Page 1

No Blank Walls MARCH 23 - 28, 2019


No Blank Walls MARCH 23 - 28, 2019


bid online at onlineauctions.waddingtons.ca

contact Nicole Schembre ns@waddingtons.ca

all lots can be viewed online at www.waddingtons.ca

416-967-6027

front cover Lot 29 YVETTE FROMENT Chateau Frontenac, Lucarnes, 1984

front inside

Lot 46 JANE ZEDNIK The House of Adam and Eve

on view All lots on view by appointment

back inside

only.

Lot 17

PAUL WYSMYK Summer Rain, 1985

preview held at 275 King Street East, 2nd Floor Toronto, Ontario M5A 1K2

back cover Lot 124

BRUCE GARNER Fairy Castle

This catalogue and its contents © 2019 Waddington McLean & Company Ltd.

This auction is subject to the Conditions of Sale printed in the back of this catalogue.

Photography & design by Waddington’s All Rights reserved.


1

2

3

STANLEY MOREL COSGROVE, R.C.A. (1911-2002), CANADIAN

JOSEPH FRANCIS PLASKETT, R.C.A. (1918-2014), CANADIAN

TREES NEAR HUDSON oil on canvas

POWER PLANT IN WINTER pastel

signed lower right

signed and dated ‘67 lower le"

FARQUHAR MCGILLIVRAY STRACHAN KNOWLES, O.S.A., R.C.A (1859-1932) UNTITLED (BY THE CANAL) oil on board signed and dated '95 8 ins x 11.5 ins; 20.3 cms x 29.2 cms

16 ins x 12 ins; 40.6 cms x 30.5 cms

18 ins x 23 ins; 45.7 cms x 58.4 cms

Provenance: Gilhooly Gallery Ltd., O!awa Private Collection, Toronto

Provenance: Private Collection, Toronto

$1,500—2,000

Provenance: Private Collection, Picton, ON $400–600

$400—600

4

5

6

STYLE OF HUBERT ANSLOW THORNLEY (1858-1898), BRITISH

UNKNOWN

EDITH GRACE COOMBS, O.S.A. (1890 -1986), CANADIAN

WHITBY ROADS, 1887 watercolour signed with compounded monogram initials "CFA" (?), titled and dated 1887 lower le" Sheet 14.8 x 10 in — 37.6 x 25.5 cm $300—400

RIVER SCENE, NIGHT pastel on paper Sight 14 x 33.5 in — 35.6 x 85.1 cm

PRE-CAMBRIAN ROCK (CAMP CHARMETTE, MAGNETAWAN) oil on masonite

$50—100

signed lower right, signed and titled verso 24 x 30 in — 61 x 76.2 cm Provenance: Private Collection, Peterborough $800—1,200


7

8

9

EDITH GRACE COOMBS, O.S.A. (1890 -1986), CANADIAN

EDITH GRACE COOMBS, O.S.A. (1890 -1986), CANADIAN

TADPOLES oil on masonite signed lower right, signed and titled verso

COUNTRY BOUQUET, CAMP CHARMETTE, PARRY SOUND DISTRICT oil on masonite

TOBIE THELMA STEINHOUSE (1925-) UNTITLED oil on canvas board signed lower right 8.75 ins x 11.75 ins; 22.2 cms x 29.8 cms

25 x 30 in — 63.5 x 76.2 cm

signed lower right, signed and titled verso

Provenance: Private Collection, Peterborough

24 x 30 in — 61 x 76.2 cm

$1,000—1,500

Provenance: Private Collection, Toronto $200–300

Provenance: Private Collection, Peterborough $800—1,200

10

11

12

TOBIE THELMA STEINHOUSE (1925-) STORM COMING, LAC OUAREAU, QUEBEC, 1959 watercolour signed, dated '59 lower right sight 9.75 ins x 14.75 ins; 24.8 cms x 37.5 cms

ROBERT HUNTER (20TH CENTURY), SCOTTISH

MARJORIE MARSHALL (20TH CENTURY), CANADIAN

SLIPWAY, EVENING, 1968 watercolour

UNTITLED (LANDSCAPE), 1975 oil on canvas; signed and dated 1975 lower le"

Provenance: Private Collection, Toronto Ladies' Commi!ee, Montreal Museum of Fine Arts, Exhibiton and Sale, 1961

24.25 x 37.5 in — 61.6 x 95.3 cm

$150–250

signed and dated '68 lower right, titled to Society of Sco!ish Artists label verso

Provenance: Corporate Collection, Toronto $200—300

23.5 x 29.75 in — 59.7 x 75.6 cm $80—120


13

14

15

M.J. VAN BESIEN (20TH CENTURY)

E.M. JENNINGS (20th Century) ROCKY MOUNTAINS, NEAR JASPER signed and dated '81 lower le!, titled lower right, Sheet 23.5 x 32 in — 59.7 x 81.3 cm

LIZ ANDERSSON (20th Century) FARM WITH WINDMILL signed and dated lower right, sight 11.5 x 8.5 in — 29.2 x 21.6 cm

UNTITLED oil on canvas gallery label verso 28.5 ins x 25.5 ins; 72.4 cms x 64.8 cms

$100—150

$50—100

Provenance: Galerie Rolland, Montreal Private Collection, Montreal $100—200

16

17

18

PAUL WYSMYK (20th Century) TRANQUILITY, 1983 signed, titled, and dated "83" verso, 53.75 x 48 in — 136.5 x 121.9 cm

PAUL WYSMYK (20th Century) SUMMER RAIN, 1985 signed and dated lower right; signed, dated "85", and titled verso., 52 x 39.75 in — 132.1 x 101 cm

DANIEL VAN KLEI (1972-), CANADIAN

$150—200

$200—300

GREEN LINE (PINE) oil on canvas signed and titled to stretcher 36 ins x 36 ins; 91.4 cms x 91.4 cms Provenance: Private Collection, Montreal $200—300


