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Page 1

American & Modern Art F E B RUARY 22 — 27, 2 02 0


American & Modern Art F EB RUARY 22 — 27, 2 02 0


bid online at:

SENIOR SPECIALIST

onlineauctions.waddingtons.ca

on view

Susan Robertson sr@waddingtons.ca 416-847-6179

Sunday, February 23 from 12 pm to 4 pm

CONSIGNMENT COORDINATOR

Monday, February 24 from 1 pm to 7 pm

416-847-6186

Alec Kerr ak@waddingtons.ca

front cover Lot 15 Fern Isabel Coppedge Summering Austria, circa 1925 (Detail)

front inside cover Lot 74 Scottie Wilson Cygnes

back inside cover

preview held at

Lot 122 Jack Clemente Paris Jardin, 1961

275 King Street East, 2 Floor Toronto, Ontario M5A 1K2 nd

all lots can be viewed online at

back cover

www.waddingtons.ca

This catalogue and its contents Š 2020 Waddington McLean & Company Ltd.

Lot 1 19th Century North American School Early Evening Encampment With Elders Pointing from a Rock to a Distant Locomotive Traversing an Extensive Mid Western Landscape, circa 1868 (Detail)

This auction is subject to the Conditions of Sale printed in the back of this catalogue.

Photography & design by Waddington’s All rights reserved.


1

2

3

19TH CENTURY NORTH AMERICAN SCHOOL

CURRIER & IVES (PUBLISHERS) (ESTABLISHED 1834-1907), AMERICAN

CIRCLE OF FRANCIS GUY (1760–1820), AMERICAN COLONIAL SCHOOL, 1813

EARLY EVENING ENCAMPMENT WITH ELDERS POINTING FROM A ROCK TO A DISTANT LOCOMOTIVE TRAVERSING AN EXTENSIVE MID WESTERN LANDSCAPE, CIRCA 1868

AMERICAN EXPRESS TRAIN, 1864 [GALE, 143]

VILLAGER’S DANCE OUTSIDE AN INN WITH BRITISH PEACE FLAG, CELEBRATING THE END OF THE WAR OF 1812

Oil on canvas; unsigned. 30 x 50 in — 76.2 x 127 cm

Hand-coloured lithograph by Frances F. Palmer. Published by Currier & Ives, 152 Nassau Street, New York in 1864. Image/Sheet 17.5 x 27.8 in — 44.5 x 70.6 cm; 20.3 x 30.5 in — 51.5 x 77.5 cm

See website for full catalogue details

See website for full catalogue details

$3,000 — 4,000

$1,500 — 2,500

4

5

6

AMERICAN SCHOOL (19TH CENTURY)

EUGENE MEEKS (1843- ), AMERICAN

PORTRAIT OF A GENTLEMAN (JEAN SARPY, GREAT UNCLE OF THE BRATHWAITE, BERTHOLD PEUGNEUT FAMILY)

THIRSTY CAVALIER (COUPLE AT FIRENZE)

WYATT EATON (1849-1896), CANADIAN/AMERICAN

Oil on canvas laid down on masonite, sculpted oval; inscribed by the family on top of the gallery label verso with inscription, “Jean Sarpy - Great Uncle of Carolyn Yvonne Gundy Brathwaite Oval 34 x 26 in — 86.4 x 66 cm

Oil on canvas laid down on masonite; signed at “Firenze” lower left, titled to old paper label verso 13.75 x 16.25 in — 34.9 x 41.3 cm PROVENANCE:

With J. Harrison Mills, New York, Framers label to the Frame verso $600 — 800

See website for full catalogue details $600 — 800

Oil on panel; signed indistinctly with initial monogram, either with an initial “C” or “G” below a script initial that could be an “F” or “S” and dated 1813 lower right. Unframed. 12.5 x 16.3 in — 31.8 x 41.5 cm $700 — 900

ARIADNE, THE CLASSICALLY DRAPED NUDE READING IN A FOREST, 1889 Oil on canvasboard; signed and dated 1889 lower left 14 x 16 in — 35.6 x 40.6 cm See website for full catalogue details $2,000 — 3,000


7

8

9

19TH CENTURY FOLK ART SCHOOL, BRITISH/AMERICAN

WILLIAM BAPTISTE BAIRD (1847-1917), AMERICAN

WILLIAM BAPTISTE BAIRD (1847-1917), AMERICAN

GIRL HOLDING FLOWERS SEATED BY A WINDOW WITH CASTLE FORTRESS BEYOND

MOTHER HEN AND HER CHICKS

DEER IN SNOW

Oil on panel; signed lower left 6.25 x 8.6 in — 15.9 x 21.8 cm

Oil on canvas; signed lower right, signed “W. Baird” in pen and ink to partial artist’s label to the frame verso 10 x 13 in — 25.4 x 33 cm

Oil on canvas laid down to board. Unsigned. 28 x 23 in — 71.1 x 58.4 cm

PROVENANCE:

The Estate of William Reid, Toronto

R. Dolman & Son: 6 New Compton Street, London W.C., label to the frame

$700 — 900

$700 — 900

PROVENANCE:

PROVENANCE:

Prominent Collection, Montreal, QC $500 — 700

10

11

12

BRITISH/AMERICAN SCHOOL (19TH CENTURY)

CARL PHILIPP WEBER (1850-1921), AMERICAN

ROBERT B. HOPKIN (1832-1909), AMERICAN

CHILD FEEDING THE CALVES IN A BARN

AMERICAN STEAM SHIP AT DOCK WITH VILLAGERS MILLING ABOUT ON A SUNNY DAY, 1879

CLIPPER SHIP AND TUG HEADING TO SEA

Oil on canvas 11 x 14 in — 27.9 x 35.6 cm PROVENANCE:

Private Collection, Toronto $100 — 200

Oil on canvas laid down to masonite board; signed “C. Philipp Weber” and dated 1879 lower right 19 x 35.5 in — 48.3 x 90.2 cm See website for full catalogue details $800 — 1,200

Oil on canvas; signed “R. Hopkin” lower right, signed verso 16 x 14 in — 40.6 x 35.6 cm $300 — 500


13

14

15

OTIS S. WEBER (1847- ?) (ACTIVE 1867 - 1910 ), AMERICAN

ERNEST PARTON (1845-1933), AMERICAN

FERN ISABEL COPPEDGE (1883-1951), AMERICAN

NEW ENGLAND COASTAL SCENE WITH DISTANT SHIPPING

THE WATER MEADOWS, PICARDY, FRANCE

Oil on canvas; signed lower left 22 x 36 in — 55.9 x 91.4 cm

Oil on canvas laid down to masonite; signed lower left, titled to the nameplate 24.75 x 31 in — 62.9 x 78.7 cm

SUMMERING AUSTRIA, CIRCA 1925 Oil on canvasboard; signed “Fern I. Coppedge” bottom edge right. Contained in a giltwood frame, circa 1920-1940s.

PROVENANCE:

See website for full catalogue details

See website for full catalogue details

$1,000 — 1,500

$7,000 — 9,000

16

17

18

ATTRIBUTED TO BELMORE BROWNE (1880-1954), AMERICAN

WILLIAM B. GILLETTE (1864-1937), CANADIAN/AMERICAN

ARTHUR JAMES EMERY POWELL (1864-1956), AMERICAN

MOUNTAIN VISTA

RIVERSIDE FISHING HUT WITH WETLAND FLOWERS IN BLOOM, N.Y., 1905

WINTER ON THE RIVER, NY, CIRCA 1937

Private Collection, purchased in the U.S. by the present Private Collection, Newmarket, ON $700 — 900

Oil on masonite; signed lower right 24.5 x 30 in — 62.2 x 76.2 cm PROVENANCE:

Private Collection, Parry Sound, ON Acquired in California $2,000 — 3,000

Watercolour on paper laid down to card support; signed and dated 1905 lower right Sheet sight 12 x 19 in — 30.5 x 48.3 cm LITERATURE:

Alice Coe McGlauflin, “Who’s Who in American Art: Vol. 2, 1938-1939,” p. 600 $300 — 400

Oil on masonite board; signed “Arthur J.E. Powell NA” lower left 10 x 12 in — 25.4 x 30.5 cm $600 — 800


19

20

21

WALTON BLODGETT (1908-1963), AMERICAN

JOSEF M. ARENTZ (1903-1969), GERMAN/AMERICAN

ATTRIBUTED TO EMILE ALBERT GRUPPE (1896–1978), AMERICAN

WALKING IN VERMONT

PATHWAY THROUGH FARMLANDS, MAINE, CIRCA 1960

GLOUCESTER STREET SCENE WITH FIGURES

Oil on masonite board; signed lower left 17.75 x 24 in — 45.1 x 61 cm

Oil on canvas; signed lower left 18 x 24 in — 45.7 x 61 cm

Watercolour; signed lower right Sight 15.5 x 21.5 in — 39.4 x 54.6 cm $700 — 1,000

