Canadian Art Select | February 22 - 27, 2020 by waddingtons

Canadian Art Select F E B RUARY 22 â&#x20AC;&#x201D; 27, 2 02 0

Canadian Art Select FEBRUARY 22 â&#x20AC;&#x201D; 27, 2020

covers

bid online at onlineauctions.waddingtons.ca

manager Ellie Muir em@waddingtons.ca

all lots can be viewed online at www.waddingtons.ca

416-847-6196

Lot 44 ARMAND TATOSSIAN SUGARING PARTY

consignment coordinator Nicole Schembre ns@waddingtons.ca

Lot 138 WALTER JOSEPH PHILLIPS THE BATHER, 1923

on view Sunday, February 23 from 12 pm to 4 pm

front inside

416-967-6027

back inside

Monday, February 24 from 1 pm to 7 pm

Lot 3 KENNETH CAMPBELL LOCHHEAD NUDGE, 1973

preview held at 275 King Street East, 2nd Floor Toronto, Ontario M5A 1K2 tel: 416-504-9100 toll free: 1-877-504-5700

This auction is subject to the Conditions of Sale printed in the back of this catalogue.

ULYSSE COMTOIS

RONALD YORK WILSON, O.S.A., R.C.A.

BOUCLE, 1965

PARIS IN RETROSPECT, 1978

KENNETH CAMPBELL LOCHHEAD, R.C.A.

oil on canvas signed and dated ‘65; also signed, dated, and titled on the reverse 12 ins x 16 ins; 30.5 cms x 40.6 cms

acrylic and collage on board signed; titled and dated on the reverse sight 19 ins x 25.5 ins; 48.3 cms x 63.5 cms

PROVENANCE:

Private Collection, Ontario

Gallery Moos, Toronto Private Collection, Ontario

$1,000 — 1,500

PROVENANCE:

NUDGE, 1973 acrylic on canvas signed, titled, and dated ‘73 on the reverse, with inscription “To Malcolm and Charla, Best wishes Ken & Jasmine, June July 1975” 44.25 ins x 39.25 ins; 112.4 cms x 99.7 cms PROVENANCE:

Private Collection, Toronto

$3,000 — 5,000

ROLPH SCARLETT

MICHAEL SNOW, R.C.A.

JACK LEONARD SHADBOLT, R.C.A.

UNTITLED (ABSTRACT)

SAW, 2008

gouache on paper signed sight 18.5 ins x 20 ins; 47 cms x 50.8 cms

inkjet print on Arches paper signed, titled, dated, and numbered 1/5 in pencil to the margin Sheet 22.4 ins x 15.2 ins; 57 cms x 38.5 cms

COVER FOR BROCHURE FOR THE PLAYHOUSE THEATRE COMPANY, VANCOUVER, 1966-67

PROVENANCE:

paper collage signed; with accompanying brochure 11 ins x 13.25 ins; 27.9 cms x 33.7 cms

Private Collection, Ontario

PROVENANCE:

$800 — 1,200

Commissioned by Prefix Institute of Contemporary Art, Toronto

PROVENANCE:

$2,000 — 3,000

$1,500 — 2,500

Private Collection, Toronto

FRANK LEONARD BROOKS, O.S.A., R.C.A.

RITA LETENDRE, R.C.A.

FOREVER, 1992

ESPOIR, 2004

MOSQUE, YUGOSLAVIA, 1971

acrylic on canvas signed and dated ‘92; also signed, titled, and dated ‘92 on the reverse 30 ins x 40 ins; 76.2 cms x 101.6 cms

mixed media on paper signed, titled, and dated 10 ins x 14 ins; 25.4 cms x 35.6 cms

PROVENANCE:

Winchester Galleries, Victoria, British Columbia Private Collection, Ontario

collage signed, dated ‘71 and inscribed “Sarajevo”; titled to gallery label on the reverse sight 13 ins x 9.5 ins; 33 cms x 24.1 cms PROVENANCE:

See website for full catalogue details.

Moore Gallery, Toronto Private Collection, Ontario

$4,000 — 6,000

PROVENANCE:

$700 — 900

$500 — 700

JEAN PAUL RIOPELLE, R.C.A.

MARCELLA MALTAIS

WILLIAM RONALD, R.C.A.

FONDATION, 1973-74 [YSEULT RIOPELLE, 1974.02EST.GR.ALB]

ABSTRACT COMPOSITION, 1960

LENA HORNE EARLY, 1992

etching on Arches paper signed and numbered 37/120 in pencil to margin. sheet 19.5 ins x 15.75 ins; 50.5 cms x 40 cms

oil on canvas signed and dated ‘60; also signed, dated “10/60” and indistinctly inscribed “Paris 7e” on the reverse 8.5 ins x 10.5 ins; 21.6 cms x 26.7 cms

oil on canvas signed and dated; also signed, titled, dated ‘92 and inscribed ‘For Mohamed’ on the reverse 30 ins x 40 ins; 76.2 cms x 101.6 cms

PROVENANCE:

Private Collection, Toronto

John Morris Gallery, Toronto

$1,500 — 2,000

$2,000 — 3,000

PROVENANCE:

$3,000 — 4,000

HAROLD BARLING TOWN, R.C.A.

LÉON BELLEFLEUR, R.C.A.

GORDON MCKINLEY WEBBER

NEON HAZE, 1957

LA FROIDE SAISON, 1978

UNTITLED COMPOSITION #16, 1953

single autographic print signed, numbered 1/1 and dated ‘57 in pencil to lower margin; titled to gallery label on the reverse sheet sight 19.75 ins x 25.25 ins; 50.2 cms x 64.1 cms

oil on canvas signed and dated ‘78; also signed, titled, dated ‘78 and inscribed “Tableau pr√©paratoire au polyptique’ ‘Les volets du temps’” on the reverse 15 ins x 18 ins; 38.1 cms x 45.7 cms

gouache on board signed, titled and dated on the reverse 15 ins x 18.5 ins; 38.1 cms x 47 cms

PROVENANCE:

See website for full catalogue details.

Private Collection, Quebec

$1,500 — 2,000

$2,000 — 3,000

WILLIAM RONALD, R.C.A.

JACK LEONARD SHADBOLT, R.C.A.

GREGORY RICHARD CURNOE

NEGLIGEE, 1997

UNTITLED (J3), 1956

UNTITLED, 1980

oil on canvas signed; also signed, titled, and dated ‘97 on the reverse 20.25 ins x 20.25 ins; 51.4 cms x 51.4 cms

pastel on paper signed and dated ‘56 28.5 ins x 35.75 ins; 72.4 cms x 90.2 cms

watercolour on paper signed and dated “Oct 31/1980” in pencil 8.75 ins x 9 ins; 22.2 cms x 22.9 cms

PROVENANCE:

Private Collection, Toronto

Equinox Gallery, Vancouver Private Collection, Vancouver

$1,200 — 1,800

$3,000 — 5,000

Wynick/Tuck Gallery, Toronto Thielsen Galleries, London, Ontario Private Collection, Ontario

PROVENANCE:

Galerie Agnes Lefort, Montreal Family of the Artist, Kitchener, Ontario $2,500 — 4,000

$2,000 — 3,000

ERIN LOREE

GERSHON ISKOWITZ, R.C.A.

