British & Continental Art Online Auction SE PTE M B ER 1 5- 2 0, 2 01 8
British & Continental Art Online Auction SEPTEMBER 15-20, 2018
bid online at onlineauctions.waddingtons.ca
senior specialist Susan Robertson sr@waddingtons.ca
all lots can be viewed online at www.waddingtons.ca
416-847-6179
on view Sunday, September 16 from 12:00 pm to 4:00 pm
consignment coordinator Alec Kerr ak@waddingtons.ca 416-847-6166
Lot 121 FRANTISEK JAKUB (1875-1940), CZECH FARM GROUP SCENE
front inside
Lot 109 HENRY E. HOBSON (ACT. 1857-1870), BRITISH WAITING FOR THE BOATS
back inside
Monday, September 17 from 1:00 pm to 7:00 pm
Lot 151 CHARLES LEVIER (1920-2003), FRENCH LES FILLES
preview held at 275 King Street East, 2nd Floor Toronto, Ontario M5A 1K2
back cover Lot 91A ARTHUR DAVID MCCORMICK (1860-1943), IRISH THE KING’S MESSENGER
tel: 416-504-9100 toll free: 1-877-504-5700
This catalogue and its contents © 2018 Waddington McLean & Company Ltd.
front cover
This auction is subject to the Conditions of Sale printed in the back of this catalogue.
Photography & design by Waddington’s All Rights reserved.
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HUGO ENGL (1852-1926), AUSTRIAN
CARL MULLER (1862-1938), AUSTRIAN
ADOLF REICH (1887-1963), AUSTRIAN
A GAME OF BOWLS, 1881
CAVALIERS IN DISCUSSION IN A GRAND SALON
READING THE NEWS
Oil on panel; signed and dated 1881 lower right
Oil on panel; signed “C. Muller” lower le!
13.5 x 9.5 in — 34.3 x 24.1 cm
8.25 x 12.25 in — 21 x 31.1 cm
$800—1,200
$300—500
Oil on panel; incised signature lower le! 10.5 x 8 in — 26.7 x 20.3 cm Provenance: With Hugo Arnot, Gemalde Salon, Wien, No. 569 to their label ; Garfield Galleries, Toronto; Private Estate Collection, Toronto; By descent, Toronto $1,000—1,500
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ALOIS ARNEGGER (1879-1963), AUSTRIAN
ANTON REICH (1870-1940), AUSTRIAN
JOHANN CHRISTIAN BRAND (1722-1795), AUSTRIAN
SNOWY ALPS
MAN WITH MANDOLIN; THE BOTANIST
Oil on canvas; signed lower right 24 x 36 in — 61 x 91.4 cm
Pair of oils on canvas; each signed at “Wien” lower right, each titled to inscribed labels verso
$1,500—2,500
Each 16 x 12 in — 40.6 x 30.5 cm Provenance: Waddington’s, Toronto, June 15, 2010; The Estate of Adolph Rolin, Toronto $400—600
ITALIANATE LANDSCAPE WITH RUIN: A GATHERING OF HERDSMEN WITH CATTLE, SHEEP, DOGS AND WASHERWOMAN
Oil on canvas laid down on masonite; signed “Brand Professor” to the rock lower le! 41 x 33.5 in — 104.1 x 85.1 cm Provenance: See website for full catalogue details $1,000—1,500
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HENDRICK JOSEPH DILLENS (1812-1872), BELGIAN
EMILE VAN DAMME-SYLVA (1853-1935), BELGIAN
HENRY SCHOUTEN (1864-1927), BELGIAN
TRAVELLING MEDICINE MAN, 1829
COWS IN A MEADOW
Oil on canvas laid down to board; signed “H. Dillens” and dated 1829 in red paint lower le!
Oil on canvas; signed “Van Damme” lower le!
18 x 13.8 in — 45.7 x 35.1 cm $300—500
13 x 22 in — 33 x 55.9 cm Provenance: Partial label “... London. W. guarantee this picture” with red wax seal depicting a man wearing a helmet, on top of the partial gallery label to the stretcher; William R. Watson, The Watson Gallery, Montreal
RETRIEVERS IN A LANDSCAPE
Oil on canvas; signed lower right 31 x 39 in — 78.7 x 99.1 cm Provenance: John Britnell Art Galleries Limited, Toronto; Galerie Bernard Desroches, Montreal given erroneously to “Henry Solowitz” to their gallery label verso; Estate Collection, Toronto $1,200—1,800
$600—900
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PAUL JEAN CLAYS (1819-1900), BELGIAN
FOLLOWER OF JOHN CONSTABLE (1776–1837), BRITISH
MANNER OF FRANCIS WHEATLEY (1747 -1801), BRITISH
THE LOCKS (A SCENE REMINISCENT OF THE LEAPING HORSE)
RUSTIC FAMILY PICNIC IN THE HAY FIELD
ON THE MAAS, HOLLAND
Oil on canvas; given to P.J. Clays and titled to the nameplate 17 x 21 in — 43.2 x 53.3 cm Provenance: Waddington’s, Toronto, June 24, 1980, lot 566; From whom purchased by the present Private Collection’s parents, Toronto; With Frederick W. Thom Limited, Toronto for relining and restoration in April 1981; By descent $800—1,200
Oil on canvas; bears signature “John Constable” lower right. 30 x 25 in — 75.6 x 62.2 cm Provenance: Britnell Gallery Collection, Toronto; The Estate of Doreen Britnell, Richmond Hill, Ontario $2,000—3,000
Oil on canvas 14.5 x 17.5 in — 36.8 x 44.5 cm Provenance: Private Collection, Toronto $400—600
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AFTER PHILIP JAMES (OR PHILIPPE-JACQUES) DE LOUTHERBOURG (1740 -1812), BRITISH
BRITISH VICTORIAN
ATTRIBUTED TO ALFRED W. ELMORE (1815 -1881), BRITISH
THE LONDON COACH
“MY FLESH ALSO SHALL REST IN HOPE” (FROM PSALMS) (A YOUNG GIRL WITH HOOLA HOOP GREETED AT THE GATE)
Oil on canvas
Oil on canvas
35 x 48 in — 88.9 x 121.9 cm
19 x 26 in — 48.3 x 66 cm
Provenance: See website for full catalogue details
Provenance: Private Collection, Richmond Hill, Ontario by descent from family in Cape Town, South Africa
$700—900
$300—400
ROMEO AND JULIET
Oil on panel. Unsigned. Given to the artist and titled to the nameplate and to an old typed label verso. 8.25 x 6.75 in — 21 x 17.1 cm Provenance: Waddngton’s, Toronto, lot 1556 label, n.d.; Private Collection, Toronto and Greece $800—1,200
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ATTRIBUTED TO RICHARD PARKES BONINGTON (1802-1828), BRITISH
ATTRIBUTED TO RICHARD PARKES BONINGTON (1802-1828), BRITISH
JAMES BAKER PYNE (1800-1870), BRITISH
CANAL IN BRUGES
NORMANDY PEASANTS, BRITTANY COAST
Oil on canvas; titled and inscribed “Bruges / R.P. Bonington” in pencil to the stretcher and inscribed in pencil to the frame 20 x 18 in — 50.8 x 45.7 cm $1,000—1,500
Oil on canvas laid down to masonite board; inscribed “Bonnington” in ink to the liner verso and titled in pencil to the liner verso 21 x 29 in — 53.3 x 73.7 cm $1,000—1,500
LAKE MAGGIORE
Oil on board. Unsigned, given to J.B. Pyne 1800 - 1870 to the old nameplate 8.5 x 11 in — 21.6 x 27.9 cm Provenance: Private Collection, Toronto and Greece $200—300
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AFTER THOMAS GAINSBOROUGH (1727 -1788), BRITISH
FOLLOWER OF MYLES BIRKET FOSTER (1825-1899), BRITISH
ATTRIBUTED TO EDWARD WILLIAMS (1782 -1855), BRITISH
COTTAGE CHILDREN (THE WOOD GATHERERS)
FEEDING CHICKENS IN A FARMYARD
WOODED LANDSCAPE WITH HORSEMAN AND SHEEP WATERING
Oil on canvas. Copy a!er the original painted in 1787. 16.5 x 14 in — 41.9 x 35.6 cm Provenance: Ex. Collection Joseph Yolles, Toronto; Yolles Antiques, Toronto; Estate of Joseph Yolles; By descent
Oil on canvas; bears compounded monogram initials “MBF” lower right 10 x 8 in — 25.4 x 20.3 cm $200—300
Oil on canvas. Unsigned. Given to the artist to the nameplate. 16.25 x 20.25 in — 41.3 x 51.4 cm Provenance: Collection of The Archdiocese of Toronto $800—1,200
$200—300
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AFTER SIR AUGUSTUS WALL CALCOTT (1779-1844), BRITISH
FREDERICK WATERS WATTS (1800-1862), BRITISH
JAS. D. ADAM (19TH CENTURY), BRITISH
RETURNING FROM MARKET
HEATH SCENE WITH CATTLE
Oil on canvas, laid down on masonite. Copy A!er the original painted in 1834.