$600 — 900

PROVENANCE:

Sold John Moran, 27 Mar 2018; Private Collection, Toronto, Ontario, Canada. $2,000 — 3,000

22

23

24

CHARLES HENRY FROMUTH (1861-1937), AMERICAN

ATTRIBUTED TO FRANK MCCARTHY (1924-2002), AMERICAN

JOHN WILLARD BANKS (1912-1988), AMERICAN

SAILBOATS IN A HARBOUR WITH WORKMEN ON DECK, CONCARNEAU

TWO VINTAGE WESTERN ILLUSTRATIONS: COWBOY’S PUNCH; WATCHMAN AND CAPTIVE, CIRCA 1960S

‘FIRST AND LAST CHANCE GULF GAS STATION’, ‘NEW GOLD DUST TWIN’S SOAP POWDER, THE HOUSE WIFE HELPER’

Private Collection, Winnipeg, MB

Two oils on canvasboard; the first with indistinct scratched signature lower right, each with printed numbers “15” to labels verso Each 20 x 14 in — 50.8 x 35.6 cm

$1,000 — 1,500

$600 — 900

Watercolour, coloured pencil and crayon on Crescent Quality board; signed bottom centre. Unframed. Image/Board 15 x 24.9 in — 38.1 x 63.3 cm; 18 x 28 in — 45.7 x 71.1 cm

Colour pastel on paper; signed lower right Sight 14.5 x 19.5 in — 36.8 x 49.5 cm PROVENANCE:

$600 — 800


25

26

27

CHARLES WHITE (1918-1979), AMERICAN

RED (RICHARD) SKELTON (1913-1997), AMERICAN

AARON BOHROD (1907-1992), AMERICAN

MAN WEARING A HAT, 1947

CLOWN WITH FLOWER, 1976

GALLOPING HORSE, 1975

Oil on canvasboard; signed and dated ‘47 lower right 16 x 11.8 in — 40.6 x 30 cm

Oil on canvas; signed and dated 1976 lower right 18 x 14 in — 45.7 x 35.6 cm

PROVENANCE:

PROVENANCE:

Oil on board; signed in the the wet paint bottom centre, titled and dated 1975 in pen and ink to label verso, titled to gallery label verso 12 x 16 in — 30.5 x 40.6 cm

Private Collection, Toronto

Private Collection, Toronto

See website for full catalogue details

$3,000 — 5,000

$1,000 — 1,500

$700 — 900

28

29

30

RED (RICHARD) SKELTON (1913-1997), AMERICAN

ROBERT BUSHONG (1922- 1995), AMERICAN

JULES RENÉ HERVÉ (1887-1981), FRENCH/AMERICAN

“GOLFER” CLOWN, 1975

BEACHED BOATS AT NIGHT

GRAND ALLEE, TUILERIES

Oil on canvas; signed and dated 1975 lower right, titled ‘“Golfer” Clown’ in the accompanying typed statement of authenticity from the artist on “‘Skelton’ / 37801 Thompson Rd., Rancho Mirage, Ca 92270” 20 x 16 in — 50.8 x 40.6 cm

Oil on masonite board; signed lower right 14.5 x 13.25 in — 36.8 x 33.7 cm

Oil on canvas; signed lower right, signed to the canvas verso, titled to partial gallery label to the stretcher and titled in pen and ink to the stretcher 8.5 x 10.5 in — 21.6 x 26.7 cm

See website for full catalogue details $1,000 — 1,500

$200 — 300

See website for full catalogue details $1,000 — 1,500


31

32

33

NESTOR HIPPOYLE FRUGE (1916-2012), AMERICAN

ANDRÉ GISSON (1921–2003), AMERICAN

PÁL FRIED (1893–1976), HUNGARIAN/AMERICAN

FRENCH QUARTER STREET SCENE, NEW ORLEANS

MARGARET

BALLERINA

Oil on canvas; signed lower right, titled to gallery label verso 30.5 x 40 in — 77.5 x 101.6 cm

Oil on canvas; signed lower left 24 x 30 in — 61 x 76.2 cm

Watercolour; signed lower right Sight 14.5 x 10.5 in — 36.8 x 26.7 cm $300 — 500

$1,000 — 1,500

PROVENANCE:

Miner’s Gallery Americana, California label inscribed “purchased 9-14-74”; Estate Collection, Canada $700 — 1,000

34

35

36

ANDRÉ GISSON (1921–2003), AMERICAN

ANDRÉ GISSON (1921–2003), AMERICAN

ANDRÉ GISSON (1921-2003), AMERICAN

BUSY DAY ALONG THE SEINE

IN THE GARDEN

TWO GIRLS IN A MEADOW

Oil on canvas; signed lower left 24 x 30 in — 61 x 76.2 cm

Oil on canvas; signed lower left 16 x 20 in — 40.6 x 50.8 cm

Oil on canvas; signed lower left 23.875 x 36.5 in — 60.6 x 92.7 cm

PROVENANCE:

PROVENANCE:

Britnell’s Art Gallery, Toronto; Private Collection, Haliburton, ON

Private Collection, Haliburton, ON

$1,000 — 1,500

$800 — 1,200

$1,000 — 1,500


37

38

39

JACOB EL HANANI (1947- ), ISRAELI/AMERICAN

JOHN HUTTON (1906-1978), NEW ZEALANDER/CANADIAN

WILLEM DE LOOPER (1932-2009), DUTCH/AMERICAN

DANIEL, 1978

HOMER & SAPPHO (PRELIMINARY STUDY FOR CENTRAL PANEL IN NATIONAL LIBRARY ARCHIVES OF CANADA, OTTAWA)

UNTITLED, 1976

Ink drawing on thick paper; signed, titled, and dated 1978 at NY in pencil verso. Unframed. Image/Sheet 11.1 x 10.9 in — 28.2 x 27.7 cm; 14.4 x 14.5 in — 36.6 x 36.8 cm PROVENANCE:

Private Collection, Toronto $1,000 — 1,500

White chalk drawing on black paper; signed lower right, titled and inscribed to a typed note verso Sheet 19 x 23.5 in — 48.3 x 59.7 cm $200 — 300

Acrylic on canvas; signed ‘de Looper” and dated 1176 in ink verso. 60 x 48 in — 152.4 x 121.9 cm PROVENANCE:

Galerie Charlotte von Finckenstein /Hans Dieter Rommeney, Hamburg gallery label verso; Private Collection, King City, ON $1,000 — 2,000

40

41

42

CAROL WALD (1935-2000), AMERICAN

ANTONIO MURADO (1964-), SPANISH/AMERICAN

UMBERTO ROMANO (1905-1984), AMERICAN

UNTITLED, 2002

RABBI

Mixed-media on aluminum; signed, dated and numbered #069-02 in black ink verso 8 x 11 in — 20.3 x 27.9 cm

Oil on masonite; signed lower right, signed verso, titled in pencil verso 12 x 9 in — 30.5 x 22.9 cm

PROVENANCE:

PROVENANCE:

CVI Inc., Cedar Valley Inc., USA label verso; Miriam Shiell Fine Art, Toronto

Associated American Artists, N.Y. partial gallery label verso

$300 — 400

$300 — 500

CROWD AT NIGHT (IN DETROIT), 1964 Oil on canvas; signed and dated 1964 lower left 40 x 50 in — 101.6 x 127 cm PROVENANCE:

Private Collection, Ontario; Sold Gardner Galleries, London, ON, June 24, 2019, Lot 5673; Private Collection, Canada $1,200 — 1,800


43

44

45

JACOB EL HANANI (1947- ), ISRAELI/AMERICAN

OSCAR LAKEMAN (1949-), AMERICAN

MARCELLA S. NELSON (1955- ), AMERICAN

SHATIACH, 1979

Acrylic on paper mounted on canvas; signed, numbered and dated “#26. Oscar 12.91” lower right, titled to galley label verso 23.5 x 31.5 in — 59.7 x 80 cm

THE CONSERVATORY, 1989

PROVENANCE:

PROVENANCE:

Helander Gallery, Palm Beach, Florida; The Estate of Albert Silver, Toronto

Sold Skinner, May 20, 2011, Lot 612; Private Collection, Waterloo, ON

$1,500 — 2,500

$700 — 900

46

47

48

RUDY POZZATTI (1925 - ), AMERICAN

PETER SCHUYFF (1958- ), DUTCH/AMERICAN/CANADIAN

JOSEPH AMAR (1954-2001), AMERICAN

UNTITLED (MELODY OF INTERWOVEN RIBBONS AND LETTERS)

