RONIEL ARMAS
ARCHITECTURE PORTFOLIO
C O N T A C T
0223988345 armas ronvince@gmail com
Kaiapoi, Canterbury 7630 www.linkedin.com/in/ronielvincent-armas
issuu.com/ronielarmas/docs/cv portfolio a4
E D U C A T I O N
ARA INSTITUTE OF CANTERBURY
Bachelor of Architectural Studies
TARLAC STATE UNIVERSITY
Bachelor of Science in Architecture
I N T E R N S H I P
FABRIC ARCHITECTURE
Intern
P R O G R A M S
ArchiCAD, Revit, AutoCAD
Sketchup, Rhino, Grasshopper, Adobe Photoshop, Illustrator, Indesign
Twin Motion, Enscape, 3DS Max
BIM workflows and documentation tools
P R O F I L E S U M M A R Y
Architectural graduate proficient in ArchiCAD, Rhino, and Revit, with experience in BIM workflows. Interested in cultural, research-driven, and sustainable design for residential and commercial projects. I bring a strong eye for detail, keen observational abilities, and a receptive approach to learning. Seeking opportunities to refine my skills and contribute to innovative architecture under the guidance of a mentor.
W O R K E X P E R I E N C E
Junior Architectural Technician
Dalman Architects of Space
JUL - NOV 2022
Assisted in the creation and modification of architectural drawings and models using Archicad.
Collaborated with senior architects, designers, and project managers to deliver design solutions for interior design, residential and commercial projects.
Supported the development of BIM workflows, ensuring accurate data integration across project stages
Assisted Project Managers in site visits to collect data and verify design details for ongoing projects
Contributed to the preparation of presentation materials for client meetings and design reviews
2019 - 2020 Gib Fixer
Summit Project Exponents, Ltd.
Installed and fitted plasterboard (GIB) for both residential and commercial buildings, ensuring precision and quality.
Worked closely with the construction team to meet tight deadlines while maintaining a high standard of work.
Gained a solid understanding of building construction materials and the NZ Building Code
Performed regular quality control checks to ensure that all installations met project specifications
Managed tool and material inventories, ensuring the availability of required supplies for ongoing tasks
Assisted the Senior Manager and Supervisor in administrative processes and documentation handling
English: Proficient
Filipino: Native/ Fluent L A N G U A G E S
H A R D S K I L L S
3D modeling and parametric design
Technical drafting and construction documentation
NZ Building Code knowledge and compliance
Architectural visualization and rendering
Site analysis and report writing
Gib Fixing
S O F T S K I L L S
Strong eye for detail and observational skills
Problem-solving and critical thinking
Effective teamwork and collaboration
Adaptability and quick learning
Communication, Leadership and Management skills
C E R T I F I C A T E S
2 0 2 4
COMPREHENSIVE FIRST AID COURSE
New Zealand Red Cross
J O B R E F E R E E S
P E T E W Y N Y A R D
Director, Wynyard Design Studio
Tutor, Ara Institute of Canterbury
M +64275570365
Nightfill Department Supervisor
Woolworths Waimakariri Junction
2023 - PRESENT
Led a team of nightfill assistants to ensure the efficient stocking and organization of store shelves after hours
Managed daily tasks, delegating responsibilities and ensuring deadlines were met for product replenishment
Developed and maintained strong communication with department managers to ensure smooth operations.
Trained new team members on inventory management and company procedures, fostering a positive and efficient work environment.
Assisted with merchandising and ensured that store displays were clean, organized, and visually appealing.
Chairman, Commission on Student Elections
Tarlac
State University, Philippines
2016 - 2017
Led the planning, organization, and execution of university-wide student elections, ensuring a fair and transparent electoral process
Oversaw candidate registration, campaign monitoring, and voting procedures, ensuring smooth operations
Facilitated public forums and debates, providing a platform for student candidates to present their visions.
Managed election-related disputes and concerns, demonstrating strong problem-solving and conflict-resolution skills.
Communicated with university administration, student organizations, and stakeholders to ensure election success.
C O M P E T I T I
O N S
Participant ArchEngBuild 2022
2022
Selected participant in a national interdisciplinary design challenge integrating architecture, engineering, and construction solutions.
Collaborated with a team to develop an innovative and sustainable building proposal within a tight deadline.
J E N N I E L E E
Associate, Dalman Architects of Space P +6433665445 M +6421621405
V I S H A V S I N G H
Nightfill Manager, Woolworths Waimakariri Junction P +642041230160
“Architecture is either driven by following a culture or developing another culture. It has the power to impose an activity through deep research and understanding of human behavior in relation with spaces.”
