GNIMAG ISSUE 74

Back with a stonker of a new album - she’s gonna make you sweat!

GNIMAG

C

- Faye Tozer - Kaylon Rae - Gary Duffy - Delishus Mr - Fashion from SKYL - Big Day - Travel & Reviews

DJ’s Dylan Gibson | Gareth woods

Robert brown

Credits

Daniel May

Editor & Director

daniel@gnimag.com

Pauline Fitzpartick Commercial Executive

Tony Day Design

Columnists:

Gary Campion / Danny Malone / The Gourmet Boys / Martin Murray / Peter Irvine / Paul McAllister / Gavyn Andrews / Alexa Moore / Dr Bryan and Michael Maloney

Thanks to:

Mel C, Faye Tozer, Mya, Garry Duffy, Kaylon Rae, Delishus Mr, Orla Foster, Emma & Kayleigh, Steven Arasa, Jeff Dorta, Top Blade, The Grand Opera House, SKYL, The Rainbow Project, 2Taps, PIPS, HERe NI, l, Project Publicity, 1 Vision PR, Chuff Media, Halestorm PR and all those who submitted content.

Meet our columnists

Danny Malone Gavyn Andrews

Gary Campion Gourmet Boys

Paul McAllistar

Martin Murray

Dr Murphy

Peter Irvine

Michael Maloney

Alexa Moore

Welcome to Issue 74 of GNIMAG.

Every time I write one of these letters, I’m reminded how much our community continues to evolve. Alongside the strength and resilience we’ve always had, there’s a deeper honesty returning to our spaces. A willingness to reconnect with ourselves, our stories, and each other. That feeling runs right through this issue.

AN INTRO FROM THE CHIEF

From iconic pop royalty to inspiring local voices, from conversations about mental health and body confidence to travel, fashion, heritage, relationships, and resilience, Issue 74 is packed with the kind of stories that remind us why queer media still matters.

We are delighted to feature the incredible Mel C, who talks to us about her exciting Sweat era, proving once again why she remains one of pop culture’s most loved and enduring performers. We also catch up with the fabulous Faye Tozer as she steps into the world of Mean Girls, while legendary R&B queen Mya opens up about her new music and career journey.

Closer to home, we spotlight some amazing local talent and personalities making waves across Northern Ireland and beyond. Kaylon Rae discusses performing at Hillsborough concerts, Gary Duffy speaks candidly about working on himself, and Delishus Mr reflects on achievements, growth, and new material

This issue also takes us beyond entertainment and into the heart of community storytelling.

HERe NI’s LGBTQIA+ Heritage Project is an important reminder that our stories deserve to be preserved and celebrated. Too often queer history disappears unless we actively protect it. As someone who has spent years working in LGBTQIA+ media, I know how important visibility is. The stories we tell today become the history future generations look back on tomorrow.

You will also find features designed to support, inspire, and maybe even challenge you a little. Our 8 Week Pride Prep Plan is perfect for anyone wanting to feel their best this summer, while Soft is the New Strong explores the power in vulnerability and emotional openness, something many of us are still learning to embrace.

Elsewhere in the magazine, Orla Foster shares her Diary of a Celebrant, Dr Bryan helps us better understand skin disorders, and Paul dives into the emotional complexities hidden beneath hookup culture.

We also continue sharing the real stories that deserve space and attention. Michael’s deeply moving piece, Homeless But Heaven Knows My Name, is one that stayed with me long after reading it.

Of course, it would not be GNIMAG without a little glamour, travel, and fabulous escapism too.

This issue includes fashion from SKYL, restaurant reviews, a look at Vienna and Eurovision from my own travels, gorgeous travel features from Crete and Ireland, and our regular entertainment updates from Gary’s Hot Hits & Celeb Bits.

As always, thank you to everyone who continues to support GNIMAG. To every contributor, advertiser, interviewee, and reader, this magazine exists because of community. Whether you have been with us since Issue 1 or are picking us up for the first time, thank you for being part of it. I hope this issue makes you laugh, think, and feel a little more connected.

Right I am off to work on July’s Pride Issue and the 10th GNIMAG Awards, be sure to follow us GNIMAG on socials for updates, until next time x

Daniel May Editor, GNIMAG

STARRING CARRIE

Melanie C

Few artists from the golden era of British pop have managed to continuously evolve while staying true to their roots quite like Melanie C. From becoming Sporty Spice in the unstoppable global phenomenon that was the Spice Girls, to carving out a critically respected solo career spanning more than two decades, Melanie C has always balanced pop superstardom with artistic reinvention.

Now, in 2026, she enters one of the most exciting eras of her solo journey yet. Her ninth studio album SWEAT, released on 1 May 2026 via Virgin Music Group, has already made a huge impact, debuting at Number 3 on the UK Albums Chart — her highest ever solo chart position. It marks not just a commercial high, but a creative rebirth driven by dance music, rave culture, and a renewed sense of freedom.

We caught up with Mel in the middle of a global promo run to talk about the making of the record, reconnecting with her clubbing roots, and how SWEAT has become one of the most liberating projects of her career.

How are you doing today, Mel?

I am good, I am exhausted. I am in New York and it has been a bit of a whirlwind. I was in Australia filming The Voice for two months and then came back to LA to do some promo, went to Coachella for the weekend and now I am just rounding up the trip in New York, so I am quite looking forward to coming home.

It has been non stop but in the best way. I am very excited obviously about everything that has been happening since the album came out. It has been incredible seeing the reaction to SWEAT and the fact it has gone in at Number 3 in the UK Albums Chart is honestly a career moment for me.

And then of course getting back out on the road across the UK and Europe is going to be really special. The instore tour was amazing and now the next chapter is the headline shows.

Did you catch anyone cool at Coachella?

So many, so many great shows. I think my highlights were Disclosure, Labrinth and Iggy Pop, all so good in completely different ways.

The headliners always put on huge spectacles. Sabrina was incredible, Justin as well. There was a lot of conversation around that set but it was still a big moment for the festival.

And I loved discovering new artists properly. I did not know much about Karol G before and she absolutely brought the energy and closed the

whole weekend in style. It is always exciting when you come away with new music to listen to.

Let’s talk about SWEAT. It feels like your most liberated record. What changed creatively this time around? So many things have changed. Every album I have ever made is really a reflection of where I am in my life at that moment.

Over the last eight years I have been DJing a lot. I have been lucky enough to play festivals all over the world and I have had a long residency in Ibiza at Pacha, which has been amazing. That really reignited my passion for dance music in a big way.

But if I go right back, I discovered rave culture when I was about 17 on holiday in Spain. I remember hearing this music and thinking it felt completely different to anything I had heard before.

Everyone was so free when they were dancing.

When I came back to London, I wanted to find out where that music was coming from and I really fell into that world. It was such a special time culturally. Growing up in the UK in the 80s, clubbing was still quite structured, a bit cheesy, very different energy.

Then suddenly this whole movement happened where people from all backgrounds were coming together on dancefloors. It felt like a generational shift. My parents had the 60s and the Summer of Love, and this felt like

our version of that in a way.

Then of course I auditioned for what became the Spice Girls and everything changed overnight. Life became so fast, so focused, so intense that I kind of left that part of myself behind without really realising it.

So this album has been about reconnecting with that version of me. Before fame, before expectation,

“...Every album I have ever made is really a reflection of where I am in my life at that moment.”

before everything. It is about putting all those pieces of my life back together.

Did you approach producing this album like a DJ set rather than a traditional pop album?

Yes, definitely. I think the perspective of a DJ is very different. I was thinking about flow, energy, transitions, how a track makes you feel in a room rather than just on headphones.

I also had this vision of how I perform

live. I am quite an energetic performer, quite physical, quite full of attitude on stage. In the studio I am actually quite different, much more internal.

So I wanted to bring those two worlds together and make something that I could fully embody on stage.

DJing has brought me so much joy. I have been out playing clubs, festivals, intimate shows, and I just wanted that feeling of freedom and joy to run through the whole record.

And of course I am Sporty Spice. That is not something I can or want to escape from. It is part of who I am. So I really leaned into that

energy. A song like Sweat felt like the perfect introduction because it is fun, a bit cheeky, a bit tongue in cheek, but also very direct.

When you were making the album, were you imagininghow it would land on the dancefloor? Yes, 100 percent. More than anything I was thinking about movement. I was not thinking

“As I have got older, I have really started to appreciate the relationship between artist and audience. It is not one way at all. It is completely mutual.”

about people sitting at home listening quietly. I was thinking about people dancing, sweating, letting go.

Something like Undefeated Champion is a good example. I cannot listen to it without smiling. It is about resilience and picking yourself up when things go wrong. We all go through that.

As I have got older, I have really started to appreciate the relationship between artist and audience. It is not one way at all. It is completely mutual.

I did a few small listening events in New York and LA and even those reminded me how powerful music can be in people’s lives. Sometimes you forget that when you are in the middle of making it.

You have just completed a full UK instore tour. How did that feel? It was incredible. Honestly one of the best parts of the whole album release so far.

Every city had its own personality and energy. We started in Liverpool on release day, which felt really emotional. It felt like the perfect place to begin this era and say thank you. Then Leeds at Crash Records was brilliant.

Manchester had an amazing turnout at HMV. Bury was a surprise highlight because I do not think I had ever played there before. Sheffield, Glasgow, Birmingham and Brighton were all so different but all so warm. It reminded me how important those direct connections are.

There is something really special about standing in a room with people who have grown up with your music.

Are there any moments that stand out from the instores?

Liverpool definitely stands out because it was release day and everything felt very emotional. Glasgow is always incredible. The energy there is unmatched.

Brighton had a really lovely vibe. Birmingham was huge and really enthusiastic. And Manchester always feels like a second home in a way. It was just a really positive experience across the board. I am very grateful for it.

You are heading into your October headline tour. What does that mean at this stage in your career?

It feels really exciting. I have been thinking a lot about how I want to bring SWEAT to life on stage.

I want it to feel like a journey. A celebration of everything I have done but also very rooted in this new sound. It is going to be high energy, very physical, very emotional in places. I want people to leave feeling like they have really been through something with me.

You are playing Brixton Academy. What does that moment mean?

It is a huge deal for me. I have seen so many iconic shows there over the years. I have never played it as a solo artist, so that is very special. It is also one of those moments where you reflect on how long you have been doing this.

It is over 30 years since Spice Girls started, over 25 years since my first solo record. So to still be doing firsts like this is really meaningful. How are you balancing new material with the hits?

I am thinking about it a lot. I know people want the hits and I am absolutely going to give them that.

But I also want to fully bring SWEAT to life. It is about energy and connection and creating a show that feels like a full experience. I want people leaving the venue feeling exhausted but happy.

What keeps you creatively hungry after all these years?

I just love it. I love performing, I love writing, I love connecting with people.

That feeling has never gone away.

I also find inspiration in other artists. Music is always evolving and that keeps it exciting.

How does it feel to influence a new generation of artists?

It is amazing. Very full circle. So many artists I admire have cited Spice Girls as an influence, and now younger artists are doing the same.

It is something we are very proud of as a group.

If you had to sum up the SWEAT era in three words?

Joyous. Energetic. Fun.

Final note

Sweat by Melanie C is available now everywhere. Melanie C – SWEAT Tour Dates 2026

Sun 18 Oct – Dublin, 3Olympia

Tue 20 Oct – Glasgow, Barrowland Ballroom

Wed 21 Oct – Manchester, O2 Ritz

Fri 23 Oct – London, O2 Academy Brixton

Sat 24 Oct – Birmingham, O2 Institute

Faye Tozer

Interview by Daniel May

Pop royalty meets peak camp as Faye Tozer struts into Belfast in the fabulously savage Mean Girls. Best known as one fifth of Steps, Faye swaps arena anthems for high school hysteria as Regina George’s hilariously unhinged “cool mum”. With razor-sharp wit, iconic one-liners, and a story that has long resonated with LGBTQ+ audiences, Mean Girls is the ultimate night out. As the show gears up for its Grand Opera House run, we caught up with Faye to chat about chaos, comedy, and whether she is ready to spill some serious Steps tea.

Cool

Mum

Chaos, Mean Girls Magic

and 30 Years of Steps

Mean Girls is coming to Belfast. For those not familiar, how does the musical differ from the 2004 film?

Because Tina Fey is the original writer and also wrote the musical, it is a really brilliant transition. What is clever is that it does not try to reinvent what people already love. Instead it builds on it for the stage. You still have all the iconic moments and lines that fans will recognise instantly, but it is expanded in a way that suits live theatre.

It is much more fast paced and heightened on stage, with a real sense of energy that carries through the whole show. There is more space for physical comedy and ensemble moments, so it feels familiar but also bigger, brighter and more immediate than the film.

You are not just playing the “cool mum”, you are also taking on a few other roles. How does that work in one show?

Yes, I play three characters. Mrs George, Ms Norbury the teacher, and Mrs Heron, Katie’s mum.

It is a brilliant comedic challenge because each character is so different, so you are constantly switching mindset as well as costume. It keeps you very alert on stage because you never really get a long break in character.

We also have the fastest change in the show, which is nine seconds.

Nine seconds?

Literally nine seconds. It is like a Formula One pit stop backstage. It is wig change, costume change, shoe change, everything happening at once. There is a whole team involved and it is very precise.

It is absolute chaos behind the curtain, but it is also incredibly exciting. You finish one moment and suddenly you are someone completely different again.

Is Mrs George just as chaotic as people remember?

Oh absolutely. She is cringey in the best possible way. If you are a teenager, you do not want her anywhere near you.

She is completely over the top, completely inappropriate at times, and that is exactly what makes her so fun to play. You lean into the ridiculousness of her and just enjoy how outrageous she is.

Were you a Plastic, a rebel, or somewhere in between at school?

I was probably one of the art students, a bit quirky, a bit drama. Slightly misunderstood maybe, but I was always very creative. I think I lived slightly outside of the main groups, which is probably why I enjoy playing characters like this now.

Mean Girls has become a cult classic, especially with LGBTQ+ audiences. Why do

you think it connects so strongly?

A. I was surprised at just how big the cult following is when I joined the show. It still feels really relevant today.

I think people are much more open now about being their authentic selves and celebrating inclusivity, and this show really reflects that. It allows people to laugh at social pressure and identity in a really safe, fun way.

You see audiences fully engaged from the moment they walk in. People dress up as characters, they know every line, and they cheer at iconic moments. Even Regina gets a huge reaction when she appears. It is just a really joyful, shared experience with the audience.

GNI readers are huge Steps fans — if Regina’s mum had a Steps anthem, what would it be? Oh that is a hard one. I am trying to think… maybe One for Sorrow. I think that would suit her actually. She could still be holding a glass of wine though.

You have performed everywhere. What stands out about Belfast audiences?

I know Belfast well and I really love coming back. There is just such brilliant energy here. The audiences are warm, vocal and really up for a good time.

I am actually spending two weekends in Belfast during this run, and I have friends coming over too. We are planning to make the most of it, including

another trip to the Giant’s Causeway, which I am really looking forward to.

You have had such a varied career. Is there a moment you still pinch yourself about?

A. Starting musical theatre in Tell Me on a Sunday was a huge moment for me. It really showed me that I had another path beyond the band, which was quite a big personal shift at the time.

Playing Lina Lamont in Singing in the Rain was another major moment because it confirmed for me that I really loved comedy and character work. It gave me confidence that I was not just one type of performer. Since then I have been lucky to explore so many different roles, including playing characters like Cruella, which are just so far removed from who I am.

What are you up to after this run? I have a few things lined up, including going back to my cabaret work on P&O Cruises. That is something I really enjoy because it is such a different pace and connection with audiences.

I am not sure I am finished with Mean Girls yet though. I really love this job, and when you enjoy something that much, you always stay open to what might come next.

What are you watching or listening to right now?

I listen to audiobooks quite a lot, especially when I am travelling. At the moment I am listening to Never Let Me Go by Kazuo Ishiguro, which is really beautiful and quite thought provoking. Music wise I am really into RAYE right now. That album has basically become my tour soundtrack. It is what I put on when I am getting ready or travelling to the theatre.

Oh I must ask about Here & Now, I got to see it twice, Dublin & Belfast. It is such a fun, feel-good show and audiences really loved it. The tour is coming to an end, is that it for the show, or could it head to the West End?

It has had a really lovely run and people have really enjoyed it. We never quite know what the future holds for things like this because it depends on availability and timing. But it is definitely not the last you will see of it. There is still life in it yet, so we will just have to wait and see what shape that takes.

