Luxe Magazine - September/October 2022 Southern California

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©2022 Benjamin Moore & Co. AURA, Benjamin Moore, Gennex, and the triangle “M” symbol are registered trademarks licensed to Benjamin Moore & Co. Color accuracy is ensured only when tinted in quality Benjamin Moore® paints. Color representations may differ slightly from actual paint. 7/22 WALL: York Harbor Yellow 2154-40, AURA® Matte UNMATCHABLE When you ﬁnd the perfect color, nothing else will do Perfection comes from our paint and our proprietary Gennex® colorants, together, creating results that are breathtaking. Rely on Benjamin Moore® for premium quality and Gennex Color Technology, which makes our long-lasting colors, all 3,500 of them, one-of-a-kind. Unmatchable.

WHEN ONE CONTEMPLATES GREAT DESIGN, THEMES EMERGE. IT MIGHT BE EXPECTED THAT THESE WOULD BE AESTHETIC PRINCIPLES, AN EXPERT’S EXPERIENCE OR EDUCATION, OR THE HOMEOWNER’S LEVEL OF INVOLVEMENT.

This is rarely exemplified so well as in the relationship between interior designer and paint contractor. After the style whiz selects the perfect palette to complement architecture, building materials, furnishings and accessories, those talented with a brush bring it to fruition with deft hands and a deeply rooted understanding of application techniques, product composition, layering and more. When interior designer and paint contractor meet in the middle, a true marriage of art and science is at work. In this special section presented in partnership with Benjamin Moore, 10 such dynamic duos showcase the perspectives, craftsmanship and love for hue and tone that they pour into every project. Introducing, the Faces of Design.

Blueprints + BRUSHSTROKES I N P A R T N E R S H I P W I T H B E N J A M I N M O O R E

CERTAINLY, THOSE FACTORS PLAY A ROLE IN ANY PROJECT. BUT THE TRUTH IS THAT, SO OFTEN, THE MARKER OF IMPACTFUL DESIGN IS AN ALL-IMPORTANT, BEHIND-THE-SCENES INGREDIENT: COLLABORATION.

PHOTOGRAPHY: CARLEY/LACKFORD BY STACY ZARIN GOLDBERG; BROUGHTON/PENA BY MATT NAGER

How did you three come to work together?

SILVER SPRING, MD IANTHA CARLEY + JAMES LACKFORD

Enrique: Paint can give everything a rhythmic look by connecting many aspects of the project, creating intimacy or openness across spaces. Paint a picture of the design journey and the role you play within it. Luis: We try to see things from the perspective of the design team, making their vision beautiful with color and craftsmanship. rowlandbroughton.com, forrestpaintingcolorado.com

“People often try to identify what creates that ce rtain sense of elegance and luxury in their favorite spaces. It’s the paint and finishes.”

When clients expect close to perfection, smoothing the behind-the-scenes processes is key. Enter, designer Iantha Carley and paint expert James Lackford. The husbandand-wife team has built a gorgeous portfolio, with Iantha contributing the eye for color and James keeping upto-date on products and techniques. And while Iantha’s attention to detail is most immediately noticed in a completed space, James plays that role too. “Putting the paint on is the easy part. The prep takes the most time. One of my best guys goes out at night with a bare bulb and circles everything he finds wrong on the surface.” ianthainteriors.com, properpaintandpaper.com

Sarah: We believe that walls are our canvas and backdrop to life and art—the quality of the painting is important. So, we like to work with level-five finishes a lot. Early on in our firm, Enrique executed that with fantastic attention to detail and dedication to craft. We have worked together for the 20 years since! Describe the impact of paint on interiors.

IANTHA CARLEY ASPEN, CO SARAH BROUGHTON + ENRIQUE AND LUIS PENA

I N P A R T N E R S H I P W I T H B E N J A M I N M O O R E

JAMIE DRAKE AND CALEB ANDERSON + JONATHAN KUTZIN

NEW YORK CITY, NY

SAN FRANCISCO, CA

EMILIE MUNROE + RYE NAZARIAN

RYE NAZARIAN

In historic, iconic spaces, selecting paint can be daunting. Every hue should be perfectly attuned to the design, worthy of the home’s precedence, elegant yet ahead of the trends. Such is the challenge that often faces Jamie Drake and Caleb Anderson. Beloved for their balance of timelessness and today, the designers embrace the art of “repolishing” interiors in buildings like One57 and Herzog & de Meuron’s 56 Leonard. And behind the scenes, one partner has played a key role. Jonathan Kutzin met the design duo when they collaborated at a Kips Bay Decorators Show House in 2008. The rest is a history of perfect pairing. “I work almost exclusively with the design community to deliver top quality in high-end environments,” Jonathan shares. “I have developed many unique specialty finishes, including one that incorporates eyeshadow into the medium and others with mica flakes and iron oxides.” With this innovative mindset, he creates capsule collections of samples for each of Jamie and Caleb’s illustrious projects. As for the team’s favorite formula, Jamie says, “Benjamin Moore AURA®’s quality makes it our go-to pick.” drakeanderson.com, americapainting.nyc “Paint can be the star or supporting role. I like when we use it to surprise or ‘wink’ at you—a bright orange peeking at you from the back of a bookcase.”

Asked to share the story of her collaboration with paint craftsman Rye Nazarian, designer Emilie Munroe says, “There is no lack of stories to share over a glass of wine!” Indeed, from executing an entire project during a client’s two-week vacation to perfecting the boldest of hues (an Emilie signature), the duo is always up to a challenge. Rye speaks to one he often undertakes: “There is this ‘freshly fallen snow look’ people are often seeking. We do it by using 18-inch rollers and a sprayer loaded with Benjamin Moore Regal in a dead flat finish on the ceiling.” studiomunroe.com, surfacepaintdesign.com

