Ofen producing a piece from the very yarn he kept in his pocket, it was as if Fred Sandback produced art out of thin air. Beguilingly simple while simultaneously alien, his string structures continue to command optical, physical and perceptual interaction with their audiences. Afer majoring in philosophy at Yale in 1966, Sandback pursued an MFA at the Yale School of Art. Drawing on memories of his antique dealer uncle weaving cane chairs, Sandback strung banjos and dulcimers in his free time – at one point even considering creating a career out of the pastime. His fascination with string and cord amused his teachers, enthralling one in particular, Donald Judd. Sandback produced his frst defnitive string structure in 1966, transforming his hobby into the seminal theme of his mature work. From 1966 to 2003, the year he died, the artist would use thread to describe a potentially limitless volume, usually hidden inside traditional sculptures, now only subjected to the angles from which one could view his creations.
Dan Flavin Untitled, 1970 Blue and red fuorescent lights with fxtures Davis Museum and Cultural Center, Wellesley College © Stephen Flavin / Artists Rights Society (ARS), New York 2016
Robert Morris Untitled, 1970 Felt. Deichtorhallen, Hamburg, Germany © ARS, NY and DACS, London 2016. Image: Bridgeman Images
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