Fine Prints & Photography Online Auction | Apr. 6 - 11, 2019 by waddingtons

Fine Prints & Photography APRIL 6 - 11, 2019

bid online at onlineauctions.waddingtons.ca all lots can be viewed online at www.waddingtons.ca on view Sunday, April 7 from 12:00 pm to 4:00 pm Monday, April 8 from 1:00 pm to 7:00 pm preview held at 275 King Street East, 2nd Floor Toronto, Ontario M5A 1K2

senior specialist Susan Robertson sr@waddingtons.ca 416-847-6179

client services Alec Kerr ak@waddingtons.ca 416-847-6186

fine art administrator Kristin Vance kv@waddingtons.ca 416-847-6178

Lot 17 DAVID HOCKNEY PICTURE OF A STILL LIFE THAT HAS AN ELABORATE SILVER FRAME (FROM A HOLLYWOOD COLLECTION), 1965

front inside cover Lot 98

ANDY WARHOL EDWARD KENNEDY (DELUXE EDITION), 1980

back inside cover Lot 8 HELEN FRANKENTHALER RADIUS, 1992-1993 (detail)

back cover Lot 86

tel: 416-504-9100

JOAN MIRÓ LA FEMME AU MIROIR, 1956

toll free: 1-877-504-5700

front cover

This auction is subject to the Conditions of Sale printed in the back of this catalogue.

DAVID HOCKNEY (1937-), BRITISH

PAUL JENKINS (1923-2012), AMERICAN

MICHAEL SNOW (1929), CANADIAN

THE OLDER RAPUNZEL (FROM SIX FAIRY TALES FROM THE BROTHERS GRIMM: “GRIMM ED. C.”), 1969 [SCOTTISH ARTS COUNCIL, 84; MUSEUM OF CONTEMPORARY ART, TOKYO, 81]

UNTITLED TRIPTYCH, 1987

A SCORE FOR SOPRANOS (FROM MUSIC GALLERY), 1982

Etching and aquatint on Hodgkinson handmade wove paper, watermarked "DH/PP"; signed in pencil to margin, inscribed: “Grimm Ed. C” and numbered “99/100"

Colour silkscreen on BFK Rives watermarked paper on three sheets (joined); signed, dated 1987 and numbered A.P. in pencil Overall 28.8 x 62 in — 73.2 x 157.5 cm $800—1,200

Black inked silkscreen; signed, dated ‘82 and numbered 37/40 in pencil to margin. With printed introductory page from the folio listing the artists and the title of the various prints included in the folio mounted to the verso backing. Sight 26.5 x 18 in — 67.3 x 45.7 cm

Plate/Sheet 9 x 10 in — 22.8 x 25.3 cm; 17.7 x 12.2 in — 45 x 31 cm

Provenance: Visit Waddingtons.ca for full provenance

$600—800

$1,500—2,500

JIM DINE (1935-), AMERICAN

CALLA LILIES, VERONA III, 1992

CALLA LILIES, VERONA II, 1992

CALLA LILIES, VERONA I, 1992

Colour woodcut, aquatint and drypoint with handcolouring in acrylic and charcoal; signed, dated 1992 and numbered 50/50 in pencil to margin. Co-published by Pace Editions, New York, and Waddington Graphics, London.

Sheet 31.75 x 24.75 in — 80.6 x 62.9 cm

Sheet 33.75 x 27 in — 85.7 x 68.6 cm

Provenance: Visit Waddingtons.ca for full provenance

$1,200—1,500

Colour woodcut, aquatint and drypoint with handcolouring on Hahnemuhle paper; signed, dated 1992 and numbered 50/50 in pencil to margin. Co-published by Pace Editions, New York, and Waddington Graphics, London. Sheet 31.3 x 26.5 in — 79.4 x 67.3 cm Provenance: Visit Waddingtons.ca for full provenance $1,200—1,500

PIERO DORAZIO (1927-2005), ITALIAN

HELEN FRANKENTHALER (1928-2011), AMERICAN

JOSEF ALBERS (1888-1976), GERMAN/AMERICAN

RADIUS, 1992-1993 [HARRISON, 234]

HOMMAGE AU CARRE, 1964 [DANILOWITZ, 160 (PLATE 6 OF 12)]

XXIX, 1970

Colour lithograph with Erker Press, St. Galen blindstamp to margin; signed, dated 1970 and numbered 42/80 in pencil to margin Image 34.25 x 24.5 in — 79.4 x 62.2 cm Provenance: Private Collection, Westmount, Quebec $300—500

Hand-dyed paper and woodcut, dyed with six colours and printed in nine colours from six blocks on white handmade pulp TGL paper. Block/Sheet 28.1 x 28.1 in — 71.4 x 71.4 cm Provenance: Collection of Dr. and Mrs. J. Robert Nicholson, London, ON Literature: Visit Waddingtons.ca for full literature $4,000—6,000

Colour silkscreen; signed with monogram initials, dated “A 64” and numbered 114/125 in pencil to margin. Printed by Atelier Arcay, Paris. Published by Editions Denise Rene, Paris. Image/Sheet 11 x 11 in — 27.9 x 27.9 cm; 19 x 15 in — 48.3 x 38.1 cm Provenance: The Isaacs Gallery, Toronto gallery label verso; Estate of Alison Hymas, Toronto $1,000—1,500

LOT WITHDRAWN

SALVADOR DALÍ (1904–1989), SPANISH

MICHAEL CHALLENGER (1938-), BRITISH

POIRE DON QUIXOTE (PEAR), FROM FLORDALI (LES FRUITS), 1969 [FIELD, 69-II. H]

IN THE ROOM WHERE THE BUTTERFLY IS KEPT, 1969

Photolithograph of an original gouache painted on printed illustrations and original engraving on BFK Rives watermarked paper; signed and numbered 33/200 in pencil to margin. Printed by Ateliers Rigal and Ma"hieu. Published by Werbungs-und Commerz Union Anstalt, Vaduz. Plate 22 x 14.2 in — 56 x 36 cm Provenance: Visit Waddingtons.ca for full provenance $1,000—1,500

Colour silkscreen; signed, dated 69 and numbered 19/75 in pencil to margin Image/Sheet 26 x 19.25 in — 66 x 48.9 cm; 30.2 x 22.5 in — 76.8 x 57.1 cm Provenance: With Isaacs Gallery, Toronto label verso; The Estate of Grant L. Reuber, Toronto $300—400

OSWALDO GUAYASAMIN (1919-1999), ECUADORIAN

MARISOL ESCOBAR (1930-2016), FRENCH/AMERICAN

OSWALDO GUAYASAMIN (1919-1999), ECUADORIAN

ROSTRO (FACE), (TWO WORKS)

SELF PORTRAIT, 1973 [SPARKS, 14]

ROSTRO (FACE)

Two colour lithographs on Guayasamin watermarked wove paper; the first, signed and numbered 129/175 in pencil to margin, the second, signed and numbered 51/175 in pencil to margin

Etching in black on white wove paper; signed, dated 1973 and numbered 10/15 in pencil to margin. Published by Universal Limited Art Editions.

Colour lithograph on Guayasamin watermarked wove paper; signed and numbered 26/175 in pencil to margin

Sight 22 x 17.5 in — 55.9 x 44.5 cm; 22 x 34 in — 55.9 x 86.4 cm Provenance: Galerie Rolland, Montreal gallery label to the first verso; Private Collection, Montreal

Plate/Sheet 23 x 17.5 in — 58.4 x 44.5 cm; 41 x 27.5 in — 104.1 x 69.9 cm Provenance: Visit Waddingtons.ca for full provenance $300—500

Image/Sheet sight 10.75 x 15 in — 27.3 x 38.1 cm; 13.5 x 17.75 in — 34.3 x 45.1 cm Provenance: Private Collection, Montreal $200—300

$500—700

BRIAN RICE (1936-), BRITISH

DAVID HOCKNEY (1937-), BRITISH

FRANK STELLA (1936-), AMERICAN

CHANGE, 1969

PICTURE OF A STILL LIFE THAT HAS AN ELABORATE SILVER FRAME (FROM A HOLLYWOOD COLLECTION), 1965 [SCOTTISH ARTS COUNCIL, 41; MUSEUM OF CONTEMPORARY ART, TOKYO, 41]

WOLFEBORO (FROM ECCENTRIC POLYGONS), 1974 [GEMINI G.E.L., 548; AXSOM, 98]

Colour silkscreen; signed, titled, dated '69 and numbered 16/125 in pencil to margin Image/Sheet 22 x 22 in — 55.9 x 55.9 cm; 30 x 30.75 in — 76.2 x 78.1 cm Provenance: With The Isaacs Gallery, Toronto label verso; The Estate of Grant L. Reuber, Toronto $200—300

Colour lithograph from two stones and five aluminum plates on mould-made Rives BFK paper encased in an acrylic box; signed, dated ‘65 and numbered 57/85 (total edition includes 17 proofs) in pencil on the image at the bo!om edge. Printed and published by Gemini G.E.L.

Colour lithograph and screenprint; signed, dated 74 and numbered 63/100 in pencil to margin (there were also 10 artist's proofs), titled and dated 1974 to gallery label verso. Published by Genimi G.E.L., Los Angeles. Image 20 x 12.5 in — 50.8 x 31.8 cm

Sheet 30.25 x 22.25 in — 76.8 x 56.5 cm

Provenance: Visit Waddingtons.ca for full provenance

$6,000—8,000

$3,000—5,000

MARC CHAGALL (1887-1985), RUSSIAN/FRENCH

ANDY WARHOL (1928–1987), AMERICAN

ERTÉ (1892-1990), RUSSIAN/FRENCH

THE PHILOSOPHY OF ANDY WARHOL (FROM A TO B & BACK AGAIN), 1ST EDITION, 1975

LOVERS & IDOL, 1980

LE REPOS, 1968 [MOURLOT, 555]

Colour lithograph; signed and numbered 19/50 in pencil to margin, titled and dated 1968 to gallery label verso.

Provenance: Arta Gallery, Jerusalem gallery label verso; A.M. Davis Collection stamp verso; Private Collection, Abbotsford, B.C.

Hardcover with dust jacket. Signed "Andy Warhol" in permanent marker to front dust jacket. Signed "AW" in black felt pen and inscribed with signature and a drawing of a Campbell's tomato soup can in black felt pen to the half-title page. Published by Harcourt Brace Jovanovich, New York & London. Includes specially made hardcover cloth slipcase with title and printed Campbell soup tins.

$4,000—6,000

9.5 x 6.5 x 1.75 in — 24.1 x 16.5 x 4.4 cm

Image/Sheet 10.8 x 18.1 in — 27.5 x 46 cm; 18.1 x 25.2 in — 46 x 64.1 cm

Colour silkscreen; signed and numbered 175/300 in pencil to margin Image 18.5 x 13 in — 47 x 33 cm Provenance: Private Collection, Toronto $800—1,200

Provenance: Visit Waddingtons.ca for full provenance $2,000—3,000

JOAN MIRÓ (1893-1983), SPANISH

LEE BONTECOU (1931-), AMERICAN

JOAN MIRÓ (1893–1983), SPANISH

L'OISEAU COMETE (COMET BIRD), 1951 [MOURLOT, 178]

TENTH STONE, 1968 [FIELD, 14]

LES REVOLUTIONS SCENIQUES DU XXE SIECLE - I, 1975 [CRAMER, 207; MOURLOT 1078]

Colour lithograph on Pur Fil du Marais watermarked wove paper; signed, dated 1951 and numbered 10/75 in pencil to margin. Published by Maeght, Paris. Sheet 30 x 22.25 in — 76.2 x 56.5 cm Provenance: Private Collection, Toronto $2,500—3,500

Lithograph in one colour; signed, dated 1968 and numbered 30-33 in pencil to margin. Printed and published by Universal Limited Art Editions, West Islip, New York. Sight 41 x 29 in — 104.1 x 73.7 cm Provenance: Private Collection, Westmount, Quebec $1,200—1,800

Colour lithograph; signed and numbered 13/80 in pencil to margin Sheet/Image 19.75 x 14 in — 50.2 x 35.6 cm; 12.4 x 9.75 in — 31.5 x 24.8 cm $1,000—1,500

BRUCE PARSONS (1937-), CANADIAN

LEONOR FINI (1908–1996), ARGENTINIAN/FRENCH

HOWARD HODGKIN (1932-2017), BRITISH

MODEL FOR THE PYRAMIDS, 1975

TRAPEZE ARTIST, 1970

Colour lithograph; signed, titled, dated 1975 and numbered 21/25 in the centre of the image in pencil

Colour lithograph; signed and numbered 34/175 in pencil to margin

19 x 26.5 in — 48.3 x 67.3 cm

Image/Sheet 21.9 x 15.2 in — 55.6 x 38.5 cm; 26.6 x 20.3 in — 67.5 x 51.5 cm

Provenance: The Estate of Grant L. Reuber, Toronto $100—200

Provenance: Private Collection, Ontario $500—700

IN AN EMPTY ROOM, 1991 [LIESBETH HEENK, 84]

Colour etching with carborundum printed in black and three shades of red with hand-colouring in ivory, black, cadmium yellow and green egg tempera by Jack Shirreﬀ, printed to the edges on Arches paper; signed with initials H.H., dated '91 and numbered 53/55 in pencil bo"om centre (there were also fi#een artist's proofs). Printed at 107 Workshop, Wiltshire. Published by Waddington Graphics, London. 47.75 x 58.75 in — 123.2 x 151.1 cm $5,000—7,000

PHILIP PEARLSTEIN (1924-) , AMERICAN

PHILIP PEARLSTEIN (1924-), AMERICAN

NUDE LYING ON BLACK AND RED BLANKET, 1974

MALE AND FEMALE NUDES ON SPANISH RUG, 1971

NUDE ON SILVER BENCH, 1972 [FIELD, 57]