Oil on canvas; signed and titled at Hampton in pen and ink to the artist’s handwri"en label to the stretcher; Certified by Vicar Brothers, London, their partial label verso
28 x 36 in — 71.1 x 91.4 cm $400—600
13.75 x 16.75 in — 34.9 x 42.5 cm Provenance: Vicars Bros., London, UK., The Cooling Galleries Ltd., London & Toronto $1,000—1,500
CATTLE BY THE RIVER
Oil on canvas laid down to plywood panel, signed indistinctly “Jas D Adam” lower right 20 x 30 in — 50.8 x 76.2 cm $1,000—1,500
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ALFRED BANNER (ACTIVE 1880-CIRCA 1915), BRITISH
GEORGE ARMFIELD (BORN CIRCA 1808 -1893), BRITISH
GEORGE EARL (1824-1908), BRITISH
CATTLE WATERING WITH HERDER ON SHORE, 1881
WAITING FOR MASTER
Oil on canvas laid down to masonite board; signed and dated 81 lower le! 25 x 36 in — 63.5 x 91.4 cm $500—700
PERFECT RETRIEVING
Oil on canvas; signed lower right, signed verso
Oil on canvas; unsigned, given to George Earl R.A. (1831-1890) (erroneous dates) and titled to the old nameplate
12 x 14 in — 30.5 x 35.6 cm
19.25 x 29 in — 48.9 x 73.7 cm
Provenance: Huddersfield partial label verso; Family Collection, purchased from Simpson’s, Canada; By descent
$2,000—3,000
$900—1,200
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MANNER OF WILLIAM SHAYER SNR. (1787 -1879), BRITISH
MANNER OF WILLIAM SHAYER SNR. (1787–1879), BRITISH
ATTRIBUTED TO WILLIAM JOSEPH SHAYER (1811–1892), BRITISH
THE VILLAGE INN
SCOTS BOY ON A WHITE HORSE GREETING HIS FAMILY ON SHORE
MARKET TRAVELLERS RESTING WITH GOATS, COWS AND THEIR DOG
OIl on canvas. Unsigned. Unframed.
Oil on canvas. Unsigned.
26 x 30 in — 66 x 76.2 cm
29.5 x 24.75 in — 74.9 x 62.9 cm
Provenance: Ex. Collection Joseph Yolles, Toronto; Yolles Antiques, Toronto; Estate of Joseph Yolles; By descent
Provenance: Antoine’s Art Gallery, Montreal
Oil on canvas laid down on board; given to “William Shayer 1788-1879” and titled to the frame recto 22 x 18 in — 55.9 x 45.7 cm Provenance: Ex. Collection Sco" Symons his collector label verso $500—700
$500—700
$800—1,200
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MANNER OF CHARLES SHAYER (1826-1914), BRITISH
HENRY JOHN BODDINGTON (1811-1865), BRITISH
FARMER STOPPED TO REST WITH HIS HORSES IN A SHADY CORNER
THE FORD, 1846
ATTRIBUTED TO CHARLES SHAYER (1826 -1914) AND JOHN FREDERICK HERRING SENIOR (1795-1865), BRITISH NOONDAY REST
Oil on canvas. Unsigned.
Oil on canvas; signed and dated 1846 lower right, titled to gallery label verso
30.5 x 25 in — 77.5 x 63.5 cm
30 x 50 in — 76.2 x 127 cm
$800—1,200
Provenance: P & D Colnaghi & Co., Ltd., London; Ex. Collection Rose Ann Gapfer (the last name indistinct) inscribed in pen and ink to a small label to the frame verso; Private Collection, Waterloo, Ontario
28.75 x 36 in — 73 x 91.4 cm
$3,000—4,000
$1,000—1,500
Oil on canvas; given to “H.C. Shayer and John Frederic Herring Snr.” and titled to the nameplate a!ached to the verso
Provenance: Haynes Art Gallery, Toronto remains of their label to the frame; The Estate of Adolph Rolin, Toronto
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MARK WILLIAM LANGLOIS (1848-1924), BRITISH
MARK WILLIAM LANGLOIS (1848-1924), BRITISH
ATTRIBUTED TO SAMUEL BARLING CLARKE (19TH CENTURY), BRITISH
“SIT UP !”
THREE BOYS TELLING A STORY OR PLAYING WITH A SPIN TOP
LITTLE GIRL WITH HER RABBITS
Oil on canvas laid down on masonite; signed lower right, titled to gallery label verso 21 x 17 in — 53.3 x 43.2 cm Provenance: Garfield Galleries, Toronto; Private Collection, Toronto $500—700
Oil on canvas; bears signature “Ed. Frere” lower right with erroneous nameplate “Edouard Frere” 21.25 x 17.25 in — 54 x 43.8 cm Provenance: John Britnell Art Galleries Limited, Toronto; The Estate of Doreen Britnell, Richmond Hill, Ontario $500—700
Oil on canvas; signed lower right 10 x 12.25 in — 25.4 x 31.1 cm Provenance: Ex. Collection Joseph Yolles, Toronto; Yolles Antiques, Toronto; Estate of Joseph Yolles; By descent $200—300
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CHARLES CLAIR (1860-1930), BRITISH
LOUIS BOSWORTH HURT (1856-1929), BRITISH
ATTRIBUTED TO ALFRED DE BREANSKI SNR. (1852-1928), BRITISH
IN SCOTLAND, N.B.
LOCH FYT, N.B.
Oil on panel; signed lower right, titled indistinctly and numbered No. 1 in pencil verso
Oil on canvas laid down on masonite, given to Breanski and titled to the nameplate
9 x 6 in — 22.9 x 15.2 cm
16 x 24 in — 40.6 x 61 cm
Provenance: John Magee Fine Art Dealer, Belfast; Private Collection, Toronto by descent from their grandparents
$500—700
WOMAN HERDING SHEEP AT THE GATE, 1911
Oil on panel; signed and dated 1911 lower right. Unframed. 20.75 x 25.5 in — 52.7 x 64.8 cm Provenance: Ex. Collection Joseph Yolles, Toronto; Yolles Antiques, Toronto; Estate of Joseph Yolles; By descent $1,500—2,500
$500—700
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SIR ERNEST ALBERT WATERLOW (1850–1919), BRITISH
BRITISH (19TH CENTURY)
WILLIAM PITT (1853-1890), BRITISH
TRUDGING ALONG (GIRL WITH GEESE)
Oil on canvas, signed lower right, titled “Trudging Along” in pen and ink to an old label to the frame at “3 St. Petersburg Place”, titled “Girl with Geese” to the nameplate 21 x 17 in — 53.3 x 43.2 cm $600—800
PASTORAL WITH SHEEP GRAZING, 1885
HILLSIDE VILLAGE, 1869
Oil on panel; signed with upper case conjoined initials, indistinct le!ers “RWH”/ “RAH”/ “PWH” and dated 1885 lower le". Unframed.