I N P A R T N E R S H I P W I T H B E N J A M I N M O O R E

LOS ANGELES, CA TIMOTHY CORRIGAN + BILL SUPLEE

How do the feature benefits of a paint product influence your specification? Bill: We love Benjamin Moore’s SCUFF-X® for families because it is washable and scrubbable. Low or no-odor formulas like Eco Spec® are desirable for health-conscious clients and those with young children. I also recommend semigloss and eggshell finishes for kitchens and baths, but flat ones for ceilings and matte for walls. Which colors inspire you the most? Timothy: I am most influenced by the vibrant, saturated colors used in mid-18th-century French design. I like warm shades versus cooler ones in any color, because they make a space feel welcoming. timothy-corrigan.com, pinkpainter.net

AUSTIN, TX SARA MALEK BARNEY + LISA AND PETER MOON

Upon being asked to describe the impact paint has on an interior, Lisa Moon says, “Use of light, use of color and good space planning are the essence of great design. If any of these is not executed well, the environment falls flat or, worse, feels ‘off.’” It’s this level of insight that has made Lisa, her husband Peter and their team at Paper Moon Painting invaluable resources for Sara Malek Barney, the founder and principal at BANDD/DESIGN. She chimes in, “We believe that everyone deserves to live, work and experience life in an aesthetically pleasing space, and having true craftspeople applying paint of the quality Benjamin Moore provides is key to creating that.” As is the breadth of selection. “Benjamin Moore does an excellent job of curating rich, lovely colors, plus providing the greatest selection of whites and off-whites in various undertones,” Lisa says. “They always seem to land on the perfect amount of saturation, ensuring brilliant hues never look like Crayola colors on the wall.” Peter adds his application tip for those bright shades: “Use a gray primer under reds and blues to avoid multiple coats.” bandddesign.com, papermoonpainting.com

PHOTOGRAPHY: DRAKE/ANDERSON/KUTZIN BY BRITTANY AMBRIDGE; MUNROE/NAZARIAN BY ALANNA HALE; BARNEY/MOON BY JUSTIN CLEMONS; CORRIGAN/SUPLEE BY BRITTANY AMBRIDGE

I N P A R T N E R S H I P W I T H B E N J A M I N M O O R E

Why do you consider it critical to work with a skilled painting contractor? Timothy: Our projects tend to have beautiful architectural details, wood paneling and plasterwork, which require specialty painting. We also work on historic homes where an understanding of preservation is key.

Why is your collaborative relationship critical to a project’s success? Allison: It broadens how creative you can be. Recently, we wanted to bleach a mahogany ceiling in an outdoor space and then apply a beige stain to cut the green hue and create a soft shade. It would be challenging, but Chad accomplished it in one try. He is a master of subtle texture! Describe the impact of paint on interiors. Zita: We’ve been doing a lot of transitional spaces where the walls, moldings and ceilings are the same color but varying finishes. This becomes a clean and serene envelope perfect for showcasing art, which exemplifies the influence paint has on our designs. What role does paint sheen/finish play?

A warm taupe, a deep blueberry, a soft blush—out of all the colors under the sun, these three, Tracy Morris says, will always captivate her. The interior designer has a deep appreciation for color’s role in her creations, and construction and paint expert George Fritz has a passion for exceptional paint application. “Paint can transform a ‘blah’ space into something spectacular,” Tracy says. George adds, “And selecting the right paint can make the difference between an easy project and happy client or an extended project and miserable client.” Perhaps it’s no wonder these two have been a dream project team for almost a decade.

PALM BEACH GARDENS, FL ALLISON PALADINO AND ZITA RUDD + CHAD QUIST

MCLEAN, VA TRACY MORRIS + GEORGE FRITZ

TRACY MORRIS

I N P A R T N E R S H I P W I T H B E N J A M I N M O O R E

“ The design journey is a bit of a relay race where we continuously pass the baton back and forth , supporting each other at each stage.”

tracymorrisdesign.com, horizonbuildersinc.net

Chad: Benjamin Moore’s Regal Select Matte is a favorite because it has a very subtle sheen but is almost flat. The way it toys with light gives a home a lovely glow. It can also be scrubbed clean without damage. paladinorudd.com, irawalden.com

JOAN CRAIG

How did you three come to work together?

I N P A R T N E R S H I P W I T H B E N J A M I N M O O R E

Peter: We went to college together and ultimately found ourselves in the same industry 20 years later. Share your tips for paint selection. Everick: For a modern feel, Lisa and I like to specify our signature look, which includes painting the trim, doors and baseboard the same color as the wall in a satin or matte finish. In rooms where the ceilings are 8 feet tall or shorter, we choose white or lighter colors in flat finishes to create the illusion of a taller space.

Exactitude and craftsmanship, vision and inspiration —these are the elements that come together in the partnership of Joan Craig and Steve Hester. The designer and painting pro, and their respective teams, have made an art form out of collaboration for more than a decade. Joan knows that color transforms a space, and Steve’s 70-plus skilled painters take the utmost pride in their work. “We want to give our customers a finished product that will last for years to come,” Steve says. And they do, by helping designers like Joan select the perfect formula and finish before applying it beautifully. craigandco.com, hesterdecorating.com “ Th e final paint coats impact the big picture. If they aren’t perfect, every other effort and vision is diminished.”

WESTCHESTER, NY

PHOTOGRAPHY: MORRIS/FRITZ BY RYAN DONNELL; PALADINO/RUDD/QUIST BY MARY BETH KOETH; BROWN/BUTTENWIESER BY BRITTANY AMBRIDGE; CRAIG/HESTER BY CYNTHIA LYNN

What is your all-time favorite Benjamin Moore product?

Peter: Believe it or not, AURA® in a basic white. Simply put, it works the best for trim, and this is an area that often gets overlooked. Why do you consider it critical to work with a skilled interior designer? Peter: If the client loves their color selections, they’ll be happy with our work and vice versa. We make the colors look their best, but it’s all about the color for the homeowner. everickbrown.com, certapro.com/westchester CHICAGO, IL JOAN CRAIG + STEVE HESTER

EVERICK AND LISA BROWN + PETER BUTTENWIESER

LISA BROWN “Always determine the best color for a room by painting a 2-by-2-foot foam board and moving it around the space. It should suit in every patch of light.”

“Use AURA® Bath & Spa matte in the bathroom, especially for deeper colors. I’ve got baths I painted 10-plus years ago that still look new because of this formula.” JAMES LACKFORD “High-gloss ceilings, which have great drama and bounce light off, take a room to heaven.”

