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19th -21st Century International Art F E B RUA RY 23 - 28, 2 01 9


19th -21st Century International Art Online Auction FEBRUARY 23-28, 2019


bid online at onlineauctions.waddingtons.ca all lots can be viewed online at www.waddingtons.ca on view Sunday, February 24 from 12:00 pm to 4:00 pm

senior specialist Susan Robertson sr@waddingtons.ca 416-847-6179

consignment coordinator Alec Kerr ak@waddingtons.ca 416-847-6166

front cover Lot 67

ANDRE GISSON (1921-2003), AMERICAN CHILDREN IN A GARDEN (DETAIL)

front inside cover Lot 47

PAL FRIED (1893-1976), HUNGARIAN/AMERICAN THE BLACK GLOVES

back inside cover

Monday, September 25 from 12:00 pm to 7:00 pm

Lot 116

WILLIAM R. C. WATSON (1866-1921), SCOTTISH MORNING, GLEN FYNE, 1892

preview held at 275 King Street East, 2nd Floor Toronto, Ontario M5A 1K2

back cover Lot 162 WILLEM KOEKKOEK (1839-1895), DUTCH TOWN SCENE IN SNOW (ENKHUIZEN?)

tel: 416-504-9100 toll free: 1-877-504-5700

This catalogue and its contents © 2019 Waddington McLean & Company Ltd.

This auction is subject to the Conditions of Sale printed in the back of this catalogue.

Photography & design by Waddington’s All Rights reserved.


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19TH CENTURY AMERICAN PAIR OF FAMILY PORTRAITS: MR. S.R.W. HEATH; CATHERINE CRITTENDENE HEATH (WIFE OF S.R.W. HEATH)

Pair of oils on canvas; each titled to inscribed labels verso 34.5 x 26 in — 87.6 x 66 cm Provenance: Fred.K Keer's Sons Framers and Fine Art Dealers, Newark, N.J. labels verso;Each from the Collection of Mrs. F.S. Douglas labels verso; The Estate of Janet Graham, Nobleton, Ontario

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3

ATTRIBUTED TO JOHN SINGLETON COPLEY (1738-1815), ANGLO-AMERICAN

JARED BRADLEY FLAGG (1820-1899), AMERICAN

CATHERINE HARVEY (NEE SPRINGETT), DIED 1809, AGE 84, MARRIED RICHARD HARVEY

PORTRAIT OF A YOUNG LADY IN GREEN WEARING A FRILLY CAP, 1886

Ink and watercolour on paper in a sculpted oval with hand-drawn oval, ruled watercolour matboard; signed and inscribed: "J.S. Copley: Pinx." and dated 1794 lower le!

Oil on canvas; signed and dated 1886 lower le! 21 x 17 in — 53.3 x 43.2 cm $500—700

Sheet/Image 12.4 x 10.4 in — 31.5 x 26.5 cm; 9 x 7.75 in — 22.9 x 19.7 cm $800—1,200

$1,000—2,000

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E. VAN VALKENBURG (FL. 1884) CONSTANCE CURTIS (1869-1959), AMERICAN TWO PORTRAITS; A GENTLEMAN, 1884; A LADY WEARING GLASSES, 1891

Two oils on canvas; the man, signed "E. Van Valkenburg" and dated 1884 lower right, the lady; signed "C. Curtis" and dated 1891 verso. Contained in matching frames. Each 23.75 x 20 in — 60.3 x 50.8 cm $500—700

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6

19TH/20TH CENTURY AMERICAN SCHOOL

FOLLOWER OF JOHN GEORGE BROWN (1831-1913), AMERICAN

SAID TO BE A PORTRAIT OF A VAQUERO (JOHN RINGLING- RINGLING BROS. CIRCUS)

STREET URCHIN DRESSING IN HIS FINEST

Oil on paper laid on card

Oil on 19th century grey board; bears signature “J.G. Brown N.A.” upper le!

9.5 x 7.5 in — 24.1 x 19.1 cm

9.3 x 5.9 in — 23.5 x 15 cm

Provenance: Visit Waddingtons.ca for full provenance

Provenance: Private Estate Collection, Montreal

$400—600

$300—500


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8

9

ALEXANDER FRANCOIS LOEMANS (CIRCA 1816-1898), DUTCH BORN/AMERICAN/CANADIAN

ATTRIBUTED TO WILLIAM GAY YORKE (1817 - 1892), AMERICAN/CANADIAN/BRITISH

JAMES J. MCAULIFFE (1848-1921), AMERICAN

RIVER LANDSCAPE WITH FIGURES FISHING ON SHORE WATCHING BOATS

ALL HANDS ON DECK

Oil on canvas; signed “Loemans” lower le! 22 x 36 in — 55.9 x 91.4 cm Provenance: N. Rheaume & Bros, Montreal partial label to the stretcher; Private Collection, Montreal

Oil on board; signed indistinctly with initials lower right, titled lower le! 13 x 20 in — 33 x 50.8 cm $1,000—1,500

IN BAY OF FUNDY

Oil on canvas; signed lower right, titled to the stretcher 20 x 30 in — 50.8 x 76.2 cm $700—900

$1,000—1,500

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11

12

FRANK CRAWFORD PENFOLD (1849-1921), AMERICAN

THERESA FERBER BERNSTEIN (1890-2002), POLISH/AMERICAN

NATHAN WASSERBERGER (1928-2012), POLISH/AMERICAN

YOUNG WOMAN RECLINING IN A FIELD WITH DISTANT BOATS

STILL LIFE WITH ROSES, CIRCA 1926

WOMAN IN JAPANESE KIMONO

Oil on canvas; signed lower le!, signed "Theresa F. Bernstein" with the artist's address: "39 West 67th St." in pen and ink to a partial label to the frame, titled "Still Life" to gallery label verso

Oil on canvas; signed lower le!

Oil on canvas; bears signature lower le! 19.5 x 35.5 in — 49.5 x 90.2 cm Provenance: Private Collection, Peterborough by descent through the family, originally from the great grandmother's collection $2,000—3,000

17.75 x 23 in — 45.1 x 58.4 cm Provenance: With W.S. Budworth & Son, New York label to the frame; Grand Central Art Galleries, New York, No. 6991, their label inscribed "5-8 -26" (1926) in pen and ink to the label to the stretcher $700—900

36 x 23.75 in — 91.4 x 60.3 cm $400—600


13

14

15

MAX WEYL (1837-1914), AMERICAN

MAX WEYL (1837-1914), AMERICAN

APPLE BLOSSOMS IN SPRING

RIVER LANDSCAPE (ON THE ...)

ERNEST HENRY POHL (1874-1956), AMERICAN

Oil on canvas; signed lower le!

Oil on canvas; signed with presentation: "To Mrs. F.S. Douglas compliments of Max Weyl" lower right, titled indistinctly in pencil verso

20 x 30 in — 50.8 x 76.2 cm Provenance: Fred.K Keer's Sons Framers and Fine Art Dealers, Newark, N.J. label to the frame verso; The Estate of Janet Graham, Nobleton, Ontario $800—1,200

10 x 14 in — 25.4 x 35.6 cm Provenance: The artist; Presented by him to Mrs. F.S. Douglas; The Estate of Janet Graham, Nobleton, Ontario

SUN RISE

Colour pastel on paper; signed lower right, signed and titled to the handwri"en artist's label from the artist's studio located at 4468 Hortensia St., San Pasqual Valley, San Diego inscribed to label verso backing Sight 19.75 x 23.5 in — 50.2 x 59.7 cm $800—1,200

$400—600

16

17

18

JOHN FRANCIS MURPHY (1853-1921), AMERICAN

ARTHUR PARTON (1842-1914), AMERICAN

EDWARD B. GAY (1837-1928), AMERICAN

FIGURE STANDING IN A FIELD

WOODED LANDSCAPE WITH BOY ON THE HILLSIDE

"PASTURE SCENE" (COWS IN A LANDSCAPE)

Oil on canvas; signed lower le!

Oil on canvas. Unsigned. Unframed.

6 x 8 in — 15.2 x 20.3 cm

15 x 21 in — 38.1 x 53.3 cm

Oil on panel; signed lower le!; titled in pen and ink to label verso

Provenance: Fred.K Keer’s Sons Framers and Fine Art Dealers, Newark, N.J.; The Estate of Janet Graham, Nobleton, Ontario

Provenance: Ex. Coll. Elizabeth Woodbridge Parton, the artist’s daughter and her husband, Robert Tyler Bonnezen, N.S.; By descent to Arthur Barre" Bonnezen and his wife, Chester, Nova Scotia; Their Estate, Chester, Nova Scotia

$700—900

$400—600

19 x 17 in — 48.3 x 43.2 cm Provenance: Fred.K Keer's Sons Framers and Fine Art Dealers, Newark, N.J. label frame verso; The Estate of Janet Graham, Nobleton, Ontario $900—1,200


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20

21

HIRAM PEABODY FLAGG (1859-1937), AMERICAN

HIRAM PEABODY FLAGG (1859-1937), AMERICAN

HARTWELL LEON WOODCOCK (1853-1929), AMERICAN

SHEEP HERDER APPROACHING A GROVE OF TREES

CHANGING PASTURES, 1916

PORT, BAHAMAS, 1921

Oil on canvas; signed lower le!

Oil on canvas; signed and dated 1916 lower le!, titled to the nameplate

Watercolour; signed and dated 1921 lower le!

16 x 24 in — 40.6 x 61 cm

12 x 16 in — 30.5 x 40.6 cm

Sight 23.75 x 18.5 in — 60.3 x 47 cm

$500—700

Provenance: Private Collection of Katherine Cowan; To Alice Cowan inscribed to label verso backing; With the same family, Collingwood, Ontario

$500—700

$400—600

22

23

24

FREDERIC SCHILLER COZZENS (1846-1928), AMERICAN

FREDERIC SCHILLER COZZENS (1846-1928), AMERICAN

FREDERIC SCHILLER COZZENS (1846-1928), AMERICAN

YACHT RACING, 1909

YACHT AND OTHER SHIPPING, 1903

Watercolour; signed and dated 09 lower le!, titled to gallery label verso

Watercolour; signed and dated “Aug. 22nd 1903” lower le!

SHIP APPROACHING SHORE, FISHERMEN AT RIGHT, 1896

Sight 11.8 x 18.9 in — 30 x 48 cm

Sheet 13.4 x 21.3 in — 34 x 54 cm

Provenance: J. Assenheim & Son, New York label verso; The Estate of Janet Graham, Nobleton, Ontario

Provenance: The Estate of Janet Graham, Nobleton, Ontario

$500—700

$500—700

Watercolour; signed and dated 96 lower le! 13.75 x 21 in — 34.9 x 53.3 cm Provenance: J. Assenheim & Son, New York label verso; The Estate of Janet Graham, Nobleton, Ontario $300—500


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26

29

FREDERIC SCHILLER COZZENS (1846-1928), AMERICAN

FREDERIC SCHILLER COZZENS (1846-1928), AMERICAN

FREDERIC SCHILLER COZZENS (1846-1928), AMERICAN

TWO MEN IN A DINGY, 1898

PIER WITH CITY SKYLINE, 1903

"CLIPPER SHIP COMET", 1916

Watercolour; signed and dated 98 lower le!