Steps are turning 30 next year. What big plans are afoot, can you tell us anything?

My lips are sealed. When we have something to announce, you will really know. There are lots of conversations happening, but that is all I can say for now.

There has been all sorts of rumours around Strictly Come Dancing, If

there was an All Star series, would you do it

A With bells on.

Finally, why should people come and see Mean Girls in Belfast?

Because we all need escapism. It is high drama, high energy and high comedy. It is a really fun night out.

Thanks for taking the time to chat, pleasure as always

You can see Faye and the cast of Mean Girls when it open in The Grand Opera House, Belfast on 9th June, tickets are available via goh.co.uk

“People are more open now about being their authentic selves.”

Mýa Unveils Retrospect Era With New Album Release,

“Just A Little Bit” Video Featuring Too $hort, and Full Album Campaign

Grammy Award winning global artist Mýa has officially stepped into her latest creative chapter with the release of her tenth studio album Retrospect, out now via her independent label Planet 9 in partnership with Virgin Music Group.

The album, which arrived on 15 May, is being celebrated as one of Mýa’s most fully realised bodies of work to date, marking another milestone in a career that has spanned more than 25 years at the forefront of global R&B, pop and soul. Alongside the album release, Mýa has also unveiled the official music video for her latest single Just A Little Bit, featuring Bay Area hip hop icon Too $hort, as well as opening up pre orders and releasing the official album artwork for the project.

The Just A Little Bit visual captures the playful confidence and funk driven energy that runs throughout the Retrospect era. Set within a vibrant retro futuristic world, the video blends shimmering synth aesthetics, bold colour palettes and effortless charisma, creating a visual identity that feels both nostalgic and strikingly modern. It reflects the wider sonic direction of the album, which draws heavily from late 1970s and 1980s Minneapolis funk alongside the R&B, soul and pop sounds that shaped Mýa’s early musical influences.

Speaking about the concept behind the project,

Mýa shared that Retrospect was designed as a journey back in time, both emotionally and sonically. “We created this project with the intention to transport us back to a special time in music and culture that brought so much love, laughter, joy and reflection to our lives,” she explains. “The days of cassette tapes, vinyl, the most amazing gatherings, concerts, house parties, skate nights and date nights. Who’s ready to go back?”

That sense of nostalgia is not presented as imitation, but rather reinterpretation. Retrospect moves with the energy of memory while remaining firmly rooted in the present, bridging eras through production that feels both classic and contemporary. The result is a body of work that leans into groove, warmth and storytelling, while maintaining the polished edge of modern R&B and pop production.

The album is anchored by lead single ASAP, which achieved Top 20 success on the Adult R&B Airplay chart, alongside a remix featuring 21 Savage. Across the tracklist, Mýa brings together an impressive cross generational line up of collaborators, including Snoop Dogg, Too $hort, D-Nice, Joyner Lucas, Dizzy Wright and Phil Ade. Each feature adds a different layer to the record, reinforcing its position as a collaborative celebration of rhythm, legacy and artistic evolution.

Industry observers have already noted the significance of Retrospect within Mýa’s catalogue, not only as a musical release but as a statement of independence. Released through her own Planet 9 imprint, the project continues a long standing commitment to creative control, a path she has championed throughout her career well before it became a wider industry conversation.

The release of Retrospect also arrives during a period of renewed visibility for Mýa. Over the past year she has marked the 25th anniversary of her Grammy winning collaboration Lady Marmalade, reissued her acclaimed album Fear of Flying on vinyl and Dolby Atmos, delivered a standout performance of Case of the Ex at the 2025 BET Awards, and joined Brandy and Monica on their widely celebrated The Boy Is Mine Tour. She was also recently recognised by Billboard as one of its Top Female Artists of the 21st Century, further cementing her legacy as one of the most enduring voices in contemporary R&B and pop.

With Retrospect, Mýa continues to expand that legacy, offering a project that honours her musical roots while embracing evolution. It is both a reflection and a reinvention, a celebration of where she has been and a confident statement of where she is heading next.

Summer Sounds at the castle Kalon Rae on music, following his own path and Hillboroughton

As summer approaches, Hillsborough Castle & Gardens prepares to host a spectacular weekend of open-air music with three standout concerts set against its historic backdrop. From the rousing energy of Ceili at the Castle with The Celtic Tenors, to the show-stopping celebration of Thank You for the Musicals 2 led by Peter Corry, the series promises something for every musical taste. At the heart of the weekend is Hillsboroughton—a glamorous, Bridgerton-inspired soirée of romance, storytelling and theatrical flair. Among the standout performers is Kalon Rae, whose cinematic sound and emotionally rich performances make him a perfect fit for this enchanting evening. Ahead of the event, Kalon shares insights into his music, his journey, and what audiences can expect from this unique experience

You’ve had an incredible journey from shows like The Voice UK and The X Factor to performing on some of the world’s biggest stages, how would you describe your musical evolution to this point?

My musical journey has been a process of constant evolution, and it never ends. As my life has changed over the years, so has the way I perceive music. I’m now at a place where I can pursue projects out of pure enjoyment and love for the music itself. I’m experimenting in different styles and media without worrying about what’s already out there and successful, in a way, I’m doing the exact opposite. I love this newfound freedom.

Your sound blends anthemic pop with cinematic and indie influences, how did that signature style develop, and what inspires it?

I’ve always been influenced by artists who write music that makes people think, as opposed to music that stops them from thinking, both are equally important and necessary to the scene, even if they’re so different. I’ve always been drawn to artists who didn’t worry about sounding like anything that was already in existence, so I found myself listening to Kate Bush, David Bowie, Queen, and Stevie Wonder. I think my own style is a celebration of difference, uniqueness, and pushing the boundaries of my own instrument.

Your music has been described as “eerily romantic” and emotionally immersive, what draws you to storytelling through song in that way?

I’ve always thought of music as a reel of 360-degree scenes, as if I’m portraying a whole scene from a movie. What’s the general spirit? What are the visuals? The context? That’s my starting point. Then

I just go with the flow of where the story wants to take me.

You’ve worked with an extraordinary range of global artists, from Lionel Richie to Coldplay, what have those experiences taught you about performance and artistry?

The most important thing I’ve learned is to treat everyone with respect and appreciation. Most of the legendary artists I’ve had the honour to work with were kind, generous spirits as well as wonderful professionals. There are always exceptions, usually among the younger stars, and the difference really shows. That’s taught me plenty, too!

As Music Director of Urban Voices Collective, you’ve been part of major global moments like the London 2012 Olympics, how did those experiences shape you creatively?

The 2012 Olympics was a fever dream. It was a massive amount of volunteer work, but I was happy to take it on, and it taught me skills I still use today. I can churn out vocal arrangements like there’s no tomorrow and have plenty of stamina, all thanks to the years of running around like a headless chicken, creating, teaching, and singing arrangements on very short deadlines for Urban Voices Collective. You know what they say: what doesn’t kill you!

You’re now performing as part of Hillsboroughton at Hillsborough Castle—what excites you most about this particular event? First and foremost, the setting. What an incredible place! It’s full of mystery, wonder, and sweeping views across the Northern Irish landscape. As an Italian expat in Ireland, I’m very aware of its history and I’m committed to respecting the legacy of bringing a performance to life at Hillsborough Castle. Of course, I adore working with Peter Corry, I love his creative vision, his fantastic vocals, and the quality and range of artists he brings together. It’s always a wonderful time, and the audience is in for a real treat.

The show explores themes of love, romance and storytelling, how does that align with your own musical identity?

I think the only thing that matters in the universe is love. Storytelling is just various ways to talk about love, and as musicians, we’re privileged to be able to inhabit romance at full intensity all the time. I’d say I’m very aligned with the themes of Hillsboroughton!

Hillsboroughton has been described as a kind

of “live Bridgerton-style” experience, what can audiences expect from your performance on the night?

I’m committing to delivering my most theatrical self, with plenty of pearl-clutching moments, mystery, a bit of fun, and plenty of vocals!

You’ve performed across the world, how do you approach connecting with an audience in a more intimate, open-air setting like this?

I actually like intimate settings the most because they allow me to establish a rapport with the audience. I strive for my performances to be a twoway flow of energy. There’s something very special about performing in the open air, I find people are better prepared to throw caution to the wind, plus they add a hint of uncertainty with the weather that we can all relate to and build on.

For those discovering you for the first time at Hillsborough Castle, what do you hope they take away from your performance?

I hope they appreciate the hard work I put into all my performances and see how I truly try to connect to the heart of the songs. I hope they let me into their world as I let them into mine.

You’ve worked with Peter Corry and the team before, what are you most looking forward to about being back with the team?

The banter, the creativity, the butterflies in the stomach just before getting on stage, the professionalism, the camaraderie, the immense variety of talent that Peter collects, and the real commitment to ensuring that the audience has a truly wonderful time. Not necessarily in that order!

Finally, what’s next for you—any new music or projects on the horizon that fans should look out for?

Yes! I’m about to launch my new solo project called CounterDiva, where I explore and push the limits of what’s vocally possible for a man embodying the soprano. It’s a show dedicated to intuition and being one with love. This is a project of pure experimentation and love for finding new boundaries, breaking down those self-imposed and societal limits on what is legitimate art and beauty.

To book tickets to for Kalon’s performance in Hillsboroughton as part of the Hillsborough Castle Summer Concert series this June please visit. www.petercorryproductions.com

gary duffy

Transforming My Body and Mind

Gary, you’ve been a familiar face in the community for years. How would you describe your journey up to this point, both personally and publicly?

It definitely hasn’t been an easy road. Like anyone, I’ve faced challenges, but I’ve learned to see those moments as opportunities to grow stronger. Over the years, I’ve put a lot of work into becoming the best version of myself, both personally and professionally.

Right now, I’m in a really good place. My acting career is progressing well, I’m doing a lot of writing, and I stay grounded through fitness and focusing on my overall wellbeing. In my 20s, I enjoyed the party lifestyle, but stepping into my 30s has shifted my mindset. It’s now all about growth, discipline, and giving everything I have to my dreams.

Making the decision to leave my full-time job and fully commit to this path was a big step, but it’s been worth it. Things are falling into place, and honestly, I’ve never been happier.

You’re a previous GNIMAG Award winner. What did that recognitionmean to you at the time, and does it feel different now as you enter this new chapter?

Winning the GNIMAG Award meant a lot to me, especially because I genuinely didn’t expect it. It was a really validating moment and gave me a sense that the work I was putting out there was being seen and appreciated.

I look back on that chapter of my life, performing in drag as Sasha Fierce, with so much positivity. It was such a powerful time for me creatively and personally. If I’m being honest, drag is what gave me the confidence to fully step into who I am and go after what I truly love, acting and music.

Now, as I move into this new chapter, it feels different in the best way. I carry that confidence and those experiences with me, but I’m more focused, more grounded, and really committed to building something long-term from it all.

What was the moment or turning point that made you decide to commit to a body transformation?

I’ve actually been on this journey before and managed to lose a significant amount of weight, but 2019 was a really difficult year for me personally, and I ended up gaining it back. Then COVID hit, and like for a lot of people, things just gradually slipped. I’ve always trained, so the gym was never really the issue, it was my nutrition that was holding me back. At some point, something just clicked again. I found

that motivation and drive I’d had before.

A real turning point for me was while I was filming Love in Belfast. I remember feeling unhappy with how I looked on screen, and that was a bit of a wake-up call. From there, I made the decision to fully commit, dial in my diet, and really focus on dropping the body fat.

Starting a fitness journey can be daunting. What were your biggest fears or insecurities at the beginning?

At the beginning, my biggest fear was falling back into old habits and not being consistent. I’d done it before, so there was always that doubt in the back of my mind. I also felt insecure about how I looked and worried about being judged, but I knew if I stayed focused and trusted the process, I could push past that.

Looking at your before and after, the change is clear. But what are the non-physical differences you’ve noticed in yourself?

Honestly, the biggest changes have been mental and emotional. I’ve never been happier. I’ve built a routine where I go to bed early, wake up early, and feel a lot more focused and in control of my day.

My mental health has improved massively, and I just feel more balanced overall. I’d even say I’m a better person to be around now. I’m more positive, more present, and with a lot more energy for the people and things that matter.

How has this journey impacted your mental health and confidence?

It’s had a massive impact on both my mental health and my confidence. Mentally, I feel a lot stronger and more balanced. I’ve got more structure in my life now, and that’s helped me stay focused and positive day to day.

In terms of confidence, it’s gone to a completely different level. Clothes that haven’t fit me in years are fitting again, and that alone gives you a real boost. But more than that, a lot of what I do is on camera, and I feel comfortable now just sitting in my power. I know I’ve worked hard for it, and that gives me a quiet confidence.

It’s not just about how I look, it’s about how I carry myself. I feel more assured, more present, and more secure in who I am, and that shows in every area of my life.

The LGBTQIA+ community can sometimes place pressure on body image. Have you felt that, and how are you navigating it now?

I’ve definitely felt that pressure in the past, especially within the community. I’ve had people troll me and call me all sorts, and at one point it did affect me. But now, it’s honestly like water off a duck’s back. I’ve realised I’m the only person whose opinion really matters, and I’m not giving anyone else that power over me. My body is my vessel, and I think we all need to be a lot kinder to ourselves and each other.

What does a typical week look like for you in terms of training, routine, and staying motivated?

A typical week for me is all about routine and consistency. I wake up early most days and usually start with a walk to get my steps in and clear my head. I train around five to six times a week, and I’m really disciplined with my nutrition. I weigh and track my food to stay in a calorie deficit.

In terms of motivation, it’s a mix of accountability and mindset. There are so many people in my corner that keep going, my coaches at Movement Lifestyle & Fitness, my brother Cormac and I all play a part in keeping me on track, but ultimately it comes down to showing up for myself and staying focused on the bigger picture.

Have there been moments where you wanted to give up? What kept you going?

Not so much wanting to give up completely, but I’ve definitely had days where I couldn’t be bothered going to the gym. Those are usually the days I know I need to go the most. It really comes down to consistency and discipline over motivation.

What keeps me going is how I feel now. I’m happier, more confident, and in a much better place mentally. I know that if I keep showing up, that feeling only gets stronger, and that’s what drives me forward.

How have friends, family, and the local scene responded to your transformation so far? Everyone’s response has honestly been amazing, and it’s meant a lot to me throughout this journey. My friends and people in the local scene have been really supportive and genuinely happy to see me doing well, which gives you that extra push to keep going.

Social media has also played a big part, I’ve had so many encouraging messages and positive comments, and that kind of support doesn’t go unnoticed. It really helps on the days when motivation is lower.

And my family, as always, have been incredible. They support me in everything I do, and this has been no different. Having that strong support system around me has made a huge difference and kept me grounded the whole way.

What advice would you give to someone in our community who wants to start their own journey but doesn’t know where to begin?

My advice would be to just start, don’t overthink it. Set yourself realistic, achievable goals and focus on building consistency from there. Finding the right environment is also key, so get yourself a coach and a gym that genuinely cares about its members and supports your journey.

I honestly couldn’t have done it without the community of people at Movement Lifestyle & Fitness and the support from Reece McGinley and Padraig Holmes and all the coaches. Having the right people around you makes all the difference.

Most importantly, understand that it won’t be smooth sailing, it will be tough at times. But if you really want it, you’ll get through those moments. Keep going, stay consistent, and remember that small steps are always better than no steps at all.

What’s next for you, Gary? Is this just the beginning of something bigger?

There’s a lot I’m excited about right now. I’ve set some big fitness goals for the year, and I’m really focused on continuing to work on myself and keep progressing.

I’ve also just launched a podcast, Shelley Lowry Talent Talkd, with my agent Shelley Lowry and I have to give her a massive shoutout. Her strength and belief in me has played such a huge part in where I am today.

On the acting and writing side, I’m about to start casting for a new project I’ve written called When We Meet, which I’m really excited about, and I’ve got some theatre lined up later in the year as well. I’ve a few projects written and hopefully they will all see the light of day soon.

So yeah, this really does feel like just the beginning, there’s a lot more to come.

delishus mr

DELISHUS MR (Delishus O’Tool) has become one of Northern Ireland’s most recognisable independent LGBTQ+ performers, earning multiple award nominations across music, performance, and community platforms since first emerging on the scene in 2018.