ALLISON PALADINO “I a m a China White OC-141 fan. We work with a lot of natural materials, and its taupe undertone works amazingly well with wood and stone.”

I N P A R T N E R S H I P W I T H B E N J A M I N M O O R E Advice FROM THE Experts

TIMOTHY CORRIGAN “ When chosen well, paint can regulate the mood of a room, making a sunny space feel fresh and cool or an area with minimal windows feel cozy and comfortable.”

PETER MOON SCAN TO JOIN THE BENJAMIN MOORE A&D COMMUNITY. benjaminmoore.com Dragonwell CSP-930 Decorator’s White CC-20 Chartreuse 2024-10 North Sea Green 2053-30 Peridot 594 Harbor Fog 2062-70 Sanibel Peach 072 Pashmina AF-100 Dark Pewter 2122-10 “ Whites and beiges are difficult colors to pick because the differences are so subtle. We have our go-to favorites!”

EMILIE MUNROE “ The level of preparation a surface needs for a perfect application depends on the sheen, and that decision is informed by many factors: lighting, traffic, color and more.” STEVE HESTER “Next to space planning, paint is the most significant effect we can have on an environment.”

SARAH BROUGHTON Chantilly Lace OC-65 Wind’s Breath OC-24 Jute AF-80

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JAMIE DRAKE “Deep, saturated hues for the win! Life is too short to live in a sea of white. Make a choice and lean in. If you tire of it (you won’t) you can easily repaint.”

“If you are aiming to create a glowing space with a level-five finish, select an enamel paint that provides that car paint-like look.”

GEORGE FRITZ

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84 EDITOR'S LETTER Scene 94 DESIGN DISPATCH The little black book of all things new and fabulous in the local community. Radar 112 INSPIRATION Designers dish on the artistic talents catching their eye. 116 SHOWROOMS Brands rethink the meaning of home base for presenting their collections. 120 NOTEWORTHY Modern artists discuss traditional Shaker style and its in uence. Market 148 MATERIAL Brush up on all things fabric with Luxe’s comprehensive A-to-Z guide. 158 TREND A-list creatives pen the must-have design books of the season. 166 SPOTLIGHT Seating with curvaceous silhouettes shines against artistic architectural backdrops. Living 184 KITCHEN + BATH Bold and colorful schemes are on the rise in kitchens and baths. 200 THE REPORT Industry experts chat groundbreaking artists, can’t-miss events and art world headlines. 2 0 2 2 SEP OCTCONTENTS L U X E S O U R C E C O M

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ON THE COVER: In the comfortable upstairs den of a renovated and restored Tudor Revival home on Coronado Island, designer Kelly Hinchman of Studio H Design Group created a variety of cozy landing spots: a custom sofa in a textile from MT Company, a swivel chair by Disc Interiors in a Marvic Textiles fabric from Thomas Lavin, and a bespoke chaise in a Mimi London shearling. Page 254

Written by Shannon Sharpe Photography by Stephen Busken 238 Sense of Craft Newly stationed in Solana Beach, this multifaceted artist combines folk art patterns with seaside silhouettes.

Written by Maile Pingel Photography by Christina Gandolfo 242 A Midcentury Makeover A rare unaltered 1950s time capsule in Studio City regains spirit thanks to a remodel and addition.

224 Mood Swing For her own home renovation, L.A. designer Annette English leans into deep hues and complex patterns.

Written by Abigail Stone Photography by Lisa Romerein 254 New Wave After purchasing a century-old Tudor Revival home on Coronado Island, a mother and daughter restore its elegance.

Written by Jessica Ritz Photography by Karyn Millet

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Luxe Interiors + Design (ISSN 1949-2022), Arizona (ISSN 2163-9809), California (ISSN 2164-0122), Chicago (ISSN 2163-9981), Colorado (ISSN 21639949), Florida (ISSN 2163-9779), New York (ISSN 2163-9728), Pacific Northwest (ISSN 2167-9584), San Francisco (ISSN 2372-0220), Southeast (ISSN 2688-5735), Texas (ISSN 2163-9922), Vol. 20, No. 5, September/October, prints bimonthly and is published by SANDOW, 3651 NW 8th Ave., Boca Raton, FL 33431. Luxe Interiors + Design (“ Luxe ”) provides information on luxury homes and lifestyles. Luxe Interiors + Design SANDOW, its affiliates, employees, contributors, writers, editors, (Publisher) accepts no responsibility for inaccuracies, errors or omissions with information and/or advertisements contained herein. The Publisher has neither investigated nor endorsed the companies and/or products that advertise within the publication or that are mentioned editorially. Publisher assumes no responsibility for the claims made by the Advertisers or the merits of their respective products or services advertised or promoted in Luxe Publisher neither expressly nor implicitly endorses such Advertiser products, services or claims. Publisher expressly assumes no liability for any damages whatsoever that may be suffered by any purchaser or user for any products or services advertised or mentioned editorially herein and strongly recommends that any purchaser or user investigate such products, services, methods and/or claims made thereto. Opinions expressed in the magazine and/or its advertisements do not necessarily reflect the opinions of the Publisher. Neither the Publisher nor its staff, associates or affiliates are responsible for any errors, omissions or information whatsoever that have been misrepresented to Publisher. The information on products and services as advertised in Luxe are shown by Publisher on an “as is” and “as available” basis. Publisher makes no representations or warranties of any kind, expressed or implied, as to the information, services, contents, trademarks, patents, materials or products included in this magazine. All pictures reproduced in Luxe have been accepted by Publisher on the condition that such pictures are reproduced with the knowledge and prior consent of the photographer and any homeowner concerned. As such, Publisher is not responsible for any infringement of the copyright or otherwise arising out of any publication in Luxe Luxe is a licensed trademark of SANDOW © 2011. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or any information storage and retrieval system, without the written permission of the Publisher. SUBSCRIPTION AND CORRESPONDENCE TO: Luxe, P.O. Box 808, Lincolnshire, IL 60069-0808. Email: luxe@omeda.com or call toll-free 800.723.6052 (continental U.S. only, all others 847.559.7358).

