AMERICAN
BELINDA; BLAKESMOOR VIEW #1; BLAKESMOOR VIEW #2
three etchings on paper; the first, signed and titled in pencil to margin, the second and third, signed and dated 1883 and 1885, respectively, in the plate
sight 4.25 x 3.1 in — 10.8 x 7.9 cm; image 5.75 x 3.75 in — 14.6 x 9.5 cm; image 5.75 x 3.75 in — 14.6 x 9.5 cm
PROVENANCE:
Private Collection, Quebec
$75 — 100
GEORGE BAXTER (1804-1867), BRITISH THE DAY BEFORE MARRIAGE, 1854 colour lithograph on paper; inscribed “London: Published by the Proprietor George Baxter, Patentee, 11 & 12 Northampton Square, March 1, 1854” in the plate sight 14.9 x 10.6 in — 37.8 x 26.9 cm
PROVENANCE: Private Collection, Toronto, ON
$100 — 150
8
SYDNEY BERNE (1921-2013), CANADIAN UNTITLED oil on board; signed lower right 12 x 16 in — 30.5 x 40.6 cm
PROVENANCE:
Estate of Johannes Van Wees, Victoria, BC
$125 — 175
AUTOGRAPHED LETTER TO MRS. JOHN BLAGBORNE, ST. CATHARINES, UPPER CANADA, SEPTEMBER 12TH, 1835 quill on wove paper, to “My Dear Elizabeth” written by her father and sister from Glasgow, 19.7 x 24 in — 50 x 61 cm $100 — 150
10
KARIN
AUDRINA (CRYING), 2009 colour pastel on paper signed sight 12.5 x 9.5 in — 31.8 x 24.1 cm
PROVENANCE: Private Collection, British Columbia
$1,000 — 1,500
A.W. CAIRNS; ALEXANDRE DARMONT; MAY SIMPSON (20TH CENTURY)
VASE OF FLOWERS, 1927; FRENCH LANDSCAPE; CANADIAN TOWN IN WINTER oil on hardboard; oil on canvas; oil on board; the first signed and dated lower left; the second signed lower left; the third signed lower right
11.5 x 16 in — 29.2 x 40.6 cm;
7.4 x 9.4 in — 18.8 x 23.9 cm;
8 x 10 in — 20.3 x 25.4 cm
PROVENANCE:
Private Collection, Ontario
$75 — 100 12
THOMAS FREDERICK HAIG CHATFIELD (1921-1999), CANADIAN OCTOBER, 1966
oil on board; signed, titled and dated; remnant of “The Ontario Society of Artists 95th Annual Open Exhibition, April 1967” label verso
30 x 39.9 in — 76.2 x 101.3 cm
PROVENANCE:
Private Collection, Toronto, ON $300 — 400
JOHN (?) CHUTNEY, BRITISH
WOMAN WITH TEAPOT oil on canvas; signed indistinctly lower left 30 x 24 in — 76.2 x 61 cm
PROVENANCE: Private Collection, United Kingdom
$50 — 75
14
JULES CAYRON (1868-1940), FRENCH
MRS. EMILE MOND IN WHITE AND BLUE, 1906 pastel on pressed paperboard; signed and dated lower left sight 25.1 x 17.9 in — 63.5 x 45.7 cm
PROVENANCE: Beaverbrook Art Gallery, Fredericton, NB; Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery
$250 — 300
JAMES HUGHES CLAYTON (ACTIVE
EVENING GLOW, CEMAES, ANGLESEY watercolour on paper; signed lower left; titled verso
sight 14.75 x 22 in — 40.5 x 59.5 cm
PROVENANCE: Private Collection, Toronto, ON $200 — 300
RUTH COMFORT (20TH CENTURY), CANADIAN TEAM GRETZKI, 2004 pastel on paper; signed, titled and dated “December 18, 2004”
sight 28.4 x 19.75 in — 72.1 x 50.2 cm
PROVENANCE: Private Collection, Toronto, ON; Art Dialogue Gallery, Toronto, ON $50 — 75
EXCITED IMAGE
mixed media on paper; signed lower right; titled to gallery label verso sight 25 x 17.4 in — 63.5 x 45.1 cm
PROVENANCE:
Private Collection, Toronto, ON
$200 — 300
18
J.