Known for blending Electronica Alt Pop with high concept performance art, the Belfast based artist has built a growing audience both locally and internationally through a series of visually driven music releases and live performances. Their single “Take Me Out” attracted significant online attention and surpassed one million YouTube views, marking a major milestone for an independent Northern Irish LGBTQ+ artist.

The track also generated strong support during discussions surrounding Ireland’s Eurosong selection process, helping to expand DELISHUS MR’s profile beyond Northern Ireland and into wider Eurovision fan communities. The success of the release led to recognition at several independent and LGBTQ+ focused award platforms, including a win for Best LGBTQ+ Song at the International Music Magazine Awards.

In recent years, DELISHUS MR has continued to gain recognition within Northern Ireland’s arts and entertainment industry. Their nomination for Arts Personality of the Year at the 2025 Ulster Tatler Awards marked an

important crossover moment for an artist whose work originated within the local drag and alternative performance scene.

Other recent releases, including “Masks” and “Three May Keep A Secret,” have further developed the artist’s reputation for combining cinematic visuals with themes exploring identity, self image, and emotional vulnerability. “Three May Keep A Secret” also received attention within Northern Ireland’s music community following its eligibility for consideration within the Northern Ireland Music Prize single category.

As of 2026, DELISHUS MR has received multiple nominations across local and international awards platforms, including recognition from GNIMAG Awards, Integrity Magazine Awards, EIGHT6FIVE Magazine Awards, Creative Industry Awards, and Belfast Pride related events.

Career highlights include:

• Multiple GNIMAG Award nominations since 2018

• Recognition at the International Music Magazine Awards

• Finalist recognition connected to the 2025 Ulster Tatler Awards

• Eurosong 2024 fan support surrounding “Take Me Out”

• International LGBTQ+ and independent music award recognition

DELISHUS MR continues to be an active voice within Northern Ireland’s LGBTQ+ creative community, using music and performance art to explore themes of identity, visibility, and self expression.

The artist has also confirmed that new music is currently in development, with further releases expected later this year. Fans can expect a continuation of DELISHUS MR’s cinematic visual style alongside new material exploring darker electronic sounds, personal storytelling, and immersive performance concepts. Additional announcements surrounding upcoming singles and creative projects are expected in the coming months.

Follow on insta for updates delishusmr

GNIMAG Awards Charity Event at 2Taps

In April, we had the privilege of gathering at 2Taps Belfast for a very special GNIMAG Awards charity event, and as we reflect on the afternoon, we are filled with gratitude for everyone who made it such a meaningful success.

From the moment guests arrived and were welcomed with drinks, there was a real sense of community in the room. Award winners, sponsors, partners, friends of GNIMAG and members of our wider LGBTQIA+ community came together not only to celebrate achievement, but to support something bigger than all of us. GNIMAG is Northern Ireland’s only dedicated LGBTQIA+ publication. What began as a small platform to share stories and visibility has grown into a community space that celebrates, uplifts and recognises the people and organisations making a genuine difference across our lives. This event reflected exactly that purpose.

A heartfelt thank you goes to everyone who attended and supported the day. Your presence mattered. Whether you were there as a winner, guest, affiliate, donated a prize or simply showed

up in solidarity, you contributed to the atmosphere that made the event so special.

We are incredibly proud to share that £1000 was raised for PIPS Suicide Prevention through our raffle and a direct donation from GNIMAG. This money will go directly towards supporting their vital work in suicide prevention and mental health support across our communities. We are deeply grateful to everyone who bought tickets, donated prizes and encouraged others to take part. The raffle itself was made possible thanks to an outstanding level of generosity from local businesses and supporters. Prizes included overnight stays, dining experiences, gym memberships, theatre tickets, vouchers, wellness treatments and more. Every single contribution helped build something impactful, and we extend our sincere thanks to everyone who donated.

A special thank you is also due to Jarron, Victoria and the team at 2Taps for hosting us so warmly and for providing such a welcoming space with incredible food and drinks to match, as usual they went overboard.

We are also grateful to Lisa from

PIPS for speaking on the day and sharing insight into the essential services they provide, as well as to our host Trudy Scrumptious for bringing energy, humour and heart to the event from start to finish. Thanks also to Emily and Joe for the music that created such a beautiful atmosphere during the afternoon.

To our award winners, congratulations once again. Your work within our community continues to inspire and uplift. To our sponsors and partners, thank you for your continued belief in GNIMAG and for helping us grow year after year. Your support allows us to keep building platforms for visibility, celebration and connection.

Events like this remind us why community matters so deeply. They remind us that when people come together with generosity and purpose, real impact is possible. From all of us at GNIMAG, thank you for being part of it. We are proud of what we achieved together, and we look forward to welcoming you again at the 10th Annual GNIMAG Awards on Saturday 7th November at the Crowne Plaza.

We are also delighted to confirm continued headline sponsorship from Kremlin Belfast and Union Street, whose long standing support has been instrumental in our journey, and we are proud to welcome The Rainbow Project as an official partner of this year’s awards, further strengthening the work being done across our community.

Together, we continue to grow, celebrate and support one another.

For updates on this years awards keep an eye on our socials GNIMAG and our website gnimag.com/awards

Kristine W

A defining voice in dance music for nearly three decades, Kristine W continues to evolve while staying true to the uplifting spirit that has earned her 17 Billboard #1 dance hits. With Dance with Me, she delivers a dynamic, genre-spanning collection that blends progressive house, Afro house, future disco, and tech house—each track anchored by her signature soulful vocals.

Dance with Me doubles as both a celebration of Kristine W’s legacy and a bold step forward. The project features refreshed versions of her classic hits alongside brand-new material, created in collaboration with a global roster of top-tier producers. The album also includes unexpected reinterpretations, such as an electro-lounge take on “Smooth Operator” and a genre-blending reimagining of “Danger Zone.”

At the heart of the album is “Next to You,” written by Kristine W and UK-based producer Rob Buttons (aka Freejak), with a standout mix from the newly reunited British duo Soul Seekerz. The single holds deep personal meaning for Kristine, who found the absence of live performance during the pandemic particularly challenging.

“Being around my dancers, musicians, and audiences fuels my creativity,” she shares. “I missed my people and just wanted to get next to everyone again.” She explains more.

Your career has been deeply intertwined with the LGBTQ+ community for decades. What message do you want to share with fans who have been dancing alongside you through every era?

I am honored and blessed to be able to dance through the decades with all of you. You have filled my heart and my journey with love. We have seen this community survive and thrive. There is so much to be grateful for and to celebrate, and I hope you’ll come out this summer and dance with me.

How do you continue to challenge yourself creatively while still delivering the sound your fans know and love?

I think it comes from my deep love of all things dance. I love the clubs, the people, dance radio, production—everything about it. It’s such a creative genre. You can blend dance with rock, like on “Fly Again” and “Danger Zone,” or pour a touch of jazz into a UK house mix like we did with the “Next to You” vibe.

Did creating Dance with Me serve a personal or emotional purpose for you beyond the dance floor?

Dance with Me has been a way to process the pain of losing so many people who were my cheerleaders. We all experience loss and deal with it differently. I’m so thankful I have music as an outlet for my feelings and ideas. Music has saved me in so many ways over the years.

How would you describe the sonic and emotional landscape of “Next to You?”

It incorporates jazz flavors into house music which is something I love. I grew up immersed in jazz and blues in the Northwest, and that sound takes me to my happy place. I hope it does the same for everyone listening. Being together is so important for our well-being and sense of community, and that message really sets the tone for the album.

Who are the people in your life who ground and inspire you the most?

My family, my friends, and my music family definitely ground me. Many of them have been in my life for 10 to 25 years or more, so those relationships are incredibly meaningful. They love me, but they also keep me honest when I need it (laughs).

With such a dynamic track list, is there a song on the album that you find yourself returning to the most?

“So Much Love” means a lot to me. I actually started writing it in college, and it’s been rewritten many times over the years. When Mark Matson and I first recorded it as a ballad, I realized the latest version was finally right— the message felt more relevant than ever. I performed it live in New York for the first time, and I’ll never forget the applause at the end. The musicians at rehearsal loved it, and when my son came up to me afterward and said, “Wow, that ‘So Much Love’ song is amazing,” that sealed it for me.

For more information, visit KristineW.com.

By Steven Arasa

Eurovision, Vienna and 20,000 Steps a Day

Daniel May swaps Belfast drizzle for Austrian grandeur, Eurovision chaos and a surprisingly sober adventure through one of Europe’s most beautiful cities

There are certain moments in life you build up in your head for years. Sometimes decades.

Usually they end in disappointment. Like that time I thought a “luxury” all inclusive in Spain would involve robes and champagne only to discover the luxury element was a working ice machine beside reception.

Eurovision, however, was not one of those disappointments.

For as long as I can remember, Eurovision has been part of my life. It is camp, chaotic, emotional, political, dramatic and occasionally sounds like someone trapped three hens and a keyboard player inside a washing machine and called it “experimental folk pop”. In other words, perfection. I have watched it religiously for decades from my sofa in Northern Ireland, throwing out score predictions like I work for NATO and acting personally victimised every time the United Kingdom finishes with a number so low you would think Europe had collectively blocked our number.

But this year was different. This year I packed my bags, boarded a plane and headed to Vienna for my very first live Eurovision experience. And somehow, against all odds, it became one of the best solo trips I have ever taken. First of all, let us discuss the fact I travelled alone. Some people hear “solo trip” and imagine empowerment, spiritual awakenings and finding yourself. Mine was more “gay man aggressively checking

Google Maps while carrying a portable charger and convincing himself he absolutely does not look lost.”

Still, there was something oddly liberating about it.

No compromising. No waiting around while somebody decides what outfit says “European but approachable”. No group chats debating restaurants for three hours only to end up in Subway anyway. It was just me, Vienna and approximately 20,000 steps a day.

And my feet have still not forgiven me. I stayed in a wee studio apartment about thirty minutes from the city centre which turned out to be perfect. Not only was it affordable and comfortable, but the walk allowed me to properly take in the city every single day. Though to be fair, Vienna’s transport system is so efficient you could probably get across the city blindfolded with only vague hand gestures and still end up where you need to be.

The tram system is everywhere. Underground trains glide through the city effortlessly. Everything feels clean, organised and calm. As somebody used to occasionally waiting on Belfast public transport while questioning every life choice that led me there, Vienna felt futuristic. Even the pedestrian crossings impressed me. No pressing buttons. No standing raging at traffic while repeatedly stabbing at a metal pole like it personally offended you. The

crossings are automatic and fully electric. The little green man simply appears when it is time to cross, like a tiny Austrian miracle.

I had done very little research before arriving which honestly made the experience even better.

Vienna completely blindsided me in the best possible way. The size of it. The architecture. The history. Every street looked like it belonged on a postcard or in a period drama where somebody important dies of tuberculosis.

The city is breathtaking.

One minute you are casually buying a bottle of water and the next you are standing in front of some enormous historic building wondering how humans even built things before WiFi existed.

There is beauty absolutely everywhere.

And despite Eurovision bringing thousands upon thousands of people into the city, Vienna somehow still felt calm. Clean. Sophisticated. Like the type of city that politely judges you for eating crisps in bed.

One of the most unexpectedly emotional moments of the trip came during a visit to Votive Church. Sharon, one of my closest friends who sadly is no longer with us, was one of the most religious people I have ever known. She adored churches, history and beautiful spaces filled with peace

and meaning.

Standing inside Votive Church, surrounded by towering neo Gothic architecture and silence, I thought of her immediately. It was genuinely stunning. The kind of place that makes you stop talking instantly because even your own voice feels too loud for the atmosphere. There was something grounding about it. In the middle of all the madness and colour of Eurovision week, it reminded me how important it is to pause and appreciate moments of stillness too. Though for balance, approximately two hours later I was back on the streets sweating aggressively while searching for a snack and wondering if my thighs were about to declare war on each other.

And just like that, inner peace was over.

Now, onto Eurovision itself. How do you even describe it?

Watching Eurovision on television is one thing. Being there live is something else entirely.

Nothing prepares you for the scale of it.

The lights. The sound. The atmosphere. The anticipation. Thousands of fans from all over the world packed together losing their minds over key changes and pyro. It honestly felt surreal.

Walking towards the arena for the first time was one of those moments

where reality finally catches up with your imagination. I had spent years watching this event through a screen and suddenly I was actually there. In Vienna. At Eurovision. Existing inside the glitter covered madness itself.

Though before you get to the glitter comes security.

And dear God, the security.

Getting into Eurovision felt less like attending a concert and more like preparing for international diplomacy talks. No bags allowed. ID checks everywhere. Multiple scanners. Security checkpoints every few feet. I have experienced less intense procedures boarding actual planes. At one point I was convinced they were going to ask for a blood sample and my childhood vaccination history. Still, considering the scale of the event, it made complete sense. Safety was clearly a priority and everything was incredibly organised despite the sheer number of people attending.

One thing I would definitely change in hindsight though?

I should have got a seat. Listen, when you are standing outside queuing for over two hours beforehand, your body starts entering negotiations with you. By the time the actual show began, my lower back had already started drafting resignation letters. And Eurovision live is LONG.

On television it flies by because you are sitting comfortably on your sofa eating snacks and shouting at the scoring system. Standing for almost three hours in a packed arena is a completely different experience.

Worth it? Absolutely. Would my knees describe it differently? Also absolutely.

But once the show started, none of that mattered.

The sheer spectacle of Eurovision live is unlike anything I have ever experienced. Every performance felt enormous. Every beat vibrated through the arena. The crowd reacted to everything with the energy of people who had collectively consumed sixteen Red Bulls and a dream.

What struck me most was the sense of unity. Eurovision gets mocked constantly by people who “don’t get it” but sitting inside that arena, surrounded by fans from every possible background, you realise how special it actually is. It is joyful.

Ridiculous at times, yes, but genuinely joyful.

And in a world that often feels heavy, cynical and exhausting, there is something beautiful about thousands of people coming together simply to celebrate music, creativity and identity.

Also men wearing sequinned mesh tops.

Lots and lots of sequinned mesh tops. I genuinely do not think I came across another person from the UK or Ireland during the trip which surprised me considering how huge Eurovision is back home. The crowd felt incredibly international. Every language imaginable. Flags from everywhere. Fans dressed in outfits so elaborate they probably required engineering permits. Meanwhile I was just trying to survive in comfortable footwear.

Performance wise, Finland absolutely blew me away. The vocals were genuinely to die for and the live violin added such drama and intensity to the entire performance. Add in the pyro, the staging and the atmosphere inside the arena and it became one of those Eurovision moments you could physically feel in the room. It was theatrical, emotional and completely captivating.

Australia also delivered drama at every possible opportunity. Delta was an absolute goddess from the second she stepped on stage. Commanding, glamorous and vocally flawless, she owned every second of that performance and the audience around me completely ate it up.

What also deserves huge credit is the stage crew themselves. Watching Eurovision live gives you a completely new appreciation for the organised madness happening behind the scenes. The team literally have around 45 seconds between performances to completely reset the stage, move props, prepare lighting and somehow make it all look effortless. Sitting there watching that level of coordination unfold in real time was honestly mind blowing. Bravo to every single person involved because the production itself is a masterpiece.

But I was genuinely delighted for Bulgaria. Such a catchy song. Such humble winners. There was something incredibly likeable about them and you could feel the crowd responding to that authenticity. Eurovision audiences know when somebody is genuine and Bulgaria

absolutely earned that moment.

One thing that made this trip particularly different for me personally was the fact I have now been off alcohol for eight weeks. Which honestly might explain why this holiday contained precisely zero drama.

No lost phone. No waking up wondering where I am. No emotionally charged kebab conversations at 3am. No spending half the next day recovering while swearing I am “never drinking again” despite knowing full well that statement has historically lasted approximately four business days. Instead, I explored. Properly explored. I walked everywhere. I took in the city. I noticed details. I remembered conversations. I woke up early without feeling like my internal organs were trying to leave my body.

And surprisingly, I never felt like I was missing out.

People had warned me Vienna was expensive but honestly I barely noticed. Maybe because I was not spending ridiculous amounts on alcohol. Maybe because I ate casually throughout the day rather than sitting in fancy restaurants. Most of my meals came from local vendors, food markets and random shops I stumbled across during my endless walking sessions.

