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Sleeper 104

Page 46

Aman NEW YORK For Aman’s first urban resort in the US, Jean-Michel Gathy brings the Zen ethos of the brand to the bustling streets of Manhattan. Words: Ayesha Khan • Photography: © Robert Rieger

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046

hen the Heckscher Building was

Midtown, creating combinations of the two on

completed in 1921, it was New York’s

a space-by-space basis. “Aman’s DNA is the

tallest skyscraper and one of the most

concept of exclusivity and simplicity, expressed

expensive spots for retail and office space. The

with quality materials rather than unnecessary

property went on to house the first iteration

layers of adornment,” Gathy explains. “Then, in

of the Museum of Modern Art, the New York

reference to New York, the sense of place comes

headquarters of Dior, and garnered more than

from the spirit and energy of the city.”

its fair share of controversy when it was owned

Upon entry off bustling 57th Street, guests

by infamous Philippine President Ferdinand

are whisked to a place of tranquillity befitting

Marcos. Today, now known as the Crown

the brand’s moniker – Aman is Sanskrit for

Building, it houses New York’s latest Asian hotel

peace. Bathed in decadently dark hues of locally

import, featuring 83 suites, 22 luxury residences

sourced Belgian blue marble and dark timber,

and an impressive 2,300m2 spa spread across

the lobby immediately envelops visitors in a

three levels.

quiet, understated luxury. The monochromatic

Given the prestige of the site and profile of the

tranquillity is interrupted only for a brief

brand – arriving ahead of a slew of other Asia-

moment by a striking deep orange piece of

born luxury brands set to open in the metropolis

sculpted canvas hewn of recycled cardboard

– Aman knew it had to make an impression,

by masterful Brazilian artist Domingos Tótora.

and so turned to long-time collaborator Jean-

Under foot and overhead, a basketweave pattern

Michel Gathy of Denniston. For the design,

recalls the foundation of Southeast Asian

Gathy employed two diametrically opposed

handicrafts and serves as a subtle nod to the

concepts: the calm, Zen ethos of Aman and

interwoven cultural influences that make New

the infectious energy of New York’s bustling

York one of the most diverse cities in the world.


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