Watercolour; signed and dated 1903 lower le!

9.5 x 13 in — 24.1 x 33 cm

Sight 9.8 x 15 in — 25 x 38 cm

Watercolour; signed and dated 16 lower le!, signed and titled in pencil below the image in the border lower le!

Provenance: J. Assenheim & Son, New York; The Estate of Janet Graham, Nobleton, Ontario

Provenance: The Estate of Janet Graham, Nobleton, Ontario

$300—500

$200—300

Image 13.5 x 21.75 in — 34.3 x 55.2 cm Provenance: J. Assenheim & Son, New York label verso; The Estate of Janet Graham, Nobleton, Ontario $500—700

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31

32

SAM OSTROWSKY (1886-1950), RUSSIAN/AMERICAN

SAM OSTROWSKY (1886-1950), RUSSIAN/AMERICAN

VILLAGE HOUSES, 1935

EN ETE AU BORD DE LA MARNE, NO. 9

CONSTANTIN ALEKSANDROVICH WESTCHILOFF (1877-1945), RUSSIAN/AMERICAN

Oil on canvas; signed and dated "1935 Fr." lower le!

Oil on canvas; signed lower le!, titled to artist's studio label from his studio at 7 Rue Belloni, Paris, France to the frame verso

25.5 x 32 in — 64.8 x 81.3 cm Provenance: Estate Collection, Toronto $1,000—1,500

23.5 x 36 in — 59.7 x 91.4 cm Provenance: Estate Collection, Toronto $800—1,000

WINTER SUNSET

Oil on canvas; signed "C. Westchiloff" lower le! 21.5 x 25.75 in — 54.6 x 65.4 cm $1,000—1,500


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34

35

GEORGIE READ BARTON (1902–1994), CANADIAN/AMERICAN

GEORGIE READ BARTON (1902–1994), AMERICAN

GEORGIE READ BARTON (1902-1994), CANADIAN/AMERICAN

SUMMER LANDSCAPE VIEW WITH WINDING RIVER, 1978

AUTUMN RIVER WITH LARGE BOULDERS, 1988

HILLSIDE VILLAGE, 1974

Oil on canvasboard; signed and dated ‘78 lower right

Oil on canvas; signed and dated ‘88 lower right

16 x 20 in — 40.6 x 50.8 cm

16 x 20 in — 40.6 x 50.8 cm

Provenance: Private Collection, Toronto purchased in P.E.I.

Provenance: Private Collection, Toronto

$300—400

Oil on canvas; signed and dated '74 lower right 15.5 x 19.75 in — 39.4 x 50.2 cm $300—500

$300—400

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37

38

ROGER DEERING (1904-1980), AMERICAN

LISA DANIELLE (1948- ), AMERICAN

JIMMY WALKER (1927- ), AMERICAN

WINTER AFTERNOON SCARBORO CORNER (ALSO CALLED “QUIET AFTERNOON”)

THE OLD ONES

THE REPUBLIC OF TEXAS, 1973

Acrylic on masonite; signed lower right, signed and titled verso, the frame with artist's studio label: "Paintbrush Ranch Studio"/ Sedona, AZ Territory verso. With a copy of the the artist's signed narrative sheet headed: "Old Ways" that honours the memory of the life of the Plains Indian before the capture of Si"ing Bull and Geronimo a"ached.

Oil on canvas; signed and dated 1973 lower right, signed, titled, dated June 1973 and inscribed: “The Republic of Texas”/ Painted especially for Gaines and Ola a couple of true Texians” by the artist to his handwri"en label to the stretcher

Oil on canvas; signed lower right, titled to the stretcher in pencil, also titled “Quiet A!ernoon” to the a"ached label typed label with printed number “66” a"ached verso 20 x 24 in — 50.8 x 61 cm Provenance: Private Collection, Toronto $400—600

40 x 30.25 in — 101.6 x 76.8 cm Provenance: The artist's studio "Paintbrush Ranch Studio", Sedona, Arizona Territory label; Purchased in June 2010 by the present Private Collection, Kelowna, B.C. $2,000—3,000

30 x 24 in — 76.2 x 61 cm Provenance: From the artist directly, painted especially for the Private Collection, "Gaines and Ola, “Texians”; Private Collection, Toronto $600—800


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40

41

PATRICIA (PAT) MCALLISTER (1958- ), AMERICAN

HUBERT WACKERMANN (1945 - ), AMERICAN

JOHN PAUL STRAIN (1955- ), AMERICAN

ECHOTA CHEROKEE PORTRAIT, 2001

PORTRAIT - THE CHIEF

Watercolour on paper; signed and dated 2001 lower le!, signed, titled and inscribed "Best Wishes" in black ink to the backing verso, with biography sheet verso

Watercolour on paper; signed lower le!

Gouache on paper; signed and dated 82 lower le! with copyright

Sight 14 x 11 in — 35.6 x 27.9 cm

Sheet size 17 x 13 in — 43.2 x 33 cm

Provenance: Private Collection, Toronto

$800—1,200

22 x 15.5 in — 55.9 x 39.4 cm Provenance: Presented from the artist to a collector; Private Collection, Toronto

WINTER EVENING, SIOUX CHIEF, 1982

$400—600

$300—500

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43

44

JOEL STEWART (1959-), AMERICAN

JANET GAYNOR (1906-1984), AMERICAN

ALEXANDER DZIGURSKI (1911-1995), YUGOSLAVIAN/AMERICAN

FRUIT BRANCH COVERED IN SNOW, 1997

POTTED PANSIES

Watercolour on paper; signed "Stewart" and dated 97- lower right

Oil on canvas; signed lower right

Sight 58 x 19 in — 147.3 x 48.3 cm Provenance: Private Collection, London, Ontario $800—1,200

17 x 21 in — 43.2 x 53.3 cm Provenance: Private Collection, London, Ontario, proceeds to benefit McIntosh Gallery, Western University $400—600

SUNLIT WAVES

Oil on canvas; signed lower right 16 x 20 in — 40.6 x 50.8 cm Provenance: Estate Collection, Thornbury, Ontario $400—600


45

46

47

CHARLES C. GRUPPÉ (1928- ), AMERICAN

CHARLES C. GRUPPÉ (1928- ), AMERICAN

ESTUARY

MOORED BOATS

PAL FRIED (1893-1976), HUNGARIAN/AMERICAN

Oil on board; signed lower right, titled to gallery label verso

Oil on masonite; signed lower right, titled to gallery label verso

24.75 x 30.75 in — 62.9 x 78.1 cm

24 x 36 in — 61 x 91.4 cm

Provenance: The Waddington Galleries Inc., Montreal; Estate Collection, Ontario

Provenance: The Waddngton Galleries Inc., Montreal; Estate Collection, Ontario

$500—700

$500—800

THE BLACK GLOVES

Oil on canvas; signed lower right, signed, titled and inscribed "The Black Gloves/ Professor Pal Fried/ Vienna" in pencil to the stretcher 30 x 24 in — 76.2 x 61 cm Provenance: Estate Collection, Toronto $1,000—1,500

48

49

50

PAL FRIED (1893-1976), HUNGARIAN/AMERICAN

PAL FRIED (1893-1976), HUNGARIAN/AMERICAN

PAL FRIED (1893-1976), HUNGARIAN/AMERICAN

BARBARA

MICHELLE

Oil on canvas; signed lower right, titled verso

Oil on canvas; signed upper le!, titled verso

BALLERINA IN WHITE DRESS TYING UP HER POINTE SHOES

Oil on canvas; signed lower right

30 x 24 in — 76.2 x 61 cm

30 x 24 in — 76.2 x 61 cm

31.8 x 23.8 in — 80.8 x 60.5 cm

Provenance: Estate Collection, Toronto

Provenance: Estate Collection, Toronto

Provenance: Estate Collection, Toronto

$1,000—1,500

$1,000—1,500

$700—900


51

52

53

PAL FRIED (1893-1976), HUNGARIAN/AMERICAN

PAL FRIED (1893-1976), HUNGARIAN/AMERICAN

PAL FRIED (1893-1976), HUNGARIAN/AMERICAN

BEAUTY IN A HAT WITH VEILED NETTING

MADELEINE

BALLERINA

Colour pastel on paper; signed lower right

Oil on canvas; signed lower le!, titled verso

Oil on canvas; signed lower le!

Sight 21 x 17 in — 53.3 x 43.2 cm Provenance: Estate Collection, Toronto $700—900

30 x 24 in — 76.2 x 61 cm Provenance: Estate Collection, Toronto $1,000—1,500

31.5 x 23.75 in — 80 x 60.3 cm Provenance: Estate Collection, Toronto $800—1,200

54

55

56

PAL FRIED (1893-1976), HUNGARIAN/AMERICAN

PAL FRIED (1893-1976), HUNGARIAN/AMERICAN

PAL FRIED (1893-1976), HUNGARIAN/AMERICAN

ANNABELLA

MARIA

RENEE

Oil on canvas; signed lower right, titled verso

Oil on canvas; signed lower le!, titled verso

Oil on canvas; signed lower le!, titled verso

24 x 30 in — 61 x 76.2 cm

24 x 30 in — 61 x 76.2 cm

24 x 30 in — 61 x 76.2 cm

Provenance: Estate Collection, Toronto

Provenance: Estate Collection, Toronto

Provenance: Estate Collection, Toronto

$1,000—1,500

$1,000—1,500

$1,000—1,500


57

58

59

PAL FRIED (1893-1976), HUNGARIAN/AMERICAN

PAL FRIED (1893-1976), HUNGARIAN/AMERICAN

PAL FRIED (1893-1976), HUNGARIAN/AMERICAN

MAXINE

SLEEPING BEAUTY

RECLINING NUDE

Oil on canvas; signed lower le!, titled verso

Oil on canvas; signed lower le!, titled verso

Oil on canvas; signed lower le!, titled verso

24 x 30 in — 61 x 76.2 cm

24.25 x 30.25 in — 61.6 x 76.8 cm

25 x 30 in — 63.5 x 76.2 cm

Provenance: Estate Collection, Toronto

Provenance: Estate Collection, Toronto

Provenance: Estate Collection, Toronto

$1,000—1,500

$1,000—1,500

$1,000—1,500

60

61

62

PAL FRIED (1893-1976), HUNGARIAN/AMERICAN

PAL FRIED (1893-1976), HUNGARIAN/AMERICAN

PAL FRIED (1893-1976), HUNGARIAN/AMERICAN

CARMEN

CITY MARKET

HAITI (FISH MARKET)

Oil on canvas; signed lower le!, titled verso

Oil on canvas; signed lower le!

