International Art JUNE 8 — 13, 2019
International Art JUNE 8 — 13, 2019
bid online at onlineauctions.waddingtons.ca
senior specialist Susan Robertson sr@waddingtons.ca
all lots can be viewed online at www.waddingtons.ca
416-847-6179
on view Friday, June 7 from 12:00 pm to 5:00 pm
client services Alec Kerr ak@waddingtons.ca 416-847-6186
Saturday, June 8 from 11:00 am to 5:00 pm
Lot 769 EDOUARD LÉON CORTÈS NOTRE DAME DE PARIS, ET LES BOUQUINISTES (DETAIL)
front inside
Lot 743 THÉODORE JACQUES RALLI PRETTY WEAVER GIRL RESTING ON A STONE WALL
front inside
Sunday, June 9 from 11:00 am to 5:00 pm
Lot 705 ROBERT NATKIN GOD’S WAY, 1988-1990
Monday, June 10 from 10:00 am to 12:00 pm
back cover Lot 742 BARBARA HEPWORTH INVOLUTE, 1946 [BH 470]
preview held at 275 King Street East, 2nd Floor Toronto, Ontario M5A 1K2
This catalogue and its contents © 2019 Waddington McLean & Company Ltd.
front cover
This auction is subject to the Conditions of Sale printed in the back of this catalogue.
Photography & design by Waddington’s All Rights reserved.
701
702
703
BENJAMIN CANAS (1933-1987), SALVADORIAN
ROBERT NATKIN (1930-2010), AMERICAN
CLAES OLDENBURG (1929-), AMERICAN
THE GOLDEN PAINTING
LONDON KNEES, 1966 [PLATZKER, 8]
Oil on canvas; signed lower right and stamped with black studio stamp: "Robert Natkin/956A/M991" to the stretcher and to the selvage verso
Pair of cast, latex sculptures (only); each knee printed with the artist's initials "CO" and dated "66" in black ink on the undersides. From the edition of 120 (this lot not numbered). There were also 10 artist's proofs. Lacking the case and set of three folders containing postcards, reproductions and notes related to "The Knees as London Monument Project." Copublished by Editions Alecto, London in association with Neuendorf Verlag, 1968.
JUEGO, 1973
Mixed media on textured canvas paper; signed with monogram and dated 73 in sepia ink upper right, signed and inscribed with presentation by the artist "Para Mimi y Carlos con el Carino de Siempre," from the artist and his wife Dora and dated at S. Salvador on May 13/74 in pen and ink lower right 20 x 16 in — 50.8 x 40.6 cm Provenance: See website for full catalogue details
73.5 x 34.5 in — 186.7 x 87.6 cm Provenance: Collection of Dr. and Mrs. J. Robert Nicholson, London, ON acquired from Natkin's dealer or directly from the artist who became a friend of the consignors $4,000—6,000
$6,000—8,000
Each 15 x 12.5 x 6.5 in — 38.1 x 31.8 x 16.5 cm Provenance: Private Collection, Toronto $500—700
704
705
706
FRANK GALLO (1933- ), AMERICAN
ROBERT NATKIN (1930-2010), AMERICAN
UNTITLED (WOMAN'S HEAD)
GOD'S WAY, 1988-1990
GRACIELA RODO BOULANGER (1935-) BOLIVIAN
Cast and tinted resin heightened with brown paint; mounted on a wooden base.
Acrylic on canvas; signed lower le! and stamped with black studio stamp: "Robert Natkin/772A/1989" in two places to the stretcher
22 x 17 x 10 in — 55.9 x 43.2 x 25.4 cm Provenance: Private Collection, Toronto $800—1,200
93 x 83 in — 236.2 x 210.8 cm Provenance: See website for full catalogue details Literature: See website for full catalogue details $8,000—12,000
SOCCER PLAYER
Oil on canvas; signed lower right 18 x 15 in — 45.7 x 38.1 cm Provenance: Private Collection, Thornhill, Ontario $1,500—2,500
707
708
709
MARK DI SUVERO (1933- ), AMERICAN
ROBERT NATKIN (1930-2010), AMERICAN
RISING (FOR WALT WHITMAN), 1980 [MDS80-2056A]
UNTITLED, 1975
FRANCESCO MARINO DI TEANA (1920-2012), ITALIAN
Three-dimensional saw-cut and copperplated aluminum multiple in five pieces fabricated from 5/8" thick aluminum; signed with incised signature, stamped "MdS" and "R", dated 1981 and numbered 11/50 with the publisher’s stamped mark and copyright stamp to the edge of one piece. Published by Gemini G.E.L., Los Angeles. Together with the publisher's catalogue, "Mark di Suvero," illustrated in colour and two newspaper clippings featuring other works by the artist. 21 x 17.5 x .6 in — 53.3 x 44.5 x 1.6 cm
Acrylic on canvas; signed lower le! and stamped with black studio stamp: "Robert Natkin/318/1975" in two places to the canvas selvages verso 39 x 91 in — 99.1 x 231.1 cm Provenance: Collection of Dr. and Mrs. J. Robert Nicholson, London, ON acquired from Natkin's dealer or acquired directly from the artist who became a friend of the consignors $5,000—8,000
Provenance: See website for full catalogue details
CHEVALIER VICTOIRE, CIRCA 1953
Bronze with green/brown patination; signed "Francesco di Teana" and inscribed with the foundry "Susse" to the foot of the bronze height 16.5 in — 42 cm Provenance: Private Collection, Toronto Literature: Catalogue raisonné, "Francesco Marino Di Teana: 1952/2012- 60 Ans de Création”, Paris: Éditions Lo!, 2015, p. 27 $2,000—3,000
Literature: See website for full catalogue details $3,000—4,000
710
711
FRANK GALLO (1933- ), AMERICAN
VAL BERTOIA (1949-), AMERICAN
UNTITLED (CHAIR WITH TWO EMBRACING WOMEN), 1976
"4 TOP SOUNDS" (SOUNDING SCULPTURE B-2225), 2019
Cast and tinted resin heightened with brown paint; signed "Gallo" and dated 1976 to the base of the resin; mounted on a wooden base.