Oil on canvas; signed and dated 1869 lower right, titled to gallery label verso
10.25 x 15 in — 26 x 38.1 cm
Provenance: The Fine Art Galleries, The T. Eaton Co., Limited, Canada; Private Collection, Toronto
$300—500
20 x 28 in — 50.8 x 71.1 cm
$1,200—1,800
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BRITISH (19TH CENTURY)
HENRY H. PARKER (1858-1930), BRITISH
BRITISH VICTORIAN
FIGURE ON A COUNTRY TRAIL TOWARDS THE COTTAGE
CLIEFDEN WOODS ON THAMES
A LADY SEATED IN WHITE SATIN READING A BOOK
Oil on panel
Oil on canvas; signed lower right, signed and titled verso
Oil on canvas laid down on masonite
15.25 x 19.75 in — 38.7 x 50.2 cm
24 x 36 in — 61 x 91.4 cm
36.5 x 30 in — 92.7 x 76.2 cm
$400—600
Provenance: Estate Collection, London, Ontario
$300—500
$2,000—3,000
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MANNER OF MICHAEL DAHL (1659-1743), SWEDISH/BRITISH
ATTRIBUTED TO EDWARD LADELL (1821 -1886), BRITISH
ATTRIBUTED TO FRANK BRAMLEY (1857 -1915), BRITISH
PORTRAIT OF A LADY HOLDING HER PINK SATIN SHAWL
“HONESTY” (STILL LIFE WITH BOOKS AND COPPER )
REVERIE (YOUNG WOMAN SEATED IN A LANDSCAPE)
Oil on canvas; in a feigned oval
Oil on canvas laid down on masonite; signed “Ladell” lower le!, given to “E. Ladell” and titled to gallery label verso
Oil on board; with remains of an indistinct signature lower le!, titled to gallery label verso
24.5 x 12 in — 62.2 x 30.5 cm
16 x 12 in — 40.6 x 30.5 cm
Provenance: Garfield Galleries, Toronto label verso; Private Collection, Toronto
Provenance: Garfield Galleries, Toronto; Private Collection, Toronto
$300—500
$500—700
29.5 x 24.75 in — 74.9 x 62.9 cm Provenance: The Estate of Doreen Britnell, Richmond Hill, Ontario $600—800
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ELIZABETH ADELA STANHOPE FORBES (1859-1912), CANADIAN/BRITISH
JAMES BROWN GIBSON (1880-C. 1961), BRITISH
DAVID BATES (1840-1921), BRITISH
LADY IN A BLACK HAT WEARING A JAPANESE KIMONO
PINK PEONIES
BY THE OLD ROAD - LLEDR VALLEY, WALES, 1903
Oil on canvas; signed lower right, signed and titled in pencil to the stretcher
Oil on canvas; signed lower right, signed, titled and dated 1903 verso
14 x 16 in — 35.6 x 40.6 cm
16 x 24 in — 40.6 x 61 cm
$300—400
Provenance: Arthur and Mae Freeman, Toronto; By descent to the present Private Collection
Oil on canvas; signed with initial compounded monogram EAF lower right 24 x 20 in — 61 x 50.8 cm Provenance: With Robert Oliver Fine Paintings Prints and Handmade Frames, Montreal, Quebec; This painting was purchased with a grouping of other items in West Vancouver
$1,500—2,500
$1,200—1,800
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DAVID BATES (1840-1921), BRITISH
HENRY JOHN YEEND KING (1855-1924), BRITISH
HAROLD GOLDTHWAIT (1869-1932), BRITISH
BARNANE CASTLE (TEMPLEMORE CO., TIPPERY, IRELAND), 1903
Oil on canvas; signed lower le!, signed, titled and dated 1903 verso 14 x 18 in — 35.6 x 45.7 cm Provenance: Arthur and Mae Freeman, Toronto; By descent to the present Private Collection $1,000—1,500
TRANQUIL RIVER VIEW
AUTUMN PATCHAM, SUSSEX
Oil on canvas; signed lower le!
Oil on canvas; signed lower right, titled to the stretcher in pencil
20 x 30 in — 50.8 x 76.2 cm Provenance: Simpson’s, Toronto, 1937 as a wedding gi!; By descent $900—1,200
20.25 x 30 in — 51.4 x 76.2 cm Provenance: Haynes Art Gallery, Toronto partial gallery label to the frame $600—800
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TOMSON LAING (ACTIVE 1890-1904), BRITISH
THOMAS BUSH HARDY (1842-1897), BRITISH
SIDNEY YATES JOHNSON (ACTIVE 1890-1926), BRITISH
DIGGING FOR PEAT WITH FISHERMEN WORKING ON SHORE
FISHERFOLK ON SHORE, 1873
ON THE THAMES AT PANGBOURNE; ON THE RIVER DOVE, MILLER’S DALE, DERBYSHIRE (ISAAC WALTON’S FAVOURITE STREAM)
Oil on canvas; signed lower le!
Oil on canvasboard; signed and dated 1873 lower le!
18.5 x 30 in — 47 x 76.2 cm
6.75 x 13 in — 17.1 x 33 cm
$900—1,200
Provenance: McDowell Gallery, Toronto label verso $600—800
Pair of oils on canvas; each signed with incised signatures lower le!, each signed and titled in pencil to artist’s labels to the top stretcher, the la"er with added title to a piece of tape verso Each 12 x 24 in — 30.5 x 61 cm Provenance: Richardson Bros. Art Gallery, Winnipeg labels verso $800—1,200
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SIDNEY YATES JOHNSON (ACTIVE 1890 -1926), BRITISH
WILLIAM PASCOE (EXHIBITED 1905-1912), BRITISH
WYNFORD DEWHURST (1864-1941), BRITISH
WATERFALL, BETWS-Y-COED, NORTH WALES; GOLDEN SUNSET, CONWAY, NORTH WALES
VIEW ON THE PLYM RIVER (A COUNTRYMAN WATCHING STAGS WADING)
MOUNTAIN STREAM
Pair of oils on canvas; each signed with scratched signatures lower le! and lower right respectively, each signed and titled in pencil to artist’s labels to the top stretcher
Oil on canvas; signed lower le!, titled to gallery label verso
each 12 x 24 in — 30.5 x 61 cm Provenance: Richardson Bros. Art Gallery, Winnipeg labels verso
15.75 x 18 in — 40 x 45.7 cm Provenance: P & D Colnaghi & Co., Ltd., UK $400—600
Oil on canvas. Unsigned. 28.5 x 21 in — 72.4 x 53.3 cm Provenance: Directly from the artist’s studio; To his son, Brigadier General Claude H. Dewhurst (1908- died in England, 1978); By descent to his friend, the present Private Collection, Toronto $1,200—1,800
$800—1,200
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WYNFORD DEWHURST (1864-1941), BRITISH
WYNFORD DEWHURST (1864-1941), BRITISH
WYNFORD DEWHURST (1864-1941), BRITISH
TREE IN MEADOW; ROMAINE, 1932 (WITH A SHEPHERD ON THE HILLSIDE)
HEATHERLANDS IN SCOTLAND; HEATHERLANDS WITH TREE AND FIGURE
THATCHED COTTAGE IN THE MEADOW
Oil on canvas; signed lower le! 14 x 18 in — 35.6 x 45.7 cm Provenance: Directly from the artist’s studio; To his son, Brigadier General Claude H. Dewhurst (1908- died in England, 1978); By descent to his friend, the present Private Collection, Toronto
$700—900
10.5 x 13.7 in — 26.7 x 34.8 cm; 13 x 16.25 in — 33 x 41.3 cm Provenance: See website for full catalogue details $1,000—1,500
Pair of oils on panel; each signed lower le! and lower right respectively, the first titled in pen and ink to label verso Each 10.5 x 13.25 in — 26.7 x 33.7 cm Provenance: See website for full catalogue details $800—1,200
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WYNFORD DEWHURST (1864-1941), BRITISH
WYNFORD DEWHURST (1864-1941), BRITISH
WYNFORD DEWHURST (1864-1941), BRITISH
LE GLACIER D'ARGENTIÈRE; MOUNTAIN SETTLEMENT NEAR RIVER
SHORELINE WITH BOATS; TREES AND PATHWAY
Two oils: the first title, on canvasboard, the second title, on canvas; each signed lower le! and lower right respectively, the first, signed, titled and inscribed with presentation to his son on September 20th, 1929 artist’s label verso
Two colour pastels; each signed lower right
MOUNTAIN VALLEY; MOUNTAIN WITH GLACIER AND RED COTTAGES, 1923; FRENCH MOUNTAIN SCENE
10.5 x 13.5 in — 26.7 x 34.3 cm; 18 x 13 in — 45.7 x 33 cm Provenance: See website for full catalogue details $800—1,200
67 WYNFORD DEWHURST (1864-1941), BRITISH COW IN AN ORCHARD; VERSAILLES, 1901; FALL LANDSCAPE WITH RIVER
Three colour pastels on paper; each signed, the second title, titled and dated indistinctly “Versailles 1901” lower right Sight 10 x 8.25 in — 25.4 x 21 cm; 5.75 x 7.5 in — 14.6 x 19.1 cm; 5.5 x 7 in — 14 x 17.8 cm Provenance: See website for full catalogue details $600—900
Sight 14.25 x 18.75 in — 36.2 x 47.6 cm; 13.5 x 15.5 in — 34.3 x 39.4 cm Provenance: See website for full catalogue details $800—1,200
Three colour pastels; the second title; signed and dated 1923 lower le!, the third, titled and inscribed by family member of the artist, Brig. C.H. Dewhurst in pen and ink verso Sight 10.25 x 8.25 in — 26 x 21 cm; 8.25 x 10 in — 21 x 25.4 cm; 9.25 x 13.25 in — 23.5 x 33.7 cm Provenance: See website for full catalogue details $900—1,200
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WYNFORD DEWHURST (1864-1941), BRITISH
C. HOOP (19TH CENTURY), BRITISH
ANTHONY VAN DYCK COPLEY FIELDING (1787-1855), BRITISH
WHITE COTTAGE IN THE FOOTHILLS; RIVER SCENE WITH BOAT; MOUNTAINS IN SNOW, 1932
Three colour pastels on paper; each signed lower right and bo!om centre; the last title, also dated 1932 Sight 5.5 x 7 in — 14 x 17.8 cm; 7 x 5.75 in — 17.8 x 14.6 cm; 7.5 x 9.5 in — 19.1 x 24.1 cm
PAIR OF RIVER LANDSCAPES WITH DISTANT MOUNTAINS
Pair of oils on canvas; each signed, one signed clearly “C. Hoop” lower right Each 16 x 12 in — 40.6 x 30.5 cm $300—400
SHIPPING IN A STORM AT SUNSET
Oil on paper on canvas; signed lower le" 25 x 35.5 in — 63.5 x 90.2 cm Provenance: Private Collection, Toronto $2,000—3,000
Provenance: Directly from the artist’s studio; To his son, Brigadier General Claude H. Dewhurst (1908- died in England, 1978); By descent to his friend, the present Private Collection, Toronto $600—900
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REUBEN CHAPPELL (1870-1940), BRITISH
WILLIAM ADOLPHUS KNELL (1802-1875), BRITISH
WILLIAM CALLCOTT KNELL (BORN CIRCA 1830-1876), BRITISH
SHIPS AT ANCHOR AT NIGHT; SHIPS AT SUNSET
SHIPPING OFF A JETTY; SHIPPING OFF A COAST, 1861/1867
Pair of oils on board
Pair of oils on canvas laid down to masonite; each signed and dated lower le", the la!er with more visible date 1861 or 1867
THE HARVEST QUEEN
Oil on canvas; signed lower le", titled lower right 19 x 26 in — 48.3 x 66 cm Provenance: Private Collection, Toronto $2,000—3,000
Each 4 x 8 in — 10.2 x 20.3 cm Provenance: With Bourn Art Galleries, Swanage, Dorset; Private Collection, Toronto $1,000—1,500
Each 8 x 16 in — 20.3 x 40.6 cm Provenance: Private Collection, Toronto $800—1,000
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PHILIP HUTCHINS ROGERS (1794–1853), BRITISH
FREDERICK CALVERT (C.1785 -C.1844), IRISH
HENRY MOORE (1831-1895), BRITISH
SHIPPING OFF A PIERHEAD
HEADING HOME
Oil on panel; signed lower right
Oil on canvas. Unsigned.