Colour etching and aquatint; signed, titled, dated '74 and numbered 37/50 in pencil to margin

Etching and aquatint en grisaille; signed, titled, dated '71 and numbered 19/50 in pencil to margin

Plate 22.1 x 29.25 in — 56.2 x 74.3 cm

Plate 17.5 x 21.5 in — 44.5 x 54.6 cm

Provenance: Private Collection, Toronto

Provenance: With The Allen Gallery, Toronto framer's label verso; Private Collection, Toronto

$200—300

Colour aquatint and etching printed in metallic silver-blue and brown-black on Arches White Cover paper; signed, titled and numbered 49/75 in pencil to margin. Printed by Virginia Piersol, New York. Published by the artist, New York. Plate/Sheet 22 x 29.5 in — 55.9 x 74.9 cm; 29.5 x 37.5 in — 74.9 x 95.3 cm Provenance: Marianne Friedland, Toronto gallery label verso; Private Collection, Westmount, Quebec $500—700

ROBERT MOTHERWELL (1915-1991), AMERICAN

GENERAL IDEA (1968-1994), CANADIAN

VICTOR VASARELY (1906-1997), HUNGARIAN/FRENCH

UNTITLED (FROM THE BASQUE SUITE, PLATE 8), 1971 [BELKNAP, 57]

Colour screenprint on J.B. Green paper; signed in the plate upper le!; signed with initials and numbered 69/150 in pencil to margin. Printed by Kelpra Studio, London. Published by Marlborough Graphics, Inc., London. Sheet 22,2 x 17.4 in — 563.9 x 44.2 cm Provenance: Private Collection, Toronto $3,000—5,000

TSX “PAVILION FRAGMENTS” STUDIES (TWO PRINTS): URSA MAJOR AND TAURUS: PAVILLION FRAGMENTS FROM THE STARRY VAULT, 1983: THE FIRST: EAST WALL OF THE MAIN FLOOR ENTRANCE: URSA MAJOR DESCENDING

Two colour relief prints with gold foil; each titled in the plate, each signed “General Idea” and each dated with the month and year of execution, January 1983, in pencil to margin

GESTALT

Colour silkscreen; signed and numbered 100/125 in pencil to margin Image 18 x 18 in — 45.7 x 45.7 cm Provenance: The Estate of Grant L. Reuber, Toronto $500—700

Each sheet 22.75 x 31.5 in — 57.8 x 80 cm Provenance: Visit Waddingtons.ca for full provenance $600—800

BERNARD BUFFET (1928-1999), FRENCH

UNIDENTIFIED (21ST CENTURY)

THÉO TOBIASSE (1927-2012), ISRAELI/FRENCH

PIPO (FROM MON CIRQUE), 1968 [SORLIER, 149]

MEETING AT NIGHT, 1980

ONE PLATE (FROM THE QUEEN ESTHER SUITE)

Colour lithograph; signed in black ballpoint pen and numbered 64/120 in pencil to margin. Published by Fernand Mourlot, Paris. Image 27 x 18.25 in — 68.6 x 46.4 cm Provenance: Private Collection, Westmount, Quebec $1,000—1,500

Colour lithograph; signed indistinctly, titled, dated 1980 and numbered "State Proof 4" in pencil to margin

Colour lithograph; signed and numbered 18/175 in pencil to margin

Image/Sheet 24 x 35.75 in — 61 x 90.8 cm; 29.5 x 41 in — 74.9 x 104.1 cm

Image/Sheet 25.5 x 19.25 in — 64.8 x 48.9 cm; 27.8 x 21.1 in — 70.5 x 53.5 cm

$400—600

Provenance: Private Collection, Toronto $600—800

EDWARD JOHN BARTRAM (1938-), CANADIAN

GERRY DEITER (1934-2005), AMERICAN

HENRI CARTIER-BRESSON (1908–2004), FRENCH

BENEATH THE SURFACE #1, 1983

Colour photo-etching and aquatint; signed, titled, dated /83 and numbered 24/25 in pencil to margin. Titled and annotated "edition of 25" to gallery label verso. Plate 28.25 x 22.75 in — 71.8 x 57.8 cm

JOHN LENNON & YOKO ONO AT THEIR MONTREAL BED-IN FOR PEACE (FROM BED-IN FOR PEACE, MONTREAL, JUNE 1, 1969), PRINTED IN 2009

Digital chromogenic print; titled, dated 1969, numbered 1 of 100, signed by Joan Athey and printed in 2009 to gallery label verso

Provenance: Mira Godard Gallery, Toronto gallery label verso; Private Collection, Toronto

11 x 14 in — 27.9 x 35.6 cm

$500—700

$600—800

Provenance: Visit Waddingtons.ca for full provenance

CÓRDOBA, SPAIN, 1933, PRINTED LATER

Gelatin silver print on baryta paper; signed in black pen and ink to margin, blue credit stamp "Henri Cartier-Bresson / (2) Photograph must not be altered by trimming" verso. Printed circa 1980s. Unframed. Image/Sheet 14.4 x 9.8 in — 36.5 x 24.8 cm; 17.9 x 13.9 in — 45.5 x 35.3 cm Note: Visit Waddingtons.ca for full catalogue details $5,000—7,000

BOB CARLOS CLARKE (1950-2006), IRISH

WILLIAM EGGLESTON (1939-), AMERICAN

SABALIER, 1991

WILLIAM FAULKNER'S HOUSE, 1982

Toned vintage gelatin silver print; signed, titled, dated 1991 and numbered 1/6 verso. The edition also included 2 artist proofs.

Chromogenic print on Kodak stamped paper; signed in blue pen and ink verso. Unframed.

TENNESSEE (GULF SIGN), FROM "SOUTHERN SUITE" , 1972

Image 25.9 x 37.5 in — 65.7 x 95.3 cm

Image/Sheet 8.25 x 12.25 in — 21 x 31.1 cm; 11 x 14 in — 27.9 x 35.6 cm

Provenance: Hamiltons Gallery, London, UK, 1992; With The Workshop, Vancouver, B.C. label verso; Private Collection, Vancouver; A.M. David Collection, Abbotsford, B.C. stamp and label verso $1,200—1,800

Provenance: The Estate of Francis Gassner, Germany; The David Lusk Gallery, Memphis, Tennessee; From whom purchased by the Egglestons, a Private Collection in Europe; Prominent Gallery, Europe $5,000—7,000

Chromogenic print on Kodak paper; signed in blue pen and ink verso. Unframed. Image/Sheet 8 x 12 in — 20.3 x 30.5 cm; 10.75 x 13.75 in — 27.3 x 34.9 cm Provenance: Visit Waddingtons.ca for full provenance Literature: Visit Waddingtons.ca for full literature $7,000—9,000

JULIO LE PARC (1928-), ARGENTINIAN/FRENCH

HENRY MOORE (1898-1986), BRITISH

ROBERT INDIANA (1928-2018), AMERICAN

TWO RECLINING FIGURES IN YELLOW AND GREEN (FROM MEDITATION ON THE EFFIGY), 1967, [CRAMER, 74]

POSTER: INDIANAPOLIS MUSEUM OF ART INAUGURAL EXHIBITIONS, 25 OCTOBER 1970

Colour lithograph, signed and dated 67 in reverse in the plate lower right; signed, dated 67 and numbered 26/50 in pencil to margin. Printed by J.E. Wolfensberger. Published by Marlborough Fine Art, London. Contained in a plexi-box frame.

Colour silkscreen; signed in yellow pencil bo!om right. Printed in West Germany by Domberger K.G. Published by The American Poster Company.

Image/Sheet 13.2 x 11.7 in — 33.5 x 29.7 cm; 30.9 x 22 in — 78.5 x 56 cm

$500—700

16 COULEURS, MID-1970'S

Colour silkscreen on Denise Rene Editeur, Paris blindstamped paper printed to the edges, mounted on a silvered backboard; signed and numbered 26/200 in pencil on the image near the bo!om Sheet 39.4 x 25.6 in — 100 x 65 cm Provenance: Beaux Arts Internationale, Willowdale, Ontario label verso; Private Collection, Toronto $1,000—1,500

Sheet 34.5 x 24.5 in — 87.6 x 62.2 cm

Provenance: Private Collection, Toronto $800—1,200

HENRY MOORE (1898-1986), BRITISH

BANKSY (1974-), BRITISH

MARC CHAGALL (1887-1985), RUSSIAN/FRENCH

EIGHT RECLINING FIGURES II, PLATE 10 (FROM MEDITATIONS ON THE EFFIGY), 1967 [CRAMER, 75]

Colour lithograph on Japon nacre paper, signed and dated 67 in reverse in the plate, lower right; signed, dated /67 and numbered 44/50 in pencil to margin.

SAVE OR DELETE (GREENPEACE), 2002

Colour oﬀset lithograph on recycled paper. Together with one loose sheet containing eight stickers. Unframed. Sheet/Stickers Sheet 16.5 x 23.2 in — 42 x 59 cm; 11.6 x 8 in — 29.5 x 20.4 cm

Image/Sheet 12 x 9.25 in — 30.5 x 23.5 cm; 30.4 x 22.4 in — 77.2 x 57 cm

Provenance: Private Collection, Ireland

$800—1,200

$700—900

ECUYÈRE AU BOUQUET (PL.15 FROM CHAGALL LITHOGRAPHE, VOL. II, 1957 -1962), 1963 [MOURLOT, 404; CRAMER, 56]

Colour lithograph on Arches; signed and numbered 21/40 in pencil to margin. An artist proof aside from the edition of 150. Printed by Fernand Mourlot. Published by André Sauret Éditeur, Paris. Sheet 18.25 x 12.75 in — 46.4 x 32.4 cm Provenance: Private Collection, Ontario $4,000—6,000

49 ANDY WARHOL (1928-1987), AMERICAN

50 LOT WITHDRAWN

CAMPBELL'S SOUP CAN (TOMATO), 1966 [FELDMAN & SCHELLMANN, II, 4A]

51 KAREL APPEL (1921-2006), DUTCH L'HOMME SOURIANT, 1969

Colour lithograph; signed, dated ‘69 and numbered “épreuve d’artiste” in pencil to margin (aside from the edition of 75)

Colour silkscreen on paper shopping bag made by “Guild Paper Products Co., N.Y” stamp verso, from the edition of an unknown size. Published by the Institute of Contemporary Art, Boston for the exhibition, October 1966.

Image 25.5 x 19.75 in — 64.8 x 50.2 cm Provenance: The Estate of Grant L. Reuber, Toronto

16.5 x 9.4 in — 41.9 x 23.9 cm

$500—700

Provenance: Private Collection, Shelburne, Ontario $1,000—1,500

KAREL APPEL (1921-2006), DUTCH

KAREL APPEL (1921–2006), DUTCH

VISAGE, 1969

APPEL CIRCUS, 1978

WITH JUSTICE FOR ALL, 1976

Colour lithograph on cream wove paper; signed, dated 69 and numbered 12/75 in pencil to margin

Colour silkscreen; signed, dated 78 and numbered 23/200 in pencil on the image at the bo!om

Colour lithograph; signed, dated 76 and numbered 91/99 in pencil to margin

Image 19.5 x 25.25 in — 49.5 x 64.1 cm

33.5 x 24 in — 85.1 x 61 cm

Provenance: Private Collection, Toronto

$700—900

$300—500

Image 14.6 x 18.7 in — 37 x 47.6 cm Provenance: Beaux Arts Internationale, Willowdale, Ontario gallery stamp verso backing; Private Collection, Toronto $600—800

ANDERS ZORN (1860-1920), SWEDISH

ANTONI CLAVÉ (1913-2005), SPANISH

"VALKULLANS SONDAG" (VALKULLA), 1912 [ASPLUND, 251- II/II]

FEUILLE BANDE BLEUE, 1963 [PASSERON, 83]

ROI, 1959 [PASSERON, 72]

Etching and drypoint on cream laid paper, signed with monogram and dated 1912 in the plate lower le", signed in pencil to margin, titled and numbered "State II/II" to gallery label verso

Colour lithograph; signed and numbered 5/99 in pencil to margin. Published by L'Oeuvre Gravée, Paris.