Four heavy brass tops silvered to beryllium-copper rods and silvered to a brass base; titled, dated 2019 and numbered Cat. No. B2225 in the artist's inventory. Accompanied by the artist's Certificate of Authenticity, signed with initials and stamped with his signature, "Bertoia."
Mounted 23.5 x 11.5 x 9.75 in — 59.7 x 29.2 x 24.8 cm Provenance: Private Collection, Toronto $800—1,200
48 x 12 x 5 in — 120.7 x 30.5 x 12.7 cm $2,000—3,000
712
713
714
HENRY LEWIS (1819-1904), BRITISH/AMERICAN
WILLIAM AIKEN WALKER (1838-1921), AMERICAN
GUY PENE DU BOIS (1884-1958), AMERICAN
SOMMAR IDYLL VID RHENFLODEN (SUMMER IDYLL ON THE RHINE)
SOUTHERN HOMESTEAD
SEATED NUDE
Oil on grey board; signed lower le!
Oil on canvas; signed lower le!
6.1 x 12.2 in — 15.5 x 31 cm
18 x 14 in — 45.7 x 35.6 cm
Provenance: Private Collection, Markham, ON, acquired by descent from their father's collection, Toronto in 1983
Provenance: Estate of Montreal artist and architect, Harry Mayerovitch (1910-2004), Montreal; By descent to his daughter
$8,000—12,000
$2,000—3,000
Oil on canvas; signed "H. Lewis" at Dusseldorf lower le! 31 x 48 in — 78.7 x 121.9 cm Provenance: Stockholms Auktionsverk, 30 May 2007, Lot 2528; From whom purchased by the present Private Collection, Toronto $6,000—8,000
715
716
717
LUCIEN HENRI GRANDGERARD (1880-1970), BELGIAN
EMILE VAN MARCKE DE LUMMEN (1827 -1890), BELGIAN
FERDINAND WILLAERT (1861-1938), BELGIAN
BALLERINA WITH A NOTE FROM AN ADMIRER, 1952
COAST OF BRETAGNE
QUIET REFLECTIONS, GHENT
Oil on canvas; signed "Emile van Marcke" lower le!, titled to gallery label verso
Oil on canvas; signed lower le!
Oil on panel; signed "L. Grandgerard" and dated 52 lower right 25 x 19.5 in — 63.5 x 49.5 cm
22 x 32.5 in — 55.9 x 82.6 cm
Provenance: Private Collection, Toronto
Provenance: Odon Wagner Gallery, Toronto; Private Collection, Aurora, ON
$2,000—3,000
$3,000—4,000
51.5 x 39 in — 130.8 x 99.1 cm $5,000—8,000
718
719
720
LOUISE J. RAYNER (1829–1924), BRITISH
THOMAS GIRTIN (1775-1802), BRITISH
CASTLE STREET, SALISBURY CATHEDRAL
VIEW OF THE PANTHEON TAKEN FROM THE ARSENAL, 1802
WILLIAM LEE-HANKEY (1869-1952), BRITISH
Watercolour with gum arabic heightened with touches of bodycolour on thin watercolour board laid down on card support; signed lower right, titled "Salisbury" to the nameplate Sheet 22 x 15 in — 55.9 x 38.1 cm Provenance: See website for full catalogue details $8,000—12,000
MOTHER AND CHILD IN A FARMING FIELD
Ink and sepia wash on paper laid down to card; unsigned, titled erroneously "Banks of the Seine" (Seine scratched out) to gallery label verso backing, the backing variously inscribed in pencil by the collector
Oil on canvas; signed lower le!, signed in pen and ink "W. Lee Hankey" with the artist's address at "8 Lilyville" to the partial artist's label verso backing
Sheet 6 x 17.3 in — 15.2 x 44 cm
Provenance: Estate Collection, Kingston, ON
Provenance: See website for full catalogue details
19.5 x 15.25 in — 49.5 x 38.7 cm
$3,000—4,000
Exhibited: See website for full catalogue details $6,000—9,000
721
722
723
HENRY JOHN YEEND KING (1855-1924), BRITISH
SIR WILLIAM RUSSELL FLINT (1880-1969), SCOTTISH
WILLIAM LEE-HANKEY (1869-1952), BRITISH
AS FAIR AS THE FLOWERS
1ST NOTE FOR "BLONDE MINX -YOLANDE DONLAN" (STUDY FOR THE PAINTING)
FRENCH FARM GIRL WITH A BARROW
Oil on canvas; signed lower right, titled to an old typed label verso 36 x 28 in — 91.4 x 71.1 cm Provenance: Estate Collection, Brampton, ON $3,000—5,000
