British & Continental Art Online Auction | Sept. 15 - 20, 2018 by waddingtons

British & Continental Art Online Auction SE PTE M B ER 1 5- 2 0, 2 01 8

British & Continental Art Online Auction SEPTEMBER 15-20, 2018

bid online at onlineauctions.waddingtons.ca

senior specialist Susan Robertson sr@waddingtons.ca

all lots can be viewed online at www.waddingtons.ca

416-847-6179

on view Sunday, September 16 from 12:00 pm to 4:00 pm

consignment coordinator Alec Kerr ak@waddingtons.ca 416-847-6166

Lot 121 FRANTISEK JAKUB (1875-1940), CZECH FARM GROUP SCENE

front inside

Lot 109 HENRY E. HOBSON (ACT. 1857-1870), BRITISH WAITING FOR THE BOATS

back inside

Monday, September 17 from 1:00 pm to 7:00 pm

Lot 151 CHARLES LEVIER (1920-2003), FRENCH LES FILLES

preview held at 275 King Street East, 2nd Floor Toronto, Ontario M5A 1K2

back cover Lot 91A ARTHUR DAVID MCCORMICK (1860-1943), IRISH THE KING’S MESSENGER

tel: 416-504-9100 toll free: 1-877-504-5700

front cover

This auction is subject to the Conditions of Sale printed in the back of this catalogue.

HUGO ENGL (1852-1926), AUSTRIAN

CARL MULLER (1862-1938), AUSTRIAN

ADOLF REICH (1887-1963), AUSTRIAN

A GAME OF BOWLS, 1881

CAVALIERS IN DISCUSSION IN A GRAND SALON

READING THE NEWS

Oil on panel; signed and dated 1881 lower right

Oil on panel; signed “C. Muller” lower le!

13.5 x 9.5 in — 34.3 x 24.1 cm

8.25 x 12.25 in — 21 x 31.1 cm

$800—1,200

$300—500

Oil on panel; incised signature lower le! 10.5 x 8 in — 26.7 x 20.3 cm Provenance: With Hugo Arnot, Gemalde Salon, Wien, No. 569 to their label ; Garfield Galleries, Toronto; Private Estate Collection, Toronto; By descent, Toronto $1,000—1,500

ALOIS ARNEGGER (1879-1963), AUSTRIAN

ANTON REICH (1870-1940), AUSTRIAN

JOHANN CHRISTIAN BRAND (1722-1795), AUSTRIAN

SNOWY ALPS

MAN WITH MANDOLIN; THE BOTANIST

Oil on canvas; signed lower right 24 x 36 in — 61 x 91.4 cm

Pair of oils on canvas; each signed at “Wien” lower right, each titled to inscribed labels verso

$1,500—2,500

Each 16 x 12 in — 40.6 x 30.5 cm Provenance: Waddington’s, Toronto, June 15, 2010; The Estate of Adolph Rolin, Toronto $400—600

ITALIANATE LANDSCAPE WITH RUIN: A GATHERING OF HERDSMEN WITH CATTLE, SHEEP, DOGS AND WASHERWOMAN

Oil on canvas laid down on masonite; signed “Brand Professor” to the rock lower le! 41 x 33.5 in — 104.1 x 85.1 cm Provenance: See website for full catalogue details $1,000—1,500

HENDRICK JOSEPH DILLENS (1812-1872), BELGIAN

EMILE VAN DAMME-SYLVA (1853-1935), BELGIAN

HENRY SCHOUTEN (1864-1927), BELGIAN

TRAVELLING MEDICINE MAN, 1829

COWS IN A MEADOW

Oil on canvas laid down to board; signed “H. Dillens” and dated 1829 in red paint lower le!

Oil on canvas; signed “Van Damme” lower le!

18 x 13.8 in — 45.7 x 35.1 cm $300—500

13 x 22 in — 33 x 55.9 cm Provenance: Partial label “... London. W. guarantee this picture” with red wax seal depicting a man wearing a helmet, on top of the partial gallery label to the stretcher; William R. Watson, The Watson Gallery, Montreal

RETRIEVERS IN A LANDSCAPE

Oil on canvas; signed lower right 31 x 39 in — 78.7 x 99.1 cm Provenance: John Britnell Art Galleries Limited, Toronto; Galerie Bernard Desroches, Montreal given erroneously to “Henry Solowitz” to their gallery label verso; Estate Collection, Toronto $1,200—1,800

$600—900

PAUL JEAN CLAYS (1819-1900), BELGIAN

FOLLOWER OF JOHN CONSTABLE (1776–1837), BRITISH

MANNER OF FRANCIS WHEATLEY (1747 -1801), BRITISH

THE LOCKS (A SCENE REMINISCENT OF THE LEAPING HORSE)

RUSTIC FAMILY PICNIC IN THE HAY FIELD

ON THE MAAS, HOLLAND

Oil on canvas; given to P.J. Clays and titled to the nameplate 17 x 21 in — 43.2 x 53.3 cm Provenance: Waddington’s, Toronto, June 24, 1980, lot 566; From whom purchased by the present Private Collection’s parents, Toronto; With Frederick W. Thom Limited, Toronto for relining and restoration in April 1981; By descent $800—1,200

Oil on canvas; bears signature “John Constable” lower right. 30 x 25 in — 75.6 x 62.2 cm Provenance: Britnell Gallery Collection, Toronto; The Estate of Doreen Britnell, Richmond Hill, Ontario $2,000—3,000

Oil on canvas 14.5 x 17.5 in — 36.8 x 44.5 cm Provenance: Private Collection, Toronto $400—600

AFTER PHILIP JAMES (OR PHILIPPE-JACQUES) DE LOUTHERBOURG (1740 -1812), BRITISH

BRITISH VICTORIAN

ATTRIBUTED TO ALFRED W. ELMORE (1815 -1881), BRITISH

THE LONDON COACH

“MY FLESH ALSO SHALL REST IN HOPE” (FROM PSALMS) (A YOUNG GIRL WITH HOOLA HOOP GREETED AT THE GATE)

Oil on canvas

35 x 48 in — 88.9 x 121.9 cm

19 x 26 in — 48.3 x 66 cm

Provenance: See website for full catalogue details

Provenance: Private Collection, Richmond Hill, Ontario by descent from family in Cape Town, South Africa

$700—900

$300—400

ROMEO AND JULIET

Oil on panel. Unsigned. Given to the artist and titled to the nameplate and to an old typed label verso. 8.25 x 6.75 in — 21 x 17.1 cm Provenance: Waddngton’s, Toronto, lot 1556 label, n.d.; Private Collection, Toronto and Greece $800—1,200

ATTRIBUTED TO RICHARD PARKES BONINGTON (1802-1828), BRITISH

JAMES BAKER PYNE (1800-1870), BRITISH

CANAL IN BRUGES

NORMANDY PEASANTS, BRITTANY COAST

Oil on canvas; titled and inscribed “Bruges / R.P. Bonington” in pencil to the stretcher and inscribed in pencil to the frame 20 x 18 in — 50.8 x 45.7 cm $1,000—1,500

Oil on canvas laid down to masonite board; inscribed “Bonnington” in ink to the liner verso and titled in pencil to the liner verso 21 x 29 in — 53.3 x 73.7 cm $1,000—1,500

LAKE MAGGIORE

Oil on board. Unsigned, given to J.B. Pyne 1800 - 1870 to the old nameplate 8.5 x 11 in — 21.6 x 27.9 cm Provenance: Private Collection, Toronto and Greece $200—300

AFTER THOMAS GAINSBOROUGH (1727 -1788), BRITISH

FOLLOWER OF MYLES BIRKET FOSTER (1825-1899), BRITISH

ATTRIBUTED TO EDWARD WILLIAMS (1782 -1855), BRITISH

COTTAGE CHILDREN (THE WOOD GATHERERS)

FEEDING CHICKENS IN A FARMYARD

WOODED LANDSCAPE WITH HORSEMAN AND SHEEP WATERING

Oil on canvas. Copy a!er the original painted in 1787. 16.5 x 14 in — 41.9 x 35.6 cm Provenance: Ex. Collection Joseph Yolles, Toronto; Yolles Antiques, Toronto; Estate of Joseph Yolles; By descent

Oil on canvas; bears compounded monogram initials “MBF” lower right 10 x 8 in — 25.4 x 20.3 cm $200—300

Oil on canvas. Unsigned. Given to the artist to the nameplate. 16.25 x 20.25 in — 41.3 x 51.4 cm Provenance: Collection of The Archdiocese of Toronto $800—1,200

$200—300

AFTER SIR AUGUSTUS WALL CALCOTT (1779-1844), BRITISH

FREDERICK WATERS WATTS (1800-1862), BRITISH

JAS. D. ADAM (19TH CENTURY), BRITISH

RETURNING FROM MARKET

HEATH SCENE WITH CATTLE

Oil on canvas, laid down on masonite. Copy A!er the original painted in 1834.