UNTITLED
mixed media on paper; signed lower right sight 9.9 x 14.9 in — 25.1 x 37.8 cm
PROVENANCE:
Private Collection, Toronto, ON
$100 — 150
HARRY EGUTAK (B. 1925), CANADIAN TWO DANCERS, 1985
stonecut and stencil on paper; titled, dated “85” and numbered 9/50 to margin sight 19.5 x 25 in — 50.8 x 63.5 cm
PROVENANCE:
Private Collection, Yellowknife, NWT $100 — 125
VICTOR EKOOTAK (1916-1965), ULUKHAKTOK (HOLMAN)
DANCING GIRL WEARING A BONNET TRIMMED WITH A LOON’S BEAK AND A WEASEL’S SKIN (NIVINGAJULIAT) silkscreen on burlap; artist’s name in Roman; titled verso; framed sight 26 x 11.75 in — 66 x 29.8 cm
PROVENANCE:
Private Collection, Belleville, ON $100 — 150
VICTOR EKOOTAK (1916-1965), ULUKHAKTOK (HOLMAN)
OLD AND YOUNG ENCOURAGE THE DRUMMER WITH THEIR SINGING (NIVINGAJULIAT)
silkscreen on burlap; artist’s name in Roman; titled verso; framed sight 26.25 x 11.75 in — 66.7 x 29.8 cm
PROVENANCE:
Private Collection, Belleville, ON
$100 — 150
22
HANS ERNI (1909-2015), SWISS RÉPLIQUE DU MIRACLE DES SAINTS COME ET DAMIEN
colour lithograph on paper; titled with letters by the publisher verso; published by Paul Bernard Klein sheet 16.25 x 24.25 in — 40.6 x 61 cm
PROVENANCE:
Private Collection, Toronto, ON; Private Collection, Harrington, P.E.I.
$75 — 100
DAVID FEIST (20TH CENTURY)
HELL’S GATE - HITCH BAY, 1968
mixed media on paper; signed, titled and dated lower left sight 16.25 x 21.75 in — 41.3 x 55.2 cm
PROVENANCE:
Private Collection, Toronto, ON $40 — 50
PAUL FOURNIER (B. 1939), CANADIAN FIELD FIGURES
ink on paper; signed lower right; attributed and titled to gallery label verso sight 11.9 x 12.9 in — 30.2 x 32.8 cm
PROVENANCE:
Private Collection, Toronto, ON $100 — 150
PAUL FOURNIER (B. 1939), CANADIAN
MUSHROOM PAGE #1, 1972
ink on rice paper; signed and dated lower right; signed and titled verso sheet, irregularly shaped 24.5 x 11.25 in — 62.2 x 28.6 cm
PROVENANCE:
Private Collection, Toronto, ON; The Pollack Gallery Limited, Toronto, ON
$75 — 125
ÉLÈNE GAMACHE (B. 1951), CANADIAN RED ROSES WITH HERON, 2001 mixed media on paper; signed lower right; titled to gallery label verso
19.6 x 19.6 in — 49.8 x 49.8 cm
PROVENANCE:
Private Collection, Ontario; Roberts Gallery Limited, Toronto, ON
$250 — 300
GEORGE IV MORTGAGE INDENTURE, SOMERSET COUNTY, UK, 27TH MARCH, 1821 from Rev. Wadham Pigott, Samuel Sperrin and John Truitt to Mr. John Worrell, in quill on three overlaid vellum sheets, framed, sheet 22 x 29 in — 55.9 x 73.7 cm $200 — 300
EVA GINGL (20TH CENTURY), CANADIAN UNTITLED, 1989 watercolour on canvas; signed and dated lower right 23.9 x 29.9 in — 60.7 x 75.9 cm
PROVENANCE:
Private Collection, Toronto, ON $100 — 150
PETER HENRY GOETZ (1917-2007), RUSSIAN/CANADIAN
UNTITLED (THE ISLAND TOWER) watercolour on paper; signed lower left sight 14.3 x 21.4 in — 36.3 x 54.6 cm
PROVENANCE:
Private Collection, Ontario
$50 — 75
DAVID W. HADDON (ACTIVE CIRCA 1884-1914), BRITISH GRANDPA’S MEDALS oil on canvas; signed lower left 30.1 x 19.9 in — 76.2 x 50.8 cm
