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Latin history taught at The Music Center; love also explored
r o m p . H is lo v e a n d e m p a th y fo r h is s o n m a k e s y o u r h e a r t m e lt, e s p e c ia lly w h e n h e s ta r ts h is s e n te n c e s w ith “ B u d d y , h o n e y … ,” H is t a le n t is m o n u m e n ta l. A n e x c e lle n t w r ite r, h e a ls o u s e s a p a n o p ly o f s u p e r o n s ta g e ta le n ts : a c to r p e r fo r m in g p e r fe c tly a r tic u la te d c h a r a c te r s in c lu d in g h is w ife a n d s o n a n d m o r e , s ta n d -u p c o m ic , e x c e lle n t d a n c e r, v o ic e o v e r a r tis t, e tc . T h e to p ic s h e c o v e r s in c lu d e th e A z te c e m p ir e , a n in te r e s tin g ta k e o n M o n te z u m a , th e M a y a n s , L a tin o s p a r tic ip a tin g in th e d e fe n s e o f A m e r ic a ,
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Serving Los Angeles since 2001
CAVIAR AND FINE DINING Reservations: (310) 271-6300 www.petrossianrestaurants.com 10 minutes from Hancock Park
3 2 1 N . R o b e r ts o n B lv d . W e s t H o lly w o o d
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M o n - F r i: L u n c h 1 1 a m - 4 p m , D in n e r 4 p m - 1 0 p m S a t : B r u n c h / L u n c h 1 0 a m - 4 p m , D in n e r 4 p m - 1 0 p m S u n : B ru n ch / Lu n ch 1 0 a m - 4 p m
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B e n ja m in (E li G e lb ), e n ig m a tic h o u s e m a n J e ff (J e ff S k o w r o n ) a n d liv e -in h o u s e k e e p e r O rs o ly a (K im b e r ly J u r g e n ). T h is is a n e x c e lle n t c a s t n a v ig a tin g th e to p ic s o f a g in g g r a c e fu lly a n d lo v e in a ll its fo r m s . D ir e c te d w ith s ty le b y D a n ie l A u k in , th is is a fu n n y , c h a r m in g ly s o p h is tic a te d e v e n in g a t th e G e ffe n . T h r o u g h S u n ., O c t . 6 , G e ffe n P la y h o u s e , 1 0 8 8 6 L e C o n te A v e ., 3 1 0 - 2 0 8 - 5 4 5 4 , g e ffe n p la y h o u s e .o r g . 4 S ta rs
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B a r b a r a M a r c u s , w h o r e s id e d in W in d s o r S q u a r e , g r e w u p in G r e a t N e c k , N Y . S h e p a s s e d a w a y in L o s A n g e le s o n S e p te m b e r 1 8 , 2 0 1 9 w ith h e r b e lo v e d h u s b a n d F re d M a rc u s a n d d a u g h te rs N a n c y H o rn e a n d S u z a n H o r n e b y h e r s id e . S h e is a ls o s u r v iv e d b y h e r c h e r is h e d g ra n d d a u g h te r C h a r lo tte S c h u lm a n . S h e w a s a r e m a r k a b le w o m a n , u tte r ly fe a r le s s , a n d it w a s h e r g lo r io u s im a g in a tio n th a t c r e a te d h e r e x c e p tio n a l life . S h e w ill b e g r e a tly m is s e d .