19

20

21

DEDIĆ (20TH CENTURY) ST. TROPEZ watercolour and ink on paper signed and titled to boat lower right image 19.5 ins x 25 ins; 49.5 cms x 63.5 cms

JOSÉ ANTONION VALVERDECALCALDE (20TH/21ST CENTURY) GAUDI'S LA PEDERA acrylic on canvas signed lower right, signed, and titled on stretcher; gallery label verso canvas 30 ins x 36 ins; 76.2 cms x 91.4 cms

M. ALVAREZ (20TH CENTURY) ANTIGUA (GUATEMALA); UNTITLED, 1998 pair of watercolours each signed and dated "98" lower right each 5.75 ins x 8.25 ins; 14.6 cms x 21 cms

Provenance: Private Collection, Montreal Galerie Rolland, Montreal $80–120

Provenance: Studio 21 Fine Art Gallery, Halifax Private Collection, Montreal

$125–175

$300–500

22

23

24

JOHN ANDERSON (1945-) UNTITLED (LANDSCAPE), 1996 signed "JA" and dated "96" lower right, 47.5 x 43.5 in — 120.7 x 110.5 cm

JOHN ANDERSON (1945-) UNTITLED (LANDSCAPE), 1996 signed "JA" and dated "96" lower right, 47.5 x 43.5 in — 120.7 x 110.5 cm

GEORGE ADAMSON (1923-), CANADIAN

Provenance: Corporate Collection, Toronto

Provenance: Corporate Collection, Toronto

$500—700

$500—700

BEACH SCENE oil on masonite signed lower right 16 x 20 in — 40.6 x 50.8 cm Provenance: Private Collection, Toronto $100—150


25

26

27

ALLEN SMUTYLO (1946-), CANADIAN

GISELE COMTOIS (1959 -) COTE STE-ROSE, SAGUENAY, QUE oil on canvas signed lower right; signed, titled in pencil verso 24 ins x 30 ins; 61 cms x 76.2 cms

GERALD SEVIER (1934-), CANADIAN LATE SUMMER watercolour

Provenance: Private Collection, Montreal

20.75 x 28.25 in — 52.7 x 71.8 cm

BELOW THE NORTHERN APEX oil on canvas signed lower right 21.75 x 50.25 in — 55.2 x 127.6 cm Provenance: Corporate Collection, Toronto

$200–300

$200—400

signed lower right

Provenance: Corporate Collection, Toronto $150—250

28

29

30

SARA MACCULLOCH (1967-), CANADIAN

YVETTE FROMENT (1937-), CANADIAN

VIEW TO MARSHLANDS, 1998 oil on canvas

CHATEAU FRONTENAC, LUCARNES, 1984 oil on canvas

BERNARD POULIN (1945-) LE PONT ROYAL PARIS, 2005 signed and dated '05, 16 x 48 in — 40.6 x 121.9 cm

signed and dated 1998 on the reverse 30.75 x 52.75 in — 78.1 x 134 cm Provenance: Private Collection, Montreal $400—600

titled on overflap 44 x 65 in — 111.8 x 165.1 cm Provenance: Galerie Dominion, Montreal Private Collection, Montreal $600—800

Provenance: Private Collection, Montreal $300—500


30a

31

32

JOHN LENNARD (1937 -), CANADIAN

DOWNÉ BURNS VILLAGE SQUARE signed; inscribed "A!er the Fall" on the overflap, 30 x 59.5 in — 76.2 x 151.1 cm

JACQUELINE CARCAGNO LE PONT, SERIES: LIGHT ON THE RIVER mixed media on canvas signed lower le!, titled verso overall 16 ins x 12 ins; 40.6 cms x 30.5 cms

EVENING, 2005 acrylic on panel signed LJ lower le!; signed, titled, and dated '05 verso 8 x 10 in — 20.3 x 25.4 cm Provenance: Private Collection, O"awa

Provenance: Art Mode Gallery, O"awa Private Collection, Montreal

$50–100

$300—500

$100—200

33

34

35

JACQUELINE CARCAGNO LEGENDE D'AUTOMNE mixed media on paper signed, titled verso image 20 ins x 11 ins; 50.8 cms x 27.9 cms

JACQUELINE CARCAGNO LIGHT ON THE RIVER I; LIGHT ON THE RIVER II acrylic and gold leaf on canvas each 10 ins x 8 ins; 25.4 cms x 20.3 cms

WILLEM VERHULST (1948-) UNTITLED (LANDSCAPE), 1999 dated "99" lower right, 27.25 x 47.25 in — 69.2 x 120 cm

Provenance: Private Collection, Montreal

$50–100

$200–300

Provenance: Corporate Collection, Toronto $500—700


36

37

38

JOSÉ TRINIDAD (1929-), FILIPINO/CANADIAN

ERIC LE MÉNÉDEU (1962-) ROWBOAT ON THE LOIRE RIVER, 2012 charcoal on Arches vellum signed and dated lower right Sheet 16 ins x 27 ins; 40.6 cms x 68.6 cms

FREDERIC CHILLER COZZENS (1846 -1928), AMERICAN

MAN ON A PIER oil on canvas signed lower right 18 ins x 24 ins; 45.7 cms x 61 cms Provenance: Private Collection, Montreal $300—400

Provenance: Mira Godard Gallery, Toronto Private Collection, Montreal $300–500

PLATE FROM AMERICAN YACHTS, 1883 chromolithograph signed and dated '83 to the plate lower le! Sheet sight 14.25 x 20.5 in — 36.2 x 52.1 cm Provenance: The Estate of Janet Graham, Nobleton, Ontario $30—50