GORDON RAYNER

MERMAID, 2014

UNTITLED, 1978

UNTITLED, 1981

oil on Mylar mounted on panel signed; titled and dated in pencil on the reverse 20 ins x 16 ins; 50.8 cms x 40.6 cms

watercolour signed and dated ‘78 in pencil 13 ins x 22 ins; 33 cms x 55.9 cms

monoprint with mixed media signed, dated ‘81 and numbered 1/1 22 ins x 30 ins; 55.9 cms x 76.2 cms

PROVENANCE:

Private Collection, Ontario

Private Collection, Toronto

$1,200 — 1,500

$600 — 800

JACK BEDER

TAKAO TANABE

RONALD YORK WILSON, R.C.A.

CONCAVE FORM (SCULPTURE #39), 1965

UNTITLED, 1959

MESSAGE TO CALIGULA, 1978

marble signed, titled and dated on the bottom 11 ins x 13 ins x 4.5 ins; 27.9 cms x 33 cms x 11.4 cms

watercolour signed, also initialled, and dated ‘59 18.5 ins x 18 ins; 47 cms x 45.7 cms

oil on canvas signed, titled and dated to artist’s label on the reverse 30 ins x 40 ins; 76.2 cms x 101.6 cms

PROVENANCE:

Private Collection, Ontario

Private Collection, Toronto $500 — 700

Private Collection, Ontario $1,000 — 1,500

PROVENANCE:

$1,500 — 2,500

PROVENANCE:

Private Collection, London, Ontario $3,000 — 4,000

ROLPH SCARLETT

LÉON BELLEFLEUR, R.C.A.

JACK LEONARD SHADBOLT, R.C.A.

UNTITLED (BLUE ABSTRACT)

IMPROVISATION NO. 3, 1981

UNTITLED, 1977-1997

gouache on paper signed twice sight 12.5 ins x 23 ins; 31.8 cms x 58.4 cms

gouche on paper signed, titled, dated ‘81 and inscribed “Serie de B” 20 ins x 14 ins; 50.8 cms x 35.6 cms

acrylic on canvas, unframed signed and dated “’77-’97” 58 ins x 48 ins; 147.3 cms x 121.9 cms

Le Parete Gallery, Toronto Private Collection, Ontario

PROVENANCE:

Private Collection, Alberta

Equinox Gallery, Vancouver Private Collection, Vancouver

$800 — 1,200

$3,000 — 4,000

$10,000 — 15,000

HAROLD BARLING TOWN, R.C.A.

GORDON MCKINLEY WEBBER

UNTITLED, 1957

ABSTRACT COMPOSITION #13, 1953

single autographic print signed, dated ‘57 and numbered 1-1 in pen to lower margin sight 21.25 ins x 16.75 ins; 54 cms x 42.5 cms

acrylic on board signed and dated; also signed, titled and dated on the reverse 15.25 ins x 20.75 ins; 38.7 cms x 52.7 cms

PROVENANCE:

Beckett Gallery, Hamilton, Ontario Private Collection, Burlington, Ontario

Family of the Artist, Kitchener, Ontario

PROVENANCE:

$1,500 — 2,000

$2,500 — 4,000

PROVENANCE:

RENÉ MARCIL

JACK BEDER

ROLPH SCARLETT

UNTITLED (PORTRAIT), 1983

LEAFY FORM (SCULPTURE #81), 1970

UNTITLED

gouache and watercolour on paper signed and dated /83 sight 25 ins x 18 ins; 63.5 cms x 45.7 cms

marble signed, titled and dated on the base including base 11.5 ins x 5 ins x 5.5 ins; 29.2 cms x 12.7 cms x 14 cms

ink, watercolour, and gouache on card signed sheet 22.5 ins x 25.75 ins; 57.2 cms x 65.4 cms

PROVENANCE:

Private Collection, Toronto

PROVENANCE:

Private Collection, Quebec $1,200 — 1,500

Private Collection, Ontario

PROVENANCE:

$1,000 — 1,500

$700 — 900

JOHN GRAHAM COUGHTRY

JACK LEONARD SHADBOLT, R.C.A.

RONALD YORK WILSON, O.S.A., R.C.A.

SKETCHES FOR MURAL AT MALTON AIRPORT, 1962

DESERT MENACE (2), 1979

CACTUS ARRANGEMENT, 1951

mixed media on paper; signed and dated ‘79 upper right 9.5 ins x 13 ins; 24.1 cms x 33 cms

oil on masonite signed; titled and dated to artist’s label, also titled “Mexican Landscape” on a second artist’s label on the reverse 18 ins x 24 ins; 45.7 cms x 61 cms

pair of watercolours titled and dated to gallery label sight 9 ins x 15 ins; 22.9 cms x 38.1 cms; 8.75 ins x 15.5 ins; 22.2 cms x 39.4 cms PROVENANCE:

The Isaacs Gallery, Toronto Private Collection, Florida $1,500 — 2,500

PROVENANCE:

Bau-Xi Gallery, Vancouver Collection of Gabrielle and Jacques Israelievitch, Toronto $500 — 700

PROVENANCE:

Private Collection, London, Ontario $1,200 — 1,500

RONALD LANGLEY BLOORE

GORDON APPELBE SMITH, R.C.A.

PETER KRAUSZ, R.C.A.

UNTITLED, 1991-92

WINTER WOODS #11, 2010

UNTITLED STUDY NO. 20, 1994

oil on masonite signed and dated “Dec 10-Feb 4 91-92” on the reverse 48 ins x 48 ins; 121.9 cms x 121.9 cms

acrylic on paper signed; titled and dated to gallery label 19.75 ins x 33.5 ins; 50.2 cms x 85.1 cms

oil, pastel and tempera on paper signed and dated ‘94 14 ins x 50 ins; 35.6 cms x 127 cms

PROVENANCE:

Equinox Gallery, Vancouver Private Collection, Calgary

Galerie Dresdnere, Toronto Private Collection, Toronto

$12,000 — 15,000

$1,500 — 2,000

GORDON RAYNER

HAROLD BARLING TOWN, R.C.A.

PHILIP HENRY HOWARD SURREY, R.C.A.

THICKET, 1999

TOY HORSE #73, 1978

NIGHT SCENE

oil on canvas board signed; signed, titled, and dated on the reverse 6 ins x 8 ins; 15.2 cms x 20.3 cms

mixed media on paper signed and dated “April 20-23-78” 22 ins x 29.5 ins; 55.9 cms x 74.9 cms

oil on masonite signed 5.75 ins x 7.75 ins; 14.6 cms x 19.7 cms

PROVENANCE:

Ron Moore Gallery, Toronto Collection of Gabrielle and Jacques Israelievitch, Toronto

Robertson Galleries, Ottawa Private Collection, Toronto

Private Collection, Montreal

Moore Gallery, Toronto Private Collection, Ontario $5,000 — 7,000

$600 — 800

$3,000 — 5,000

$2,000 — 3,000

CHARLES FRASER COMFORT, O.S.A., P.R.C.A.

ARMAND TATOSSIAN, R.C.A.