Red conte drawing on pink laid and watermarked paper; signed lower right, titled "1st Note for 'Blonde Minx' (Yolande Donlan)" along the bo"om edge. Unframed. Sheet/Image 8.75 x 12.5 in — 22.2 x 31.7 cm; 6 x 10.75 in — 15.2 x 27.3 cm Provenance: See website for full catalogue details $1,500—2,500
Oil on board; signed lower le! 30 x 24 in — 76.2 x 61 cm Provenance: Collection of Dr. and Mrs. J. Robert Nicholson, London, ON $4,000—6,000
724
725
726
GILBERT STUART NEWTON (1794-1835), CANADIAN/BRITISH
CHARLES COOPER HENDERSON (1803 -1877), BRITISH
WILLIAM LEE-HANKEY (1869-1952), BRITISH
THE IMPORTUNATE AUTHOR (ILLUSTRATING ACT 3, SCENE 2 OF MOLIÈRE'S "FEMMES SAVANTES"), 1822
PAIR OF LOUTH-LONDON ROYAL MAIL COACHING SCENES
PREPARING THE MEAL
Oil on canvas 24.75 x 20.5 in — 62.9 x 52.1 cm Provenance: See website for full catalogue details Exhibited: Retrospective Exhibit of American Painting, World's Columbian Exposition, Chicago, 1893, to partial label verso
Oils on canvas
Oil on canvas; signed lower right, titled to the nameplate
Each 12.5 x 23.5 in — 31.8 x 59.7 cm
25 x 24 in — 63.5 x 61 cm
Provenance: Arthur Ackermann & Son Ltd., London gallery labels verso
Provenance: Collection of Dr. and Mrs. J. Robert Nicholson, London, ON
$6,000—8,000
$4,000—6,000
$3,000—5,000
727
728
729
JOSE WEISS (1859-1919), BRITISH
HARRY FIDLER (1856-1935), BRITISH
TREES & HEATHER, CIRCA 1913
THE NEW FOREST, HAMPSHIRE
ALFRED AUGUSTUS GLENDENING SNR. (1840-1910), BRITISH
Oil on canvas; signed lower le!, titled and numbered "Trees & Heather, No. 1699" to the canvas verso, inscribed "Photographed in Jose Weiss' Album Nov. 14th, 1913, Book No. 5" in pen and ink to a label canvas verso
Oil on canvas; signed in red paint lower right, titled to the stretcher
Oil on canvas; signed lower le!
18 x 22 in — 45.7 x 55.9 cm
16 x 26 in — 40.6 x 66 cm
Provenance: Estate Collection, Kingston, ON
Provenance: The Cooling Galleries Ltd., London & Toronto
20 x 30 in — 50.8 x 76.2 cm Provenance: Estate Collection, Kingston, ON $1,200—1,800
$2,000—3,000
CHERTSEY (PUNTER ON RIVER)
$3,000—5,000
1 of 2
730
731
732
EDWARD SEAGO (1910-1974), BRITISH
SIR DAVID MURRAY (1849-1933), SCOTTISH
WALTER J. WATSON (1879-1979), BRITISH
THE ROAD TO THE FARM
IN A SUSSEX LANE, 1896
Oil on canvas; signed lower le!, titled to the stretcher
Oil on canvas; signed and dated 96 lower le!, signed, titled and numbered No. 1 to the artist's handwri"en label from Langham Chambers, London and inscribed by him "Property of Henry Arthur Blyth Esq." to the stretcher
CATTLE DRINKING IN THE LOWLANDS; SHEEP GRAZING ON A RIVERSIDE
20.1 x 25.7 in — 51 x 65.2 cm Provenance: Estate Collection, Kingston, ON $10,000—15,000
24 x 28 in — 61 x 71.1 cm Provenance: Henry Arthur Blyth Esq., UK; Private Collection, Toronto
Pair of oils on canvas; both signed lower right and lower le! respectively, the first title also dated 1919 lower right each 15.5 x 25.5 in — 39.4 x 64.8 cm Provenance: Spencer S.A., Fine Paintings, London labels to each verso $4,000—6,000
$4,000—6,000
1 of 2
733
734
735
ATTRIBUTED TO JOSEPH STANNARD (1797 -1830), BRITISH
WILLIAM LIONEL WYLLIE (1851-1931), BRITISH
JOHN CALLOW (1822–1878), BRITISH
UNLOADING THE CATCH
BUSY ESTUARY
Oil on canvas; traces of a signature? lower le!
Oil on canvas; signed lower le!
22.8 x 32 in — 58 x 81.3 cm Provenance: Antoine's Art Gallery, Montreal label verso; Private Collection, Lisle, ON $4,000—6,000
18 x 32.25 in — 45.7 x 81.9 cm
MAN O' WAR IN A BUSY CHANNEL; MEN BOARDING A FISHING BOAT IN A CHANNEL WITH MASTED SHIPS
Pair of oils on canvas; the first, signed "J. Callow" lower le!