Poutama Green Haven
A Horticulture University-based Retirement Sanctuary| 2023
Weaving the Past into the Future
Poutama Green Haven draws from raranga, the Maori art of weaving, where the strength of the whole is achieved through the interconnection of individual strands. Raranga is not just craft but, it is a living expression of identity, memory, and cultural continuity passed down across generations. This guiding metaphor reflects the project’s core aim: to reconnect retirees with the broader community through meaningful, interwoven roles in society.
Proposed Imaginary Site: Lincoln University, Canterbury NZ
4. Bridging the Buildings. Tukutuku inspired bridge connects the neighbors.
5. Jagged Facade. This portrays Raranga. It allows sunlight to enter the units.
6. Sustainability & Tech. Bioreactors intentionally chosen for Horticulture school.
Te Raranga Ahurea
A Proposed Multicultural Centre in Christchurch | 2022
This project aims to cater the projected increase of number of ethnic groups in Christchurch City. It will function as a one-stop-shop for the people who have something to do with immigration matters, meetings & small gatherings, and cultural festivities & celebrations.
“Te Raranga Ahurea” or The Weaving of Culture comes from a philosophical idea that diverse cultures, like interwoven fibres, makes a strong community. Raranga, or the Art of Weaving, became the central concept which linked the design considerations. Furthermore, this project acknowledges the significant history, not just of the site, but of the entire Christchurch.
Access to building from the corner Open plan to ground level (Mana Whenua)
Integration of sculptural form
The 12 Summits
ArchEngBuild Challenge 2022
In collaboration with: ALEX KIRBY (Engineer) and ELLIE GRAHAM (Construction Manager)
Theme:
Creating high performance low carbon medium density housing for the future: How can we get better performing buildings with a smaller carbon footprint at the same or lower cost, and that facilitate lower carbon lifestyles?
Te Rere
A Proposed Performing Arts Centre | 2022
The main design driver of Te Rere (The Flow) is ‘The Continuous Flow’. Using a wind-driven kinetic facade, the building performs and entertains the public, activating the Rourora Park at the north side. The entire facade was inspired by two (2) important parts of the identity of Christchurch City showing ‘continuous flow’: The Avon River and The City Tram.
The two contrasting concept was being fused together to balance each other. The Kinetic Wall gives a visual resemblance of the fluidity and flowingness of the river, while being attached to an edgy and pointy frame. The vertical timber facade for the entry stairs resembles the straight lines of the tramway track, while being arranged to a circular path.
1. Site Analysis. Finding the sun path, wind flow, noise source, pleasant view, open green spaces, accesses and surrounding masses.
4. Bubble Diagram. Configuring the spaces and areas. the Core Spaces is at the very center of the site surrounded by the supporting spaces. The Green space is a public realm caused by the #3.
2. Parking considerations. Parking for disabled and Loading dock were considered which caused the indention and shift of the pathway.
3. Laneway getting through the Site. This strategy minimizes the feeling of discomfort & uncertainty when you walk through a laneway & a wall is at the end blocking your view.
5. Giving Volumes. Reconfiguring the spaces considering the needs of height.
6. Locating Access. Identifying the best number and location of ingresses, egresses, and lifts. The Main Public Entry point is located at the corner where the laneway is perpendicular to the road.
7. Attaching Facade. Integrating the concept visually through facade. The two concept will meet at some point. The Kinetic Wall at the left side to catch the prevailing wind.
8. Allowing light to come through. The utilisation of glass and by shifting a bit of the entryway plan brings light more inside and in the Public Realm than the initial design.
9. Redesigning of facade. The final proposal of the main facade shows: the fluidity of the kinetic wall with an edgy contour while the vertical straight lines of the entryway facade is in a circular arrangement.