BRUNO CÔTÉ

SUGARING PARTY

THE SUN ON THE RIVER

ASPECTS OF NATURE (4) THUNDER STORM, GEORGIAN BAY, 1978

oil on canvas signed; also signed and titled on the reverse 60 ins x 96 ins; 152.4 cms x 243.8 cms

oil on masonite signed; also signed and titled on the reverse 24 ins x 30 ins; 61 cms x 76.2 cms

PROVENANCE:

Private Collection, Montreal

Hollander York Gallery, Toronto Private Collection, North York, Ontario

oil on panel signed; titled and dated to gallery label on the reverse 12 ins x 16 ins; 30.5 cms x 40.6 cms PROVENANCE:

$7,000 — 10,000

$3,000 — 4,000

See website for full catalogue details. $4,000 — 6,000

SAMUEL BORENSTEIN

CHARLES FRASER COMFORT, O.S.A., P.R.C.A.

KENNETH CAMPBELL LOCHHEAD, R.C.A.

MORNING AT SOUTH PINE, GEORGIAN BAY, 1972

NAZARE #12, 1981

SEASCAPE - GASPESIE oil on canvas board signed; titled to the label on the reverse 13 ins x 16 ins; 33 cms x 40.6 cms PROVENANCE:

Private Collection, Montreal $4,000 — 6,000

oil on panel signed; titled and dated to label on the reverse 12 ins x 16 ins; 30.5 cms x 40.6 cms

oil on board signed and dated; also signed, titled, and dated on the reverse 8 ins x 10 ins; 20.3 cms x 25.4 cms

PROVENANCE:

See website for full catalogue details.

Bau-Xi Gallery, Toronto Private Collection, Toronto

$4,000 — 6,000

$800 — 1,200

JOHN GOODWIN LYMAN

ROBERT VANDERHORST

ROBERT GENN

DOORWAY, BARBADOS

AN OPEN DOORWAY IN GREECE

WOODLAND SPIRIT

oil on canvas board, laid down on card signed 12 ins x 7.125 ins; 30.5 cms x 18.1 cms

oil on canvas signed 36 ins x 24 ins; 91.4 cms x 61 cms

PROVENANCE:

oil on canvas signed; also signed titled “Wooland [sic] Spirit” and inscribed “Edge Copse Lac Le Hache” 20 ins x 30 ins; 50.8 cms x 76.2 cms

Private Collection, Ontario

PROVENANCE:

$3,000 — 5,000

$8,000 — 10,000

Hollander York Gallery, Toronto Private Collection, North York, Ontario $2,000 — 3,000

CARL FELLMAN SCHAEFER, R.C.A.

LÉON BELLEFLEUR, R.C.A.

DOROTHY KNOWLES, R.C.A.

ON THE HURON ROAD, NEAR STRASBURG, WATERLOO COUNTY, 1972

SUR RICHELIEU, 1981

ONE LILY

watercolour signed, titled, and dated ‘81 sight 14 ins x 21.5 ins; 35.6 cms x 54.6 cms

oil and graphite on canvas signed and titled on the reverse 30 ins x 23.5 ins; 74.9 cms x 57.2 cms

PROVENANCE:

Private Collection, Montreal

Theo Waddington Inc., Montreal Private Collection, Montreal

watercolour signed and dated “17.VII.72”; titled to label on the reverse 13 ins x 18 ins; 33 cms x 45.7 cms PROVENANCE:

See website for full catalogue details. $2,500 — 3,500

$2,500 — 3,500

$2,000 — 3,000

HENRI LEOPOLD MASSON, R.C.A.

BRUNO CÔTÉ

HENRI LEOPOLD MASSON, R.C.A.

LAKE IN GATINEAU

LES ILETS CARIBOU

COUNTRY DANCE

oil on canvas signed; titled to gallery label on the reverse 16 ins x 20 ins; 40.6 cms x 50.8 cms

oil on board signed; also signed and titled on the reverse 24 ins x 30 ins; 61 cms x 76.2 cms

oil on masonite signed; titled to exhibition label 12 ins x 16 ins; 30.5 cms x 40.6 cms

PROVENANCE:

Gallery 2000, Montreal Private Collection, Toronto

Hollander York Gallery, Toronto Private Collection, North York, Ontario

Private Collection, Toronto

$2,000 — 3,000

$3,000 — 4,000

PHILIP HENRY HOWARD SURREY, R.C.A.

STANLEY MOREL COSGROVE, R.C.A.

MOLLY LAMB BOBAK, R.C.A.

DECARIE II

VARIATION ON A TREE, 1974

oil on masonite signed; titled to the gallery label on the reverse 5.75 ins x 7.75 ins; 14.6 cms x 19.7 cms

oil on canvas signed and dated ‘74; titled to the gallery label on the stretcher 25 ins x 32 ins; 63.5 cms x 81.3 cms

STILL LIFE WITH FLOWERS AND A LEMON, 1956

PROVENANCE:

Galerie Martin Inc., Montreal Private Collection, Montreal $2,000 — 3,000

EXHIBITED:

Exposition d’art Saint-Laurent, 250th anniversary of foundation, City of SaintLaurent, Quebec, 8-17 May 1970

oil on canvas board signed and dated ‘56 30 ins x 20 ins; 76.2 cms x 50.8 cms

PROVENANCE:

Damkjar-Burton Gallery, Hamilton, Ontatio Private Collection, London, Ontario

Bennett’s Antique Gallery, Montreal Private Collection, Montreal

$4,000 — 6,000

WILLIAM GOODRIDGE ROBERTS, R.C.A

DORIS JEAN MCCARTHY, O.S.A., R.C.A.

ROBERT GENN

LANDSCAPE WITH SPLIT-RAIL FENCE

MOUNT HARDISTY FROM WHISTLER, 1980

QUEEN CHARLOTTE’S LIGHT, 2006

oil on masonite signed 28.5 ins x 35 ins; 72.4 cms x 88.9 cms

watercolour on paper signed; titled and dated to gallery label on the reverse 15 ins x 22 ins; 38.1 cms x 55.9 cms

oil on canvas signed; also signed, titled, dated “Dec 29 2006” and inscribed “for Dave + Gloria and the good ship APOISE” on the reverse 16 ins x 20 ins; 40.6 cms x 50.8 cms

PROVENANCE:

Private Collection, Ontario

PROVENANCE:

$2,500 — 3,000

Aggregation Gallery, Toronto Private Collection, Ontario

PROVENANCE:

$2,500 — 3,000

$1,500 — 2,000

NORVAL H. MORRISSEAU, R.C.A.

ANTHONY (TONY) MORSE URQUHART, R.C.A.

KENNETH CAMPBELL LOCHHEAD, R.C.A.

THE KING AND QUEEN

NAZARE #7, 1981

watercolour signed and dated in pencil sheet 21.5 ins x 25.5 ins; 54.6 cms x 64.8 cms

oil on board signed and dated; also signed, titled, and dated on the reverse 8 ins x 10 ins; 20.3 cms x 25.4 cms

THE ART OF NORVAL MORRISSEAU, 1979 portfolio of five colour serigraphs and gallery edition book each signed and numbered 94/350 in pencil, See website for full catalogue details. PROVENANCE:

Private Collection, Hamilton, Ontario $2,500 — 3,500

PROVENANCE:

Private Collection, Quebec

Private Collection, Toronto

PROVENANCE:

$800 — 1,200

Bau-Xi Gallery, Toronto Private Collection, Toronto $800 — 1,200

STANLEY MOREL COSGROVE, R.C.A.