9 x 14 in — 22.9 x 35.6 cm
11 x 16 in — 27.9 x 40.6 cm
Provenance: Private Collection, Toronto
Provenance: Private Collection, Toronto
$600—800
$800—1,200
SHIPPING AT SUNSET
Oil on canvas; signed lower le!. 14 x 18 in — 35.6 x 45.7 cm Provenance: Private Collection, Toronto $400—600
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WILLIAM MCALPINE (19TH CENTURY), BRITISH
19TH CENTURY CHINA TRADE
JOHN WILSON (19TH CENTURY), BRITISH
VESSELS BEACHED ON A ROCKY SHORE
Oil on canvas; signed lower le! 12 x 24 in — 30.5 x 61 cm Provenance: Private Collection, Toronto $400—600
THE ARACHINE, TEA CLIPPER OF 600 TONS
Oil on linen canvas. Contained in a lacquered ship’s timber frame. 18 x 23.5 in — 43.2 x 55.9 cm Provenance: David Cross Gallery, Cli!on, Bristol; Private Collection, Toronto
$1,000—1,500
A BRITISH BARQUE OFF THE NEEDLES
Watercolour; signed “Wilson” lower le! 21 x 30 in — 53.3 x 76.2 cm Provenance: Private Collection, Toronto $800—1,200
80
81
82
ABRAHAM HULK THE YOUNGER (1851 -1922), BRITISH
J. OR S. WHEATLEY (19TH/20TH CENTURY), BRITISH
ALFRED POLLENTINE (1836-1890), BRITISH
SAILBOATS AT SUNSET
SAILBOATS OFF THE CLIFFS OF DOVER, 1924
Oil on canvas; signed lower right 6 x 8.75 in — 15.2 x 22.2 cm Provenance: With Simpson’s, Order No. 9590 labels verso
“NAPLES” (SHORELINE WITH HOUSES AND FIGURES)
Oil on board; signed and dated 1924 lower right
Oil on canvas; signed lower right, signed verso and to a paper label verso, titled “Naples” in pencil to the stretcher,
11 x 14 in — 27.9 x 35.6 cm
20 x 30 in — 50.8 x 76.2 cm
$100—150
Provenance: Mawson, Swan and Morgan Fine Art Dealers, Newcastle-on-Tyne gallery label verso
$1,200—1,800
$1,000—1,500
83
84
85
ATTRIBUTED TO WILLIAM EDWARD MILLNER (1849–1895), BRITISH
SIR FRANK BRANGWYN (1867-1956), BRITISH
ROBERT MOORE (1945- ), BRITISH
BATTLEFIELD (AT WATERLOO?)
AFTER TRAFALGAR, CIRCA 1911
Oil on board; signed with initials “WEM” and dated 1876 lower right
Oil on board. Unsigned. The le! side cut down.
Oil on “Grange Co"on” stamped canvas; signed ‘Rbt Moore’ on the barrel bo"om centre, titled to the frame verso.
15 x 20 in — 38.1 x 50.8 cm
17 x 21 in — 43.2 x 53.3 cm
24 x 36 in — 61 x 91.4 cm
$600—900
Provenance: See website for full catalogue details
Provenance: Private Collection, Welling, UK; Acquired from a Private Collection of the artist’s works in Greenwich
$1,000—1,500
$3,000—4,000
MOORED AT LAST
86
87
88
ARTHUR WEAVER (1918-2008), BRITISH
HAROLD FRANCIS RILEY (1934- ), BRITISH
HAROLD FRANCIS RILEY (1934- ), BRITISH
MONMOUTHSHIRE LANDSCAPE, 1959
“FOX TAVERN”. “SALFORD WITH KNOCKER-UP”, 1964
YOUNG GIRL, 1961
Oil on canvas; signed and dated 1959 lower le!, titled to gallery label verso 24 x 36 in — 61 x 91.4 cm Provenance: Frost & Reed, London, UK, Reg. No. 25732 to their label verso; Purchased in the 1960’s by the father of the present Private Collection, Toronto $1,200—1,800
Oil on board; signed and dated 64 lower right, titled verso backing 10.5 x 8 in — 26.7 x 20.3 cm Provenance: Within a Silverwood Productions, Blackburn frame label verso; The artist’s studio; Gi!ed to Mrs. Westwell (the present owner’s grandmother), Manchester, England, UK; By descent to the granddaughter, Toronto, ON, circa 1986
$800—1,200
Oil on panel; signed and dated 61 lower right 12 x 6 in — 30.5 x 15.2 cm Provenance: See website for full catalogue details $700—900
89
90
91
HAROLD FRANCIS RILEY (1934- ), BRITISH
HAROLD FRANCIS RILEY (1934- ), BRITISH
MANCHESTER WORKING CLASS COBBLER, 1960; CHAPEL NESTLED AMONG TREES
PONTE VECCHIO BEFORE THE FLOOD DISASTER OF 1966; ROW HOUSES BROUGHTON, SALFORD, 1967
ATTRIBUTED TO THOMAS DAVIDSON (1863-1909), IRISH
Two works on paper; the first title, a crayon drawing heightened with colours; signed and dated 60 lower right, the la!er, signed and inscribed by the artist with presentation: “To my dear friend Mrs. Westwell with love...” in pencil lower right
Two ink, wax, watercolour and pastel pigment drawings on paper; the first title, signed, titled and dated 66 lower right and accompanied by a pen and ink note describing the scene, the historic moment, the medium and the date of this work, signed and dated “Riley 1967” that continues: “His ‘angled’ in the moment at the cared-angle”. The la!er title; signed and dated 67 lower right
Sight each 12 x 9.25 in — 30.5 x 23.5 cm; 20 x 16 in — 50.8 x 40.6 cm Provenance: See website for full catalogue details $1,000—1,500
Sight each 9.5 x 13.5 in — 24.1 x 34.3 cm; 10.5 x 14.75 in — 26.7 x 37.5 cm Provenance: See website for full catalogue details $800—1,200
RED COAT OFFICER RELAXING WITH HIS DOG
Oil on canvas; signed with upper case initials TD 13 x 17 in — 33 x 43.2 cm Provenance: The Cooling Galleries Ltd., London & Toronto; Waddington’s, Toronto, lot 1176; The Estate of Adolph Rolin, Toronto $300—500
91A
92
93
ARTHUR DAVID MCCORMICK (1860-1943), IRISH
MAURICE CANNING WILKS (1910-1984), IRISH
CIRCLE OF ALEXANDER NASMYTH (1758 -1840), SCOTTISH
THE KING’S MESSENGER
CO. ANTRIM COAST
Oil on canvas; signed lower right, titled to gallery labels verso
Oil on canvas; signed “Maurice C. Wilks” lower right
RUSTICS MEETING IN AN EXTENSIVE LANDSCAPE BY COASTAL TOWN WITH AQUEDUCT AND CASTLE RUIN
25 x 30 in — 63.5 x 76.2 cm
16 x 24 in — 40.6 x 61 cm
Provenance: Mitchell Galleries, London, England; The Fine Art Galleries, The T. Eaton Co., Limited, Canada; From whom purchased by Mr. John Spence, Toronto on October 26th, 1949 accompanied by the original receipt; By descent through the family to the present Private Collection, Barrie, Ontario
Provenance: Partial gallery label located at 12 Arthur Street, Belfast; Private Collection, Surrey, B.C. $2,000—3,000