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EDITOR’SLETTER

At this same museum in January 2015, I stood in front of John Singer Sargent’s Lady Agnew of Lochnaw, a painting I studied in my college art history classes. It has had a profound effect on me as both a design editor and an artist. I have my calendar marked to be back at the Frick in Fall 2023 to view Hendrick’s Steve with an equal measure of exuberant anticipation. Enjoy our art-focused issue. Please support artists and the arts.

Pamela Jaccarino VP, Editor in @pamelajaccarinoChief

L U X E S O U R C E C O M

Artists to Discover: Delphine Desane’s painting Georgia, Mother of Three (top left); Ilídio Candja Candja’s Olhando Para O Passaso a mixed media on canvas (top right); Sage High Rise, an oil and acrylic on canvas, by Amanda Baldwin (above).

pamela jaccarino portrait: chelsae anne horton. photos, top left, georgia , mother of three , 2020 , delphine desane, acrylic on arches paper. courtesy artist and cfhill, stockholm; top right, olhando para o passaso , 2019 , ilÍidio candja candja, mixed media on canvas, courtesy bill lowe gallery; bottom, sage high rise , 2020 , amanda baldwin, oil and acrylic on canvas. courtesy artist and hesse flatow, new york.

I recently read that portraits by Barkley L. Hendricks will be featured alongside old masters at The Frick Collection in New York City. Hendricks is the first artist of color to have a solo show at the 87-year-old museum. That an institution presenting European art from the 14th to 19th centuries will be showing work of a contemporary artist whose focus is large-scale portraits of Black Americans—and who was an influential predecessor to the likes of Kehinde Wiley, Amy Sherald, Toyin Ojih Odutola and others—is significant for the art world...and, indeed, for us all.

Art, Now

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This intriguing installation pairs Jean-Auguste-Dominique Ingres’ 1856 painting Madame Moitessier (on loan from the National Gallery in London) with Pablo Picasso’s 1932 Woman with a Book Picasso saw the Moitessier portrait at a retrospective of Ingres’ work in France in 1921 and the experience never left him. Nearly a decade after seeing the portrait, which is considered one of Ingres’ most important works, Picasso paid homage to it, depicting his lover MarieThérèse Walter in a similar pose but in his own distinctive style. The exhibition marks the first time Madame Moitessier has traveled to California and 101 years since Picasso first stood before it. The masterworks will be on view from October 21 through January 30. nortonsimon.org

WRITTEN BY MAILE PINGEL ON VIEW “ PICASSO INGRES: FACE TO FACE” AT THE NORTON SIMON MUSEUM, PASADENA

SCENE

inspiring mind photos: liza voloshin. on view photos: madame moitessier , 1856 , jean-auguste-dominique ingres (french, 1780–1867 ) oil on canvas, 120 x 92.1 cm © the national gallery, london; woman with a book , 1932, pablo picasso (spanish, 1881–1973 ), oil on canvas, 51-3/8 x 38-1/2 in ( 130.5 x 97.8 cm), the norton simon foundation © 2022 estate of pablo picasso / artists rights society (ars), new york.

As part of its recent renovations, JW Marriott Desert Springs Resort & Spa hired landscape designer Lily Kwong to develop water-wise edible gardens for its culinary and spa programs, as well as for guest enjoyment. Luxe reached out to learn more. @lily_kwong; marriott.com

094 L U X E S O U R C E C O M

Tell us about your inspiration. This garden was inspired by hikes around the Indian Canyons—where the Agua Caliente Band of Cahuilla Indians developed complex communities—and celebrates the abundance of the desert, a landscape that’s often considered harsh and inhospitable. We created walking paths for guests, working closely with the hotel’s chefs to select herbs that can be harvested year-round. What are a few key plantings? We used citrus and olive trees, native prickly pear cacti that bear fruit, as well as desert pollinating flowers that are edible, and sages that can be used fresh or dried for culinary purposes and beyond. All were sourced from local nurseries. Are there any particular highlights for you? The stunning stucco planters with built-in seating. It’s a material that’s not only beautiful, but sustainable. I loved working with the medium to weave it into future designs. My studio had never taken on a desert garden and the rich biodiversity and unique history made this project incredibly exciting and illuminating.

INSPIRING MIND LILY KWONG

LEICHT South Coast Plaza P (949) 204-3744 www.leichtca.com

NEW AND NOTEWORTHY

096 L U X E S O U R C E C O M SCENE

HEM L.A.’s downtown Arts District is home to a new location for Swedish fur niture company Hem (shown above). “Establishing ourselves with a physical presence in a city such as Los Angeles allows us to create meaningful relationships with people at the center of our industry, whether that be exciting new designers or the incredible interior and architecture talent based in the city,” says Hem founder Petrus Palmér. The space—a former dumpling factory—highlights the brand’s latest collaborations,furnishingsincluding the T Shelf by Formafantasma, Pu y Lounge Chair by Faye Toogood and Monster Rugs by Siri Carlén. hem.com

COUP D’ETAT San Francisco showroom Coup D’Etat—a prime destination for luxury furnishings with a reﬁned edge— has headed south. Los Angeles’ new Robertson Boulevard store welcomes local creatives too, including Natasha Baradaran, who is presenting her line there exclusively (her Goccia swivel chair is shown at left), and leather artisan Edwin Maldonado. “Edwin will be showcasing his ﬁrst independent collection with us,” says company founder and creative director Darin Geise, adding: “He’s a master of the lost art of traditional French upholstery who designs with exaggerated intricate details.” As with the San this shop will be reimagined year, making each visit a fresh coupdetatsf.com

HENRYBUILT Henrybuilt, the multidisciplinary design and manufacturing company best known for its innovative kitchen systems (shown above), isn’t a brand that’s new to SoCal—but its showroom is. The 4,000-square-foot space in DTLA lets visitors experience the firm’s designs through a loft-like experience that evolves from an entryway to a library, kitchen, closet and outdoor area. Products on view include the adaptable Opencase wall system that gives function to vertical planes with shelving, hanging storage or art display. Seating, case pieces and their all-in-one European-style kitchens all refl ect Henrybuilt’s approach, which melds technical sophistication with a refi ned, residential feel. The showroom is open by only. henrybuilt.com