RENÉ MARCIL

ALFRED PELLAN, R.C.A.

STILL LIFE WITH VASE AND APPLES

UNTITLED (PORTRAIT), 1983

LE FOU (FESTÉ)

oil on canvas board signed 10 ins x 12 ins; 25.4 cms x 30.5 cms

gouache and watercolour on paper signed and dated /83 sight 25 ins x 19 ins; 63.5 cms x 48.3 cms

ink and coloured pencil signed and titled 8 ins x 7 ins; 20.3 cms x 17.8 cms

PROVENANCE:

Private Collection, Toronto

Private Collection, Quebec

$2,000 — 3,000

$1,200 — 1,500

Roberts Gallery Limited, Toronto Private Collection, Montreal $1,800 — 2,200

MARJORIE (JORI) ELIZABETH THURSTON SMITH, R.C.A.

MARJORIE (JORI) ELIZABETH THURSTON SMITH

STANLEY MOREL COSGROVE, R.C.A.

PORTRAIT OF A GIRL, 1977

MADAME FRANÇOIS TREMBLAY, 1933

oil on canvas signed and dated /77 16 ins x 12 ins; 40.6 cms x 30.5 cms

oil on board signed and dated ‘33; also signed, titled, dated and inscribed “St Joseph de la Rive, la derniére petite maison côté des champs de foins sâlés -Jori Smith 22 Août 77” 8 ins x 9.5 ins; 20.3 cms x 24.1 cms

oil on board signed 9 ins x 12 ins; 22.9 cms x 30.5 cms

PROVENANCE:

Acquired directly from the artist Private Collection, Quebec City $1,500 — 2,000

PROVENANCE:

Private Collection, Quebec City $1,500 — 2,000

STILL LIFE WITH BOWL OF FRUIT

PROVENANCE:

See website for full catalogue details. $2,000 — 3,000

RICHARD BORTHWICK GORMAN, R.C.A.

JOE FAFARD, R.C.A.

VICTOR CICANSKY, R.C.A.

BISON AND CALF, 1995

STRAWBERRY JAR, PICKLE JAR, 1987

STILL LIFE WITH PANSIES, 1955

bronze signed, dated ‘95 and numbered 5/12 on the first; initialed, dated, ‘95 and numbered 5/12 on the second 2.75 ins x 5 ins x 2.25 ins; 7 cms x 12.7 cms x 5.7 cms; 1.5 ins x 2.5 ins x 1 ins; 3.8 cms x 6.4 cms x 2.5 cms

ceramic both signed and dated “87” on the bottom each 4.25 ins x 3 ins x 3 ins; 10.8 cms x 7.6 cms x 7.6 cms

oil on canvas on masonite signed and dated ‘55; also signed and dated ‘55 on the reverse 28 ins x 22 ins; 71.1 cms x 55.9 cms PROVENANCE:

Private Collection, Toronto $2,500 — 3,500

PROVENANCE:

Private Collection, Calgary

PROVENANCE:

Private Collection, Toronto $200 — 400

$2,000 — 2,500

ESTHER WERTHEIMER

ALFRED PELLAN, R.C.A.

DANCER

VEIL, 1997

ST-LOUIS DE COURVILLE

bronze, coloured with patina signed 38.5 ins x 34 ins; 97.8 cms x 86.4 cms

bronze signed, dated ‘97 and numbered 1/10 including base 23.25 ins x 10 ins; 59.1 cms x 25.4 cms

pen and ink signed 10.5 ins x 14 ins; 24.8 cms x 34.3 cms

PROVENANCE:

Private Collection, Quebec

Gerard Gorce Fine Arts Inc., Montreal Private Collection, Montreal

$1,000 — 1,500

$1,500 — 2,000

PROVENANCE:

Private Collection, Quebec $3,000 — 5,000

PROVENANCE:

MARY PRATT, R.C.A.

JEAN-PHILIPPE DALLAIRE

MARY PRATT, R.C.A.

CAKE FROM JEANETTE MCCALL’S, 1984

STILL LIFE, 1944

DONNA IN BATH

watercolour signed and dated sight 11 ins x 7.5 ins; 27.9 cms x 19.1 cms

conté on paper signed and inscribed ‚‘Paris 4’ 4’ sight 18 ins x 24 ins; 45.7 cms x 61.6 cms

watercolour 23.5 ins x 17 ins; 59.7 cms x 43.2 cms

PROVENANCE:

The Gallery Fine Art, St. John’s, Newfoundland Private Collection, Montreal

Dominion Gallery, Montreal Private Collection, Montreal

Douglas Udell Gallery, Edmonton Private Collection, Alberta

$2,000 — 3,000

$900 — 1,200

MARY PRATT, R.C.A.

KATHLEEN FRANCES DALY, O.S.A., R.C.A.

PAUL VANIER BEAULIEU, R.C.A.

FARM, ST. URBAIN, CHARLVOIX, QUE., C. 1935

watercolour and ink on card signed 12.75 ins x 19.75 ins; 32.4 cms x 50.2 cms

GRAPES IN A COLANDER, 2007 mixed media on paper signed, titled and dated in pencil to the lower margin image 8 ins x 8.5 ins; 20.3 cms x 21.5 cms PROVENANCE:

pencil on paper signed; titled and dated on the reverse 11.5 ins x 14.5 ins; 29.2 cms x 36.8 cms

Equinox Gallery, Vancouver Private Collection, Montreal

PROVENANCE:

$2,000 — 3,000

$700 — 900

Private Collection, Ottawa

PROVENANCE:

$4,000 — 6,000

PAYSAGE

PROVENANCE:

Dominion Gallery, Montreal Private Collection, Montreal $900 — 1,200

PAUL VANIER BEAULIEU, R.C.A.

DAVID BROWN MILNE

TAKAO TANABE

STILL LIFE, 1957

PAINTING PLACE

OLYMPIA

watercolour and ink on paper signed and dated ‚‘57 12.5 ins x 19.5 ins; 31.8 cms x 49.5 cms

drypoint etching prined in two colours signed in pencil to the lower margin plate 4.875 ins x 6.875 ins; 12.4 cms x 17.5 cms

pastel on paper signed and titled Sheet 12.75 ins x 19 ins; 32.4 cms x 48.3 cms

PROVENANCE:

Dominion Gallery, Montreal Private Collection, Montreal

Private Collection, Toronto

$1,000 — 1,500

$800 — 1,200

ALEXANDER COLVILLE

DAVID LLOYD BLACKWOOD, O.S.A., R.C.A.

TRAFALGAR VETERAN, 1988

PASSAGE, 1984

colour etching and aquatint signed, titled, dated, and inscribed ‘artist’s proof’ in pencil to lower margin plates 22 ins x 28 ins; 55.9 cms x 71.1 cms

etching and aquatint, printed in colours signed, titled, dated and numbered 23/50 in pencil to the margin plate 13.5 ins x 33.5 ins; 34.3 cms x 85.1 cms

PROVENANCE:

Private Collection, Ontario

The Ewing Gallery, Newfoundland Private Collection, Ontario

$900 — 1,200

BLACK CAT, 1996 serigraph signed, dated, and numbered 35/70 in pencil to the margin image 14 ins x 14 ins; 35.6 cms x 35.6 cms PROVENANCE:

Private Collection, Calgary $8,000 — 10,000

$3,000 — 4,000

$3,000 — 5,000

DAVID LLOYD BLACKWOOD, O.S.A., R.C.A.