Oil on canvas; signed upper le!, titled “Haiti” to the stretcher

24 x 30 in — 61 x 76.2 cm Provenance: Estate of Barbara Ann Pa"erson, Toronto; By descent, Private Collection, PEI $1,000—1,500

24 x 30 in — 61 x 76.2 cm Provenance: Estate Collection, Toronto $600—900

30 x 24 in — 76.2 x 61 cm Provenance: Estate Collection, Toronto $600—900


63

64

65

JULES RENÉ HERVÉ (1887–1981) , FRENCH/AMERICAN

JULES RENÉ HERVÉ (1887–1981) , FRENCH/AMERICAN

LESLIE DEMILLE (1927-2017), AMERICAN

ENFANTS AU COIN DU FEU

JUGE ET AVOCATS

Oil on canvas; signed lower le!, signed verso, titled to gallery label to the stretcher

Oil on canvas; signed lower le!, signed verso

8.5 x 10.5 in — 21.6 x 26.7 cm Provenance: Dominion Gallery, Montreal, Inventory No. F4590 label verso; Private Collection, Westmount, QC $800—1,200

10.75 x 8.75 in — 27.3 x 22.2 cm Provenance: Dominion Gallery, Montreal, Inventory No. E3120 to label to the stretcher; Private Collection, Westmount, QC $800—1,000

FALL FROLIC

Oil on canvas; signed lower right, stamped with artist's studio copyright stamp to the stretcher, titled in red ink to the stretcher, inscribed "LD 6" in black marker to the stretcher 24 x 30 in — 61 x 76.2 cm Provenance: Jackson's auction, March 10-11, 2009, Lot 851 label verso; Private Collection, Toronto $200—400

66

67

68

JOYCE BALLANTYNE (1918-2006), AMERICAN

ANDRE GISSON (1921 - 2003), AMERICAN

PAUL BROOKS DAVIS (1938- ), AMERICAN

CHILDREN IN A GARDEN

SCENE FROM "OPERATION SIDEWINDER", CIRCA 1969-1970

FORTUNE TELLER

Oil on canvas; signed lower right, stamped "Joyce Ballantyne Estate/ Sold 10- 2007" and signed in black ink by Cheri Irwin, daughter of the artist verso 18 x 24 in — 45.7 x 61 cm Provenance: The artist; Her Estate as stamped and certified by her daughter, Cheri Irwin verso; Private Collection, Canada $600—800

Oil on canvas; signed lower right 24 x 26 in — 61 x 66 cm Provenance: Private Collection, Toronto $1,000—1,500

Oil or egg tempera on "Number 80" Bainbridge Board, New York; signed "Paul Davis" lower right 19.25 x 15 in — 48.9 x 38.1 cm Provenance: Private Collection of Don Obe, Toronto, friend of Tom Hedley, former editor of Esquire Magazine; By descent to his sister-in-law, Toronto in 2014 $800—1,200


69

70

71

CHARLES MATTON (ALSO KNOWN AS GABRIEL PASCALINI (OR PASQUALINI) (1933-2008), FRENCH/AMERICAN

BERNIE WRIGHTSON (1948-2017), AMERICAN

IGOR PANTUHOFF (1911-1972), RUSSIAN/AMERICAN

HELP! WE WANT OUR EYEBALLS BACK!

BLONDE GIRL WITH HIGH UP PONY TAIL

Ink and charcoal on paper; signed verso

Oil on canvas; signed lower right

Sight 10 x 13 in — 25.4 x 33 cm

16 x 12.25 in — 40.6 x 31.1 cm

$300—500

Provenance: Probably Arnot Gallery, New York; Ex. Collection Joseph Yolles, Toronto; Yolles Antiques, Toronto; Estate of Joseph Yolles; By descent

KATHARINE HEPBURN, 1967

Mixed-media, charcoal, watercolour, crayon and oil on board; signed with initials "G.P" and dated 67 upper right. Together with a copy of the "Esquire" magazine, November 1967. 13.25 x 10.25 in — 33.7 x 26 cm Provenance: Private Collection of Don Obe, Toronto, friend of Tom Hedley, former editor of "Esquire" magazine; By descent to his sister-in-law, Toronto in 2014

$200—400

$1,000—1,500

72

73

74

ANDRE GISSON (1921–2003), AMERICAN

ROGER HOLT (1905-1979), AMERICAN

CAROL WALD (1935 - 2001), AMERICAN

MARGARET

SURREAL RIVER LANDSCAPE

NIGHT TRAIN, 1994

Oil on canvas; signed lower right, titled to gallery label verso

Oil on New York canvasboard. Unsigned. 16 x 19.75 in — 40.6 x 50.2 cm

Oil on canvas; signed and dated ‘Wald 94" upper right, titled to gallery label verso

$300—500

44 x 36 in — 111.8 x 91.4 cm

30.5 x 40 in — 77.5 x 101.6 cm Provenance: Miner’s Gallery Americana, California label inscribed “purchased 9-14-74”; Estate Collection, Canada $1,000—1,500

Provenance: Kennedy Galleries Inc., New York label verso, Inventory No. 0048290; Estate of Ninalee Craig, Toronto $500—700


75

76

77

FERNANDO DE JESUS OLIVEIRA (1946- ), BRAZILIAN/AMERICAN

ROBERTO JUAREZ (1952-), AMERICAN

MICHAEL DUKE PAVONI (21ST CENTURY), AMERICAN

STAIRWAY OF THE DOVE (M710 GEN)

Oil on canvas; signed "Ferjo" lower right 30 x 40 in — 76.2 x 101.6 cm Provenance: Purchased in Fort Lauderdale by the present Private Collection, Kelowna, B.C. $1,200—1,800

“GREEN” SCIENCE, 1989

1 of 2

UNTITLED DIPTYCH (BLACK DIAMONDS ON GREEN GROUND/YELLOW DIAMONDS ON WHITE GROUND)

Mixed-media with acrylic, charcoal, gravel and peat moss on linen; signed with initials and dated “19 R.J. 89” mid-right edge, signed, titled and dated “1989 USA” verso.

Two oils on wood panels; each signed in pencil verso. Each unframed.

96 x 96 in — 243.8 x 243.8 cm

Each 16 x 12 in — 40.6 x 30.5 cm

$1,000—2,000

Provenance: Prominent Private Collection $200—400

78

79

80

LARRY ABRAMSON (1954-), SOUTH AFRICAN/ISRAELI

RONNIE LANDFIELD (1947-), AMERICAN

JOHN BAUGHMAN (1947- ), AMERICAN

THE SHEPHERD, 1987

UNTITLED (LANDSCAPE)

Acrylic on canvas; signed, titled, dated 1987 and inscribed Inventory No. “RL87 -153" verso

Oil on canvas; signed lower right

43.25 x 74 in — 109.9 x 188 cm

Provenance: Corporate Collection

FOUR ABSTRACT WORKS, 1986

Four mixed-media on BFK Rives watermarked paper; the first signed, inscribed and dated 1986 in pencil to bo!om edge. Each unframed. Each 29.5 x 29.25 in — 74.9 x 74.3 cm Provenance: Prominent Private Collection

Provenance: Richard Green Gallery, California gallery label verso; Prominent Private Collection

$800—1,200

$800—1,200

60 x 40 in — 152.4 x 101.6 cm

$500—700


81 J. KUGLER (20TH CENTURY), AMERICAN CELESTIAL WITH PLANETS

82

83

RETRO-FUTURISM SCHOOL (EARLY 20TH CENTURY), AMERICAN?

RAYMOND A. WHYTE (1923-2002), AMERICAN

Acrylic and mixed-media on canvas; signed lower right. With Certificate of Authenticity.

SPACE STUDY, 1918

PAST & PRESENT (FUTURE), 1968

Oil on canvas; indistinctly signed and dated "18" upper right

36 x 48 in — 91.4 x 121.9 cm

20.5 x 20 in — 52.1 x 50.8 cm

Oil on board; signed and dated 68 lower right, stamped with two artist’s studio stamps verso, titled to partial label verso

$800—1,200

$300—500

32 x 24 in — 81.3 x 61 cm Provenance: Ex-Coll of a Private Collector, New York and Toronto reportedly a friend of the artist, in his collection for 40 years; Gi!ed to the present Private Collection, Toronto in 2015 $800—1,200

84

85

86

PETER MAX (1937- ), AMERICAN

PETER MAX (1937- ), AMERICAN

PETER MAX (1937- ), AMERICAN

RETRO III: ZERO IN LOVE

RETRO III, DEGA MAN

PROFILE OF A WOMAN, 1999

Mixed-media on paper; signed upper right, titled to gallery label verso

Mixed-media on paper; signed upper le!, titled to gallery label verso

Black ink drawing on kra! paper; signed, dated 99 and dedicated to "Lou" in centre

Sheet 11 x 11 in — 27.9 x 27.9 cm

Sheet 11 x 11 in — 27.9 x 27.9 cm

Sight 17.5 x 16.5 in — 44.5 x 41.9 cm

Provenance: Bal Harbour Gallery, Florida label verso from whom purchased by the present Private Collection, the artist's photographer, Toronto

Provenance: Bal Harbour Gallery, Florida label verso from whom purchased by the present Private Collection, the artist's photographer, Toronto

Provenance: Private Collection, Toronto of "Lou" acquired directly from the artist, the artist's photographer, who was on tour with Max in the late 1990's

$1,000—1,500

$1,000—1,500

$700—900


87

88

89

PETER MAX (1937- ), AMERICAN

PETER MAX (1937- ), AMERICAN

PETER MAX (1937- ), AMERICAN

TWO HEADS OF A WOMAN IN PROFILE, 1990

A FACE AND HAT IN AN ABSTRACT LANDSCAPE, 1990

PROFILE OF A WOMAN'S HEAD WEARING A COLOURED HAT, 1991

Black ink and colour pencil on paper; signed and dated 1990 upper right, stamped "Peter Max 1990" and inscribed "9365" verso

Black ink and colour pencil on paper; signed and dated 1.23.90 upper right, stamped "Peter Max 1990" and inscribed "9123"' verso

Black ink and colour pencil; signed "Max" and dated 1991 lower le!, Peter Max 1991 stamped label verso inscribed No. 11229

Sheet 7 x 10 in — 17.8 x 25.4 cm

Sheet 6 x 9.5 in — 15.2 x 24.1 cm

Provenance: Private Collection, Toronto acquired directly from the artist who presented it to him ("Lou") when he was on tour with Peter Max

Provenance: Private Collection, Toronto acquired directly from the artist who presented it to him ("Lou") when he was on tour with Peter Max

$500—700

$500—700

6.5 x 5.5 in — 16.5 x 14 cm Provenance: Private Collection, Toronto acquired directly from the artist who presented it to him ("Lou") when he was on tour with Peter Max $500—700

90

91

92

PETER MAX (1937- ), AMERICAN

PETER MAX (1937- ), AMERICAN

HEAD OF A WOMAN WITH LONG HAIR, 1997

MAN IN A HAT WEARING A TIE, 1989

MIA WESTERLUND-ROOSE (1942- ) , AMERICAN

Watercolour on paper; signed upper le! with dedication to "Louie LOve Peter" lower le!, Peter Max studio label 1997 , No. 36030 label verso 2.75 x 3.75 in — 7 x 9.5 cm Provenance: Private Collection, Toronto acquired directly from the artist who presented it to him ("Lou") when he was on tour with Peter Max $300—500

UNTITLED (2 VERTICAL TREES), 1995

Black ink and colour pencil on paper; signed and dated 1989 upper right, stamped "Peter Max 1989" and inscribed "7998" verso

Colour pastel and pencil on paper; signed, dated '95 and inscribed "Gi! for Dystonia Benefit, 1996" by the artist verso

Sheet 7.2 x 5 in — 18.3 x 12.7 cm

Sight 11.75 x 8.5 in — 29.8 x 21.6 cm

Provenance: Private Collection, Toronto acquired directly from the artist who presented it to him ("Lou") when he was on tour with Peter Max

Provenance: Inscribed "Gi! for Dystonia Benefit, 1996" by the artist verso; Zabriskie Gallery, New York label verso; Galerie Rolland, Montreal label verso; Private Collection, Montreal

$500—700

$300—500


93

94

95

JOHN MORRIS (19TH/20TH CENTURY), AMERICAN

CHARLIE ROBERTS (1983- ), AMERICAN

ROBERT HARTMAN (1926-2015), AMERICAN

VAL KILMER, 2007

SNAP ROLL II, 1966

Oil on N.Y. stamped canvasboard; signed and dated 1919 lower right, titled and numbered "M257" / "NY No. 15" verso

Oil on canvas; signed and titled verso, dated 2007 to gallery label verso, another label inscribed: painted "at his Venice Beach Studio" verso

12 x 10 in — 30.5 x 25.4 cm

30 x 40 in — 76.2 x 101.6 cm

Provenance: Wally Findlay Galleries, Palm Beach & Chicago label verso backing

Provenance: The Balmoral, Venice, CA label verso; Private Collection Abbotsford, B.C.