And some of that food was unreal. There is something elite about grabbing food on the go in a European city while pretending you are starring in your own travel documentary. In reality you are usually just sweaty and checking if Google Maps has betrayed you again, but still. It feels glamorous in the moment. The funny thing about solo travel is how much it forces you to sit with yourself. There is no distraction. No buffer. No safety net. And weirdly, that can be incredibly peaceful. For the first time in a long time, I slowed down mentally.

Not physically obviously because my FitBit probably thought I was training for the Olympics. But mentally. I allowed myself to wander without needing a plan. I sat in public spaces and people watched. I took in architecture. I visited churches. I stood in crowds of strangers singing along to Eurovision anthems and felt completely content in my own company.

That probably sounds deeper than

intended. Don’t worry, I still spent parts of the trip desperately searching for public toilets and wondering why European pillows are always shaped like decorative cushions from B&M Bargains.

Some struggles are universal.

As I write this on my penultimate day in Vienna, preparing for a quick trip into Slovenia, I genuinely feel grateful for the entire experience.

Not every trip needs to be wild chaos to be memorable. No disasters. No drunken arguments. No missed flights. No trauma. Just incredible music, beautiful memories and the satisfaction of finally experiencing something I had dreamed about for years.

Vienna surprised me in every possible way.

Eurovision exceeded every expectation I had.

And travelling solo reminded me that sometimes the best adventures happen when you simply say yes and go.

I already know one thing for certain. As soon as Bulgaria announces the host city and dates for next year, I will probably be planning my next Eurovision adventure all over again. Until then, put Austria and Vienna firmly on your bucket list. Trust me, your step count might suffer, but your soul absolutely will not.

ARCHIVING QUEER HISTORY WITH THE LGBTQIA+ HERITAGE PROJECT NI

When we think about preserving history, there are countless museums, archives, and heritage projects dedicated to documenting art, culture, politics, conflict, and social change. However, LGBTQIA+ history has often been overlooked within traditional heritage spaces. Across generations, the stories, activism, creativity, and lived experiences of LGBTQIA+ people have too often gone undocumented or unrecognised.

The award-winning LGBTQIA+ Heritage Project NI, led by HERe NI in partnership with Cara-Friend and The Rainbow Project and supported by The National Lottery Heritage Fund, has spent recent years working to ensure Northern Ireland’s LGBTQIA+ history is preserved, celebrated, and made accessible for future generations.

Northern Ireland’s queer history is rich, complex, and deeply important, yet many people remain unaware of its depth due to a lack of public representation and accessible resources. While some museums and heritage organisations include aspects of LGBTQIA+ history, the LGBTQIA+ Heritage Project NI provides a dedicated and community-led space focused specifically on preserving and sharing queer history from across Northern Ireland.

The project is volunteer-led and focuses on collecting oral histories, photographs, artefacts, documents, and interviews that help tell the story of LGBTQIA+ life in Northern Ireland across different generations. Through careful archiving and storytelling, the project offers meaningful insight into the lives, struggles, activism, and achievements of LGBTQIA+ people throughout history.

At the centre of the project is a passionate team of volunteers and staff who work together to shape and guide its development. Volunteers play a key role in everything from digital archiving and podcast production to research, walking tours, and event delivery. The project creates opportunities for people to contribute in ways that match their interests and skills while also building friendships and stronger community connections.

In 2025, the LGBTQIA+ Heritage Project NI received the Belfast Pride Award for Innovation in Community Services, recognising the importance of preserving and sharing stories that have often been underrepresented within mainstream historical records.

One of the project’s most significant pieces of work is the “Queeritage” podcast series, which captures oral histories from some of Northern Ireland’s most important LGBTQIA+ activists and community figures. The podcast preserves the voices and experiences of people whose contributions shaped the local LGBTQIA+ community and broader equality movements.

Episodes include conversations with influential figures such as Harry McAllister, also known as Belfast’s first drag queen “Mizz Mae,” and the late transgender activist Tina McCombe. Through these interviews, the project protects invaluable personal histories that may otherwise have been lost over time.

Another major aspect of the project is its growing digital archive, which contains photographs, documents, posters, badges, newsletters, newspaper clippings, videos, and community materials dating back to the 1960s. The archive provides a powerful glimpse into LGBTQIA+ life in Northern Ireland across different decades.

From photographs of Pride marches and community gatherings to lesbian newsletters from the 1990s and political badges from LGBTQIA+ rights campaigns, the archive captures both the everyday lives and activism of the community. These materials not only preserve history but also help younger generations better understand the experiences of those who came before them.

The project also delivers accredited training in LGBTQIA+ heritage, helping participants develop knowledge and understanding of local queer history, activism, and community experiences. This training supports greater awareness of LGBTQIA+ heritage and helps ensure these stories are recognised as an important part of Northern Ireland’s wider social and cultural history.

The project also delivers the LGBTQIA+ Belfast Walking Tour, where volunteers guide participants through Belfast city centre while sharing stories about the city’s LGBTQIA+ history. The tours explore lesser-known parts of Belfast’s queer past, including former LGBTQIA+ venues, hidden landmarks, acts of activism, and important moments in local LGBTQIA+ history.

For many participants, the tours offer an entirely new perspective on the city and help create a stronger sense of connection between LGBTQIA+ people and the spaces they live in today.

Alongside heritage work, the project creates opportunities for social connection and community learning. The Online History Club invites LGBTQIA+ activists, historians, and community members to discuss topics connected to queer history in a relaxed and conversational environment. These sessions allow participants not only to learn but also to engage directly with people who have lived and shaped local LGBTQIA+ history.

The project has also developed the Crystal Queer Film Club, creating opportunities for people to engage with queer cinema in an inclusive and social setting. Screenings of films such as Priscilla, Queen of the Desert and Rebel Dykes help connect audiences to LGBTQIA+ stories and culture through film.

The project team has additionally contributed to local queer storytelling through the development of two documentaries: The Troubles I’ve Seen, focusing on LGBTQIA+ experiences during the Troubles, and We Were Always Here, highlighting the stories and experiences of LGBTQIA+ women in Northern Ireland. These documentaries provide important insight into voices and perspectives that have historically received little visibility.

The LGBTQIA+ Heritage Project NI plays a vital role in preserving the stories, activism, resilience, and culture of LGBTQIA+ people across Northern Ireland. Beyond archiving history, the project helps create stronger community connections, increases visibility, and ensures future generations can learn from and engage with the experiences of those who came before them.

The project continues to welcome new volunteers and contributions to the archive. Whether through oral history interviews, digital archiving, walking tours, film events, training opportunities, or community activities, there are many ways for people to become involved and help preserve Northern Ireland’s LGBTQIA+ history.

To learn more, volunteer, or contribute to the archive, contact the LGBTQIA+ Heritage Project NI through social media or by emailing olive@hereni.org.

GET PRIDE READY

Your eight week glow up to confidence, colour and skimpy summer style

Pride season is calling, and whether you are planning to strut through the streets, dance until sunrise, or simply soak up the atmosphere with your chosen family, one thing is certain. You deserve to feel confident, radiant, and completely yourself. This is your eight week call to action. Not to shrink, not to punish your body, but to celebrate it, support it, and show up feeling powerful in whatever outfit makes you feel unstoppable. >>>

This is not about chasing perfection. It is about building confidence, feeling strong, and stepping into Pride knowing you look and feel incredible. Think of it as a glow up that works from the inside out.

WEEK ONE AND TWO: RESET YOUR MINDSET

Before you even think about gym routines or summer wardrobes, start with your mindset. Body confidence is not built overnight, and it certainly does not come from comparison.

Start by changing the way you speak to yourself. If your inner voice is critical, challenge it. Would you speak to your best friend that way? Probably not. Pride is rooted in self acceptance, so begin there.

Take time each day to appreciate your body for what it does, not just how it looks. It carries you, supports you, allows you to dance, hug, love, and exist. That alone deserves respect.

Set realistic goals for the next eight weeks. Instead of saying “I want a perfect body,” reframe it to “I want to feel stronger, more energised, and confident in my skin.” That shift changes everything.

WEEK THREE AND FOUR: MOVE YOUR BODY WITH PURPOSE

Now that your mindset is in a healthier place, it is time to get moving. Not because you have to, but because movement is one of the fastest ways to boost confidence and mood.

You do not need to live in the gym. Find movement you enjoy. That could be weight training, dance classes, swimming, or even long walks with a great playlist. If it feels like punishment, you will not stick with it.

Aim for consistency over intensity. Three to four sessions a week is more than enough to start seeing and feeling changes. Focus on building strength, improving posture, and increasing energy.

Confidence often comes from how you carry yourself. Stand taller, engage your core, and notice how quickly your presence shifts. Sometimes it is not about changing your body, but about owning it.

WEEK FIVE: FUEL, DO NOT RESTRICT

Food is not the enemy. In fact, it is one of your greatest tools for feeling good. Instead of cutting everything out, focus on adding more of what your body needs. Think colourful fruits, vegetables, protein, and plenty of water. Hydration alone can transform how your skin looks and how your body feels.

That said, Pride is about joy. If you want the cocktail, the takeaway, or the dessert, have it. Balance is key. Deprivation often leads to frustration, and that is not the energy we are bringing into Pride season.

Listen to your body. Eat when you are hungry, stop when you are full, and do not attach guilt to food. Confidence thrives when you feel nourished, not restricted.

WEEK SIX: SKIN, GROOMING AND SELF CARE

Now we get into the glow.

Skincare does not need to be complicated, but consistency matters. Cleanse, moisturise, and protect your skin with SPF. If you want that extra glow, consider

gentle exfoliation once or twice a week.

Body care is just as important. Exfoliate, moisturise, and take time to look after your skin. Whether you prefer smooth, hairy, or somewhere in between, do what makes you feel confident, not what social media tells you.

This is also the time to experiment with grooming. Fresh haircut, beard tidy, bold makeup, or even a new fragrance. Small changes can make a big difference in how you feel when you look in the mirror.

Self care is not selfish. It is preparation for showing up as your best self.

WEEK SEVEN: FIND YOUR PRIDE LOOK

Now comes the fun part.

The skimpiest summer outfit does not mean the smallest piece of fabric. It means the outfit that makes you feel bold, sexy, and unapologetically you.

Try things on. Step outside your comfort zone. Crop tops, mesh, short shorts, harnesses, glitter, leather, colour, whatever speaks to you. Pride is the perfect excuse to express yourself without limits.

The key is fit and confidence. An outfit that fits well and feels good will always look better than something trendy that you feel awkward in.

Do a full outfit test at home. Put everything on, play music, move around, dance. If you feel good in your own space, you will feel unstoppable out in the world.

WEEK EIGHT: OWN YOUR CONFIDENCE

This is it. Pride is around the corner.

At this stage, the work is not about changing anything. It is about owning everything you have built over the past eight weeks.

Confidence is not about having a “perfect” body. It is about how you carry yourself. Walk into Pride with your head high, shoulders back, and energy open.

Surround yourself with people who lift you up. Confidence is contagious, and the right crowd will amplify it.

Take photos. Make memories. Celebrate yourself. You have put in the effort, both physically and mentally, and you deserve to enjoy every moment.

BONUS TIPS FOR MAXIMUM PRIDE ENERGY

Sleep matters more than you think. A well rested body looks better, feels better, and performs better.

Posture is everything. Stand tall, engage your core, and notice how it instantly elevates your look.

Confidence grows through action. The more you show up as yourself, the easier it becomes.

Do not compare your journey to anyone else. Social media is curated. Pride is real. And most importantly, remember that Pride is about celebration, not perfection. Your body, exactly as it is right now, is worthy of being seen, celebrated, and adored.

FINAL WORD

This eight week journey is not about becoming someone new. It is about reconnecting with who you already are and giving yourself the tools to feel confident, strong, and ready to take up space.

Whether you are in full glam, barely there mesh, or something in between, the real secret to looking incredible at Pride is simple. Confidence.

So step out, show off, and celebrate yourself in all your glory. Pride is not just an event. It is a feeling. And this year, you are walking into it ready.

Soft Is the New Strong

How gay men in Northern Ireland are redefining masculinity, vulnerability and connection in 2026.

For decades, gay male culture has wrestled with masculinity. In Belfast, Derry, Dublin and beyond, the pressure to look a certain way, act a certain way, and present a certain version of “acceptable” gayness has often felt unspoken yet unmistakable. Muscles. Masculine energy. No weakness. No softness.

But something is shifting.

Across Northern Ireland and Ireland, more gay men are quietly rejecting the rigid mould that once dominated queer spaces. The era of hyper curated gym selfies and emotionally unavailable coolness is being questioned. Not abandoned entirely, but examined. And in its place, a softer, more emotionally intelligent version of masculinity is emerging.

Scroll through Instagram or TikTok and you will still see the sculpted torsos and protein shake culture. Apps like Grindr remain part of the landscape. But alongside that aesthetic is a new conversation. Therapy speak. Emotional literacy. Conversations about boundaries. Men openly discussing anxiety, loneliness and self worth.

In Belfast’s Cathedral Quarter on a Friday night, you can still spot the traditional markers of gay male confidence. But talk to men in their late twenties and thirties, and the language has changed. They speak about burnout. About comparison. About the quiet toll of always performing strength.

James, 34, from Lisburn, tells GNI Magazine that for years he felt pressure to become “the right kind of gay.”

“I grew up thinking I had to overcompensate,” he says. “If I was gay, I at least had to be masculine. I had to go to the gym, lower my voice, act like I did not care about anything.”

That performance, he says, was exhausting. Across Ireland, therapists report a rise in gay men seeking support for body dysmorphia, rejection sensitivity and intimacy struggles. The Northern Irish context adds another layer. Many men grew up during or just after the Troubles, in communities where masculinity was closely tied to strength, stoicism and silence. Vulnerability was not encouraged.

Now, a generation raised with greater LGBTQIA plus visibility is beginning to interrogate those inherited rules.

The popularity of open conversations around mental health, even in traditionally male spaces like GAA clubs and gyms, has helped. So too has the influence of queer public figures who speak openly about softness and authenticity, such as Harry Styles, who challenges rigid gender presentation on global stages. While he is not a gay man, his visibility has undeniably shifted mainstream conversations about masculinity and self expression.

In Ireland, that ripple effect is visible in subtler ways. Gay men attending poetry nights in Derry. Queer men’s walking groups forming in the Mournes. Book clubs in South Belfast where discussions move from dating disasters to attachment styles and childhood wounds.

Softness does not mean weakness. It means access.

Access to emotion. Access to empathy. Access to intimacy without armour.

There is also a noticeable shift in dating culture. While casual encounters remain part of gay male life, many men speak about craving depth over detachment. The “gym body equals value” mindset is being questioned. Men are asking whether constant self optimisation is truly self love, or just another form of anxiety.

In Dublin, queer social spaces are diversifying beyond nightlife. Sober events, creative workshops and mental health meet ups are thriving. In Belfast, grassroots LGBTQIA plus organisations are seeing more men attend support groups than ever before.

This does not mean the pressure has vanished. Social media still amplifies comparison. Dating apps still reward aesthetics. But the internal narrative is changing.

There is courage in saying “I am struggling.” There is strength in setting boundaries. There is masculinity in kindness.

For many gay men in Northern Ireland, this evolution feels deeply personal. We are the sons of a culture that prized toughness. We are the generation that grew up negotiating identity in classrooms where the word “gay” was still an insult. Perhaps it makes sense that we first built armour before learning how to take it off.

Now, more of us are unlearning.

We are allowing ourselves to cry. To prioritise therapy. To value emotional compatibility as much as physical attraction. To admit that loneliness can exist even in crowded bars.

Soft is not the opposite of strong. It is strength without fear.

And in a place like Northern Ireland, where resilience has always been part of our story, that may be the most radical shift of all.

The next chapter of gay life here will not be defined by how hard we can appear, but by how honest we can be. In Belfast, in Derry, in small towns and big cities across Ireland, gay men are discovering that the bravest thing we can do is not flex. It is feel.

Diary of a wedding celebrant Orla Foster

Wondering how to find and book a wedding celebrant for your big day?

Humanists UK celebrant, Orla Foster, shares her diary her as she works with engaged couple Eliska and Katelyn, due to be married in June I grew up attending weddings that, while beautiful in their own way, didn’t feel like they spoke to me, or to my values. When I went to my first humanist wedding, it felt vibrant, meaningful and inclusive – exactly as I try to live my life. It therefore made sense for me to take on this role, and every wedding I officiate is incredibly unique.