Oil on canvas; signed and titled at Hampton in pen and ink to the artist’s handwri"en label to the stretcher; Certified by Vicar Brothers, London, their partial label verso

28 x 36 in — 71.1 x 91.4 cm $400—600

13.75 x 16.75 in — 34.9 x 42.5 cm Provenance: Vicars Bros., London, UK., The Cooling Galleries Ltd., London & Toronto $1,000—1,500

CATTLE BY THE RIVER

Oil on canvas laid down to plywood panel, signed indistinctly “Jas D Adam” lower right 20 x 30 in — 50.8 x 76.2 cm $1,000—1,500

ALFRED BANNER (ACTIVE 1880-CIRCA 1915), BRITISH

GEORGE ARMFIELD (BORN CIRCA 1808 -1893), BRITISH

GEORGE EARL (1824-1908), BRITISH

CATTLE WATERING WITH HERDER ON SHORE, 1881

WAITING FOR MASTER

Oil on canvas laid down to masonite board; signed and dated 81 lower le! 25 x 36 in — 63.5 x 91.4 cm $500—700

PERFECT RETRIEVING

Oil on canvas; signed lower right, signed verso

Oil on canvas; unsigned, given to George Earl R.A. (1831-1890) (erroneous dates) and titled to the old nameplate

12 x 14 in — 30.5 x 35.6 cm

19.25 x 29 in — 48.9 x 73.7 cm

Provenance: Huddersfield partial label verso; Family Collection, purchased from Simpson’s, Canada; By descent

$2,000—3,000

$900—1,200

MANNER OF WILLIAM SHAYER SNR. (1787 -1879), BRITISH

MANNER OF WILLIAM SHAYER SNR. (1787–1879), BRITISH

ATTRIBUTED TO WILLIAM JOSEPH SHAYER (1811–1892), BRITISH

THE VILLAGE INN

SCOTS BOY ON A WHITE HORSE GREETING HIS FAMILY ON SHORE

MARKET TRAVELLERS RESTING WITH GOATS, COWS AND THEIR DOG

OIl on canvas. Unsigned. Unframed.

Oil on canvas. Unsigned.

26 x 30 in — 66 x 76.2 cm

29.5 x 24.75 in — 74.9 x 62.9 cm

Provenance: Ex. Collection Joseph Yolles, Toronto; Yolles Antiques, Toronto; Estate of Joseph Yolles; By descent

Provenance: Antoine’s Art Gallery, Montreal

Oil on canvas laid down on board; given to “William Shayer 1788-1879” and titled to the frame recto 22 x 18 in — 55.9 x 45.7 cm Provenance: Ex. Collection Sco" Symons his collector label verso $500—700

$500—700

$800—1,200

MANNER OF CHARLES SHAYER (1826-1914), BRITISH

HENRY JOHN BODDINGTON (1811-1865), BRITISH

FARMER STOPPED TO REST WITH HIS HORSES IN A SHADY CORNER

THE FORD, 1846

ATTRIBUTED TO CHARLES SHAYER (1826 -1914) AND JOHN FREDERICK HERRING SENIOR (1795-1865), BRITISH NOONDAY REST

Oil on canvas. Unsigned.

Oil on canvas; signed and dated 1846 lower right, titled to gallery label verso

30.5 x 25 in — 77.5 x 63.5 cm

30 x 50 in — 76.2 x 127 cm

$800—1,200

Provenance: P & D Colnaghi & Co., Ltd., London; Ex. Collection Rose Ann Gapfer (the last name indistinct) inscribed in pen and ink to a small label to the frame verso; Private Collection, Waterloo, Ontario

28.75 x 36 in — 73 x 91.4 cm

$3,000—4,000

$1,000—1,500

Oil on canvas; given to “H.C. Shayer and John Frederic Herring Snr.” and titled to the nameplate a!ached to the verso

Provenance: Haynes Art Gallery, Toronto remains of their label to the frame; The Estate of Adolph Rolin, Toronto

MARK WILLIAM LANGLOIS (1848-1924), BRITISH

ATTRIBUTED TO SAMUEL BARLING CLARKE (19TH CENTURY), BRITISH

“SIT UP !”

THREE BOYS TELLING A STORY OR PLAYING WITH A SPIN TOP

LITTLE GIRL WITH HER RABBITS

Oil on canvas laid down on masonite; signed lower right, titled to gallery label verso 21 x 17 in — 53.3 x 43.2 cm Provenance: Garfield Galleries, Toronto; Private Collection, Toronto $500—700

Oil on canvas; bears signature “Ed. Frere” lower right with erroneous nameplate “Edouard Frere” 21.25 x 17.25 in — 54 x 43.8 cm Provenance: John Britnell Art Galleries Limited, Toronto; The Estate of Doreen Britnell, Richmond Hill, Ontario $500—700

Oil on canvas; signed lower right 10 x 12.25 in — 25.4 x 31.1 cm Provenance: Ex. Collection Joseph Yolles, Toronto; Yolles Antiques, Toronto; Estate of Joseph Yolles; By descent $200—300

CHARLES CLAIR (1860-1930), BRITISH

LOUIS BOSWORTH HURT (1856-1929), BRITISH

ATTRIBUTED TO ALFRED DE BREANSKI SNR. (1852-1928), BRITISH

IN SCOTLAND, N.B.

LOCH FYT, N.B.

Oil on panel; signed lower right, titled indistinctly and numbered No. 1 in pencil verso

Oil on canvas laid down on masonite, given to Breanski and titled to the nameplate

9 x 6 in — 22.9 x 15.2 cm

16 x 24 in — 40.6 x 61 cm

Provenance: John Magee Fine Art Dealer, Belfast; Private Collection, Toronto by descent from their grandparents

$500—700

WOMAN HERDING SHEEP AT THE GATE, 1911

Oil on panel; signed and dated 1911 lower right. Unframed. 20.75 x 25.5 in — 52.7 x 64.8 cm Provenance: Ex. Collection Joseph Yolles, Toronto; Yolles Antiques, Toronto; Estate of Joseph Yolles; By descent $1,500—2,500

$500—700

SIR ERNEST ALBERT WATERLOW (1850–1919), BRITISH

BRITISH (19TH CENTURY)

WILLIAM PITT (1853-1890), BRITISH

TRUDGING ALONG (GIRL WITH GEESE)

Oil on canvas, signed lower right, titled “Trudging Along” in pen and ink to an old label to the frame at “3 St. Petersburg Place”, titled “Girl with Geese” to the nameplate 21 x 17 in — 53.3 x 43.2 cm $600—800

PASTORAL WITH SHEEP GRAZING, 1885

HILLSIDE VILLAGE, 1869

Oil on panel; signed with upper case conjoined initials, indistinct le!ers “RWH”/ “RAH”/ “PWH” and dated 1885 lower le". Unframed.

Oil on canvas; signed and dated 1869 lower right, titled to gallery label verso

10.25 x 15 in — 26 x 38.1 cm

Provenance: The Fine Art Galleries, The T. Eaton Co., Limited, Canada; Private Collection, Toronto

$300—500

20 x 28 in — 50.8 x 71.1 cm

$1,200—1,800

BRITISH (19TH CENTURY)

HENRY H. PARKER (1858-1930), BRITISH

BRITISH VICTORIAN

FIGURE ON A COUNTRY TRAIL TOWARDS THE COTTAGE

CLIEFDEN WOODS ON THAMES

A LADY SEATED IN WHITE SATIN READING A BOOK

Oil on panel

Oil on canvas; signed lower right, signed and titled verso

Oil on canvas laid down on masonite

15.25 x 19.75 in — 38.7 x 50.2 cm

24 x 36 in — 61 x 91.4 cm

36.5 x 30 in — 92.7 x 76.2 cm

$400—600

Provenance: Estate Collection, London, Ontario

$300—500

$2,000—3,000

MANNER OF MICHAEL DAHL (1659-1743), SWEDISH/BRITISH

ATTRIBUTED TO EDWARD LADELL (1821 -1886), BRITISH

ATTRIBUTED TO FRANK BRAMLEY (1857 -1915), BRITISH

PORTRAIT OF A LADY HOLDING HER PINK SATIN SHAWL

“HONESTY” (STILL LIFE WITH BOOKS AND COPPER )

REVERIE (YOUNG WOMAN SEATED IN A LANDSCAPE)