PROVENANCE:
Private Collection, Montreal, QC
$100 — 150
WILLIAM ALLAN HARRISON (1911-1988), CANADIAN
FIRE ISLAND, 1955; HORSE SKETCH charcoal on paper; reproduction print; the first, signed, titled and dated “July 55” top right
sight 7.75 x 10.4 in — 19.7 x 26.4 cm; sight 10.1 x 13.4 in — 25.7 x 34 cm
PROVENANCE: Private Collection, Quebec
$50 — 75
ROBERT LEROY HARTMAN (1926-2015), AMERICAN SNAP ROLL II, 1966
acrylic and collage on canvas; signed lower left; signed and titled to stretcher verso
21 x 24 in — 53.3 x 61 cm
PROVENANCE:
Private Collection, London, ON; San Francisco Museum of Art Rental Gallery, San Francisco, CA; Berkeley Gallery, San Francisco, CA
EXHIBITED:
“21st Artists West of the Mississippi,” Colorado Springs Fine Arts Center, Colorado Springs, CO, 1967.
$250 — 350
JAROSLAV HOVADIK (1935-2011), CZECH
THE FIRST HEAP
etching on paper; signed, titled and numbered A/P lower margin sheet, irregularly shaped
31.9 x 24.75 in — 81 x 62.9 cm
PROVENANCE:
Private Collection, Ontario
$75 — 100
ROBERT HUNTER (20TH CENTURY), SCOTTISH SLIPWAY, EVENING, 1968
watercolour on paper; signed and dated “68” lower right; titled to Society of Scottish Artists label verso sight 24.25 x 37.5 in — 61.6 x 95.3 cm
PROVENANCE:
Private Collection, Toronto, ON
$75 — 100
OFFICE INTERIOR WITH COUNTRY WOMAN AND ELDER IN DISCUSSION oil on canvas laid down on hardboard; signed lower left 18 x 13 in — 45.7 x 33 cm
PROVENANCE: Private Collection, Ontario
$400 — 600
ITALIAN VELUM DOCUMENT, EARLY 15TH CENTURY dated 1410, quill on vellum, in a double glazed frame, sheet 26 x 23 in — 66 x 58.4 cm; frame 32 x 29 in — 81.3 x 73.7 cm $200 — 300
STREET SCENE WITH BUILDING #2; STREET SCENE WITH CITY AND BUILDING; THREE GIRLS
three colour screenprints on heavy wove paper; each signed, titled and numbered 67/175, 43/175 and 46/175, respectively
sheet 35 x 26 in — 78.1 x 58.4 cm; sheet 34 x 26 in — 88.9 x 66 cm; sheet 34 x 26 in — 86.4 x 66 cm
PROVENANCE:
Private Collection, Toronto, ON
$200 — 300
1971
acrylic and gouache on paper bag; signed and dated “28.11.71” upper right sight 18 x 12.5 in — 45.7 x 31.8 cm
PROVENANCE:
The Collection of Jacques & Gabrielle Israelievitch, Toronto, ON
$100 — 150
GATHERING
screenprint; titled and numbered 27/100; artist’s name in Roman, unframed 20 x 24 in — 50.8 x 61 cm
PROVENANCE:
Private Collection, Burlington, ON
$100 — 125
woodcut on paper; signed, titled and numbered 29/50 lower right sight 17.75 ins x 32.1 ins; 45.7 cms x 81.3 cms
PROVENANCE:
Private Collection, Ontario
$200 — 300
ALEKSANDR LOPUKHOV (1925-2009), UKRAINIAN
PORTRAIT OF A UKRAINIAN OFFICER oil on paper
16.4 x 11.4 in — 41.7 x 29 cm
PROVENANCE:
Private Collection, British Columbia
$300 — 350
CHARLES WARREN LUCKOCK (1915-1988), CANADIAN
UNTITLED (FEMALE NUDE), 1986 mixed media on paper; signed and dated “Jan ‘86” image 28.6 ins x 38.5 ins; 72.6 cms x 97.8 cms
