Vision mixer Tape operator Boom operators
Chris Edwards John May Tony Dickinson (ABC) Graham Cornish (ABC) Audio operators John Beanland (ABC) Chris Doyle Audio assts Neville Kelly (ABC) Catrina McDonald (ABC) Make-up Nik Doming Anna Karpinski Hairdressers Nik Doming Anna Karpinski Asst hairdresser Laura Morris Special fx Peter Stubbs Nurse/chaperone Glad Fish Still photography Greg Noakes Unit publicity Howie & Taylor Catering Keith Fish Sheila Buzza Director’s attachment Megan Manning Art Department Art directors Bernie Wynack Dale Mark Art dept co-ord Rob Walters Art dept runner Michelle Venutti Set dressers Marita Mussett Phil Chambers Michael Keane (ABC) Mark Reynolds (ABC) Props buyers Murray Kelly Kris Kozlovic (ABC) Standby props Fiona Greville Brian Lang Alt Camilieri Head puppeteer Peter Wilson Puppet builder Rod Primrose Puppet makers Rob Matson Richard Mueck Add. puppet maker Michael Logan Puppet maintenance Rob Matson Richard Mueck Puppet doctor Paul Myers Wardrobe Wardrobe supervisor Concetta Raff Standby wardrobe Rachel Nott Bernice Devereaux Wardrobe assts Monica O’Brien Gail Mayes Dalys Lamson Cappi Ireland Wardrobe runner Machinists Blair Broadhurst Maureen Ryan Post-production Post-prod, co-ord Ken Tyler (ABC) Supervising editor Ralph Strasser Asst editor Christina de Podolinsky Stock footage co-ord. Christina de Podolinsky Editing facilities The Joinery Steve Witherow (ABC) Sound mixers Ian Battersby (ABC) John Wilkinson (ABC) Chris Neal Music consultant Christoph Maubach Music educationalist David Chesire Music co-ord Paul Nichola Visual fx director Peter Bain-Hogg Visual fx prod. man. Maree Vis. fx ‘EC’fantasies art. Woolley Michael ‘Lotis’ interior fx co-ord Bladen Glenn Mellenhorst 'Patches’ animator Julian Dimsey Visual fx runner Peter Viska Animation consultant Cast: Mark Mitchell (Mr Fish), Paul Cheyne (Nipper), Erin Pratten (Poss), Maria Nguyen (Kim), Madeline Blackwell (Jenny), David Sandford (Ted), Heber Yerien (Turbo), Robert Peschel (Max), Aru Kadogo (Swap), Aku Bielicki (Little Aku). Synopsis: Lift Off is a children’s television pro gramme aimed at three to eight year-olds. It will consist of 26 one-hour programmes which can be split into half-hour episodes, and will be screened weekly during and after school on the ABC from May 1992. It will use actors, puppets and animation and each episode will be based around a broad theme.