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H o lly w o o d & V in e M e t r o
Fall Worship Schedule Sunday Worship 8:30am Wylie Chapel (Contemplative Service) 10:30-10:55am Mears Courtyard (Coffee & Community) 11:00am Sanctuary (Worship Together)
Sunday School
9:15am Nursery - 6th grade 10:45am Nursery - Pre Kindergarten Nursery opens at 8:15am
9:30am Youth Ministry (grades 7-12) 9:30am All Adult Classes
CATHEDRAL CHAPEL OF ST. VIBIANA CATHOLIC CHURCH 92 Years of Faith, Education & Service to Community Y o u a r e a lw O u r M is s io n : U n it e d o u r p a r is h is a C a t h o lic a n d e x p e r ie n c e s . T h e d u c a t io n , w e s h a r e s a c r a m e n t s . W e w e lc o in t h e p r a is e
Est. 1927
923 S. La Brea Avenue Los Angeles, 90036
323-930-5976 CATHEDRALCHAPEL.ORG
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REGULAR MASS SCHEDULES: Monday-Friday, 9:00am | Saturday, 8:30am Saturday Vigil, 5:00pm Sunday, 8:00am, 10:00am (Choir), 12:00pm Holy Day, 9:00am & 7:00pm, Vigil 5:30pm
Hope Luth
6720 Melros
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Sunday Worshi
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by
Patricia Foster Rye
ily . J o d i ( I d in a M e n z e l [ “ R e n t ,” “ W ic k e d ” ]) c o m e s h o m e to h e r a b o u t-to -tu r n -7 0 d a d E llio t (a te r r ifi c H a r r y G r o e n e r ) a fte r h e r e x -h u sb a n d g e ts e n g a g e d to a m u c h y o u n g e r w o m a n . H o m e i s d a d ’s s w a n k y ( y o u w a n t t o m o v e in im m e d ia te ly ) M a n h a tta n to w n h o u s e (e x c e lle n t s c e n ic d e s ig n b y L a u r e n H e lp e r n ). J o d i fi n d s h e r a g i n g f a t h e r ’s n e w liv e -in b o y fr ie n d T r e y (W ill B r itta in ), a g e 2 0 . A d d to t h e m i x J o d i ’s c o l l e g e - a g e s o n
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Theater Review
fr ig h te n in g s ta tis tic s o n L a tin o p e r s e c u tio n , a n d m o r e . T h e r e is a te r r ifi c b ib lio g r a p h y in th e p r o g r a m w ith in fo r m a tio n o n th e b o o k s h e m e n tio n s d u rin g th e p e r fo r m a n c e . D ir e c to r T o n y T a c c o n e h a s b a la n c e d th e e v e n in g p e r fe c tly . T h is is a n o u tr a g e o u s ly fu n n y , w o n d e rfu lly c h e e k y , e d u c a tio n a l, v e r y e n te r ta in in g , a lm o s t tw o -h o u r o n e -a c t p la y . N o t to b e m is s e d . T h r o u g h S u n ., O c t . 2 0 , A h m a n s o n T h e a tr e a t T h e M u s ic C e n te r, 2 1 3 -9 7 2 -4 4 0 0 , A h m a n s o n t h e a t r e .o r g . 5 S t a r s • • • D e a f W e s t T h e a tr e is a p io n e e r o f w e a v in g A S L (A m e r ic a n S ig n L a n g u a g e ) w ith s p o k e n E n g lis h to c r e a te a s e a m le s s b le n d o f m o v e m e n t a n d v o ic e . D W T is th e w in n e r o f n u m e r o u s th e a te r a w a r d s , in c lu d in g s e v e r a l T o n y n o m in a tio n s , e s p e c ia lly fo r t h e r e n o w n e d “ B ig R iv e r.” T h e B r itis h p la y T h e S o lid L ife o f S u g a r W a te r , w r itte n b y T o n y A w a r d -w in n in g p la y w r ig h t J a c k T h o rn e (“H a rry P o tte r a n d th e C u r s e d C h ild ” ), c e n te r s o n m a rr ie d c o u p le P h il (v o ic e d b y N ic k A p o s to lin a a n d p e r fo r m e d b y T a d C o o le y ) a n d A lic e (v o ic e d b y N a ta lie C a m u n a s a n d p e