HENRYBUILT PHOTO: COURTESY HENRYBUILT. COUP D’ETAT PHOTO: COURTESY COUP D’ETAT. HEM PHOTO: YE RIN MOK. residential feel. The showroom is open appointment San Francisco showroom D’Etat—a destination for with a reﬁned will be his ﬁrst independent collection with says company founder and creative director Darin Geise, “He’s a the lost leather who with curves and intricate Francisco venue, this will be throughout the year, each visit a fresh experience. based in the says Hem founder Petrus Palmér. The space—a former collaborations, including the T Shelf Chair and Monster A FRESH BATCH OF SHOWROOMS BRINGS DESIGN OF ALL STYLES TO L.A.CGSEDINDISPATH

TALKING SHOP ELIZABETH LAMONT

MARY LITTLE

098 L U X E S O U R C E C O M SCENE CGSEDINDISPATH

Over the summer, interior designer Elizabeth Lamont moved to a new spot in the Palisades, just a few doors down from her previous shop. “I wanted to present our collections in a larger, more organized and light-filled space,” she says. In addition, the store now houses her design studio upstairs. “It’s so easy to move between them,” Lamont comments, “and it’s been wonderful for clients to see what we do firsthand.” It also offers home furnishings and lifestyle items, including artwork, tabletop pieces and bed and bath accessories. “I’m always fine-tuning selections, so there will be fresh trends highlighted this fall and the holiday collection is going to be spectacular,” enthuses Lamont, who was fully booked for in-home holiday styling appointments last year. “We’re just so happy to stay in the Palisades,” she adds. “The neighborhood is charming and we’re still central to all our friends and clients, from Malibu to Manhattan Beach and Santa Barbara.” elizabethlamont.com

Since our 2017 feature on her DTLA studio, Northern Ireland-born artist Mary Little has been busy—very busy. There have been multiple shows, including “Mary Little: The Shape of Cloth” at the Craft in America Center, “Reflections,” a digital exhibition with Estudio Persona, and “Lineage,” her “first big exhibition for people to see my work in person since the pandemic,” the artist says of the latter, which was held in the gallery atop her live-work space.

talking shop photos: courtesy elizabeth lamont. one to watch: artwork photos: courtesy mary little; portrait: elena dorfman.

Over the years, her material choice (unbleached cotton canvas) has remained consistent, but her process has become “more sophisticated,” she notes, and her works, which are now doublelayered, “more expressive and exuberant.” Her sculptural hangings have caught the eye of collectors and interior designers, including Rodrigo Vargas and Nicole Hollis. But, this winter, her work will reach millions more when “Inspiration,” the episode of the Peabody Award-winning documentary series Craft in America dedicated to her art, airs on PBS. marylittle.com

ONE TO WATCH

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RADAR I N S P I R AT I O N | S H OW R O O M S | N OT E WO RT H Y Luxe explores artists making waves, the latest showroom model and modern Shaker style. vanity , katie stout. courtesy artist and nina johnson, miami, photo by blaine davis.

Stroke of Genius FOUR DESIGNERS SHARE THE ARTISTIC TALENTS THEY’RE COLLECTING FOR PROJECTS AND PERSONAL USE ALIKE. PRODUCED BY KATHRYN GIVEN “I wasdrawnimmediatelyto juxtapositionsboldKremer’sPaulcolor, vivid paint application and sensuous use of lines. I discovered his work last year through a group exhibition that featured artists engaging with geometric abstraction. I quickly FaceTimed a client who bought a piece right then and there.” –DAVID NETTO, davidnettodesign.com david netto headshot: rozette rago, paul kremer photo: courtesy artist. Window 07 by Paul Kremer, paulkremer.info, alexanderberggruen.com RADAR OSNIPIRATIN L U X E S O U R C E C O M

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Moonglade II by Fletcher Williams III, fletcher3.com Ocean by David Austen, davidaustenstudio.com, davidtotah.com

–SHEILA

RADAR OSNIPIRATIN L

Untiled Mural by Carlos Otero,hostlerburrows.comcarlos-otero.com, “Abstract forms in anishmonochromelookgoodeverywhere, and Carlos Otero’s clay work is dynamite in both contemporary interiors and more settingstraditional I’m drawn to the idea of this ancient material represented in a modern language.”

–WILL COOPER, ashiscoming.com “I was introduced to Fletcher Williams III on a trip to Charleston, where I saw his art at the historic Dock Street Theatre. I love his works on paper and thoughtful exploration of the American dream’s complexities and symbolism home.”thesealley, BRIDGES, sheilabridges.com dream’s and I could see these colorful pieces in my Hudson Valley, New York, home.”

“On the surface, David Austen’s work simpleappears , but when you spend time with it—and with David—you begin to theuncoverworldheinhabitsEach piece is a microcosm that appears as the tip of the iceberg, a snippet of a story that you want to keep listening to and watching.”

SHEILA BRIDGES HEADSHOT: ALARIC CAMPBELL, FLETCHER WILLIAMS III PHOTO: COURTESY ARTIST. WILL COOPER HEADSHOT: COURTESY DESIGNER, DAVID AUSTEN PHOTO: COURTESY ARTIST AND TOTAH. DAVID KAIHOI HEADSHOT: JAKA VINSEK, CARLOS OTERO PHOTO: JOE KRAMM, COURTESY ARTIST AND HOSTLER BURROWS.

–DAVID KAIHOI, reddkaihoi.com U X E S O U R C E C O M

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photo: evan joseph photography. Home, Sweet Home LUXURY DECOR BRANDS ARE PUTTING THE SHOW IN SHOWROOMS BY TURNING TO AN ENTIRELY NEW MODEL. WRITTEN BY KATHRYN O’SHEA-EVANS RADAR OOOSHWRMS L U X E S O U R C E C O M

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beni rugs photo: stephen kent johnson. gabriel & guillaume photo: courtesy company.