39

40

41

FREDERIC CHILLER COZZENS (1846 -1928), AMERICAN

ROSS MACCULLOCH (1950-1993), CANADIAN

ROSS MACCULLOCH (1950-1993), CANADIAN

MARINE SCENE chromolithograph print

CLASSIC MARCONI RIG, 1984 oil on panel

UNTITLED (SAILING) oil on canvas

signed and dated '83 in the plate, signed in pencil to mat

signed, title, dated verso; gallery label verso

47.75 x 36 in — 121.3 x 91.4 cm

Sight 14.25 x 20.5 in — 36.2 x 52.1 cm

24 ins x 30 ins; 61 cms x 76.2 cms

Provenance: The Estate of Janet Graham, Nobleton, Ontario

Provenance: Galerie Walter Klinkoff, Montreal Private Collection, Montreal

$30—50

$150—250

42 JAMES PEMBERTON (20TH CENTURY) MORNING LIGHT, 1977 egg tempera on masonite signed dated 77 upper right Sight 19.75 ins x 32.25 ins; 50.2 cms x 81.9 cms Provenance: Private Collection, Toronto $250—350

Provenance: Private Collection, Montreal $250—350


43

44

45

PAVLO RONPAPAS? (20TH CENTURY)

MYLES VIVARES (20th Century) PARK HOUSE FLOWERS, 1990 signed and dated '90, 32 x 48 in — 81.3 x 121.9 cm

LORNE WAGMAN (1957-), CANADIAN

JEUNES FILLES AU JARDIN, 1984 oil on panel, lacquered inscribed indistinctly "Pavlo Ronpapas"? and dated 84 in black ink on top of the lacquer lower right, inscribed "Mompou" and titled verso. Unframed.

Provenance: Private Collection, Montreal $150—250

WEEDGARDEN oil on masonite signed lower le! 39 x 51.5 in — 99.1 x 130.8 cm $200—300

15.75 x 24 in — 40 x 61 cm Provenance: The Estate of Katerina Haka-Ikse, Toronto $200—300

46

47

48

JANE ZEDNIK (1953-), CANADIAN

ROBERT TOMBS, R.C.A. (20TH CENTURY), CANADIAN

JOANE CARDINAL-SCHUBERT, R.C.A. (1942-2009) HORSE TALISMAN mixed media on paper signed lower le! and titled to label verso 29 ins x 41 ins; 73.7 cms x 104.1 cms

THE HOUSE OF ADAM AND EVE, 1982 oil on canvas titled and dated to label verso

AIR-CONDITIONED silkscreen

59.5 x 59.5 in — 151.1 x 151.1 cm

signed and numbered 5/40 in pencil to margin

Provenance: Private Collection, Montreal

image 15 x 21.25 in — 38.1 x 54 cm

Provenance: Masters Gallery Ltd., Calgary Estate of Alison Hymas, Toronto, ON

$75—100

$200–400

$400—600


49

50

51

ALEXEY TERENIN (1969-), RUSSIAN

ROSLYN LEVIN (20TH CENTURY) CHARGING LION sumi-e signed in pencil top right Paper 18.5 ins x 9 ins; 47 cms x 22.9 cms

VIVIAN GOTTHEIM (1952-), BRAZILIAN LE POISSON ROUGE, 1993 oil pastel

Provenance: Private Collection, Montreal

11 ins x 15 ins; 28.5 cms x 38 cms

HEAD OF THE HORSE, 1994 mixed media on paper signed and dated 94 lower right, gallery label verso Sheet 18.25 ins x 24 ins; 46.4 cms x 61 cms Provenance: Private Collection, Montreal Galerie Rolland, Montreal

$50–100

signed, titled, dated 1993 verso

Provenance: Private Collection, Montreal $120—180

$300—400

52

53

54

TONY SCHERMAN, R.C.A. (1950-), CANADIAN

MICHAEL C. MCCULLOUGH (20TH CENTURY), AMERICAN (CHOCTAW NATION)

WILL OGILVIE (1901-1989), CANADIAN/ SOUTH AFRICAN

UNTITLED, 1981 mixed media on paper signed, dated 1981 and inscribed “For Marshall, Best Wishes” to lower edge 20.5 ins x 11.75 ins; 52.1 cms x 29.8 cms Provenance: Collection of Marshall Webb, Toronto Private Collection, Montréal Exhibited: Galerie John A. Schwetzer, Montréal, Bleu / Blue, February 6 - 28, 1988 $500—1,000

TIMELESS pair of watercolours on paper with ceramic fragments both signed lower le! each 8.5 x 7.75 in — 21.6 x 19.7 cm $80—100

YOUNG RIDER print titled and numbered 70/100 in pencil to margin image 7 x 10.25 in — 17.8 x 26 cm $60—80


55

56

57

MARJORIE BELCHER SMITH (20TH CENTURY), CANADIAN

AMERICAN SCHOOL (19TH CENTURY), AMERICAN

JOHN MARTIN ALFSEN (1902-1971), CANADIAN

PORTRAIT OF FRED VARLEY oil on canvas

AUSTRIAN MAN SMOKING A PIPE WITH A TANKARD AT HIS SIDE oil on canvas

UNTITLED (PORTRAIT OF A BOY) oil on canvas

signed lower right 20 ins x 24 ins; 50.8 cms x 61 cms Provenance: Private Collection, Quebec $700—1,000

indistinctly signed upper right 17 x 11 in — 43.2 x 27.9 cm Provenance: Originally a collection in New York, label verso; The Estate of Janet Graham, Nobleton, Ontario $300—500

58

59

DON LAFORTE (1947-), CANADIAN

ANTS ERIK VOMM (1931-2003), ESTONIAN/CANADIAN

PORTRAIT, 1969 pen and ink on paper signed and dated '69 lower right image 16 x 21.5 in — 40.6 x 54.6 cm $50—75

MODEL WITH FLOWERS, 1971 oil on canvas board signed and dated lower right, Eaton's label verso and accompanied with original receipt 23.75 x 17.75 in — 60.3 x 45.1 cm $80—120

signed lower right, label verso 26.75 x 17.5 in — 67.9 x 44.5 cm Exhibited: Juried Exhibition, The Art Gallery of Toronto, Grange Park $100—200