Acrylic and collage on canvas; signed “Hartman” lower le!, signed and titled in ink from the Berkeley Gallery address in San Francisco to the stretcher brace upper le! verso, dated 1966 to the San Francisco Museum of Art - Rental gallery label to the right stretcher brace verso

$300—500

$2,000—3,000

TOUT DE SUITE, 1919

21 x 23.75 in — 53.3 x 60.3 cm $300—500

96

97

98

ROBERT NATKIN (1930-2010), AMERICAN

MICHAEL LOEW (1907-1985), AMERICAN

REGINALD MARSH (1898-1954), AMERICAN

FROM THE APOLLO SERIES, CIRCA 1960'S

UNTITLED #31

Acrylic on transparent film; signed lower right

Charcoal with colour crayon on paper; given to the artist and titled to gallery labels verso backing

CYCLONE FASTER THAN EVER — CONEY ISLAND, 1940’S

Image 7.9 x 11.8 in — 20 x 30 cm Provenance: Private Collection, London, Ontario, acquired from Natkin's dealer or acquired directly from the artist, who became a friend of the consignors $1,000—1,500

Sheet 14 x 17 in — 35.6 x 43.2 cm Provenance: Landau Fine Art, Montreal; Private Estate Collection, Montreal $800—1,000

Black crayon drawing; signed lower right Image 11 x 15 in — 27.9 x 38.1 cm $1,500—2,500


99

100

101

SARA MACKILLOP (1973-), BRITISH

REYMOND ROMERO (1979-), VENEZUELAN

VAL BERTOIA (1949- ), AMERICAN

SPECIAL EVENT 3 (TURQUOISE), 2010

PICTOGRAMA NO. 28, 2012

2 CURVES OF SOUND (B-2087), 2018

A manipulated commercial envelope; titled and dated 2010 to gallery label verso

Mixed-media with colour threads on plywood; signed, titled, numbered #28 and dated 2012 in black ink to the backboard verso

Fi!y-six beryllium copper rods silvered to a silicon bronze plate; stamped “B-2087” to the plate, titled “2 Curves of Sound” and dated 2018 to the accompanying certificate of authenticity, signed with the artist’s initials on “16 Jan. 2018” and stamped “Bertoia”

11.6 x 13.1 in — 29.5 x 33.3 cm Provenance: Jessica Bradley Art + Projects, Toronto gallery label verso; Private Collection, Montreal $150—250

19.5 x 23.25 in — 49.5 x 59.1 cm Provenance: Private Collection, Montreal $1,000—1,500

28 x 15 x 9.75 in — 71.1 x 38.1 x 24.8 cm Provenance: Private Collection, Toronto, acquired directly from the artist’s studio in Bally, PA, a friend of the artist $1,000—1,500

102

103

104

CLAUDI CASANOVAS (1956- ), SPANISH

CATHERINE WIDGERY (1953- ), AMERICAN/CANADIAN

DIMITRI HADZI (1921-2006), AMERICAN

SCULPTURAL BOWL

Laminated ceramic 7.75 x 15.75 x 15 in — 66.7 x 40 x 38.1 cm Provenance: Private Collection, Montreal $1,200—1,800

CHARIOT

Dark brown patinated bronze; incised with initials "CW" and numbered 8/10 to the bronze. Raised on a black composite base 8.25 x 6.25 x 2 in — 21 x 15.9 x 5.1 cm Provenance: Awarded to Grant L. Reuber, Chairman, 1993-1999, nameplate to the base; His Estate Collection, Kingston, Ontario $600—800

UNTITLED

Bronze on white marble base; signed 'HADZI' and numbered "III/VII" to the lower edge of the bronze 7.75 x 2.25 x 2 in — 19.7 x 5.7 x 5.1 cm $700—900


105

106

107

SALVADOR DALÍ (1904-1989), SPANISH

BRUCE PEEBLES (1963-2016), AMERICAN

JEAN-LUC POIVRET (1950- ), FRENCH

HOMBRE SOBRE DELFÍN – POSEIDÓN, 1992

THE TRAVELER, 1997

Bronze with brown patina; signed “Dali” to the bo!om front of the bronze, stamped: “0510008-P.A. 11/12” to the back bo!om edge of the bronze. Dated at Madrid, March 1992, with the entire number: “0510008 - P.A. 11/12 ADH 657 HT” to the accompanying photo-certificate. Raised on a black marbled base.

Carved wood; signed, titled and dated 3/26/97 incised into the bo!om. Raised on a circular concrete base that spins

HUBLOT (PIECE OF FUSILAGE), 1984; TWO FLYING HANGARS, 1987

Height of sculpture/Mounted height 82 in— 208.3 cm; 87 in — 221 cm

Approximate/Mounted height 3.9 in — 10 cm; 5.5 in — 14 cm

Provenance: Purchased at Prospero's Gallery, Naples, Florida in 2000 ; Private Collection, Kelowna, B.C.

$500—700

$2,000—3,000

1 of 2

Two works: the first, a mixed-media assemblage (acrylic on fabric, in a commercially built metal and plexiglass airplane window); signed and dated 84 in black ink verso. The second work: an acrylic on paper; signed, titled and dated 87 in pencil verso. The second work is unframed. 25 x 32 x 3 in — 63.5 x 81.3 x 7.6 cm; 14 x 17 in — 35.6 x 43.2 cm Provenance: Private Collection, Montreal $1,000—1,500

108

109

110

LEONARDO NIERMAN (1932- ), MEXICAN

LEONARDO NIERMAN (1932- ), MEXICAN

ABSTRACT WITH FULL MOON

CELESTIAL MOONSCAPE WITH STRINGS OF LIGHT

JOY LAVILLE (1923-2018), BRITISH/MEXICAN

Oil on masonite; signed lower right 32 x 24 in — 81.3 x 61 cm $1,200—1,600

Oil on masonite; signed lower right 24 x 16 in — 61 x 40.6 cm $800—1,000

BEACH, BAJA, CALIFORNIA, 1980

Pastel on paper; signed and dated 80 lower right, titled to gallery label verso Sight 13.25 x 19 in — 33.7 x 48.3 cm Provenance: Madison Gallery, Toronto label verso $800—1,000


111

112

113

JOSÉ LUIS CUEVAS (1934-2017), MEXICAN

JUAN MEDINA (1950-), MEXICAN

"... CON MODELO" (TWO FIGURES), 1963

FINAL TOUCHES, 1998

SANDU DARIE (1908-1991), ROMANIAN/CUBAN

Black ink and ink wash heightened with white on paper; signed, titled indistinctly and dated "23 Mayo 63" at Madrid, Espana lower le!

Oil on canvas; signed and dated 98 mid right, signed and titled "Final Touches" in pen and ink to handwri"en label verso, titled "Final Touch" to gallery label verso

Sight 28 x 37 in — 71.1 x 94 cm

39 x 63 in — 99.1 x 160 cm

Provenance: Private Collection, Toronto

Provenance: Bryant Galleries, New Orleans, LA label verso; From whom purchased by the present Private Collection, Kelowna, B.C. in 2000

$800—1,200

UNTITLED

Black paper cut-out collage on paper with scratching- out lines, the black sheet being laid down to a white paper mount; signed "Darie" in pencil to the mount lower right. Unframed. Image/ Overall 11.25 x 8 in — 28.6 x 20.3 cm; 12.75 x 10.4 in — 32.4 x 26.4 cm $800—1,200

$3,000—4,000

114

115

116

LUCKY MADLO SIBIYA (1942–1999), SOUTH AFRICAN

ALFRED AUGUSTUS GLENDENING SNR. (1840-1910), BRITISH

WILLIAM R. C. WATSON (1866-1921), SCOTTISH

THE TRAVELLERS, 1996

NEAR LOCH KATRINE, 1871

MORNING, GLEN FYNE, 1892

Acrylic on paper; signed and dated 96 lower right, titled to gallery label verso

Oil on canvas; signed and dated 1871 lower right, titled to gallery label verso

Sheet 22.25 x 29.5 in — 56.5 x 74.9 cm

24 x 36 in — 61 x 91.4 cm

Oil on canvas; signed "W. Watson" and dated 1892 lower right, signed "W. Watson" and titled verso

Provenance: The Everard Read Gallery, Johannesburg, Inventory No. AC20182 label verso; With D. Lewis-Browne, Wynberg framer's label verso backing; Private Collection, Toronto

Provenance: Laing Fine Art Galleries Limited, Toronto label verso; Private Collection, Toronto; By descent

$600—900

$3,000—5,000

24.75 x 36 in — 62.9 x 91.4 cm Provenance: Visit Waddingtons.ca for full provenance $2,000—3,000


117

118

119

JAMES PEEL (1811-1906), BRITISH

HENRY MAIDMENT (FL. 1890-1910), BRITISH

AT KNOWLE HILL - ON THE TRENT

SHEPHERD AND FLOCK ON ROAD

WILLIAM WATT MILNE (1873-1951), SCOTTISH

Oil on canvas; signed lower right, signed and titled verso

Oil on canvas; signed lower right

SHEPHERD WITH SHEEP WATERING AT A POND

12 x 18 in — 30.5 x 45.7 cm

Oil on canvas; signed lower le!

$300—500

10 x 14 in — 25.4 x 35.6 cm

20 x 30 in — 50.8 x 76.2 cm Provenance: The Cooling Galleries Ltd., London & Toronto

Provenance: Private Collection, Toronto $700—900

$1,000—1,500

120

121

122

SYDNEY ROBERT WATSON (1892-1976), BRITISH

JAMES FAED JNR. (1856-1920), SCOTTISH

ALEXANDER BROWNLIE DOCHARTY (1862 -1940), SCOTTISH

HIGHLAND CATTLE, 1903

MISTY HIGHLANDS AND HEATHER FIELDS

HIGHLAND STREAM WITH MILLDAM

Oil on canvas; signed and dated 03 lower le!