L U X E S O U R C E C O M RADAR OOOSHWRMS

When it came time for Beni Rugs to open a brick-and-mortar outpost, the standard-issue gallery didn’t feel right. So, co-founder Robert Wright opted to do what a rare but emerging coterie of brands have embraced: roll out the welcome mat for clients in a place that would typically have one in the first place. An actual home. In 2018, the then digital-only company got its start by allowing people to fully customize Moroccan rugs. But a few years later, the time had come to expand to a physical location. “We wanted it to feel like you’re coming over to your friend’s apartment....and oh, by the way, on the floor are rugs from our newest collection,” Wright explains. “It was a fun exercise to think: ‘Well, why don’t we come up with an apartment in New York that’s the home of our ideal Beni consumer?’” They imagined everything from this fictitious client’s art collection down to the trinkets brought home from their travels. Thus, their new appointment-only Greenwich Village studio in a circa 1900 brownstone on West 9th Street in Manhattan was born. Other brands embracing the idea that style begins at home include Casa Perfect, Lee Broom, Gabriel & Guillaume and Galerie Philia (the latter of which opened its latest traveling showroom inside a $10 million Chelsea apartment). “We wanted to show that you can not only live with these historical pieces, but also mix them in a very casual way,” says Guillaume Excoffier, co-founder (with Nancy Gabriel) of Gabriel & Guillaume, which procures everything from Martin Szekely’s 1988 Betty armchairs to a 1950 Italian sofa by Federico Munari. The gallery, featuring rotating exhibitions, is currently ensconced in an appointment-only, twostory residence at 11 West 57th Street in New York City. “We have created a new kind of retail experience—something more exclusive, something more private— like entering into the apartment of a collector,” Gabriel says. It’s no surprise then that companies are seeing this model resonate with consumers, as navigating the sometimes-arduous task of making design choices now seems much easier in a familiar setting.

Beni Rugs worked with stylist Colin King to perfect their townhouse space in New York City’s Greenwich Village (left). In a sleek corner of Gabriel & Guillaume’s Manhattan skyscraper residence, beautiful furnishings mingle with works of art. Galerie Philia’s latest traveling showroom extends to all five floors of a stately brownstone (previous page).

Philadelphia-based artist

Built to Last AS THE SHAKER MUSEUM GETS A MODERN MAKEOVER, THE INSTITUTIONS’ NEW ARTIST-LED MAKERS’ CIRCLE WEIGHS IN ON THE EVOLVING INFLUENCE OF SHAKER STYLE TODAY. WRITTEN BY KATHRYN GIVEN

photo: joe kramm.Jolie Ngo

uses 3-D printing along with hand crafted materials to fashion out-of-this-world objects. Ikebana shown above, features plastic flowers and terracotta rocks. RADAR OONTEWRTHY L U X E S O U R C E C O M

Grand Palace Collection: Wallpaper, Print and Woven Fabrics www.thibautdesign.com Velvet.LabyrinthinChairsDiningDarienMural.BloomJardin

JOLIE NGO PHOTO: JOE KRAMM, LADIES & GENTLEMEN STUDIO PHOTO: CHARLES SCHUCK, OTHER PHOTOS: COURTESY RESPECTIVE DESIGNERS.

LADIES & GENTLEMEN STUDIO

“Iconic Shaker pieces, like chairs and boxes, have always had a pull on us as designers,” explains Ladies & Gentlemen Studio’s Dylan Davis, adding that working with the museum has “been an amazing opportunity to do a deeper dive into their culture.” Davis, who founded his multidisciplinary Brooklyn studio in 2010 with wife Jean Lee, believes historical principles of Shakerism can change how we look at contemporary life. For example, they reimagined one of the Shakers’ most intentionally designed furnishings that centers around a closely held belief: the workstation. The pair’s secretary-style iteration features just the right amount of room for everyday items while allowing them to be concealed at the end of the day ladiesandgentlemenstudio.com

RADAR OONTEWRTHY L U X E S O U R C E C O M

NOSANCHUK David Nosanchuk, studying designs of the allowed him to develop an oeuvre very rooted in the present. Using new materials, methods and processes, Nosanchuk is remaking traditional Shaker work such as wooden candlestands in translucent resin. A longtime student of Shaker style, the New York-based artist has come to understand that their culture and beliefs were tied to what they produced. Be it a chair, table or baby’s toy, form harks back to the maker’s values—a quiet Nosanchuk honors throughout every stage of construction. davidnosanchuk.com

DAVID For artist David Nosanchuk, of the past has allowed him to an oeuvre very much rooted in the new materials, methods and processes, Nosanchuk is as candlestands in translucent resin. A student of Shaker the New York-based come to culture and beliefs were tied to what produced. Be it a chair, table or baby’s toy, every form harks back to the maker’s values—a quiet beauty Nosanchuk honors every stage

JOLIE NGO As the youngest member of the museum’s Makers’ Circle, recent art school graduate Jolie Ngo creates ceramic ‘cyborg-like’ objects and vessels using modern technologies, including 3-D printing and rapid prototyping. A child of the early aughts, her aesthetic was shaped by digital interfaces including Minecraft and The Sims, and she continues to explore the intersection between handmade and automated. “Shaker work is quite the opposite of my own with a focus on simplicity and purpose,” Ngo says. “Their objects lack unnecessary ornamentation and decorative detail.” But, nonetheless, she has come to appreciate this ethos of making. “They believed that mastery of craft was a partnership with tools, materials and process—an idea I hold close within my own work, continuously probing the synergy between what is formed by hand versus technology.” ngojolie.net

samuelandsons.com

A step ahead

katie stout photo: courtesy r & company and the artist, rendering: courtesy selldorf architects.

Arriving in the United States around 1774, the Shakers were a Utopian sect who created a distinctly new design vernacular. Prioritizing function above all else, they favored simple, pared-down aesthetics that allowed an object’s materiality to shine. The group was also known for championing gender and racial equality, communal living and sustainability. At their peak in the 1900s, thousands of members resided throughout the Northeast, Kentucky, Ohio and Indiana.

RADAR OONTEWRTHY L U X E S O U R C E C O M

KATIE STOUT When going through the Shaker Museum’s collection, Katie Stout was drawn to colorful, sweet and soft objects— in other words, not the iconic pieces noted for minimalism.

A preview of the new museum, which includes an outdoor amphitheater.