6 September 2025 – the first contact

It all starts with a short email. Eliska and Katelyn ask if I have availability, and if so, could I meet them soon? I check my diary and go back and say I’d love to meet up soon!

Weddings are super personal and it’s important to get the right celebrant to match the vibe you want, so I know there are no guarantees Eliska and Katelyn will choose me. Nevertheless, I am excited to see what plans they have in store for their wedding.

9 September 2025 – a cuppa and a chat

Eliska, Katelyn and I met for a coffee. It’s always a little awkward meeting people for the first time (is that them, is it not them?), and I often wonder what people around us who hear snippets of our conversation think about it.

What was supposed to be a ‘quick’ cuppa ends up being an hour long, while Eliska and Katelyn tell me about how they met, their relationship, and their wedding plans. Eliska is Czech, but has lived here for most of her life, so we talk about what’s possible with the help of an interpreter, and by the end of the meeting we have in-jokes aplenty. We also talk about the legal process, logistics for the wedding itself, and, of course, pricing – getting married is an expensive time, it’s best to be totally transparent.

As we say goodbye, I tell the girls I understand they may not choose me, and I wish them all the very best with their wedding plans regardless. But, the vibes are good so I’m hopeful!

11

September

2025 – securing the date

Eliska and Katelyn have told me they’d like to book me – I am delighted. Honestly, the feeling of knowing a couple trusts you with their big day will never get old, and I will never take it for granted.

I send out the booking contract, which is a bit of security for the couple as well as the celebrant. It sets out expectations clearly, the insurances I have, and who I am accredited by. It also shows what plans are in place should something unforeseen happen – luckily this has never happened yet, but let’s not tempt fate. Once that’s sorted, the date is secured in my diary.

27 November 2025 – big planning meeting

The girls and I sit down on a video call to plan out their ceremony. Some couples only ever meet me online ahead of their wedding, some like to do a meeting in person; I am flexible and do what suits the couple.

The first half has me asking a million questions; How would you like to make your entrance? Have you chosen music? Would you like to write your own vows? Couples don’t need to have all the answers to these questions yet – it’s just to get the ideas flowing and to be able to share options. I’m just facilitating the day, and every choice is theirs.

Then comes the fun bit where I get to know them better. Eliska and Katelyn tell me how they met and about the life they have built together. These little nuggets are chapters of their overall story that I then weave into their script, meaning their script will be completely unique.

I also talk through the legal paperwork. This is often the part that stresses couples out, but it’s really straightforward.

29

January 2026 – the script is ready

I had so much fun writing this script, from my Czech introduction (I will have to practice a LOT) to the proposal story (let’s just say that the best laid plans don’t always work out!).

It’s so nerve-wracking sending a draft of a ceremony off; I always hope I’ve done their story justice. Luckily, Eliska comes back almost immediately telling me she ‘Cried like a baby’ (in a good way!).

3 May 2026 – the big day gets closer

I’ve made any changes Eliska and Katelyn have asked for, and have shared the newest version. We then figure out logistics for their rehearsal in a few weeks. Not all couples have a rehearsal, some just like a run-through on a call, but if they do, it’s a great chance to get to know the venue – this time we’re at Leighinmohr House, a venue I’ve never worked at before!

On the day

Eliska and Katelyn know I only do one wedding per day, and will be working to their timetable. I arrive a few hours ahead, making sure the paperwork is ready, the rings are safe, the music cues are set and the photographer knows that if I’m in the way they can just give me an evil look!

I hang around afterwards, just to check the couple are happy and to speak to guests who may have questions – usually people are caught off-guard by how moving they’ve found it.

Then comes the bittersweet moment I say goodbye to the couple. I, of course, hope that Eliska and Katelyn don’t need my services in the future, unless they want me back for their vow renewal in five or ten years!

To find out more about Orla and her upcoming availability, visit www. orlathecelebrant.com

FAQs

What is a Humanist Wedding?

• A humanist wedding is non-religious, but inclusive and welcoming for everyone. It can be personal, beautiful, funny and everything in between.

• Will I be legally married, and if so, does it have to be in a specific place?

• In Northern Ireland, humanist celebrants can complete legal weddings

anywhere. A wedding at home? No problem. Tying the knot halfway up Slieve Donard? Let me get my walking boots on!

• Where do I find a Humanist Celebrant?

Choose a celebrant who fits your vibe! I am a Humanists UK-accredited celebrant, so I recommend their Find a Celebrant tool. You can find this at https:// humanists.uk/ceremonies/find-acelebrant-ni/

Eliska and Katelyn’s Point of View

“The process of working with a celebrant has been exciting, calm and personal! It’s been emotional for us to be able to look back at our relationship through Orla’s eyes, even before the wedding!

“When we met Orla, we quickly clicked and were able to laugh about the smallest things. She aligned with our humour, listened to all we had to say and was excited to try new things in the ceremony.

“We’d recommend a celebrantled wedding because being able to choose how you want your ceremony to be is so important. Having endless options and such a personal walkthrough of your relationship is priceless on your big day.”

Photo credits:

• Eliska and Katelyn photos, Courtney Hamilton Photography

• Orla Foster outside: Leilia Dore

BIG DAY >>>

Tell us how you met, were you single for a long time before you started dating?

We met when Emma moved to a new McDonald’s store and became Kayleighs manager although we had a few mutual friends at the time. We had both been single for a while, I think both of us about a year.

How long after you started dating did it take to pop the question , was it an immediate yes ? And who asked who?

Oh it was a long time, we met and lived in Carlisle, England in 2017 and didn’t start seeing each-other until March 2018 classic lesbians we moved in together after 6 months. We then decided to move to NI (home for Emma) which we managed to achieve in Jan of 2020. Once we bought our house in 2021 one

of the first things Kayleigh bought was a ring sizer so the hints were not subtle. Emma proposed on 5th November 2021. The ring arrived on the Wednesday and felt like a lifetime until the Saturday when we had a wee day out in portrush, finished off by a fire down at Whiterocks beach where Emma popped the question. I don’t know how Kayleigh was surprised cos I felt like I had been super stressed since the ring arrived and super insistent on us going to the beach for a fire on a wet and windy day. She said yes instantly!

Tell us about the BIG DAY , location, amount of guests etc.

we had our wedding at clandeboye in Bangor. We had about 70 guests, it was a fab day where we all just had a big party. Our ceremony was so special with Gemma Hutton our celebrant making it so personalised and funny but also full of love.

What about the food and drink?

Oh people still bring up the food, it was delicious.

Were there any hiccups or did all go to plan?

Well on the morning as Kayleigh was getting into her dress the zip/ clasp broke but as the bridesmaids were going between the two rooms they all rallied and helped the make up artist pretty much sew her into the dress. There was also an issue with the band setting up, their equipment tripped a couple of times and they were worried about getting damage but luckily the clandeboye provides a go to person all throughout the day and they handled it all and we were able to get dancing!

Have you been on or are you going on honeymoon?

We went to Canada for our honeymoon, we hired an RV (we got talked into a huge one because

it had a generator and it ended up being the size of a bus) and did a 2500km loop round British Columbia including Banff and Jasper in the Canadian rockies. It was unbelievably beautiful. We keep talking about going back and doing it all again.

In your daily lives what do you do for work ? what interests do you share and have that are different ?

Emma is a Civil Servant and Kayleigh is a Baker although she is on Maternity leave at the moment.

We are pretty similar in some aspects but also complete opposites in others. We would watch the same shows on tv mostly, we both love getting out and about in nature, camping and walking etc. Kayleigh is currently on 35 books for the year and Emma does some knitting and crochet, we spend our free time differently with Emma going to Dungeons and Dragons with some of her friends from school,

Kayleigh doesn’t see the appeal in that but mostly our free time is spent together especially now we have our son.

Do you do everything together in terms of socialising, travel ?

Emma has a better social battery most of the time so can go through periods of having a few more plans than Kayleigh. We have a lot of friends in common so most of the time we are both invited to the same things. Kayleigh’s family live in England so she has travelled over a couple of times just her to see the but most of the time we do our trips together.

Have you a family, is this something on the plan for you?

We have a 7 month old son Rory, we have always wanted a family. We were very lucky, instead of wedding presents we asked for money towards fertility treatment and what we got pretty much covered a lot of our treatment. We went to therapie fertility in Dublin although since we got pregnant

they have opened a satellite centre in Belfast. We cannot rave about them enough.

Tell us who made your day possible in terms of rings, flowers, photographer, cars etc, who would you like to thank and recommend?

We had so many fabulous suppliers and they all made the day unreal. Everyone brought the party vibes and energy, every stage of the day was made magical by all our wonderful suppliers.

SUPPLIER TEAM -

• Venue - @ clandeboyelodgehotel

• PhotographerVictoria Whiting @ victoriawhitingphotography

• Humanist - Gemma Hutton @gemmahutton_humanist_ celebrant

• Hair - @SineadWilliams_ BridalHair

• Make up Artist - @ ALXMakeupNI

• Florist & Invites - @peachy_ gold_

• Dress - @dreamweddingscoleraine

• Emmas Suit - @thecuttailoring

• Harpist - @ruthcorryharpist

• Cake - @TheBusyWhiskBakery

• Photobooth - @GoodtimesPhotoNI

• Videographer - @epic_journal_ photography_film

• Band & DJ - (Starling Entertainment) @ mojo_ni_

Has anything changed since you said “I Do”?

Nothing has changed in our day to day or at least it hadn’t until our son was born, now as you can imagine everything is wonderfully different.

Anything else we may have missed that you may want to add/mention ???

Our bridal parties and families all pitched in with any of the diy bits and pieces.

in Donegal

with the Gallen Hotel Group

Your Stor y Matters

We want to hear about your experience of living as an LGBTQIA+ person in Belfast. Our research will give voice to the real lives, challenges, and strengths of our community and shape better ser vices, policies, and suppor t for the future. Take our online sur vey, you can complete it anonymously. https://www.surveymonkey.com/r/PBTWNYR

Want to go fur ther? We're also looking for people to take par t in a small group conversation (focus group) to share their experiences in more depth. All identities within the LGBTQIA+ community are welcome. Your voice, your experience, your community. What you share can directly influence how ser vices are developed and delivered for LGBTQIA+ people in Belfast for years to come. This project is suppor ted by PEACEPLUS , a programme managed by the Special EU Programmes Body (SEUPB) Out Connections

Sur vey

As a teenager growing up in County Tyrone, fashion certainly wasn’t an obvious career path for me. Like a lot of people growing up here, there’s a pressure to choose something secure and safe. For me, that was physiotherapy, I went to university, graduated and followed the route I thought I was supposed to take. But deep down, I knew the creative side hadn’t left.

My interest in fashion started when I was around 16 years old. I was always drawn to clothing/brands that had character and carried a sense of identity. I particularly loved vintage fashion as it always seemed authentic, and more individual than modern blanks. That mindset really shaped the brand we’re building today.

After graduating, I reached a point where I knew I’d regret not giving my passion a chance. In July 2025, we took the leap and opened our first store at The Boulevard in Banbridge - on what was originally to be a 6 week pop up. At the time, it felt like a huge risk. There was no guarantee people would connect with the brand, and no certainty it would work long term.

Almost a year later, we’re still here.

That first store changed everything for us. Customers were able to see the level of quality we provide, across all collections. Our goal was never to chase fast trends, but to create unique pieces that would attract the right people to us. We wanted to build premium vintage streetwear that people could wear confidently for years, not just one season.

What makes the journey meaningful is knowing that the brand has grown organically. A lot of it has been built through word of mouth and loyal customers who have supported us from day 1. We’ve learned everything through experiencethe wins, the mistakes, the pressure and the uncertainty that comes with business. We want to prove that following your passion can work out - you just have to take action and back your vision.

Being from Ireland has shaped the way I approach business and creativity. People here value honesty - they can tell very quickly when something doesn’t feel real. That’s why authenticity has always mattered to us more than trying to appear bigger than we are. We want the brand to reflect who we are and where we come from.

We’re still very much at the beginning of this journey, but that’s what excites me the most. SKYL has existed on my bedroom wall from I was 16 years old, and to watch it turning into a growing brand with its own identity and community behind it is an absolute dream. In business, you don’t have to reinvent the wheel - but you do have to change it.

SKYL

Meadowfarm Star Magnolia Reed Diffuser: Tried by Gary

gni tries

It’s no secret that here at GNI we love a good candle or reed diffuser. Meadowfarm is a brand we’ve featured before and return to often, because quite frankly, they always deliver. But loyalty doesn’t mean complacency, when a new scent drops, we’re absolutely trying it. This time, it was the Star Magnolia Reed Diffuser and let us tell you upfront: the bar was high… and it was cleared with ease.

Meadowfarm founder Rachel has said she always feels so nervous when releasing a new fragrance, particularly given how loved the previous ones have been. We can very confidently say she had nothing to worry about. From the moment the bottle was opened, the springiest spring scent imaginable wafted out, quickly filling our bedroom, hall, and stairs. No aggressive shaking, no waiting around just an almost instant atmosphere.

Star Magnolia is a light, airy, dreamlike floral, gently lifted with a subtle citrus note that keeps it fresh rather than overpowering. It smells like throwing open the windows on the first warm day of the year. Soft, luminous and quietly uplifting, it’s the kind of fragrance that makes a space feel calmer, brighter and a little bit more optimistic without demanding attention.

What makes it particularly special is the craftsmanship behind the scent. The fragrance was created by Pia Long and Nick Gilbert of Olfiction, an independent perfumery studio celebrated for its thoughtful, modern approach to scent. You can feel that intention here Star Magnolia isn’t shouty, trendy or trying too hard. It’s elegant, comforting, and genuinely easy to live with.

As a reed diffuser, it performs beautifully with an excellent throw, steady diffusion, and a presence that lingers in the best possible way. It feels considered, grown-up and quietly luxurious exactly what we want our homes to smell like.

Available as both a reed diffuser and candle, starting at £30 explore the full Meadowfarm range at www. meadowfarmlifestyle.co.uk

PÄRLA Oral Care: Tried by the Team

Let’s be honest oral care has never exactly screamed glamour. Toothpaste is toothpaste, right? Well… not quite. This dentist-designed, design-led brand that’s quietly (and very chicly) changing the way we think about brushing our teeth. After testing a selection of their products, we can confirm this is oral care with serious main-character energy.

First, a little backstory because we love a smart underdog. PÄRLA famously strutted onto Dragons’ Den and walked away without a deal, despite offers from Deborah Meaden and Tej Lalvani. Why? Because the founders knew their worth. That confidence paid off, opening doors to the right investors and helping PÄRLA grow into the cult brand it is today.

At the heart of the range is a smart, science-backed approach to oral health. PÄRLA’s toothpastes are powered by Hydroxyapatite (a mineral your enamel already loves), oral probiotics, and essential vitamins all designed to strengthen teeth, support the oral microbiome, and keep your whole mouth feeling fresh and healthy.

Even better? Every formula is SLS-free, vegan, crueltyfree, and palm oil–free, and all products come in 100% plastic-free packaging. Their fully aluminium toothpaste tubes and lids can go straight into recycling, no scrubbing required. It’s a small detail that makes a big difference.

The Products We Tried (And loved) Pro Whitening Toothpaste (£10.95)

If you want a smile that looks glossy, this is your girl. Combining Hydroxyapatite with fluoride, it strengthens enamel, tackles sensitivity, and delivers a noticeable brightness boost without that harsh, chalky feel some whitening pastes leave behind. Bonus points for added Vitamin B12 and Vitamin E, because apparently your

toothpaste can care about your immune system too.

Bio Balance Toothpaste (£9.95)

This one’s for the fresh-breath obsessives and microbiome nerds (guilty). Packed with oral probiotics, it supports the good bacteria in your mouth because yes, the mouth is basically the gateway to the gut. The result? A long-lasting clean feeling and gums that feel genuinely happier.

Enamel Protect Toothpaste (£6.95)

A more budget-friendly option that still punches well above its weight. With 1450ppm fluoride and four natural stain-removal agents, it gently polishes teeth while protecting against decay. Think everyday reliability with a glow-up finish.

Their Accessories Deserve a Moment too!

Copper Tongue Scraper (£9.95)

Inspired by Ayurvedic traditions, this sustainably sourced copper scraper is antimicrobial, plastic-free, and once you try it, you’ll wonder how you ever lived without it. Expect fresher breath, better taste perception, and an extremely photo-ready tongue.