Provenance: W. Sco" & Sons, Montreal label to the frame verso; Antoine's Art Gallery, Montreal label verso; Prominent Collection, Montreal
Each 12 x 24 in — 30.5 x 61 cm
$6,000—8,000
$3,000—4,000
Provenance: Robert Deveau Gallery, Toronto; From whom purchased by the present Private Collection, Toronto
736
737
738
ARTHUR JOHN BRISCOE (1873-1943), BRITISH
EDWARD SEAGO (1910-1974), BRITISH
ALFRED DE BREANSKI SNR. (1852-1928), BRITISH
THE MAIN DECK, 1927
Oil on canvas; signed and dated 27 lower right, titled and dated 1927 to an unidentified gallery label verso 26 x 40 in — 66 x 101.6 cm Provenance: Prominent Collection, Toronto $10,000—15,000
THE QUAYSIDE, HONFLEUR
Oil on masonite; signed lower le!, titled in pencil verso 18 x 24 in — 45.7 x 61 cm Provenance: Ex. Collection Mrs. Dorothy Phipps, Toronto; Gi!ed to her son, Toronto, circa 1989; By descent to the present Private Collection, Puslinch, ON
BRORA FALLS, SUTHERLAND
Oil on canvas; signed lower right, titled in pencil to the top selvage verso 20 x 30 in — 50.8 x 76.2 cm Provenance: By descent through the family, Lindsay, ON $2,000—3,000
$20,000—30,000
739
740
741
EDWARD SEAGO (1910-1974), BRITISH
ALFRED FONTVILLE DE BREANSKI JNR. (1877–1955), BRITISH
EDWARD SEAGO (1910-1974), BRITISH
THE WINDMILL, ZIERIKZEE
Oil on masonite; signed lower le! and titled faintly in pencil verso 12 x 15.75 in — 30.5 x 40.6 cm Provenance: Estate Collection, Toronto $7,000—9,000
MOEL HEBOG, N. WALES
Oil on canvas; signed lower right, signed and titled verso 28 x 42 in — 71.1 x 106.7 cm Provenance: Private Collection, Toronto by descent $4,000—6,000
CONWAY CASTLE - NORTH WALES, 1950
Oil on masonite; signed and dated 50 lower le!, titled verso 11.5 x 15.5 in — 29.2 x 39.4 cm Provenance: Estate Collection, Kingston, ON $7,000—9,000
742
743
744
BARBARA HEPWORTH (1903–1975), BRITISH
THÉODORE JACQUES RALLI (1852–1909), GREEK
AUGUST VON SIEGEN (1850-1910), GERMAN
INVOLUTE, 1946 [BH 470]
PRETTY WEAVER GIRL RESTING ON A STONE WALL
STREET MARKET IN CAIRO
Patinated and verdigris bronze; signed, numbered and dated "Barbara Hepworth 7/9 1946" and inscribed with the Morris Singer studio foundry stamp and dated again "M/S 1968" to the underside of the bronze. Conceived in 1946 and cast in 1968. Raised on a rosewood base. 7.7 x 9.1 in — 19.6 x 23.1 cm
Oil on canvas; signed "Ralli" lower le!
Oil on canvas laid down on masonite; signed "Aug. Siegen" lower right
22 x 18 in — 55.9 x 45.7 cm
38.75 x 56 in — 98.4 x 142.2 cm
Provenance: Prominent Collection, Montreal
Provenance: Estate Collection, Tiny, ON
$15,000—25,000
$5,000—7,000
Provenance: See website for full catalogue details $80,000—120,000
745
746
747
FRANCESCO BALLESIO (1880-1923), ITALIAN
MARIUS ALEXANDER JACQUES BAUER (1867-1932), DUTCH
JAN HONSA (1876-1937), CZECH
ORIENTALIST BEAUTY SEATED IN A COURTYARD
BOY OF BENARES
Watercolour; signed at Roma lower le! Sight 29 x 20 in — 73.7 x 50.8 cm $6,000—8,000
Oil on canvas; signed lower le!, titled "Benares ..." to partial gallery label to the stretcher 16 x 20.75 in — 40.6 x 52.7 cm Provenance: Kunsthandel E.J. van Wisselingh & Co., Amsterdam, Inventory No. 5396 gallery label verso; Collection Saint-Leonard, Quebec $7,000—9,000
SUMMER HILLSIDE WITH OLD TREE IN BLOSSOM
Oil on thin cardboard laid down on foamcore; signed lower right 6.9 x 9.1 in — 17.5 x 23 cm $700—900
748
749
750
MARINUS ADRIANUS KOEKKOEK (1807 -1870), DUTCH
ANTON MAUVE (1838–1888), DUTCH
JOZEF ISRAELS (1824-1911), DUTCH
SHEEP RETURNING AT SUNSET
THE HOUSE OF THE DOVES
Watercolour and ink on watercolour board; signed "A. Mauve f." lower right
Watercolour on paper; signed lower right and titled to the nameplate
TRAVELER ON A DONKEY WITH HIS SHEEP
Oil on canvas; signed indistinctly "W. Koekkoek" bo"om le! of centre 17 x 24.25 in — 43.2 x 61.6 cm Provenance: Collection Saint-Leonard, QC $3,000—4,000
Sheet 17.75 x 22.5 in — 45.1 x 57.2 cm Provenance: Plaza Art Galleries, Inc., Auctioneers and Appraisers, New York label verso; Collection Saint-Leonard, QC
Sheet 23 x 35 in — 58.4 x 88.9 cm Provenance: Private Collection, Meaford, ON $15,000—20,000
$3,000—5,000
751
752
753
JAN (JOHAN) HENDRIK WEISSENBRUCH (1824-1903), DUTCH
JACOB HENRICUS MARIS (1837-1899), DUTCH
BERNARD DE HOOG (1867-1943), DUTCH
FIGURES BY THE CANAL, 1894
TENDING THE CATCH, 1869
Oil on canvas; signed and dated '94 lower le!
Watercolour and ink on paper; signed "J. Maris f" and dated 1869 lower le!