THE MIRACULOUS MELLOPS - SEQUEL (mini-series) Millenium Pictures Prod, company Film Australia Dist. company $3.19 million Budget Principal Credits Karl Zwicky Director Posie Graeme-Evans Producer Andrew Blaxland Co-producer Terne Vincent Line producer Ian Fairweather Exec, producer
Scriptwriters
Anthony Ellis Ray Harding John Hugginson Peter Kinloch Maureen Ann Moran Sharyn Rosenberg Alister Webb David Scandol Andrew Blaxland Margarite Tassone
DOP Prod, designer Costume designer Other Credits Script editor Greg Haddrick Accountant Jill Coverdale Art director John Pryce-Jones Finance FFC Presale Network 10 Dist. guarantee Film Finances Gauge SP Betacam Length 10 x 30 mins Studio Hoyts Television Studios Cast: Sally Warwick, Troy Beckwith, Davud Walters, Bill Conn, Julie Godfrey, Max Phipps, Kim Walsh, Drew Forsythe. Synopsis: Miracles and mayhem continue. NEIGHBOURS (serial) [See issue 84 for details]
TELEVISION POST-PRODUCTION THE BOYS FROM THE BUSH (series II) Prod, companies Entertainment Media Cinema Verity Principal Credits Directors Shirley Barrett Robert Marchand Exec, producers Peter Beilby Robert Le Tet Scriptwriters Douglas Livingstone Bill Gamer Cast: Chris Haywood (Dennis), Tim Healy (Reg), Pat Thomson (Doris), Nadine Garner (Arlene), Mark Haddigan (Leslie) Synopsis: In Series II, Reg is again surprised by a visit from his ingenue English nephew, Leslie. This time, Leslie arrives to find Melbourne is even more surprising than your average kangaroo. Arlene is engaged to a millionaire's son and “Melbourne Confidential” get involved with some very big players indeed. KELLY 2 (mini-series) Prod, company Westbridge Prods Dist. companies Tele Images Atlantis Releasing Westbridge Entertainment Budget $3.5 million Pre-production 19/8/91 -14/10/91 Production 14/10/91 -24/1/92 Post-production 14/10/91 -29/6/92 Principal Credits Directors Chris Langman Mike Smith Line producer Ray Hennessy Exec, producer Jonathan M. Shift Scriptwriters David Phillips Peter Hepworth Peter Kinloch Alison Nisselle Shane Brennan Shiela Sibley Denise Morgan Judith Colquhoun DOP Brett Anderson Sound recordist John Wilkinson Editors Ray Daley Philip Watts Prod, designer Georgie Greenhill Composers Garry McDonald Laurie Stone Planning and Development Story editor Galia Hardy Script editor Jenny Sharp Casting Jo Rippon Production Crew Prod, manager Gina Black Susie Evans Prod, co-ord. Producer's asst Coyla Hegarty Prod, secretary Helen Boicovitis Greg Ellis Location manager Transport managers Reel Wheels Conte Movie Trailers Unit manager Steve Brett Financial controller Jennifer Clevers Insurer Hammond Jewell Film Finances Completion guarantor Barker Gosling Legal services Camera Crew Focus puller Terry Howells
Clapper-loader 2nd unit focus Camera type Key grip Asst grips Gaffer Best boy Electrician On-set Crew 1st asst directors 2nd asst directors 3rd asst director Continuity Boom operator Make-up Make-up asst Special fx Stunts co-ord. Stunts Safety officer Still photography Unit publicist Catering Art Department Art dept runner Set dressers Props buyer Standby props Wardrobe Wardrobe supervisor Standby wardrobe Animals Animal trainers
Warik Lawrance Gary Bottomley Arri SR Joel Witherden Craig Dusting Laurie Fish Roy Pritchett Michael Hughes Robert Kewley Richard Clendinnen Maria Phillips Rosemary Morton Gene Van Dam Kay Hennessy Paul “Crusty" Kiely Ray Phillips Angela Conte Michelle Johnstone Film Trix New Generation Stunts Chris Peters Chris Anderson Chris Peters Ponch Hawkes Anthea Collin Band Aide Peter Ramsey Adele Flere Guy Cottrell Angela Christa Chris James Marion Boyce Mandy Sedawie Michael Garcia Paul Van Vliet
