2014-2015 MA Graduates
56
Kaylee Alexander “‘Arrête! C’est ici l’empire de la mort’: The Art of Life and Death in Subterranean Paris” (Meredith Martin)
Laura IU Collier “The Castellani Chapel as Liminal Wilderness in an Urban Franciscan Context” (Alexander Nagel)
Antonia Veruska Giuseppina Bartoli “Examination of the Activities and Enterprises of Dr. Alessandro ‘Sandro’ Morandotti (1909-1979), Art Dealer, Antiquarian and Publisher, between 1940 and 1945” (Jonathan Hay)
Vincenza Di Maggio “Giardini del Paradiso: The Islamic Paradise Garden in the Architecture of the Palazzo dei Normanni in Palermo, Sicily” (Marvin Trachtenberg)
Institute of Fine Arts Annual 2014 - 2015
Caroline Barnett “A Gray Area: Giving Context to the Work of Cy Twombly, 1966-1968” (Michele Marincola) Chelsea Blance “The Image of a Living Hero: The Genesis and Migration of French Renaissance Armor” (Colin Eisler) Thomas Brown “Jacques Callot and the Siege of La Rochelle” (Colin Eisler) Halston Bruce “From Within a Hybrid Imagination: Performance to Enact Social Change in the U.S./ Mexico Borderlands” (Edward Sullivan) Gillian Canavan “Subtracting Solid: Memory and the Translation of Structures in Soft Material” (Jonathan Hay) Paige Chandler “Retainer Sacrifice in Egypt and Sumer: A Closer Examination of the Early Dynastic Tombs from Abydos and Ur” (David O’Connor)
Quinn Ferris “When East Meets West: 16th Century Dogale Bindings in The Morgan Library & Museum” (Margaret Holben Ellis) Sarah Getto “Ghost Modernism: Cybernetics in the Art of Frank Stella and Ad Reinhardt” (Robert Slifkin) Linda Mai Green “The Horse, the Birds, and the Spy: Early Louise Lawler (1972-84)” (Robert Slifkin) Marc J. Hajjar “‘It Was the Eighties!’ How a Critical Decade Marked a Power Shift in the Art World” (Jonathan Brown) Julie Herzig Desnick “From Myth to Reality: Changing Perceptions and Representations of the Dwarf from the François Vase to the Peytel Aryballos” (Clemente Marconi) Mei Yee Ho “Solemnness: A Stylistic Analysis of the Liao Buddhist Figural Representation in Fengguosi, Yixian, Liaoning Province” (Hsueh-man Shen) Hannah Howe “Dan Flavin: Fluorescent Rooms” (Robert Slifkin)
Arielle Ismail “Maria Theresa: Gender, Politics and Identity at Schönbrunn” (Marvin Trachtenberg) Harrison Jackson “On the Cutting Edge: Engravings by Cornelis Cort after Titian in the Collection of the Metropolitan Museum of Art” (Patricia Rubin) Rebecca Kasmin “Interfaith Associations in Roman Asia Minor: A Study of the Sardis Synagogue and the ‘Jews and God-Fearers’ Inscription at Aphrodisias” (Katherine Welch) Karen Klockner “The Vienna Privileges and the Bell Tower of Ghent: Civic Patronage in Late Medieval Flanders” (Colin Eisler) Sophia Kroft “The Unique Painted Tomb From Hierakonpolis: Its Interconnections with Multiple Forms of Early Egyptian Art” (David O'Connor) Genevra Le Voci “Female Bystanders as Mediators of Time and Place in Fifteenth-Century Florentine Religious Narrative” (Patricia Rubin) Courtney Lynch “The Sculptures of Paul Klee, 1915-1920” (Robert Lubar) Ashley McNelis “The Performative Body in Francesca Woodman's Photography” (Robert Slifkin) Katerina Miras “The Emulative Works of Goltzius and Dürer: Looking to the Quattrocento and Antique Art” (Colin Eisler)