(Sky Father) Roof
Tumatauenga (God of Mankind) People/ Visitors
(Earth Mother) Ground/ Floor
Tanemahuta (God of the Forest) Column
Tawhirimatea (God of the Wind and Weather) Wind Chimes
Ranginui
Papatuanuku
Te Timatanga A Proposed Pavilion | 2022
Documentation Project
STRATCO GOLD ALUMINIUM COMPOSITE PANEL WITH 50MM CAVITY ON 3M AIR BARRIER WITH PERMEABLE BACKING 3015VP
ANODISED ALUMINUM SINGLE GLAZED SLIDING DOOR JOINERY
SELECTED PERFORATED 2 5mm STEEL SHEET (POWDER COAT FINISH ) FIXED TO STRUCTURAL STEEL FRAME (PAINT FINISH ). REFER TO ENGINEERS DRAWINGS
ANODISED ALUMINUM DOUBLE GLAZED SLIDING DOOR JOINERY
GLASS FRAMED TO CANTILEVERED CONCRETE BALCONY
ANODISED ALUMINUM SINGLE GLAZED SLIDING DOOR JOINERY
STRATCO GOLD ALUMINIUM COMPOSITE PANEL WITH 50MM CAVITY ON 3M AIR BARRIER WITH PERMEABLE BACKING 3015VP
ANODISED ALUMINUM DOUBLE GLAZED WINDOW JOINERY
SELECTED PERFORATED 2 5mm STEEL SHEET (POWDER COAT FINISH ) FIXED TO STRUCTURAL STEEL FRAME (PAINT FINISH ). REFER TO ENGINEERS DRAWINGS
ANODISED ALUMINUM DOUBLE GLAZED WINDOW JOINERY
ANODISED ALUMINUM DOUBLE GLAZED WINDOW JOINERY 4 3 2
GLASS FRAMED TO CANTILEVERED CONCRETE BALCONY
ANODISED ALUMINUM SINGLE GLAZED SLIDING DOOR JOINERY
ANODISED ALUMINUM SINGLE GLAZED HINGED DOOR JOINERY
NUMBER: DATE: SCALE:
2°
PARAPET REAR FACE FIXED TO BUILDING BY 8GX1" min SS PAN SCREW BY STRATCO
ACP ANGLE FIXED TO BUILDING BY 10GX2" min SS CSK SCREW BY STRATCO
ARDEX 1 5mm DOVE GREY BUTYL RUBBER MEMBRANE RETURNED DOWN FRONT FACE OF BUILDING BY 50mm MIN
FIXING AT JOINT STANDARD FIXING DETAILS
18mm H3 2 CCA WATER BORNE TREATED PLYWOOD
4mm ALUMINIUM COMPOSITE PANEL BY STRATCO
150PFC STEEL BEAM
3M AIR BARRIER WITH PERMEABLE BACKING 3015VP
ARDEX 1 5mm DOVE GREY BUTYL RUBBER MEMBRANE ADHERED WITH ARDEX WA98
18mm H3 2 CCA WATER BORNE TREATED PLYWOOD
DHS 250/18 PURLINS @400 CRS
FILLET
ECOTHERM GLASSWOOL INSULATION
ECOTHERM GLASSWOOL INSULATION
3M AIR BARRIER WITH PERMEABLE BACKING 3015VP DRESSED INTO OPENING AIR SEAL
MASON 4 5mm FIBRE CEMENT SOFFIT LINING
LINE OF 4MM COMPOSITE PANEL (CLADDING) BEYOND
38 X 18mm TIMBER TRIM
MAGNUM 50 SLIDING DOOR INTO 100mm SHOPFRONT WITH DUO SLIDER
LINE OF 4MM COMPOSITE PANEL (CLADDING) BEYOND
12mm MINIMUM GAP BETWEEN FLOOR DECK AND THRESHHOLD
35mm MINIMUM GAP OF THE BASE OF COMPOSITE PANEL CLADDING FROM FLOOR DECKING
OUTDURE 138 X 23mm CASADECK COMPOSITE BOARD
OUTDURE QWICKBUILD 13 X 45mm PROFILE JOIST @ 450mm CTRS
OUTDURE QWICKBUILD 90 X 45mm PROFILE BEARER @ 450mm CTRS
ARDEX 1 5mm DOVE GREY BUTYL RUBBER MEMBRANE
OUTDURE QWICKBUILD HEIGHT ADJUSTABLE PEDESTAL
COMFLOOR CONCRETE SYSTEM 1:5 3
Group Projects
Cathedral of Christ the Light Maquette Model (2022)
Collaborated with Kyla Tolentino, Rodney McLachlan, and Edwin Lau.
College of Architecture & Fine Arts Building Proposal Scaled Model (2016)
Collaborated with Wencie Manebog, Rene Mananquil, Winonalyn Corcuera, and Roemaric Aguas.
Christmas Lantern Design Competition (1st Place) 2017
Collaborated with Warren Gragasin, Renz Armas, Joed Gragasin, Erzun Ramac, and Mark Joseph Vicente.
SAANZ 24HR Design Challenge 2022 Proposal
The Barnacle
Collaborated with Esefania Mondaca, Bethany Ngai, and Holly Barry