Plate 11.7 x 7.6 in — 29.8 x 19.4 cm

Provenance: Private Collection, Toronto

Provenance: Visit Waddingtons.ca for full provenance

Image 27 x 17.75 in — 68.6 x 45.1 cm

$600—800

$800—1,000

Colour lithograph; signed and numbered E.A. in white crayon on the bo!om edge of the image. An Artist's Proof aside from the edition of 100 with the shape upper le" printed in red Image 20.5 x 27.5 in — 52.1 x 69.9 cm Provenance: Private Collection, Westmount, Quebec $700—900

ANTONI CLAVÉ (1913-2005), SPANISH

EUGÈNE GRASSET (1841-1917), FRENCH

LAURÉAT MAROIS (1949-), CANADIAN

POINT VERT, 1972 [PASSERON, 279]

INQUIÉTUDE (ONE PLATE FROM "DIX ESTAMPES DECORATIVES" SERIES OF 10 PRINTS), CIRCA 1900 [ARWAS, 38]

VISION HABITEE, 1981

Colour etching, aquatint with carborundum and embossing; signed and numbered 60/75 in pencil to margin. Published by Vision Nouvelles, Paris. Sheet 30 x 22.25 in — 76.2 x 56.5 cm Provenance: Private Collection, Toronto $600—800

Colour lithograph; signed with initial monogram in the plate lower le!, signed in pencil to lower right margin

Colour silkscreen; signed, titled, dated 81 and numbered 7/45 in pencil to margin 29.5 x 38 in — 74.9 x 96.5 cm

Provenance: Private Collection, Westmount, Quebec

Provenance: Gallery Pascal, Toronto gallery label verso; Unidentified typed label verso inscribed "(Art from Toronto oﬃce 90.05.28)"; Private Collection, Ontario

$1,200—1,500

$1,000—1,500

Image 14 x 35.25 in — 35.6 x 89.5 cm

JAMES COIGNARD (1925-2008), FRENCH

JACK HENRY POLLOCK (1930-1992), CANADIAN

JAMES COIGNARD (1925-2008), FRENCH

ROUGE BLEU ROUGE, 1976

Mixed-media colour etching and carborundum printed to the edges; signed and numbered 18/60 in pencil on the image along the bo#om edge, titled "Rouge Blue Rouge" to label verso Sheet 18 x 23 in — 45.7 x 58.4 cm Provenance: Private Collection, Toronto $300—500

ACTUALITE (SIZLEBENT ACTUALITE?), 1971

Colour block printed monoprint; signed, titled indistinctly and dated 71 in pencil to margin; inscribed with title "Actualite" and inscribed "monoprint" to two typed labels verso backing Block 15.7 x 11.8 in — 40 x 30 cm Provenance: Private Collection, Toronto

L'HOMME BRUN, 1979

Mixed-media colour etching and carborundum printed to the edges; signed and numbered 54/75 in pencil on the image at the bo#om edge, titled and dated to gallery label verso Sheet 20 x 26 in — 50.8 x 66 cm Provenance: Private Collection, Toronto $300—500

$200—300

MAX ERNST (1891-1976), GERMAN

ROSS BLECKNER (1949-), AMERICAN

PABLO PICASSO (1881–1973), SPANISH LA DANSE DES FAUNES, 1957 [BLOCH, 830; MOURLOT, 291; REUßE, 698]

BONJOUR, 1966 [SPIES/LEPPIEN, 109B]

HOPE IN AIDS, 1996

Colour etching and so! ground etching on Arches; signed and numbered 74/99 in pencil to margin; titled, dated 1966 and inscribed with the catalogue number S109B in pencil verso

Colour lithograph; signed, dated ‘96 and numbered 52/300 in pencil to margin

Plate/Sheet 16.3 x 12.6 in — 41.3 x 32 cm; 26.2 x 19.7 in — 66.5 x 50 cm

Provenance: Prominent Collection, Montreal, Quebec

Provenance: Private Collection, Ontario

$1,200—1,800

$800—1,200

Image 37 x 31.5 in — 94 x 80 cm

Lithograph printed in black ink on Arches wove paper with a tan background; dated and inscribed "24.5.67 Dimanche" in reverse in the plate upper right, signed "Picasso" in blue colour pencil, his signature underlined with a blue and a red colour pencil underscore lower right margin, numbered 108/200 in pencil to the lower le! margin. From the deluxe edition (aside from the regular edition of 1000). 16 x 20.5 in — 40.6 x 52.1 cm Provenance: Private Collection, Toronto $4,000—6,000

PABLO PICASSO (1881–1973), SPANISH

CHARLES BRAGG (1931-2017), AMERICAN

FROM SUITE 347, PLATE 163, 1968 [BLOCH, 163; BAER 1659]

SELF PORTRAIT WITH MODELS; JOB (TWO WORKS)

Etching, dated "I/19.6.68" in the plate, in reverse, upper le!; signed and numbered 45/50 in pencil to margin. Published by Galerie Louise Leiris.

Two prints: the first, a colour lithograph; signed, titled and numbered 50/300 in pencil to margin; the second, a sepia etching; signed, titled and numbered XVIII/LXXV in pencil to margin

Plate/Sheet 8 x 5.75 in — 20.3 x 14.6 cm; 13.6 x 11.1 in — 34.5 x 28.2 cm Provenance: Estate Collection, Waterloo, Ontario $4,000—6,000

69 LOT WITHDRAWN

Image/Plate 9.75 x 17 in — 24.8 x 43.2 cm; 5 x 4 in — 12.7 x 10.2 cm Provenance: Private Collection, Toronto $400—600

JARMILA KAVENA (21ST CENTURY), CZECH/CANADIAN

ALBERTO GIACOMETTI (1901-1966), SWISS

WALTER DARBY BANNARD (1934--2016), AMERICAN

UNTITLED, 2002

Etching and mixed-media; signed, dated 2002 and numbered 1/2 in pencil to margin Sheet 19.4 x 29.4 in — 49.2 x 74.8 cm Provenance: Private Collection, Montreal $200—300

NU AUX FLEURS, 1960 [LUST, 32]

Lithograph; signed and numbered “H.C.” (hors de commerce) in pencil to margin. Aside from the edition of 90 published by Maeght, Paris. With gallery certificate, dated "7 Juin 1980" a"ached to the verso backing. 14.5 x 11 in — 36.8 x 27.9 cm Provenance: Paul Proute Estampes-Dessins, Paris with their certificate dated June 7, 1980 a"ached to the verso backing; The Estate of Grant L. Reuber, Toronto $5,000—7,000

SKYWAYS (FOLIO OF SIX), 1969

Six colour silkscreens and mixed-media prints on falpaco; each tipped onto a white support board, each backboard inscribed with plate numbers: #I- #VI to small white labels verso. Published by HKL, Ltd., Boston and New York. Image/Sheet 10 x 15 in — 25.4 x 38.1 cm; 14.5 x 19.25 in — 36.8 x 48.9 cm $300—500

TOMOE YOKOI (1942/43), JAPANESE

EDWARD WESTON (1886-1958), AMERICAN

BOWL & CLOTH (RED)

DUNES, OCEANO, 1936

PEPPER 5P, 1929

Colour mezzotint on paper; signed and numbered 18/95 in pencil to margin, titled "Bowl & Cloth (Red)" to the Certificate of Authenticity a!ached to the backboard verso

Gelatin silver print flush mounted to a card support, the support with Edward Weston credit stamp, printed by Cole Weston and signed by him in pencil to the credited stamps verso; signed, titled and numbered '3750' by Cole Weston in pencil on the reverse of the mount

Gelatin silver print flush mounted to a card support, the support with Edward Weston credit stamp, printed by Cole Weston and signed by him in pencil to the credited stamps verso, titled "Pepper," dated "1929" and inscribed "5P" by Cole Weston in pencil on the mount verso at the top edge

Plate 6.8 x 11.2 in — 17.2 x 28.5 cm Provenance: Park West Galleries Inc., Southfield, MI, Registration. No. 40596.000, with their Certificate of Authenticity a!ached to the verso; Estate Collection, Toronto; By descent to the present Private Collection, Toronto $400—600

Sheet (photo)/Mounted 8 x 10 in — 20.3 x 25.4 cm; 13.2 x 15 in — 33.5 x 38 cm Provenance: Private Collection, Palgrave, Ontario, purchased by the consignor’s husband; By descent $4,000—6,000

RICHARD HARRINGTON (1911–2005) , CANADIAN

ADOLPHO FARSARI (1841-1898), ITALIAN

PADLEI, NWT, 1950 (MOTHER AND CHILD WRAPPED IN FURS)

Gelatin silver print; signed, titled "Padlei, NWT" and dated 1950 in pen and ink to margin Image 13.75 x 17.7 in — 34.9 x 45 cm Provenance: Private Collection, Toronto, Ontario $1,000—1,500

LACQUER ALBUM WITH 50 ALBUMEN PRINTS, CIRCA 1885

Fi!y hand-tinted albumen prints of Japanese landscapes, studio vigne"es, street scenes and portraits taken in various cities Each sheet; photos various sizes 13.5 x 10.5 in — 34.3 x 26.7 cm Provenance: Private Collection, Ontario $1,500—2,500

Sheet (photo)/Mounted 8 x 9.4 in — 18.8 x 23.8 cm; 13.2 x 15 in — 33.5 x 38 cm Provenance: See Waddingtons.ca for full provenance $4,000—6,000

EDWARD BURTYNSKY (1955-), CANADIAN

LARRY RIVERS (1923- 2002), AMERICAN

ENRICO BAJ (1924-2004), ITALIAN

THE ROYAL ALEXANDER THEATRE, AUGUST 2007 (A COMMISSIONED PHOTOGRAPH TO CELEBRATE THE 100TH ANNIVERSARY OF THE THEATRE)

THOSE WHO FIRE, THOSE WHO RUN (FROM THE BOSTON MASSACRE PORTFOLIO), 1970

TOP SECRET (FROM BAJ CHEZ BAJ), 1972 [PETIT, 383]

Chromogenic print (c-print); mounted; signed by the artist and David Mirvish in pencil to the title plate mounted in the margin. Commissioned by Cawthra Mulock and designed by John Lyle. Published by the Royal Alexandra Theatre, December 2008.

Colour screenprint with collage and embossing; signed and numbered 52/150 in pencil on the image lower right. Published by Marlborough Graphics, New York. 19 x 27 in — 48.3 x 68.6 cm

Sight 10 x 13.5 in — 25.4 x 34.3 cm

Provenance: Private Collection, Toronto

Provenance: Visit Waddingtons.ca for full provenance

$200—300

Colour silkscreen and mixed-media with felt powder and gli!er; signed and numbered 104/250 in pencil to margin Image/Sheet 29.5 x 23.25 in — 74.9 x 59.1 cm; 39.4 x 27.6 in — 100 x 70 cm Provenance: Private Collection, Toronto $500—700

$1,500—2,500

BARBARA HALL (1966-), CANADIAN

NOBUYOSHI ARAKI (1940-), JAPANESE

JOHN HOWLIN (1941-2006)

FORK AND TREES, 1973

UNTITLED (BLONDE IN BONDAGE)

ENTRY LINE #14; ENTRY LINE #7A, 1971

Colour lithograph; signed, dated '73 and numbered 2/20 in pencil to margin. Unframed.

C-print on paper mounted behind an acrylic sheet; signed in black ink verso

Two colour silkscreens; each signed, titled and dated ‘71 in pencil to margins. Unframed. Sheets 29 ins x 22.5 ins; 73.7 cms x 57.2 cms

Sheet 21.75 x 24.25 in — 55.2 x 61.6 cm Provenance: Private Collection, Ontario $200—300

Image/Sheet 20.6 x 15.7 in — 52.3 x 40 cm; 23.9 x 20 in — 60.8 x 50.7 cm Provenance: Private Collection, Germany, purchased directly from the artist; Prominent Gallery, Europe $1,500—2,000

Provenance: Private Collection, Toronto $200–400

CHRISTO (1935- ) AND JEANNE-CLAUDE (1935-2009), AMERICAN

JENNIFER JOAN DICKSON (1936 - ), CANADIAN

JOAN MIRÓ (1893–1983), SPANISH

THE GATES (PROJECT FOR CENTRAL PARK, NEW YORK CITY AFTER A PHOTOGRAPH BY WOLFGANG VOLZ), 1979-2005

EVEN THOUGH IT RAINS SOMETIMES, THE WEATHER IS VERY CLEAR, 1970

Colour oﬀset lithograph; titled and dated 1979-2005 with the photographer credit, publisher and inscription "Proceeds to benefit Nuture New York's Nature Inc. and the Arts, Central Park and other New York City Parks" in the plate along the bo"om edge, signed "Christo et Jeanne-Claude" in black lower le#.

Hand-tinted photo-etching; signed, titled, dated '70 and numbered 3/40 in pencil to margin Sight 27.5 x 20.25 in — 69.9 x 51.4 cm Provenance: Private Collection, Toronto $300—500

Sheet 30 x 20 in — 76.2 x 50.8 cm

LA FEMME AU MIROIR, 1956, [MOURLOT, 242]

Colour lithograph on BFK Rives watermarked wove paper; signed and numbered 133/150 in pencil to margin. Printed in 1957 by Mourlot. Published by Maeght Éditeur, Paris . Image/Sheet 15 x 21.9 in — 38.1 x 55.7 cm; 15.2 x 22 in — 38.7 x 56 cm Provenance: Private Collection, Toronto $20,000—30,000

Visit Waddingtons.ca for full provenance $300—400

HOWARD HODGKIN (1932-2017), BRITISH

JACQUES HNIZDOVSKY (1915-1985), UKRAINIAN/AMERICAN

MARC CHAGALL (1887-1989), RUSSIAN/FRENCH

SLEEPING CAT, 1970 [TAHIR, 92]

THE THREE ACROBATS, 1956 [MOURLOT, 169]

VENICE, AFTERNOON (FROM VENETIAN VIEWS), 1995 [LIESBETH HEENK, 94]

Li!-ground colour etching and aquatint with carborundum on sixteen sheets of torn Velin Arches 300 gsm paper with additional handcolouring; signed with initials H.H., dated 1995 and numbered 3/60 in pencil to the bo"om le! sheet, second from the le!. Overall Image 64 x 78 in — 121.9 x 149.9 cm Provenance: Collection of Dr. and Mrs. J. Robert Nicholson, London, ON $10,000—15,000

Woodcut on Japon paper; signed, titled, dated 1970 and inscribed “trial proof” in pencil to margin. Rare artist's trial proof aside from the edition of 250. Published by Associated American Artists. Unframed. Image/Sheet 9 x 10.75 in — 22.9 x 27.3 cm; 12.5 x 13.25 in — 31.8 x 33.7 cm Provenance: Private Collection, Toronto $300—500

Colour lithograph on Arches wove paper; signed and numbered 39/75 in pencil to margin, titled and dated 1956 to label verso. Printed by Mourlot, Paris Sheet 26 x 19.75 in — 66 x 50.2 cm Provenance: Private Collection, Toronto $7,000—10,000

PATRICK CAULFIELD (1936-2005), BRITISH

SCOTT CONARROE (1974- ), CANADIAN

GLAZED EARTHENWARE, 1976 [CRISTEA, 51]

CHINA TOWN STATION, VANCOUVER, 2003

Colour silkscreen on wove paper; signed and numbered 55/76 in pencil to margin (there were also 15 proofs). Printed by Kelpra Studio, London with their ink stamp and number "8329" stamped verso. Published by Leslie Waddington Prints, London, UK.