Oil on canvas; signed "James Faed Jnr." lower le!, inscribed "James Faed Junr" in pen and ink to label to the stretcher

Oil on canvas; signed "A Brownlie Docharty" lower right

15.75 x 22 in — 40 x 55.9 cm

24.4 x 36.2 in — 62 x 92 cm

16 x 19.75 in — 40.6 x 50.2 cm

Provenance: Private collection by descent

Provenance: Private Collection, Barrie, Ontario

$500—700

$1,000—1,500

Provenance: From Robert MacIndoe Carver, Gilder & Picture Frame Maker, Glasgow, Scotland partial label to the frame verso; Estate Collection, Waterloo, Ontario $400—600


123

124

125

SCOTTISH SCHOOL (19TH CENTURY)

HAROLD GOLDTHWAITE (1869-1932), BRITISH

ATTRIBUTED TO GEORGINA LARA (ACT.1840-1880), BRITISH

A SOUTHDOWN COTTAGE, SUSSEX

PAIR OF VILLAGE SCENES

Oil on canvas; signed lower right, indistinctly titled with the place "... Southdown ..." (?) in pencil to the top stretcher

Pair of oils on canvas; each unsigned, each given to “William Shayer Sr.” on the stretchers

MARKET MORNING

Oil on canvas; unsigned, titled in pen and ink to label to the top stretcher 25 x 30 in — 63.5 x 76.2 cm Provenance: Estate Collection, Waterloo, Ontario $500—700

20 x 30 in — 50.8 x 76.2 cm $600—800

Each 10 x 18 in — 25.4 x 45.7 cm Provenance: J. Wilson & Co. Fine Arts, O!awa $600—900

126

127

128

AMERICAN SCHOOL (C. 1875), OR BRITISH

WILLIAM DOUGLAS ALMOND (1866-1916), BRITISH

SIDNEY EASTLAKE (19TH CENTURY), BRITISH

MESSENGER'S ARRIVAL WITH THE DAILY NEWS

THE LINKS

COUNTRY SCENE WITH MOUNTED HUNTSMAN MEETING A LADY ON ROUTE, CIRCA 1875

Oil on panel; indistinctly signed and dated 1875 lower le" 8 x 6 in — 20.3 x 15.2 cm Provenance: With American provenance: Miss Ethel Boyd Bowers, New York to printed label to the frame verso; The Estate of Janet Graham, Nobleton, Ontario $100—150

Oil on panel; signed lower right 8 x 10.6 in — 20.3 x 27 cm Provenance: Private Collection, Toronto $300—400

Oil on canvas; signed “C. Eastlake” lower le", titled ”The Links” to the original gallery receipt 24 x 35 in - 61 x 91.4 cm Provenance: Cooling Galleries Limited, Toronto; From whom purchased by the present Private Collection, on January 16th, 1956 as “S. Eastlake” and titled “The Links” accompanied by the original receipt $600—900


129

130

131

JANE INGLIS (CIRCA 1858-1916), BRITISH

SIR JOHN GILBERT (1817-1897), BRITISH SCHOOL

MANNER OF JAMES SANT (1820-1926), BRITISH

A PRE-RAPHAELITE WOMAN SEATED IN A GREY SILK DAY DRESS, CIRCA 1854-1858

"THE FIRST BORN, 1832"

PORTRAIT OF A YOUNG GIRL, 1885

Oil on canvas; signed and dated 1885 lower right, signed and dated 1885 verso 19.75 x 15.5 in — 50.2 x 39.4 cm

Oil on canvas; signed with compounded initials “JG” lower le!

Provenance: Odon Wagner Gallery, Toronto, Inventory No. 7907; Private Collection, Aurora, Ontario

30 x 25 in — 76.2 x 63.5 cm

$600—800

$1,200—1,800

Provenance: Private Collection, Westmount, QC

Oil on panel; bears indistinct monogram lower le! (under the paint). Previously given to "Sir Edwin Landseer/ 1802-1873" to the nameplate 9.8 x 8.7 in — 25 x 22 cm Provenance: Visit Waddingtons.ca for full provenance $800—1,200

132

133

134

FELIX STONE MOSCHELES (1833-1917), BRITISH

SYBIL M. DOWIE (FL. 1890-1920), BRITISH/AMERICAN

BRITISH (19TH/20TH CENTURY)

A GOLDEN HAIRED GIRL WITH A BOOK SEATED DRAPED WITH TEXTILES FROM THE ORIENT, 1861

PORTRAIT OF YOUNG GIRL WITH RED HAIR

Oil on grey board. Unsigned.

Pastel on paper mounted to canvas; signed lower right. Unframed.

19 x 12 in — 48.3 x 30.5 cm

Oil on canvas; signed and dated 1861 lower le! 32 x 26 in — 81.3 x 66 cm $800—1,200

20 x 16 in — 50.8 x 40.6 cm $300—400

DANDY WITH SWORD AND ROSE

Provenance: With G.W. Broadbent, storage, Alderley Edge label verso inscribed "Sperby " under name of owner? to label verso; Collection Granville Chambers/ Granville Place, London, W inscribed in pen and ink verso $300—400


135

136

137

BRITISH, CIRCA 1850

STEPHEN LEWIN (FL. 1890 - 1910), BRITISH

GENTLEMAN READING THE BOOK “SPORTSMAN” SEATED IN A LANDSCAPE

DR. TOBY (THE TOBY JUG)

MANNER OF MICHAEL DAHL (1659-1743), SWEDISH/BRITISH

Oil on canvas 30 x 25 in — 76.2 x 63.5 cm Provenance: By descent to the present Private Collection, Toronto $600—800

Oil on canvas; signed lower le!, titled "Dr. Toby" to the nameplate, titled "The Toby Jug" to an old unidentified label to the frame verso 24.5 x 19.75 in — 62.2 x 50.2 cm

PORTRAIT OF A LADY HOLDING HER PINK SATIN SHAWL

Oil on canvas; in a feigned oval 29.5 x 24.75 in — 74.9 x 62.9 cm

Provenance: The Cooling Galleries Ltd., London

Provenance: The Estate of Doreen Britnell, Richmond Hill, Ontario

$1,000—1,500

$400—600

138

139

140

AFTER JOHN CONSTABLE (1776-1837), BRITISH

ROBERT HERDMAN-SMITH (1879-1945), BRITISH

MISS ELIZABETH HUNTER (1853- ), BRITISH

COUNTRY ROAD WITH TREES

A GATEWAY, TANGIER, MOONLIGHT; NORMAN STAIRCASE, CANTERBURY

Oil on board; incised signature in the paint “J. Constable” verso, titled and dated circa 1814-17 to the paper remaining to the liner verso

Two watercolours; the first, signed lower le!, the second, signed lower right, each titled to the nameplates

10.5 x 13.75 in — 26.7 x 34.9 cm

Each 10 x 14 in — 25.4 x 35.6 cm

Provenance: Estate Collection, Waterloo, Ontario

$500—700

$1,000—1,500

MARKET SCENE - NEWPORT, FRANCE, 1912

Watercolour heightened with gouache on paper; signed and dated 1912 lower le!, titled in another hand on the backing paper verso Sight 6.25 x 9.75 in — 15.9 x 24.8 cm Provenance: Private Collection, Toronto $300—500


141

142

143

HERBERT PARSONS WEAVER (1872–1945), BRITISH

HERBERT PARSONS WEAVER (1872-1945), BRITISH

HERBERT PARSONS WEAVER (1872-1945), BRITISH

TOWN WITH ANTIQUE SHOP, 1927

FIGURES AT A BOAT BY A THATCHED COTTAGE, 1927

OLD EARNLEY MILL, SUSSEX, 1920'S

Watercolour on fibrous paper; signed and dated 1927 lower le! Sight 16.25 x 12.5 in — 41.3 x 31.8 cm Provenance: Ex-Collection Frederick William Fearman, Hamilton, Ontario (founder of the FW Fearman meat company, Hamilton, Ontario in 1852); Fearman Estate, Hamilton, Ontario; By descent to his daughter, Muskoka, Ontario

Watercolour on fibrous paper; signed and dated 1927 lower le! Sight 9.5 x 13.75 in — 24.1 x 34.9 cm Provenance: Visit Waddingtons.ca for full provenance $200—300

$300—400

Watercolour on fibrous paper; signed and dated indistinctly 1921 (or 1927) lower le!, titled "Old Earnley Mill Sussex" in pencil to label verso backing Sight 13.75 x 10.5 in — 34.9 x 26.7 cm Provenance: Ex-Collection Frederick William Fearman, Hamilton, Ontario (founder of the FW Fearman meat company, Hamilton, Ontario in 1852); Fearman Estate, Hamilton, Ontario; By descent to his daughter, Muskoka, Ontario $200—300

144

145

HENRY EDWARD SPERNON TOZER (1864C.1938), BRITISH

FRED MCNAMARA EVANS (1859-1929), BRITISH

PLAYMATES

THE OLD SOLDIER; FISHERMAN MAKING NETS

Watercolour; signed lower right, titled to the nameplate Sight 8.5 x 12 in — 21.6 x 30.5 cm $500—700

1 of 2

Pair of watercolours; signed lower right, the first titled to label verso Each 11.25 x 9 in — 28.6 x 22.9 cm Provenance: The J. Frank Raw Co., Ltd., Toronto $400—600

146 ALBERT STEVENS (1872-1902), BRITISH GROVE OF TREES WITH BLUEBELLS IN BLOOM

Watercolour; signed lower le! 9.25 x 13.5 in — 23.5 x 34.3 cm $100—150


147

148

149

CHARLES EYRES SIMMONS (1872-1955), BRITISH

MONOGRAM INITIALS MV? (ACTIVE 1867), SCOTTISH

MABEL BRUCE-LOW (1883-1972), BRITISH

RIVER VIEW WITH FARM BUILDINGS

IN THE TROSSACHS, 1867

Watercolour; signed lower le!