Oil on canvas 23 x 35.5 in — 58.4 x 90.2 cm Provenance: Family Collection, UK; By descent from the consignors father to the present Private Collection, Canada $1,000—1,500
$3,000—5,000
94
95
96
A. HUNT? (19TH CENTURY), SCOTTISH
WILLIAM MCBRIDE (1856-1913), SCOTTISH
JOHN MCGHIE (1867-1952), SCOTTISH
MEN WORKING IN A FARMYARD WITH HORSES AND THEIR DOG
PICKING FAGGOTS
PORTRAIT OF A WOMAN IN A BONNETSAID TO BE AGNES BURNS, THE ARTIST’S WIFE
Oil on canvas; signed indistinctly lower right 12 x 16 in — 30.5 x 40.6 cm Provenance: City of Glasgow Fine Art Association partial label to the stretcher; Robert Deveau Galleries, Toronto; The Estate of Robert Deveau, Toronto $300—500
Oil on canvas; signed lower right, titled to label verso 20 x 24 in — 50.8 x 61 cm Provenance: Ex. Collection M.A. Cameron inscribed to label verso; Robert MacIndoe Gallery, Glasgow $600—900
Oil on panel; signed lower right 14 x 10 in — 35.6 x 25.4 cm Provenance: Acquired in London, England $2,000—3,000
97
98
99
ATTRIBUTED TO JOHN FAED (1818/20 -1902), SCOTTISH
JAMES ELDER CHRISTIE (1847-1914), SCOTTISH
GEORGE HOUSTON (1869-1947), SCOTTISH
THE PICTURE BOOK
GIRL WATCHING A TOAD ON A GOLD BALL
SPRING LANDSCAPE
Oil on canvas; bears signature “John Faed” on the foot stool lower right
Oil on canvas; signed lower right
30 x 24.5 in — 76.2 x 62.2 cm
50.5 x 37.5 in — 126.4 x 95.3 cm
Provenance: Garfield Galleries, Toronto; Private Collection, Toronto
Provenance: Estate Collection, Woodville, ONtario
$1,000—1,500
Oil on canvas; signed lower right 28 x 36 in — 71.1 x 91.4 cm Provenance: Robert MacIndoe, Glasgow label verso; Estate Collection, Woodville, Ontario $1,500—2,500
$2,000—3,000
100
101
102
GEORGE OGILVY REID (1851-1928), SCOTTISH
MURRAY MACDONALD (FL. 1889-1914), SCOTTISH
ALEXANDER BALLINGALL (FL. 1880 -1910/11), SCOTTISH
A GALLOWAY RIVER, CIRCA 1912
BEN LEDI - FROM THE BRAES OF DEUNE, PERTHSHIRE, 1900
GETTING UNDER WEIGH
Oil on canvas; signed lower right, signed and titled to the stretcher 14 x 21 in — 35.6 x 53.3 cm Provenance: See website for full catalogue details $500—700
Watercolour; signed and dated lower le!, signed, titled and dated 1900 verso 20.25 x 28.25 in — 51.4 x 71.8 cm $800—1,200
Watercolour; signed and dated 1905 lower right, titled lower le! Sight 19 x 29 in — 48.3 x 73.7 cm $600—800
103
104
105
ATTRIBUTED TO JOHN WYKEHAM ARCHER (1808-1864), BRITISH
SAMUEL BOUGH (1822-1878), SCOTTISH
GEORGE CATTERMOLE (1800–1868), BRITISH
TOMB OF EDWARD III (IN WESTMINISTER ABBEY)
Watercolour and ink heightened with white on paper laid down to a card support; unsigned recto, titled in pencil and inscribed indistinctly, possibly signed “John Wykeham Archer” in pencil beside the title to the support verso
OLD MILL
HISTORIC SCENE WITH SPANISH SOLDIERS
Watercolour and ink on paper; signed lower le!, signed and titled in pen and ink to an old unidentified label to the backboards verso
Watercolour on paper laid down to cardboard; signed lower right
Sheet 10 x 14 in — 24.1 x 35.1 cm
Sheet 13.5 x 19.75 in — 34.3 x 50.2 cm
$600—800
$300—500
Sheet 14.9 x 10.4 in — 37.8 x 26.5 cm Provenance: See website for full catalogue details $100—150
106
107
108
GEORGE CATTERMOLE (1800-1868), BRITISH
CHARLES CATTERMOLE (1832-1900), BRITISH
EDMUND MORRIS WIMPERIS (1835-1900), BRITISH
CARD PLAYERS, 1853
BLESSING THE SICK
COMING FROM THE STUBBLEFIELD
Watercolour; signed with monogram initials “GC” and dated 1853 lower le!
Watercolour; signed “Chas Ca"ermole” lower right
Watercolour; signed with initials “EMW” lower le!, titled to the matboard
12.75 x 18 in — 32.4 x 45.7 cm
Sheet 6 x 17.75 in — 15.2 x 45.1 cm
Sight 11.25 x 18 in — 28.6 x 45.7 cm
Provenance: See website for full catalogue details
Provenance: Waddington’s, Toronto; Private Collection, Toronto and Greece
Provenance: John Magee Fine Art Dealer, Belfast; Private Collection, Toronto by descent from their grandparents
$300—400
$200—300
$300—500
109
110
111
HENRY E. HOBSON (ACT. 1857-1870), BRITISH
AUBREY RAMUS (19TH/20TH CENTURY), BRITISH
ARTHUR SHELLY (1841-1902), BRITISH
WAITING FOR THE BOATS
GIRLS CARRYING HAY; GIRLS AT A ROCK
Watercolour; signed lower le!
Pair of watercolours on watercolour boards; the first title signed lower le!
Pair of watercolours; the first title, signed indistinctly “... W. Shelly” and dated indistinctly “Aug. 75” lower le!
Sheets each 8.7 x 12.9 in — 22 x 32.8 cm
Sight each 19 x 15 in — 48.3 x 38.1 cm
Provenance: With Rolland Picture Frame, Montreal their label to the new frame backing paper verso
$300—500
Sight 20 x 13 in — 50.8 x 33 cm Provenance: Private Collection, Toronto $800—1,200
MILL SCENE; ROCKY RIVER
$200—300
112
113
114
SIR ERNEST GEORGE (1839-1922), BRITISH
GEORGE OYSTON (1861-1937), BRITISH
SCOTTISH LANDSCAPE
ON CHATHAM COMMON, SURREY; AT BOURNE END, BUCKS, 1920
MISS MADELINE BAGSHAW (EXHIBITED 1924-1928), BRITISH
Watercolour; signed with initials ”EG” lower le! 9 x 13.5 in — 22.9 x 34.3 cm Provenance: With Roberts & Son Artistic Framing, Toronto, circa 1940s; With the Art Gallery of Ontario for examination, n.d., label verso; Private Collection, Toronto and Greece $200—300
Pair of watercolours; each signed and dated 1920 lower le!, each titled in pen and ink to old labels verso backing Sight each 10 x 20.5 in — 25.4 x 52.1 cm $300—500
AN ENGLISH COUNTRY VILLAGE
Watercolour; signed “M. Bagshaw” lower right, titled verso Sight 19.75 x 36.5 in — 50.2 x 92.7 cm $1,000—1,500
115
116
117
WALTER FREDERICK ROOFE TYNDALE (1855-1943), BRITISH
ROBERT GEORGE TALBOT KELLY (1861-1934), BRITISH
EDWARD STANLEY INCHBOLD (1855-1934), BRITISH
BAZAAR SCENE IN CAIRO
BEDOUIN SCOUT IN THE DESERT, 1895
HONG KONG MARKET VENDORS
Watercolour; signed lower le!
Watercolour; signed “R. Talbot Kelly” and dated 1895 lower le!