PROVENANCE:
Private Collection, Ontario
$50 — 75
ROBERT LUTYENS (1901-1972), BRITISH VISCOUNT BRACKEN, 1959 oil on canvas; signed lower right 38 x 28 in — 96.5 x 71.1 cm
PROVENANCE:
Beaverbrook Art Gallery, Fredericton, NB; Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery
$100 — 150
SALVATORE MARESCA (19TH/20TH CENTURY), ITALIAN MAN SMOKING A PIPE; MAN LIGHTING A PIPE pair of oils on canvas; both attributed to “S. Maresca” on the nameplates
15.5 x 10.1 in — 39.4 x 26.7 cm; 15.35 x 10.25 in — 39 x 26 cm
PROVENANCE: Private Collection, Montreal, QC
$150 — 200
THE DERBY, 1897
watercolour on paper; signed, titled, dated and inscribed “Begorra, an its Galtee More is makin’ um sing small all day!”
sight 9.6 x 13.6 in — 24..5 x 34.5 cm
PROVENANCE: Private Collection, Ontario
$200 — 300
50
MEDIAEVAL ITALIAN VELLUM DOCUMENT, 15TH CENTURY
with Latin text in quill on parchment, multiple signatories and ornate quillwork partial border, sheet 20 x 26 in — 50.8 x 66 cm; framed 26 x 31.5 in — 66 x 80 cm
$100 — 150
NORVAL MORRISSEAU, CM, RCA (1932-2007), ANISHINAABE (OJIBWE)
OJIBWAY THUNDERBIRD colour screenprint; titled and numbered 13/500; artist’s name in Roman; framed sight 19 x 12.5 in — 48.3 x 31.8 cm
PROVENANCE:
Private Collection, Burlington, ON $250 — 300
HENRY MOORE (1898-1986), BRITISH HENRY MOORE IN ISRAEL offset lithograph on paper; signed lower right sight 28.5 x 21 in — 72.4 x 53.3 cm
PROVENANCE:
Beaverbrook Art Gallery, Fredericton, NB; Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery
$300 — 400
HENRY MOORE (1898-1986), BRITISH
THE ART OF HENRY MOORE (HONG KONG MUSEUM OF ART)
offset lithograph on paper; signed lower left
sight 19.6 x 29.4 in — 49.8 x 74.6 cm
PROVENANCE:
Beaverbrook Art Gallery, Fredericton, NB; Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery
$300 — 400
HENRY MOORE (1898-1986), BRITISH
THE ART OF HENRY MOORE (HONG KONG MUSEUM OF ART) offset lithograph on paper; signed lower left sight 19.6 x 29.5 in — 49.8 x 74.9 cm
PROVENANCE: Beaverbrook Art Gallery, Fredericton, NB; Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery
$300 — 400
BERNARD RENÉ JOSEPH MULAIRE (B. 1945), CANADIAN
SELF PORTRAIT WITH MIRRORS, 1979 lithograph on paper; signed, titled, dated and numbered XII/XXV to lower margin; blindstamps to lower left and lower right corners
sheet 17.75 x 24 in — 45.1 x 61 cm
PROVENANCE:
Private Collection, Toronto, ON $75 — 100
MATHIAS MULEME, UGANDAN/CANADIAN
A VISIT II, 1981 intaglio and etching on paper; signed, titled, dated and numbered 18/80 lower margin
sight 16.9 x 11 in — 42.9 x 27.9 cm
PROVENANCE: Private Collection, Toronto, ON $100 — 150
JACK NICHOLS (1921-2009), CANADIAN TRANSMIGRATION OF SOULS
lithograph on paper; signed and numbered 14/30 to margin image 25.9 x 19.6 in — 65.8 x 49.8 cm
PROVENANCE:
Private Collection, Toronto, ON $50 — 75
GRAHAM NOBLE NORWELL (1901-1967), CANADIAN UNTITLED (WINTER LANDSCAPE)