Image/Sheet 21.25 x 29.75 in — 54 x 75.6 cm; 30.3 x 39 in — 77 x 99 cm Provenance: The Estate of Grant L. Reuber, Toronto $2,500—3,500

Sheet/Mounted 18 x 20.75 in — 45.7 x 52.7 cm; 20 x 24 in — 50.8 x 61 cm Provenance: Stephen Bulger Gallery, Toronto gallery label verso; Private Collection, Toronto $400—600

DARTMOUTH SHORELINE, HALIFAX, 2004

Chromogenic print mounted to an archival board; signed, titled, dated and numbered edition 1 of 10 in pencil on the mount verso, also titled, dated 2004 (printed in 2005) and numbered "Edition 1 of 10" to gallery label verso. Sheet/Mounted 17.1 x 21.1 in — 43.4 x 53.6 cm; 20 x 24 in — 50.8 x 61 cm Provenance: Stephen Bulger Gallery, Toronto gallery label verso; Private Collection, Toronto $400—600

SCOTT CONARROE (1974- ), CANADIAN

PETER MACCALLUM (1947- ), CANADIAN

AUTUMN PARKING LOT, VANCOUVER, 2003

NEAR BRIGHTON PARK, 2003

FOUR VIEWS (FROM JACOBS HARDWARE, QUEEN STREET WEST: TORONTO, PORTFOLIO OF 15)

Chromogenic print mounted to an archival board; signed, titled, dated and numbered edition 1 of 10 in pencil on the mount verso, also titled, dated 2003 (printed in 2005) and numbered "Edition 1 of 10" to gallery label verso. Sheet/Mounted 17 x 20.75 in — 43.2 x 52.7 cm; 20 x 24 in — 50.8 x 61 cm Provenance: Stephen Bulger Gallery, Toronto gallery label verso; Private Collection, Toronto $400—600

Chromogenic print mounted to an archival board; signed, titled, dated and numbered edition 1 of 10 in pencil on the mount verso, also titled, dated 2003 (printed in 2005) and numbered "Edition 1 of 10" to gallery label verso. Sheet/Mounted 17.25 x 21 in — 43.8 x 53.3 cm; 20 x 24 in — 50.8 x 61 cm Provenance: Stephen Bulger Gallery, Toronto gallery label verso; Private Collection, Toronto $400—600

Four selenium toned archival silver prints; each signed with copyright, titled, dated 1996 and numbered: three numbered “Edition No. 1 of 5” and one, the third title, numbered “Edition No. 3 of 5” and inscribed in pencil verso. Unframed. Together with the hardcover book: "Peter MacCallum Documentary Projects 2005-2015" Each 14 x 14 in — 35.6 x 35.6 cm Visit Waddingtons.ca for full details $1,200—1,800

96 PETER MACCALLUM (1947- ) , CANADIAN TORONTO BRICK WORKS (SERIES OF FIVE), 2005: INTERIOR OF CLAY PROCESSING BUILDING, WATER TANK, CLAY PROCESSING BUILDING, ENTRANCE TO TUNNEL KILN

Five selenium toned archival silver prints; each signed with copyright, titled, dated 2005, numbered “Edition No. 1 of 5” and inscribed in pencil verso. Unframed. Together with the hardcover book: "Peter MacCallum Material World, Photographs, Interiors 1986-2004, Concrete Industries",

ANDY WARHOL (1928-1987), AMERICAN

MICK JAGGER POSTER, 1975 [AFTER THE SCREENPRINT: FELDMAN & SCHELLMANN, II.143]

EDWARD KENNEDY (DELUXE EDITION), 1980 [FELDMAN & SCHELLMANN II.241]

Colour oﬀset lithograph; signed in the plate lower right. Printed by Mumok Sti"ung Ludwig, VBK, Wien, licensed copy a"er the original screen print. Sheet 31.5 x 20.9 in — 80 x 53 cm

Each 14 x 14 in — 35.6 x 35.6 cm

Provenance: Caron Art Gallery, Vancouver, B.C. gallery label verso; Private Collection, Hope. B.C.

Visit Waddingtons.ca for full details

$200—300

Colour silkscreen with diamond dust on Lenox Museum Board with the blindstamp of the printer; signed and numbered "DE AP14/15" in pencil to lower right. Aside from the edition of 50. Printed by Rupert Jasen Smith, New York. Published by the Kennedy for President Commi#ee, Washington, D.C. 40 x 32 in — 101.6 x 81.3 cm Provenance: Visit Waddingtons.ca for full provenance $10,000—15,000

$1,500—2,000

100

101

ANDY WARHOL (1928-1987), AMERICAN

HOWARD HODGKIN (1932-2017), BRITISH

PETER LIK (1959-), AUSTRALIAN

WAYNE GRETZKY #99, 1984 [FELDMAN & SCHELLMANN, II. 306]

VENICE, EVENING (FROM VENETIAN VIEWS), 1995 [LIESBETH HEENK, 95]

KAPALUA, HAWAII, 2003

Colour silkscreen printed to the edges on Lenox Museum board; signed by Andy Warhol and numbered 273/300 in gold pen and ink to lower le! edge, also signed by the si"er: "Wayne Gretzky/ 99" in pencil to lower right edge. There were also 50 artist’s proofs. Printed by Rupert Jasen Smith, New York. Published by Frans Wynans, Vancouver.

Li!-ground etching and aquatint with carborundum with handcolouring on sixteen sheets of torn Arches wove paper; signed with initials H.H., dated 1995 and numbered 3/60 in white pencil to the bo"om edge of the second sheet from the bo"om le! (there were also 14 artist's proofs).

Silver halide Fuji crystal archive print; signed and numbered 386/950 in gold ink on the image lower right; signed in gold ink by the artist, titled "Kapalua", described and numbered 386/950 in black pen and ink to the accompanying Peter Lik Certificate of Authenticity. Ebony frame with Peter Lik Fine Art Photography label verso backing.

64 x 78 in — 162.6 x 198.1 cm

Sheet 18.9 x 59.1 in — 48 x 150 cm

Provenance: Private Collection, Hope, B.C.

Provenance: Collection of Dr. and Mrs. J. Robert Nicholson, London, ON

Provenance: Visit waddingtons.ca for full provenance

$10,000—15,000

Sheet 40 x 32 in — 101.6 x 81.3 cm

$2,000—3,000

102

103

104

JOHN HARTMAN (1950-), CANADIAN

ANTHONY BENJAMIN (1931-2002), BRITISH

BRYAN PEARCE (1929-2007), BRITISH

FISH-TALKER, 1985

TANTRAX, 1978

Colour drypoint etching; signed, titled, dated 12/1/85 and numbered 1/1 in pencil to margin

Colour silkscreen; signed, titled, dated 78 and numbered 81/100 in pencil to margin.

TOWARDS GODREVY FACING SMEATONS PIER, 1990

Plate 6.75 x 9.75 in — 17.1 x 24.8 cm Provenance: Estate of Alison Hymas, Toronto $500—700

38 x 27 in — 96.5 x 68.6 cm Provenance: Private Collection, Ontario

Colour silkscreen; signed, dated 90 and numbered AP 5/15 in pencil to margin 15.75 x 19.7 in — 40 x 50 cm $600—800

$200—300

107

105

106

FRANCISCO ZÚÑIGA (1912-1998), MEXICAN

EDUARD WIIRALT (1898-1954), ESTONIAN

ROGER FRANCOIS THEPOT (1925 -)

LAMAV NAISAKT (RECUMBENT NUDE WITH STOCKINGS), 1928 [ART MUSEUM OF ESTONIA, G 13222, ARK, 1366, A. RÕUDE KUNSTIKOGU, NO 81]

THREE ABSTRACTS: BLUE; GREY (SOLAIRE I); RED, 1966-1969

CAMPESINOS, 1980 [VLADY, 285]

Colour lithograph printed to the edges; signed, dated 1980 and numbered 51/125 in pencil, on the image, lower right, titled to gallery label verso. Printed by Kyron, Mexico City. Published by Brewster Editions, New York. Sheet 27.25 x 19.5 in — 69.2 x 49.5 cm Provenance: Elca London, Montreal gallery label verso; Private Collection, Montreal $1,000—1,500

Drypoint, etching, roule!e and carborundum on BFK Rives paper; signed, dated 1928 and inscribed “2 bis, rue Maison Dieu, Paris” in the plate lower right; signed, dated 1928 and numbered “8” in pencil to margin. Plate/Sheet 15.25 x 18.25 in — 38.7 x 46.4 cm; 19.6 x 25.5 in — 49.7 x 64.7 cm Provenance: Visit Waddingtons.ca for full provenance $1,000—1,500

1 of 3

Three colour silkscreens; the first:signed, dated 66 and numbered 4/50 in pencil to margin; the second: signed, dated 69 and numbered 25/50 in pencil to margin; the third: signed, dated 66 and numbered 7/50 in pencil to margin. Each unframed. Sheets 21.8 ins x 23.3 ins; 55.4 cms x 59.2 cms; 19.2 ins x 21.4 ins; 48.8 cms x 54.4 cms Provenance: Private Collection, Toronto $400–600

108

109

110

DOROTHEA TANNING (1910-2012), AMERICAN

HENRI DE TOULOUSE-LAUTREC (1864 -1901), FRENCH

CORPS ET VISAGE (BODY AND FACE), (FROM EN CHAIR ET EN OR), 1973

LE PETIT TROTTIN, 1893 [DELTEIL, 27; ADHEMAR, 18; ADRIANI, 36]

Colour aquatint and sugar-li" on Arches; signed and numbered 17/100 in pencil to margin

Colour lithograph on wove paper. From an edition of unknown size.

REINE DE JOIE PAR VICTOR JOZE CHEZ TOUS LES LIBRAIRES, 1892 [DELTEIL, 342; ADHÉMAR, 5; ADRIANI, 5]

Plate/Sheet 11 x 9 in — 27.9 x 22.9 cm; 17 x 13 in — 43.2 x 33 cm Provenance: Private Collection, Kelowna, B.C.

Sheet 13.75 x 10.75 in — 34.9 x 27.3 cm Provenance: Private Collection, Westmount, Quebec $1,000—1,500

$200—300

Colour lithograph with le!ers on two sheets of paper; signed in the plate lower le", with le!ers “Imp. Edw. Ancourt & Cie, Paris” of the printer in the plate lower right edge. Sheet 53.5 x 36.25 in — 135.9 x 92.1 cm Provenance: Visit Waddingtons.ca for full provenance $10,000—15,000

111

112

113

LÉONARD TSUGUHARU FOUJITA, (1886 -1968), JAPANESE/FRENCH

PAUL BERTHON (1872-1909), FRENCH

LA REINE WILHEMINA (QUEEN WILHELMINA OF THE NETHERLANDS), 1901 [BERTHON/GRASSET, P. 116, ILLUSTRATED]

Colour lithograph; signed in the plate lower le"

SELF PORTRAIT WITH CAT, 1927 [BUISSON, I.27.90]

Etching, signed in the plate upper right, inscribed "Grave Par Foujita 1927" in the plate lower right; signed and numbered 95/100 in pencil to margin Plate/Sheet 17.5 x 13.5 in — 44.5 x 34.3 cm; 23.6 x 19.7 in — 59.9 x 50 cm Provenance: Private Collection, Westmount, Quebec $700—900

Colour lithograph; signed in the plate upper le". Image/Sheet 15 x 14 in — 38.1 x 35.6 cm; 19.7 x 18.5 in — 50 x 47 cm Provenance: Private Collection, Westmount, Quebec $500—700

SARAH BERNHARDT, 1901 [ARWAS, P. 90]

Sight 20 x 14.5 in — 50.8 x 36.8 cm Provenance: Private Collection, Westmount, Quebec $500—700

114

115

116

PAUL BERTHON (1872-1909), FRENCH

GERSHON ISKOWITZ (1921-1988), CANADIAN

SOL LEWITT (1928-2007), AMERICAN

LES BOULES DE NEIGE, 1900 [ARWAS, 53]

MIDNIGHT NO.2, 1974

Colour lithograph; signed in the plate lower right, titled in the plate to the bo!om margin. Published by Chaix, Paris.

Colour lithograph on Novak blindstamped wove paper, signed with stamped signature lower right margin and numbered 19/60 in pencil to lower le" margin. Published by Novak Graphics, Toronto, numbered "L 260" in pencil to publisher's stamp verso.