Post-production Post-prod, supervisor Ray Daley Edge numberer Post Sound transfers by Post Recording studio The Music Department Laboratory Cinevex Film gauge 16 mm Shooting stock Kodak Off-line facilities Post Government Agency Investment Development Film Victoria Production FFC Marketing Inti. dist. Tele Images Atlantis Releasing Westbridge Entertainment Cast: Max the dog (Kelly the dog), Charmaine Gorman (Jo Patterson), Alexander Kemp (Danny Foster), Anthony Hawkins (Mike Patterson), Gil Tucker (Frank Patterson), Ailsa Piper (Maggie Patterson), Katy Brinson (Dr Robyn Foster), Matthew Ketteringham (Chris Patterson), Mickey (Junior), Jo Spano (Brian Horton). Synopsis: The continuing story of three young children growing up in Fern Cove and their adventures with a retired police dog. An action, adventure romp. MASTERPIECE PROFILES (series) Prod, company SBS Television Don Featherstone Productions Episode 1. Eric Rolls Director Don Featherstone Producer Don Featherstone Exec, producer Barbara Mariotti (SBS) Researcher Steve Warne Scriptwriter Steve Warne DOP Preston Clothier Sound recordist Dave Glasser Editor Denise Hunter Prod, manager Denise Hume Gauge SP Betacam Cast: [Not applicable]. Synopsis: A farmer, writer and historian whose books cover a whole range of issues from the environment to the human spirit. His latest book, due to be published soon, is the first majorhistory of the Chinese in Australia. Episode 2. Ernie Dingo Director Don Featherstone Producer Don Featherstone Exec, producer Barbara Mariotti (SBS) Researcher Steve Warne Scriptwriter Steve Warne DOP Pieter de Vries Sound recordist Graham Wyse Editor Melanie Stanford Prod, manager Denise Hume Gauge SP Betacam Cast: [Not applicable]. Synopsis: The actor/performer who has had an immense impact in the arts and significant cross-
cultural impact on the whole community. Episode 3. Robert Klippel Don Featherstone Director Don Featherstone Producer Barbara Mariotti (SBS) Exec, producer Steve Warne Researcher Steve Warne Scriptwriter Steve Newman DOP Melanie Sandford Editor Prod, manager Denise Hume SP Betacam Gauge Cast: [Not applicable]. Synopsis: Undoubtedly the most significant sculptor in Australia. He pioneered the theory of ‘inner structure’ in sculpture. Episode 4. Fred Schepisi Don Featherstone Director Don Featherstone Producer Barbara Mariotti (SBS) Exec, producer Steve Warne Researcher Scriptwriter Steve Warne Steve Newman DOP Prod, manager Denise Hume Gauge SP Betacam Cast: [Not applicable]. Synopsis: One of Australia’s leading feature filmmakers over the past couple of decades. SEE JACK RUN (tele-feature) Prod, company A.F.M.S. Productions $97,000 Budget Pre-production 2/8/91 ... Production 6/8/91 ... Post-production 15/4/92 ... Principal Credits Director Stephen Amis Producer Roger Gough Christine Collins Line producer Darrel Stokes Assoc, producers Martin Hunter Christopher Hewitt Scriptwriters Stephen Amis Robert Gough Based on the play Who Cares Written by Gillian Wadds DOP Darrel Stokes Sound recordist Penny Gutteridge Editor Robert Murphy Prod, designers Kim Bounds Sally Shepherd Composer Barry Campbell Planning and Development Script editor Gene Geoffrey Production Crew Producer’s asst David Barrington Prod, assistant Matt Cameron Insurer B.R.A Insurance Legal services Sophie Siomos Golvan Arts Management Camera Crew Camera assistant Joanne Donahoe Aerial photography Daniel Webb Key grip Dean Stevenson Asst grips Tony Love Ben Milward Bason Gaffers Andrew Davis Luis Da Silva Best boy Chris Gutteridge 'On-set Crew 1st asst director Gene Geoffrey 2nd asst director Martin Hunter Boom operator Terry Mackerall Make-up Fionna Munday Lisa Baxter Tech, advisers Peter Tammer Mark Davis Post-production Asst editor Aubrey Trudget Music performed by The Combustion Mixed at Sound Firm 'Gauge SP Betacam Video transfers by Interscreen Off-line facilities Open Channel Cast: Trent Mooney (Brian), Molly Brumm (Jan), Ellis Ebell (Colin), Elissa Holloway (Karen), Peter Docker (Steven), Kathy Thomaidis (Maria), John McCullough (Moss),, Barbera Hughes (Desmond), John Flaus (Mr Greeves), and Ezme IMelville. Synopsis: Urban teenage drama dealing with i lliteracy, poverty and romance on both sides of the tracks. See previous issues for details on: THE LEAVING OF LIVERPOOL
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