PÄRLA Brush (£3.95)

Made from compostable bamboo with castor-bean bristles (no fossil-fuel nylon here), this ergonomically designed brush reaches even the most annoying back teeth. Practical, planet-friendly, and honestly chic. We love that PÄRLA doesn’t make you choose between science and sustainability you get both, beautifully packaged. The research, care, and dental expertise behind the range really shows whiter, healthier teeth, fresher breath, and a routine that finally feels like selfcare.

Try PÄRLA for yourself and get 15% off your first order with code GNI15.

Explore the full range at www.parlaoralcare.com.

SmartyPlants Plant Sensor: Tried by Gary

If you’ve ever stared at a wilting houseplant whispering, “I watered you YESTERDAY,” meet your new favourite gadget. These little gadgets are basically a translator for your plants, and honestly, it’s about time they told us what they actually want.

I’m fairly green-fingered, but even I have a few diva plants that refuse to thrive no matter how much love (and panic-watering) they’re given. Enter SmartyPlants, with big promises and even bigger appeal. You simply stick the sensor into the soil, connect it to the free SmartyPlants app via WiFi, and suddenly your phone is serving real-time plant diagnostics. Light? Checked. Soil moisture? Monitored. Temperature, humidity, nutrients? All covered. No horticultural degree required.

I tested the sensors on three very different plants in three very different locations: a dragon plant in the bathroom, a Christmas cactus in the living area, and a peace lily in the office. Within a week, all three were visibly happier. The dragon plant in particular had a full glow-up, with a fuller spread of darker green leaves and a confidence I honestly aspire to have.

The app gives just the right amount of info helpful, reassuring, and never patronising. Plus, the rechargeable battery lasts over three months, so you’re not constantly babysitting the babysitter. If you’re running a mini jungle like me, there are multi-packs available (Three, Five or Ten sensors), which somehow makes plant care feel less chaotic and more… organised adult. If you want healthier plants, fewer funerals, and a smug “oh, I use an app for that” energy, these genius little gadgets are absolutely worth it.

Available at smartyplants.co.uk Use code GNIMAG15 for 15% off your first order.

This Works Skin Deep Shimmer Serum: Tried by Daniel

There are two kinds of shimmer products: the ones that make you look softly radiant… and the ones that make you look like you’ve lost a fight with a disco ball. Happily, this serum sits very firmly in the first camp, luxe, subtle, and effortlessly flattering.

Daniel put this golden beauty to the test, and the verdict? A glow-up that feels polished rather than try-hard. From first pump, it’s clear this isn’t just shimmer. Infused with 24-carat gold, jojoba oil, and Vitamin E, the serum delivers instant luminosity while also hydrating, smoothing, and nourishing the skin, think skincare-first, sparkle-second exactly how he likes it.

What sets Skin Deep apart is its Superblend formulation: a carefully balanced trio of naturally derived, scientifically proven ingredients used at therapeutic levels. Antioxidantrich botanical extracts help protect against environmental stress, while vitamins A and E support collagen and elasticity over time. Skin ends up looking smoother, softer, and genuinely healthier not just shinier.

The texture is lightweight, fastabsorbing, and completely non-greasy,

it melts straight into the skin and dries quickly, making it ideal for real life, not just mirror moments. Daniel found it worked particularly well across the collarbones, chest, and arms, adding definition and a golden sheen that catches the light beautifully without shouting for attention.

It’s perfect for layering under an outfit, enhancing bare skin, or giving that extra bit of confidence before a night out or even just because you deserve to feel good on a Tuesday. According to user testing, 98% said skin felt less dry, while 89% reported increased radiance and smoother texture, and honestly, we get the hype.

Available now at www.thisworks.com £28 for 50ml

ILGA Europe’s 2026 ‘Rainbow Map’ - the Good, the Bad, and the Ugly

The past few years have been difficult for LGBTQIA+ communities. We’ve seen a rapidly worsening environment for all LGBTQIA+ people, but particularly trans people, across the UK and to an extent in the Republic of Ireland as well. It’s rare, however, that we can see it so starkly presented, with facts, data, and comparison across Europe.

The ILGA Europe ‘Rainbow Map’, released every year, provides us with the opportunity to do just that. It ranks each country in Europe based on their approach to LGBTQIA+ rights across a range of areas:

- Equality and non-discrimination;

- Family;

- Hate crime & hate speech;

- Legal gender recognition;

- Intersex bodily integrity;

- Civil society space;

- Asylum.

Historically, the UK has sat quite high on the list of European countries, topping the rankings for the first three years since the first Rainbow Map in 2013. The world has changed a lot in the following 13 years, and both the UK and the rest of Europe are in a very different position regarding LGBTQIA+ rights.

So let’s break down the UK’s ranking and position in comparison to the rest of Europe: the Good, the Bad and the Ugly.

The Good

With only one exception, the UK otherwise maintains all the points across these categories which it held in 2025. The key strength of the UK is in its support for a healthy civil society space - enabling LGBTQIA+ people and communities to freely assemble for Prides, and LGBTQIA+ organisations such as ourselves to operate freely.

Across LGBTQIA+ sectors in the UK, there is a sense that this is changing, with hostile litigation from anti-LGBTQIA+ groups and an increasingly hostile political space making it more difficult for us to operate - however, in comparison to some areas of Europe where Pride marches have been banned and LGBTQIA+ civil society is suppressed, the UK still maintains a more open environment for LGBTQIA+ organising.

The UK has also held onto points in the areas of ‘Equality and Non-Discrimination,’ ‘Hate Crime & Speech’, and ‘Family’. The record in these areas is more patchy.

While individuals across the UK are protected

from discrimination on the basis of their sexual orientation and gender identity, these protections look slightly different for trans people in Northern Ireland, and don’t extend at all to intersex people in Britain or Northern Ireland.

Britain has hate crime laws covering homophobic and transphobic hate crime, whereas in Northern Ireland, only homophobic hate crime is covered, and the model for prosecuting this crime is outdated and ineffective. Only Scotland has protections for intersex people within its hate crime laws, and included within this legislation comprehensive hate speech provisions.

The Bad

The ‘Family’ category has previously been one of the UK’s strongest areas, with the Human Fertilisation and Embryology Act providing protections for same-sex couples who have children through artificial insemination. However, a recent High Court judgment has challenged this positive record, with a transgender man who gave birth to his child losing a challenge against the Government’s refusal to have him recorded on the child’s birth certificate as their father. The Government has also failed to bring into law any specific protections for trans parents, which is having significant impacts on the ground in Northern Ireland and across the UK

for trans people who wish to start a family.

Across other areas including ‘Asylum’, ‘Legal Gender Recognition,’ and ‘Intersex Bodily Integrity,’ the UK scores abysmally. Following years of regressive policies and approaches to asylum reform, the UK only retains one point in the ‘Asylum’ category. For anyone working with LGBTQIA+ asylum seekers in recent years, this will ring true - the approach of the Home Office to LGBTQIA+ asylum seekers has become increasingly hostile, and legislative interventions such as the Illegal Migration Act have restricted asylum seekers’ rights even further. A change of course, respecting the right to claim asylum and the importance of specific support for LGBTQIA+ asylum seekers, is vital for ensuring those individuals who are fleeing persecution and often violence are not retraumatised through our asylum processes.

On legal gender recognition, the UK lost significant ground last year, following the passage of the ‘For Women Scotland’ Supreme Court Judgment redefining the terms ‘woman’ and ‘sex’ in the Equality Act. While this judgment was regarding the Equality Act, it also has impacts on the Gender Recognition Act (GRA). The 2004 GRA was intended to allow someone to change their legal sex for all purposes, including for the purposes of non-discrimination legislation. This judgment undermined that position and, while we are yet to see the full impacts, resulted in a dramatic drop in points for ‘Legal Gender Recognition’ last year. The UK has also made no progress whatsoever in protecting the bodily integrity of intersex people, and continues to allow for unnecessary medical and surgical interventions on intersex infants.

The Ugly

This is part of a wider trend: in 2015, the UK sat proudly at the top of the list in Europe, acting as a beacon of hope and progress for LGBTQIA+ communities across Europe who saw that positive change could be made. Following 11 consecutive years of decline and stagnation in LGBTQIA+ rights, the UK now languishes at 22nd on the list. Attacks on the rights of trans people and asylum seekers, particularly in the context of the Supreme Court judgment and recent regressive asylum legislation, is having a wider impact on the enjoyment of rights for all LGBTQIA+ people. It serves as a reminder that human rights are, or should be, universal, and that the removal of rights for one often signals a degradation in the rights of all. Progress cannot be taken for granted, and we all must work together to progress the rights of all LGBTQIA+ people, and everyone else as well.

So… What

now?

It’s clear that both the UK Government, and devolved Governments in Scotland, Wales, and Northern Ireland, must step up to the plate and deliver real change for LGBTQIA+ people. In Northern Ireland, we have a number of clear opportunities to make positive change.

The recent success on funding for gender affirming care services will take time to bed in, but could massively improve the lives of trans people across Northern Ireland - that is, if it is delivered in a way that respects the rights, autonomy and identities of the patients seeking to access it. We will continue to push the Department of Health to meaningfully involve trans communities in the design and delivery of this service.

We also have the opportunity to increase protections for LGBTQIA+ people against hate crime, and against conversion practices. The Justice Minister’s Sentencing Bill seeks to reform how hate crime is dealt with by the criminal justice system, implementing a more effective system for both prosecuting hate crime and rehabilitating offenders. We are working hard to ensure that transphobic hate crime is also covered within this new legislation, for the first time ever in Northern Ireland.

We are working with Eóin Tennyson, Alliance Party MLA for Upper Bann, to support his development of a ban on conversion practices in Northern Ireland, while also lobbying the UK Government to ensure that its ban covers all four nations. Whether via Stormont or Westminster, we are determined to secure a comprehensive, trans-inclusive ban on these abhorrent practices.

But this isn’t enough - we need to see real progress across a wide range of areas, and a reversal of the backslide on trans rights. From making gender recognition more accessible; improving access to fertility treatment and preservation for same-sex couples in Northern Ireland; banning unnecessary surgeries on intersex infants; meeting the target of reducing HIV transmissions to zero by 2030; respecting the rights of LGBTQIA+ asylum seekers to safety and dignity; and improving LGBTQIA+ inclusion in education and the workplace.

This is just a number of ways in which the UK can, and should, reverse the decline, once again becoming a global leader on LGBTQIA+ rights.

Hot Hits & Celeb Bits

Gary Campion

Being honest...

I’d like to pretend this column was written at a desk, but honesty compels me to admit it was written poolside.

Live from the poolside of a five-star hotel in Crete. Yes, Crete. It was supposed to be Thailand, but Trump managed to derail that plan, a sentence I never expected to write in an entertainment column, but here we are. Anyway.

Spring rolling into summer is always peak chaos in the best possible way. It’s prime season for big music releases, festival fever and constant festival announcements, and the whole industry hums with excitement. It was always the maddest time of year in my former life, and honestly, I still love it just as much now as an entertainment columnist, minus the all-nighters, plus slightly better location settings.

Between now and the next issue, my diary reads like a festival promoter’s fever dream: Mighty Hoopla Festival, a 30+ club night (don’t judge), Cian Ducrot and The Kooks at Custom House Square, and Katy Perry at Slane Castle. Casual. I may also squeeze in Come Alive: Circus Spectacular while I’m in London for Mighty Hoopla. As a fully-fledged Greatest Showman superfan, this has been top of my must-see list for a while, so expectations are sky-high.

I’ll report back on all the chaos, glitter and questionable late nights in the next issue.

Until then, sunscreen on one hand, gig tickets in the other, Gary X.

Top 5 devil wears prada tracks

KT TUNSTALL SUDDENLY I SEE

I am guilty of my love of a female vocal and a live guitar, plus this is the opening sequence to what has now been an iconic film, so it has to be number 1.

OLIVIA DEAN NICE TO EACH OTHER

The woman and the album of the moment, so glad this track made it into the 2nd film’s soundtrack, she should have had a cameo in the film if you ask me!

RAYE WORTH IT

Another lady who is flying high worldwide, jazzy confidence bottled in one track, I can see the models strutting along to this already.

ALANIS MORISSETTE CRAZY

(JAMES MICHAEL MIX)

I was gutted she didn’t perform this at Belsonic last year, such an amazing cover, better than the original in my humble opinion.

It’s Madonna, so “that is all!”

MADONNA JUMP

Devil Wears Prada 2

Soundtrack (out now)

Gird your loins, people: the film and soundtrack we have all been waiting for have arrived, and it’s basically a walk-in closet full of feelings (and killer boots). It’s giving “fashion is my coping mechanism” in the queerest way possible.

Here is my breakdown of the album, having had a press listening link for 2 weeks prior it’s release:

First things first, Gaga runs this runway as she opens the album with “Shape of a Woman,” struts right into “Runway” with Doechii and caps her trio with “Glamorous Life.”

Translation: Mother arrives, Mother multitasks, Mother leaves no crumbs.

This tracklist is basically a playlist for walking into the office like you weren’t crying in the bathroom ten minutes ago. Gaga + Doechii on “Runway” is pure “don’t talk to me unless it’s in a compliment” energy.

Dua Lipa’s “End of an Era” practically winks at the sequel’s whole vibe: legacy, change, and figuring out who you are when the world shifts beneath your Louboutins. Raye’s “Worth It.” SZA’s “Saturn.” These aren’t just songs, they’re affirmations for anyone who’s ever stayed too long in a job, a situationship, or a “friend” group that didn’t deserve them.

Olivia Dean’s “Nice to Each Other,” Ledisi’s “Daydreaming,” and The Marías’ “No One Noticed” read like the comedown soundtrack when the eyeliner’s smudged, your feet hurt, and you’re finally telling the truth. Newcomer Sienna Spiro’s “Material Lover” is explicitly framed as being about loving real things in a world of social media, AI, and everything digital, which is extremely “I deleted the apps and suddenly found peace.” Add Izzy Escobar’s “Evergreen Avenue”, and you’ve got a little escapism, a little nostalgia, a lot of “I’m building a life that fits me.”

The cherry on top: it’s an all-women lineup: Beyond Gaga, the soundtrack is stacked with women across pop, soul, and dreamy alt lanes, Dua, Miley + Brittany Howard (on “Walk of Fame (Edit)”), Laufey, Olivia Dean, SZA, Raye, Ledisi, Izzy Escobar, The Marías, and more. It feels curated, not random, like a mood board that knows exactly what it’s doing.

Bottom line is this isn’t just a soundtrack, it’s a queercoded survival kit: confidence for the commute, tenderness for the spiral, and bangers for the “I’m back, and I’m hotter now” montage.

Reverend & the Makers: Is This How Happiness Feels? (Asking for a Friend Who Just Found This Band)

There are two ways you usually discover a new band as an adult. One: an algorithm gently nudges you towards them at 11:47 pm when you’re emotionally vulnerable and scrolling aimlessly. Two: a friend says, “You’ve never listened to them?” in a way that feels faintly judgmental. Is This How Happiness Feels? arrived for me somewhere between the two, a click made out of mild curiosity and the dangerous belief that I “should broaden my horizons more”.

I went into this album with zero baggage. No memories of their early days. No beloved back catalogue whispers. Just a band name that sounds like they might headline a sunny festival poster or sponsor a very lively beer tent. And within minutes, I found myself pleasantly settled, wondering how an album could feel so relaxed while still being properly good.

Musically, Is This How Happiness Feels? is warm, smooth, and quietly confident, indie-pop with soul influences and a knowing grin. Songs unfold rather than explode. Choruses don’t leap out at you; they sidle up and pour themselves a drink. Before you realise it, you’re humming along like a convert who’s pretending they didn’t just Google the band five minutes ago.

The lyrics are where the album really flexes. There’s lots of reflection on love, uncertainty, modern life, and the strange emotional clutter that comes with being old enough to know better but still absolutely winging it. There’s humour here too, not laugh-outloud gags, but the kind of dry, observational wit that makes you nod and mutter, “Yeah… fair.”

The album title looms over everything like a halfserious question asked during a quiet moment: Is this it? Is this the thing we’re all aiming for? Instead of answering directly, the songs offer snapshots, moments of joy, contentment, doubt, and mild chaos, which somehow makes the question funnier and more relatable. Happiness, it suggests, might just be catching yourself enjoying the song before overthinking it.