WESLEYVILLE: NIGHT PASSAGE, BENNETT’S HIGH ISLAND, 1981

SAM KELLOWAY DREAMS, 1983

POSTER FOR ERINDALE, 1988

colour etching and aquatint signed, titled, numbered 5/50, and dated in pencil to lower margin plate 10 ins x 19.5 ins; 25.4 cms x 49.5 cms

woodcut monoprint, printed in colours signed, titled, dated, and inscribed 1/1 in pencil to lower margin 29.75 ins x 19 ins; 75.6 cms x 48.3 cms

PROVENANCE:

Private Collection, Victoria, British Columbia

Private Collection, Ontario

$2,000 — 3,000

$1,000 — 1,500

LEO MOL, R.C.A.

MARC-AURÈLE DE FOY SUZOR-COTÉ, R.C.A.

bronze signed, numbered 4/15 and inscribed “Guss Strehle Neuotting” height 20 ins; 50.8 cms

BACCHANTE, 1925

MARIA CHAPDELAINE, 1925

bronze signed, dated and numbered 3/8 on the base 9 ins x 12 ins; 22.9 cms x 30.5 cms

PROVENANCE:

bronze signed, titled, dated 1925 and also inscribed “Roman Bronze Works, N.Y.” 10 ins x 8.5 ins; 25.4 cms x 21.6 cms

Private Collection, Calgary

$2,000 — 3,000

$1,500 — 2,000

etching and aquatint signed, titled, numbered, and dated in pencil to lower margin 19.875 ins x 31.5 ins; 50.5 cms x 80 cms PROVENANCE:

Private Collection, Victoria, British Columbia $3,000 — 4,000

STANDING NUDE

PROVENANCE:

Private Collection, Calgary $2,000 — 3,000

FREDERICK HORSMAN VARLEY, R.C.A.

JOHN KASYN, O.S.A.

ALAN CASWELL COLLIER, O.S.A., R.C.A.

KATHLEEN

ABERDEEN AVE., 1974

pastel on paper signed; with Varley Inventory number 644 sight 13.75 ins x 12.25 ins; 34.9 cms x 31.1 cms

oil on masonite signed and dated ‘74; also signed, titled and dated ‘74 on the reverse 20 ins x 16 ins; 50.8 cms x 40.6 cms

LOW TIDE, GRISE BAY, VANCOUVER ISLAND

PROVENANCE:

oil on board signed; also signed and titled on the reverse 12 ins x 16 ins; 30.5 cms x 40.6 cms

Kyle’s Gallery, Victoria, British Columbia Private Collection, Montreal

PROVENANCE:

Private Collection, Burlington, Ontario

$4,000 — 6,000

Roberts Gallery, Toronto Private Collection, Ontario $2,000 — 3,000

100

101

102

ARTHUR LISMER, O.S.A., R.C.A.

FREDERICK STANLEY HAINES, O.S.A., P.R.C.A.

ARTHUR LISMER, O.S.A., R.C.A.

oil on board signed; also signed, titled, and dated ‘62 on the reverse 12 ins x 15.75 ins; 30.5 cms x 40 cms

BIRCH TREES IN SUMMER SUN oil on masonite signed; titled to gallery label on the reverse 28 ins x 34 ins; 71.1 cms x 86.4 cms

oil on panel signed and dated ‘61; also signed, titled, and dated on the reverse 16 ins x 12 ins; 40.6 cms x 30.5 cms

PROVENANCE:

Galerie Martal, Montreal Private Collection, Montreal

Roberts Gallery Limited, Toronto Private Collection, North York, Ontario

Walter Klinkhoff Gallery, Montreal Private Collection, Toronto

$8,000 — 12,000

$2,500 — 3,500

$10,000 — 15,000

SKUNK CABBAGE, B.C., 1962

B. C. FOREST, VANCOUVER, 1961

103

104

105

MANLY EDWARD MACDONALD, R.C.A.

WILLIAM BRYMNER, O.S.A., P.R.C.A.

WINTER LANDSCAPE

THE COAST AT LOUISBOURG

JAMES EDWARD HERVEY MACDONALD, O.S.A., R.C.A.

oil on canvas board signed 16 ins x 29 ins; 40.6 cms x 73.7 cms

oil on panel stamped “Studio of W.H. Brymner R.C.A., Guaranteed by Watson Galleries, Montreal” on the reverse 5.5 ins x 7 ins; 14 cms x 17.8 cms

HIGH PARK, C. 1901

PROVENANCE:

Private Collection, Toronto

$1,500 — 2,000

$2,000 — 3,000

106

107

108

FREDERICK STANLEY HAINES, O.S.A., P.R.C.A.

HERBERT SIDNEY PALMER, O.S.A., R.C.A.

MANLY EDWARD MACDONALD, R.C.A.

BEECH TREES, 12 MILE LAKE

CHANGING SKIES

oil on panel signed; also signed and titled on the reverse 12 ins x 14.5 ins; 30.5 cms x 36.8 cms

oil on canvas signed; titled to the label on the reverse 16 ins x 20 ins; 40.6 cms x 50.8 cms

oil on canvas signed 24 ins x 30 ins; 61 cms x 76.2 cms

PROVENANCE:

Canadian Heritage Company Inc., Kleinburg, Ontario Private Collection, Ottawa

Canadian Heritage Art Company, Kleinburg Ontario Private Collection, Ottawa

$2,000 — 3,000

PROVENANCE:

Private Collection, Oakville $3,000 — 4,000

watercolour inscribed “JEH MACDONALD, High Park about 1901, certified T.MacD/66” subject 8.25 ins x 5 ins; 21 cms x 12.7 cms

WHEAT FIELDS

PROVENANCE:

Private Collection, Toronto $4,000 — 6,000

109

110

111

CHARLES FRASER COMFORT, O.S.A., P.R.C.A.

JOHN KASYN, O.S.A.

BLUE DAY, PERCÉ, 1977

BON ECHO ROCK, LAKE MAZINAW

oil on panel signed; titled and dated to label on the reverse 12 ins x 16 ins; 30.5 cms x 40.6 cms

oil on panel signed; titled and dated “circa 1970” to label on the reverse 12 ins x 16 ins; 30.5 cms x 40.6 cms

oil on masonite signed, also signed, titled, and dated on the reverse 12 ins x 8 ins; 30.5 cms x 20.3 cms

PROVENANCE:

Mayberry Fine Art, Winnipeg The Estate of George and Jessie Falconer, British Columbia

BACK OF PEMBROKE STREET, 1985

PROVENANCE:

See website for full catalogue details.

West End Gallery, Edmonton Private Collection, California

$4,000 — 6,000

$3,000 — 4,000

112

113

114

ROBERT E. LOUGHEED

MARIAN MILDRED DALE SCOTT, R.C.A.

HENRIETTA MABEL MAY, A.R.C.A.