Oil on canvas; in a feigned oval

Oil on canvas laid down on masonite; signed “Ladell” lower le!, given to “E. Ladell” and titled to gallery label verso

Oil on board; with remains of an indistinct signature lower le!, titled to gallery label verso

24.5 x 12 in — 62.2 x 30.5 cm

16 x 12 in — 40.6 x 30.5 cm

Provenance: Garfield Galleries, Toronto label verso; Private Collection, Toronto

Provenance: Garfield Galleries, Toronto; Private Collection, Toronto

$300—500

$500—700

29.5 x 24.75 in — 74.9 x 62.9 cm Provenance: The Estate of Doreen Britnell, Richmond Hill, Ontario $600—800

ELIZABETH ADELA STANHOPE FORBES (1859-1912), CANADIAN/BRITISH

JAMES BROWN GIBSON (1880-C. 1961), BRITISH

DAVID BATES (1840-1921), BRITISH

LADY IN A BLACK HAT WEARING A JAPANESE KIMONO

PINK PEONIES

BY THE OLD ROAD - LLEDR VALLEY, WALES, 1903

Oil on canvas; signed lower right, signed and titled in pencil to the stretcher

Oil on canvas; signed lower right, signed, titled and dated 1903 verso

14 x 16 in — 35.6 x 40.6 cm

16 x 24 in — 40.6 x 61 cm

$300—400

Provenance: Arthur and Mae Freeman, Toronto; By descent to the present Private Collection

Oil on canvas; signed with initial compounded monogram EAF lower right 24 x 20 in — 61 x 50.8 cm Provenance: With Robert Oliver Fine Paintings Prints and Handmade Frames, Montreal, Quebec; This painting was purchased with a grouping of other items in West Vancouver

$1,500—2,500

$1,200—1,800

DAVID BATES (1840-1921), BRITISH

HENRY JOHN YEEND KING (1855-1924), BRITISH

HAROLD GOLDTHWAIT (1869-1932), BRITISH

BARNANE CASTLE (TEMPLEMORE CO., TIPPERY, IRELAND), 1903

Oil on canvas; signed lower le!, signed, titled and dated 1903 verso 14 x 18 in — 35.6 x 45.7 cm Provenance: Arthur and Mae Freeman, Toronto; By descent to the present Private Collection $1,000—1,500

TRANQUIL RIVER VIEW

AUTUMN PATCHAM, SUSSEX

Oil on canvas; signed lower le!

Oil on canvas; signed lower right, titled to the stretcher in pencil

20 x 30 in — 50.8 x 76.2 cm Provenance: Simpson’s, Toronto, 1937 as a wedding gi!; By descent $900—1,200

20.25 x 30 in — 51.4 x 76.2 cm Provenance: Haynes Art Gallery, Toronto partial gallery label to the frame $600—800

TOMSON LAING (ACTIVE 1890-1904), BRITISH

THOMAS BUSH HARDY (1842-1897), BRITISH

SIDNEY YATES JOHNSON (ACTIVE 1890-1926), BRITISH

DIGGING FOR PEAT WITH FISHERMEN WORKING ON SHORE

FISHERFOLK ON SHORE, 1873

ON THE THAMES AT PANGBOURNE; ON THE RIVER DOVE, MILLER’S DALE, DERBYSHIRE (ISAAC WALTON’S FAVOURITE STREAM)

Oil on canvas; signed lower le!

Oil on canvasboard; signed and dated 1873 lower le!

18.5 x 30 in — 47 x 76.2 cm

6.75 x 13 in — 17.1 x 33 cm

$900—1,200

Provenance: McDowell Gallery, Toronto label verso $600—800

Pair of oils on canvas; each signed with incised signatures lower le!, each signed and titled in pencil to artist’s labels to the top stretcher, the la"er with added title to a piece of tape verso Each 12 x 24 in — 30.5 x 61 cm Provenance: Richardson Bros. Art Gallery, Winnipeg labels verso $800—1,200

SIDNEY YATES JOHNSON (ACTIVE 1890 -1926), BRITISH

WILLIAM PASCOE (EXHIBITED 1905-1912), BRITISH

WYNFORD DEWHURST (1864-1941), BRITISH

WATERFALL, BETWS-Y-COED, NORTH WALES; GOLDEN SUNSET, CONWAY, NORTH WALES

VIEW ON THE PLYM RIVER (A COUNTRYMAN WATCHING STAGS WADING)

MOUNTAIN STREAM

Pair of oils on canvas; each signed with scratched signatures lower le! and lower right respectively, each signed and titled in pencil to artist’s labels to the top stretcher

Oil on canvas; signed lower le!, titled to gallery label verso

each 12 x 24 in — 30.5 x 61 cm Provenance: Richardson Bros. Art Gallery, Winnipeg labels verso

15.75 x 18 in — 40 x 45.7 cm Provenance: P & D Colnaghi & Co., Ltd., UK $400—600

Oil on canvas. Unsigned. 28.5 x 21 in — 72.4 x 53.3 cm Provenance: Directly from the artist’s studio; To his son, Brigadier General Claude H. Dewhurst (1908- died in England, 1978); By descent to his friend, the present Private Collection, Toronto $1,200—1,800

$800—1,200

WYNFORD DEWHURST (1864-1941), BRITISH

TREE IN MEADOW; ROMAINE, 1932 (WITH A SHEPHERD ON THE HILLSIDE)

HEATHERLANDS IN SCOTLAND; HEATHERLANDS WITH TREE AND FIGURE

THATCHED COTTAGE IN THE MEADOW

Oil on canvas; signed lower le! 14 x 18 in — 35.6 x 45.7 cm Provenance: Directly from the artist’s studio; To his son, Brigadier General Claude H. Dewhurst (1908- died in England, 1978); By descent to his friend, the present Private Collection, Toronto

$700—900

10.5 x 13.7 in — 26.7 x 34.8 cm; 13 x 16.25 in — 33 x 41.3 cm Provenance: See website for full catalogue details $1,000—1,500

Pair of oils on panel; each signed lower le! and lower right respectively, the first titled in pen and ink to label verso Each 10.5 x 13.25 in — 26.7 x 33.7 cm Provenance: See website for full catalogue details $800—1,200

WYNFORD DEWHURST (1864-1941), BRITISH

LE GLACIER D'ARGENTIÈRE; MOUNTAIN SETTLEMENT NEAR RIVER

SHORELINE WITH BOATS; TREES AND PATHWAY

Two oils: the first title, on canvasboard, the second title, on canvas; each signed lower le! and lower right respectively, the first, signed, titled and inscribed with presentation to his son on September 20th, 1929 artist’s label verso

Two colour pastels; each signed lower right

MOUNTAIN VALLEY; MOUNTAIN WITH GLACIER AND RED COTTAGES, 1923; FRENCH MOUNTAIN SCENE

10.5 x 13.5 in — 26.7 x 34.3 cm; 18 x 13 in — 45.7 x 33 cm Provenance: See website for full catalogue details $800—1,200

67 WYNFORD DEWHURST (1864-1941), BRITISH COW IN AN ORCHARD; VERSAILLES, 1901; FALL LANDSCAPE WITH RIVER

Three colour pastels on paper; each signed, the second title, titled and dated indistinctly “Versailles 1901” lower right Sight 10 x 8.25 in — 25.4 x 21 cm; 5.75 x 7.5 in — 14.6 x 19.1 cm; 5.5 x 7 in — 14 x 17.8 cm Provenance: See website for full catalogue details $600—900

Sight 14.25 x 18.75 in — 36.2 x 47.6 cm; 13.5 x 15.5 in — 34.3 x 39.4 cm Provenance: See website for full catalogue details $800—1,200

Three colour pastels; the second title; signed and dated 1923 lower le!, the third, titled and inscribed by family member of the artist, Brig. C.H. Dewhurst in pen and ink verso Sight 10.25 x 8.25 in — 26 x 21 cm; 8.25 x 10 in — 21 x 25.4 cm; 9.25 x 13.25 in — 23.5 x 33.7 cm Provenance: See website for full catalogue details $900—1,200

WYNFORD DEWHURST (1864-1941), BRITISH

C. HOOP (19TH CENTURY), BRITISH

ANTHONY VAN DYCK COPLEY FIELDING (1787-1855), BRITISH

WHITE COTTAGE IN THE FOOTHILLS; RIVER SCENE WITH BOAT; MOUNTAINS IN SNOW, 1932

Three colour pastels on paper; each signed lower right and bo!om centre; the last title, also dated 1932 Sight 5.5 x 7 in — 14 x 17.8 cm; 7 x 5.75 in — 17.8 x 14.6 cm; 7.5 x 9.5 in — 19.1 x 24.1 cm