22 x 16.5 in — 55.9 x 41.9 cm
Sheet 5.5 x 9 in — 14 x 22.9 cm
Provenance: W. Sco" & Sons, Montreal with them in 1920 as dated to the gallery label verso; Prominent Collection, Montreal
Provenance: Sir Edmund Walker Collection, Toronto; By descent to the present Private Collection
$5,000—7,000
$800—1,200
FRUGAL MEAL
Oil on canvas; signed lower right, titled to an unidentified gallery label verso 33.5 x 41 in — 85.1 x 104.1 cm Provenance: Unidentified old gallery label verso; Estate Collection, Kingston, ON $3,000—5,000
754
755
756
BERNARD DE HOOG (1867-1943), DUTCH
ERASMUS BERNHARD VAN DULMEN KRUMPELMAN (1897-1987), DUTCH
PIERRE FRANÇOIS BOUCHARD (1831-1889), FRENCH
BATHING GIRLS (W. JANTJE), CIRCA 1945
PRETTY MAID TOSSING SALAD
Oil on canvas; signed lower right. Unframed.
Oil on canvas; signed lower right
THE MORNING MEAL
Oil on canvas; signed lower right 20.25 x 18 in — 51.4 x 45.7 cm Provenance: Family Collection, Toronto; Gi!ed to the family by their uncle, Frederick Gardiner, Toronto, circa 1950s; By descent to the present Private Collection, Markham, ON
56.5 x 51.5 in — 143.5 x 130.8 cm Provenance: Private Collection, Calgary, AB $5,000—7,000
47 x 29.5 in — 119.4 x 74.9 cm Provenance: Estate Collection, Kingston, ON $4,000—6,000
$2,000—3,000
757
758
759
PAUL CÉSAR HELLEU (1859–1927), FRENCH
EDOUARD LÉON CORTÈS (1882-1969), FRENCH
LÉON RICHET (1847-1907), FRENCH
ELEGANT LADY WITH UPSWEPT RED HAIR SEATED IN A CHAIR
Pencil, sanguine and black and white chalk on wove paper; signed "Helleu" lower right Sheet 25.5 x 19.4 in — 64.8 x 49.3 cm Provenance: Private Collection, Westmount, QC $15,000—25,000
INTÉRIEUR FAMILIAL
Oil on canvas; signed "Ed. Cortès" lower le!, the centre stretcher stamped: "Ed. Cortes....", titled "Interieur Familial" in pencil to the center stretcher, the stretcher also inscribed indistinctly: "Toronto" in darker pencil and the canvas inscribed "Made in France" in black paint verso 25.7 x 19.8 in — 65.2 x 50.2 cm Provenance: See website for full catalogue details $4,000—5,000
FONTAINEBLEAU
Oil on canvas laid down on masonite; signed lower right 15.5 x 20.5 in — 39.4 x 52.1 cm Provenance: Estate Collection, Toronto $1,000—1,500
760
761
762
LÉON RICHET (1847-1907), FRENCH
BOUVARD (19TH/20TH CENTURY), FRENCH
MICHEL DELACROIX (1933- ), FRENCH
WOMAN OUTSIDE A COTTAGE ON A RIVER WITH SUNLIGHT BREAKING
VENETIAN BACKWATER
Oil on canvas; signed lower right
Oil on canvas; signed “BouvarD” lower le!
12.5 x 18 in — 31.8 x 45.7 cm
21 x 26 in — 53.3 x 66 cm
Provenance: Frederick W. Thom Limited, Toronto label verso; Estate Collection, Toronto
Provenance: Campbell McConnell, Toronto; By descent to the present Private Collection, Mississauga, ON
$1,500—2,000
$1,500—2,000
MATIN D'AVRIL CONCERT DONNE PAR LE 24 E TERRITORIAL D'INFANTERIE
Oil on canvas; signed lower le!, signed at Paris and titled "Matin d'Avril: Concert Donné par le 24e Territorial d'Infanterie" verso 23.6 x 28.7 in — 60 x 73 cm Provenance: Private Collection, Thornhill, ON $8,000—12,000
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763
764
765
JAN ALTINK (1885-1971), DUTCH
MICHEL KIKOÏNE (1892-1968), RUSSIAN/FRENCH
EUGÈNE BRANDS (1913-2002), DUTCH
LANDSCHAP GRONINGEN, 1951
Oil on canvas; signed and dated '51 lower right 19.75 x 23.6 in — 50.2 x 60 cm Provenance: Private Collection, Calgary, AB $5,000—7,000
CAGNES-SUR-MER (ROOFTOPS), CIRCA 1918
Oil on canvas on masonite board; signed “Kikoine” lower right, signed “Kikoine” in red paint verso and dated “circa 1918“ to label verso. 21.25 x 25.75 in — 54 x 65.4 cm Provenance: See website for full catalogue details $4,000—6,000
MEISJE MET PARKIETEN (GIRL WITH PARAKEETS), 1954
Oil on paper; signed and dated "9.54 Brands" lower le!; signed, titled and dated 17.9.1954 - I verso according to the inscription verso backing, also inscribed "September 1954/ A-382" to the backing Together with: "The Eye of The Painter", watercolour on a folded sheet presented as a greeting card from the artist. Sheet Sight/Greeting Card 16 x 12 in —40.6 x 30.5 cm; 7.8 x 8.8 in — 19.8 x 22.4 cm Provenance: Private Collection, Calgary, AB $2,000—3,000
765A
766
767
JAAP NANNINGA (1904-1962), DUTCH
YVARAL (JEAN-PIERRE VASARELY) (1934 -2002), FRENCH
HUGUES CLAUDE PISSARRO (1935-), FRENCH
CRISTALLISATION RVN, 1972
LE CHEMIN DU PAIN-DE-SUCRE, NORMANDIE
UNTITLED COMPOSITION
Oil on canvas; signed lower right 15.7 x 19.7 in — 40 x 50 cm Provenance: Private Collection, Calgary, AB $6,000—8,000
Acrylic on canvas; signed twice, titled, dated 1972 and numbered “No. 1241” verso 39.5 x 39.5 in — 100 x 100 cm Provenance: Inter-Continental Art Agency Ltd., Vancouver label verso; Private Collection, Vancouver, B.C. $7,000—10,000
Oil on canvas; signed lower le!, signed "H. Claude Pissarro (le petit-fils)" and titled in black marker verso. Accompanied by the artist's photo certificate certifying the work as titled, signed in pen and ink and signed with his thumb print, the certificate dated: "fait en Irlande 20 Mai, 1997" by the artist Claude H. Pissarro, Register No. 735 9070L, No. 322. 19.75 x 24 in — 50.2 x 61 cm Provenance: Estate Collection, ON $6,000—8,000
768
769
770
HUGUES CLAUDE PISSARRO (1935- ), FRENCH
EDOUARD LÉON CORTÈS (1882–1969), FRENCH
EDOUARD LÉON CORTÈS (1882–1969), FRENCH
"LE PEINTRE DE MARINES THIERY-LOIC BOUSSARD, SUR LE MOTIF, AU CABANON DU BORD-DES-SABLES"
NOTRE DAME, LES BOUQUINISTES
CHAMPS ÉLYSÉES, ARC DE TRIOMPHE
Colour pastel on thick paper; signed "H. Claude Pissarro" lower le!, titled in blue crayon verso
Oil on canvas; signed lower right. Accompanied by a Certificate of Authenticity from Herbert Arnot, Inc., Arnot Gallery, New York, Registration No. 6264.