FOUR PLATES FROM "BANDS OF COLOR IN FOUR DIRECTIONS & ALL COMBINATIONS" PORTFOLIO, 1971 [TATE GALLERY, E2; SOL LEWITT PRINTS CATALOGUE RAISONNE, NO. 1971.04]

Sight 18 x 22 in — 45.7 x 55.9 cm Provenance: Private Collection, Westmount, Quebec $700—900

Image/Sheet 36 x 31.25 in — 91.4 x 79.4 cm; 41.5 x 35 in — 105.4 x 88.9 cm Provenance: Private Collection, Toronto $400—600

Four colour etchings on Rives BFK paper; each signed and numbered 7/25 in pencil to margin. Printed by Kathan Brown at Crown Point Press, Berkeley, CA. Plate/Sheet (each) 12.8 x 12.8 in — 32.5 x 32.5 cm; 21.1 x 21.1 in — 53.5 x 53.5 cm Provenance: Private Collection, Westmount, Quebec $4,000—6,000

117

118

119

DONALD HARVEY (1930-2015), BRITISH/CANADIAN

PIERRE ALECHINSKY (1927-), BELGIAN

TOM PHILLIPS (1937-), BRITISH

VULCANALOGIE (VOLCANOLOGIE), 1970

A GRAMMAR OF ORNAMENT (FROM A WALK TO THE STUDIO), 1976

HOLUS BOLUS, 1966

Colour silkscreen with mixed-media; signed, titled, dated 66 and numbered 3/9 in pencil to margin Sheet 28.75 x 21 in — 73 x 53.3 cm Provenance: Private Collection, Westmount, Quebec $300—400

Colour etching and aquatint; signed and numbered 98/100 in pencil to margin Image/Sheet 7.9 x 11.5 in — 20.1 x 29.2 cm Provenance: The Estate of Grant L. Reuber, Toronto $400—600

Colour silkscreen; signed and numbered 34/50 in pencil to margin. Published by Waddington Graphics, London. Image 31.75 x 21 in — 80.6 x 53.3 cm Provenance: The Estate of Grant L. Reuber, Toronto $200—300

120

121

122

JAMES COIGNARD (1925-2008), FRENCH

PATRICK CAULFIELD (1936-2005), BRITISH

PROFIL ET STRATIFICATION HORIZONTALE, 1976 [BERGSTROM, 258]

PORTRAIT OF A FRENCHMAN, 1971 [CRISTEA, 22]

JAMES ROSENQUIST (1933-2017), AMERICAN

Colour etching and carborundum heightened with gouache on chiﬀon Moulin de Larroque paper; signed and numbered 20/60 in pencil to margin. Published by Vision Nouvelle, Paris.

Colour silkscreen on wove paper; signed and numbered 67/75 in pencil to the bo"om of the image lower right. Printed by Kelpra Studio, London with their ink stamp verso. Published by Leslie Waddington Prints, London, UK.

Sheet 18 x 22.25 in — 45.7 x 56.5 cm Provenance: Private Collection, Toronto Literature: Catalogue Raisonne: Volume I: l'œuvre gravé de 1959 à 1976 - Editions Sonet – Texte de Franck Renevier et François Benichou, No. 258

Plate/Sheet 17.5 x 35.6 in — 44.5 x 90.5 cm; 22.7 x 39.8 in — 57.7 x 101 cm

Provenance: The Estate of Grant L. Reuber, Toronto

Provenance: Private Collection, Toronto

$3,000—5,000

$800—1,000

123

124

STEVE KAUFMAN (KNOWN AS "SAK") (1960-2010), AMERICAN

LEROY NEIMAN (1921-2012), AMERICAN

Colour silkscreen with handpainted embellishments on canvas; signed "SAK" in black pen verso, unnumbered, titled to the Martin Lawrence Limited Editions label verso backing. In plexi-box frame. Sight 15 x 36 in — 38.1 x 91.4 cm $1,200—1,800

Colour etching and aquatint; titled in the plate lower le#, signed, dated 1978 and numbered "47/78 2 state" in pencil to margin. Printed by Patrick Lindhardt. Published by Multiples, Inc., New York.

Sheet 24.75 x 20.75 in — 62.9 x 52.7 cm

$300—500

OLD $100 BILL (AMERICAN MONEY)

CAROUSEL, 2 STATE, 1978 [GLENN, 131A]

JOE FRAZIER VS GEORGE FOREMAN, JAMAICA, 1974

Colour silkscreen; signed and numbered "A/P" in pencil to margin. Aside from the edition of 300. Image 21.5 x 20 in — 54.6 x 50.8 cm Provenance: Private Collection, Toronto $500—700

125

126

127

AFTER PABLO PICASSO (1881-1973, SPANISH

LEROY NEIMAN (1921-2012), AMERICAN

MARINO MARINI (1901-1980), ITALIAN

X-RATED FILMAKERS, 1974

HOMMAGE À DÜRER [GUSTALLA, 251]

Colour silkscreen; signed and numbered 66/300 in pencil to margin, titled “X Rated Movie” to gallery label verso

Etching and drypoint; signed with initials “MM” in the plate, signed and numbered 38/90 in pencil to margin. Published by Propyläen Verlag, Berlin (Hrsg.).

LA DANSE DU BERGER, 1959 [ZERVOS, VOL XIX, 82 (INK DRAWING); CHRISTOPHER CZWICKLITZER, 368 (POSTER)]

Lithograph on Arches watermarked wove paper; signed and dated 17.11.59 in the plate upper le!, signed in black crayon and numbered 160/200 in pencil to margin Sheet 27.5 x 20.7 in — 69.9 x 52.5 cm Provenance: Private Collection, Toronto

Image 23 x 19.8 in — 58.4 x 50.3 cm Provenance: Patrician Galleries Inc., label verso; Private Collection, Toronto $600—800

Plate 17.3 x 14.2 in — 44 x 36 cm Provenance: Private Collection, Ontario $500—700

$2,500—3,500

128

129

130

HENRY MOORE (1898 - 1986), BRITISH

HENRY MOORE (1898-1986), BRITISH

GEORGES BRAQUE (1882-1963), FRENCH

MAN AND WOMAN, THREE-QUARTER FIGURES, 1978 [CRAMER, 490]

LULLABY (FROM AUDEN POEMS), 1973 [CRAMER, 271]

Colour lithograph on T.H. Saunders wove paper; signed and numbered VIII/XV in pencil to margin (aside from the edition of 50). Published by Raymond Spencer Company Ltd., Much Hadham.

Lithograph on Hodgkinson paper, watermarked with the artist’s initials; signed and numbered 8/25 in pencil to margin. Aside from the edition of 360. Published by Petersburg Press, London.

OISEAU SUR FOND NOIR (FROM LE TIR A L'ARC, FRONTISPIECE), 1960, [VALLIER, 153]

Image 10.5 x 14.5 in — 26.7 x 36.8 cm

Image/Sheet 11.25 x 11.75 in — 28.6 x 29.8 cm; 23.1 x 17.3 in — 58.8 x 44 cm

Provenance: Private Collection, Toronto $800—1,200

Provenance: Private Collection, Ontario $600—800

Etching printed in black; signed and numbered 59/70 in pencil to margin. Published by Louis Broder, Paris. Printed by Crommelynck and Dutrou, Paris Plate 8.75 x 5.5 in — 22.2 x 14 cm Provenance: Visit Waddingtons.ca for full provenance $800—1,200

131

132

133

GERTRUDE HERMES (1901-1983), BRITISH

MARINO MARINI (1901-1980), ITALIAN

SERPENT AT THE NEST, 1931

LE SACRE DU PRINTEMPS (THE RITES OF SPRING), 1973 [GUASTALLA & SCHULZHOFFMAN, LR]

HANS HARTUNG (1904-1989), GERMAN/FRENCH

Wood engraving; signed “Gertrude Hermes,” titled, dated 1931 and numbered 6/20 in pencil to margin, titled, dated 1931 and editioned to gallery label verso Block 7.5 x 5 in — 19.1 x 12.7 cm Provenance: The Pollock Gallery Limited, Toronto gallery label verso; Private Collection, Toronto

Colour lithograph on Arches; signed and numbered 4/50 in pencil to margin Image/Sheet 12.5 x 9.5 in — 31.8 x 24.1 cm; 23.25 x 17 in — 59.1 x 43.2 cm Provenance: Private Collection, Toronto $600—800

$300—400

G3, 1953 [SCHMÜCKING, R3; RMM 62]

Colour etching and aquatint; signed and numbered “épreuve d’artiste” in pencil to margin. There were 300 unnumbered proofs, of which few are signed. Conceived for the invitation card for the artist's exhibition at Galerie de France in Paris in 1956. Plate 3.75 x 11 in — 9.5 x 27.9 cm Provenance: Lefebre Gallery, New York gallery label verso; Private Collection, Toronto $1,500—2,000

134 ANTONI TÀPIES (1923-2012), SPANISH SÉNANQUE I, 1983 [GALFETTI, 926]

Colour lithograph on wove paper; signed and numbered 31/85 in pencil to margin. Published by Édition Galerie Lelong, Paris. Image/Sheet 24 x 19 in — 61 x 48.3 cm; 33.5 x 23.5 in — 85.1 x 59.7 cm Provenance: Collection of Dr. and Mrs. J. Robert Nicholson, London, ON $600—800

135

136

HANS HARTUNG (1904-1989), GERMAN/FRENCH

JOAN MIRÓ (1893-1983), SPANISH

NO. 2, 1953 [SCHMÜCKING, 31]

Colour etching and aquatint; signed and numbered “épreuve d’artiste” in pencil to margin. Proof aside from the edition of 100. Plate 4.25 x 11 in — 10.8 x 27.9 cm

ASTROLOGIE III, 1953 [MOURLOT, 127]

Colour lithograph on Arches paper; signed and numbered 14/100 in pencil to margin. Published by Maeght éditeur, Paris. Image/Sheet 14.25 x 10.5 in — 36.2 x 26.7 cm; 15.75 x 11.4 in — 40 x 28.9 cm

Provenance: Lefebre Gallery, New York gallery label verso; Private Collection, Toronto

Provenance: From The Vincent Price Collection, Sears, Roebuck and Co., Inventory No. NL4330, gallery labels verso; Private Collection, Ontario

$1,500—2,000

$1,200—1,800

137

138

139

ALVIN LANGDON COBURN (1882-1966), AMERICAN/BRITISH

GEORGES BRAQUE (1882-1963), FRENCH

JEAN-PIERRE RÉMON (1928-), FRENCH

LE TIR À L'ARC (FRONTISPIECE FROM LE TIR À L'ARC), 1960 [VALLIER, 153]

JEAN DE LA VARENDE: PAR MONTS ET MERVEILLES DE NORMANDIE, ANDRE & PIERRE GONIN, EDITORS, LAUSANNE, 1966

TRAFALGAR SQUARE FROM BENEATH NELSON'S COLUMN, 1905 (FROM “LONDON” ALBUM DUCKWORTH & CO, LONDON AND BRENTANO’S, NEW YORK, EDITORS, 1909)

Photogravure on laid paper; inscribed "TO5:20" in pencil verso; titled and dated 1905 to gallery label verso Sheet 8.5 x 6.5 in — 21.6 x 16.5 cm Provenance: Visit Waddingtons.ca for full provenance Literature: Visit Waddingtons.ca for full literature

Colour lithograph on cream wove paper; signed and numbered VII/X in pencil to margin. Artist's proof aside from the edition of 70 and an edition of 20. Printed by E. and J. Desjobert. Published by Louis Broder, Paris. Image/Sheet 6.75 x 4.5 in — 17.1 x 11.4 cm; 14 x 10 in — 35.6 x 25.4 cm Provenance: Visit Waddingtons.ca for full provenance

Marked in the plate “Exemplaire H.C. Imprime Specialement Pour” with autographed signatures by Roger Michon; Rene Gobillot and J.P. Remon in pen and ink to the justification page. Overall 16 x 12 x 2.5 in — 40.6 x 30.5 x 6.4 cm Provenance: Private Collection, Harrington, P.E.I $300—500

$1,000—1,200

$800—1,000

140

141

142

HANS ERNI (1909-2015), SWISS

JEAN COCTEAU (1889-1963), FRENCH

PAUL VALERY: RÉFLEXIONS SIMPLE SUR LE CORPS, 1967 (A BOOK IN FOLIO) [CRAMER, 41]

TAUREAUX POUR PEDRES - CURRO ROMERO EL CORDOBES, LITHOGRAPHIES DE JEAN COCTEAU (BOOK BY JEANMARIE MAGNAN), MICHELE TRINCKUEL, PARIS, 1965 [MICHLER AND LÖPSINGER, 1039-1138]

MAURICE DE VLAMINCK (1876–1958), FRENCH

Book with twenty-five colour lithographs on Japon Nacre with tissue guards; unnumbered, 1 of 40 examples with justification page; each the full sheet, loose as issued, folded interior folio cover 17.75 x 13.25 x 2.5 in — 45.1 x 33.7 x 6.4 cm

The complete set of 30 colour lithographs on Arches paper; unnumbered edition for collaborators with justification page, with an additional suite of thirteen colour lithographs on Arches

Provenance: Private Collection, Harrington, P.E.I

16.25 x 12.25 x 2.5 in — 41.3 x 31.1 x 6.4 cm

$700—900

Provenance: Private Collection, Harrington, P.E.I $800—1,200

EN NOIR ET EN COULEUR (BOOK WITH 36 WORKS), 1962 [MONOD, 11350]

Printed by Guillard et son fils. Published by Jean Paul Vibert, Grosrouvre, September 30, 1962. Contained in cream linen covered slipcase with gilt le!ering “Vlaminck” on cover. Published in an edition of 183. 16.25 x 12.25 x 3 in — 41.3 x 31.1 x 7.6 cm Provenance: Private Collection, Harrington, P.E.I $500—700

143

144

145

GEOFFREY JAMES (1942-), WELSH/CANADIAN

JOHN STEWART (1919-2017), BRITISH

JULES PASCIN (1885-1930), FRENCH

QUINCE AND PEARS, 1973

LE DINER, 1927

Charcoal fresson print on stiﬀ paper with laid lines; signed and dated “14/XX/73” in pencil to the artist label a"ached to the verso backing.

Possible transfer drawing on indistinctly blindstamped paper upper right (a circular blindstamp with le"ers centering a thistle, possibly a Strathmore Artist blindstamp); stamped signature "Pascin" in black ink, stamped twice with Atelier/Pascin stamps in two diﬀerent colours: one a violet stamp and one a green stamp lower right, inscribed in pen and ink along the bo"om edge: "Le diner- desssin de Pascin" and dated 1927 at Paris.