PAIR OF RIVER LANDSCAPES WITH DISTANT MOUNTAINS

Pair of oils on canvas; each signed, one signed clearly “C. Hoop” lower right Each 16 x 12 in — 40.6 x 30.5 cm $300—400

SHIPPING IN A STORM AT SUNSET

Oil on paper on canvas; signed lower le" 25 x 35.5 in — 63.5 x 90.2 cm Provenance: Private Collection, Toronto $2,000—3,000

Provenance: Directly from the artist’s studio; To his son, Brigadier General Claude H. Dewhurst (1908- died in England, 1978); By descent to his friend, the present Private Collection, Toronto $600—900

REUBEN CHAPPELL (1870-1940), BRITISH

WILLIAM ADOLPHUS KNELL (1802-1875), BRITISH

WILLIAM CALLCOTT KNELL (BORN CIRCA 1830-1876), BRITISH

SHIPS AT ANCHOR AT NIGHT; SHIPS AT SUNSET

SHIPPING OFF A JETTY; SHIPPING OFF A COAST, 1861/1867

Pair of oils on board

Pair of oils on canvas laid down to masonite; each signed and dated lower le", the la!er with more visible date 1861 or 1867

THE HARVEST QUEEN

Oil on canvas; signed lower le", titled lower right 19 x 26 in — 48.3 x 66 cm Provenance: Private Collection, Toronto $2,000—3,000

Each 4 x 8 in — 10.2 x 20.3 cm Provenance: With Bourn Art Galleries, Swanage, Dorset; Private Collection, Toronto $1,000—1,500

Each 8 x 16 in — 20.3 x 40.6 cm Provenance: Private Collection, Toronto $800—1,000

PHILIP HUTCHINS ROGERS (1794–1853), BRITISH

FREDERICK CALVERT (C.1785 -C.1844), IRISH

HENRY MOORE (1831-1895), BRITISH

SHIPPING OFF A PIERHEAD

HEADING HOME

Oil on panel; signed lower right

Oil on canvas. Unsigned.

9 x 14 in — 22.9 x 35.6 cm

11 x 16 in — 27.9 x 40.6 cm

Provenance: Private Collection, Toronto

$600—800

$800—1,200

SHIPPING AT SUNSET

Oil on canvas; signed lower le!. 14 x 18 in — 35.6 x 45.7 cm Provenance: Private Collection, Toronto $400—600

WILLIAM MCALPINE (19TH CENTURY), BRITISH

19TH CENTURY CHINA TRADE

JOHN WILSON (19TH CENTURY), BRITISH

VESSELS BEACHED ON A ROCKY SHORE

Oil on canvas; signed lower le! 12 x 24 in — 30.5 x 61 cm Provenance: Private Collection, Toronto $400—600

THE ARACHINE, TEA CLIPPER OF 600 TONS

Oil on linen canvas. Contained in a lacquered ship’s timber frame. 18 x 23.5 in — 43.2 x 55.9 cm Provenance: David Cross Gallery, Cli!on, Bristol; Private Collection, Toronto

$1,000—1,500

A BRITISH BARQUE OFF THE NEEDLES

Watercolour; signed “Wilson” lower le! 21 x 30 in — 53.3 x 76.2 cm Provenance: Private Collection, Toronto $800—1,200

ABRAHAM HULK THE YOUNGER (1851 -1922), BRITISH

J. OR S. WHEATLEY (19TH/20TH CENTURY), BRITISH

ALFRED POLLENTINE (1836-1890), BRITISH

SAILBOATS AT SUNSET

SAILBOATS OFF THE CLIFFS OF DOVER, 1924

Oil on canvas; signed lower right 6 x 8.75 in — 15.2 x 22.2 cm Provenance: With Simpson’s, Order No. 9590 labels verso

“NAPLES” (SHORELINE WITH HOUSES AND FIGURES)

Oil on board; signed and dated 1924 lower right

Oil on canvas; signed lower right, signed verso and to a paper label verso, titled “Naples” in pencil to the stretcher,

11 x 14 in — 27.9 x 35.6 cm

20 x 30 in — 50.8 x 76.2 cm

$100—150

Provenance: Mawson, Swan and Morgan Fine Art Dealers, Newcastle-on-Tyne gallery label verso

$1,200—1,800

$1,000—1,500

ATTRIBUTED TO WILLIAM EDWARD MILLNER (1849–1895), BRITISH

SIR FRANK BRANGWYN (1867-1956), BRITISH

ROBERT MOORE (1945- ), BRITISH

BATTLEFIELD (AT WATERLOO?)

AFTER TRAFALGAR, CIRCA 1911

Oil on board; signed with initials “WEM” and dated 1876 lower right

Oil on board. Unsigned. The le! side cut down.

Oil on “Grange Co"on” stamped canvas; signed ‘Rbt Moore’ on the barrel bo"om centre, titled to the frame verso.

15 x 20 in — 38.1 x 50.8 cm

17 x 21 in — 43.2 x 53.3 cm

24 x 36 in — 61 x 91.4 cm

$600—900

Provenance: See website for full catalogue details

Provenance: Private Collection, Welling, UK; Acquired from a Private Collection of the artist’s works in Greenwich

$1,000—1,500

$3,000—4,000

MOORED AT LAST

ARTHUR WEAVER (1918-2008), BRITISH

HAROLD FRANCIS RILEY (1934- ), BRITISH

MONMOUTHSHIRE LANDSCAPE, 1959

“FOX TAVERN”. “SALFORD WITH KNOCKER-UP”, 1964

YOUNG GIRL, 1961

Oil on canvas; signed and dated 1959 lower le!, titled to gallery label verso 24 x 36 in — 61 x 91.4 cm Provenance: Frost & Reed, London, UK, Reg. No. 25732 to their label verso; Purchased in the 1960’s by the father of the present Private Collection, Toronto $1,200—1,800

Oil on board; signed and dated 64 lower right, titled verso backing 10.5 x 8 in — 26.7 x 20.3 cm Provenance: Within a Silverwood Productions, Blackburn frame label verso; The artist’s studio; Gi!ed to Mrs. Westwell (the present owner’s grandmother), Manchester, England, UK; By descent to the granddaughter, Toronto, ON, circa 1986

$800—1,200

Oil on panel; signed and dated 61 lower right 12 x 6 in — 30.5 x 15.2 cm Provenance: See website for full catalogue details $700—900

HAROLD FRANCIS RILEY (1934- ), BRITISH

MANCHESTER WORKING CLASS COBBLER, 1960; CHAPEL NESTLED AMONG TREES

PONTE VECCHIO BEFORE THE FLOOD DISASTER OF 1966; ROW HOUSES BROUGHTON, SALFORD, 1967

ATTRIBUTED TO THOMAS DAVIDSON (1863-1909), IRISH

Two works on paper; the first title, a crayon drawing heightened with colours; signed and dated 60 lower right, the la!er, signed and inscribed by the artist with presentation: “To my dear friend Mrs. Westwell with love...” in pencil lower right

Two ink, wax, watercolour and pastel pigment drawings on paper; the first title, signed, titled and dated 66 lower right and accompanied by a pen and ink note describing the scene, the historic moment, the medium and the date of this work, signed and dated “Riley 1967” that continues: “His ‘angled’ in the moment at the cared-angle”. The la!er title; signed and dated 67 lower right

Sight each 12 x 9.25 in — 30.5 x 23.5 cm; 20 x 16 in — 50.8 x 40.6 cm Provenance: See website for full catalogue details $1,000—1,500

Sight each 9.5 x 13.5 in — 24.1 x 34.3 cm; 10.5 x 14.75 in — 26.7 x 37.5 cm Provenance: See website for full catalogue details $800—1,200

RED COAT OFFICER RELAXING WITH HIS DOG

Oil on canvas; signed with upper case initials TD 13 x 17 in — 33 x 43.2 cm Provenance: The Cooling Galleries Ltd., London & Toronto; Waddington’s, Toronto, lot 1176; The Estate of Adolph Rolin, Toronto $300—500

91A

ARTHUR DAVID MCCORMICK (1860-1943), IRISH

MAURICE CANNING WILKS (1910-1984), IRISH

CIRCLE OF ALEXANDER NASMYTH (1758 -1840), SCOTTISH

THE KING’S MESSENGER

CO. ANTRIM COAST

Oil on canvas; signed lower right, titled to gallery labels verso

Oil on canvas; signed “Maurice C. Wilks” lower right

RUSTICS MEETING IN AN EXTENSIVE LANDSCAPE BY COASTAL TOWN WITH AQUEDUCT AND CASTLE RUIN

25 x 30 in — 63.5 x 76.2 cm

16 x 24 in — 40.6 x 61 cm

Provenance: Mitchell Galleries, London, England; The Fine Art Galleries, The T. Eaton Co., Limited, Canada; From whom purchased by Mr. John Spence, Toronto on October 26th, 1949 accompanied by the original receipt; By descent through the family to the present Private Collection, Barrie, Ontario