Oil on canvas; signed lower right. Accompanied by a Certificate of Authenticity from Herbert Arnot, Inc., Arnot Gallery, New York, Registration No. 6160
Sheet 9.6 x 14.2 in — 24.3 x 36 cm
13 x 18 in — 33 x 45.7 cm
13 x 18 in — 33 x 45.7 cm
Provenance: Willed from a Private Collection to The Oratory of St. Philip Neri, Toronto
Provenance: See website for full catalogue details
Provenance: See website for full catalogue details
$15,000—20,000
$15,000—20,000
$2,000—3,000
771
772
773
VŨ CAO ĐÀM (1908-2000), VIETNAMESE/FRENCH
OSKAR KOKOSCHKA (1886-1980), AUSTRIAN
DIETZ EDZARD (1893-1963), GERMAN
HORSE WITH CHILD RIDER AND ATTENDANT, 1973
DELPHINEN, 1969
Oil on canvas; signed and dated 73 lower right 39.5 x 32 in — 100.3 x 81.3 cm Provenance: See website for full catalogue details $20,000—30,000
Watercolour on paper; signed and dated 69 in pencil lower right, titled and dated 1969 to gallery label verso. Accompanied by a photo certificate from Marlborough Fine Art (London), Photo 5516/F, No. XLOS 7276 21.7 x 25.6 in — 55 x 65 cm Provenance: See website for full catalogue details
AUTO PORTRAIT (SELF-PORTRAIT), 1915
Oil on board; signed lower right, titled, inscribed and dated “Auto Portrait/ sur carton/ 1915” verso 18 x 13.75 in — 46 x 35 cm Provenance: See website for full catalogue details $2,500—3,000
$50,000—70,000
774
775
776
DIETZ EDZARD (1893-1963), GERMAN
BÉLA PÁLLIK (1845-1908), HUNGARIAN
B. PRABHA (1933-2001), INDIAN
L’OPERA, PARIS, CIRCA 1943
THE HEAD OF A RAM, 1897
UNTITLED (YOUNG FISHER GIRL), 1962
Oil on canvas; titled and inscribed “Maurice Renaud/ L’Opera, Paris” lower le!, titled and dated circa 1943 to gallery label verso
Oil on canvas; signed and dated 1897 lower right
24 x 30 in — 61 x 76.2 cm
Provenance: See website for full catalogue details
Oil on masonite; signed and dated 62 to the mid-right edge, dated 1962 to the accompanying Authenticity Certificate from Sunil N. Badgelwar (the nephew of B. Vithal and executor of the B. Vithal Trust and B. Prabha Trust), the Certificate, signed and dated 10/01/2008 by Sunil. Also accompanied by a photo-certificate depicting Sunil N. Badgelwar holding the Authenticity Certificate as well as another colour photograph of the framed painting.
Provenance: See website for full catalogue details $4,000—6,000
31.5 x 25.5 in — 80 x 54.6 cm
Literature: See website for full catalogue details $2,500—3,500
45 x 18 in — 114.3 x 45.7 cm Provenance: See website for full catalogue details $20,000—25,000
777
778
779
AMAR NATH SEHGAL (1922-2007), INDIAN
MAQBOOL FIDA HUSAIN (1913-2011), INDIAN
EMILIO GRECO (1913-1995), ITALIAN
UPRISING
Welded iron with dark brown patination. Raised on a wooden base, titled "Uprising" to the artist's documents and to the original receipt accompanying the lot. The lot includes newspaper reviews for Sehgal's first showing in Canada, including "The O!awa Journal", Saturday, Sept. 13, 1975 and one from "Le Droit," O!awa, dated 12 September, 1975.