Watercolour heightened with white on paper; signed with monogram "MV", and dated ‘67 lower le!, titled in pencil verso support

Sight 9.75 x 14 in — 24.8 x 35.6 cm Provenance: Visit Waddingtons.ca for full provenance $150—250

Sight 8 x 11 in — 20.3 x 27.9 cm Provenance: Private Collection, Toronto $100—150

CHURCH NEAR HUAN LOS PIMS

Watercolour; signed lower right, signed and titled verso Sight 15.25 x 21.75 in — 38.7 x 55.2 cm Provenance: J.H. Steer, London; Private Collection, Toronto Exhibited: RA, 1947 $400—600

150

151

152

JOHN WILLIAM SALTER (1825-1891), BRITISH

CLYDE HOPKINS (1946-), BRITISH

THEODORE ZIMMERMAN (1937-), BRITISH

COASTAL VIEW WITH TALL SHIPS AND FIGURES ON THE COAST (POSSIBLY A VIEW ACROSS TORBAY TO BRIXHAM IN THE DISTANCE), 1869

H.M.S. NORFOLK, 1992-1993

PORTRAIT OF ROSIE (DOUBLE-SIDED)

Oil on linen; signed, titled and dated August ‘92 - March ‘93 verso

Blue crayon on a commercially printed musical sheet, with printed page No."16" upper le!; signed with presentation to “Rosie in Canada” in black ink lower le!, stamped "Theodore Zimmerman Foundation Authenticated" authenticating the work lower right

Watercolour; signed and dated 1869 lower le! Sight 10.2 x 19.1 in — 26 x 48.5 cm Provenance: Private Collection, Westmount, QC $300—500

24 x 18 in — 61 x 45.7 cm Provenance: Christie’s, New York, July 22, 2010, lot 129; With Francis Graham-Dixon Gallery, London, UK, Inventory No. C3450; Private Collection, Canada $400—600

12 x 9.5 in — 30.5 x 24.1 cm Provenance: Visit Waddingtons.ca for full provenance $150—250


153

154

155

ROBERT HENDERSON BLYTH (1919-1970), SCOTTISH

DESMOND JOHN MORRIS (1928- ), BRITISH

MICHAEL DILLON (1957-), IRISH

UNTITLED (APPROACHING STORM)

THE AGITATOR, 1973 (THE NAKED APE PERIOD)

UNTITLED (TRACES OF A FIGURAL SUBJECT WITH WHITE LEGS), 1987-1996

Oil on canvas; signed lower right, artist studio stamp: "Henderson Blyth/Desswood Place/ Aberdeen" to the canvas verso

Oil on panel; signed with monogram and dated 73 lower right; signed, titled and dated "completed 9th February 1973" in pen and ink verso.

Oil on canvas; signed W. Dillon at N.Y.C. twice verso with two dates: 1987 and 1996 verso

27.5 x 29.75 in — 69.9 x 75.6 cm

10.25 x 8 in — 26 x 20.3 cm

$1,200—1,800

Provenance: Private Collection, Montreal $600—900

62.75 x 54.5 in — 159.4 x 138.4 cm Provenance: Private Collection, London, Ontario $1,200—1,800

156

157

158

MANUEL CANCEL (1951- ), ARGENTINIAN

URSULA MAYER (1970- ), AUSTRIAN

KURT ROHRBACHER (1953- ), AUSTRIAN

SANS TITRE (HERBES), 2006

SCHACTEL, 1994

PEGASUS, 1991

Acrylic on canvas; signed lower right, titled and dated 2006 in black marker to the stretcher

Acrylic on cardboard box lid; given to the artist, titled and dated 1994 to gallery label verso

Encaustic on 2" thick wood panel; signed, titled and dated 91 in red crayon verso, titled and dated 1991 to gallery label verso

15 x 18.1 in — 38 x 46 cm

14 x 10 x 1.9 in — 35.6 x 25.4 x 4.8 cm

12 x 13.8 in — 30.5 x 35 cm

Provenance: Landau Fine Art, Montreal label verso; Private Estate Collection, Montreal

Provenance: Galerie Würthle, Vienna, Austria, Inv. No. 61367 to gallery label verso; Private Collection, Montreal

Provenance: Galerie Würthle, Vienna label verso; Private Collection, Montreal

$300—400

$400—600

$600—800


159

160

161

JOSÉ ANTONIO DA SILVA (1909-1996), BRAZILIAN

MAXIME VAN DE WOESTYNE (1911-2000), BELGIAN

FRANTIŠEK JAKUB (1875-1940), CZECH

UNTITLED (BLINDFOLD ROCK STAR ON STAGE), 1960

UN RETOUR, 1950

WOMEN BY SHORE FLOWER HARVESTING

Oil on canvas; signed and dated 2.3.60 bo!om centre

Oil on board; signed and dated 1950 lower right; signed, titled and dated 1950 verso

Oil on canvas; signed F. Jakub lower right

13 x 19 in — 33 x 48.3 cm

15 x 12.25 in — 38.1 x 31.1 cm

$1,000—1,500

$1,000—1,500

$1,000—1,500

26.74 x 16.5 in — 67.9 x 41.9 cm

162

163

164

WILLEM KOEKKOEK (1839-1895), DUTCH

JAN JACOBUS MATTHIJS DAMSCHRÖDER (1825-1905), DUTCH

ATTRIBUTED TO NARCISSE VIRGILE DIAZ DE LA PENA (1807-1876), FRENCH

FAMILY INTERIOR ENJOYING APPLES, 1881

YOUNG GIRL WITH A HAT AND DOG SEATED IN A WOOD

Oil on canvas; signed lower le"; signed, certified by the artist and annotated by him: "painted to the order of Mr. Alb. D'Hüyre!er of Antwerp in The Hague, 1881" verso.

Oil on panel, signed “N. Diaz” lower le", inscribed indistinctly “Par” or “For” Manuel Diaz” in pencil verso, initials “D... J/F?” in ink below this inscription verso

TOWN SCENE IN SNOW (ENKHUIZEN?)

Oil on canvas laid down to masonite board; signed “W. Koekkoek” lower le", given to “W. Koekkoek” to gallery label verso 16.5 x 23 in — 41.9 x 58.4 cm Provenance: Kunsthandel M. Wolff, Amsterdam/London, Inventory No. 964 label verso; Estate Collection, Barrie, Ontario $4,000—6,000

28 x 33 in — 71.1 x 83.8 cm Provenance: Private collection Mr. Alb. (Albert) D'Hüyre!er of Antwerp. Commissioned directly from the artist in 1881 as inscribed by the artist verso. $2,000—3,000

9.5 x 7.25 in — 24.1 x 18.4 cm Provenance: With Manuel Diaz named verso?; Estate Collection, Toronto $500—700


165

166

167

FRANCOIS AUGUSTE RAVIER (1814-1895), FRENCH

I. KOEH? (19TH CENTURY), FRENCH/BELGIAN?

PAULE GOBILLARD (1867-1946), FRENCH

COASTAL VIEW

"MOULIN DE CHAPEIRY"? (FIGURE IN A BOAT NEARING A MILL)

Oil on cradled panel; signed lower right 7.24 x 10 in — 18.4 x 25.4 cm Provenance: Private Collection, Toronto $800—1,200

Oil on panel; signed indistinctly "I or J. Koeh?" lower right, indistinctly titled ‘Moulin de Chapeiry’ in pencil on verso 5.25 x 3.75 in — 13.3 x 9.5 cm $80—100

NATURE MORTE AU PICHET EMPLI DE FLEURS

Oil on canvas on board; signed lower right, titled "Vase de Fleurs" to gallery label verso 21.5 x 18 in — 54.5 x 45.8 cm Provenance: Visit Waddingtons.ca for full provenance $1,000—1,500

168

169

170

ADRIANUS VAN NOORT (1914-2003), DUTCH

PAUL-JEAN ANDERBOUHR (1909-2006), FRENCH

PAUL AMBILLE (1930-2010), FRENCH

GIRLS AND A DOG ON THE BEACH

UN DIMANCHE MATIN PLACE DE LA CONCORDE

Oil on panel; signed "Van Noort" lower le! 12 x 15.25 in — 30.5 x 38.7 cm Provenance: Odon Wagner Gallery, Toronto, Inventory No. 8043 label verso $500—700

Oil on canvas; signed lower right, signed and titled in pencil to artist's masking tape label to the stretcher 23.5 x 29 in — 59.7 x 73.7 cm Provenance: Private Collection Palm Beach and Toronto; By descent to his grandson, Toronto $500—700

AU CONCERT, 1991

Oil on canvas; signed and dated 91 lower right, signed and titled verso 23.6 x 28.7 in — 60 x 73 cm Provenance: Private Collection Palm Beach and Toronto; By descent to his grandson, Toronto $500—700


171

172

173

RODOLPHE CAILLAUX (1904-1989), FRENCH

JEAN-LOUIS FORAIN (1852–1931), FRENCH

DANY LARTIGUE (1921- 2017), FRENCH

YOUNG GIRL WITH GUITAR ("... VAN DE KINDEREN MAUVE"), 1910

LES TROIS SOEURS

COMBAT DE COQ, 1960

Oil on canvas; signed upper right, signed, titled and dated "196" in black crayon verso 32 x 39.25 in — 81.3 x 99.7 cm Provenance: Galerie la Belle Gabrielle, Monmartre, Paris gallery stamp to the stretcher, directly from the artist; Private Collection, Toronto $700—900

Pencil drawing on paper; signed "Forain" lower right, indistinctly inscribed "... van de kinderen Mauve ..." and dated 10 March 1910 at Ro!erdam in pen and ink to a label verso backing, titled "Young Girl with Guitar" to gallery and label verso Sight 8 x 7 in — 20.3 x 17.8 cm Provenance: Ex-Collection Basle Schwi!er to typed label verso; Roland, Browse & Delbanco, London, UK label verso; Private Collection, Westmount, QC

Charcoal drawing heightened with colour executed on a buff coloured Oriental scroll; signed lower right 72.5 x 39.5 in — 184.2 x 100.3 cm Provenance: Private Collection, Montreal $400—600

$600—800

174

175

176

MARCEL GROMAIRE (1892–1971), FRENCH

OTMAR ALT (1940- ), GERMAN

FEMME NU, 1962

DER BERG DER SUMMITIERE, 1970

HANS SCHLEEH (1928-2001), GERMAN/CANADIAN

Black pen and ink drawing on paper; signed "Gromaire" and dated 1962 lower le#, titled "Nude" to gallery label verso

Acrylic on canvas; signed and dated 70 lower le#, signed, titled and inscribed “VII “ in blue ink to the stretcher

Sheet 12.8 x 9.7 in — 32.4 x 24.6 cm

12.5 x 11 in — 31.8 x 27.9 cm

Provenance: Gallery Moos, Toronto label verso; Private Collection, Westmount, QC

Provenance: The Estate of Bryan Pearson, Iqaluit, First Mayor of Iqaluit, the Capitol of Nunavut

$800—1,200

$400—600

MAN AND GIRL DANCING

Dark brown patinated bronze on black stone base; signed "Schleeh" to the stone base 14.25 x 6 x 5 in — 36.2 x 15.2 x 12.7 cm $400—600


177

178

179

HANS SCHLEEH (1928-2001), GERMAN/CANADIAN

HERMANN SATTLER (1892–1955), GERMAN

HERMANN PHILIPS (1844-1927), GERMAN

DRAFT HORSES AND HANDLER IN A SHADY SPOT

THE ARTIST’S DAUGHTER (YOUNG GIRL WEARING A RIBBON-TIED HAT)

Oil on card; signed lower right, signed verso

Oil on panel; signed “H. Philips” upper le", given to “Professor Hermann Philips” and titled to the nameplate

SIDEWALK SUPERINTENDANT

Stone on stone base; signed "Schleeh" to base, inscribed with title to the underside in black ink marker 23.5 x 18 x 11 in — 59.7 x 45.7 x 27.9 cm $800—1,200

13.5 x 19.5 in — 34.3 x 49.5 cm Provenance: Ex.Coll. Mrs. D. McDermo! inscribed verso $400—600

8 x 6 in — 20.3 x 15.2 cm Provenance: J.B. Benne! & Sons Ltd., Glasgow, a"er 1901 per label verso; Private Collection, Toronto $500—700