60

61

62

MARIO MARTIN DEL CAMPO (1945-), MEXICAN

HANS DIEBOW (1896-1975), GERMAN

JOHN DROSKA (1920-2005), AMERICAN

UNTITLED, 1974 ink and sepia wash on paper signed and dated '74 lower le!, gallery label verso Sheet 14.5 x 22 in — 36.8 x 55.9 cm Provenance: Campbell's Gallery, Toronto $100—200

PORTRAIT OF A WOMAN oil on masonite signed lower right sight 26 x 21 in — 66 x 53.3 cm $100—150

NORTH AMERICAN INDIAN IN A FEATHERED HEADDRESS HIS STALLION AT HIS SIDE, 1977 watercolour on paper signed mid le!, signed and dated July 9, 1977 in pen and ink to the backing paper, the artist’s business card a"ached to the verso: 11217 Meadowbrook Drive, Warren, Michigan Sheet sight 19 x 15.25 in — 48.3 x 38.7 cm; 15 x 13 in — 38.1 x 33 cm Provenance: Private Collection, London, Ontario, proceeds to benefit McIntosh Gallery, Western University $150—250


63

64

65

AFTER PAL FRIED (1893-1976), HUNGARIAN/AMERICAN

ATSUKO KOHATA (20TH CENTURY)

ALEXANDER CALDER (1898-1976), AMERICAN

NUDE IN A HAT AND STOCKINGS mixed media embellished print process on canvas signed lower le! 24.2 x 29.8 in — 61.5 x 75.7 cm Provenance: Estate Collection, Toronto $100—200

SKYLIGHT, 1986 oil on canvas signed, titled, and dated on stretcher overall 72 ins x 56.5 ins; 182.9 cms x 143.5 cms Provenance: Private Collection, Toronto $300—400

SUNBURST (FROM THE FLYING COLORS COLLECTION) (ONE FROM THE SET OF 6), 1974 colour lithograph Printed on "The Flying Colors Collection 1975" blindstamped paper lower right; signed with initials and dated 74 in the plate lower right, titled to publisher's sheet a"ached to the verso. A!er a painting by Calder commissioned by Braniff International, the series published by Old Master of Modern Art, New York completed in October, 1973, New York, publisher's label verso Sheet 19.75 x 25.75 in — 50.2 x 65.4 cm $200—300


66

67

68

SHEILA ** (20TH CENTURY)

SHEILA ** (20TH CENTURY)

TUMBLER, 1976 mixed media on paper

MEN, 1977 mixed media on paper

indistinctly signed and dated '76 lower right, titled lower le!

indistinctly signed and dated '77 lower right, titled lower le!; condition noted

ERIK GAMBLE (1950-2007) AFTERMATH, 1977 acrylic and chalk on paper signed and dated '77 lower right, titled lower le!, gallery label verso Sheet 31.5 x 23 in — 80 x 58.4 cm

Sheet 37.5 x 24.5 in — 95.3 x 62.2 cm

Sheet 22.25 x 29.5 in — 56.5 x 74.9 cm

$75—100

$100—150

69

70

71

ANDRÉ BERTOUNESQUE (1937-2005) UNTITLED oil on canvas signed lower right 23.5 x 35.75 in — 59.7 x 90.8 cm

SERAFINO

PHIL RICHARDS (1951-), CANADIAN

INFERNO oil on canvas

A SLIGHTLY BENT MIRÒ ON EASTER ISLAND, 1991 casein on paper

$200–300

signed "Serafino" lower right, titled lower le! 47.75 x 48 in — 121.3 x 121.9 cm $400—600

Provenance: Private Collection, Toronto David Mirvish Gallery, Toronto $100–150

signed, titled, dated "March 20-30, 1991" lower right; gallery label verso image 28 ins x 21 ins; 71.1 cms x 53.3 cms Provenance: Private Collection, Toronto Mira Godard Gallery, Toronto $400—600


72

73

74

STU OXLEY (1950-) BOURNEMOUTH #9, 2004 colour etching and chine colle monotype signed and dated ‘04 in pencil in the image, titled, dated 2004 and numbered “edition 1/1” to gallery label verso Image/Sheet 21 x 41.5 in — 53.3 x 105.4 cm; 26 x 47 in — 66 x 119.4 cm

JEAN-GUY SAINT ARNEAULT (1936-), CANADIAN

JEAN-GUY SAINT ARNEAULT (1936-) TWO WORKS: PARIS I AND LE CAIRE 2 mixed media on canvas signed lower right, gallery label verso; unframed each 19.1 ins x 19.3 ins; 48.5 cms x 49 cms

Provenance: Mira Godard Gallery, Toronto Private Collection, Toronto $300–500

MADRID mixed media on canvas signed lower right, gallery label verso; unframed overall 35 ins x 34.1 ins; 89 cms x 86.5 cms Provenance: Private Collection, Montreal Galerie DuGazon-Couture, Montreal

Provenance: Private Collection, Montreal Galerie DuGazon-Couture, Montreal $50–100

$50—100

75

76

77

MARTIN CADORETTE (1973-), CANADIAN

PIETRO ADAMO (1955-), CANADIAN

MARISOL D'ESTRABEAU (1982-) ANCESTROS: MAESTROS DEL UNIVERSO, 2006 mixed media on paper signed, dated lower right; titled au verso Sheet 9.4 ins x 12.6 ins; 24 cms x 32 cms

BLURRED GLASS oil on canvas signed; also signed and titled on the reverse 36 x 36 in — 91.4 x 91.4 cm Provenance: Private Collection, Montreal $200—300

UNTITLED oil on canvas signed lower right 40 x 60 in — 101.6 x 152.4 cm Provenance: Private Collection, Montreal $300—500

Provenance: Private Collection, Montreal $50–100


78

79

80

MARY SIVUARAPIK (1949-), E9-1854; LUKASSIE TUKALAK (1917- ), E9-1854, POVUNGNITUK / PUVIRNITUQ TWO STONECUTS: INTERIOR IGLOO SCENE; THE LITTLE BOY WHO SUDDENLY BECAME A GIANT stonecuts