SINGLE HORSE, CIRCA 2000
Watercolour and ink on paper; signed lower right, titled and dated approximatley 2000 to the accompanying Authenticity Certificate signed by Shaffaat Husain, the artist's son, and dated 06/09/2012. Sheet 30 x 22 in — 76.3 x 55.9 cm
Provenance: See website for full catalogue details
Provenance: The artist's collection; From whom purchased by Dr. Harinder Singh Kanda, Mumbai and recently residing in Vancouver, Canada on 06/09/2012 directly from the son of M.F. Husain
$5,000—7,000
$25,000—35,000
Sculpture/Mounted 28 x 29 in — 71.1 x 73.7 cm; 30 x 30.5 in — 76.2 x 77.5 cm
780 JANIS FERDINANDS TIDEMANIS (1897-1964), LATVIAN BALLET DANCERS, 1955
Oil on masonite board; signed lower right 17.5 x 22.5 in — 44.5 x 57.2 cm Provenance: Commissioned by Skaidrite “O!y” Skujins, professional ballet dancer, Latvia and Toronto, accompanied by a black and white photograph dated February 1956 depicting “O!y” standing in front of the painting hanging in her home; By descent to her son, Toronto $2,000—3,000
PRIMAVERA (SPRING), 1961
Gilt and silvered bronze; signed “Greco I” in the cast to the tree trunk and titled to the gallery label affixed to the underside of the travertine base. Accompanied by Dominion Gallery’s Certificate of Authenticity dated August 6th, 1970. Bronze/Base 45.25 x 18 x 15 in — 114.9 x 45.7 x 38.1 cm; 2 x 10 x 10 in — 5.1 x 25.4 x 25.4 cm Provenance: See website for full catalogue details Literature: See website for full catalogue details $10,000—15,000
781
782
783
ABDUR RAHMAN CHUGHTAI (1897-1975), PAKISTANI
HENRI EPSTEIN (1892-1944), POLISH
NIKOLAI DMITRIYEVICH KUZNETSOV (1850-1929), RUSSIAN
BRIDAL DREAMS
Watercolour and pencil on thick paper; certified and titled by the artist’s son, Arif Chughtai, in pen and ink in 2019 in Lahore, Pakistan and stamped by the Chughtai Museum Trust, Lahore, Pakistan twice verso. Unframed. Sheet 12.75 x 10.8 in — 32.4 x 27.5 cm Provenance: Ex. Collection Chughtai Museum Trust, Lahore, Pakistan $10,000—15,000
"PAYSAGE"
Oil on canvas; signed lower right, titled "Paysage" to gallery label verso 21.25 x 28.75 in — 54 x 73 cm Provenance: Odon Wagner Gallery, Toronto, Inventory No. 8086; Private Collection, Toronto $7,000—9,000
PORTRAIT OF THE ARTIST'S WIFE, ANNA, 1904
Oil on canvas; signed and dated 1904 lower right. 30 x 23.75 in — 76.2 x 60.3 cm Provenance: Direct from the artist's family; By descent to the present Private Collection, a relative of the artist $8,000—12,000
Artist Index
A Altink, Jan (763) B Ballesio, Francesco (745) Bauer, Marius Alexander Jacques (746) Bertoia, Val (711) Bois, Guy Pene Du (714) Bouchard, Pierre François (756) Boulanger, Graciela Rodo (706) Bouvard (761) Brands, Eugène (765) Breanski, Alfred Fontville Jnr. de (740) Breanski, Alfred Snr. de (738) Briscoe, Arthur John (736) C Callow, John (735) Canas, Benjamin (701) Chughtai, Abdur Rahman (781) Cortès, Edouard Léon (758, 769, 770) D Delacroix, Michel (762) Đàm, Vu Cao (771) E Edzard, Dietz (773, 774) Epstein, Henri (782) F Fidler, Harry (728) Flint, Sir William Russell (722)
G Gallo, Frank (704, 710) Girtin, Thomas (719) Glendening, Alfred Augustus Snr. (729) Grandgerard, Lucien Henri (715) Greco, Emilio (779) H Helleu, Paul César (757) Henderson, Charles Cooper (725) Hepworth, Barbara (742) Honsa, Jan (747) Hoog, Bernard de (753, 754) Husain, Maqbool Fida (778) I Israels, Jozef (750) K Kikoïne, Michel (764) Koekkoek, Marinus Adrianus (748) Kokoschka, Oskar (772) Krumpelman, Erasmus Bernhard van Dulmen (755) Kuznetsov, Nikolai Dmitriyevich (783) L Lee-Hankey, William (720, 723, 726) Lewis, Henry (712) Lummen, Emile van Marcke de (716) M/N Maris, Jacob Henricus (752) Mauve, Anton (749) Murray, Sir David (731) Nanninga, Jaap (765a) Natkin, Robert (702, 705, 708) Newton, Gilbert Stuart (724)
O/P Oldenburg, Claes (703) P Pállik, Béla (775) Pissarro, Hugues Claude (767, 768) Prabha, B. (776) R Ralli, Théodore Jacques (743) Rayner, Louise J. (718) Richet, Léon (759, 760) S Seago, Edward (730, 737, 739, 741) Sehgal, Amar Nath (777) Siegen, August von (744) Stannard, Attributed to Joseph (733) Suvero, Mark di (707) T Teana, Francesco Marino Di (709) Tidemanis, Janis Ferdinands (780) W Walker, William Aiken (713) Watson, Walter J. (732) Weiss, Jose (727) Weissenbruch, Jan Hendrik (751) Willaert, Ferdinand (717) Wyllie, William Lionel (734) Y Yeend King, Henry John (721) Yvaral, (766)
Buying at Waddington’s All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or oral announcement. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any oral announcement or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s™ and the consignor (seller) of the lot. Descriptions or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale.