ST. JANVIER

THE CATHEDRAL GATES, 1938

LACHINE CANAL

oil on board signed; titled on the reverse 8 ins x 9.5 ins; 20.3 cms x 24.1 cms

watercolour on paper signed and dated; titled on the reverse paper 10.5 ins x 15.25 ins; 26.7 cms x 38.7 cms

PROVENANCE:

oil on panel; with an unfinished landscape on the reverse signed 8.5 ins x 10 ins; 21.6 cms x 25.4 cms

Private Collection, Toronto

PROVENANCE:

$3,000 — 5,000

$1,000 — 1,500

Dominion Gallery, Montreal Private Collection, Toronto

$4,000 — 6,000

PROVENANCE:

$4,000 — 6,000

115

116

117

BERTHE DES CLAYES

ROBERT E. LOUGHEED

HAULING LOGS

UNTITLED (WINTER SCENE)

FRANK HANS JOHNSTON, O.S.A., A.R.C.A.

oil on canvas signed 24 ins x 31.5 ins; 61 cms x 80 cms

oil on board signed 8 ins x 10 ins; 20.3 cms x 25.4 cms

PROVENANCE:

Peter Ohler Fine Arts, Calgary Private Collection, British Columbia

Private Collection, Victoria, British Columbia

PROVENANCE:

$3,000 — 5,000

Private Collection, Calgary Toronto and Oxford, 1998, page 11.

$2,000 — 3,000

THE OPAL POOL oil on masonite signed 24.5 ins x 29.5 ins; 62.2 cms x 74.9 cms

$15,000 — 20,000

118

119

120

FREDERICK STANLEY HAINES, O.S.A., P.R.C.A.

JOHN KASYN, O.S.A.

BEHIND POWER STREET, 1984

NORTH SIDE OF QUEEN ST. WEST, 1973

BILL HENRY’S HOUSE, MARY LAKE

oil on masonite signed; also signed, titled, and dated ‘84 on the reverse 10 ins x 8 ins; 25.4 cms x 20.3 cms

oil on masonite signed and dated ‘73 16.5 ins x 12.5 ins; 41.9 cms x 31.8 cms

PROVENANCE:

Wallack Galleries, Ottawa Private Collection, California

oil on panel signed; also titled to partial artist’s label on the reverse 12 ins x 14.5 ins; 30.5 cms x 36.8 cms

Private Collection, Toronto

West End Gallery, Edmonton Private Collection, California

$2,200 — 2,800

$2,000 — 3,000

PROVENANCE:

$4,000 — 6,000

121

122

123

STANLEY MOREL COSGROVE, R.C.A.

RENE RICHARD

PORTRAIT OF A WOMAN

LANDSCAPE

CLARENCE ALPHONSE GAGNON, R.C.A.

oil on canvas board signed; also signed on the reverse 16 ins x 12 ins; 40.6 cms x 30.5 cms

oil on canvas board 12 ins x 16 ins; 30.5 cms x 40.6 cms

PROVENANCE:

Private Collection, Toronto

Galerie Zanettin Enr, Quebec Private Collection, Ontario

$3,000 — 4,000

PROVENANCE:

ÉTUDE POUR LE GRAND SILENCE BLANC gouache on paper with atelier stamp; certified and titled by Lucile Rodier Gagnon (No. 696) to label on the reverse 3.12 ins x 4.5 ins; 7.9 cms x 11.4 cms PROVENANCE:

Private Collection, Montreal $6,000 — 8,000

124

125

126

ALEXANDER YOUNG JACKSON, O.S.A., R.C.A.

MAURICE HALL HAYCOCK

ALBERT JACQUES FRANCK, A.R.C.A.

AUTUMN SPLENDOUR, NEAR KINBURN, ONT., 1957

BEHIND SPADINA AVE., 1970

QUADRILLE CREEK, 1961 oil on panel signed; also signed, titled and dated “May 6th 1961” on the reverse 10.5 ins x 13.5 ins; 26.7 cms x 34.3 cms PROVENANCE:

oil on panel signed and dated; also dated “Oct 9, 1957” and inscribed “Near Kinburn Ont”, and titled to gallery label on the reverse 11 ins x 14 ins; 27.9 cms x 35.6 cms

Walter Klinkhoff Gallery, Montreal Private Collection, Toronto

PROVENANCE:

$12,000 — 15,000

$1,500 — 2,000

See website for full catalogue details.

oil on masonite signed and dated ‘70 20 ins x 16 ins; 50.8 cms x 40.6 cms PROVENANCE:

Private Collection, Toronto $6,000 — 8,000

127

128

129

CLARENCE ALPHONSE GAGNON, R.C.A.

PERCY FRANKLIN WOODCOCK, R.C.A.

CIRCLE OF CORNELIUS DAVID KRIEGHOFF

EN NOVEMBRE, 1906

oil on board signed and dated ‘92 7 ins x 10.5 ins; 17.8 cms x 26.7 cms

etching signed, titled, and dated ‘06 in pencil to lower margin plate 5.375 ins x 8.5 ins; 13.7 cms x 21.6 cms PROVENANCE:

Private Collection, Toronto

HOUSE BY A RIVER, 1892

PROVENANCE:

Doll & Richards Inc., Boston Private Collection, Toronto $1,500 — 2,000

$2,000 — 3,000

YOUNG LADY ON A HORSE BY WATER TROUGH oil on board bears signature C. Krieghoff and P. Wouwerman 16 ins x 13.5 ins; 40.6 cms x 34.3 cms PROVENANCE:

Private Collection, Ontario $1,200 — 1,500

130

131

132

FREDERICK ARTHUR VERNER, O.S.A., A.R.C.A.

WILLIAM RAPHAEL, R.C.A.

BERTHE DES CLAYES

PICKING BERRIES

AUTUMN LANDSCAPE

LONG SAULT, RAINY RIVER, 1913

oil on canvas signed 17 ins x 12.75 ins; 43.2 cms x 32.4 cms

pastel signed 9 ins x 8 ins; 22.2 cms x 20.3 cms

PROVENANCE:

Canadian Fine Arts, Toronto Private Collection, Toronto

Private Collection, Montreal

watercolour on paper, laid down on card signed and dated; also signed, titled and dated on the reverse 13.5 ins x 25 ins; 30.5 cms x 60.3 cms PROVENANCE:

Private Collection, Mississauga $6,000 — 8,000

$1,200 — 1,500

$800 — 1,200

133

134

135

WALTER JOSEPH PHILLIPS, R.C.A.

SELF PORTRAIT, 1922

THE DIVING BOARD

woodcut on paper signed with monogram to the plate; signed and titled in pencil; from the portfolio “Ten Wood Cuts” and mounted on the verso of the title sheet, dated July 1931 and numbered 74 image 3.5 ins x 2.4 ins; 8.9 cms x 6.1 cms

woodcut, printed in colours signed with monogram to the plate; signed and numbered 48 in pencil to the lower margin; from the portfolio “Ten Wood Cuts” image 8.7 ins x 5.5 ins; 22.1 cms x 14 cms

THREE PRINTS FROM “THE CANADIAN SCENE”, 1928

PROVENANCE:

From the Collection of Frederick H. Brigden

PROVENANCE:

$1,000 — 1,500

$600 — 900

woodcuts, printed in colours including “John”, “The Stump - Lake of the Woods”, and “Cineraria”; See website for full catalogue details. PROVENANCE:

From the Collection of Frederick H. Brigden $2,500 — 3,000

136

137

138

WALTER JOSEPH PHILLIPS, R.C.A.