Watercolour; signed “Stanley Inchbold” lower right
Sight 9.25 x 18 in — 23.5 x 45.7 cm
Sheet 13 x 11.5 in — 33 x 29.2 cm
$400—600
$500—700
20 x 14 in — 50.8 x 35.6 cm Provenance: Dowdeswell & Dowdeswells, London label verso $1,200—1,800
118
119
120
NORMAN WILKINSON (1878-1971), BRITISH
JOHN ERNEST AITKEN (1881–1957), BRITISH
INITIALS L.D. (FL. 1919), CZECH
WWI TROOPS AT SUVLA BAY, AUGUST 1915
THE LIGHTHOUSE, YOURDON
DOUBLE PORTRAIT - MAN AND WOMAN IN COUNTRY DRESS: FRANTISEK AND APOLLONIA KRIVAK, 1919
Watercolour; signed and dated Aug. 1915 at Suvla Bay lower le! Sight 14 x 21 in — 35.6 x 53.3 cm Provenance: ... Pantechnicon ... W. Boote & Sons, Liverpool partial label on top of an unknown gallery label to the backing board verso $1,000—1,500
Watercolour; signed lower right, titled to the namplate Sight 13 x 19 in — 33 x 48.3 cm $600—800
Watercolour and opaque watercolour on heavy paper with relief; signed with initials “L.D.” in centre, titled and inscribed: "Frantisek / Apollonia/19 KRIVAK19" in a banner at the top. In an polychromed architectural frame. Sheet 11.25 x 15.9 in — 28.6 x 40.3 cm Provenance: The Estate of Adolph Rolin, Toronto $700—900
121
122
123
FRANTISEK JAKUB (1875-1940), CZECH
EUROPEAN (19TH/20TH CENTURY)
FARM GROUP SCENE
FLORAL STILL LIFES IN URNS IN A LANDSCAPE (A PAIR)
AFTER PETER PAUL RUBENS (1577-1640), FLEMISH
Oil on canvas; signed lower right 26.5 x 28 in — 67.3 x 71.1 cm $2,000—3,000
Pair of oils on plywood panel. Unsigned. Each 15.9 x 12 in — 40.3 x 30.5 cm $300—400
LE TRIOMPHE DE L'EGLISE SUR L'IGNORANCE ET L'AVEUGLEMENT
Oil on copper 23.75 x 32.25 in — 60.3 x 81.9 cm Provenance: Robert C. Britnell, (Britnell Art Galleries, Toronto); The Estate of Doreen Britnell, Richmond Hill, Ontario $1,000—1,500
124
125
126
ATTRIBUTED TO CHRISTOFFEL BISSCHOP (1828-1904), DUTCH
19TH CENTURY DUTCH SCHOOL
19TH CENTURY DUTCH SCHOOL
PORTRAIT OF A REGENCY MAN, CIRCA 1810-1820
DUTCH BOATS IN A BUSY HARBOUR WITH GOTHIC CATHEDRAL
Oil on canvas; inscribed indistinctly to the stretcher “H.V. Ly...” in pencil next to a red wax seal impressed with two shields, the one on the right depicting a rampant lion
Oil on canvas laid down to panel. Unsigned.
10 x 8.25 in — 25.4 x 21 cm
13.5 x 16.75 in — 34.3 x 42.5 cm
$150—250
Provenance: Purchased in Holland by the grandparents of the present private collection, Toronto; By descent
REMBRANDT ON HIS WAY TO THE ANATOMICAL LESSON OF DR. TULP
Oil on panel; bears signature lower right 8 x 6 in — 20.3 x 15.2 cm
$3,000—4,000
$300—500
127
128
129
ATTRIBUTED TO JOHAN VERKERK (1900- ), DUTCH
HENK DEKKER (1897-1974), DUTCH
WILLEM STEELINK (1856-1928), DUTCH
FISHING BOAT SCH41 IN A SWELL
HERDING THE SHEEP
Oil on canvas; signed lower le!
Watercolour; signed lower right
39.5 x 31.5 in — 100.3 x 80 cm
25 x 36 in — 63.5 x 91.4 cm
Provenance: By descent to the present Private Collection, Barrie, Ontario
$1,200—1,800
DORPSGEZICHT (VILLAGE SCENE)
Oil on canvas; signed “Verkerk” lower right, titled to gallery label with their red wax seal verso 22 x 18 in — 55.9 x 45.7 cm Provenance: Roelofs Kunsthandels, Amsterdam gallery label verso; The Estate of Adolph Rolin, Toronto
$600—900
$300—500
130
130A
131
FREDERIK ENGEL (1872-1958), DUTCH
WILLEM MARIS (1844-1910), DUTCH
CALVES IN A SHADED PASTURE, 1913
FARMER DRIVING A BOAT THROUGH A POLDER LANDSCAPE WITH COWS
HERMAN JOHNANNES VAN DER WEELE (1852-1930), DUTCH
Oil on canvas; signed and dated 1913 lower right
Oil on canvas; signed lower le!
19.5 x 28.5 in — 49.5 x 72.4 cm
32 x 47 in — 81.3 x 119.4 cm
$600—800
Provenance: Private Collection, Westmount, P.Q. $3,000—4,000
FARMER LEADING AN OXEN WITH HAY LOADED CART
Watercolour; signed lower right Sight 11.25 x 15.75 in — 28.6 x 40 cm $500—700
132
133
134
DUTCH SCHOOL (19TH CENTURY)
J. D... (19THC), DUTCH
EVENING LANDSCAPE WITH CATTLE AND FIGURES
DUCKS AND GOSLINGS BY A BOAT
HENDRIKUS JOHANNES FRANCISCUS VAN LANGEN (1874-1964), DUTCH PLAYING WITH THE NEW DOLL
Oil on panel. Unsigned.
Oil on canvas; indistinctly signed lower right
Oil on canvas; signed lower le!
10 x 15 in — 25.4 x 38.1 cm
16 x 12 in — 40.6 x 30.5 cm
19.75 x 23.75 in — 50.2 x 60.3 cm
Provenance: Garfield Galleries, Toronto as “Dutch School- 17th Century”
Provenance: Galerie L’Art Francais, Montreal
$400—600
$300—500
$300—400
135
136
137
JACOB SIMON HENDRIK KEVER (1854-1922), DUTCH
CORNELIUS BOUTER (1888-1966), DUTCH
CORNELIUS BOUTER (1888-1966), DUTCH
BLOSSOM TIME IN HOLLAND
PEELING APPLES
Oil on canvas; signed lower right
Oil on canvas; signed lower right
20 x 27.25 in — 50.8 x 69.2 cm
20 x 16 in — 50.8 x 40.6 cm
Provenance: House of Lazarus, Mountain, Ontario sold to benefit the food bank
Provenance: Ex. Collection Gertrude Coates, London, Ontario; Gi!ed to Romaine Fisher (niece), Peterborough, Ontario; To her son, Peterborough, Ontario
MOTHER MENDING BY THE WINDOW
Oil on canvas; signed “Kever” lower le! 26.25 x 20 in — 66.7 x 50.8 cm $3,000—4,000
$1,000—1,500
$800—1,200
138
139
140
F. ROBERTS (B.1879), DUTCH
FOLLOWER OF JEAN-ANTOINE WATTEAU (1684-1721), FRENCH
J. VERNIER (19TH CENTURY), FRENCH
DUTCH CITY CANAL SCENE
Oil on canvas; signed lower right 24 x 20 in — 61 x 50.8 cm Provenance: The Fine Art Galleries, The T. Eaton Co. Limited, Canada remains of their label $400—600
FÊTE CHAMPÊTRE DANS UN PARC
Oil on canvas; given to “Antoine Wa!eau “ to the nameplate of the frame recto 24 x 36 in — 61 x 91.4 cm Provenance: Henry Lord Langdale, M.R., 37 South Street, Grosvenor Square, his bookplate to the stretcher verso; Elsie Rice, Maple, Ontario in 1965 inscribed to the frame verso $800—1,200
BOSVIJER MET BERKENBOMEN (WOMEN AMONG BIRCH TREES BY A STREAM)
Oil on canvas; indistinctly signed lower le", inscribed “J. Vernier” and titled to gallery label verso 22 x 27 in — 55.9 x 68.6 cm Provenance: Roelofs Kunsthandels, Amsterdam; The Estate of Adolph Rolin, Toronto $400—600
141
142
143
Y. GIANNI (19TH/20TH CENTURY), NEAPOLITAN
RENÉ LOUIS CHRÉTIEN (1867-1942), FRENCH
LEON JOUBERT (1871-1920), FRENCH
A NAPLES FLOWER MARKET
LA FERMIÈRE (COUNTRY GIRL IN A BARNYARD WITH CHICKENS)
PRES FINISTERE, CIRCA 1917
Watercolour and gouache; signed lower le"
Oil on canvas; signed lower right
Oil on canvas; signed and dated indistinctly “17”? lower le", given to the artist and titled to the nameplate
19 x 11.75 in — 48.3 x 29.8 cm
16.25 x 12.75 in — 41.3 x 32.4 cm
24 x 18 in — 61 x 45.7 cm
Provenance: John R. Thompson, framers, Hamilton, Ontario; Gi"ed to Romaine Fisher (niece), Peterborough, Ontario; To her son, Peterborough, Ontario
$400—600
$500—700
$300—500
144
145
146
JEAN EUGENE CLARY (1856-1929), FRENCH
MANNER OF CHARLES EUPHRASIE KUWASSEG (1838-1904), FRENCH
MAURICE LEVIS (1860-1940), FRENCH
RIVER LANDSCAPE WITH FIGURES ON SHORE (THE SEINE NEAR THE ANDELYS)
MARINE PAR GROS TEMPS
Oil on canvas; signed “E. Clary” lower right
Oil on panel; partial signature faintly to lower right, titled to the nameplate
17.75 x 32 in — 45.1 x 81.3 cm
8.7 x 15.9 in — 22 x 40.5 cm
Provenance: Meister Schwarzer, Berlin label to the frame verso
$400—600
ENVIRONS OF LIVOURNE
Oil on canvas; signed lower right, signed “Maurice ...” and titled “Vieille France/ Paysage ...” to the remains of the artist’s handwri!en pen and ink label to the bo!om of the frame, titled “Environs of Livourne” to the small handwri!en gallery label verso 12 x 17 in — 30.5 x 43.2 cm Provenance: French Gallery, (F.G.) label verso; From the present Private Collection’s Grandparents collection for 35 years; By descent
$500—700
$1,200—1,800
147
148
149
RODOLPHE CAILLAUX (1904-1990), FRENCH
ALEXANDRE CHARLES MASSON (1906-1927), FRENCH
MAX SILBERT (1871-1930), UKRAINIAN/FRENCH
FISHERMEN WORKING AT HARBOUR