NEAR SAN GIMIGNANO, TUSCANY, 1977, PRINTED 1979

Gelatin silver print; signed, titled and dated 1977 in pen and ink verso, with the artist’s printing date, “Jan. 79” in pen and ink verso 3.25 x 10.25 in — 8.3 x 26 cm Provenance: Equinox Gallery, Vancouver gallery dated "1978" to gallery label verso; Private Collection, British Columbia $400—600

Image/Sheet 8.75 x 10.6 in — 22.2 x 27 cm; 9.6 x 11.6 in — 24.5 x 29.4 cm Provenance: Private Collection, O"awa $500—700

Sheet 12.1 x 22.8 in — 30.7 x 58 cm Provenance: Private Collection, Westmount, Quebec $500—700

146 PAUL WUNDERLICH (1927-2010), GERMAN DER GROBE UND DER KLEINE FISCH, 1968 [RIEDINGER, 332]

Colour lithograph; signed and numbered “EA” in pencil to margin. A proof aside from the edition of 50. 21.75 x 29.5 in — 55.2 x 74.9 cm Provenance: With The Isaacs Gallery, Toronto label verso; The Estate of Grant L. Reuber, Toronto $400—600

147

148

149

PABLO PICASSO (1881-1973, SPANISH

MAX ERNST (1891-1976), GERMAN

JEAN CARZOU (1907–2000), FRENCH

DANS L'ATELIER: PEINTRE, MODÈLE ET SPECTATRICE, 1963 (FRONTISPIECE FOR HELENE PARMELINS, "LE PEINTRE ET SON MODELE", PARIS, 1965 [BAER 1136 A; BLOCH 1139]

PLATE 1 (FROM LA BALLADE DU SOLDAT BY GEORGES RIBEMONT-DESAIGNES), 1972, [SPIES/LEPPIEN, 218 D]

LE PALAIS, 1971

Etching on vélin d'Auvergne Richard de Bas watermarked paper; signed and numbered 74/150 in pencil to margin. Printed by Crommelynck. Published by Editions Cercle d'Art, Paris. Plate 4.4 x 9.3 in — 11.2 x 23.5 cm; 12 x 11.2 in— 30.5 x 28.4 cm Provenance: Visit Waddingtons.ca for full provenance

Colour lithograph on Japon paper; signed and numbered 18/79 in pencil to margin. Published by Pierre Chave, Vence. French edition. Image 10.6 x 8.7 in — 27 x 22 cm Provenance: Private Collection, Ontario $700—900

Colour lithograph; signed, dated 71 and numbered "Epreuvre sur Rives 23/50" in pencil to margin; titled to gallery label verso Image 10 x 7 in — 25.4 x 17.8 cm Provenance: Gallerie Gauvreaux Gallery, Montreal label verso; Private Collection, Niagara-on-the-Lake, Ontario $100—150

$2,000—3,000

150

151

152

SALVADOR DALI (1904-1989), SPANISH

ANDRE DERAIN (1880-1954), FRENCH

BEHOLD, THOU ART FAIR... (FROM SONG OF SONGS OF SOLOMON), 1971 [FIELD 71 -17E(III)]

VISAGE DE FEMME APPUYEE SUR SA MAIN (WOMAN RESTING HER HEAD ON HER HAND), FROM "METAMORPHOSES," 1927 [ADHEMAR, 71-1]

GEORGIO DE CHIRICO (1888-1978), ITALIAN

Colour etching with gold dust on wove paper with Arches, France watermark bo!om right margin; signed and numbered 190/250 in pencil to margin Plate/Sheet 15.75 x 9.75 in — 40 x 24.8 cm; 22.2 x 14.9 in — 56.5 x 37.8 cm Provenance: Private Collection, Ontario $800—1,200

Lithograph; signed and numbered 24/100 in pencil to margin. Published by Quatre Chemin, Paris.

I NOBILI ED I BORGHESI, 1969 [CIRANNA, 155]

Lithograph; signed in the plate lower right, signed and numbered 66/80 in pencil to margin. Published by Opiglio, Milan.

Image 12.25 x 14.5 in — 31.1 x 36.8 cm

Image/Sheet 31 x 24 in — 78.7 x 61 cm; 41.8 x 30.8 in — 106.2 x 78.2 cm

Provenance: Private Collection, Westmount, Quebec

$500—700

153

154

155

MAX BECKMANN (1884-1950), GERMAN

DAVID HOCKNEY (1937-), BRITISH

GIORGIO DE CHIRICO (1888-1978), ITALIAN

SARIKA, 1922 [HOFMAIER, 233]

JOE MCDONALD (FROM FRIENDS), 1976 [SCOTTISH ARTS COUNCIL, 175; TOKYO 164]

LA SFIDA IN FIVA ALL'EGEO (FROM I CAVALLI), 1948 [CIRANNA, 117]

Drypoint etching on Japon paper; signed and numbered XX/XX in pencil to margin. Published by R. Piper & Co., Munich. Plate/Sheet 12 x 8.7 in — 30.5 x 22.1 cm; 19.7 x 13.6 in — 50 x 34.5 cm Provenance: The Morris Gallery, Toronto gallery label verso; Private Collection, Toronto $700—900

Lithograph on deckled, buﬀ-coloured watermarked Arches paper; signed, dated 76 and numbered 26/99 in blue pencil to margin, titled to gallery label verso 41.5 x 29.5 in — 105.4 x 74.9 cm

Lithograph in black ink; signed, indistinctly numbered and inscribed proof edition: “Tav. 5 - III/XV” in pencil to margin, titled to gallery label verso Image 18.5 x 12.75 in — 47 x 32.4 cm

Provenance: Mira Godard Gallery, Toronto gallery label verso

Provenance: From The Vincent Price Collection, Sears, Roebuck and Co., gallery labels verso; Private Collection, Ontario

$2,000—4,000

$700—900

156

157

158

JACQUES VILLON (1875-1963), FRENCH

MARTIN SCHONGAUER (C.1445-1491), GERMAN

AFTER REMBRANDT VAN RIJN (1606–1669), DUTCH

CHRIST ON THE MOUNT OF OLIVES (FROM THE PASSION), CIRCA 1480, [BARTSCH, 9; LEHRS, 19], LATER IMPRESSION

AN OLD SCHOLAR, CIRCA 1790

NU COUCHÉ, 1909-1910 [GINESTET & POUILLON, 246]

Drypoint and aquatint on Arches; signed in the plate mid-right, signed and numbered 17/20 in pencil to margin. Published by Ed Sagot, Paris. Image 13.5 x 17.75 in — 34.3 x 45.1 cm

Engraving on laid paper with indiscernible watermark, possibly a hoofed animal with one leg upheld (a horse?)

Provenance: The Estate of Grant L. Reuber, Toronto

Image/Plate/Sheet 6.4 x 4.4 in — 16.3 x 11.3 cm; 8.5 x 9.4 in — 21.5 x 23.8 cm; 9.8 x 7 in —24.8 x 17.8 cm

$1,000—1,500

Provenance: Visit Waddingtons.ca for full provenance $1,000—1,500

Etching and drypoint on tissue-thin paper laid down to a larger paper sheet; inscribed "Rembrandt Fecit" in the plate lower le". Probably by Francesco Novelli (1764-1836) a"er Rembrandt. Contained in an antique openwork gilded wood carved frame. Plate 5.7 x 4.5 in — 14.5 x 11.5 cm Provenance: Gebruder Rohlich/K. Hoflieferanten, Berlin, W., framer's label verso backing; Estate Collection, Waterloo, Ontario $200—300

159

160

161

MARTIN SCHONGAUER (C.1445-1491), GERMAN

MAX ERNST (1891-1976), GERMAN

REMBRANDT VAN RIJN (1606–1669), DUTCH

THE ENTOMBMENT (FROM THE PASSION), CIRCA 1480 [BARTSCH, 18; LEHRS, 28; HOLLSTEIN, 28], LATER IMPRESSION

Copper engraving on laid paper; watermark of a bell-shaped shield with fleur-de-lys in centre and with a crown made of flower heads Image/Plate/Sheet 6.4 x 4.5 in — 16.2 x 11.4 cm; 8.5 x 5.5 in — 21.5 x 14 cm; 9.7 x 6.8 in —24.7 x 17.3 cm Provenance: Private Collection, Toronto

SPHINX, 1939, "FROTTAGE" [SPIES/LEPPIEN, 22H]

Sanguine fro!age lithograph; signed and numbered 7/10 in pencil to margin, titled "Sphinx" and inscribed "Frotage" (sic) and dated "1939" to label verso. An edition of 50 on Rives paper was also published. Sight 10 x 8.5 in — 25.4 x 21.6 cm Provenance: Private Collection, Westmount, Quebec $200—300

SELF-PORTRAIT IN A CAP AND SCARF WITH FACE DARK: BUST, 1633 [PROBABLY NEW HOLLSTEIN, 120 III/V], AN 18TH CENTURY IMPRESSION FROM THE ORIGINAL PLATE

Etching on laid paper (possibly with a partial watermark at the top centre edge of the sheet in an area where old restoration and thinning to the sheet has occurred), trimmed at the plate with narrow to thread margins Plate/Sheet 5.2 x 4.2 in — 13.3 x 10.6 cm Visit Waddingtons.ca for full details

$1,200—1,800

$3,000—5,000

162

163

164

ANDRÉ DUNOYER DE SEGONZAC (1884 -1974), FRENCH

AFTER PETER CHARLES HENDERSON (1791–1829), BRITISH

JOHN RICHARD COKE SMYTH (1808-1882), BRITISH/CANADIAN

PLAGE DE LA BOUILLABAISSE, 1934 [LIORE & CAILLER, 733]

THE MAGGOT-BEARING STAPELIA, 1801 (PL. 23 FROM DR. ROBERT JOHN THORNTON, "THE TEMPLE OF FLORA,” LONDON, 1799–1807), [DUNTHORNE, 301, P. 250]

FOUR PLATES: ZITA, HURON INDIAN (PL. IX); HURON INDIAN (PL. X); INDIANS BARTERING (PL. XVIII); MOOSE HUNTER (PL. XXII), FROM “SKETCHES IN THE CANADAS” BY COKE SMYTH, FOLIO, LONDON, 1839-1840

Etching; signed, numbered "epreuvre d'artiste" and inscribed by the artist “pour Brunel” in pencil to margin; titled and dated 1934 to gallery label verso backing Plate 9.25 x 11.5 in — 23.5 x 29.2 cm Provenance: Paul Proute, Estampes et Dessins De Choix, Paris gallery label verso; The Estate of Grant L. Reuber, Toronto $800—1,200

Colour aquatint, line and stipple-engraving with le!ers on wove paper finished with hand-colouring by Joseph Constantine Stadler. Plate/Sheet 20.5 x 15.6 in — 52.1 x 39.6 cm; 23.4 x 18.5 in — 59.4 x 47 cm Provenance: Estate Collection, Toronto $300—500

Four handcoloured lithographs; each titled in the plate lower right, each with cut-out pen and ink titles to the matboards. Sheets approximately 14 x 10.5 in — 35.6 x 26.7 cm; 10.5 x 15 in — 26.7 x 38.1 cm $1,000—1,500

165

166

167

KÄTHE KOLLWITZ (1867–1945), GERMAN

ALBRECHT DÜRER (1471–1528), GERMAN

SELBSTBILDNIS AM TISCH (II. FASSUNG), 1893 [REISSNER, 7; KLIPSTEIN, 14]

MADONNA QUEEN OF THE ANGELS (THE VIRGIN SURROUNDED BY MANY ANGELS), 1518 [BARTSCH, 101; MEDER 211, II C (OF G, LEFT WITH THE MISSING LOWER CORNER)], IMPRESSION FROM 1590

DOROTHY ELVERY KAY (1886–1964), IRISH/SOUTH AFRICAN

Black/brown inked etching and aquatint with drypoint on cream Japon paper; signed in sepia pen and ink to margin (faded). Printed by O. Felsing. Plate/Sheet 7.1 x 5 in — 18 x 12.8 cm; 13.2 x 9.7 in — 33.5 x 24.6 cm

Deep, black-inked woodcut on fine laid paper with indiscernible watermark, signed with initial monogram and dated 1518 in the block "AD 1518" lower le!.

Provenance: Visit Waddingtons.ca for full provenance

Image/Sheet 11.7 x 8.4 in — 29.6 x 21.3 cm; 12.2 x 8.7 in — 30.9 x 22.2 cm

Literature: Visit Waddingtons.ca for full literature

Provenance: Estate Collection, Waterloo, Ontario

$1,200—1,800

$1,500—2,500

FINGO WITCH DOCTOR; NONGQAI (WATCHMAN), 1925

Two sepia etchings; each signed and titled in pencil to margin. Certified to gallery label verso backing of the first title, inscribed in pen and ink: “This is a certificate for the pictures” Plate 9.5 x 7.7 in — 24.1 x 19.5 cm Provenance: Hallis & Co., Port Elizabeth, November 26, 1928 the gallery label inscribed with certification for the two works verso backing; Private Collection, Toronto by descent $1,000—1,500

168

169

170

JAMES ABBOTT MCNEILL WHISTLER (1834–1903), AMERICAN

SIR PETER PAUL RUBENS (1577-1640), FLEMISH

ERNST BARLACH (1870-1938), GERMAN

LA VEILLE AUX LOQUES (FROM TWELVE ETCHINGS FROM NATURE), 1858 [KENNEDY, 21] PRINTED LATER, 1919?