watercolour; signed lower right sight 10 x 13 in — 25.4 x 33 cm
PROVENANCE:
Private Collection, British Columbia $200 — 300
JOSEPH FRANCIS PLASKETT (1918-2014), CANADIAN
THE FRASER RIVER AT NEW WESTMINSTER, BC, 1953 charcoal and chalk on paper; signed and dated lower right; titled verso sight 17.25 x 23.25 in — 43.8 x 59.1 cm
PROVENANCE: Private Collection, Toronto, ON $150 — 200
AOUDLA PUDLAT ᐊᐅᓚ (1951-2006), KINNGAIT (CAPE DORSET) MATING DANCE, 1980 lithograph; titled, dated and numbered 45/50; artist’s name in Roman and syllabics; unframed sheet 14.75 x 18.75 in — 37.5 x 47.6 cm
PROVENANCE: Private Collection, Toronto, ON $200 — 400
*** REINHOLD
SANTA MARIA DEL POPOLO
oil on canvas; signed “Reinhold” and titled lower right
31 x 28 in — 78.7 x 71.1 cm
PROVENANCE:
Private Collection, Quebec; Royal Gallery, Montreal, QC
$250 — 300
PHYLLIS NELSON HARVEY RICHARDS
(B. 1906), CANADIAN MARGO DANCING
(EL MOCAMBO CLUB), 1973 oil on canvas board; signed lower right; tilted and dated “July 1973” to affixed paper verso
29.9 x 24.9 in — 75.9 x 63.2 cm
PROVENANCE:
Private Collection, Toronto, ON
$150 — 200
MICHAEL ROTH (B. 1942), CANADIAN WINTER SKY
oil on hardboard; signed lower left; artist’s label verso
sight 19.5 ins x 9.5 ins; 49.5 cms x 24.1 cms
PROVENANCE:
Private Collection, Ontario
$75 — 100
LYNN ROTIN (20TH CENTURY), CANADIAN GOLDEN BOWLS
encaustic on canvas; signed lower right; signed and titled verso
36 x 48 x 1.8 in — 91.4 x 121.9 x 4.6 cm
PROVENANCE:
Private Collection, Toronto, ON
$200 — 300
RONALD SATOK (1932-2018), CANADIAN STAIRWAY WITH FIGURES
colour lithograph on paper; signed and numbered “A/P 14/50” in pencil lower margin
29 x 22 in — 73.7 x 55.9 cm
PROVENANCE:
Private Collection, Toronto, ON
$50 — 75 66
RONALD SATOK (1932-2018), CANADIAN SUMO GENESIS
offset lithograph on paper; signed, titled and numbered “A/P” lower margin sheet, irregularly shaped 38.6 x 26.25 in — 98 x 66.7 cm
PROVENANCE:
Private Collection, Toronto, ON
$50 — 100
RONALD SATOK (1932-2018), CANADIAN UNTITLED (DRAWING OF A CHILD) charcoal on paper; signed lower right sight 24.75 x 13.9 in — 62.9 x 35.3 cm
PROVENANCE:
Private Collection, Toronto, ON $75 — 100
NORMAN SEEFF (B. 1939), SOUTH AFRICAN/AMERICAN THE BAND, WOODSTOCK, N.Y., 1969 photographic print; numbered SW-425 upper right; published in 1970 sight 11.9 x 19.4 in — 30.2 x 49.3 cm
PROVENANCE:
Private Collection, Toronto, ON $75 — 100
THOMASSIAPIK SIVUARAPIK (B. 1941), PUVIRNITUQ (POVUNGNITUK)
BEAR PULLING SEAL, 1961 stonecut; titled, dated and numbered 1/50; artist’s name in Roman; framed sight 10.5 x 11 in — 26.7 x 27.9 cm
PROVENANCE:
Private Collection, Toronto, ON
$100 — 200
70
PERCY SPENCE (20TH CENTURY)
WINTER SCENE WITH MAN LEADING A HORSE oil on board; signed lower right 20 x 29.9 in — 50.8 x 75.9 cm
PROVENANCE:
Private Collection, Ontario
$100 — 150
LONDON PARLIAMENT, 1966 oil on canvas; signed and dated lower right 16 x 30 in — 40.6 x 76.2 cm
PROVENANCE:
