Mehwish Abid On South Asian Narratives: Reclaiming and Retelling MEHWISH ABID is the principal architect at the Studio of Architecture, Research, and Design (S A R D). She is a trans-disciplinary academic and visual artist heading the School of Architecture, Design and Urbanism at IAC, Lahore. She has received distinctions for both her graduate and postgraduate dissertations at COMSATS University Islamabad and the University of Liverpool, UK. As a visual artist, she explores formation of new methods of immersion through material culture and experiments with the medium of sound, text, image, and objects. Her practice is research-based that roots itself in decolonial notions of investigation.
The Mittal Institute caught up with Mehwish to learn more about her artwork and what she plans to focus on while at Harvard. Welcome, Mehwish! What are your first impressions of Harvard – what has surprised or excited you so far? Thank you so much for the warm welcome by the Mittal Institute and Harvard at large. It has been a fulfilling and rich experience so far. It has only been a week since the initiation of my residency; however, it has been around 20 days since I reached Cambridge from Lahore, Pakistan. I wanted to give myself some time before the start of the residency to absorb my environment, get over the jetlag, sort out my accommodation, figure out my way around the city so and so forth. To be honest, my first impressions were all over the place; I was mesmerized at first, just with the thought that I am at Harvard, and then later, adjusting to the celebrated accommodation at Peabody Terrace, and being surrounded by historic and contemporary architecture by world-famous architects – I was just so taken by it all and still am. The Harvard campus and access to its resources is a treat, especially being an architect/academic with a visual art practice. I am thrilled by the opportunities that are unfolding every day in front of me through this program for my project Decolonising Home through Objects (DHTO). The opportunities are in the form of being able to attend classes of highly esteemed scholars, having the prospect of one-on-one discussions with them, taking guided tours of museums, or exploring Le Corbusier’s special collection archives at the Graduate School of Design. Lastly, to be able to see the relevance of my academic and art practice in conversations that I am having with various scholars, or in talks by professors and curators, has been most moving and uplifting for me. How did you get started as an artist – when did you know you wanted to pursue a career in the arts? I have consistently been fascinated with the impact of the prevailing socio-cultural and political mindset on spatiality and design and how the former symbiotically reflects itself in built spaces, expressing power dynamics within the built environment and dictating the terms of association and interaction externally. From an early age, I was exposed to all kinds of art, be it photography, music, drawing, poetry, or storytelling. Being the youngest daughter, I have been extremely fortunate to have parents who have supported my choice of opting for architecture for my undergraduate studies rather than pushing me for the most common choices in Pakistan i.e., engineering, law, or medicine.
The Lakshmi Mittal and Family South Asia Institute, Harvard University