Provenance: Partial gallery label located at 12 Arthur Street, Belfast; Private Collection, Surrey, B.C. $2,000—3,000

Oil on canvas 23 x 35.5 in — 58.4 x 90.2 cm Provenance: Family Collection, UK; By descent from the consignors father to the present Private Collection, Canada $1,000—1,500

$3,000—5,000

A. HUNT? (19TH CENTURY), SCOTTISH

WILLIAM MCBRIDE (1856-1913), SCOTTISH

JOHN MCGHIE (1867-1952), SCOTTISH

MEN WORKING IN A FARMYARD WITH HORSES AND THEIR DOG

PICKING FAGGOTS

PORTRAIT OF A WOMAN IN A BONNETSAID TO BE AGNES BURNS, THE ARTIST’S WIFE

Oil on canvas; signed indistinctly lower right 12 x 16 in — 30.5 x 40.6 cm Provenance: City of Glasgow Fine Art Association partial label to the stretcher; Robert Deveau Galleries, Toronto; The Estate of Robert Deveau, Toronto $300—500

Oil on canvas; signed lower right, titled to label verso 20 x 24 in — 50.8 x 61 cm Provenance: Ex. Collection M.A. Cameron inscribed to label verso; Robert MacIndoe Gallery, Glasgow $600—900

Oil on panel; signed lower right 14 x 10 in — 35.6 x 25.4 cm Provenance: Acquired in London, England $2,000—3,000

ATTRIBUTED TO JOHN FAED (1818/20 -1902), SCOTTISH

JAMES ELDER CHRISTIE (1847-1914), SCOTTISH

GEORGE HOUSTON (1869-1947), SCOTTISH

THE PICTURE BOOK

GIRL WATCHING A TOAD ON A GOLD BALL

SPRING LANDSCAPE

Oil on canvas; bears signature “John Faed” on the foot stool lower right

Oil on canvas; signed lower right

30 x 24.5 in — 76.2 x 62.2 cm

50.5 x 37.5 in — 126.4 x 95.3 cm

Provenance: Garfield Galleries, Toronto; Private Collection, Toronto

Provenance: Estate Collection, Woodville, ONtario

$1,000—1,500

Oil on canvas; signed lower right 28 x 36 in — 71.1 x 91.4 cm Provenance: Robert MacIndoe, Glasgow label verso; Estate Collection, Woodville, Ontario $1,500—2,500

$2,000—3,000

100

101

102

GEORGE OGILVY REID (1851-1928), SCOTTISH

MURRAY MACDONALD (FL. 1889-1914), SCOTTISH

ALEXANDER BALLINGALL (FL. 1880 -1910/11), SCOTTISH

A GALLOWAY RIVER, CIRCA 1912

BEN LEDI - FROM THE BRAES OF DEUNE, PERTHSHIRE, 1900

GETTING UNDER WEIGH

Oil on canvas; signed lower right, signed and titled to the stretcher 14 x 21 in — 35.6 x 53.3 cm Provenance: See website for full catalogue details $500—700

Watercolour; signed and dated lower le!, signed, titled and dated 1900 verso 20.25 x 28.25 in — 51.4 x 71.8 cm $800—1,200

Watercolour; signed and dated 1905 lower right, titled lower le! Sight 19 x 29 in — 48.3 x 73.7 cm $600—800

103

104

105

ATTRIBUTED TO JOHN WYKEHAM ARCHER (1808-1864), BRITISH

SAMUEL BOUGH (1822-1878), SCOTTISH

GEORGE CATTERMOLE (1800–1868), BRITISH

TOMB OF EDWARD III (IN WESTMINISTER ABBEY)

Watercolour and ink heightened with white on paper laid down to a card support; unsigned recto, titled in pencil and inscribed indistinctly, possibly signed “John Wykeham Archer” in pencil beside the title to the support verso

OLD MILL

HISTORIC SCENE WITH SPANISH SOLDIERS

Watercolour and ink on paper; signed lower le!, signed and titled in pen and ink to an old unidentified label to the backboards verso

Watercolour on paper laid down to cardboard; signed lower right

Sheet 10 x 14 in — 24.1 x 35.1 cm

Sheet 13.5 x 19.75 in — 34.3 x 50.2 cm

$600—800

$300—500

Sheet 14.9 x 10.4 in — 37.8 x 26.5 cm Provenance: See website for full catalogue details $100—150

106

107

108

GEORGE CATTERMOLE (1800-1868), BRITISH

CHARLES CATTERMOLE (1832-1900), BRITISH

EDMUND MORRIS WIMPERIS (1835-1900), BRITISH

CARD PLAYERS, 1853

BLESSING THE SICK

COMING FROM THE STUBBLEFIELD

Watercolour; signed with monogram initials “GC” and dated 1853 lower le!

Watercolour; signed “Chas Ca"ermole” lower right

Watercolour; signed with initials “EMW” lower le!, titled to the matboard

12.75 x 18 in — 32.4 x 45.7 cm

Sheet 6 x 17.75 in — 15.2 x 45.1 cm

Sight 11.25 x 18 in — 28.6 x 45.7 cm

Provenance: See website for full catalogue details

Provenance: Waddington’s, Toronto; Private Collection, Toronto and Greece

Provenance: John Magee Fine Art Dealer, Belfast; Private Collection, Toronto by descent from their grandparents

$300—400

$200—300

$300—500

109

110

111

HENRY E. HOBSON (ACT. 1857-1870), BRITISH

AUBREY RAMUS (19TH/20TH CENTURY), BRITISH

ARTHUR SHELLY (1841-1902), BRITISH

WAITING FOR THE BOATS

GIRLS CARRYING HAY; GIRLS AT A ROCK

Watercolour; signed lower le!

Pair of watercolours on watercolour boards; the first title signed lower le!

Pair of watercolours; the first title, signed indistinctly “... W. Shelly” and dated indistinctly “Aug. 75” lower le!

Sheets each 8.7 x 12.9 in — 22 x 32.8 cm

Sight each 19 x 15 in — 48.3 x 38.1 cm

Provenance: With Rolland Picture Frame, Montreal their label to the new frame backing paper verso

$300—500

Sight 20 x 13 in — 50.8 x 33 cm Provenance: Private Collection, Toronto $800—1,200

MILL SCENE; ROCKY RIVER

$200—300

112

113

114

SIR ERNEST GEORGE (1839-1922), BRITISH

GEORGE OYSTON (1861-1937), BRITISH

SCOTTISH LANDSCAPE

ON CHATHAM COMMON, SURREY; AT BOURNE END, BUCKS, 1920

MISS MADELINE BAGSHAW (EXHIBITED 1924-1928), BRITISH

Watercolour; signed with initials ”EG” lower le! 9 x 13.5 in — 22.9 x 34.3 cm Provenance: With Roberts & Son Artistic Framing, Toronto, circa 1940s; With the Art Gallery of Ontario for examination, n.d., label verso; Private Collection, Toronto and Greece $200—300

Pair of watercolours; each signed and dated 1920 lower le!, each titled in pen and ink to old labels verso backing Sight each 10 x 20.5 in — 25.4 x 52.1 cm $300—500

AN ENGLISH COUNTRY VILLAGE

Watercolour; signed “M. Bagshaw” lower right, titled verso Sight 19.75 x 36.5 in — 50.2 x 92.7 cm $1,000—1,500

115

116

117

WALTER FREDERICK ROOFE TYNDALE (1855-1943), BRITISH

ROBERT GEORGE TALBOT KELLY (1861-1934), BRITISH

EDWARD STANLEY INCHBOLD (1855-1934), BRITISH

BAZAAR SCENE IN CAIRO

BEDOUIN SCOUT IN THE DESERT, 1895

HONG KONG MARKET VENDORS

Watercolour; signed lower le!

Watercolour; signed “R. Talbot Kelly” and dated 1895 lower le!