Private Collection, Hamilton, ON $75 — 125
TOBIE THELMA STEINHOUSE, RCA (B. 1925), CANADIAN ECARTEUT LE JOUR COMME UN RIDEAU, 1971
etching on paper; signed, titled, dated and numbered lower margin sight 12.75 x 22.4 in — 32.4 x 57.2 cm
PROVENANCE:
Private Collection, Ontario $75 — 100
TOBIE THELMA STEINHOUSE, RCA (B. 1925), CANADIAN INTO MY GREEN WORLD etching on paper; signed, titled and numbered lower margin sight 13.25 x 20,.5 in — 33.7 x 52.1 cm
PROVENANCE: Private Collection, Ontario
$75 — 100
74
OLGA K. TOMLINSON (20TH CENTURY), CANADIAN TWENTY-NINTH OF JUNE, 1980 lithograph on paper; signed and numbered 6/62 sight 16 x 20.5 in — 40.9 x 52.1 cm
PROVENANCE: Private Collection, Toronto, ON
$75 — 125
ROY TOMLINSON (B. 1928), CANADIAN SPRING GATHERING, 1979
lithograph on paper; signed, titled and numbered 32/75 to margin sight 14.6 x 20.5 in — 37.1 x 52.1 cm
PROVENANCE:
Private Collection, Toronto, ON $75 — 100
TAMUSI NAQTAI TULUGA (B. 1931), PUVIRNITUQ (POVUNGNITUK)
UNTITLED, 1961
stonecut; dated and numbered 28/50; artist’s name in Roman; framed 11 x 12.5 in — 27.9 x 31.8 cm
PROVENANCE: Private Collection, Toronto, ON $100 — 200
77
UNIDENTIFIED ARTIST (20TH CENTURY)
BOATS AT REST oil on panel
7.5 x 10.5 in — 19.1 x 26 cm
PROVENANCE:
Private Collection, Ontario
$30 — 40
78
UNIDENTIFIED ARTIST
DANCING FIGURES (NIVINGAJULIAT)
sealskin, melton wool; unsigned 48 x 27 in — 121.9 x 68.6 cm
PROVENANCE:
Private Collection, Belleville, ON
$100 — 150
*** MORAN, 20TH CENTURY
UNTITLED (FARM IN WINTER) oil on canvas; signed lower left 8 x 10 in — 20.3 x 25.4 cm
PROVENANCE:
Private Collection, Ontario
$40 — 60
80
UNIDENTIFIED ARTIST
GARDEN acrylic on canvas 36 x 30 in — 91.4 x 76.2 cm
PROVENANCE:
Private Collection, Toronto, ON
$75 — 150
UNIDENTIFIED ARTIST (20TH CENTURY), CANADIAN IRISES WITH RIBBONS gouache on paper
sight 4.75 x 6.75 in — 12.1 x 17.1 cm
PROVENANCE:
Private Collection, Ontario
$75 — 100 82
UNIDENTIFIED ARTIST, CHINESE PAIR OF DECORATIVE SNUFF BOTTLES FEATURING HORSES
inside-painted glass snuff bottles
approx. 2.5 x 1.75 x .75 in — 6.4 x 4.4 x 1.9 cm; framed 13.5 x 11.5 x 2 in — 34.3 x 29.2 x 5.1 cm
PROVENANCE: Private Collection, Ontario
$50 — 75
UNIDENTIFIED ARTIST (19TH CENTURY), CANADIAN
THOMAS MILLER AND HIS WIFE oil on panel; a small packet with the purported history and description of models attached verso
27 x 22 in — 68.6 x 55.9 cm
PROVENANCE:
Private Collection, Toronto, ON $300 — 400
UNIDENTIFIED ARTIST
UNTITLED ABSTRACT oil on canvas
36 x 24 in — 91.4 x 61 cm
PROVENANCE:
Private Collection, Toronto, ON $75 — 100
85
UNIDENTIFIED ARTIST
UNTITLED, 1968 pastel on paper; indistinctly signed and dated lower right sight 9.5 x 14 in — 24.1 x 29.8 cm
PROVENANCE:
Private Collection, Toronto, ON $75 — 100
86
VARIOUS ARTISTS (18TH CENTURY), ITALIAN FOUR ETCHINGS FROM THE EIGHT-VOLUME “LE ANTICHITÀ
DI ERCOLANO ESPOSTE” etchings on paper; each signed in the plate; published in 1757 and 1792 sight 15.1 x 11.1 in — 38.4 x 28.2 cm
