Artonview 102

Page 20

During a time of social distancing, we asked poet Evelyn Araluen to respond to artist Pixy Liao’s intimate photographic work.

Pixy Liao, Some words are just between us 2010. Pigment inkjet print. Courtesy of the artist.

ď ŹThe Body Electric is a Know My Name exhibition supported by the Medich Foundation.

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nga.gov.au


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THE ART OF GIVING Directors of the National Gallery’s Foundation Board

9min
pages 64-67

PARTNERSHIPS

6min
pages 62-63

GARDEN OF TREASURES The history and highlights of our Sculpture Garden

10min
pages 56-61

A CHAPTER IN PRINT Retiring Senior Curator Roger Butler reflects on helping founding Director James Mollison form the print collection

5min
pages 54-55

VALE JAMES MOLLISON, AO

11min
pages 50-53

POLES APART

1min
pages 48-49

LOANS IN LOCKDOWN What happens when an artwork on loan is temporarily stranded in lockdown?

5min
pages 36-39

COVID ON COUNTRY Coronavirus has left an economic, social and emotional impact on vulnerable Indigenous communities and their arts centres

5min
pages 32-35

OUT OF THE BLUE

10min
pages 40-47

WHEN VIRTUAL BECOMES REALITY Jess Johnson, in New York, and Simon Ward, in New Zealand, collaborated virtually during lockdown

6min
pages 30-31

CREATION IN ISOLATION From embracing TikTok and producing art on toilet paper to virtual galleries, how some Australian artists responded to the pandemic

7min
pages 26-29

NEW ACQUISITIONS

3min
pages 10-11

DIRECTOR’S WORD

4min
pages 6-7

HEART IN THE DARKNESS Bill Henson, who released new works of a pre-pandemic Rome during lockdown, talks isolation and artistic process

7min
pages 22-25

#MUSEUMFROMHOME

7min
pages 12-13

ART CLASS

3min
page 9

CHALLENGE ACCEPTED The Vincent family became an Instagram

3min
pages 14-15

EDITOR’S LETTER

3min
page 8

APPLAUSE Artist Angelica Mesiti, who spent the lockdown in her home studio in Paris, reflects on connection in isolation

3min
pages 18-19
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