Mixed-media, oil, pastel and pencil on paper; signed Amar and dated 82 lower right Sight 31 x 46.5 in — 78.7 x 118.1 cm

Ink drawing on thick paper; signed three times, titled, and dated 1979 at N.Y.C. NY twice in pencil verso. Unframed. Image/Sheet 12.8 x 12.3 in — 32.4 x 31.3 cm; 18.6 x 18.3 in — 47.2 x 46.5 cm PROVENANCE:

Private Collection, Toronto

STILL LIFE #26, 1991

Oil on canvas; signed, titled and dated 1989 to the selvage verso 24 x 36 in — 61 x 91.4 cm

$2,000 — 3,000

SERPENT (FROM “DARWIN’S BESTIARY”, 1985-1986); FOLIO: PHYSIOLOGUS THEOBALDI EPISCOPI DE NATURIS DUODECIM ANIMALIUM, 1964 Lithograph; signed, titled and dated 1964 in pencil to margin 19.5 x 27 in — 49.5 x 68.6 cm; 21.75 x 15.25 in — 55.2 x 38.7 cm See website for full catalogue details $600 — 800

Acrylic on paper; signed lower right 37.75 x 51.5 in — 95.9 x 130.8 cm

UNTITLED (BLUE FIRE), 1982

PROVENANCE:

Private Collection, Toronto

The Fine Line Art Gallery, Toronto as “Blue Fire”, 1982 to the accompanying gallery label

$4,000 — 6,000

$800 — 1,200

PROVENANCE:


49

50

51

ROBERT W. MUNFORD (1925-1991), AMERICAN

GEORGE SUMNER (1940- ), AMERICAN

MICHAEL PATRICK DILLON (1947-2007), AMERICAN

FERNANDO, 1961

HAWAIIAN VOLCANO ON THE ISLAND OF KILAUEA, 1985

Gouache and conte on paper; signed and dated 1961 at Ibiza in pen and ink lower right, titled to label verso Sheet 18 x 23 in — 45.7 x 58.4 cm

Oil on canvas; signed and dated ‘85 lower left, inscribed No. GSO-227-4872-293 in black crayon verso 48 x 72 in — 121.9 x 182.9 cm

PROVENANCE:

See website for full catalogue details

Private Collection, Markham, ON

$700 — 900

$500 — 700

UNTITLED (A FIGURAL SUBJECT WITH WHITE LEGS), 1987-1996 Oil on canvas; signed “M. Dillon N.Y.C.” twice, with two dates “1987” and “1996” in different colours in ink verso 62.75 x 54.5 in — 159.4 x 138.4 cm PROVENANCE:

Private Collection, London, Ontario $600 — 800

52

53

54

TREACY ZEIGLER (20TH/21ST CENTURY), AMERICAN/CANADIAN

GINO HOLLANDER (1924-2015), AMERICAN

GINO HOLLANDER (1924-2015), AMERICAN

CROSSING THE REACH, 2005

NUDE WITH GREY WASH, 1975

PORTRAIT, YELLOW & BLACK, 1976

Oil and egg tempera on panel; signed, titled and dated 2005 verso 27.5 x 27.45 in — 69.9 x 69.7 cm

Acrylic and dry brush with ink on canvas; signed and dated 75 lower right, titled to gallery label verso 40 x 27 in — 101.6 x 68.6 cm

Acrylic and dry brush with ink on canvas; signed and dated 76 lower left, titled to gallery label verso 40 x 40 in — 101.6 x 101.6 cm

See website for full catalogue details $600 — 800

See website for full catalogue details $600 — 800

PROVENANCE:

Private Collection, Aurora, ON $500 — 700


55

56

57

JOEL STEWART (1959 - ), AMERICAN

ROBERT CARBONE (1949 - ), ITALIAN/CANADIAN/AMERICAN

SCOTT HILE (21ST CENTURY), AMERICAN

UNTITLED (FLOATING BODIES), 1974

UNTITLED (SCULPTURAL FOLDED PAPER PANEL)

FRUIT BRANCH COVERED IN SNOW, 1997 Watercolour on paper; signed “Stewart” and dated 97- lower right Sight 58 x 19 in — 147.3 x 48.3 cm PROVENANCE:

Private Collection, London, Ontario

Oil on canvas; signed and dated “Carbone 74” in pencil verso 54 x 69 in — 137.2 x 175.3 cm $700 — 900

$500 — 700

Rows of folded paper motifs heightened with opaque watercolour aligned horizontally in rows and mounted on a silvered backboard, signed “S Hile” in red paint to the bottom left folded paper motif Image/Mounted 70 x 22 in — 177.8 x 55.9 cm; 81.5 x 32 in — 207 x 81.3 cm See website for full catalogue details $300 — 500

58

59

60

PHILIP (1907-1987) AND KELVIN LAVERNE (1937- ), AMERICAN

BARBARA HULT LEKBERG (1925-2018), CANADIAN/AMERICAN

ROBERT HOWARD COOK (1921- ), AMERICAN

UNTITLED - FIGURAL GROUP (STUDIO WALL PLAQUE), 1964

STAR GAZER

LION WALKING, 1988

Bronze with brown patina; signed “Lekberg” and numbered 2/9 in the cast to the foot of the bronze. Raised on a black stone base. height 21 in — 53.3 cm

Bronze with gold/brown patination; signed “R. Cook” twice: on the lower right side of the body and signed again and dated 88 on the inside of the body. Raised on a rectangular wood base. 7.25 x 15.25 in — 18.4 x 38.7 cm

Unique cast, dark brown patinated bronze of horizontal rectangular form, in high relief, scratched signature lower right 31.5 x 48 x 3 in — 80 x 121.9 x 7.6 cm

PROVENANCE:

See website for full catalogue details

The Estate of Albert Silver, Toronto

See website for full catalogue details

$3,000 — 5,000

$500 — 700

$600 — 800


61

62

63

ALOIS ARNEGGER (1879–1967), AUSTRIAN

JOHANN SEITS (1867-1944), AUSTRIAN

FERDINAND MAY (1879-1962), AUSTRIAN

SUNSET IN THE ALPS

Watercolour and gouache on paper; signed and dated 1929 at Dubrovnik lower right Sight 10 x 14.5 in — 25.4 x 36.8 cm

Oil on canvas; signed lower left 24 x 36 in — 61 x 91.4 cm $1,500 — 2,000

BOYS SWIMMING AT DUBROVNIK, 1929

PROVENANCE:

Knoedler & Co., New York, framer’s label to the frame verso

HORSE TEAM HAULING A FULL TIMBER WAGON Oil on canvas; signed “F. May” lower left 23.5 x 35 in — 59.7 x 88.9 cm $400 — 600

$400 — 600

64

65

66

JAKOB HERZOG (1867-1959), SWISS

ROLAND STRASSER (1895–1974), AUSTRIAN

ROLAND STRASSER (1895–1974), AUSTRIAN

CHRISTMAS CACTUS WITH BOOK AND VASE, 1910

GEISHA GIRL AT HER DRESSING TABLE

VILLAGER WITH FIGHTING COCK, BALI, 1922

Oil on canvas; signed and dated “1910” lower right 25.75 x 22.8 in — 65.4 x 58 cm

Watercolour, ink and gouache on paper; signed lower right Sight 22 x 15.5 in — 55.9 x 39.4 cm

Charcoal drawing on paper; signed and dated 1922 at Bali in pencil mid right Sight 23.25 x 11.25 in — 59.1 x 28.6 cm

PROVENANCE:

PROVENANCE:

With Lucien Encadrements Inc., Montreal label verso

Private Collection, Toronto

See website for full catalogue details

$1,000 — 1,500

$2,000 — 3,000

$1,200 — 1,800


67

68

69

LISL LEVINSOHN (1924-1983), AUSTRIAN/CANADIAN

LISL LEVINSOHN (1924-1983), AUSTRIAN/CANADIAN

GREGORY FINK (1946- ), BRAZILIAN

“A LONELY IMPULSE OF DELIGHT, DROVE TO THIS TUMULT IN THE CLOUDS...” (W.B. YEATS), MARCH 28, 1978

THE SOURCE OF WONDER, VERSION 2, MAY 17, 1975

Oil and gold leaf on masonite; signed “Gregory” lower left, titled “The Crucifiction” in the accompanying artist statement dated March 25, 2015. 21.5 x 31.5 in — 54.6 x 80 cm