Watercolour; signed “Stanley Inchbold” lower right

Sight 9.25 x 18 in — 23.5 x 45.7 cm

Sheet 13 x 11.5 in — 33 x 29.2 cm

$400—600

$500—700

20 x 14 in — 50.8 x 35.6 cm Provenance: Dowdeswell & Dowdeswells, London label verso $1,200—1,800

118

119

120

NORMAN WILKINSON (1878-1971), BRITISH

JOHN ERNEST AITKEN (1881–1957), BRITISH

INITIALS L.D. (FL. 1919), CZECH

WWI TROOPS AT SUVLA BAY, AUGUST 1915

THE LIGHTHOUSE, YOURDON

DOUBLE PORTRAIT - MAN AND WOMAN IN COUNTRY DRESS: FRANTISEK AND APOLLONIA KRIVAK, 1919

Watercolour; signed and dated Aug. 1915 at Suvla Bay lower le! Sight 14 x 21 in — 35.6 x 53.3 cm Provenance: ... Pantechnicon ... W. Boote & Sons, Liverpool partial label on top of an unknown gallery label to the backing board verso $1,000—1,500

Watercolour; signed lower right, titled to the namplate Sight 13 x 19 in — 33 x 48.3 cm $600—800

Watercolour and opaque watercolour on heavy paper with relief; signed with initials “L.D.” in centre, titled and inscribed: "Frantisek / Apollonia/19 KRIVAK19" in a banner at the top. In an polychromed architectural frame. Sheet 11.25 x 15.9 in — 28.6 x 40.3 cm Provenance: The Estate of Adolph Rolin, Toronto $700—900

121

122

123

FRANTISEK JAKUB (1875-1940), CZECH

EUROPEAN (19TH/20TH CENTURY)

FARM GROUP SCENE

FLORAL STILL LIFES IN URNS IN A LANDSCAPE (A PAIR)

AFTER PETER PAUL RUBENS (1577-1640), FLEMISH

Oil on canvas; signed lower right 26.5 x 28 in — 67.3 x 71.1 cm $2,000—3,000

Pair of oils on plywood panel. Unsigned. Each 15.9 x 12 in — 40.3 x 30.5 cm $300—400

LE TRIOMPHE DE L'EGLISE SUR L'IGNORANCE ET L'AVEUGLEMENT

Oil on copper 23.75 x 32.25 in — 60.3 x 81.9 cm Provenance: Robert C. Britnell, (Britnell Art Galleries, Toronto); The Estate of Doreen Britnell, Richmond Hill, Ontario $1,000—1,500

124

125

126

ATTRIBUTED TO CHRISTOFFEL BISSCHOP (1828-1904), DUTCH

19TH CENTURY DUTCH SCHOOL

PORTRAIT OF A REGENCY MAN, CIRCA 1810-1820

DUTCH BOATS IN A BUSY HARBOUR WITH GOTHIC CATHEDRAL

Oil on canvas; inscribed indistinctly to the stretcher “H.V. Ly...” in pencil next to a red wax seal impressed with two shields, the one on the right depicting a rampant lion

Oil on canvas laid down to panel. Unsigned.

10 x 8.25 in — 25.4 x 21 cm

13.5 x 16.75 in — 34.3 x 42.5 cm

$150—250

Provenance: Purchased in Holland by the grandparents of the present private collection, Toronto; By descent

REMBRANDT ON HIS WAY TO THE ANATOMICAL LESSON OF DR. TULP

Oil on panel; bears signature lower right 8 x 6 in — 20.3 x 15.2 cm

$3,000—4,000

$300—500

127

128

129

ATTRIBUTED TO JOHAN VERKERK (1900- ), DUTCH

HENK DEKKER (1897-1974), DUTCH

WILLEM STEELINK (1856-1928), DUTCH

FISHING BOAT SCH41 IN A SWELL

HERDING THE SHEEP

Oil on canvas; signed lower le!

Watercolour; signed lower right

39.5 x 31.5 in — 100.3 x 80 cm

25 x 36 in — 63.5 x 91.4 cm

Provenance: By descent to the present Private Collection, Barrie, Ontario

$1,200—1,800

DORPSGEZICHT (VILLAGE SCENE)

Oil on canvas; signed “Verkerk” lower right, titled to gallery label with their red wax seal verso 22 x 18 in — 55.9 x 45.7 cm Provenance: Roelofs Kunsthandels, Amsterdam gallery label verso; The Estate of Adolph Rolin, Toronto

$600—900

$300—500

130

130A

131

FREDERIK ENGEL (1872-1958), DUTCH

WILLEM MARIS (1844-1910), DUTCH

CALVES IN A SHADED PASTURE, 1913

FARMER DRIVING A BOAT THROUGH A POLDER LANDSCAPE WITH COWS

HERMAN JOHNANNES VAN DER WEELE (1852-1930), DUTCH

Oil on canvas; signed and dated 1913 lower right

Oil on canvas; signed lower le!

19.5 x 28.5 in — 49.5 x 72.4 cm

32 x 47 in — 81.3 x 119.4 cm

$600—800

Provenance: Private Collection, Westmount, P.Q. $3,000—4,000

FARMER LEADING AN OXEN WITH HAY LOADED CART

Watercolour; signed lower right Sight 11.25 x 15.75 in — 28.6 x 40 cm $500—700

132

133

134

DUTCH SCHOOL (19TH CENTURY)

J. D... (19THC), DUTCH

EVENING LANDSCAPE WITH CATTLE AND FIGURES

DUCKS AND GOSLINGS BY A BOAT

HENDRIKUS JOHANNES FRANCISCUS VAN LANGEN (1874-1964), DUTCH PLAYING WITH THE NEW DOLL

Oil on panel. Unsigned.

Oil on canvas; indistinctly signed lower right

Oil on canvas; signed lower le!

10 x 15 in — 25.4 x 38.1 cm

16 x 12 in — 40.6 x 30.5 cm

19.75 x 23.75 in — 50.2 x 60.3 cm

Provenance: Garfield Galleries, Toronto as “Dutch School- 17th Century”

Provenance: Galerie L’Art Francais, Montreal

$400—600

$300—500

$300—400

135

136

137

JACOB SIMON HENDRIK KEVER (1854-1922), DUTCH

CORNELIUS BOUTER (1888-1966), DUTCH

BLOSSOM TIME IN HOLLAND

PEELING APPLES

Oil on canvas; signed lower right

20 x 27.25 in — 50.8 x 69.2 cm

20 x 16 in — 50.8 x 40.6 cm

Provenance: House of Lazarus, Mountain, Ontario sold to benefit the food bank

Provenance: Ex. Collection Gertrude Coates, London, Ontario; Gi!ed to Romaine Fisher (niece), Peterborough, Ontario; To her son, Peterborough, Ontario

MOTHER MENDING BY THE WINDOW

Oil on canvas; signed “Kever” lower le! 26.25 x 20 in — 66.7 x 50.8 cm $3,000—4,000

$1,000—1,500

$800—1,200

138

139

140

F. ROBERTS (B.1879), DUTCH

FOLLOWER OF JEAN-ANTOINE WATTEAU (1684-1721), FRENCH

J. VERNIER (19TH CENTURY), FRENCH

DUTCH CITY CANAL SCENE

Oil on canvas; signed lower right 24 x 20 in — 61 x 50.8 cm Provenance: The Fine Art Galleries, The T. Eaton Co. Limited, Canada remains of their label $400—600

FÊTE CHAMPÊTRE DANS UN PARC

Oil on canvas; given to “Antoine Wa!eau “ to the nameplate of the frame recto 24 x 36 in — 61 x 91.4 cm Provenance: Henry Lord Langdale, M.R., 37 South Street, Grosvenor Square, his bookplate to the stretcher verso; Elsie Rice, Maple, Ontario in 1965 inscribed to the frame verso $800—1,200

BOSVIJER MET BERKENBOMEN (WOMEN AMONG BIRCH TREES BY A STREAM)

Oil on canvas; indistinctly signed lower le", inscribed “J. Vernier” and titled to gallery label verso 22 x 27 in — 55.9 x 68.6 cm Provenance: Roelofs Kunsthandels, Amsterdam; The Estate of Adolph Rolin, Toronto $400—600

141

142

143

Y. GIANNI (19TH/20TH CENTURY), NEAPOLITAN

RENÉ LOUIS CHRÉTIEN (1867-1942), FRENCH

LEON JOUBERT (1871-1920), FRENCH

A NAPLES FLOWER MARKET

LA FERMIÈRE (COUNTRY GIRL IN A BARNYARD WITH CHICKENS)

PRES FINISTERE, CIRCA 1917

Watercolour and gouache; signed lower le"

Oil on canvas; signed lower right

Oil on canvas; signed and dated indistinctly “17”? lower le", given to the artist and titled to the nameplate

19 x 11.75 in — 48.3 x 29.8 cm

16.25 x 12.75 in — 41.3 x 32.4 cm

24 x 18 in — 61 x 45.7 cm

Provenance: John R. Thompson, framers, Hamilton, Ontario; Gi"ed to Romaine Fisher (niece), Peterborough, Ontario; To her son, Peterborough, Ontario