PUDLO PUDLAT (1916-1992); KAKULU SAGIATUK (1940-), ᐳᓗ ᐳᓚ, E7-899, CAPE DORSET / KINNGAIT TWO STONECUTS: ARCTIC ANGEL, 1969; BIRDMAN, 1970 stonecut, 23/50; 16/50, condition noted

HAROLD QARLIKSAQ (1928-1980), BAKER LAKE / QAMANI’TUAQ THE CARIBOU FIGHTS A WOLF stonecut, 1980, 3/50, framed, sight

23.5 x 33 in — 59.7 x 83.8 cm

$100—150

15.5 x 20 in — 39.4 x 50.8 cm; 15.5 x 17.5 in — 39.4 x 44.5 cm

9.5 x 11 in — 24.1 x 27.9 cm

$250—350

$200—400

81

83

84

KAKULU SAGIATUK (1940-), E7-930, CAPE DORSET / KINNGAIT BOY IN BLUE etching and aquatint, 1998, 35/50, framed

KOOTOO MANNO (1952), FROBISHER BAY / IQALUIT TWO STONECUTS: THE HUNTER; HUNTER GROUP stonecut, 1981, 12/50; 1981, 6/50

HELEN KALVAK, C.M., R.C.A. (1901 -1984), W2-423, HOLMAN / ULUKHAKTOK CARIBOU AND WOLF stonecut, 1969, 35/50, framed, sight

11 x 17 in — 27.9 x 43.2 cm; 14 x 21 in — 35.6 x 53.3 cm

17 x 22 in — 43.2 x 55.9 cm

plate 11.5 x 12 in — 29.2 x 30.5 cm $200—400

$150—200

$200—300


85

86

87

HENRY NAPARTUK (1932-1985); KOOTOO MANNO (1953), E9-1652, GREAT WHALE RIVER / KUUJJUARAAPIK UNTITLED (HUNTER AT FOX TRAP); SEAL HUNTER stonecut, 1963, 2/40; 1981, 45/50

DANIEL INUKPUK (1942-); PETER POV, E9-882, PORT HARRISON / INUKJUAK TWO STONECUTS: MAN WITH DOG; PULLING THE KOMATIK stonecut, 1976, 19/40; 1986, 22/50

AGNES NANOGAK (1925-2001); LUCASSIE TOOKALOOK, W2-473, HOLMAN TWO STONECUTS: REVENGE; BEAR ATTACK stonecut, 2000, 10/30; 1987, 22/50

9 x 17 in — 22.9 x 43.2 cm; 16 x 19 in — 40.6 x 48.3 cm

12.5 x 14 in — 31.8 x 35.6 cm; 16.5 x 24 in — 41.9 x 61 cm $150—250

$200—400

13 x 16 in — 33 x 40.6 cm; 15 x 22.5 in — 38.1 x 57.2 cm $150—250

88

89

90

CHILDREN OF THE RAVEN GALLERY PRINTS COLLECTION POSTER, 1978 signed by the artists in the exhibition in pencil

JOE ROSENTHAL (1911-2006), AMERICAN

AMERICAN SCHOOL (21ST CENTURY)

30 x 22 in — 76.2 x 55.9 cm $70—100

OLD GLORY GOES UP ON MT. SURIBACHI, IWO JIMA, 1945 silver print titled with cataloguing information to sheet in blue stamped ink verso, with copy of same to framing. 13 x 10.25 in — 33 x 26 cm $200—400

JAMES DEAN aquatint photograph Sheet 10.25 x 8 in — 26 x 20.3 cm $200—400


91

92

93

PAUL JEREMIAS , AMERICAN

PAUL JEREMIAS , AMERICAN

CAROL MARINO (1943-), CANADIAN

ALBUQUERQUE, NM (NEGATIVE NO. ALB086022); ALBUQUERQUE, NM (NEGATIVE NO. ABQ86016), 1986 two dye coupler prints

SANTA FE, NM (NEGATIVE NO. SFE88023); SANTA FE, NM (NEGATIVE NO. SFE88024), 1988 two dye coupler prints

each titled, dated 1986 and numbered 1/10 and 3/10 respectively with negative numbers respectively to gallery labels verso

each titled, dated 1988 and numbered 1/10 with negative numbers to gallery labels verso

APPLE BUCK, 1992 quadriptych: four gelatin toned silver prints mounted to a white paper support surrounded by six water-based stencilled strips of apples mounted to decorate the borders

Sheets 20 x 24 in — 50.8 x 61 cm

Sheets 20 x 24 in — 50.8 x 61 cm

Provenance: Visit Waddingtons.ca for full provenance

Provenance: Jane Corkin Gallery, Toronto; Private Collection Toronto

$300—500

$300—500

signed, titled and dated 1992 along the bo!om edge in pen and ink to the lower right of one image, titled and dated 1992 to gallery label verso Sheet 39.75 x 50.75 in — 99.1 x 127 cm Provenance: Jane Corkin Gallery, Toronto; Private Collection, Toronto $400—600

94

95

96

HEIDI HOLLINGER (1968-), CANADIAN

JOHANNES ZITS, CANADIAN

ALEXEI, 1995 lambda print/impression lambda

RUIM BADKAMER (SPACIOUS BATHROOM) digital print

MARTHA HENRICKSON (1942- ), AMERICAN/CANADIAN

signed, dated and numbered 3/10 in pen lower right image 28 ins x 19 ins; 71.1 cms x 48.3 cms Provenance: Hollinger Collins Gallery, Montreal $100—150

signed and dated '02 lower right, titled lower right Sheet 33.5 x 46 in — 85.1 x 116.8 cm $300—500

SNOW #15, 2004 colour print mounted on aluminum signed, titled, dated 2004 and numbered 1/7 in pencil to the aluminum sheet below the mounted print, titled, dated 2004 and numbered “ed. 1/7” to gallery label verso Sheet 27 x 40.5 in — 68.6 x 102.9 cm Provenance: Corkin Shopland Gallery, Toronto; Private Collection, Toronto $400—600