SUMMER NIGHT

NORMAN BAY (NO. 2), 1923

THE BATHER, 1923

woodcut, printed in colours signed and numbered 48 in pencil to the lower margin; from the portfolio “Ten Wood Cuts” image 7 ins x 9.5 ins; 17.8 cms x 24.1 cms

woodcut, printed in colours signed with monogram and dated “Oct 1923” to the plate; signed and numbered 5/50 in pencil to the margin image 9 ins x 10 ins; 22.9 cms x 25.4 cms

woodcut, printed in colours signed with monogram and dated ‘23 to plate; signed in pencil to the margin image 10.7 ins x 7.2 ins; 27.2 cms x 18.3 cms

PROVENANCE:

From the Collection of Frederick H. Brigden

PROVENANCE:

From the Collection of Frederick H. Brigden $1,000 — 1,500

PROVENANCE:

$1,000 — 1,500

139

140

141

WALTER JOSEPH PHILLIPS, R.C.A.

FLYING ISLAND, 1923

LAKE MACARTHUR, CANADIAN ROCKIES

woodcut, printed in colours signed with monogram and dated “Dec 1923” to plate; signed in pencil to the lower margin 10 ins x 9.5 ins; 25.4 cms x 24.1 cms

woodcut, printed in colours signed with monogram to the plate; signed and numbered 74 in pencil to the margin; from the portfolio “Ten Wood Cuts” 6.7 ins x 10 ins; 17 cms x 25.4 cms

SIWASH HOUSE POSTS - TSATSISNUKOMI, BC

PROVENANCE:

From the Collection of Frederick H. Brigden $2,000 — 3,000

PROVENANCE:

From the Collection of Frederick H. Brigden

woodcut, printed in colours signed with monogram to the plate and signed and numbered 143 in pencil to lower margin; from the portfolio “The Canadian Scene” from an edition of 300. plate 8 ins x 6.25 ins; 20.3 cms x 15.9 cms

$1,000 — 1,500

$2,500 — 3,500

142

143

144

WALTER JOSEPH PHILLIPS, R.C.A.

WILD CHERRY

FALL, ASSINIBOINE RIVER

LANDSCAPE WITH RIVER, 1916

woodcut, printed in colours signed with monogram to the plate; signed and numbered 226 in pencil to the lower margin 6.5 ins x 9.5 ins; 16.5 cms x 24.1 cms

woodcut, printed in colours signed to the plate; signed and numbered 74 in pencil to the lower margin; from the portfolio “Ten Wood Cuts” image 6.7 ins x 10 ins; 17 cms x 25.4 cms

watercolour signed and dated 7 ins x 9.75 ins; 17.8 cms x 24.8 cms

PROVENANCE:

Private Collection, Ottawa $800 — 1,200

PROVENANCE:

From the Collection of Frederick H. Brigden $800 — 1,200

PROVENANCE:

Private Collection, Toronto $3,000 — 5,000

145 FREDERICK HENRY BRIGDEN, O.S.A., R.C.A. WINTER SCENE oil on canvas signed 22 ins x 28 ins; 55.9 cms x 71.1 cms PROVENANCE:

Private Collection, Ontario $1,800 â&#x20AC;&#x201D; 2,200

Conditions of Sale 1. All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted or announced verbally in the auction room prior to the time of sale. While the auctioneer has endeavoured not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made. An opportunity for inspection of each article is offered prior to the time of sale. No sale will be set aside on account of lack of correspondence of the article with its description or its reproduction, if any, whether colour or black & white. Some lots are of an age and/ or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others. Frames on artwork are not included as part of purchase or condition. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid, relying upon their own advisers, and to bid accordingly. 2. Each lot sold is subject to a 20% buyers premium as part of the purchase price. 3. Unless exempted by law, the buyer is required to pay Harmonized Sales Tax on the total purchase price including the buyer’s premium. For international buyers, taxes are not applicable when purchases are shipped out of country. Items shipped out of Ontario, the buyer is required to pay taxes as per the tax status of that province, whether it HST or GST (Goods and Services Tax). 4. The auctioneer reserves the right to withdraw any lot from sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice. 5. The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized. 6. Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in attendance at the sale. 7. The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The auctioneer’s decision in all cases shall be final. 8. Immediately after the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-offering the item for sale.

9. The buyer shall pay for all lots within 48 hours from the date of the sale, after which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale, after which storage charges may be incurred. 10. Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away. 11. Notwithstanding condition no. 1, if the buyer, prior to removal of a lot, makes arrangements satisfactory to the auctioneer for the inspection of such lot by a fully qualified person acceptable to the auctioneer to determine the genuineness or authenticity of the lot, to be carried out promptly following the sale of the lot, and if, but only if, within a period of 14 days following the sale a written opinion of such person is presented to the auctioneer to the effect that the lot is not genuine or authentic, accompanied by a written request by the buyer for rescission of the sale, then the sale of the lot will be rescinded and the sale price refunded to the buyer. 12. Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), and VISA or Mastercard (up to $25,000). 13. In the event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for: (a) any deficiency in price between the re-sale amount and the amount to have been paid by the original buyer; (b) any reasonable charge by the auctioneer for the storage of such articles until payment and removal by the subsequent buyer; and (c) the amount of commission which the auctioneer would have earned had payment been made in full by the original buyer. 14. It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them. 15. The auctioneer acts solely as agent for the consignor and makes no representation as to any attribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada). 16. The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.

Selling at Waddington’s waddington’s commission rates Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $251 to $2,500 20% Items selling for $250 or less 25% *There is a minimum handling charge of $20 per item

canadian art department commission rates Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $2,500 or less 20% *There is a minimum handling charge of $20 per item

insurance

A 1% insurance charge, based on the hammer price of the property, will be applied to all accounts.

auction advice

For auction advice on paintings, drawings, prints, jewellery, and various forms of decorative arts and other collectibles, please feel free to contact us via email or telephone. We are pleased to review emails containing photographs and information on your pieces in order to provide auction estimates for you to consider. For collections with a variety of objects, please contact our Appraisals and Consignments department (consignments@waddingtons.ca). For department-specific inquiries, please contact the specialist and/or department directly. All contact information can be found at www.waddingtons.ca. Our offices are located in Toronto and Vancouver, but our specialists frequently travel to major Canadian cities to meet with prospective consignors. To receive more information on Valuation Days across Canada or to arrange an appointment, please contact our Toronto office (416-504-9100). Please note that property typically arrives at Waddington’s at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items. Consignors will receive a contract to sign, setting forth terms and fees for our services.

cites

Restrictions exist regarding the import and export of species protected under CITES (Convention on International Trade in Endangered Species). This includes but is not limited to items made of or containing bone (whalebone etc.), ivory, tortoise shell, seal skin, rhinoceros horn and any other animal part and is strictly controlled or forbidden by most countries. Please review your country’s laws before bidding on pieces made of or containing these restricted items. It is the sole responsibility of the buyer to inquire about and obtain the proper permits for artwork purchased that may contain restricted materials, if such permit can be obtained. Please contact the department for further assistance. All Narwhal Tusks must have a Marine Harvest Number or a Marine and Mammal Transport number to be sold at Waddington’s. For more information please visit: www.cites.org