$400—600

$500—700

$300—500

144

145

146

JEAN EUGENE CLARY (1856-1929), FRENCH

MANNER OF CHARLES EUPHRASIE KUWASSEG (1838-1904), FRENCH

MAURICE LEVIS (1860-1940), FRENCH

RIVER LANDSCAPE WITH FIGURES ON SHORE (THE SEINE NEAR THE ANDELYS)

MARINE PAR GROS TEMPS

Oil on canvas; signed “E. Clary” lower right

Oil on panel; partial signature faintly to lower right, titled to the nameplate

17.75 x 32 in — 45.1 x 81.3 cm

8.7 x 15.9 in — 22 x 40.5 cm

Provenance: Meister Schwarzer, Berlin label to the frame verso

$400—600

ENVIRONS OF LIVOURNE

Oil on canvas; signed lower right, signed “Maurice ...” and titled “Vieille France/ Paysage ...” to the remains of the artist’s handwri!en pen and ink label to the bo!om of the frame, titled “Environs of Livourne” to the small handwri!en gallery label verso 12 x 17 in — 30.5 x 43.2 cm Provenance: French Gallery, (F.G.) label verso; From the present Private Collection’s Grandparents collection for 35 years; By descent

$500—700

$1,200—1,800

147

148

149

RODOLPHE CAILLAUX (1904-1990), FRENCH

ALEXANDRE CHARLES MASSON (1906-1927), FRENCH

MAX SILBERT (1871-1930), UKRAINIAN/FRENCH

FISHERMEN WORKING AT HARBOUR

BUSY BEACH SCENE WITH CLAM DIGGERS, FIGURES SUNNING AND TENTS WITH A LONE GREEN BOAT

SEWING LESSON IN A SUNLIT INTERIOR

Oil on canvas; signed upper le" 23.75 x 32 in — 60.3 x 81.3 cm

Oil on canvas; signed “Masson Alex” lower le"

Provenance: The Estate of Adolph Rolin, Toronto

25.5 x 32 in — 64.8 x 81.3 cm

$700—900

$600—900

Oil on canvas; signed lower right 25.5 x 21 in — 64.8 x 53.3 cm $500—700

150

151

152

HENRI BREMONTIER (19TH/20TH CENTURY), FRENCH

CHARLES LEVIER (1920-2003), FRENCH

AFTER JEAN-MARC NATTIER (1685-1766), FRENCH

WINTER SUNSET (CANAL EN HIVER)

Oil on canvas; signed lower le!, titled to gallery label verso, alternately titled to the nameplate 20 x 25.75 in — 50.8 x 65.4 cm Provenance: Watson Art Galleries, Montreal, Inv. 2977; The Estate of Adolph Rolin, Toronto $1,000—1,500

LES FILLES

Oil on canvas; signed lower right, titled verso 40 x 30 in — 101.6 x 76.2 cm Provenance: Sotheby’s Arcade Auctions, lot 165, October 12, 1991 label verso; Private Collection, Toronto

MADAME VICTOIRE DE FRANCE, 1748

Colour pastel on paper mounted on canvas 30.25 x 21.75 in — 76.8 x 55.2 cm Provenance: Britnell Art Galleries, Richmond Hill & Toronto, Ontario; The Estate of Doreen Britnell, Richmond Hill, Ontario

$1,000—1,500 $800—1,200

153

154

155

ISMAEL ADOLPHE CLAVEL (19TH/20TH CENTURY), FRENCH

CHARLES CLAIR (1860- 1930), FRENCH

JACQUES MARTIN-FERRIERES (1893-1972), FRENCH

NATURE MORT AVEC CHAT

Oil on canvas; signed lower right, titled to gallery label verso 31.5 x 25 in — 80 x 63.5 cm Provenance: Galerie Bernard Desroches, Montreal; Britnell’s Art Galleries Ltd., Toronto; The Estate of Doreen Britnell, Richmond Hill, Ontario $800—1,200

SHEEP AND POULTRY IN A BARN

Oil on panel; signed “Ch. Clair” lower le! 9 x 10.5 in — 22.9 x 26.7 cm Provenance: Acquired in France in 1929 by Gertrude Coates, London, Ontario; Gi!ed to Romaine Fisher (niece), Peterborough, Ontario; To her son, Peterborough, Ontario $600—900

VENICE

Oil on canvas; signed lower right 21 x 27.5 in — 53.3 x 69.9 cm $1,200—1,800

156

157

158

CHARLES LEVIER (1920-2003), FRENCH

JOHANN JUNGBLUT (1860-1912), GERMAN

FLEURS SUR LA MER

FISCHERDORF IM WINTER

LUDWIG VON ROEKLER (ALSO KNOWN AS LUDWIG C.F.W. VON ROSSLER) (1842 -1910), GERMAN

Acrylic on canvas; signed lower le!, signed and titled verso

Oil on canvas; signed lower right, titled to gallery label verso

NUNS AT EVENING IN THE CLOISTERS WITH THEIR CAT

30 x 24 in — 76.2 x 61 cm

27.5 x 39.5 in — 69.9 x 100.3 cm

Provenance: Sotheby’s Arcade Auctions, lot 145, n.d. label verso; Private Collection, Toronto

Provenance: Galerie Neupert AG, Zurich label verso; The Estate of Lee W. Larkin, Toronto

Oil on canvas; signed lower le!. Contained in an elaborate Baroque style carved frame.

$1,000—1,500

20 x 26.5 in — 50.8 x 67.3 cm $600—900

$800—1,200

159

160

161

PETER SZULE (1886-1944), HUNGARIAN

JOHN (JENO) FRIEDLINGER (1890-1958), HUNGARIAN

AGOSTIN ACS (1889-1947), HUNGARIAN

PENSIVE WOMAN SEATED AT A TABLE

Oil on canvas; signed lower right 30 x 24 in — 76.2 x 61 cm Provenance: With Chapman Bros (Chelsea Ltd.), Chelsea label to the frame $700—900

A SULTRY NUDE IN A FUR CAPE

FAMILY ENJOYING A SUNNY DAY OUTSIDE A COTTAGE

Oil on canvas; signed lower right

31.75 x 24 in — 80.6 x 61 cm

23.8 x 31.5 in — 60.5 x 80 cm

$800—1,200

Provenance: Probably acquired from The World of Antiques, Toronto; The Estate of Adolph Rolin, Toronto $400—600

162

163

164

LUIGI FERRAZZI (1850-1897), ITALIAN

ALEXIS D’AMBROSSI (19TH/20TH CENTURY), ITALIAN

AUGUSTO MORIANI (19TH/20TH CENTURY), ITALIAN

CAVALIER IN RED CAPE

PORTRAITS FROM CAPRI (MAN WITH BLUE HAT; MAN WITH RED HAT)

A BOY IN A HAT; A GIRL WEARING A SHAWL, ROMA

Pair of oils on panel; each signed and titled “Roma” lower le! and lower right respectively

Oil on panel; signed upper right 13 x 9.25 in — 33 x 23.5 cm

Pair of watercolours; each signed at Capri lower right

Each 11.75 x 9 in — 29.8 x 22.9 cm

$500—700

Sight each 10.75 x 7.25 in — 27.3 x 18.4 cm Provenance: The Estate of Adolph Rolin, Toronto

Provenance: Frederick Thom Gallery, Toronto; The Estate of Adolph Rolin, Toronto

$600—900

$800—1,200

165

166

166A

RAFFAELE FRIGERIO (1875-1948), ITALIAN

GIOVANNI DELLA ROCCA (1788-1858), ITALIAN

LIGHTING GRANDPA’S PIPE

OLD FISHERMAN

Oil on canvas; signed upper mid right

Oil on canvas mounted on board; signed lower right, titled to the nameplate

Oil on canvas; signed lower right

15.75 x 12.5 in — 40 x 31.8 cm

17.5 x 26 in — 44.5 x 66 cm

Provenance: Ex. Collection Gertrude Coates, London, Ontario; John R. Thompson, framer, Hamilton, Ontario Gi!ed to John Fisher (Romaine’s husband and nephew in law) in 1976; By descent to his son, Peterborough, Ontario

Provenance: Robert Deveau Galleries, Toronto; The Estate of Robert Deveau, Toronto

19.5 x 27 in — 49.5 x 68.6 cm Provenance: Great grandfather’s collection, O"awa acquired circa 1935-1940; By descent $600—900