97

98

99

MARTHA HENRICKSON, (1942-), AMERICAN/CANADIAN

GRIT SCHWEDTFEGER (1971-), GERMAN

ANTHONY GOICOLEA (1971-), CUBAN/AMERICAN

SNOW #16, 2004 colour print mounted on aluminum

WEIDE (FROM THE DISTANZ SERIES), 2006 colour print

SKY LIFT (FROM ALMOST SAFE SERIES), 2006-2007 black and white c-print on Di-Bond with non-glare, UV plexi laminate face mount

signed, titled, dated 2004 and numbered 1/7 in pencil to the aluminum sheet below the mounted print, titled, dated 2004 and numbered “ed. 1/7” to gallery label verso Sheet 27 x 40.5 in — 68.6 x 102.9 cm Provenance: Corkin Shopland Gallery, Toronto; Private Collection, Toronto

signed “Schwedtfeger” in pen and ink to gallery label verso, titled, dated 2006 and numbered “ed. 2/6” to gallery label verso Sheet 28 x 41 in — 71.1 x 104.1 cm Provenance: Corkin Gallery, Toronto; Private Collection, Toronto

the title, date and edition size of this print being recorded as “7/9” in the inventory of the collector Sheet 45 x 73 in — 114.3 x 185.4 cm Provenance: Private Collection, Toronto

$500—700

$1,000—1,500

100

101

102

NADIESHDA INDA GONZÀLEZ INDIRA EN INFANTA, HABANA, CUBA, 2009 photograph signed, titled, dated 2009 verso image 18.75 ins x 18.75 ins; 47.6 cms x 47.6 cms

YANNIS TSAROUCHIS (1910-1989) UNTITLED poster signed in the plate upper le!, numbered "EA" in pencil Sheet 31.25 x 43 in — 79.4 x 109.2 cm

Collection of Vintage Film Posters 13 posters; condition noted

$400—600

Provenance: Private Collection, Montreal

Provenance: The Estate of Katerina Haka-Ikse, Toronto

$50–100

$80–120

$200—300


103

104

105

Pierre Ellio! Trudeau Campaign Poster, 1968 by Pop Posters Ltd., Toronto with mo!o “Canada Un One Country/Canada Un Pays, 28 x 22 in — 71.1 x 55.9 cm

Canadian National Exhibiton Poster, ‘Time Being’, 15 Aug. - Sept. 2, 1968 artwork by Colin Beswick unframed, 40.75 x 29.5 in — 103.5 x 74.9 cm

$100—150

$30—50

Cesar Chavez' Visit to Canada, October 17 to 25, 1969 In Support of the United States Grape Boyco! Poster Design - Bruce M. Rapp Associates, Toronto. Photographer - Theo Halmay unframed, 27 x 17.75 in — 68.6 x 45.1 cm

106

107

108

HAROLD TOWN (1924-1990), CANADIAN

JIM DINE (1935-), AMERICAN

LEROY NEIMAN (1921-2012) ROULETTE II, 1970 poster, signed in pencil lower le#; condition noted (faded)

DAVID CROMBIE MAYORAL CAMPAIGN PRINT, 1974 offset lithograph signed, dated, editioned 45/100 in pencil. "Take a minute, make the next two years count. Toronto, December 2nd, 1974. 'Memory Wall' (1965) 60-1/8 x 40'. This poster has been reproduced in a signed limited edition of 100 by kind permission of Harold Town. all proceeds to the campaign for David Crombie as Mayor of the City of Toronto. Offset lithograph: Herzig Somerville Ltd." Condition noted. unframed Sheet 39 x 24.5 in — 99.1 x 62.2 cm $150—200

LOOK AT DINE offset lithograph signed and dated 1970 in the image, unframed, condition noted Provenance: Private Collection, Toronto $100—150

$30—50

image 18.75 x 22.5 in — 47.6 x 57.2 cm Provenance: Private Collection, Toronto $75—125


109

110

111

Fluorescent Sunrise Over Aztec Pyramid Poster, c.1970 verso stamped: ‘Made in U.S.A.’, unframed, 27.25 x 21.75 in — 69.2 x 55.2 cm

Cool Cat Poster Copyright Warner Bros. Seven Arts, Inc. Produced by Artko Studios, Inc. Stamped: ‘Made in U.S.A.’; unframed, 35.2 x 23 in — 89.5 x 58.5 cm

Bugs Bunny Poster Copyright Warner Bros. Seven Arts, Inc. Produced by Artko Studios, Inc.; unframed, 35 x 23 in — 88.9 x 58.5 cm

$30—50

$30—50

$30—50

112

113

114

Tweety Poster Copyright Warner Bros. Seven Arts, Inc. Produced by Artko Studios, Inc. Stamped: ‘Made in U.S.A.’; unframed, 35 x 23 in — 89 x 58.5 cm

Dragon LeRoy Olson Poster, 1968 Artko Studios. P.O. Box 260, North Hollywood, Calif.; unframed, 35 x 23 in — 89 x 58.5 cm

Easy Rider Poster "Copyright 1967 Personality Posters of Canada Ltd., 1285 Hodge St., Montreal 9, Canada. Printed in Canada"; unframed, 29.5 x 51.25 in — 74.9 x 130.2 cm

$30—50

$30—50

$30—50


115

116

117

Easy Rider in Three Colours Poster verso stamped ‘Made in U.S.A.’; unframed, 32.1 x 41.75 in — 81.5 x 106 cm

Tomorrow’s President Poster, 1968 ‘copyright Gemini Enterprises’ and stamped ‘Made in USA’; unframed, 29 x 21.75 in — 73.7 x 55.2 cm