BUSY BEACH SCENE WITH CLAM DIGGERS, FIGURES SUNNING AND TENTS WITH A LONE GREEN BOAT
SEWING LESSON IN A SUNLIT INTERIOR
Oil on canvas; signed upper le" 23.75 x 32 in — 60.3 x 81.3 cm
Oil on canvas; signed “Masson Alex” lower le"
Provenance: The Estate of Adolph Rolin, Toronto
25.5 x 32 in — 64.8 x 81.3 cm
$700—900
$600—900
Oil on canvas; signed lower right 25.5 x 21 in — 64.8 x 53.3 cm $500—700
150
151
152
HENRI BREMONTIER (19TH/20TH CENTURY), FRENCH
CHARLES LEVIER (1920-2003), FRENCH
AFTER JEAN-MARC NATTIER (1685-1766), FRENCH
WINTER SUNSET (CANAL EN HIVER)
Oil on canvas; signed lower le!, titled to gallery label verso, alternately titled to the nameplate 20 x 25.75 in — 50.8 x 65.4 cm Provenance: Watson Art Galleries, Montreal, Inv. 2977; The Estate of Adolph Rolin, Toronto $1,000—1,500
LES FILLES
Oil on canvas; signed lower right, titled verso 40 x 30 in — 101.6 x 76.2 cm Provenance: Sotheby’s Arcade Auctions, lot 165, October 12, 1991 label verso; Private Collection, Toronto
MADAME VICTOIRE DE FRANCE, 1748
Colour pastel on paper mounted on canvas 30.25 x 21.75 in — 76.8 x 55.2 cm Provenance: Britnell Art Galleries, Richmond Hill & Toronto, Ontario; The Estate of Doreen Britnell, Richmond Hill, Ontario
$1,000—1,500 $800—1,200
153
154
155
ISMAEL ADOLPHE CLAVEL (19TH/20TH CENTURY), FRENCH
CHARLES CLAIR (1860- 1930), FRENCH
JACQUES MARTIN-FERRIERES (1893-1972), FRENCH
NATURE MORT AVEC CHAT
Oil on canvas; signed lower right, titled to gallery label verso 31.5 x 25 in — 80 x 63.5 cm Provenance: Galerie Bernard Desroches, Montreal; Britnell’s Art Galleries Ltd., Toronto; The Estate of Doreen Britnell, Richmond Hill, Ontario $800—1,200
SHEEP AND POULTRY IN A BARN
Oil on panel; signed “Ch. Clair” lower le! 9 x 10.5 in — 22.9 x 26.7 cm Provenance: Acquired in France in 1929 by Gertrude Coates, London, Ontario; Gi!ed to Romaine Fisher (niece), Peterborough, Ontario; To her son, Peterborough, Ontario $600—900
VENICE
Oil on canvas; signed lower right 21 x 27.5 in — 53.3 x 69.9 cm $1,200—1,800
156
157
158
CHARLES LEVIER (1920-2003), FRENCH
JOHANN JUNGBLUT (1860-1912), GERMAN
FLEURS SUR LA MER
FISCHERDORF IM WINTER
LUDWIG VON ROEKLER (ALSO KNOWN AS LUDWIG C.F.W. VON ROSSLER) (1842 -1910), GERMAN
Acrylic on canvas; signed lower le!, signed and titled verso
Oil on canvas; signed lower right, titled to gallery label verso
NUNS AT EVENING IN THE CLOISTERS WITH THEIR CAT
30 x 24 in — 76.2 x 61 cm
27.5 x 39.5 in — 69.9 x 100.3 cm
Provenance: Sotheby’s Arcade Auctions, lot 145, n.d. label verso; Private Collection, Toronto
Provenance: Galerie Neupert AG, Zurich label verso; The Estate of Lee W. Larkin, Toronto
Oil on canvas; signed lower le!. Contained in an elaborate Baroque style carved frame.
$1,000—1,500
20 x 26.5 in — 50.8 x 67.3 cm $600—900
$800—1,200
159
160
161
PETER SZULE (1886-1944), HUNGARIAN
JOHN (JENO) FRIEDLINGER (1890-1958), HUNGARIAN
AGOSTIN ACS (1889-1947), HUNGARIAN
PENSIVE WOMAN SEATED AT A TABLE
Oil on canvas; signed lower right 30 x 24 in — 76.2 x 61 cm Provenance: With Chapman Bros (Chelsea Ltd.), Chelsea label to the frame $700—900
A SULTRY NUDE IN A FUR CAPE
FAMILY ENJOYING A SUNNY DAY OUTSIDE A COTTAGE
Oil on canvas; signed lower right
Oil on canvas; signed lower right
31.75 x 24 in — 80.6 x 61 cm
23.8 x 31.5 in — 60.5 x 80 cm
$800—1,200
Provenance: Probably acquired from The World of Antiques, Toronto; The Estate of Adolph Rolin, Toronto $400—600
162
163
164
LUIGI FERRAZZI (1850-1897), ITALIAN
ALEXIS D’AMBROSSI (19TH/20TH CENTURY), ITALIAN
AUGUSTO MORIANI (19TH/20TH CENTURY), ITALIAN
CAVALIER IN RED CAPE
PORTRAITS FROM CAPRI (MAN WITH BLUE HAT; MAN WITH RED HAT)
A BOY IN A HAT; A GIRL WEARING A SHAWL, ROMA
Pair of oils on panel; each signed and titled “Roma” lower le! and lower right respectively
Oil on panel; signed upper right 13 x 9.25 in — 33 x 23.5 cm
Pair of watercolours; each signed at Capri lower right
Each 11.75 x 9 in — 29.8 x 22.9 cm
$500—700
Sight each 10.75 x 7.25 in — 27.3 x 18.4 cm Provenance: The Estate of Adolph Rolin, Toronto
Provenance: Frederick Thom Gallery, Toronto; The Estate of Adolph Rolin, Toronto
$600—900
$800—1,200
165
166
166A
RAFFAELE FRIGERIO (1875-1948), ITALIAN
RAFFAELE FRIGERIO (1875-1948), ITALIAN
GIOVANNI DELLA ROCCA (1788-1858), ITALIAN
LIGHTING GRANDPA’S PIPE
OLD FISHERMAN
Oil on canvas; signed upper mid right
Oil on canvas mounted on board; signed lower right, titled to the nameplate
Oil on canvas; signed lower right
15.75 x 12.5 in — 40 x 31.8 cm
17.5 x 26 in — 44.5 x 66 cm
Provenance: Ex. Collection Gertrude Coates, London, Ontario; John R. Thompson, framer, Hamilton, Ontario Gi!ed to John Fisher (Romaine’s husband and nephew in law) in 1976; By descent to his son, Peterborough, Ontario
Provenance: Robert Deveau Galleries, Toronto; The Estate of Robert Deveau, Toronto
19.5 x 27 in — 49.5 x 68.6 cm Provenance: Great grandfather’s collection, O"awa acquired circa 1935-1940; By descent $600—900
$300—500
THE ANTIQUE DEALER
$4,000—5,000
167
168
169
GENNARO FAVAI (1879-1958), ITALIAN
KONSTANTIN SZEWCZENKO (1915-1991), UKRAINIAN/POLISH
EDWARD MESJASZ (1929–2007), POLISH
VENICE UNDER A PINK GLOW
Oil on canvas laid down to panel; signed lower right
OLD RABBI RESTING
WINTER PATROL (TWO POLISH OFFICERS AND THEIR HORSES IN SNOW)
Oil on canvas; signed lower right
Oil on canvas; signed lower right,
15.5 x 17.25 in — 39.4 x 43.8 cm
20 x 16 in — 50.8 x 40.6 cm
22.5 x 31.5 in — 57.2 x 80 cm
$700—900
Provenance: Waddington’s, Toronto, sold on 12/02/2008, Lot 314; The Estate of Adolph Rolin, Toronto
$700—900
$400—600
170
171
172
EDWARD MESJASZ (1929-2007), POLISH
EDWARD MESJASZ (1929–2007), POLISH
OFFICER AND HORSES OUTSIDE POST
MOUNTED OFFICER HOLDING A REGIMENTAL FLAG
FOLLOWER OF YULIY YULEVICH (JULIUS) KLEVER (1850-1924), RUSSIAN
Oil on canvas on masonite; signed and dated 1983 lower right 21.25 x 25 in — 54 x 63.5 cm $600—800
HOUSE IN THE SNOW, EVENING
Oil on canvasboard; signed and dated 1967 lower right
Oil on canvas; bears cyrillic signature lower right
16.5 x 27 in — 41.9 x 68.6 cm
35 x 23.75 in — 88.9 x 60.3 cm
$400—600
$3,000—4,000
173
174
175
LODOVIC TACHECI (1871- ), RUSSIAN
NIKOLAY GORDEYCHEK (20TH CENTURY), RUSSIAN
MAMIA AKHOBADZE (1933-2010), RUSSIAN
NYMBURK CITY HALL, CZECH REPUBLIC (ARCHITECT PLANS FOR THE CITY HALL)
Watercolour en grisaille with pencil heightened with white on thick paper; signed by the architect lower le!, inscribed with presentation inscription dated 7 February 1897 in Czech lower le! margin Image 14.5 x 21 in — 36.8 x 53.3 cm Provenance: Found in the a"ic of the Nymburk City Hall, Czech Republic about 30 years ago; Gi!ed to the present Private Collection (his sister), Canada $400—600
SEATED NUDE POISED AT A DRAPED PODIUM, 1958
Watercolour on stiff paper; signed in cyrillics and dated 1958 lower le! Sheet 12 x 8.5 in — 30.5 x 21.6 cm $300—500
LANDSCAPE WITH HOUSES, 1965
Oil on board; signed and dated 65 lower right 19.5 x 27.5 in — 49.5 x 69.9 cm Provenance: Cyrillic import label verso; Zwickers Gallery, Halifax, Nova Scotia $500—700
Notes
Notes