THE CRUCIFICTION

Pen and ink drawing on Crescent Medium Weight Cardboard Company Illustration Board; signed, dated March 28, 1978 Sheet 29.5 x 29.75 in — 74.9 x 75.6 cm

Pen and ink drawing on Crescent Medium Weight Cardboard Company Illustration Board; signed, titled, dated May 17, 1975 and inscribed “at Saigon fall; on April 29, 1975” Sheet 30 x 30 in — 76.2 x 76.2 cm

See website for full catalogue details

See website for full catalogue details

$300 — 500

$300 — 500

70

71

72

JOSUÉ DEMARCHE (1958- ), BRAZILIAN

BERNARD SCHOTTLANDER (1924–1999), GERMAN/BRITISH

BERNARD SCHOTTLANDER (1924–1999), GERMAN/BRITISH

UNTITLED (TOTEM)

UNTITLED (TOTEM)

Brushed aluminum; signed with incised signature “BM Schottlander” and signed with stamped initials “BS” to the edge of the base 10.5 x 4 x 1.5 in — 26.7 x 10.2 x 3.8 cm

Brushed aluminum; signed “BM Schottlander” on the underside and edge twice, also signed with stamped initials “BS” to another edge of the base 10 x 5.25 x 1.5 in — 25.4 x 13.3 x 3.8 cm

BLUE CLOCK, 1992 Oil on canvas; signed and dated 92 lower left 34 x 28 in — 86.4 x 71.1 cm PROVENANCE:

Private Collection, Beamsville, ON $800 — 1,200

PROVENANCE:

Collection, Toronto $700 — 900

See website for full catalogue details $600 — 800

PROVENANCE:

Collection, Toronto $700 — 900


73

74

75

FRANK OWEN SALISBURY (1874-1962), BRITISH

SCOTTIE WILSON (1889-1972), SCOTTISH/CANADIAN

ARCHIBALD GEORGE BARNES (1887–1972), BRITISH/CANADIAN

MAGNOLIAS

CYGNES

LILACS IN A GLASS VASE

Oil on canvas; signed lower right 36 x 28 in — 91.4 x 71.1 cm

Pen and ink and colour chalks on paper, sculpted tondo; signed “Scottie” in black ink lower right diameter 10 in — 25.4 cm

Oil on canvasboard; signed lower right 20 x 16 in — 50.8 x 40.6 cm

PROVENANCE:

Private Collection, Hamstead, PQ in 1989 $1,000 — 1,500

PROVENANCE:

With The Isaacs Gallery, Toronto label verso; Private Collection, Aurora, ON

PROVENANCE:

Cooling Galleries (Ontario Limited), Toronto gallery label verso; Private Collection, Toronto $800 — 1,200

$700 — 900

76

77

78

CECIL ARTHUR HUNT (1873-1965), BRITISH

KATE GILES (20TH/21ST CENTURY), BRITISH

STEVEN MARSHALL (1967- ), BRITISH

VISTA WITH CITY RUIN ON MOUNTAIN TOP

THE IRRIGATORS, BUTLEY, 2008

Watercolour over pencil sketching lines; signed “C.A. Hunt” lower right Sight 14 x 21.5 in — 35.6 x 54.6 cm

Oil on linen canvas; signed verso, titled to gallery label verso 20 x 20 in — 50.8 x 50.8 cm

Enamel on board; signed in black ink verso, titled to label verso 10.6 x 13.8 in — 27 x 35 cm

$300 — 400

PROVENANCE:

Private Collection, Aurora, ON $700 — 900

DELETED SCENE 15

PROVENANCE:

Private Collection, Montreal $500 — 700


79

80

81

YUAN PIN (21ST CENTURY), CHINESE

MEIZHANG LUO (1919- ), CHINESE

KUNHUANG HUANG (1931- ), CHINESE

PASSION (STILL LIFE OF RED FLOWERS), SUMMER, 1991

LANDSCAPE, 1983

MID AUTUMN IN HUANG FU, 1988

Oil on canvas laid down to plywood panel; signed “M.C. Lo” and dated 83 lower left, inscribed and dated in characters to gallery label verso. Accompanied by an exhibition catalogue from Tokyo Ginza Oriento Gallery (1992) 13 x 9.25 in — 33 x 23.5 cm

Oil on board; signed “K. Huang” and dated 88 lower left, inscribed and dated 1988 in characters to gallery label verso 18 x 24 in — 45.7 x 61 cm

Oil on canvas; signed “Yuan Pin” lower left, signed, titled, and dated “Summer 1991” in characters to the canvas verso 16 x 12.5 in — 40.6 x 31.8 cm

PROVENANCE:

Estate Collection, Kitchener, ON

See website for full catalogue details

East Gallery, Taipei, gallery label verso; Estate Collection, Kitchener, ON

$200 — 300

$300 — 500

$500 — 700

82

83

84

KUNHUANG HUANG (1931- ), CHINESE

NOPARAT LIVISIDDHI (1932- ), THAI

STREET IN VIENNA, 1991

LILY POND

JIRI MATOUSEK (1949- ), CZECHOSLOVAKIAN

Oil on canvas; signed “K. Huang” and dated 91 lower right, inscribed and dated in characters to the gallery label verso backing 24 x 19.5 in — 61 x 49.5 cm

Oil on canvas; signed “Noparat” lower left 24 x 36 in — 61 x 91.4 cm

PROVENANCE:

PROVENANCE:

East Gallery, Taipei, gallery label verso; Estate Collection, Kitchener, ON $500 — 700

$1,500 — 2,000

UNTITLED (BLUE DISCS), 1970 Colour inks on paper; signed and dated 70 in pen and ink lower right Sight 14 x 18 in — 35.6 x 45.7 cm See website for full catalogue details $300 — 500


85

86

87

TAVÍK FRANTISEK ŠIMON (1877–1942), CZECHOSLOVAKIAN

LOUIS VAN DER POL (1896-1982), DUTCH

HENRI VAN OS-DELHEZ (1880-1976), DUTCH

SKETCHBOOK INCLUDING LANDSCAPES; FIGURAL STUDIES; TOWN SCENES, CITY ARCHITECTURE AND PORTRAITS, CIRCA 1914

WOMEN IN THE STREETS, 1970

PANSIES IN A VASE

Oil on panel; signed lower left, dated 1970 verso 12 x 10 in — 30.5 x 25.4 cm

Oil on canvas; signed “Henri van Os” lower left, inscribed “painted in Holland” verso 11.5 x 15.75 in — 29.2 x 40 cm

$300 — 400

$400 — 600

88

89

90

ANTHONIE PIETER SCHOTEL (1890-1958), DUTCH

JOHAN MEIJER (MEYER) (1895-1970), DUTCH

ARTHUR SPRONKEN (1930-2017), DUTCH

SAILBOATS

NEVELSTEMMING (MISTY MOOD LANDSCAPE)

SEATED FIGURE, 1960

Overall dimensions 8.25 x 5.3 in — 21 x 13.5 cm See website for full catalogue details $300 — 500

Oil on board; signed with conjoined initials “APS” lower left, signed verso 17.5 x 12.25 in — 44.5 x 31.1 cm PROVENANCE:

Private Collection, Calgary $400 — 600

Oil on canvas; signed ‘Johan Meijer’ lower left, signed ‘Johan Meyer’ and titled ‘Nevelstemming’ in black crayon to the stretcher 19.75 x 16 in — 50.2 x 40.6 cm See website for full catalogue details $400 — 600

Inky blue paint on paper; signed and dated 1960 in blue bottom right Sheet 27.6 x 19.75 in — 70 x 50.2 cm $300 — 500


91

92

93

WILL FABER (1901–1987), GERMAN/SPANISH

EERO ALEKSANDER NELIMARKKA (1891–1977), FINNISH

VERMER THOMÉ (1878-1953), FINNISH

ENCANTAMIENTO, 1959

WINTER LANDSCAPE IN OSTROBOTHNIA, FINLAND (LAKEUS), 1952

Watercolour and crayon on paper laid down to a card support; signed and dated 1920 lower left Sheet 11.5 x 14.2 in — 29.2 x 36.1 cm

Mixed-media; signed and dated 59 in white ink lower left, signed at “Homero, 27, Barcelona” and titled in blue pen and ink verso, numbered “7” stamped with several Numero Galleria Redazione, Firenze, Italy stamps Sheet 17.5 x 10.8 in — 44.5 x 27.5 cm