PROVENANCE:
Private Collection, Toronto, ON $200 — 250
FRANCOIS VINCENT (B. 1951), CANADIAN JAGUAR, 1995
colour etching on paper; signed, titled, dated “95” and numbered 2/30 image 9.5 x 4.75 in — 24.1 x 12.1 cm
PROVENANCE:
Private Collection, Ontario
$75 — 100 88
KEN WALLACE (B. 1945)
ORGONE, 1976
mixed media on paper signed lower right; unframed sheet 22.5 x 30 in — 57.2 x 76.2 cm
PROVENANCE:
Bau-Xi Gallery, Vancouver, BC Morris and Helen Belkin Gallery, Vancouver, BC
$150 — 300
JEAN-PIERRE WEILL STUDIOS, FRENCH MAYPOLE
mixed media screenprint on glass; signed and numbered 131/1200 on certificate of authenticity verso 17 x 13 x 2.75 in — 43.2 x 33 x 7 cm
PROVENANCE:
Private Collection, Toronto, ON
$75 — 100
90
WILLIAM G. WHITTINGTON (ACTIVE 1904-1914), BRITISH BOATS ON THE WATER watercolour on paper; signed lower left sight 17 ins x 36 ins; 26.2 cms x 74.4 cms
PROVENANCE:
Private Collection, Toronto, ON
$150 — 250
WILLIAM G. WHITTINGTON (ACTIVE 1904-1914), BRITISH
EARLY MORNING OFF RAMSGATE watercolour on illustration board; signed and titled verso sight 14.25 x 20.1 in — 39.5 x 55.5 cm
PROVENANCE: Private Collection, Toronto, ON $200 — 300
JOSEPH WOLF (1820-1899), GERMAN STERCORARIUS CATARRACTES hand-coloured lithograph on paper; with letters:
“by Bowen & Co. Lith & col. Philada.” sight 16 x 20.4 in — 40.6 x 51.8 cm
PROVENANCE: Private Collection, Toronto, ON $100 — 150
DON YEOMANS (B. 1956), HAIDA
COMMUNICATION, 1997
screenprint; titled, dated and numbered 26/99; artist’s name in Roman; framed sight 19.25 x 19.25 in — 48.9 x 48.9 cm
PROVENANCE:
Private Collection, Toronto, ON $100 — 200
DON YEOMANS (B. 1956), HAIDA
RAVEN’S ROOTS, 1994
screenprint; titled, dated and numbered 6/66; artist’s name in Roman; framed sight 18.75 x 19.25 in — 47.6 x 48.9 cm
PROVENANCE:
Private Collection, Toronto, ON $100 — 200
All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or oral announcements. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any announcements or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s™ (auctioneer) and the consignor (seller) of the lot. Description or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale.
All of the items are to be considered, unless otherwise noted in the catalogue description or condition report, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should have our staff answer any questions before bidding. Sizes are approximate. Frames on artwork are not included as part of purchase or condition. It is the sole responsibility of the bidder to inquire as to the condition of a lot before bidding. Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale.
Waddington’s charges a buyer’s premium of 23% on the hammer price up to and including $25,000 CAD. Hammer prices in excess of $25,000 CAD will be charged a buyer’s premium of 20%. Buyer’s premium and applicable Canadian taxes are added to the hammer price.