Conditions of Sale 1. All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted or announced verbally in the auction room prior to the time of sale. While the auctioneer has endeavoured not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made. An opportunity for inspection of each article is offered prior to the time of sale. No sale will be set aside on account of lack of correspondence of the article with its description or its reproduction, if any, whether colour or black & white. Some lots are of an age and/ or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others. Frames on artwork are not included as part of purchase or condition. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid, relying upon their own advisers, and to bid accordingly. 2. Each lot sold is subject to a 20% buyers premium as part of the purchase price. 3. Unless exempted by law, the buyer is required to pay Harmonized Sales Tax on the total purchase price including the buyer’s premium. For international buyers, taxes are not applicable when purchases are shipped out of country. Items shipped out of Ontario, the buyer is required to pay taxes as per the tax status of that province, whether it HST or GST (Goods and Services Tax). 4. The auctioneer reserves the right to withdraw any lot from sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice. 5. The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized. 6. Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in attendance at the sale. 7. The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The auctioneer’s decision in all cases shall be final. 8. Immediately after the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-offering the item for sale.
9. The buyer shall pay for all lots within 48 hours from the date of the sale, after which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale, after which storage charges may be incurred. 10. Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away. 11. Notwithstanding condition no. 1, if the buyer, prior to removal of a lot, makes arrangements satisfactory to the auctioneer for the inspection of such lot by a fully qualified person acceptable to the auctioneer to determine the genuineness or authenticity of the lot, to be carried out promptly following the sale of the lot, and if, but only if, within a period of 14 days following the sale a written opinion of such person is presented to the auctioneer to the effect that the lot is not genuine or authentic, accompanied by a written request by the buyer for rescission of the sale, then the sale of the lot will be rescinded and the sale price refunded to the buyer. 12. Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), and VISA or Mastercard (up to $25,000). 13. In the event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for: (a) any deficiency in price between the re-sale amount and the amount to have been paid by the original buyer; (b) any reasonable charge by the auctioneer for the storage of such articles until payment and removal by the subsequent buyer; and (c) the amount of commission which the auctioneer would have earned had payment been made in full by the original buyer. 14. It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them. 15. The auctioneer acts solely as agent for the consignor and makes no representation as to any attribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada). 16. The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.
Selling at Waddington’s waddington’s commission rates Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $251 to $2,500 20% Items selling for $250 or less 25% *There is a minimum handling charge of $20 per item
canadian art department commission rates Items selling for $7,500 or more 10% Items selling for $2,501 to $7,499 15% Items selling for $2,500 or less 20% *There is a minimum handling charge of $20 per item Paintings, drawings, prints, furniture, jewellery and all forms of decorative arts and collectibles may be brought to our Toronto office where we can provide you with preliminary auction estimates and consignment procedures. Please visit our website at www.waddingtons.ca for details on our various departments and how to contact the specialists. We also accept mailed and emailed requests for advice on the marketability of objects. A photograph and phone number must accompany a full description of each item.
Our specialists regularly travel to major Canadian cities to meet with prospective consignors. For further information, or to arrange an appointment, please contact our Toronto office. Property normally arrives at Waddington’s at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items. Consignors will receive a contract to sign, setting forth terms and fees for our services.
insurance
A 1% insurance charge, based on the hammer price of the property, will be applied to all accounts.
cites
Restrictions exist regarding the import and export of species protected under CITES (Convention on International Trade in Endangered Species). This includes but is not limited to items made of or containing bone (whalebone etc.), ivory, tortoise shell, seal skin, rhinoceros horn and any other animal part and is strictly controlled or forbidden by most countries. Please review your country’s laws before bidding on pieces made of or containing these restricted items. It is the sole responsibility of the buyer to inquire about and obtain the proper permits for artwork purchased that may contain restricted materials, if such permit can be obtained. Please contact the department for further assistance. All Narwhal Tusks must have a Marine Harvest Number or a Marine and Mammal Transport number to be sold at Waddington’s. For more information please visit: www.cites.org
Buying at Waddington's
All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or oral announcement. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any oral announcement or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s™ and the consignor (seller) of the lot. Descriptions or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale.
condition of lots
All of the items are to be considered, unless otherwise noted in the description, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should examine the pieces in person or have our staff answer any questions before bidding. Sizes are approximate. It is the sole responsibility of the bidder to inquire as to the condition of a lot before bidding. Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale. Frames on artwork are not included as part of purchase or condition.
buyers premium
A premium of 20% of the successful bid price of each lot. A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer’s premium, except for purchases exported from Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province.
payment
Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), VISA or Mastercard (up to $25,000). ALL PRICES IN CANADIAN FUNDS
bidding
The Auctioneer may also execute bids on behalf of the consignor to protect the reserve. The reserve is the confidential minimum price the seller is willing to accept for his or her property, below which it will not be sold.
shipping
The Auctioneers will not undertake packing or shipping. The purchaser must designate and arrange for the services of an independent shipper and be responsible for all shipping, insurance expenses and any necessary export permits that may apply. The Auctioneers will, upon request, provide names of professional packers and shippers but will not be held responsible for the service or have any liability for providing this information. Reliable pre-auction estimates of shipping costs of lots offered in this sale may be obtained from: PakShip 905.470.6874 / 905.470.6875 / 416.293.8225
taurus@pakship.ca www.pakship.ca Envoy 416.299.3367, 416.299.9750 ph@envoy.ca www.envoypackandship.com Fero Transport 514.453.1462, 514.543.7585 www.ferotransport.ca
removal of purchases
Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15). Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients.
Canadian Fine Art Auction M O NDAY, NOVEMBER 1 9, 2 01 8
PETER CLAPHAM SHEPPARD ELIZABETH ST., TORONTO (DETAIL)
Waddington’s 275 King Street East, Second Floor Toronto, Ontario M5A 1K2
tel: 416-504-9100 toll free: 1-877-504-5700 www.waddingtons.ca