Oil on canvas; signed and dated 1952 lower right 18.3 x 25.9 in — 46.4 x 65.7 cm

A ROCKY COAST, 1920

$300 — 500

$600 — 800

See website for full catalogue details $300 — 500

94 1 of 3

95

96

MANNER OF ACHILLE-ÉMILE OTHON FRIESZ (1879–1949), FRENCH

JEAN HIPPOLYTE MARCHAND (1883-1940), FRENCH

GÉRARD CAUDRELIER (20THC), FRENCH

THREE FIGURE STUDIES: WOMAN SEATED AT TABLE, CIRCA 1966; THE ONLOOKER; TWO NUDES RECLINING IN A LANDSCAPE

THE CONVERSATION

STILL LIFE WITH MEAT, ONIONS AND PRESERVED PICKLES, 1901

Sheets respectively 8.4 x 5.4 in — 21.4 x 13.7 cm; 12.4 x 10.1 in — 31.4 x 25.7 cm; 12.1 x 16 in — 30.7 x 40.7 cm

Pencil and black crayon drawing on thin paper; Atelier stamp lower left, titled to gallery label and to the provenance label verso backing 12.8 x 9.8 in — 32.5 x 25 cm See website for full catalogue details

See website for full catalogue details $400 — 600

$400 — 500

Oil on canvas; signed and dated 1901 upper left 14.5 x 18 in — 36.8 x 45.7 cm $400 — 600


97

98

99

MICHEL KIKOÏNE (1892-1968), RUSSIAN/FRENCH

LOUIS CHERVIN (1905-1969), FRENCH

OSSIP ZADKINE (1890–1967), RUSSIAN/FRENCH

CAGNES-SUR-MER (ROOFTOPS), CIRCA 1918

Oil on canvas; signed lower right, signed to the stretcher with the artist’s address, also signed, titled and dated “Août 1947” to canvas verso 28.75 x 36 in — 73 x 91.4 cm

HEAD OF A WOMAN, CIRCA 1940S

PROVENANCE:

See website for full catalogue details

Oil on canvas on masonite board; signed “Kikoine” lower right, signed “Kikoine” in red paint verso and dated “circa 1918“ to label verso. 21.25 x 25.75 in — 54 x 65.4 cm $1,000 — 2,000

LE BOURRAGE, AOÛT 1947

Private Collection, Toronto

Charcoal drawing on paper; signed in pencil lower left Sheet 20.4 x 15 in — 51.7 x 38.1 cm

$1,000 — 1,500

$700 — 900

100

101

102

PIERRE-PAUL EMIOT (1887-1950), FRENCH

MAURICE BARLE (1903-1961), FRENCH

ANDRE RENOUX (1939-2002), FRENCH

BORDE LA MADELEINE

LA MÈRE CATHERINE, PARIS

BUSY HARBOUR WITH BOATS

Oil on canvas; signed lower right, titled to the stretcher in pencil 15 x 18 in — 38.1 x 45.7 cm

Oil on coarse open-weave canvas; signed lower right 24 x 20 in — 61 x 50.8 cm

$300 — 400

$700 — 900

Oil on canvas; signed lower right 19 x 22.5 in — 48.3 x 57.2 cm PROVENANCE:

Cooling Galleries Ontario Limited, Toronto label verso; Canadian Art Dealers Association circular gold label verso $500 — 700


103

104

105

YOLANDE ARDISSONE (1927- ), FRENCH

HENRI D’ANTY (1910-1998), FRENCH

LJUBOMIR MILLINKOV (1938- ), SERBIAN/FRENCH/AMERICAN

MAREE A DOELAN

Oil on canvas; signed lower left edge, signed, titled and numbered “No. 79” verso, inscribed “AYOGA” and “980” in black ink verso 5.5 x 7.1 in — 14 x 18 cm

Oil on canvas; signed lower right, titled to the stretcher 21.5 x 25.5 in — 54.6 x 64.8 cm PROVENANCE:

NATURE MORTE, NO. 79

$200 — 300

PEASANTS GATHERING HAY Oil on masonite; signed “Millinkov” lower right, the artist’s business card attached to the verso from his studio at 4 rue Joseph Dijon, Paris 8.75 x 13.75 in — 22.2 x 34.9 cm

Wally Findlay Galleries, inventory number 114515

PROVENANCE:

$800 — 1,200

$200 — 300

Private Collection, Toronto

106

107

108

OLIVIER FOSS (1920-2002), FRENCH

OLIVIER FOSS (1920-2002), FRENCH

GUSTAVE VIDAL (1895-1966), FRENCH

BUSKER PLAYING THE VIOLIN, PARIS

PARISIAN STREET SCENE

L’ORAGE

Oil on canvas; signed lower left. Contained in a Heydenryk frame. 39.5 x 25.5 in — 100.3 x 64.8 cm

Oil on canvas; signed lower left 21.25 x 25.25 in — 54 x 64.1 cm

PROVENANCE:

With Arthur Lenars & Cie., Paris label verso

Galerie L’Art Francais, Montreal gallery label verso; Private Collection, Montreal, QC

Oil on canvas; signed lower right, signed with artist studio stamp ‘G. Vidal/France’ verso, titled and inscribed no. “180” in pen and ink to label to the stretcher 23.5 x 41 in — 59.7 x 104.1 cm

$700 — 900

$700 — 900

PROVENANCE:

$500 — 700


109

110

111

MICHEL CIRY (1919-2018), FRENCH

MICHEL CIRY (1919-2018), FRENCH

HOMMAGE À BERNANOS, 1963

PIETRO MARTIGNENE, LE PROPHETE, 1960

GENEVIÈVE CLAISSE (1935-2018), FRENCH

Oil on canvas; signed upper left, signed, titled and dated 1963 verso, titled to gallery label verso 45.5 x 32 in — 115.6 x 81.3 cm PROVENANCE:

Arthur Lenars & Cie., Paris label to the stretcher; Galerie Dresdnere, Toronto gallery label verso $2,000 — 3,000

Oil on canvas; signed, titled “Pietro Martignene” and dated 60 upper left, signed, titled “Pietro Martignene, Le Prophete” and dated 60 verso, the stretcher, signed, dated “1957-1959” and inscribed “Helsingor” in pen and ink, titled to gallery 47.25 x 23.5 in — 120 x 59.7 cm

UNTITLED, 1964 Black ink drawing on paper; signed and dated 1964 in pencil below the image in the border lower right Image/Sheet 14.5 x 12 in — 36.8 x 30.5 cm; 25.75 x 19.75 in — 65.4 x 50.2 cm $500 — 700

See website for full catalogue details $1,200 — 1,800

112

113

114

HANS SIEVERDING (1937-), GERMAN

HERBERT DUNKEL (1906-1966), GERMAN

WITMAN ETELKA VIZKETETI (1882-1962), HUNGARIAN

UNTITLED (TWO FISH), 1958

STREET BAZAAR

Oil on paper; signed and dated 58 in black ink lower left. Matted and unframed. Sheet 23.75 x 33.5 in — 101.6 x 152.4 cm

Oil on canvas wrapped on masonite; signed lower right 24 x 20 in — 61 x 50.8 cm

KURZGESCHICHTE III (SHORT STORY III) Acrylic on canvas; signed lower right, signed, titled and dated “20^^” in black marker verso 26 x 22 in — 66 x 55.9 cm PROVENANCE:

Private Collection, Aurora, ON $700 — 900

$500 — 700

PROVENANCE:

Probably Eaton’s of Canada, remains of their label verso $700 — 900


115

116

117

ELI ILAN (1928-1982), CANADIAN/ ISRAELI

YAACOV AGAM (1928-), ISRAELI

LEA AVIZEDEK (20TH/21ST CENTURY), ISRAELI

CONFRONTATION VI, 1975

Colour pastel on paper; signed and titled in black pencil along the bottom edge Sheet 22.5 x 14.75 in — 57.2 x 37.5 cm

Gilt bronze maquette; signed, numbered 5/X and dated 75 in the cast. Raised on a white marble base. Together with the book by Mendel Kohansky, “Sculptures of Eli Ilan”. 6.25 x 14.5 x 8.5 in — 15.9 x 36.8 x 21.6 cm

PEACE STARS

$800 — 1,200

See website for full catalogue details

SPIRIT (WOMAN SEATED AT THE WINDOW) Watercolour, gouache and ink on paper; signed lower left and signed in Hebrew at the bottom of the window lower right, titled “Spirit” to gallery label verso 26 x 36 in — 66 x 91.4 cm See website for full catalogue details $500 — 700