What’s refreshing, especially as a first-time listener, is how unforced it all feels. No desperation. No trend-chasing. This is a band clearly comfortable in their own skin, the sonic equivalent of someone who’s stopped pretending they enjoy bitter drinks just to seem interesting.

By the end of the album, I wasn’t transformed, reborn, or ready to tattoo lyrics on my arm, but I was lighter, smiling, and looking up gig dates. Which feels telling.

So… is this how happiness feels? If happiness is accidentally finding a new favourite band, enjoying

My Top 5 Hits on Repeat: What I have been listening to the most since our last issue

VINCINT: Lean

I know this was released back in 2024, but having discovered him for the first time at Mighty Hoopla, this track has grown on me so much, such a feelgood upbeat track!

Niall Horan: Little More Time The 2nd track off his forthcoming album Dinner Party, this guitar-led track is perfect for the summer vibes chilling in the garden, driving along the coast or even just having a walk.

Noah Kahan: Doors Moving on from Stick season and having played Vital here in Belfast, he is back with this equally catchy and radio-play-friendly number. Like Niall’s track, this is a perfect summer vibe.

Scouting For Girls: These Are The Good Days From their latest album release, Ray and the boys are back, accompanied by a choir…. it’s hard to beat a choir-backed pop track!

Jack McGee: Hold on Tight

A local talent from The Voice UK, whom I have had the pleasure of interviewing last year, plus he has performed at the GNI awards, this was his first independent release.

yourself without irony, and briefly forgiving streaming algorithms for their sins, then yes. And if anyone asks, I’ve “always been into Reverend & the Makers.”

dr bryan

When the Tan Goes Wrong: Understanding Hypopigmented Skin Disorders This Spring/Summer

Have you ever struggled with applying fake tan? Can’t seem to even out blotchy coverage? Or has your skin prep not sustained a longer lasting glow?

Albeit this can be frustrating for artificial tan users, imagine if your skin itself looked uneven. This month I would like to highlight that for some of us, the warmer months bring a different experience: patches of skin that refuse to tan, areas that look lighter than the surrounding complexion, or a mottled, uneven tone that becomes more obvious in sunlight. So, I write not about uneven artificial tan, but about conditions collectively referred to as hypopigmentation. These can be subtle or generalised, temporary or long-term, and often prompt understandable concern.

In clinic, I see a diverse range of patients with these conditions. Although some feel confident enough to stand proud with their

hypopigmented skin disorder, for others, visible skin changes carry an added emotional burden. The good news is that many hypopigmented skin conditions are benign, manageable, and sometimes treatable. I hope that this month’s piece will better inform those of you with such conditions, whilst also raising awareness for others who might know a person at work, noticed someone on the train, or wondered why a friend or relative’s skin looks different.

What Is Hypopigmentation?

Hypopigmentation simply means a reduction in melanin; this is the pigment responsible for skin colour. When melanin production is disrupted or uneven, lighter patches appear. These patches often stand out more in spring and summer, when surrounding skin tans but affected areas do not.

Darker and more olive-toned (or “swarthy”) skin types are particularly prone to noticeable contrast. This doesn’t mean these conditions are more severe with darker skin tones, but they are often more obvious, and therefore more distressing.

Common Causes of Patchy or Pale Skin

Pityriasis Versicolor: The “Holiday Rash” That Won’t Tan

This common condition is caused by Malassezia yeast living naturally on the skin. In warm, humid conditions, it can interfere with pigment production, leading to pale (or sometimes darker) patches on the chest, back, and shoulders. A hallmark feature is that affected areas don’t tan, making them more obvious after sun exposure. Fine scaling may be present, though it’s often subtle. The rash can even be noticeable during Winter months.

Treatment: Antifungal shampoos or washes (used on the skin rather than just the scalp) remain as standard treatment. Even after treatment, colour may take weeks or months to normalise, as pigment recovery lags behind.

Vitiligo: When Pigment Cells Go Quiet

Vitiligo is an autoimmune condition in which inflammation leads to a loss of melanocytes (pigment-producing cells) from the skin. This results in sharply defined white patches that can appear anywhere on the body.

years. Steroid and non-steroid calcineurin inhibitors creams remain a ‘go to’ for dermatologists, however newer JAK inhibitors are demonstrating amazing re-pigmentation results for patients. Light-based treatments (phototherapy) in dermatology clinics may also be beneficial.

Equally important is psychological support. Many patients benefit from connecting with support groups or exploring cosmetic camouflage techniques.

Idiopathic Guttate Hypomelanosis: Small White Sun Spots

Often appearing as small, round, pale spots on sun-exposed areas like the forearms and shins, this harmless condition is more common with age and cumulative sun exposure.

Despite its intimidating name, it is not linked to any underlying disease.

Treatment: Usually not necessary. Some patients explore cosmetic options or procedural treatments like peels, though results can vary.

Pityriasis Alba: Subtle Patches on the Cheeks

Most commonly seen in children and young adults, pityriasis alba presents as faint, pale patches often on the cheeks. It is thought to be a mild form of eczema.

The patches may be slightly dry or scaly and tend to become more noticeable after sun exposure.

Treatment: Regular moisturising and occasional mild antiinflammatory creams can be prescribed. The condition often improves over time without intervention.

Lichen Sclerosus: More Than a Genital Condition

Lichen sclerosus is a chronic inflammatory condition that most commonly affects the genital area, where it causes pale, fragile, and sometimes itchy or painful skin. However, it can also occur on other parts of the body (extragenital lichen sclerosus), presenting as thin, wrinkled, white patches.

Please note, this column is the opinion of the columinst and not that of GNI or Romeo & Julian Publiccations Ltd.

It affects all skin types, but the contrast is especially noticeable in darker skin. The condition can evolve unpredictably, remaining stable in some individuals while progressing in others.

Treatment: Options have expanded significantly in recent

Because of its sensitive location and potential impact on intimacy, lichen sclerosus can be particularly distressing for those of all genders.

Treatment: Strong steroid ointments are the mainstay and are highly effective when used correctly. Early diagnosis and treatment are important to prevent scarring and maintain

skin health, particularly for the genital form of the disease whereby in a rare number of cases, it can transform into a form of skin cancer. Seek out assessment by a Dermatologist or your GP if you think you have lichen sclerosus.

Post-Inflammatory Hypopigmentation: After the Rash Has Gone

This is a common cause of uneven skin tone, especially in darker skin types. After inflammation such as eczema, acne, psoriasis, or even cosmetic procedures like chemical peels or laser, the skin may heal with reduced pigment.

The resulting pale patches contrast with the surrounding skin, particularly after sun exposure.

Treatment: ‘Time is a healer’ as pigment usually gradually returns. Gentle skincare, sun protection, and following any prescription treatment advice or post-procedure skincare tips are essential.

Pale Plane Warts: Subtle but Persistent

Flat (plane) warts can sometimes appear lighter than the surrounding skin, especially in individuals with darker complexions. They are caused by human papillomavirus (HPV) and often occur on the hands, genitals or legs.

Treatment: Options include over the counter skin treatments, cryotherapy (a freeze spray), or potentially surgery if warts are thick. Treatments themselves can occasionally lead to postinflammatory hypopigmentation, so caution is advised and you should speak to a doctor if unsure which option to use.

Genetic Albinism: A Lifelong Difference

Albinism is a rare genetic condition characterised by reduced or absent melanin production in the skin, hair, and eyes. Unlike the other conditions discussed, it is present from birth and affects the entire body rather than appearing in patches.

People with albinism often require lifelong sun protection and regular eye care, as vision can also be affected.

Why Summer Makes It More Noticeable

Sun exposure increases our melanin production, making the skin look darker and, thus, creating a ‘tan’. Naturally, however, melanin production increases to protect the DNA of the cells in our skin and to reduce the risk of UV-triggered DNA changes that might lead to skin cancer. Areas with disrupted pigment either tan less or not at all, making them stand out more clearly.

This contrast can feel particularly frustrating, and even isolating, for those with hypopigmentation. Some of my patients talk of a loss of confidence or a feeling that others ‘look at’ or avoid them.

Supporting Your Skin and Yourself; the 4 ‘S-s’

1. Sun Protection Is Still Essential

Protecting your skin from excessive sun exposure helps reduce contrast and, importantly, prevents skin cell DNA damage. Use a broad-spectrum, high factor sunscreen, protective clothing, and seeking shade in the middle of the day.

2. Skin Camouflage Can Be Transformative

Camouflage products and make-up can be blended to a wide range of skin tones and provide long-lasting, natural-looking coverage. Fantastic organisations like Changing Faces offer advice, support and online resources.

3. Seek Specialist Advice

Not all pale patches are the same. If in doubt, see a dermatologist for a proper diagnosis and tailored treatment plan.

4. Speak and Connect With Others

It’s worth acknowledging the distress that skin changes can bring. Whether your concern is cosmetic, emotional, or related to intimacy, support is available.

Condition-specific support groups, particularly for conditions like vitiligo or lichen sclerosus, offer both practical advice and emotional reassurance. Sharing experiences often reduces the sense of isolation.

While many hypopigmented conditions are harmless, it’s important to seek medical assessment if:

• Patches are rapidly spreading

• There is associated pain, itching, or skin fragility

• The genital area is involved

• You are unsure of the diagnosis

Early assessment often leads to better outcomes and greater peace of mind. Dermatologists will be only too happy to help, so don’t be afraid to ask.

Final

Thoughts

Spring and summer should be seasons to relax and celebrate a successful year, not time to feel anxious about your skin. If your tan isn’t behaving as expected, there’s usually an explanation and quite often a solution.

Hypopigmented skin disorders are varied, and frequently misunderstood, but with the right information, support and care, you can feel autonomous, hopeful and proud about the skin you live in.

If your skin colour is telling a different story this summer, it’s worth listening.

And remember… stay SUN SAFE this summer.

Dr Bryan

Dr Bryan Murphy is a Consultant Dermatologist practicing at Cathedral Dermatology Clinic in Belfast, Northern Ireland. https://dermdocni.co.uk/

PAUL

The Hunger Beneath the Hook-Up

Queer intimacy, bodywork, and the human need for connection

There is a conversation that rarely gets spoken about honestly within queer spaces. Beneath the sex, the apps, the endless scrolling, the late-night messages, the fast connections, and the bodies moving in and out of each other’s lives…

There is often a much deeper human longing to feel; held, wanted, safe in connection and to feel at home in our own bodies.

As queer people, many of us grew up learning to disconnect from ourselves in order to survive. We learned to monitor how we moved, sounded and expressed ourselves.

For some, touch became associated with secrecy. For others, rejection. For others, performance. And over time, many people unknowingly develop a relationship with intimacy that is rooted more in validation, escape, stimulation, or temporary relief from loneliness than true embodied connection.

This is not a criticism of hook-up culture whatsoever. Sex can be beautiful, liberating, healing, playful and deeply affirming.

But there is a difference between being touched and truly feeling connected.

The body remembers disconnection

One of the biggest things I witness through my work in somatic bodywork is how many people are profoundly disconnected from their own bodies. Not because they are broken but because life taught them to leave themselves.

Stress, trauma, shame, heartbreak, bullying, emotional suppression, rejection, chronic anxiety, and even years of functioning purely through the mind can all create a nervous system that no longer feels fully safe inside the body.

Many people are constantly “up in the head”; overthinking, analysing, performing, distracting. And yet beneath that is often exhaustion, loneliness, touch deprivation and a deep craving to soften.

Human beings are wired for connection. Not only emotionally, but physically. Safe touch regulates the nervous system. It can reduce stress hormones, lower muscular tension, improve emotional regulation, and create a greater sense of grounding and safety within ourselves.

For many queer individuals, especially those who have experienced rejection, hypersexualisation, shame, or emotional abandonment, reconnecting to the body in a safe and non-performative way can be profoundly healing.

What bodywork actually is

When people hear the term “bodywork,” they sometimes misunderstand it.

The work I offer is not sexual. It is nervous-systeminformed, trauma-sensitive therapeutic work that helps individuals reconnect with themselves through breath, touch, presence, awareness, and embodied safety.

someone is emotionally, mentally, and physically.

We explore what is happening in their nervous system:

• Are they overwhelmed?

• Numb?

• Holding grief?

• Struggling with anxiety?

• Unable to switch off?

• Longing for closeness but frightened of intimacy?

From there, the session may involve:

• Breathwork

• Gentle body-based awareness

• Therapeutic touch

• Fascia and tension release

• Guided grounding practices

• Emotional processing

• Stillness and presence

Everything happens through consent, communication, and safety.

Sometimes people cry, laugh or realise how long it has been since they truly relaxed into another person’s safe presence without needing to perform, impress, or give something back.

And that in itself can be deeply emotional.

The healing power of safe touch

We live in a world where many people are constantly touched digitally but rarely touched consciously. We are hyperconnected online and deeply disconnected within ourselves. Apps can create momentary closeness, but they do not always create nourishment. And many queer individuals silently carry immense loneliness beneath highly social or sexual lifestyles.

What I have found through this work is that when people begin reconnecting with their own bodies, something shifts.

They begin:

• Feeling safer within themselves

• trusting their emotions more

Please note, this column is the opinion of the columinst and not that of GNI or Romeo & Julian Publiccations Ltd.

A session is slow, grounded and intentional.

There is conversation at the beginning about where

• needing external validation less

• recognising their boundaries

• understanding their desires more clearly

• experiencing intimacy with greater depth

• feeling less emotionally starved

Because ultimately, the deepest relationship we will ever have is the relationship with ourselves. And from that place, connection with others becomes more authentic. Not driven purely by emptiness or avoidance. But by presence, choice, openness and truth.

We are all longing for the same thing

Underneath the labels, identities, bodies, roles, and sexual expression, most human beings are searching for similar things: To feel seen, safe, desired without being objectified, accepted and connected.

Touch is powerful.

Not only sexually but emotionally, spiritually, neurologically. And perhaps part of queer healing is learning that intimacy does not always have to begin with performance. Sometimes it begins with simply returning home to ourselves.

If you feel called to explore somatic bodywork, please get in touch and we can explore what is the best direction for you and your body.

Paul McAllister- Soul Script

IG: soulscript.pm

Facebook: soulscript.pm

Email: soulscript.pm@gmail.com

Website: www.soul-script.co.uk

MARTIN M

As an LGBTQIA person, I know how powerful it can be to step outside the spaces that have defined us and into the wild, open beauty of the world around us. Ireland, with its dramatic cliffs, rolling green hills, hidden beaches, sparkling lakes, winding coastal trails, breathtaking landscapes provides a real opportunity for freedom, healing, and discovery.

For too long, many of us in the LGBTQIA community have been told where we belong, how we should live, or how visible we can be. But summer is a chance to reclaim our space, not only in cities and day trips to rural pride parades, but in nature itself. This season, my friends and I will do what we love best and explore the island of Ireland with courage, curiosity, and good craic.

There is something transformational about walking a mountain trail, swimming in the Atlantic Ocean, hiking through ancient forests, or standing at the edge of a cliff with nothing but sea breeze and possibility ahead. These experiences remind us that we are part of something bigger. Nature does not judge. It does not demand explanation. It simply welcomes us as we are.

From the rugged beauty of Donegal’s coastlines to the serene lakes of Kerry, from sunrise hikes in Wicklow to wild swims in Galway, Ireland is filled with opportunities to reconnect with our bodies, our mental health, our heritage, and ourselves. Every trail walked, every island explored, every swim taken becomes an act of self-love and empowerment.

build resilience, and celebrate what our bodies can do.

For LGBTQIA individuals, especially those who may have struggled with identity, isolation, or acceptance, these journeys can be deeply personal. Exploring Ireland’s landscapes can mirror our own journeys of self-discovery, sometimes challenging, often beautiful,

Please note, this column is the opinion of the columinst and not that of GNI or Romeo & Julian Publiccations Ltd.

I am the first to promote team sports clubs as a way of improving your life, but team sports aren’t everyone’s thing and maybe you don’t even like travelling with friends, but the important think is connecting with the air, land and sea and use nature to heal and grow. My friends and I are also planning to attend Naples in August and while they explore the ruins of Pompeii, I will be climbing Mount Vesuvius for views from the top as I visited Pompeii’s ruins on my last trip. The truth is no matter what country you are in there is always an opportunity to explore in a safe and healthy environment.

Getting active is not about fitting into someone else’s standards. It is about strength, confidence, wellness, and liberation. Hiking builds endurance. Swimming energizes the body and mind. Walking quiet country roads or bustling seaside promenades creates space for reflection. Through movement, we can heal stress,

Exploring Ireland

and always worth it.