Buying at Waddington's

All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or oral announcement. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any oral announcement or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s™ and the consignor (seller) of the lot. Descriptions or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale.

condition of lots

All of the items are to be considered, unless otherwise noted in the description or condition report, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should examine the pieces in person or have our staff answer any questions before bidding. Sizes are approximate. It is the sole responsibility of the bidder to inquire as to the condition of a lot before bidding. Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale.

bidding

The Auctioneer may also execute bids on behalf of the consignor to protect the reserve. The reserve is the confidential minimum price the seller is willing to accept for his or her property, below which it will not be sold.

shipping

The Auctioneers will not undertake packing or shipping. The purchaser must designate and arrange for the services of an independent shipper and be responsible for all shipping, insurance expenses and any necessary export permits that may apply. The Auctioneers will, upon request, provide names of professional packers and shippers but will not be held responsible for the service or have any liability for providing this information. Reliable pre-auction estimates of shipping costs of lots offered in this sale may be obtained from: PakShip 905-470-6874 / 905-470-6875 / 416-293-8225

taurus@pakship.ca www.pakship.ca Safer Shipping Inc. (formely Envoy) 416-299-3367 / 416-299-9750 perry@safershipping.ca www.safershipping.com

Frames on artwork are not included as part of purchase or condition.

Fero Transport 514-453-1462 / 514-543-7585 www.ferotransport.ca

buyers premium

removal of purchases

A premium of 20% of the successful bid price of each lot. A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer’s premium, except for purchases exported from Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province.

payment

Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), VISA or Mastercard (up to $25,000). ALL PRICES IN CANADIAN FUNDS

Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15). Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients.

Artist Index B

BEAULIEU, PAUL VANIER (1910-1996) (25, 84, 85) BEDER, JACK (b. 1909) (22, 32) BELLEFLEUR, LÉON (1910-2007) (14, 27, 53) BLACKWOOD, DAVID LLOYD (b. 1941) (89, 90, 91, 92, 93) BLOORE, RONALD LANGLEY (1925 -2009) (37) BOBAK, MOLLY LAMB (1922-2014) (60) BORENSTEIN, SAMUEL (1908-1969) (46) BRIGDEN, FREDERICK HENRY (1871 -1956) (145) BROOKS, FRANK LEONARD (1911-2011) (7) BRYMNER, WILLIAM (1855-1925) (104)

DALLAIRE, JEAN-PHILIPPE (1916-1965) (80) DALY, KATHLEEN FRANCES (1898 -1994) (83)

LETENDRE, RITA (b. 1928) (8, 9) LISMER, ARTHUR (1885-1969) (100, 102) LOCHHEAD, KENNETH CAMPBELL (1926-2006) (3, 48, 66) LOREE, ERIN (b. 1988 (19) LOUGHEED, ROBERT E. (b. 1910) (112, 116) LYMAN, JOHN GOODWIN (1886-1967) (49)

C CICANSKY, VICTOR (b. 1935) (75) CLAYES, BERTHE DES (1877-1968) (115, 132) COLLIER, ALAN CASWELL (1911-1990) (99) COLVILLE, ALEXANDER (1920-2013) (88) COMFORT, CHARLES FRASER (1900 -1994) (43, 47, 109, 110)

F FAFARD, JOE (b. 1942) (74) FRANCK, ALBERT JACQUES (1899 -1973) (126)

G GAGNON, CLARENCE ALPHONSE (1881-1942) (123, 127) GENN, ROBERT (1936-2014) (51, 63) GORMAN, RICHARD BORTHWICK (b. 1935) (73)

H HAINES, FREDERICK STANLEY (1879 -1960) (101, 106, 118) HAYCOCK, MAURICE HALL (1900 -1988) (125)

I ISKOWITZ, GERSHON (1921-1988) (20)

COMTOIS, ULYSSE (b. 1931) (1)

COSGROVE, STANLEY MOREL (1911 -2002) (59, 67, 72, 121)

JACKSON, ALEXANDER YOUNG (1882-1974) (124) JOHNSTON, FRANK HANS (1888-1949) (117)

CÔTÉ, BRUNO (1940-2010) (45, 56) COUGHTRY, JOHN GRAHAM (1931 -1999) (34) CURNOE, GREGORY RICHARD (1936 -1992) (18)

K KASYN, JOHN (1926-2008) (98, 111, 119, 120) KNOWLES, DOROTHY (b. 1927) (54) KRAUSZ, PETER (b. 1946) (39) KRIEGHOFF, CIRCLE OF CORNELIUS DAVID (129)

M MACDONALD, JAMES EDWARD HERVEY (b. 1921) (105) MACDONALD, MANLY EDWARD (1889-1971) (103, 108) MALTAIS, MARCELLA (b. 1933) (11) MARCIL, RENÉ (1917-1993) (31, 68) MASSON, HENRI LEOPOLD (1907-1996) (55, 57) MAY, HENRIETTA MABEL (1884-1971) (114) MCCARTHY, DORIS JEAN (1910-2010) (62) MILNE, DAVID BROWN (1882-1953) (86) MOL, LEO (1915-2009) (94) MORRISSEAU, NORVAL H. (1931-2007) (64)

PALMER, HERBERT SIDNEY (1881-1970) (107)

VANDERHORST, ROBERT (b. 1951) (50)

PELLAN, ALFRED (1906-1988) (69, 78) PHILLIPS, WALTER JOSEPH (1884 -1963) (133, 134, 135, 136, 137, 138, 139, 140, 141, 142, 143, 144) PRATT, MARY (1935-2018) (79, 81, 82)

R RAPHAEL, WILLIAM (1833-1914) (131) RAYNER, GORDON (1935-2010) (21, 40) RICHARD, RENE (1895-1982) (122) RIOPELLE, JEAN PAUL (1923-2002) (10) ROBERTS, WILLIAM GOODRIDGE (1904-1974) (61) RONALD, WILLIAM (1926-1998) (12, 16)

S SCARLETT, ROLPH (1889-1984) (4, 26, 33) SCHAEFER, CARL FELLMAN (1903 -1995) (52) SCOTT, MARIAN MILDRED DALE (1906-1993) (113) SHADBOLT, JACK LEONARD (1909 -1998) (6, 17, 28, 35) SMITH, GORDON APPELBE (19192020) (38) SNOW, MICHAEL (b. 1929) (5) SURREY, PHILIP HENRY HOWARD (1910-1990) (42, 58) SUZOR-COTÉ, MARC-AURÈLE DE FOY (1869-1937) (95, 96)

T TANABE, TAKAO (b. 1926) (23, 87) TATOSSIAN, ARMAND (1951-2012) (44) THURSTON SMITH, MARJORIE (JORI) (1907-2005), (71, 70) TOWN, HAROLD BARLING (1924-1991) (13, 29, 41)

U URQUHART, ANTHONY MORSE (b. 1934) (65)

VARLEY, FREDERICK HORSMAN (1881 -1969) (97) VERNER, FREDERICK ARTHUR (1836 -1928) (130)

W WEBBER, GORDON MCKINLEY (1909 -1965) (15, 30) WERTHEIMER, ESTHER (b. 1926) (76, 77) WILSON, RONALD YORK (1907-1984) (2, 36, 24) WOODCOCK, PERCY FRANKLIN (1855-1936) (128)

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