180

181

182

VANA XENOU (1949- ), GREEK

VANA XENOU (1949- ), GREEK

VANA XENOU (1949- ), GREEK

DÉMÉTER ET PERSÉPHONE (MYSTÈRES D'ÉLEUSIS), 1993

PERSÉPHONE (MYSTÈRES D'ÉLEUSIS), 1992

Watercolour and mixed-media on paper mounted on a larger paper support; signed and dated 93 to the mount lower right, the mount with Greek inscription by the artist below the mounted image

Watercolour and mixed-media on paper

"LÉDA ET LE CYGNE" LAMPE ATHÉNIENNE; LÉDA ET LE CYGNE (2 ÉTUDES MATTED TOGETHER)

Overall sheet/Image Irregular 57.5 x 55 in — 146.1 x 139.7 cm; 28.25 x 47 in — 71.8 x 119.4 cm Provenance: The Estate of Katerina Haka-Ikse, Toronto who purchased several works by the artist Literature: Visit Waddingtons.ca for full literature $1,000—1,500

Sheet 19.7 x 27.6 in — 50 x 70 cm Provenance: The Estate of Katerina Haka-Ikse, Toronto who purchased several works by the artist Literature: Claude Mollard. 'Vana Xenou'. Paris: Cercle D'Art, 1995. pp. 70-71, illustrated in colour full page $300—500

1 of 3

Three watercolours and mixed-media on paper; the first, signed and dated '93 lower right, titled at the top, with presentation inscription from the artist: " Katherine (sic) et Andrew" lower le", the la!er two watercolours; each signed and dated "Etude 1993" lower right, each titled "Leda et Le Cygne" below the image. Each of the two contained in one mat and unframed. Each 13.5 x 9.75 in — 34.3 x 24.8 cm Provenance: Visit Waddingtons.ca for full provenance $400—600


183

184

186

LÁSZLÓ NEOGRÁDY (1896-1962), HUNGARIAN

LÁSZLÓ NEOGRÁDY (1896-1962), HUNGARIAN

EMIL PAP (1884-1945), HUNGARIAN

WINTER LANDSCAPE

WINTER WOODLANDS

Oil on canvas; signed lower le!

Oil on canvas; signed lower le!

24 x 30.5 in — 61 x 77.5 cm

22.5 x 31.25 in — 57.2 x 79.4 cm

$800—1,200

$800—1,200

COWS IN THE SHADE

Oil on canvas; signed lower right 16 x 20 in — 40.6 x 50.8 cm $300—500

187

188

189

BERTALAN (BARTHOLOMAUS) VIGH (1890 -1946), HUNGARIAN

DESIDERIUS ORBAN (1884-1986), HUNGARIAN

ISAAC MAIMON (1951- ), ISRAELI/FRENCH

SLEEPING BEAUTY

FEMALE NUDES IN A CUBIST LANDSCAPE,1966

Oil on canvas; signed lower right 19 x 27 in — 48.3 x 68.6 cm Provenance: The Universal Art Studio, Montreal, Inventory No. K598 gallery label to the frame verso; Estate Collection, Toronto $500—700

Colour pastel and gouache on a triangular-shaped card; signed and dated “966" lower right Triangular shape 26.5 x 19 in — 67.3 x 48.3 cm $300—500

LADY RECLINING

Oil on canvas; signed "Maimon" lower right 29.5 x 40 in — 74.9 x 101.6 cm $500—700


190

191

192

ALBERT GOLDMAN (1922- ), ISRAELI

ATTRIBUTED TO CORRADO TANASI (19TH/20TH CENTURY) , ITALIAN

R. GUIDORIZZI (?) (19TH/20TH CENTURY), SPANISH/ ITALIAN

HAREM GIRL ON A TERRACE

LANE IN ITALY

Oil on canvas; signed "Tanasi" lower le!, the nameplate inscribed previously and given to the "Siecle XVIII / Paris" school to the plate on the frame recto

Watercolour; indistincly signed lower right

LANDSCAPE OUTSIDE JERUSALEM, 1978

Oil on canvas; signed in Hebrew and Roman and dated 1978 lower right 21.7 x 25.75 in — 55 x 65.4 cm $300—500

Sheet 8.5 x 5.25 in — 21.6 x 13.3 cm

16 x 10 in — 40.6 x 25.4 cm

Provenance: Private Collection, Toronto

$300—500

$200—300

193

194

195

CLAUDIO MISSAGIA (1959- ), ITALIAN/RESIDING IN FRANCE

PAOLO QUARESIMA (1962- ), ITALIAN

HARALD NORITIS (1927- ), LATVIAN/AUSTRALIAN

COMPOSIZIONE FRUITS ROUGE

LA PALLA DI SAMUEL, 2011

Mixed-media acrylic and plaster on canvas; signed verso

Oil on canvas; signed and dated in Roman numerals “MMXI” bo"om centre, titled to the stretcher

77.5 x 47.5 in — 196.9 x 120.7 cm

23.5 x 59 in — 60 x 150 cm

Provenance: Gibson Fine Art, Calgary, Alberta label to the stretcher; Private Collection, Montreal

Provenance: Galleria D’Arte Capri S.R.L., Capri, Italy; From whom purchased by the present Private Collection, Toronto on 25-07-2013 accompanied by a copy of the receipt

$800—1,200

$2,000—3,000

"REMEMBERING LIMNI", 1984

Oil on canvas; signed with initials lower right, signed, titled and dated "August 1984" at "O"awa" in black ink verso 43.3 x 37 in — 110 x 94 cm Provenance: Visit Waddingtons.ca for full provenance Exhibited: An invitation sent to Dr. & Mrs. Andrew Ikse, from Cambrian Rose Gallery, O"awa for the exhibition "Harald Noritis Paintings "Canadian Experiences" May 3 18, 1985, accompanying the lot. $300—500


196

197

198

ANTANAS RUKSTELE (1906-1990), LITHUANIAN

JERZY KOSSAK (1886-1955)

EDWARD MESJASZ (1929-2007), POLISH

MOUNTED SOLDIER FIGHTING THE STORM, 1929

OFFICER AND HORSES OUTSIDE POST, 1983

Oil on canvasboard; signed and dated 1929 lower right 12.5 ins x 9 ins; 31.8 cms x 22.9 cms

Oil on canvas on masonite; signed and dated 1983 lower right

ROAD THROUGH HAYFELDS WITH FARM HOUSES

Oil on canvas; signed lower le! 18 x 24 in — 45.7 x 61 cm Provenance: The Estate of a Private Collection; Willed to The Oratory of St. Philip Neri, Toronto

Provenance: Private Collection, Toronto

21.25 x 25 in — 54 x 63.5 cm $400—600

$1,000–1,500

$1,000—1,500

199

200

201

EDWARD MESJASZ (1929–2007), POLISH, POLISH

EDWARD MESJASZ (1929–2007), POLISH

ATTRIBUTED TO F. VIKTOR KOSAK (1887- ), UKRAINIAN

POLISH WINTER PATROL (TWO POLISH OFFICERS AND THEIR HORSES IN SNOW)

Oil on canvas; signed lower right, titled to label verso 22.5 x 31.5 in — 57.2 x 80 cm $400—600

MOUNTED OFFICER HOLDING A REGIMENTAL FLAG, 1967

TREES IN SNOW

Oil on canvasboard; signed and dated 1967 lower right

Oil on canvas; signed in cyrillics lower right

16.5 x 27 in — 41.9 x 68.6 cm

14.5 x 12 in — 36.8 x 30.5 cm

$300—400

$500—700


202

203

204

GRAND DUCHESS OLGA ALEXANDROVNA (1882-1960), RUSSIAN

GRAND DUCHESS OLGA ALEXANDROVNA (1882-1960), RUSSIAN

GRAND DUCHESS OLGA ALEXANDROVNA (1882-1960), RUSSIAN

TABLE STILL LIFE WITH CYCLAMEN AT CHRISTMAS

RUSSIAN CHURCH IN A SNOW COVERED COUNTRYSIDE

FLORAL STUDY-SPRING FLOWERS

Watercolour; signed "Olga" lower right

Watercolour; signed "Olga" lower right

Sight 8 x 6 in — 20.3 x 15.2 cm

Sight 7.5 x 5.5 in — 19.1 x 14 cm

Provenance: Private Collection, Westmount, QC

Provenance: With Robert's Gallery Limited, Toronto label verso; Private Collection, Westmount, QC

$600—900

Watercolour; signed "Olga" lower right Sight 5.5 x 6.5 in — 14 x 16.5 cm Provenance: Private Collection, Westmount, QC $600—900

$600—900

205

206

208

JORDI PLA DOMENECH (1917-1992), SPANISH

ANTONIO GOMAR Y GOMAR (1853-1911), SPANISH

JEAN KRILLE (1923-1991), SWISS

JARROSY FLORES

HOUSES IN A FIELD (GRANADA?)

Oil on canvas; signed lower le!, signed at "Barcelona/Espana" and titled in green ink verso

Oil on panel; signed with incised signature lower right

25.5 x 21.5 in — 64.8 x 54.6 cm Provenance: Estate of Helen (Mellow) Zinkargue, Toronto $500—700

14.25 x 9 in — 36.2 x 22.9 cm Provenance: Private Collection, Toronto $500—700

BLUMENSTILLEBEN (STILL LIFE WITH FLOWERS)

Oil on masonite; signed "Krille" lower right 22 x 18.5 in — 55.9 x 47 cm $500—800


209

210

211

WILLIAM LIRA (1962- ), VENEZUELAN

ANTON CETIN (1936- ) , YUGOSLAVIAN/CANADIAN

ERVIN NEUHAUS (1928-2012 ), YUGOSLAVIAN

EVE WITH A FLOWER, 1976

ABSTRACT (TWO WOMEN)

Oil on canvas; signed and dated ‘76 bo!om centre, signed, titled and dated 1976 in white paint and pencil verso

Watercolour and ink on paper; signed lower le".