$300—500

THE ANTIQUE DEALER

$4,000—5,000

167

168

169

GENNARO FAVAI (1879-1958), ITALIAN

KONSTANTIN SZEWCZENKO (1915-1991), UKRAINIAN/POLISH

EDWARD MESJASZ (1929–2007), POLISH

VENICE UNDER A PINK GLOW

Oil on canvas laid down to panel; signed lower right

OLD RABBI RESTING

WINTER PATROL (TWO POLISH OFFICERS AND THEIR HORSES IN SNOW)

Oil on canvas; signed lower right

Oil on canvas; signed lower right,

15.5 x 17.25 in — 39.4 x 43.8 cm

20 x 16 in — 50.8 x 40.6 cm

22.5 x 31.5 in — 57.2 x 80 cm

$700—900

Provenance: Waddington’s, Toronto, sold on 12/02/2008, Lot 314; The Estate of Adolph Rolin, Toronto

$700—900

$400—600

170

171

172

EDWARD MESJASZ (1929-2007), POLISH

EDWARD MESJASZ (1929–2007), POLISH

OFFICER AND HORSES OUTSIDE POST

MOUNTED OFFICER HOLDING A REGIMENTAL FLAG

FOLLOWER OF YULIY YULEVICH (JULIUS) KLEVER (1850-1924), RUSSIAN

Oil on canvas on masonite; signed and dated 1983 lower right 21.25 x 25 in — 54 x 63.5 cm $600—800

HOUSE IN THE SNOW, EVENING

Oil on canvasboard; signed and dated 1967 lower right

Oil on canvas; bears cyrillic signature lower right

16.5 x 27 in — 41.9 x 68.6 cm

35 x 23.75 in — 88.9 x 60.3 cm

$400—600

$3,000—4,000

173

174

175

LODOVIC TACHECI (1871- ), RUSSIAN

NIKOLAY GORDEYCHEK (20TH CENTURY), RUSSIAN

MAMIA AKHOBADZE (1933-2010), RUSSIAN

NYMBURK CITY HALL, CZECH REPUBLIC (ARCHITECT PLANS FOR THE CITY HALL)

Watercolour en grisaille with pencil heightened with white on thick paper; signed by the architect lower le!, inscribed with presentation inscription dated 7 February 1897 in Czech lower le! margin Image 14.5 x 21 in — 36.8 x 53.3 cm Provenance: Found in the a"ic of the Nymburk City Hall, Czech Republic about 30 years ago; Gi!ed to the present Private Collection (his sister), Canada $400—600

SEATED NUDE POISED AT A DRAPED PODIUM, 1958

Watercolour on stiﬀ paper; signed in cyrillics and dated 1958 lower le! Sheet 12 x 8.5 in — 30.5 x 21.6 cm $300—500

LANDSCAPE WITH HOUSES, 1965

Oil on board; signed and dated 65 lower right 19.5 x 27.5 in — 49.5 x 69.9 cm Provenance: Cyrillic import label verso; Zwickers Gallery, Halifax, Nova Scotia $500—700

Notes

Conditions of Sale 1. All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted or announced verbally in the auction room prior to the time of sale. While the auctioneer has endeavoured not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made. An opportunity for inspection of each article is offered prior to the time of sale. No sale will be set aside on account of lack of correspondence of the article with its description or its reproduction, if any, whether colour or black & white. Some lots are of an age and/ or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others. Frames on artwork are not included as part of purchase or condition. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid, relying upon their own advisers, and to bid accordingly. 2. Each lot sold is subject to a 20% buyers premium as part of the purchase price. 3. Unless exempted by law, the buyer is required to pay Harmonized Sales Tax on the total purchase price including the buyer’s premium. For international buyers, taxes are not applicable when purchases are shipped out of country. Items shipped out of Ontario, the buyer is required to pay taxes as per the tax status of that province, whether it HST or GST (Goods and Services Tax). 4. The auctioneer reserves the right to withdraw any lot from sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice. 5. The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized. 6. Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in attendance at the sale. 7. The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The auctioneer’s decision in all cases shall be final. 8. Immediately after the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-offering the item for sale.

9. The buyer shall pay for all lots within 48 hours from the date of the sale, after which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale, after which storage charges may be incurred. 10. Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away. 11. Notwithstanding condition no. 1, if the buyer, prior to removal of a lot, makes arrangements satisfactory to the auctioneer for the inspection of such lot by a fully qualified person acceptable to the auctioneer to determine the genuineness or authenticity of the lot, to be carried out promptly following the sale of the lot, and if, but only if, within a period of 14 days following the sale a written opinion of such person is presented to the auctioneer to the effect that the lot is not genuine or authentic, accompanied by a written request by the buyer for rescission of the sale, then the sale of the lot will be rescinded and the sale price refunded to the buyer. 12. Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), and VISA or Mastercard (up to $25,000). 13. In the event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for: (a) any deficiency in price between the re-sale amount and the amount to have been paid by the original buyer; (b) any reasonable charge by the auctioneer for the storage of such articles until payment and removal by the subsequent buyer; and (c) the amount of commission which the auctioneer would have earned had payment been made in full by the original buyer. 14. It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them. 15. The auctioneer acts solely as agent for the consignor and makes no representation as to any attribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada). 16. The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.

Selling at Waddington’s waddington’s commission rates Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $251 to $2,500 20% Items selling for $250 or less 25% *There is a minimum handling charge of $20 per item

canadian art department commission rates Items selling for $7,500 or more 10% Items selling for $2,501 to $7,499 15% Items selling for $2,500 or less 20% *There is a minimum handling charge of $20 per item Paintings, drawings, prints, furniture, jewellery and all forms of decorative arts and collectibles may be brought to our Toronto office where we can provide you with preliminary auction estimates and consignment procedures. Please visit our website at www.waddingtons.ca for details on our various departments and how to contact the specialists. We also accept mailed and emailed requests for advice on the marketability of objects. A photograph and phone number must accompany a full description of each item.

Our specialists regularly travel to major Canadian cities to meet with prospective consignors. For further information, or to arrange an appointment, please contact our Toronto office. Property normally arrives at Waddington’s at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items. Consignors will receive a contract to sign, setting forth terms and fees for our services.

insurance

A 1% insurance charge, based on the hammer price of the property, will be applied to all accounts.

cites

Restrictions exist regarding the import and export of species protected under CITES (Convention on International Trade in Endangered Species). This includes but is not limited to items made of or containing bone (whalebone etc.), ivory, tortoise shell, seal skin, rhinoceros horn and any other animal part and is strictly controlled or forbidden by most countries. Please review your country’s laws before bidding on pieces made of or containing these restricted items. It is the sole responsibility of the buyer to inquire about and obtain the proper permits for artwork purchased that may contain restricted materials, if such permit can be obtained. Please contact the department for further assistance. All Narwhal Tusks must have a Marine Harvest Number or a Marine and Mammal Transport number to be sold at Waddington’s. For more information please visit: www.cites.org

Buying at Waddington's

All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or oral announcement. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any oral announcement or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s™ and the consignor (seller) of the lot. Descriptions or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale.

condition of lots

All of the items are to be considered, unless otherwise noted in the description, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should examine the pieces in person or have our staff answer any questions before bidding. Sizes are approximate. It is the sole responsibility of the bidder to inquire as to the condition of a lot before bidding. Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale. Frames on artwork are not included as part of purchase or condition.

buyers premium

A premium of 20% of the successful bid price of each lot. A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer’s premium, except for purchases exported from Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province.

payment

Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), VISA or Mastercard (up to $25,000). ALL PRICES IN CANADIAN FUNDS

bidding

The Auctioneer may also execute bids on behalf of the consignor to protect the reserve. The reserve is the confidential minimum price the seller is willing to accept for his or her property, below which it will not be sold.

shipping

The Auctioneers will not undertake packing or shipping. The purchaser must designate and arrange for the services of an independent shipper and be responsible for all shipping, insurance expenses and any necessary export permits that may apply. The Auctioneers will, upon request, provide names of professional packers and shippers but will not be held responsible for the service or have any liability for providing this information. Reliable pre-auction estimates of shipping costs of lots offered in this sale may be obtained from: PakShip 905.470.6874 / 905.470.6875 / 416.293.8225

taurus@pakship.ca www.pakship.ca Envoy 416.299.3367, 416.299.9750 ph@envoy.ca www.envoypackandship.com Fero Transport 514.453.1462, 514.543.7585 www.ferotransport.ca

removal of purchases

Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15). Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients.

Canadian Fine Art Auction M O NDAY, NOVEMBER 1 9, 2 01 8

PETER CLAPHAM SHEPPARD ELIZABETH ST., TORONTO (DETAIL)

Waddingtonâ&#x20AC;&#x2122;s 275 King Street East, Second Floor Toronto, Ontario M5A 1K2

tel: 416-504-9100 toll free: 1-877-504-5700 www.waddingtons.ca