condition of lots
All of the items are to be considered, unless otherwise noted in the description or condition report, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should examine the pieces in person or have our staff answer any questions before bidding. Sizes are approximate. It is the sole responsibility of the bidder to inquire as to the condition of a lot before bidding. Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale. Frames on artwork are not included as part of purchase or condition.
buyers premium
A premium of 20% of the successful bid price of each lot. A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer’s premium, except for purchases exported from Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province.
payment
Payment for purchases must be by cash, INTERAC direct debit (CDN clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), VISA or Mastercard (up to $25,000). ALL PRICES IN CANADIAN FUNDS
Selling at Waddington’s bidding
The Auctioneer may also execute bids on behalf of the consignor to protect the reserve. The reserve is the confidential minimum price the seller is willing to accept for his or her property, below which it will not be sold.
shipping
waddington’s commission rates Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $251 to $2,500 20%
The Auctioneers will not undertake packing or shipping. The purchaser must designate and arrange for the services of an independent shipper and be responsible for all shipping, insurance expenses and any necessary export permits that may apply. The Auctioneers will, upon request, provide names of professional packers and shippers but will not be held responsible for the service or have any liability for providing this information. Reliable preauction estimates of shipping costs of lots offered in this sale may be obtained from:
Items selling for $250 or less 25%
PakShip
*There is a minimum handling charge of $20 per item
Envoy 416-299-3367 / 416-299-9750 ph@envoy.ca / www.envoypackandship.com
A 1% insurance charge, based on the hammer price of the property, will be applied to all accounts.
905-470-6874 / 905-470-6875 / 416-293-8225 taurus@pakship.ca / www.pakship.ca
removal of purchases
Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15). Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients.
cites
Restrictions exist regarding the import and export of species protected under CITES (Convention on International Trade in Endangered Species). This includes but is not limited to items made of or containing bone (whalebone etc.), ivory, tortoise shell, seal skin, rhinoceros horn and any other animal part and is strictly controlled or forbidden by most countries. Please review your country’s laws before bidding on pieces made of or containing these restricted items. It is the sole responsibility of the buyer to inquire about and obtain the proper permits for artwork purchased that may contain restricted materials, if such permit can be obtained. Please contact the department for further assistance. Failure to obtain necessary import/ export permits will not void any sale. All Narwhal Tusks must have a Marine Harvest Number or a Marine and Mammal Transport number to be sold at Waddington’s. For more information please visit: www.cites.org
*There is a minimum handling charge of $20 per item canadian art department commission rates Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $2,500 or less 20%
insurance
auction advice
For auction advice on paintings, drawings, prints, jewellery, and various forms of decorative arts and other collectibles, please feel free to contact us via email or telephone. We are pleased to review emails containing photographs and information on your pieces in order to provide auction estimates for you to consider. For collections with a variety of objects, please contact our Appraisals and Consignments department (consignments@waddingtons. ca). For department-specific inquiries, please contact the specialist and/or department directly. All contact information can be found at www.waddingtons.ca. Our offices are located in Toronto and Vancouver, but our specialists occasionally travel to major Canadian cities to meet with prospective consignors. To receive more information on Valuation Days across Canada or to arrange an appointment, please contact our Toronto office (416-504-9100). Please note that property typically arrives at Waddington’s at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items. Consignors will receive a contract to sign, setting forth terms and fees for our services.
Conditions of Sale 1. All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted or announced verbally in the auction room prior to the time of sale. While the auctioneer has endeavoured not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made. An opportunity for inspection of each article is offered prior to the time of sale. No sale will be set aside on account of lack of correspondence of the article with its description or its reproduction, if any, whether colour or black & white. Some lots are of an age and/or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others. Frames on artwork are not included as part of purchase or condition. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid, relying upon their own advisers, and to bid accordingly. 2. Each lot sold is subject to a 20% buyers premium as part of the purchase price. 3. Unless exempted by law, the buyer is required to pay Harmonized Sales Tax on the total purchase price including the buyer’s premium. For international buyers, taxes are not applicable when purchases are shipped out of country. Items shipped out of Ontario, the buyer is required to pay taxes as per the tax status of that province, whether it HST or GST (Goods and Services Tax).
6. Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in attendance at the sale. 7. The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The auctioneer’s decision in all cases shall be final. 8. Immediately after the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-offering the item for sale. 9. The buyer shall pay for all lots within 48 hours from the date of the sale, after which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale, after which storage charges may be incurred.
4. The auctioneer reserves the right to withdraw any lot from sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice.
10. Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away.
5. The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized.
11. Notwithstanding condition no. 1, if the buyer, prior to removal of a lot, makes arrangements satisfactory to the auctioneer for the inspection of such lot by a fully qualified person acceptable to the auctioneer to determine the genuineness or authenticity of the lot, to be carried out promptly following the sale of the lot, and if, but only if, within a period of 14
days following the sale a written opinion of such person is presented to the auctioneer to the effect that the lot is not genuine or authentic, accompanied by a written request by the buyer for rescission of the sale, then the sale of the lot will be rescinded and the sale price refunded to the buyer. 12. Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), and VISA or Mastercard (up to $25,000). 13. In the event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for: (a) any deficiency in price between the resale amount and the amount to have been paid by the original buyer; (b) any reasonable charge by the auctioneer for the storage of such articles until payment and removal by the subsequent buyer; and (c) the amount of commission which the auctioneer would have earned had payment been made in full by the original buyer. 14. It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them. 15. The auctioneer acts solely as agent for the consignor and makes no representation as to any attribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada). 16. The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.
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