$300 — 500

118

119

120

LEA AVIZEDEK (20TH/21ST CENTURY), ISRAELI

LEA AVIZEDEK (20TH/21ST CENTURY), ISRAELI

VINCENZO MORACA (1934- ), ITALIAN

WOMAN WITH ORANGE FLOWERS

THREE WOMEN

Mixed-media watercolour, gouache, and ink on paper; signed and signed in Hebrew lower left, titled to gallery label verso 40 x 37 in — 66 x 91.4 cm

Watercolour, gouache and ink on green paper; signed lower left and signed in Hebrew lower right, titled to gallery label verso 35 x 25 in — 88.9 x 63.5 cm

Oil on canvas; signed “Moraca” in red paint lower right 31 x 23.6 in — 78.7 x 59.9 cm

PROVENANCE:

PROVENANCE:

Private Collection, Aurora, ON

Private Collection, Aurora, ON

$600 — 800

$500 — 700

ABSTRACT

See website for full catalogue details $700 — 900


121

122

123

VINCENZO MORACA (1934- ), ITALIAN

JACK CLEMENTE (1926-1974), ITALIAN

VINCENZO MORACA (1934- ), ITALIAN

UNTITLED ABSTRACT

PARIS JARDIN, 1961

FRAMMENTO DI PRIMAVERA, 1988

Oil on burlap; signed “Moraca” in red paint lower right 25.25 x 20.5 in — 6413.5 x 52.1 cm

Oil on canvas; signed “Clemente” and dated 61 lower right, signed “Clemente”, titled twice and dated 61 in black paint verso. 35 x 23.75 in — 88.9 x 60.3 cm

Mixed-media and paper collage on canvas; signed “Moraca” and dated 88 lower right, signed and titled verso 15.75 x 19.5 in — 40 x 49.5 cm

See website for full catalogue details

See website for full catalogue details

$3,000 — 5,000

$400 — 600

See website for full catalogue details $500 — 700

124

1 of 3 125

VINCENZO MORACA (1934- ), ITALIAN UNTITLED (THREE ABSTRACTS) Three oils on canvas; each signed “Moraca” lower right. Contained in matching wood frames with gilt finish. 16 x 19.75 in — 40.6 x 50.2 cm; 16 x 20 in — 40.6 x 50.8 cm; 12 x 15.75 in — 30.5 x 40 cm See website for full catalogue details $600 — 900

126

LEONARDO NIERMAN (1932 - ), MEXICAN

ATTRIBUTED TO JOSÉ CLEMENTE OROZCO (1883–1949), MEXICAN

PROPHESY

SEATED WOMEN WITH A BASKET (A DOUBLE-SIDED DRAWING WITH PARTIAL FIGURAL STUDY OF A VEILED WOMAN VERSO), 1957?

Oil on masonite; signed lower left, titled verso 23 x 31 in — 58.4 x 78.7 cm $1,000 — 1,500

Mixed-media with oil, ink and crayon and varnish on thick grey paper; the recto, signed indistinctly with a stamp? Sheet 13.7 x 10.7 in — 34.7 x 27.2 cm See website for full catalogue details $1,000 — 1,500


127

128

129

AURELIO PESCINA (1938-1990), MEXICAN

JESUS GUERRERO GALVIN (1910-1973), MEXICAN

IRENE RUMPOLD (1941- ), AUSTRIAN/MEXICAN

WOMEN HARVESTING

STUDIES OF THE HEAD OF A WOMAN, 1941

ZEUS AND EUROPA, 1997

Oil on canvas; signed “Pescina” lower right 25.5 x 29.5 in — 64.8 x 74.9 cm

Pencil on paper; signed and dated 1941 lower left 11.5 x 16 in — 29.2 x 40.6 cm

Black/green patinated bronze; signed, dated 97 and numbered 10/12 to the back of Zeus 13 x 18 x 9.5 in — 33 x 45.7 x 24.1 cm

See website for full catalogue details

See website for full catalogue details

$700 — 900

$400 — 500

130

131

132

JAN CHRZAN (1905-1993), POLISH

KONSTANTIN SZEWCZENKO (1915–1991), POLISH

JANUSZ HANKOWSKI (1933- ), POLISH

Oil on canvas; signed lower right 28.5 x 22.5 in — 72.4 x 57.2 cm

TWO RABBIS HOLDING A PRAYER BOOK AND TORAH, CIRCA 1950S

$300 — 500

Oil on canvas; signed lower right 20 x 16 in — 50.8 x 40.6 cm

Mixed-media on panel; signed and dated 70 to the bottom centre, signed, titled and inscribed “Oleg. deska” at Poland in pen and ink to artist label verso 32.3 x 6.7 in — 82 x 17 cm

$400 — 600

SNOW COVERED SQUARE

$600 — 800

DON KICHOTE, 1970

See website for full catalogue details $400 — 600


133

1 of 3 134

JANUSZ HANKOWSKI (1933- ), POLISH

ANTONI OLEDZKI (1932- ), POLISH

DESKA I; DESKA II; DESKA III, 1969

UNTITLED (RED COMPOSITE ABSTRACT), 1964

Three mixed-media on panel; the first and second: signed, and dated 69 lower right, each signed, titled and inscribed “Oleg Na Desce” Respectively 11 x 6.7 in — 27.9 x 17 cm; 11.8 x 7.5 in — 30 x 19 cm; 11.8 x 7.5 in — 30 x 19 cm

Oil and mixed-media with wood backboard; signed and dated 64 lower right 49.5 x 27.5 in — 125.7 x 69.9 cm $500 — 700

135 ZDZISŁAW SALABURSKI (1922-2006), POLISH THE UNIVERSE EXPLODES, 1974 Oil and mixed-media on canvas; signed and dated 74 lower left, signed and dated 1974 at “Warszawa” verso, titled in green ink to the bottom stretcher 25.5 x 36.5 in — 65 x 92.7 cm

See website for full catalogue details

See website for full catalogue details

$400 — 600

$1,000 — 1,500

136

137

138

GRAND DUCHESS OLGA ALEXANDROVNA (1882-1960), RUSSIAN/CANADIAN

GRAND DUCHESS OLGA ALEXANDROVNA (1882-1960), RUSSIAN/CANADIAN

DMITRIJ IVANOVIC KHAMIN (CHAMIN) (1945-1996), RUSSIAN

CYCLAMEN ON A WINDOWSILL

WHITE BIRCHES (THE COVE OF LAKE ONTARIO NEAR THE HOUSE OF MAJOR JIM RATTRAY, BARRYMEDE), CIRCA 1955

Oil on canvas; signed in cyrillics lower left, signed and titled in cyrillics verso 31.5 x 19.7 in — 80 x 50 cm

Oil on masonite; signed “Olga” lower right 12 x 16 in — 30.5 x 40.6 cm

$700 — 900

Watercolour; signed “Olga” lower left Sheet 4.75 x 5 in — 12.1 x 12.7 cm See website for full catalogue details $400 — 600

See website for full catalogue details $300 — 400

FUTURE STARS


139

140

141

JANIS FERDINANDS TIDEMANIS (1897-1964), LATVIAN

VIKTOR PAVLOVICH SOKOLOV (1923-1980), RUSSIAN

SIMON SHEGELMAN (1933-), RUSSIAN/LATVIAN

FACE OF A WOMAN WITH BLONDE HAIR (POSSIBLY THE ARTIST’S WIFE)

NOVGOROD (CHURCHES), 1972

MY MOTHER’S NAPKIN, 2018

Oil on canvas; signed in cyrillics and dated 1972 lower right, signed with initials lower right and signed again with monogram initials and dated 1972 lower left; signed and dated 1972 and inscribed in cyrillics in black ink at Novgorod, Moscow verso 18.8 x 24 in — 47.7 x 61 cm

Mixed-media watercolour, ink and collage on paper with gold ground; signed and dated 18 upper right Sight 25 x 19 in — 63.5 x 48.3 cm

Oil on masonite board; signed lower right 19 x 15.25 in — 48.3 x 38.7 cm See website for full catalogue details $800 — 1,200

$700 — 900

PROVENANCE:

Ho’s Fine Art and Custom Framing, Concord & Toronto, ON label verso $600 — 800

142

143

144

FRANCISCO RODRIGUEZ CLEMENT (1861-1956), SPANISH

ATTRIBUTED TO IGNACIO ZULOAGA Y ZABALETA (1870–1945), SPANISH

ROSENDO GONZALES CARBONELL (1910-1984), SPANISH

IN THE HILLS OF GRANADA

SOUVENIR À MARIA

BLONDE GIRL WITH A PLATE OF APPLES

Oil on canvas; signed lower left, titled to gallery label verso 32 x 25.5 in — 81.3 x 64.8 cm