rfo r m e d b y S a n d r a M a e F r a n k ). T h e a c tio n ta k e s p la c e m o s tly in P h i l a n d A l i c e ’s b e d r o o m . T h e e x c e lle n t a n d c le v e r s c e n ic d e s ig n b y S e a n F a n n in g g iv e s u s a b i r d ’s - e y e v i e w o f t h e r o o m w i t h th e b e d m o u n te d v e r tic a lly o n th e u p s ta g e w a ll (m e a n t to b e th e fl o o r), th e d o o r to th e b e d r o o m m o u n te d h o r iz o n ta lly o n th e s ta g e -r ig h t w a ll a n d p r o p s (a p a ir o f s lip p e r s , e t c .) a ffi x e d n e x t to a n d a r o u n d th e b e d . T h is a llo w s th e v a r io u s s c e n e s in b e d to b e s e e n a n d h e a r d . T h e p la y te lls th e s to r y o f P h il a n d A lic e , h o w th e y m e t a t th e p o s t o ffi c e , fe ll in lo v e , th e ir m a r r ia g e , th e tr a g e d y th a t s tr ik e s th e ir life a n d h o w th e y o v e r c o m e it, m ix e d w ith v e r b a l d e s c r ip tio n s o f s e x u a lly e x p lic it a c ts . D a v id J . K u r s , D e a f W e s t T h e a t r e ’s a r tis tic d ir e c to r, s a y s “ T h is is th a t r a r e p la y th a t w ill b e m a d e b e tte r b y th e a d d itio n o f s ig n la n g u a g e : ‘b e d r o o m s p e a k ’ w ill b e in te n s e ly v is u a l, a q u a lity th a t w ill a ls o b r in g g r e a te r c la r ity to c r itic a l e v e n ts a s th e y u n fo ld . I t ’s a n e x t r a o r d i n a r y l o o k b e h in d th e c u r ta in . T h e s u b je c t o f in tim a c y in a d e a f c o u p le is r a r e ly a d d r e s s e d .” A c c o r d in g t o d ir e c to r R a n d e e T r a b itz , “ In th e (lite r a l) h a n d s o f th e s e a c to r s , th e p la y b e c o m e s a v is u a l d a n c e th a t e c h o e s th e tr a je c to r y o f t h e s t o r y .” T h e p la y d e a ls w i t h a d u lt th e m e s a n d c o n ta in s s e x u a lly g r a p h ic la n g u a g e — re c o m m e n d e d fo r m a tu re a u d ie n c e s o n ly . T h ro u g h S u n ., O c t . 1 3 , R o se n th a l T h e a te r a t In n e rC it y A r t s , 7 2 0 K o h le r S t ,. d o w n t o w n L .A ., 8 1 8 7 6 2 - 2 9 9 8 , d e a fw e s t .o r g . 4 S ta rs • • • S k in tig h t b y J o s h u a H a rm o n c e n te r s o n th e Is a a c fa m -
0307
T h e fi r s t p r o d u c tio n o f th e A h m a n so n T h e a te r se a so n c o in c id e d p e r fe c tly w ith th e u n v e ilin g o f th e s p iffy , n e w ly r e m o d e le d M u s ic C e n te r P la z a . L a tin H is to r y fo r M o r o n s , w r itte n b y a n d s ta r r in g J o h n L e g u iz a m o , is a liv e ly , fr e s h , e x c e p tio n a lly e n te r ta in in g p r o d u c tio n . F r o m th e m o m e n t M r. L e g u iz a m o e n te r s th e c la s s r o o m o n s ta g e (e x c e lle n t s c e n ic d e s ig n b y R a c h e l H a u c k ), a m u s in g ly d e m a n d in g o u r a tt e n t io n “ s o w e d o n ’t m is s a n y t h in g ,” y o u k n o w t h is is g o in g to b e a s u p e r la tiv e e v e n in g a t th e th e a te r. T h e s e t-u p fo r th is o n e a c t is s im p le . A n e a r to ta l a b s e n c e o f L a tin o s fr o m h is s o n B u d d y ’s h i s t o r y b o o k s , h i s s o n b e in g b u llie d a t s c h o o l fo r h is h e r ita g e , p lu s th e s e a r c h fo r a L a t i n o h e r o f o r h i s s o n ’s s c h o o l h is to r y p r o je c t m o tiv a te s M r. L e g u iz a m o in to th is v e r y fu n n y