Hendrix! Concert Poster, May 3, 1969 "CHUM FM in co-operation with CORAPROMOTIONS PRESENTS Warner Brothers-Seven Arts Recording Artists THE JIMI HENDRIX EXPERIENCE with Noel Redding, Mitch Mitchell, Cat Mother & West Fauster MAPLE LEAF GARDENS - Saturday, May 3, 1969 - 8 p.m. - Tickets on sale at all Maple Leaf outlets, A & A store, all Recordvilla stores and The Turn Table Club. - $2.50 - $3.50 - $4.50 - $5.50" unframed, 25 x 17.25 in — 63.5 x 43.8 cm

$30—50

$30—50

$300—500

117A

118

119

Trans Continental Pop Festival (Festival Express) Poster, 1970 design by Ken Walker, art by John Hayward Lown; unframed, 22.25 x 17.25 in — 56.5 x 43.8 cm

Walrus Postage Poster "ver sacrum, bart, 67"; unframed, 28 x 17 in — 71.1 x 43.2 cm

The Village Voice Poster "expected the unexpected". Artwork by T. Ungerer. Condition noted; unframed

$30—50

$30—50

$200—300


120

121

122

Hubert Humphrey Three Dollar Bill Novelty Poster "Copyright 1968 Gemini Enterprises"; unframed, 15 x 35 in — 38.1 x 88.9 cm

Virgo Happy Birthday Poster "Posterz, Copyright 1969 Groovy Corporation (Canada) Ltd., Gary Du!on, Design, Created and Printed in Canada"; unframed, 35 x 35 in — 88.9 x 88.9 cm

WILLIAM HODD MCELCHERAN, R.C. A. (1927-1999) UNTITLED (READING THE DAILY NEWS) ceramic 14 ins x 14 ins x 1 ins; 35.6 cms x 35.6 cms x 2.5 cms

$30—50

$30—50

Provenance: Private Collection, Toronto $600–800

123

124

125

WILLIAM HODD MCELCHERAN, R.C. A. (1927-1999) UNTITLED (BUSINESS MAN ON TELEPHONE) ceramic 14 ins x 14 ins x 1 ins; 35.6 cms x 35.6 cms x 2.5 cms

BRUCE GARNER (1934-2012), CANADIAN FAIRY CASTLE bronze

NORMAND FORGET ELUKU-EKILLI (BATEAU), 2005 stone on bronze base signed, titled, dated on base; condition noted overall 10 ins x 21 ins; 25.4 cms x 53.3 cms

Provenance: Private Collection, Toronto

Provenance: Private Collection, O!awa

$600–800

$200—300

overall 32 x 26 in — 81.3 x 66 cm

Provenance: Private Collection, Montreal $100–150


127

128

129

Ten Stone Fragments framed in a wood panel, oxidization, frame in good condition, length 20.9 in — 53 cm

A Group of Miscellaneous Asian Objects largest length 5.1 in — 13 cm

ARTIST MONOGRAPHS. REFERENCE BOOKS, 5 VOLUMES. José Gudiol, “Goya”. New York: Harry N. Abrams, the Library of Great Painters, n. d.;

$50—80

$50—120

Charles de Tolnay, “Hieronymus Bosch”. New York: Reynal and Company, 1966; J.-B. de la Faille, “The Works of Vincent van Gogh: His Paintings and Drawings”. Amsterdam: Meulenhoff International, 1970; Horst Gerson, “Rembrandt: Paintings”. Amsterdam: Meulenhoff International, 1968; “Leonardo da Vinci”. New York: Reynal and Company, n.d. $—


130

131

132

ARTIST MONOGRAPHS. REFERENCE BOOKS, 5 VOLUMES. Harry Torczyner, “Magri!e: Ideas and Images”. New York: Harry N Abrams, 1977;

ARTIST MONOGRAPHS. REFERENCE BOOKS, 7 VOLUMES. All published New York: Harry N. Abrams, the Library of Great Painters. n. d.

ARTIST MONOGRAPHS. REFERENCE BOOKS, 7 VOLUMES. All published New York: Harry N. Abrams, the Library of Great Painters. n. d.

John P. O’Neill, ed. “Clyfford Still”. New York: The Metropolitan Museum of Art, 1979;

Douglas Cooper,“Henri de ToulouseLautrec”;

Stephen Lackner, “Max Beckmann”;

Carter Ratcliff, “Botero”. New York: Abbevill Press, 1980;

William C. Sietz, “Claude Monet”;

G. di San Lazzaro, “Homage to Wassily Kadinsky”. New York: Leon Amiel, 1975; Jan van der Marck, “George Segal”. New York: Harry N. Abrams, 1975. $75—100

André Fermigier, “Pierre Bonnard”;

Pierre Courthion, “Edouard Manet”; Alfred Werner, “Amedeo Modigliani”; Daniel Ca!on Rich, “Edgar Hilaire Germain Degas”; Pierre Courthion,“ Georges Seurat” $75—100

Raymond Cogniat, “Georges Braque”; Pierre Courthion, “George Rouault”; Meyer Schapier, “Vincent van Gogh”; Robert Goldwater, “Paul Gaugin”; Werner Schmalenbach, “Fernand Léger”; Will Grohmann, “Paul Klee”. $75—100


133 ARTIST MONOGRAPHS. REFERENCE BOOKS, 7 VOLUMES. All published New York: Harry N. Abrams, the Library of Great Painters. n. d. Jonathan Brown, “Franciso de Zurbarán”; Ludwig Münz, “Rembrandt Harmensz van Rijn”; David Rosand, “Titian”; José Gudiol, “Francisco de Goya y Lucientes”; Alfred Moir, “Caravaggio”; H. P. Baard, “Frans Hals”; Jack Wasserman, “Leonardo da Vinci”. $75—100


Notes:


Fine Prints & Photography Online Auction APRIL 6 - 11


Buying at Waddington’s All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or oral announcement. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any oral announcement or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s™ and the consignor (seller) of the lot. Descriptions or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale.