BICICLO AZUL VOLADOR, 2012

Acrylic on canvas; signed, titled and dated 2012 in black pencil verso. Unframed. 48.4 x 48 in — 123 x 122 cm Provenance: Private Collection, Montreal $700—900

16.5 x 13.75 in — 41.9 x 34.9 cm Provenance: Gallery Moos, Toronto from whom purchased by the present Private Collection, Toronto , circa 1976 $500—700

Sheet 13.3 x 10.1 in — 33.7 x 25.7 cm $100—150


Index A

D

Abramson, Larry (78)

Dahl, Manner of Michael (137)

Goldthwaite, Harold (124)

Alexandrovna, Grand Duchess Olga

Dalí, Salvador (105)

Gomar, Antonio Gomar y (206)

(202, 203, 204)

Damschröder, Jan Jacobus Ma"hijs (163)

Gromaire, Marcel (174)

Almond, William Douglas (127)

Danielle, Lisa (37)

Gruppé, Charles C. (45, 46)

Alt, Otmar (175)

Darie, Sandu (113)

Guidorizzi, R. (192)

Ambille, Paul (170)

Davis, Paul Brooks (68)

American, 19th (1)

Deering, Roger (36)

H

DeMille, Leslie (65)

Hadzi, Dimitri (104)

American, 20th Century (5) American School (126) Anderbouhr, Paul-Jean (169)

B Ballantyne, Joyce (66)

Dillon, Michael (155) Docharty, Alexander Brownlie (122) Domenech, Jordi Pla (205) Dowie, Sybil M. (133) Dzigurski, Alexander (44)

Barton, Georgie Read (33, 34, 35) Baughman, John (80) Bernstein, Theresa Ferber (11) Bertalan, Vigh (187) Bertoia, Val (101) Blyth, Robert Henderson (153) British, 19th/20th Century (134) British, circa 1850 (135) Brown, Follower of John George (6) Bruce-Low, Mabel (149)

C

E

Casanovas, Claudi (102) Cetin, Anton (210) Constable, A!er John (138) Copley, A"ributed to John Singleton (2) Cozzens, Frederic Schiller (22, 23, 24, 25, 26, 29) Cuevas, José Luis (111)

Herdman-Smith, Robert (139) Hervé, Jules René (63, 64) Holt, Roger (73) Hopkins, Clyde (151) Hunter, Miss Elizabeth (140)

Eastlake, Sidney (128)

I

Evans, Fred McNamara (145)

Inglis, Jane (129)

F

J

Faed, James Jnr. (121) Flagg, Hiram Peabody (19, 20) Flagg, Jared Bradley (3) Forain, Jean-Louis (172)

Jakub, František (161) Juarez, Roberto (76)

Fried, Pal (47, 48, 49, 50, 51, 52, 53, 54, 55,

K

56, 57, 58, 59, 60, 61, 62)

Koeh, I. (166) Koekkoek, Willem (162)

Caillaux, Rodolphe (171) Cancel, Manuel (156)

Hartman, Robert (95)

G Gay, Edward B. (18) Gaynor, Janet (43) Gilbert, Sir John (130) Gisson, Andre (67, 72)

Kosak, A"ributed to F. Viktor (201) Kossak, Jerzy (197) Krille, Jean (208) Kugler, J. (81)

Glendening, Alfred Augustus Snr. (115)

L

Gobillard, Paule (167)

Landfield, Ronnie (79)

Goldman, Albert (190)

Lara, A"ributed to Georgina (125)


Lartigue, Dany (173) Laville, Joy (110) Lewin, Stephen (136) Lira, William (209) Loemans, Alexander Francois (7) Loew, Michael (97)

M

Stevens, Albert (146)

P Pantuhoff, Igor (71) Pap, Emil (186)

Stewart, Joel (42) Strain, John Paul (41)

Parton, Arthur (17)

T

Patricia, (39)

Tanasi, A!ributed to Corrado (191)

Pavoni, Michael Duke (77)

Tozer, Henry Edward Spernon (144)

Peebles, Bruce (106)

Mackillop, Sara (99)

Peel, James (117)

Maidment, Henry (118)

Pena, A!ributed to Narcisse Virgile

Maimon, Isaac (189)

Diaz de la (164)

Marsh, Reginald (98)

Penfold, Frank Crawford (10)

Ma!on, Charles (69)

Philips, Hermann (179)

W

Max, Peter (84, 85, 86, 87, 88, 89, 90, 91)

Pohl, Ernest Henry (15)

Wackermann, Hubert (40)

Mayer, Ursula (157)

Poivret, Jean-Luc (107)

Wald, Carol (74)

Mesjasz, Edward (198, 199, 200) Milne, William Wa! (119) Missagia, Claudio (193) Morris, Desmond John (154) Morris, John (93) Moscheles, Felix Stone (132) Murphy, John Francis (16) MV, Monogram initials ? (148)

N Natkin, Robert (96) Neogrády, László (183, 184) Neuhaus, Ervin (211) Nierman, Leonardo (108, 109) Noort, Adrianus van (168) Noritis, Harald (195)

O Oliveira, Fernando De Jesus (75)

Valkenburg, E. Van (4)

Walker, Jimmy (38)

Mcauliffe, James J. (9) Medina, Juan (112)

V

Q Quaresima, Paolo (194)

R

Wasserberger, Nathan (12) Watson, Sydney Robert (120) Watson, William R. C. (116) Weaver, Herbert Parsons (141, 142, 143)

Ravier, Francois Auguste (165)

Westchiloff, Constantin Aleksandrovich (32)

Retro-Futuristism School (82)

Westerlund-Roose, Mia (92)

Roberts, Charlie (94)

Weyl, Max (13, 14)

Rohrbacher, Kurt (158)

Whyte, Raymond A. (83)

Romero, Reymond (100)

Widgery, Catherine (103)

Rukstele, Antanas (196)

Woestyne, Maxime van de (160) Woodcock, Hartwell Leon (21)

S Salter, John William (150)

Wrightson, Bernie (70)

Sant, Manner of James (131)

X

Sa!ler, Hermann (178)

Xenou, Vana (180, 181, 182)

Schleeh, Hans (176, 177) Scottish School (123) Sibiya, Lucky Madlo (114) Silva, José Antonio da (159) Simmons, Charles Eyres (147) Space,

Y Yorke, A!ributed to William Gay (8)

Orban, Desiderius (188)

Z

Ostrowsky, Sam (30, 31)

Zimmerman, Theodore (152)


Notes


Buying at Waddington’s All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or oral announcement. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any oral announcement or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s™ and the consignor (seller) of the lot. Descriptions or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale.

condition of lots

All of the items are to be considered, unless otherwise noted in the description, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should examine the pieces in person or have our staff answer any questions before bidding. Sizes are approximate. It is the sole responsibility of the bidder to inquire as to the condition of a lot before bidding. Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale. Frames on artwork are not included as part of purchase or condition.

buyers premium

A premium of 20% of the successful bid price of each lot. A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer’s premium, except for purchases exported from Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province.

payment

Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), VISA or Mastercard (up to $25,000). ALL PRICES IN CANADIAN FUNDS

Selling at Waddington’s bidding

The Auctioneer may also execute bids on behalf of the consignor to protect the reserve. The reserve is the confidential minimum price the seller is willing to accept for his or her property, below which it will not be sold.

shipping

waddington’s commission rates Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $251 to $2,500 20%

The Auctioneers will not undertake packing or shipping. The purchaser must designate and arrange for the services of an independent shipper and be responsible for all shipping, insurance expenses and any necessary export permits that may apply. The Auctioneers will, upon request, provide names of professional packers and shippers but will not be held responsible for the service or have any liability for providing this information. Reliable preauction estimates of shipping costs of lots offered in this sale may be obtained from:

Items selling for $250 or less 25%

PakShip

*There is a minimum handling charge of $20 per item

Envoy 416-299-3367 / 416-299-9750 ph@envoy.ca / www.envoypackandship.com

A 1% insurance charge, based on the hammer price of the property, will be applied to all accounts.

905-470-6874 / 905-470-6875 / 416-293-8225 taurus@pakship.ca / www.pakship.ca

removal of purchases

Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15). Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients.

cites

Restrictions exist regarding the import and export of species protected under CITES (Convention on International Trade in Endangered Species). This includes but is not limited to items made of or containing bone (whalebone etc.), ivory, tortoise shell, seal skin, rhinoceros horn and any other animal part and is strictly controlled or forbidden by most countries. Please review your country’s laws before bidding on pieces made of or containing these restricted items. It is the sole responsibility of the buyer to inquire about and obtain the proper permits for artwork purchased that may contain restricted materials, if such permit can be obtained. Please contact the department for further assistance. Failure to obtain necessary import/ export permits will not void any sale. All Narwhal Tusks must have a Marine Harvest Number or a Marine and Mammal Transport number to be sold at Waddington’s. For more information please visit: www.cites.org

*There is a minimum handling charge of $20 per item canadian art department commission rates Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $2,500 or less 20%

insurance

auction advice

For auction advice on paintings, drawings, prints, jewellery, and various forms of decorative arts and other collectibles, please feel free to contact us via email or telephone. We are pleased to review emails containing photographs and information on your pieces in order to provide auction estimates for you to consider. For collections with a variety of objects, please contact our Appraisals and Consignments department (consignments@waddingtons. ca). For department-specific inquiries, please contact the specialist and/or department directly. All contact information can be found at www.waddingtons.ca. Our offices are located in Toronto and Vancouver, but our specialists regularly travel to major Canadian cities to meet with prospective consignors. To receive more information on Valuation Days across Canada or to arrange an appointment, please contact our Toronto office (416-504-9100). Please note that property typically arrives at Waddington’s at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items. Consignors will receive a contract to sign, setting forth terms and fees for our services.


Conditions of Sale 1. All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted or announced verbally in the auction room prior to the time of sale. While the auctioneer has endeavoured not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made. An opportunity for inspection of each article is offered prior to the time of sale. No sale will be set aside on account of lack of correspondence of the article with its description or its reproduction, if any, whether colour or black & white. Some lots are of an age and/or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others. Frames on artwork are not included as part of purchase or condition. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid, relying upon their own advisers, and to bid accordingly. 2. Each lot sold is subject to a 20% buyers premium as part of the purchase price. 3. Unless exempted by law, the buyer is required to pay Harmonized Sales Tax on the total purchase price including the buyer’s premium. For international buyers, taxes are not applicable when purchases are shipped out of country. Items shipped out of Ontario, the buyer is required to pay taxes as per the tax status of that province, whether it HST or GST (Goods and Services Tax).

6. Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in attendance at the sale. 7. The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The auctioneer’s decision in all cases shall be final. 8. Immediately after the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-offering the item for sale. 9. The buyer shall pay for all lots within 48 hours from the date of the sale, after which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale, after which storage charges may be incurred.

4. The auctioneer reserves the right to withdraw any lot from sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice.

10. Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away.

5. The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized.

11. Notwithstanding condition no. 1, if the buyer, prior to removal of a lot, makes arrangements satisfactory to the auctioneer for the inspection of such lot by a fully qualified person acceptable to the auctioneer to determine the genuineness or authenticity of the lot, to be carried out promptly following the sale of the lot, and if, but only if, within a period of 14

days following the sale a written opinion of such person is presented to the auctioneer to the effect that the lot is not genuine or authentic, accompanied by a written request by the buyer for rescission of the sale, then the sale of the lot will be rescinded and the sale price refunded to the buyer. 12. Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), and VISA or Mastercard (up to $25,000). 13. In the event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for: (a) any deficiency in price between the resale amount and the amount to have been paid by the original buyer; (b) any reasonable charge by the auctioneer for the storage of such articles until payment and removal by the subsequent buyer; and (c) the amount of commission which the auctioneer would have earned had payment been made in full by the original buyer. 14. It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them. 15. The auctioneer acts solely as agent for the consignor and makes no representation as to any attribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada). 16. The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.


Fine Prints & Photography Online Auction APRIL 6 - 11


Waddington’s 275 King Street East, Second Floor Toronto, Ontario M5A 1K2

tel: 416-504-9100 toll free: 1-877-504-5700 www.waddingtons.ca

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19th-21st Century International Art Online Auction | Feb. 23 - 28, 2019  

February 23 - 28

19th-21st Century International Art Online Auction | Feb. 23 - 28, 2019  

February 23 - 28