On the Move

As a direct response to a bonnet and cloak she found in the archives, the trail blazing artist created a whimsical chair out of muslin layered with ruffles and ruching. Stout describes the final result as “a silly, frilly duo of cloaked and bonnet-ed chairs joined in a permanent Shaker dance.”

Today, the Shaker Museum in Chatham, New York, continues to tell their story, showcasing the most comprehensive collection of art, furniture, objects and materials in the country—much of which was out of view for the last decade. The museum will soon enter a new iteration, and double in size, as it moves to a 19th-century industrial building within Colombia County, where Selldorf Architects and Nelson Byrd Woltz Landscape Architects are heading up interior and exterior renovations respectively. An inaugural Makers’ Circle, consisting of contemporary artists and designers, is collaborating with the museum’s leadership on institutional decisions. As executive director Lacy Schutz notes, “the Shaker Museum continues to convene and engage a community of creatives connected to its material culture and whose work is informed by it today.” shakermuseum.us

A HISTORICAL RENOVATION IS IN THE WORKS AT THE SHAKER MUSEUM.

And while the contemporary artist is drawn to the group’s “resourcefulness, simple solutions and entrepreneurial genius” she is also interested in the predominance of female makers and the role women played in propelling 19th century craft forward. katiestout.com

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French artist Idan Zareski’s monumental resin sculptures bring joy to any space. He created this ﬁgure with oversized feet to exemplify the importance of humans uniting around the fact that we all have our feet planted on this tiny planet Earth.

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Linear pull drawer fronts create ﬁner lines, while motorized upper cabinetry doors pull out and raise to open, allowing for easy access. danlunawoodworking.com artist resin to any space. He created this with oversized feet to the of humans uniting around the fact that we all have our feet on this Earth. fabricated Dan Luna this kitchen isn’t just stunning, it’s also functional.

DAN LUNA WOODWORKING Meticulously fabricated by Dan Luna Woodworking, this kitchen isn’t just stunning, it’s also functional.

Linear drawer fronts create finer while motorized upper doors out and FIRE MAGIC The new Fire Magic Pizza Oven takes outdoor entertaining to the next level. Combining style, versatility and the convenience of gas to easily create artisan pizza, and roast, bake, sear and broil with the cooking benefits of a pizza stone. firemagicgrills.com

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SHEP & NANCY BRYAN, OWNERS

• Share how Casoro Jewelry Safes has evolved and grown. In the beginning, we only sold commercial-grade, high-security safes to jewelers, coin dealers and pawn shops. Although these safes weren’t pretty, they taught us what it takes to make a safe truly safe. In 2006, a customer came to our store looking for a jewelry safe that would keep her valuables secure and look beautiful in her home. That conversation began our journey to develop the ultimate customizable luxury residential jewelry safe, which we proudly design, build and install today.

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Built-in beauty, LED lighting and push-to-open drawers—you can have it all. Discover the effortless functionality that only Avera Custom Closets from The Container Store can deliver. Schedule your free virtual, in-store or in-home design consultation today. containerstore.com/custom-closets

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Take a bit of Bevolo craftsmanship wherever you go, with the portable Cupola Pool House lantern. Ideal for use outdoors, it will warmly illuminate any area. It is offered in three sizes and handcrafted in antique copper. bevolo.com

BROWN SAFE Brown Safe specializes in creating one-ofa-kind safes that stand the test of time. From small jewelry safes to large doubledoor safes, they are designed to be passed on to future generations just like the valuables and heirlooms they protect. brownsafe.com

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TED Inspired by Japanese Noren curtain panels that lend a peek of what is on the other side, this piece’s alternating grain direction subtly plays across the lateral face. It is available in two standard conﬁgurations: a six-drawer version or one with doors, drawers and adjustable shelves. tedboerner.com

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M AT E R I A L | T R E N D | S P OT L I G H T MARKET A fabric lover’s guide, new design books overflowing with eye candy and covetable seating.

C is for Chintz: Upton in Java/Moss by Oscar de la Renta for Lee Jofa / kravet.com.

E C D B A M A R K E T LAIREATM L U X E S O U R C E C O M

A is for Animal: Thaiger in Ochre / jimthompsonfabrics.com.

Textiles: A to Z LUXE ’S MODERN FABRIC ENCYCLOPEDIA EXPLORES TRIED-AND-TRUE PATTERNS, MATERIALS AND TECHNIQUES THAT CONTINUE TO STUN IN TODAY’S INTERIORS. WRITTEN AND PRODUCED BY

B is for Bouclé: K2 in Paprika / scalamandre.com.

D is for Damask: Venetian Damask in Tombacco by Patrick Kinmonth / chelseatextiles.com.

E is for Embroidery: Passage in Goldensage / pindler.com. KATHRYN GIVEN AND SARAH SHELTON

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L is for Lace: Tilda in Lace / weitznerlimited.com.

H is for Houndstooth: Dandy in Toffee / pollackassociates.com. I is for Ikat: Presidio Ikat in Orange / fschumacher.com.

J is for Jacquard: Milo in Ruban Enlacé / elitis.fr/en. K is for Kuba Cloth: Amber Stripe / stfrank.com.

F is for Flamestitch: Fanfare in Sorbet / pierrefrey.com. G is for Gingham: Petite Gingham in Ochre / serenaandlily.com.

J I K L MARKET LAIRETAM L U X E S O U R C E C O M

F G H

Q is for Quilted: Phoenix in Olivine / kettlewellcollection.com.

P is for Paisley: Kashmir in Red/Blue / peterdunhamtextiles.com.

R is for Raffia: Raphia Abaca Noir / cmoparis.com.

M N O P R S Q MARKET LAIRETAM L U X E S O U R C E C O M

M is for Moiré: Iris in Bleu Clair by Manuel Canovas / cowtan.com.

O is for Ombre: Bellavista in Blossom / designersguild.com.

N is for Needlepoint: Paige Sampler in Chestnut by Scot Meacham Wood / somerselle.com.

S is for Surrealism: Matisse in Tempera by S. Harris / fabricut.com.

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V is for Velvet: Striéd Velvet in Amber jimthompsonfabrics.com./ W is for Watercolor: Blooms in Blushing Taupe / rebeccaatwood.com.