ST CATHERINE OF ALEXANDRIA IN THE CLOUDS, CIRCA 1620-1621 [HOLLSTEIN, 1], A LATER 19TH CENTURY IMPRESSION

Etching and drypoint on laid paper with watermarked date at the le! margin, near the edge, with the date partially cut-oﬀ at the bo#om of the digits: 1919?; signed in the plate "Whistler" (the 's' reversed) lower right Plate/Sheet 8 x 5.8 in — 20.4 x 14.7 cm; 10.9 x 8.1 in — 27.6 x 20.5 cm Provenance: Visit Waddingtons.ca for full provenance $400—600

Etching and engraving on laid paper with "E. Desloye et C." (Netherlands and Paris) watermark; signed "P. Paul Rubens fecit" in the plate lower le!. Contained in an antique Florentine silver gilt carved wood and gilded frame. Plate/Sheet 8.5 x 5.7 in — 21.7 x 14.5 cm; 10.6 x 7.1 in — 26.9 x 18 cm $300—500

FOUR ILLUSTRATIONS FROM DIE WANDLUNG GOTTES (THE TRANSFORMATION OF GOD): DER ERSTE TAG (THE FIRST DAY), PL. 1 [SCHULT II, 164; DIE DOME (THE CATHEDRALS), PL. 2 [SCHULT, B];

Four woodcuts; each titled, numbered from the “ed. of 500” with the publisher’s credit by “Cassirer, Berlin” in “1922” to typed labels verso Each Image/Sheet 10 x 14.25 in — 25.4 x 36.2 cm; 11.6 x 15.9 in — 29.5 x 40.5 cm Provenance: Private Collection, Toronto $800—1,200

171

172

173

WILLIAM MERRITT CHASE (1849-1916), AMERICAN

RAPHAEL SOYER (1899–1987), AMERICAN

JAMES PATTISON COCKBURN (1779–1847)

HENRY WADSWORTH LONGFELLOW, 1882, AFTER A PHOTOGRAPH BY JULIA MARGARET CAMERON (1815-1879)

MOSES SOYER (THE ARTIST'S BROTHER)

Etching and drypoint; signed and numbered 22/30 in pencil to margin

THE FALLS OF NIAGARA (PLATES I TO 4), 1857: PLATE I: THIS VIEW OF TABLE ROCK & HORSE-SHOE-FALL; PLATE 2: THIS GENERAL VIEW ABOVE THE ENGLISH FERRY; PLATE 3: THIS VIEW OF THE HORSESHOE-FALL, FROM BELOW GOATISLAND; PLATE 4: THIS VIEW FROM THE UPPER BANK, ENGLISH SIDE

Etching and drypoint; signed "Wm M Chase" in the plate lower le! margin, dated and inscribed "Copyright by Ernst Ancro! 1882" in the plate lower right margin Plate 8 x 6.25 in — 20.3 x 15.9 cm Provenance: Saul Babbin Galleries, Toronto gallery label verso; Private Collection, Toronto $100—150

Plate 10 x 7.75 in — 25.4 x 19.7 cm Provenance: Private Collection, Toronto $200—300

Four hand-coloured aquatints with le"ers engraved by C. Hunt and C. Bentley. Published by Ackermann & Co. London in 1857. 17 ins x 26.5 ins; 43.2 cms x 67.3 cms Provenance: Private Collection, Toronto Literature: F. St. George Spendlove, The Face of Early Canada, Toronto, 1958, page 51. $1,000–2,000

174

175

176

ARISTIDE MAILLOL (1861-1944), FRENCH

KÄTHE KOLLWITZ (1867-1945), GERMAN

FEMME NU DE DOS TENANT UNE ECHARPE (FROM "ALBUM DES PEINTRES LITHOGRAPHES), CIRCA 1924 [GUERIN, 270]

SELBSTILDNIS (SELF PORTRAIT), 1912 [KLIPSTEIN, 122- VII/VII], 1912

PIERRE-AUGUSTE RENOIR (1841-1919), FRENCH

Sanguine lithograph; signed with stamped monogram lower right and numbered 25/30 in pencil to lower le! margin Image 11 x 7 in — 27.9 x 17.8 cm Provenance: Private Collection, Westmount, Quebec

So! ground etching and aquatint; signed in pencil to margin. Published in 1920 by Emil Richter in a signed edition of 30. Plate 5.4 x 3.9 in — 13.8 x 9.8 cm Provenance: Private Collection, Westmount, Quebec $500—700

AMBROISE VOLLARD (FROM DOUZE LITHOGRAPHIES ORIGINALES) CIRCA 1904 [DELTEIL, 37]

Lithograph on wove paper; signed in the plate. From an edition of 950 on wove paper from the total edition of 1000. Published and printed by Ambroise Vollard, Paris in 1919. Image/Sheet 9.25 x 6.75 in — 23.5 x 17.1 cm; 13 x 9.75 in — 33 x 24.8 cm Provenance: Private Collection, Westmount, Quebec

$400—600

$800—1,000

177

178

179

PAUL GAUGUIN (1848-1903), FRENCH

GERALD LESLIE BROCKHURST (1890-1978), BRITISH/AMERICAN

PAUL CÉSAR HELLEU (1859-1927), FRENCH

PORTRAIT DE STÉPHANE MALLARMÉ, 1891 [GUÉRIN 14; MONGAN-KORNFELDJOACHIM-STAUFFER, 12]

Etching and drypoint; signed and dated in the plate at top centre, titled and dated "1891" and numbered "Second State" to gallery label verso Plate/Sheet 7.2 x 5.7 in — 18.3 x 14.5 cm; 12.6 x 9.5 in — 32 x 24.1 cm Provenance: Gallery Moos, Toronto label verso; Private Collection, Westmount, Quebec $1,000—1,500

CHIQUITA, 1923/24 [WILLIAM DOLAN FLETCHER, NO. 44 II/II]

MA CHERIE RENTRANT DE SA PROMENADE, CIRCA 1900

Etching on wove paper; signed in the plate upper le!, signed in pencil to margin. Published in an edition of 76.

Drypoint; titled in the plate, signed in pencil to margin, stamped conjoined monogram "HNH"? in a circle to lower le! margin

Plate/Sheet 6.3 x 5.1 in — 16 x 13 cm; 10.75 x 8.5 in — 27.3 x 21.6 cm

Plate 10.8 x 7.6 in — 27.4 x 19.2 cm

Provenance: Private Collection, Westmount, Quebec $300—500

Provenance: Private Collection, Westmount, Quebec $500—700

180

181

182

PIERRE-AUGUSTE RENOIR (1841-1919), FRENCH

MARC CHAGALL (1887-1985), RUSSIAN/FRENCH

KAREL APPEL (1921-2006), DUTCH

AUGUSTE RODIN, CIRCA 1910 [DELTEIL, 49]

LE THÉ DU MATIN (MORNING TEA) FROM GOGOL’S "DEAD SOULS" (LES AMES MORTES), 1923-1948 [CRAMER, 17]

Lithograph on Arches paper; signed in the plate lower right. Unnumbered plate from the edition of 200. Image 16.5 x 16 in — 41.9 x 40.6 cm Provenance: Private Collection, Westmount, Quebec $1,000—1,500

Etching and drypoint with stippling printed in black ink on Japon nacre paper; titled to gallery label verso. Commissioned by Vollard in 1927 and published by Teriade, Paris in 1948. From the edition of 335 (there were also 33 hors commerce copies numbered in Roman numerals).

LES OISEAUX, 1963

Brown and yellow inked etching and aquatint; signed, titled and numbered A/P in pencil to margin Plate 9.8 x 7.8 in — 25 x 19.7 cm $300—500

Plate/Sheet 9.1 x 11.7 in — 23 x 29.7 cm; 14.8 x 10.9 in — 37.5 x 27.8 cm Provenance: Visit Waddingtons.ca for full provenance $500—700

183

184

185

MARC CHAGALL (1887-1985), RUSSIAN/FRENCH

JEAN-ÉMILE LABOUREUR (1877-1943), FRENCH

SIR WILLIAM RUSSELL FLINT (1880-1969), SCOTTISH

PAVEL IVANOVITCH EST RAMENÉ À L'AUBERGE (PAVEL IVANOVICH IS TAKEN BACK TO THE INN) FROM GOGOL’S "DEAD SOULS" (LES AMES MORTES), 1923 -1948 [CRAMER, 17]

LE SÉMAPHORE (THE SEMAPHORE, LE CROISIC), 1923 [LABOUREUR, 265]

DANAE, 1930 [WRIGHT, 37]

Etching and drypoint with stippling printed in black ink on Japon nacre paper; signed in the plate upper right, titled to gallery label verso. Plate/Sheet 10.9 x 8.6 in — 27.6 x 21.8 cm; 14.8 x 10.9 in — 37.5 x 27.8 cm Provenance: Visit Waddingtons.ca for full provenance $500—700

Engraving; signed with initial mongram in the image in the plate lower le!, signed and numbered “15/50 ep.” in pencil to margin Plate 7.6 x 8 in — 19.4 x 20.3 cm Provenance: The Estate of Grant L. Reuber, Toronto $700—900

Drypoint etching; signed in the plate lower right, signed and inscribed "VII" in sepia ink to margin. Published in an edition of 75. Plate 4.9 x 6.8 in — 12.4 x 17.3 cm Provenance: Private Collection, Westmount, Quebec $300—500

186

187

188

JEAN-ÉMILE LABOUREUR (1877-1943), FRENCH

EDWARD S. CURTIS (1868-1952), AMERICAN

CRYING TO THE SPIRITS, 1908

CUSTER’S CROW SCOUTS, 1908

Photogravure in sepia tone on Van Gelder blindstamped paper with deckled edges, with title in the plate lower le" margin and with the photographer’s copyright with its date; “From Copyright Photograph 1908 by E.S. Curtis” in the plate below image.

Plate/Sheet 8.9 x 6.3 in — 22.5 x 16 cm; 13.25 x 11 in — 33.7 x 27.9 cm

Plate/Sheet 6.9 x 8.3 in — 17.5 x 21 cm; 11.25 x 13.25 in — 28.6 x 33.7 cm

Provenance: Visit Waddingtons.ca for full provenance

Literature: Visit Waddingtons.ca for full literature

$300—500

LA PROMENADE AU PHARE (TO THE LIGHTHOUSE), 1925 [LABOUREUR, 302, II/ III]

Engraving; signed and numbered “2/7 ep” (epreuve), an artist's proof, inscribed "2 Etat" (2nd state) and numbered 302 in pencil to the bo!om edge, titled, dated and numbered "State II/III" to gallery labels verso. Artist proof aside from the edition of 70. Published by H. Petiet, Paris. Plate/Sheet 6.5 x 7.1 in — 16.6 x 18.1 cm; 8.7 x 10.7 in — 22 x 27.3 c $600—800

189

190

191

EDWARD S. CURTIS (1868-1952), AMERICAN

MOTHER AND CHILD - APSAROKE, 1908

THE BUFFALO PLAINS, 1927

UMATILLA ? YOUTH, CIRCA 1910

Photogravure in sepia tone on Van Gelder blindstamped paper with deckled edges, with title in the plate lower le! margin and with the photographer’s copyright and its date; “From Copyright Photograph 1927 by E.S. Curtis” in the plate below image

Platinum print on textured paper printed to the edges; with Curtis' signature in black pen and ink lower right and with his debossed blind stamp, with his credit, copyright, and date of 1899 in the negative lower le!

Plate/Sheet 8.4 x 6.1 in — 21.3 x 15.5 cm; 13 x 11 in — 33 x 28 cm

Plate/Sheet 6.9 x 8.4 in — 17.5 x 21.3 cm; 11 x 13.2 in — 27.9 x 33.5 cm

Sheet 15.7 x 9.4 in — 40 x 24 cm

Provenance: Visit Waddingtons.ca for full provenance

Literature: Visit Waddingtons.ca for full literature

$300—500

Provenance: Private Collection, Ontario $2,000—4,000

192

193

194

EDWARD S. CURTIS (1868-1952), AMERICAN

PETER PROKSCH (1935-2012), AUSTRIAN

A RIVER CAMP - YANKTONAI, 1908

DAS RAD DER ZEIT (TURN BACK THE WHEEL OF TIME), PLATE 10 FROM THE "EL CRITICON" SERIES OF 12 ETCHED ILLUSTRATIONS, 1967

NOBORU SAWAI (1931-2016), JAPANESE/CANADIAN

Photogravure in sepia tone on Van Gelder blindstamped paper with deckled edges, with title in the plate lower le! margin and with the photographer’s copyright with its date; “From Copyright Photograph 1908 by E.S. Curtis” in the plate below image. Plate/Sheet 6.7 x 7.9 in — 16.9 x 20 cm; 11.25 x 13.2 in — 28.6 x 33.5 cm Provenance: Private Collection, Ontario Literature: Edward S. Curtis, The North American Indian, Volume 3: “The Teton Sioux. The Yanktonai. The Assiniboin,” p.120. $300—500

195 GEORGES BRAQUE (1882-1963), FRENCH LA DANSE (THE DANCE), FROM THE BOOK "GEORGES BRAQUE" BY CARL EINSTEIN, 1934 [VALLIER, 25]

Etching in black ink on Rives BFK paper; signed in pencil to margin. From the unnumbered edition of 250. Published by Editions des Chronique du Jour, Paris Plate 9.4 x 6.7 in — 24 x 17.1 cm Provenance: Private Collection, Westmount, Quebec $1,500—2,000

Copper etching; signed, titled, dated 1967, numbered 8/60 and inscribed "Crisi 10" in pencil to margin. Plate 11.9 x 8.1 in — 30.3 x 20.7 cm Provenance: Private Collection, Westmount, Quebec $300—500

GRAND CONCERT

Sepia etching heightened with colour; signed "Sawai" in pencil and stamped with Sawai's red seal lower right. From the edition of 100. Plate 17 x 23.75 in — 43.2 x 60.3 cm Provenance: The Estate of Grant L. Reuber, Toronto $100—200

196

197

198

RAOUL DUFY (1887-1985), FRENCH

JEAN-LOUIS FORAIN (1852-1931), FRENCH

JOSEPH HIRSCH (1910-1981), AMERICAN

"THE PORT" (FROM THE ILLUSTRATED BOOK BY GUILLAUME APOLLINAIRE, LE POÈTE ASSASSINÉ), 1926 [ARTIST AND THE BOOK, 92]

NO. 126: A COUPS DE GRENADES - OH EH! LES STOKOLMISTES! C'EST AVEC ÇA QU'IL FAUT PARLER AUX BOCHES, AUGUST 1917 [FONDS FRANÇAIS, 378]

WINDOWS: (MALE NUDE IN A WINDOW; FEMALE NUDE IN A WINDOW), 1976-1977

Black ink brush-drawn lithograph on pale cream medium weight wove paper; signed with initials and inscribed "Bon RD" (bon à tirer) by the artist to lower le! margin and annotated in the typed gallery certification “unique signed guide proof...” from the "total edition of 470 (all unsigned)" to the typed gallery description verso backing.