condition of lots

All of the items are to be considered, unless otherwise noted in the description, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should examine the pieces in person or have our staff answer any questions before bidding. Sizes are approximate. It is the sole responsibility of the bidder to inquire as to the condition of a lot before bidding. Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale. Frames on artwork are not included as part of purchase or condition.

buyers premium

A premium of 20% of the successful bid price of each lot. A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer’s premium, except for purchases exported from Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province.

payment

Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), VISA or Mastercard (up to $25,000). ALL PRICES IN CANADIAN FUNDS

Selling at Waddington’s bidding

The Auctioneer may also execute bids on behalf of the consignor to protect the reserve. The reserve is the confidential minimum price the seller is willing to accept for his or her property, below which it will not be sold.

shipping

waddington’s commission rates Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $251 to $2,500 20%

The Auctioneers will not undertake packing or shipping. The purchaser must designate and arrange for the services of an independent shipper and be responsible for all shipping, insurance expenses and any necessary export permits that may apply. The Auctioneers will, upon request, provide names of professional packers and shippers but will not be held responsible for the service or have any liability for providing this information. Reliable preauction estimates of shipping costs of lots offered in this sale may be obtained from:

Items selling for $250 or less 25%

PakShip

*There is a minimum handling charge of $20 per item

Envoy 416-299-3367 / 416-299-9750 ph@envoy.ca / www.envoypackandship.com

A 1% insurance charge, based on the hammer price of the property, will be applied to all accounts.

905-470-6874 / 905-470-6875 / 416-293-8225 taurus@pakship.ca / www.pakship.ca

removal of purchases

Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15). Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients.

cites

Restrictions exist regarding the import and export of species protected under CITES (Convention on International Trade in Endangered Species). This includes but is not limited to items made of or containing bone (whalebone etc.), ivory, tortoise shell, seal skin, rhinoceros horn and any other animal part and is strictly controlled or forbidden by most countries. Please review your country’s laws before bidding on pieces made of or containing these restricted items. It is the sole responsibility of the buyer to inquire about and obtain the proper permits for artwork purchased that may contain restricted materials, if such permit can be obtained. Please contact the department for further assistance. Failure to obtain necessary import/ export permits will not void any sale. All Narwhal Tusks must have a Marine Harvest Number or a Marine and Mammal Transport number to be sold at Waddington’s. For more information please visit: www.cites.org

*There is a minimum handling charge of $20 per item canadian art department commission rates Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $2,500 or less 20%

insurance

auction advice

For auction advice on paintings, drawings, prints, jewellery, and various forms of decorative arts and other collectibles, please feel free to contact us via email or telephone. We are pleased to review emails containing photographs and information on your pieces in order to provide auction estimates for you to consider. For collections with a variety of objects, please contact our Appraisals and Consignments department (consignments@waddingtons. ca). For department-specific inquiries, please contact the specialist and/or department directly. All contact information can be found at www.waddingtons.ca. Our offices are located in Toronto and Vancouver, but our specialists regularly travel to major Canadian cities to meet with prospective consignors. To receive more information on Valuation Days across Canada or to arrange an appointment, please contact our Toronto office (416-504-9100). Please note that property typically arrives at Waddington’s at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items. Consignors will receive a contract to sign, setting forth terms and fees for our services.


Conditions of Sale 1. All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted or announced verbally in the auction room prior to the time of sale. While the auctioneer has endeavoured not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made. An opportunity for inspection of each article is offered prior to the time of sale. No sale will be set aside on account of lack of correspondence of the article with its description or its reproduction, if any, whether colour or black & white. Some lots are of an age and/ or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others. Frames on artwork are not included as part of purchase or condition. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid, relying upon their own advisers, and to bid accordingly. 2. Each lot sold is subject to a 20% buyers premium as part of the purchase price. 3. Unless exempted by law, the buyer is required to pay Harmonized Sales Tax on the total purchase price including the buyer’s premium. For international buyers, taxes are not applicable when purchases are shipped out of country. Items shipped out of Ontario, the buyer is required to pay taxes as per the tax status of that province, whether it HST or GST (Goods and Services Tax). 4. The auctioneer reserves the right to withdraw any lot from sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice. 5. The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized. 6. Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in attendance at the sale. 7. The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The auctioneer’s decision in all cases shall be final. 8. Immediately after the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-offering the item for sale.

9. The buyer shall pay for all lots within 48 hours from the date of the sale, after which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale, after which storage charges may be incurred. 10. Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away. 11. Notwithstanding condition no. 1, if the buyer, prior to removal of a lot, makes arrangements satisfactory to the auctioneer for the inspection of such lot by a fully qualified person acceptable to the auctioneer to determine the genuineness or authenticity of the lot, to be carried out promptly following the sale of the lot, and if, but only if, within a period of 14 days following the sale a written opinion of such person is presented to the auctioneer to the effect that the lot is not genuine or authentic, accompanied by a written request by the buyer for rescission of the sale, then the sale of the lot will be rescinded and the sale price refunded to the buyer. 12. Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), and VISA or Mastercard (up to $25,000). 13. In the event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for: (a) any deficiency in price between the re-sale amount and the amount to have been paid by the original buyer; (b) any reasonable charge by the auctioneer for the storage of such articles until payment and removal by the subsequent buyer; and (c) the amount of commission which the auctioneer would have earned had payment been made in full by the original buyer. 14. It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them. 15. The auctioneer acts solely as agent for the consignor and makes no representation as to any attribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada). 16. The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.


Waddington’s 275 King Street East, Second Floor Toronto, Ontario M5A 1K2

tel: 416-504-9100 toll free: 1-877-504-5700 www.waddingtons.ca

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No Blank Walls Online Auction | Mar. 23 - 28, 2019  

Auction catalogue for our upcoming No Blank Walls auction to be held online during March 23 - 28, 2019

No Blank Walls Online Auction | Mar. 23 - 28, 2019  

Auction catalogue for our upcoming No Blank Walls auction to be held online during March 23 - 28, 2019