A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer’s premium except for any items directly shipped from our premises out of Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province.
payment
Payment for purchases must be by cash; interac direct debit (CDN clients in person only); certified cheque (U.S. & Overseas not applicable); bank draft; E-Transfer; Wire Transfer (fee applies); visa or Mastercard (up to $25,000).
all transactions are conducted in canadian dollars (cad)
shipping
The auctioneers will not undertake packing or shipping. The purchaser must designate and arrange for the services of an independent shipper and be responsible for all shipping and insurance expenses. The auctioneers will, upon request, provide names of professional packers and shippers but will not be held responsible for the service or have any liability for providing this information. Reliable preauction estimates of shipping costs of lots offered in this sale may be obtained from:
PakShip
905-470-6874 / 416-293-8225 / 905-470-6875 taurus@pakship.ca / www.pakship.ca
Safer Shipping Inc.
416-299-3367 / 416-299-9750 perry@safershipping.ca / www.safershipping.ca
removal of purchases
Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15). Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients.
cites
Restrictions exist regarding the import and export of species protected under CITES (Convention on International Trade in Endangered Species). This includes but is not limited to items made of or containing bone (whalebone etc.), ivory, tortoise shell, seal skin, rhinoceros horn and any other animal part and is strictly controlled or forbidden by most countries.
Please review your country’s laws before bidding on pieces made of or containing these restricted items. It is the sole responsibility of the buyer to inquire about and obtain the proper permits for artwork purchased that may contain restricted materials, if such permit can be obtained.
Please contact the department for further assistance. Failure to obtain necessary import/ export permits will not void any sale.
All Narwhal Tusks must have a Marine Harvest Number or a Marine and Mammal Transport number to be sold at Waddington’s.
For more information please visit: www.cites.org
A 1% insurance charge, based on the hammer price of the property, will be applied to all accounts.
For auction advice on paintings, drawings, prints, jewellery, and various forms of decorative arts and other collectibles, please contact us via email or telephone.
We are pleased to review emails containing photographs and information on your pieces in order to provide auction estimates for you to consider.
For collections with a variety of objects, please contact our Appraisals and Consignments department (consignments@waddingtons.ca). For department-specific inquiries, please contact the specialist and/or department directly. All contact information can be found at www.waddingtons.ca.
Our offices are located in Toronto and Vancouver, but our specialists occasionally travel to major Canadian cities to meet with prospective consignors. To receive more information on Valuation Days across Canada or to arrange an appointment, please contact our Toronto office (416-504-9100).
Please note that property typically arrives at Waddington’s at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items. Consignors will receive a contract to sign, setting forth terms and fees for our services.
1. Each lot is subject to a premium of 23% on the hammer price up to and including $25,000 CAD. Hammer prices in excess of $25,000 CAD will be charged a buyer’s premium of 20%. Buyer’s premium and applicable Canadian taxes are added to the hammer price.
2. Unless exempted by law, the buyer is required to pay Federal Good and Services Tax on the total purchase price including the buyer’s premium.
3. The auctioneer reserves the right to withdraw any lot from sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice.
4. The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized.
5. Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in attendance at the sale.
6 The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The auctioneer’s decision in all cases shall be final.
7. Immediately after the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-offering the item for sale.
8. The buyer shall pay for all lots within 48 hours from the date of the sale, after which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale, after which storage charges may be incurred.
9. Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away.
10. All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted online and/or announced via email prior to the time of sale. While the auctioneer has endeavored not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made. Some lots are of an age and/or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid and to bid accordingly.
11. Payment for purchases must be by cash; interac direct debit (CDN client in person only); certified cheque (U.S. & Overseas not applicable); bank draft; E-Transfer; Wire Transfer (fee applies); visa or Mastercard (up to $25,000).
12. In the event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for:
(a) any deficiency in price between the r e-sale amount and the amount to have been paid by the original buyer
(b) any reasonable charge by the auctioneer for the storage of such articles until payment and removal by the subsequent buyer and
(c) the amount of commission which the auctioneer would have earned had payment been made in full by the original buyer.
13. It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them.
14. The auctioneer acts solely as agent for the consignor and makes no representation as to any attribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada).
15. The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.