Line block taken from a drawing on ivory wove paper; signed, titled, dated "Aout 1917" in the plate; signed "Forain" and numbered 60-300 in pencil to margin. Printed by Donn Steward. Published by Universal Limited Art Editions (ULAE), New York.

Image/Sheet 7.5 x 5.25 in — 19.1 x 13.3 cm; 13 x 9.75 in — 33 x 24.8 cm

Sheet 15 x 22 in — 38.1 x 55.9 cm

Provenance: William Weston Gallery, London, UK; The Estate of Grant L. Reuber, Toronto

Provenance: Private Collection, Toronto $100—200

Two lithographs contained in one frame; the first, numbered 23/100 in pencil to margin; the second, signed in pencil to margin, titled and dated 1976-77 to gallery label verso. Images sight/ Framed overall 11 x 9.5 in — 27.9 x 24.1 cm; 23.5 x 19.5 in — 59.7 x 49.5 cm Provenance: Prince Arthur Galleries, Toronto gallery label verso; Private Collection, Toronto $200—300

$600—900

200

201

AARON SISKIND (1903-1991), AMERICAN

HIROYUKI TAJIMA (1911–1984), JAPANESE

MCB (HARLEM), 1940

WASTELAND, 1968

JACQUES HNIZDOVSKY (1915-1985), UKRAINIAN/AMERICAN

Gelatin silver print; signed, titled "MCB (Harlem)" and dated 1940 in pencil verso

Colour block print; signed, titled in Roman and in Japanese script, dated '68 and numbered "50-2" in pencil to margin

199

Sight 9.5 x 9 in — 24.1 x 22.9 cm Provenance: Private Collection, Toronto $1,200—1,800

GRASS, 1971 [TAHIR, 361]

Block 21.5 x 16 in — 54.6 x 40.6 cm

Black inked etching on "ES" blindstamped wove paper; signed, titled, dated 1971 and numbered 77/150 in pencil to margin. Unframed.

Provenance: Private Collection, Toronto

Plate/Sheet 9.8 x 17.5 in — 24.8 x 44.5 cm; 14.8 x 22 in — 37.7 x 56 cm

$200—300

Provenance: Visit Waddingtons.ca for full provenance $300—500

Index A Albers, Josef…9 Alechinsky, Pierre…118 Appel, Karel…51-54, 182 Araki, Nobuyoshi…82 B Baj, Enrico…80 Banksy…47 Bannard, Walter Darby…72 Barlach, Ernst…170 Bartram, Edward…37 Beckmann, Max…153 Benjamin, Anthony…103 Berthon, Paul…112-114 Bleckner, Ross…65 Bontecou, Lee…23 Bragg, Charles…68 Braque, George…130, 138, 195 Brockhurst, Gerald Lesley…178 Buffet, Bernard…34 Burtynsky, Edward…78 C Cartier-Bresson, Henri…39 Carzou, Jean…149 Caulfield, Patrick…90, 121 Chagall, Marc…19, 48, 89, 181, 183 Challenger, Michael…12 Chase, William Merritt…171 de Chirico, Georgio…152, 155 Christo and Jeanne-Claude…84 Clarke, Bob Carlos…40 Clavé, Antoni…56-58 Coburn, Alvin Langdon…137 Cockburn, James Pattison…173 Cocteau, Jean…141 Coignard, James…61, 63, 120 Conarroe, Scott…91-94 Curtis, Edward S….187-192 D Dalí, Salvador…11, 150 Deiter, Gerry…38 Derain, Andre…151 Dickson, Jennifer Joan…85 Dine, Jim…4-6 Dorazio, Piero…7 Dufy, Raoul…196 Dürer, Albrecht…166 E Eggleston, William…41, 42 Erni, Hans…140 Ernst, Max…64, 148, 160 Erté…21 Escobar, Marisol…14

F Farsari, Adolpho…77 Fini, Leonor…26 Flint, Sir William Russell…185 Forain, Jean-Louis…197 Foujuta, Léonard Tsuguharu…111 Frankenthaler, Helen…8 G Gauguin, Paul…177 General Idea…32 Giacometti, Alberto…71 Grasset, Eugéne…59 Guayasamin, Oswaldo…13, 15 H Hall, Barbara…81 Harrington, Richard…76 Hartman, John…102 Hartung, Hans…133, 135 Harvey, Donald…117 Helleu, Paul César…179 Henderson, Peter Charles (after)…163 Hermes, Gertrude…131 Hirsch, Joseph…198 Hnizdovsky, Jacques…88, 201 Hockney, David…1, 17, 154 Hodgkin, Howard…27, 87, 100 Howlin, John…83 I/J Indiana, Robert…45 Iskowitz, Gershon…115 James, Geoffrey…143 Jenkins, Paul…2 K Kavena, Jarmila…70 Kaufman, Steve…123 Kay, Dorothy Elvery…167 Kollwitz, Käthe…165, 175 L Laboureur, Jean-Émile…184, 186 Lewitt, Sol…116 Lik, Peter…101 M/N MacCallum, Peter…95, 96 Maillol, Aristide…174 Marini, Marino…127, 132 Marois, Lauréat…60 Miró, Joan…22, 24, 86, 136 Moore, Henry…44, 46, 128, 129, Motherwell, Robert…31 Neiman, Leroy…124, 126

P le Parc, Julio…43 Parsons, Bruce…25 Pascin, Jules…145 Pearce, Bryan…104 Pearlstein, Philip…28-30 Phillips, Tom…119 Picasso, Pablo (after)…125 Picasso, Pablo…66, 67, 147 Pollock, Jack Henry…62 Proksch, Peter…193 R Rémon, Jean-Pierre…139 Renoir, Pierre-Auguste…176, 180 Rice, Brian…16 van Rijn, Rembrandt (after)…158 van Rijn, Rembrandt…161 Rivers, Larry…79 Rosenquist, James…122 Rubens, Sir Peter Paul…169 S Sawaii, Noburu…194 Schongauer, Martin…157, 159 de Segonzac, André Dunoyer…162 Siskind, Aaron…199 Smyth, John Richard Coke…164 Snow, Michael…3 Soyer, Raphael…172 Stella, Frank…18 Stewart, John…144 T Tajima, Hiroyuki…200 Tanning, Dorothea…108 Tàpies, Antoni…134 Thepot, Roger Francois…107 Tobiasse, Théo…36 de Toulouse-Lautrec, Henri…109, 110 U/V/W Unidentified…35 Vasarely, Victor…33 Villon, Jacques…156 de Vlaminck, Maurice…142 Warhol, Andy…20, 49, 97-99 Weston, Edward…74, 75 Whistler, James Abbott McNeill…168 Wiiralt, Eduard…106 Wunderlich, Paul…146 Y/Z Yokoi, Tomoe…73 Zorn, Anders…55 Zúñiga, Francisco…105

Buying at Waddington’s All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or oral announcement. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any oral announcement or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s™ and the consignor (seller) of the lot. Descriptions or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale.

condition of lots

All of the items are to be considered, unless otherwise noted in the description, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should examine the pieces in person or have our staff answer any questions before bidding. Sizes are approximate. It is the sole responsibility of the bidder to inquire as to the condition of a lot before bidding. Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale. Frames on artwork are not included as part of purchase or condition.

buyers premium

A premium of 20% of the successful bid price of each lot. A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer’s premium, except for purchases exported from Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province.

payment

Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), VISA or Mastercard (up to $25,000). ALL PRICES IN CANADIAN FUNDS

Selling at Waddington’s bidding

The Auctioneer may also execute bids on behalf of the consignor to protect the reserve. The reserve is the confidential minimum price the seller is willing to accept for his or her property, below which it will not be sold.

shipping

waddington’s commission rates Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $251 to $2,500 20%

The Auctioneers will not undertake packing or shipping. The purchaser must designate and arrange for the services of an independent shipper and be responsible for all shipping, insurance expenses and any necessary export permits that may apply. The Auctioneers will, upon request, provide names of professional packers and shippers but will not be held responsible for the service or have any liability for providing this information. Reliable preauction estimates of shipping costs of lots offered in this sale may be obtained from:

Items selling for $250 or less 25%

PakShip

*There is a minimum handling charge of $20 per item

Envoy 416-299-3367 / 416-299-9750 ph@envoy.ca / www.envoypackandship.com

A 1% insurance charge, based on the hammer price of the property, will be applied to all accounts.

905-470-6874 / 905-470-6875 / 416-293-8225 taurus@pakship.ca / www.pakship.ca

removal of purchases

Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15). Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients.

cites

Restrictions exist regarding the import and export of species protected under CITES (Convention on International Trade in Endangered Species). This includes but is not limited to items made of or containing bone (whalebone etc.), ivory, tortoise shell, seal skin, rhinoceros horn and any other animal part and is strictly controlled or forbidden by most countries. Please review your country’s laws before bidding on pieces made of or containing these restricted items. It is the sole responsibility of the buyer to inquire about and obtain the proper permits for artwork purchased that may contain restricted materials, if such permit can be obtained. Please contact the department for further assistance. Failure to obtain necessary import/ export permits will not void any sale. All Narwhal Tusks must have a Marine Harvest Number or a Marine and Mammal Transport number to be sold at Waddington’s. For more information please visit: www.cites.org

*There is a minimum handling charge of $20 per item canadian art department commission rates Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $2,500 or less 20%

insurance

auction advice

For auction advice on paintings, drawings, prints, jewellery, and various forms of decorative arts and other collectibles, please feel free to contact us via email or telephone. We are pleased to review emails containing photographs and information on your pieces in order to provide auction estimates for you to consider. For collections with a variety of objects, please contact our Appraisals and Consignments department (consignments@waddingtons. ca). For department-specific inquiries, please contact the specialist and/or department directly. All contact information can be found at www.waddingtons.ca. Our offices are located in Toronto and Vancouver, but our specialists regularly travel to major Canadian cities to meet with prospective consignors. To receive more information on Valuation Days across Canada or to arrange an appointment, please contact our Toronto office (416-504-9100). Please note that property typically arrives at Waddington’s at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items. Consignors will receive a contract to sign, setting forth terms and fees for our services.

Conditions of Sale 1. All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted or announced verbally in the auction room prior to the time of sale. While the auctioneer has endeavoured not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made. An opportunity for inspection of each article is offered prior to the time of sale. No sale will be set aside on account of lack of correspondence of the article with its description or its reproduction, if any, whether colour or black & white. Some lots are of an age and/or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others. Frames on artwork are not included as part of purchase or condition. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid, relying upon their own advisers, and to bid accordingly. 2. Each lot sold is subject to a 20% buyers premium as part of the purchase price. 3. Unless exempted by law, the buyer is required to pay Harmonized Sales Tax on the total purchase price including the buyer’s premium. For international buyers, taxes are not applicable when purchases are shipped out of country. Items shipped out of Ontario, the buyer is required to pay taxes as per the tax status of that province, whether it HST or GST (Goods and Services Tax).

6. Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in attendance at the sale. 7. The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The auctioneer’s decision in all cases shall be final. 8. Immediately after the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-offering the item for sale. 9. The buyer shall pay for all lots within 48 hours from the date of the sale, after which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale, after which storage charges may be incurred.

4. The auctioneer reserves the right to withdraw any lot from sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice.

10. Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away.

5. The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized.

11. Notwithstanding condition no. 1, if the buyer, prior to removal of a lot, makes arrangements satisfactory to the auctioneer for the inspection of such lot by a fully qualified person acceptable to the auctioneer to determine the genuineness or authenticity of the lot, to be carried out promptly following the sale of the lot, and if, but only if, within a period of 14

days following the sale a written opinion of such person is presented to the auctioneer to the effect that the lot is not genuine or authentic, accompanied by a written request by the buyer for rescission of the sale, then the sale of the lot will be rescinded and the sale price refunded to the buyer. 12. Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), and VISA or Mastercard (up to $25,000). 13. In the event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for: (a) any deficiency in price between the resale amount and the amount to have been paid by the original buyer; (b) any reasonable charge by the auctioneer for the storage of such articles until payment and removal by the subsequent buyer; and (c) the amount of commission which the auctioneer would have earned had payment been made in full by the original buyer. 14. It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them. 15. The auctioneer acts solely as agent for the consignor and makes no representation as to any attribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada). 16. The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.

Waddingtonâ&#x20AC;&#x2122;s 275 King Street East, Second Floor Toronto, Ontario M5A 1K2

tel: 416-504-9100 toll free: 1-877-504-5700 www.waddingtons.ca