Colour pastel on grey coloured paper; signed and annotated “Souvenir á Maria” lower left Sight 24 x 18 in — 61 x 45.7 cm

Oil on canvas; signed lower right 24 x 20 in — 61 x 50.8 cm

PROVENANCE:

PROVENANCE:

The Fine Art Galleries, The T. Eaton Co., Limited, Canada gallery label verso

Gonzalez, Madrid, Sevilla, Huelva label verso backing; Estate Collection, Montreal

Continental Galleries, Montreal, QC gallery label to the frame verso

$600 — 800

$500 — 700

PROVENANCE:

$500 — 700


145

146

147

MANUEL DE GRACIA (1937- ), SPANISH

EMILE GRAU SALA (1911-1975), SPANISH

EMILE GRAU SALA (1911-1975), SPANISH

VILLAGE LANE

LE CIRQUE

STREET SCENE, PARIS, 1938

Oil on canvas; signed lower left 31 x 25 in — 78.7 x 63.5 cm

Black ink heightened with watercolour on paper; signed lower right, titled to exhibition label verso Sheet sight 15.5 x 12 in — 39.4 x 30.5 cm

Colour crayon and pencil on paper; signed and dated 38 at Paris in pencil lower left Sheet sight 8 x 7 in — 20.3 x 17.8 cm

See website for full catalogue details

H.E.P. Irvine, Toronto; From whom acquired by the present Private Collection, Toronto

$400 — 600

$600 — 800

PROVENANCE:

$300 — 500

148

149

150

EMILE GRAU SALA (1911-1975), SPANISH

ALVAR SUNOL MUNOZ RAMOS (1935- ), SPANISH

JOAN JOSEP THARRATS Y VIDAL, (1918-2001), SPANISH

DEUX FEMMES À LA COLOMBE

SOURCES, 1961

Glazed ceramic relief; signed and numbered 2/10 in black ink, mounted on wood panel 36 x 30 in — 91.4 x 76.2 cm

Oil on canvas; signed, titled and dated 1961 in black marker verso 29 x 36 in — 73.7 x 91.4 cm

PROVENANCE:

PROVENANCE:

Private Collection, Toronto; From whom purchased from Fred Grossman (Park West Gallery, Michigan), circa 1979

Private Collection, Grimsby, ON

TABLE WITH VASE OF FLOWERS, 1938 Ink heightened with colour crayon on paper; signed and dated 38 in pen and ink lower left Sheet sight 10.25 x 8 in — 26 x 20.3 cm PROVENANCE:

H.E.P. Irvine, Toronto; From whom acquired by the present Private Collection, Toronto $300 — 500

$1,500 — 2,500

$700 — 900


151

152

153

CHAIM SOUTINE: CATALOGUE RAISONNE /WERKVERZEICHNIS

300 YEARS OF AMERICAN ART

OTTO ANTOINE (1865-1951), GERMAN

TWO VOLUMES: ZELLMAN, MICHAEL DAVID, EDITOR; FOREWORDS BY LOIS FINK, JACK LUDWIG. ESSAYS BY MULTIPLE CONTRIBUTORS, 1987

LAKE OF CONSTANCE

TWO VOLUME SET: LEBEN UND WERK, COMPLETE WORKS. KÖLN, BENEDIKT TASCHEN VERLAG, 1993, FIRST EDITION With numerous plates, 780 p. Original cloth binding with dust jacket in original half-cloth slipcase Overall 13 x 10 x 3.5 in — 33 x 25.4 x 9 cm PROVENANCE:

Private Collection, Toronto $100 — 200

Over 820 artists/more than 1020 color plates, 40,000 auction sales, biographical essays on each artist, glossary/bibliography/index. Hardcovers with dust jackets and slip case. The Wellfleet Press; First edition (January 1, 1987) Overall 11.7 x 9 x 3.5 in — 29.7 x 22.9 x 8.9 cm

Oil on canvasboard; signed lower right, titled in pen and ink to the backboard 19..25 x 26.75 in — 48.9 x 67.9 cm PROVENANCE:

Private Collection, Canada $1,000 — 1,500

See website for full catalogue details $100 — 150

154

155

156

OTTO ANTOINE (1865-1951), GERMAN

OTTO ANTOINE (1865-1951), GERMAN

OTTO ANTOINE (1865-1951), GERMAN

BERLIN WINTERTIME STREET SCENE

LIEPZIGER PLATZ, 1930

BERLIN CANAL SCENE, 1937

Oil on canvas on masonite; title inscribed to the frame in pen and ink verso 9.5 x 12.5 in — 24.1 x 31.8 cm

Oil on board; signed lower left, artist studio stamp at “Berlin-Wilmersdorf/ Weimarische Strabe 2,” titled, numbered “N 5” and dated “2.4.30” in pencil verso 9.5 x 12.5 in — 24.1 x 31.8 cm

Oil on masonite; signed and dated “’37” lower left, titled in pen and ink to the stretcher 9.5 x 12.5 in — 24.1 x 31.8 cm

PROVENANCE:

Private Collection, Canada $700 — 900

PROVENANCE:

Conzen Rahmen, Dusseldorf label verso; Private Collection, Canada $700 — 900

PROVENANCE:

F.G. Conzen Rahmen, Dusseldorf label verso; Private Collection, Canada $700 — 900


157

158

159

OTTO ANTOINE (1865-1951), GERMAN

OTTO ANTOINE (1865-1951), GERMAN

OTTO ANTOINE (1865-1951), GERMAN

UNTER UBERLINGEN (LAKE OF CONSTANCE, SOUTH GERMANY), AUGUST 28, 1946

LAKE OF CONSTANCE SERIES, BODENSEE, 1945

BERLIN, TIERGARTEN, 1930

Oil on board; signed and dated “46” lower right, titled and dated “24.8.46” in pencil verso 9.5 x 12.25 in — 24.1 x 31.1 cm PROVENANCE:

F.G. Conzen, Dusseldorf label verso; Private Collection, Canada $700 — 900

Oil on board; signed and dated 45 lower right, titled and dated 1945 in pen and ink verso 9.5 x 12.5 in — 24.1 x 31.8 cm

Watercolour; signed lower right, dated “Berlin 1930” lower left, titled and dated in pencil verso Sheet 8.25 x 10 in — 21 x 25.4 cm

PROVENANCE:

PROVENANCE:

F.G. Conzen, Dusseldorf label verso; Private Collection, Canada

Private Collection, Canada

$500 — 700

$300 — 500


Artist Index

A Agam, Yaacov (116) Alexandrovna, Grand Duchess Olga (136, 137) Alvar, Sunol Munoz Ramos (149) Amar, Joseph (48) American School (4) Antoine, Otto (153, 154, 155, 156, 157, 158, 159) Ardissone, Yolande (103) Arentz, Josef M. (20) Arnegger, Alois (61) Art 300 Years of American (152) Avizedek, Lea (117, 118, 119)

B Baird, William Baptiste (8, 9) Banks, John Willard (24) Barle, Maurice (101) Barnes, Archibald George (75) British/American School (10) Blodgett, Walton (19) Bohrod, Aaron (27) Browne, Attributed to Belmore (16) Bushong, Robert (29)

C Carbone, Robert (56) Carbonell, Rosendo Gonzales (144) Caudrelier, Gérard (96) Chervin, Louis (98) Chrzan, Jan (130) Ciry, Michel (109, 110) Claisse, Geneviève (111) Clement, Francisco Rodriguez (142) Clemente, Jack (122) Cook, Robert Howard (60) Coppedge, Fern Isabel (15)

Currier & Ives (2)

D D’Anty, Henri (104) Demarche, Josué (70) Dillon, Michael Patrick (51) Dunkel, Herbert (113)

E Eaton, Wyatt (6) Emiot, Pierre-Paul (100)

F Faber, Will (91) Fink, Gregory (69) Foss, Olivier (106, 107) Fried, Pál (33) Friesz, Manner of Achille-Émile Othon (94) Folk Art School, 19th Century (7) Fromuth, Charles Henry (22) Fruge, Nestor Hippoyle (31)

G Galvin, Jesus Guerrero (128) Giles, Kate (77) Gillette, William B. (17) Gisson, André (36, 32, 34, 35) Gracia, Manuel de (145) Gruppe, Attributed to Emile Albert (21) Guy, Circle of Francis (3)

H Hanani, Jacob El (37, 43) Hankowski, Janusz (132, 133) Hervé, Jules René (30) Herzog, Jakob (64) Hile, Scott (57) Hollander, Gino (53, 54) Hopkin, Robert B. (12) Huang, Kunhuang (81, 82) Hunt, Cecil Arthur (76) Hutton, John (38)