U is for Upcycle: Nexus in Pesco / rubelli.com.

X is for X Marks the Spot: Felix in Wheat on Oyster / greigetextiles.com. Y is for Yarn: Coral in Blush / boleroadtextiles.com.

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Z is for Zigzag: Gravitas in No. 05 / zakandfox.com.

T U V W X Y Z MARKET LAIRETAM L U X E S O U R C E C O M

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S O

WRITTEN AND PRODUCED BY SARAH SHELTON

Step inside the magical world of three aesthetes releasing evocative new tomes.

IN GOOD COMPANY

MARKET DNERT

Verdant Views Carlos Mota’s G: Forever Green is a scrapbook-like compilation dedicated to the universally loved of—you guessed it—green. No subject too or shade too bright is off limits for this well-traveled style guru. A mixture of his own snapshots—glossy Portuguese tiles and ivy-clad façades—mingle with infamous interiors, like this bedroom Tangier residence of Yves Saint Laurent and Bergé. Prepare for a jolt of serotonin with each of the page. casamota.com

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Fantastical Delights From the Bloomsbury Group to ‘80s pop and ancient mythology, British artist and designer Luke Edward Hall finds gleeful inspiration in all things colorful and whimsical. In Hall’s second book, A Kind of Magic: The Kaleidoscopic World of Luke Edward Hall, his singular brand of wonder is on full display. Having dabbled in everything from product design and decorating to fashion and hospitality, there’s no telling what kind of magic is on the horizon for this wunderkind. lukeedwardhall.com L U X E S O U R C E C O M

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Clockwise from top Rousham Fabric in Pink Luke Edward Hall / Price upon request / . Double Sconce J. Randall Powers / $819 / circalighting.com. Capitellum . Maxi Ceramic Shell by Lucie De Moyencourt / $475 / A Kind of The World of Luke Edward Hall by Luke Edward Hall / $60 / PHOTO: BILLAL TARIGHT. A KIND OF MAGIC: THE KALEIDOSCOPIC WORLD OF LUKE EDWARD HALL BY LUKE EDWARD HALL, © 2022 PUBLISHED BY VENDOME.

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S O

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Hand Painted Paper Mache Urn in Sa ron by Mark Gagnon / $5,200 / tributegoods.com

Georgica Round Dining Table by Mabley Handler / Price upon request / kravet.com Second Bloom Wrapping Paper / $24 for 10 sheets / cbgraham.com

There’s a reason—and a season—to celebrate just about anything. cbgraham.com L U X E U R C E C O M

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And now, it’s entering a new chapter … “Through a brand refresh and novel product offerings, our goal is to continue to promote a lifestyle-centric perspective and emphasize how stone can play a key role in creating spaces where memories are made and design influences the everyday moments of life,” says Sarah Lograsso, Eldorado Stone’s director of marketing and product design. “We want to help people curate the perfect backdrop for every space.”

A SEASONED STONE PURVEYOR’S NEXT MOVE: A FRESH LOOK + NEW PRODUCTS

From a front façade to a fireplace design or a spalike bathroom wall, stone plays an integral role in creating exterior and interior places that feel both sturdy and stylish. For decades, Eldorado Stone has been inviting architects, designers, builders and homeowners alike to explore the possibilities as they seek that marriage of beauty and function. With a wide range of premium stone profiles and a second-to-none approach to the development and application of trend-leading color palettes, the company has become a beloved stone resource.

STURDY + STYLISH 800.925.1491 | ELDORADOSTONE.COM | ELDORADOSTONE I N P A R T N E R S H I P W I T H E L D O R A D O S T O N E

I N P A R T N E R S H I P W I T H E L D O R A D O S T O N E

Opposite Indoors or out, Loire Valley™ RoughCut® pairs brilliantly with other natural elements for the perfect expression of organic luxury.

THE START OF SOMETHING BEAUTIFUL™ “With respect to new product development, we look carefully at the inﬂuence of people’s lifestyles on architecture and design, and how the comprehensive purpose of everyday environments will impact those who inhabit them in a very practical way,” Lograsso says. “We look to where a client chooses to spend time and what draws them into that space. Is it a tranquil and serene retreat for unwinding at the end of the day? Or is it the hustle and bustle of a lively kitchen for family gatherings? Perhaps a curated display of adventures traveled? Any of those elements can spark inspiration and play an integral role in shaping beautiful spaces.”

“Every home should be uniquely designed for the people living in it, especially with respect to evoking emotion and forming lifelong memories. Adding textural touches is a wonderful way to set a tone for each space.”

– Kerrie Kelly of Kerrie Kelly Design Lab, an Eldorado Stone Design Partner Left The unique colorway and texture of Latigo TundraBrick® adds a dash of rustic allure in the kitchen as a bold “bricksplash.”

Photography Left by Lauren Konrad; Opposite Courtesy of Eldorado Stone

MELTING POINT Bower Studios’ organic Melt Armchair appears to capture metamorphosis in motion. As if subjected to extreme heat, the upholstered bouclé cushion gracefully drapes over a walnut base before settling into its final state: a light and airy contoured perch. Showcased throughout are architectural backdrops painted by New York City-based artist Haleh Atabeigi using Benjamin Moore’s Citrus Burst 364, Jalapeño Pepper 2147-30 and Easter Hunt 554. bower-studios.com, halehpaint.com, benjaminmoore.com Curves Ahead DRAMATIC AND SINUOUS, THESE SCULPTURAL FURNISHINGS WILL HAVE YOU ON THE EDGE OF YOUR SEAT. PRODUCED BY KATHRYN GIVEN AND SARAH SHELTON WRITTEN BY KHADEJAH KHAN PHOTOGRAPHY BY PATRICIA HEAL MARKET GOSPTLIHT L U X E S O U R C E C O M

Artisan Aleiya Olu pays homage to her Detroit homebase with the Lyndon chair. When conceiving the design, Olu found inspiration everywhere from the Motor City’s rich craft tradition and midcentury modern aesthetic to its buzzy creative scene. The resulting hand-assembled cherry oak chair is simple in materiality but playful in shape; sturdy in stance but warm in embrace. studiofromus.co