I Ilan, Eli (115)

K Khamin, Dmitrij Ivanovic (138) Kikoïne, Michel (97)

L Lakeman, Oscar (44) LaVerne, Philip and Kelvin (58) Lekberg, Barbara Hult (59) Levinsohn, Lisl (67, 68) Livisiddhi, Noparat (83) Looper, Willem de (39) Luo, MeiZhang (80)


M Marchand, Jean Hippolyte (95) Marshall, Steven (78) Matousek, Jiri (84) May, Ferdinand (63) Mccarthy, Attributed to Frank (23) Meeks, Eugene (5) Meijer, Johan (89) Millinkov, Ljubomir (105) Moraca, Vincenzo (120, 121, 123, 124) Munford, Robert W. (49) Murado, Antonio (41)

N Nelimarkka, Eero Aleksander (92) Nelson, Marcella S. (45) Nierman, Leonardo (125) North American School, 19th Century (1)

O Oledzki, Antoni (134) Orozco, Attributed to José Clemente (126) Os-Delhez, Henri Van (87)

P Parton, Ernest (14) Pescina, Aurelio (127) Pin, Yuan (79) Pol, Louis van der (86) Powell, Arthur James Emery (18) Pozzatti, Rudy (46)

R Ramos, Alvar Sunol Munoz (149) Renoux, Andre (102) Romano, Umberto (42) Rumpold, Irene (129)

S Sala, Emile Grau (146, 147, 148) Salaburski, Zdzisław (135) Salisbury, Frank Owen (73) Schotel, Anthonie Pieter (88) Schottlander, Bernard (71, 72) Schuyff, Peter (47) Seits, Johann (62) Shegelman, Simon (141) Sieverding, Hans (112) Skeleton, Red (Richard) (26, 28) Sokolov, Viktor Pavlovich (140) Soutine, Chaim, Catalogue Raisonne (151) Spronken, Arthur (90) Stewart, Joel (55) Strasser, Roland (65, 66) Sumner, George (50) Szewczenko, Konstantin (131)

Š Šimon, Tavík Frantisek (85)

T Thomé, Vermer (93) Tidemanis, Janis Ferdinands (139)

V Vidal, Gustave (108) Vidal, Joan Josep Tharrats Y (150) Vizketeti, Witman Etelka (114)

W Wald, Carol (40) Weber, Carl Philipp (11) Weber, Otis S. (13) White, Charles (25) Wilson, Scottie (74)

Z Zabaleta, Attributed to Ignacio Zuloaga y (143) Zadkine, Ossip (99) Zeigler, Treacy (52)


Notes:


Canadian Fine Art MONDAY, MAY 25

ULYSSE COMTOIS COULEURS D’AUTOMNE ESTIMATE: $20,000—30,000


Conditions of Sale 1. All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted or announced verbally in the auction room prior to the time of sale. While the auctioneer has endeavoured not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made. An opportunity for inspection of each article is offered prior to the time of sale. No sale will be set aside on account of lack of correspondence of the article with its description or its reproduction, if any, whether colour or black & white. Some lots are of an age and/ or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others. Frames on artwork are not included as part of purchase or condition. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid, relying upon their own advisers, and to bid accordingly. 2. Each lot sold is subject to a 20% buyers premium as part of the purchase price. 3. Unless exempted by law, the buyer is required to pay Harmonized Sales Tax on the total purchase price including the buyer’s premium. For international buyers, taxes are not applicable when purchases are shipped out of country. Items shipped out of Ontario, the buyer is required to pay taxes as per the tax status of that province, whether it HST or GST (Goods and Services Tax). 4. The auctioneer reserves the right to withdraw any lot from sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice. 5. The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized. 6. Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in attendance at the sale. 7. The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The auctioneer’s decision in all cases shall be final. 8. Immediately after the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-offering the item for sale.

9. The buyer shall pay for all lots within 48 hours from the date of the sale, after which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale, after which storage charges may be incurred. 10. Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away. 11. Notwithstanding condition no. 1, if the buyer, prior to removal of a lot, makes arrangements satisfactory to the auctioneer for the inspection of such lot by a fully qualified person acceptable to the auctioneer to determine the genuineness or authenticity of the lot, to be carried out promptly following the sale of the lot, and if, but only if, within a period of 14 days following the sale a written opinion of such person is presented to the auctioneer to the effect that the lot is not genuine or authentic, accompanied by a written request by the buyer for rescission of the sale, then the sale of the lot will be rescinded and the sale price refunded to the buyer. 12. Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), and VISA or Mastercard (up to $25,000). 13. In the event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for: (a) any deficiency in price between the re-sale amount and the amount to have been paid by the original buyer; (b) any reasonable charge by the auctioneer for the storage of such articles until payment and removal by the subsequent buyer; and (c) the amount of commission which the auctioneer would have earned had payment been made in full by the original buyer. 14. It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them. 15. The auctioneer acts solely as agent for the consignor and makes no representation as to any attribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada). 16. The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.


Selling at Waddington’s waddington’s commission rates Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $251 to $2,500 20% Items selling for $250 or less 25% *There is a minimum handling charge of $20 per item

canadian art department commission rates Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $2,500 or less 20% *There is a minimum handling charge of $20 per item

insurance

A 1% insurance charge, based on the hammer price of the property, will be applied to all accounts.

auction advice

For auction advice on paintings, drawings, prints, jewellery, and various forms of decorative arts and other collectibles, please feel free to contact us via email or telephone. We are pleased to review emails containing photographs and information on your pieces in order to provide auction estimates for you to consider. For collections with a variety of objects, please contact our Appraisals and Consignments department (consignments@waddingtons.ca). For department-specific inquiries, please contact the specialist and/or department directly. All contact information can be found at www.waddingtons.ca. Our offices are located in Toronto and Vancouver, but our specialists frequently travel to major Canadian cities to meet with prospective consignors. To receive more information on Valuation Days across Canada or to arrange an appointment, please contact our Toronto office (416-504-9100). Please note that property typically arrives at Waddington’s at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items. Consignors will receive a contract to sign, setting forth terms and fees for our services.

cites

Restrictions exist regarding the import and export of species protected under CITES (Convention on International Trade in Endangered Species). This includes but is not limited to items made of or containing bone (whalebone etc.), ivory, tortoise shell, seal skin, rhinoceros horn and any other animal part and is strictly controlled or forbidden by most countries. Please review your country’s laws before bidding on pieces made of or containing these restricted items. It is the sole responsibility of the buyer to inquire about and obtain the proper permits for artwork purchased that may contain restricted materials, if such permit can be obtained. Please contact the department for further assistance. All Narwhal Tusks must have a Marine Harvest Number or a Marine and Mammal Transport number to be sold at Waddington’s. For more information please visit: www.cites.org


Buying at Waddington's

All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or oral announcement. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any oral announcement or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s™ and the consignor (seller) of the lot. Descriptions or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale.

condition of lots

All of the items are to be considered, unless otherwise noted in the description or condition report, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should examine the pieces in person or have our staff answer any questions before bidding. Sizes are approximate. It is the sole responsibility of the bidder to inquire as to the condition of a lot before bidding. Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale.

bidding

The Auctioneer may also execute bids on behalf of the consignor to protect the reserve. The reserve is the confidential minimum price the seller is willing to accept for his or her property, below which it will not be sold.

shipping

The Auctioneers will not undertake packing or shipping. The purchaser must designate and arrange for the services of an independent shipper and be responsible for all shipping, insurance expenses and any necessary export permits that may apply. The Auctioneers will, upon request, provide names of professional packers and shippers but will not be held responsible for the service or have any liability for providing this information. Reliable pre-auction estimates of shipping costs of lots offered in this sale may be obtained from: PakShip 905-470-6874 / 905-470-6875 / 416-293-8225

taurus@pakship.ca www.pakship.ca Safer Shipping Inc. (formely Envoy) 416-299-3367 / 416-299-9750 perry@safershipping.ca www.safershipping.com

Frames on artwork are not included as part of purchase or condition.

Fero Transport 514-453-1462 / 514-543-7585 www.ferotransport.ca

buyers premium

removal of purchases

A premium of 20% of the successful bid price of each lot. A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer’s premium, except for purchases exported from Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province.

payment

Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), VISA or Mastercard (up to $25,000). ALL PRICES IN CANADIAN FUNDS

Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15). Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients.


Waddington’s 275 King Street East, Second Floor Toronto, Ontario M5A 1K2

tel: 416-504-9100 toll free: 1-877-504-5700 www.waddingtons.ca

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American & Modern Art | February 22 — 27, 2020  

American & Modern Art | February 22 — 27, 2020