This summer, I encourage my community to embrace adventure. Visit islands off the Irish coast. Discover hidden coves. Climb hills you never thought possible. Join walking groups, outdoor events, or simply set out on solo

adventures that allow you to breathe deeply and move freely. Let Ireland’s beauty remind you that your life, your health, and your happiness deserve exploration too.

Being healthy is not only physical but also emotional, spiritual, and communal. The more we connect with ourselves and the world around us, the more powerful we become. By choosing activity, we choose vitality. By exploring our island, we deepen our connection to place and identity. By showing up boldly in outdoor spaces, we remind others that LGBTQIA people belong everywhere.

This is our summer to thrive whether solo or with a group. So, pack your walking shoes. Bring your swimsuit. Charge your phone for those unforgettable views. Step into Ireland’s landscapes with pride and purpose. Let every hike strengthen you, every swim refreshes you and every journey reveals something new about the incredible person you are.

We deserve adventure, we deserve wellness, we deserve to be seen in every corner of this beautiful island so this summer, let us move, explore, and grow together. Ireland is waiting and so is the strongest version of ourselves.

My Top 10 Irish Explorations

1. Slieve League Cliffs, County Donegal

2. Keem Bay & Croaghaun, Achill Island, County Mayo

3. Beara Peninsula, County Cork & County Kerry

4. Glassilaun Beach & Connemara, County Galway

5. Coumshingaun Lough, County Waterford

6. Loop Head Peninsula, County Clare

7. Fanad Peninsula, County Donegal

8. Bray Head Loop, Valentia Island, County Kerry

9. Gleniff Horseshoe & Benbulben Area, County Sligo

10. Kilfane Glen & Poulanassy Waterfall, County Kilkenny

By Martin Murray

MICHAEL

Homeless, But Heaven Knows My Name

As I was coming back to the Church today, a certain Irish man who has fallen on hard times was outside, sitting on the steps.

He was very upset as he has just become homeless and, because he doesn’t have a smartphone, he can’t even access his benefits (money with which he could at least pay for a hostel for a few nights).

Homeless people have always intrigued me from a young age, not so much the fact that they are homeless, but rather the bigger question: What made them homeless?

Now, as it happens, I’d spoken to this man once before and he told me about the horrible experiences that he had had with the Christian Brothers in Ireland.

“When you are told that you are useless from such a young age, what hope or chance do you have afterwards?’, he had lamented and, from some of own experiences over the years in the church, I felt and understood at least some of his pain. ‘Do you have an old smartphone that you could give me?’, he asked both humbly & apologetically and although I desperately wanted to help him, I had to reply ‘no’.

Gentle soul that he is, he didn’t walk off as some in the homeless community do as soon as thet discover that you can’t help them and so, our conversation continued! Suddenly I realised that I had a few miraculous medals in my pocket, each in a little ‘Medjugorje LGBT Ministry ‘ pouch.

Handing him a medal, I explained to him that I’m gay and that similar to him, I have very little contact with Ireland where I too have experienced horrendous rejection.

‘I’m homosexual as well’ he exclaimed while adding ‘it’s nobody’s business but mine!’

The pain was palpable & the reasons behind his hard times were heartbreakingly obvious, the old ‘Irish Gay Catholic’ chestnut once again!!

‘What about your family? Are they any help?’ I asked, already anticipating the answer:

‘The only reason any of them would contact me is if they needed a kidney!!’

That was a definite no!

Unfortunately at this stage, I had to go as I was rushing for an appointment but as I went upstairs to my room, I felt frustrated as I prayed to Our Lady for him……

& through the Church & her cruel attitude towards gay people for centuries.

Upstairs, I bumped into Rayne, a beautiful gay catholic from the Philippines. I told him what happened and he suddenly said:

‘I know him, here, I have an old phone, he can have it!!’

Thank you Jesus & Mary!!

Beaming with joy, I rushed downstairs, hoping he was still about and to my surprise, I found him in the church, praying up the front.

He was over the moon to get the phone & at least have some hope of getting a hostel.

Hugging him as I left, I said to Jesus:

‘In a fair world, the Church should be putting him up in a hotel after all he has been through.’

Moreover, how many countless other people like him are homeless, largely due to their sexual orientation or gender and, as a Church what are we really doing about it besides praying and a few kind words?

One man once said; if you see lots of people who have fallen into a river it’s good to pull them out but, it’s even more important to swim upstream and to see how they are falling in?!!!

And so, on that note, let us pray for all LGBT homeless people & let us be the hands & feet of Jesus. Let us help our LGBT brothers and sisters and furthemore, let us raise our voices and shout from the rooftops until as such time as these voiceless LGBT people are welcomed, loved, cared for and restored in a Church that has ignored, neglected & mistreated them for so so long.

Our Lady of the miraculous medal, pray for us!!

Please note, this column is the opinion of the columinst and not that of GNI or

&

Had I anything else to give this poor man except a few nice words & a miraculous medal and, is that the best we could do as a Church in light of all his suffering & pain which, let’s be honest, was inflicted by

(Find out more or if you would like a miraculous medal too, get in touch through http://www. medjugorjelgbtministry.com)

Michael Malony

PETER

There’s a generational piece of life advice that follows people around once they buy a home: Think resale. Don’t do anything too personal. Don’t offend! It almost feels like the life advice we are given as queer people ourselves. There’s always a little voice saying, “Don’t decorate too hard.”

So often, this means beige walls,

safe choices, nothing too ‘you’, just in case some hypothetical future buyer one day raises an eyebrow (insert metaphor for the opinionated public). But here’s the thing we often forget: you live there now. Not the previous owner, not the future owner. You.

Haven’t we all come across and mocked a home for sale on PropertyPal that has dared to have too much personality? I’m talking Chanel decals on the kitchen cupboards, a Pixar-themed bathroom, or a tidal wave of animal print attacking your senses. When you actually think about every one of those choices, those owners absolutely decorated for themselves in that moment, and there is applause in that, as is in us as queer people being ourselves.

I heard the story recently of pensioner Mary Kenny from Kent, who has been ordered by Dover District Council to repaint the outside of her house because

of a single complaint from someone in the area who didn’t like the shade of blue she chose. Despite there being a bright blue pub just a few doors down, it deeply saddened me. Why can’t we decorate for ourselves anymore?

For anyone who follows my own interior renovations @TheWhiteHome, when designing our own Mediterranean-style home, I removed skirting, removed windowsills, installed stone sinks, stone boulder walls, and a Spanish-style kitchen. This is my home, and I am decorating it how I want to. My partner, throughout the process, had his reservations at times, but thankfully followed me down the same design path, and we absolutely love our home now, despite what the next buyer may hate.

I’ve said it before in previous columns that it’s

important to decorate for you, without the thought of judgement from others. Now, when decorating, instead of asking yourself, “Will this appeal to strangers in five years?” it’s better to ask, “Would I love this if nobody else ever saw it?”

I’ve admittedly fallen victim to pleasing others in my decor at times, but more through styling and overconsumption. It’s partially how I have my working platform today, through curating a life that looks perfect on Instagram. I used to buy dainty ceramic

milk jugs that could only provide milk for one cup of tea, and wooden knives “for serving butter to guests”, knowing, in the panic of hosting, they will be using whichever utensil is clean. Looking back, I’m mad at myself for it. Everything felt just too ‘curated’.

As you are reading this, have a think: are there any aspects of the decor in your home that you have subconsciously done for people who don’t live in your home?

Back to the beige. Whilst I love non-offensive colours and neutrals (90% of my walls are white), I’ve packed our home with texture, nature, and the unexpected within that colour palette, which helps steer it away from ‘bland’. I don’t know about you, but slowly but surely, interior design, and even architecture in general, are all getting a bit… bland. Bold and fun feel like they need to fight to be accepted, while bland is the widely accepted safe bet.

Decorating your home for yourself isn’t an indulgence, and we often put it in a category of luxury spending, even though it has an effect on our mental and, in some cases, physical health. If that’s the case, then decorating is

an investment in ourselves. Our surroundings shape how we feel. A cluttered, impersonal space can quietly add stress to daily life, while a home designed around your comfort and emotions can do the opposite - calming your nervous system, lifting your mood, and making everyday routines feel a little more joyous.

For queer people especially, home can carry extra meaning. For many of us, it isn’t just a physical space - it’s a place we’ve consciously built to feel safe, sometimes after years of trying to fit into environments that weren’t designed with us in mind. There’s power in making a home feel unmistakably yours, whether that means a maximalist living room, an unapologetically colourful kitchen, artwork dedicated to your favourite gay icon, or tiny treasures that tell your personal story. Home, if anything, is more important to the queer community.

When I set out to write this edition’s column, I didn’t mean to reflect so heavily, or draw parallels with the struggles of our community. The constant pressure to conform for strangers, fit in, shrink ourselves, be bland. I had actually planned to showcase this summer’s best outdoor cushions! (How vapid that feels now.)

But I hope this column serves as a friendly reminder to everyone reading: decorate your home however you want to, be loud and colourful, tell your personal story, don’t care what others think, and do the same for yourself too.

Until next time! Thanks for reading, Peter Follow me on Instagramthewhitehome

“Master of making a colourful statement, Jonathan Adler’s Greenwich Village apartment”

DEATH AT THE YUMBO CENTRE –PART 2

Murder Returns to the Yumbo Centre in New LGBTQ+ Murder Mystery Sequel Set in Gran Canaria

Death at the Yumbo Centre Part 2 continues the story, as the past refuses to stay buried in Europe’s most iconic LGBTQ+ nightlife destination.

Two years after the events of Death at the Yumbo Centre, the story returns to Gran Canaria, where sun-soaked holidays, late nights, and hidden secrets collide once again.

In Death at the Yumbo Centre Part 2, David and Ben arrive on the island as a new couple, hoping for a fresh start. But as a new wave of violent deaths begins, it becomes clear that burying the past is far more dangerous than ever imagined.

Set against the backdrop of the Yumbo Centre, one of Europe’s most recognisable LGBTQ+ nightlife destinations, the novel blends fast-paced suspense and a twist-filled whodunnit, with dark humour, layered characters, and a distinctly queer perspective rarely seen in the thriller genre.

Author D. M. Pickersgill builds

on the success

of the first novel, which readers praised as “unputdownable,” “full of twists,” and “the perfect holiday read.” The sequel raises the stakes, exploring themes of identity, overcoming trauma, and the consequences of trying to outrun your past. With Gran Canaria Pride drawing thousands of visitors to the island each year, the series offers a darker, fictional take on a setting familiar to many in the LGBTQ+ community — where not everyone makes it home.

Death at the Yumbo Centre Part 2 will be released on 1st July, continuing the story where, if you’re not a suspect… then you’re next.

About the Author

D. M. Pickersgill is a Bristol-based indie author writing fast-paced, twisty LGBTQ+ thrillers with a darkly comic edge. His work explores identity, relationships, and the consequences of hidden secrets, placing queer characters at the centre of suspenseful, high-stakes narratives. His debut novel, Death at the Yumbo Centre,

introduced readers to a vivid, chaotic world inspired by Gran Canaria’s nightlife.

Previous titles include:

Death at the Yumbo Centre (2025) – LGBTQ+ murder mystery set in Gran Canaria Followers (2025) – social media-driven domestic suspense OPEN (2026) – a dark exploration of open relationships and power dynamics

LINKS

Amazon Author Page: https://www.amazon.co.uk/ stores/D-MPickersgill/ author/B0F6YYS89G?ref=ap_ rdr&shoppingPortalEnabled=true

Instagram: @dmpickersgill.books

Facebook: https://www.facebook.com/profile. php?id=61574031574883

Top Blade Raises the Steaks with Its Delicious New Weekend Lunch Menu

There are some invitations that land in your inbox that instantly make your stomach rumble and when Top Blade invited me along to sample their brand new weekend lunch menu, I knew I was in for a treat. On Saturday afternoon, I headed along with my sister Pamela for what we assumed would be a relaxed lunch tasting. What actually unfolded was a full blown feast that left us happily stuffed, seriously impressed and already planning a return visit.

Available every Saturday and Sunday from 1pm to 3pm, the new lunch menu at Top Blade offers a carefully curated selection of dishes priced between £8 and £20, giving diners a chance to enjoy the restaurant’s signature quality and flavour at an affordable lunchtime price point.

Better still, guests are not restricted to the lunch menu alone, as the full main menu remains available throughout service. Whether you fancy a quick bite, a hearty steak or a catch up lunch with cocktails, Top Blade has clearly positioned itself as one of Belfast’s most appealing weekend dining destinations.

As many GNIMAG readers know, I am currently off alcohol and driving at the minute, so while Pamela fully embraced the cocktail menu, I behaved myself with some H2O and a refreshing mocktail that still felt suitably indulgent for the occasion. Pamela meanwhile sampled both the frozen strawberry daiquiri and the bramble cocktails and could not stop raving about them. The frozen strawberry daiquiri looked particularly perfect for a sunny afternoon and the bramble delivered that balance of sweetness and sharpness that cocktail lovers adore.

Now onto the important part, the food. In the name of accurate journalism and absolutely not greed whatsoever, Pamela and I decided to tackle four main dishes between the two of us. In hindsight, skipping breakfast beforehand was probably the smartest decision we made all day because by the end of the meal we were practically rolling ourselves out the door.

First to arrive was the Chicken Pasta, a comforting bowl of silky pesto coated pasta tossed with tender grilled chicken and finished with parmesan. This

was one of those deceptively simple dishes that completely delivered on flavour. The pesto was rich without becoming overpowering and coated the pasta beautifully, while the chicken remained juicy and perfectly cooked throughout. Pamela especially seemed to take a shine to this dish because every time I looked across the table, another forkful had mysteriously disappeared. By the end there was barely a bite left.

Next up was the Steak Frites, featuring Top Blade’s famous 8oz steak served medium rare over crispy skin on fries with tobacco onions and a pepper sauce that deserves its own standing ovation Ordinarily, if you know me at all, you will know the steak dish almost always steals the show. The steak itself was cooked exactly as requested, tender and packed full of flavour, while the fries soaked up every drop of that incredible pepper sauce.

And let us take a moment for that sauce.

Honestly, it was sensational. Creamy, rich, peppery and deeply comforting without becoming too heavy. It elevated everything it touched and before long I found myself doing something perhaps slightly unorthodox but absolutely delicious. I began dunking my Smash Burger into the pepper sauce too. Judge me all you want, but it was divine.

Speaking of the Smash Burger, this ended up being my surprise favourite of the afternoon.

There is something incredibly satisfying about a proper smash burger done well and Top Blade absolutely nails it. The double beef patties had that perfect charred crust that delivers maximum flavour while remaining juicy in the middle. Combined with melted Mexican cheese, fresh salad and served inside a soft brioche bap with skin on fries, every bite felt indulgent in the best possible way.

I genuinely did not expect this dish to outshine the steak for me, but the flavour combination was unreal. The smoky char on the patties paired with the gooey cheese created one of those rare food moments where you immediately know you will be craving it again days later. Add in my accidental discovery of pairing it with the pepper

sauce and honestly, I was in burger heaven.

Finally, we tackled the Salt ’n’ Chilli Chicken, a towering serving of crispy chicken tossed in seasoning and piled onto fries with sweet chilli sauce drizzled over the top. This dish had the perfect balance of crunch, spice and sweetness. The chicken retained its crispiness beautifully and the seasoning packed enough punch to keep every bite interesting without overwhelming the palate.

By this point, both Pamela and I were slowing down considerably, yet somehow we still managed to demolish about ninety percent of it. That alone probably tells you everything you need to know.

One thing that stood out throughout our visit was the atmosphere inside the restaurant. Top Blade has managed to strike that ideal balance between stylish and relaxed. The venue feels modern and welcoming without becoming pretentious, making it equally suitable for date nights, family lunches or cocktails with friends. The staff were warm, attentive and genuinely lovely from the moment we walked through the doors. Service was speedy without ever feeling rushed and every member of the team seemed genuinely passionate about ensuring guests had a great experience.

That level of hospitality matters.

In a city packed with dining options, great service can be the deciding factor between somewhere you enjoy once and somewhere you return to repeatedly. Top Blade absolutely understands that assignment.

The value for money on the new lunch offering also deserves praise. With dishes ranging from £8 to £20, there is something for every appetite and budget while still maintaining a premium dining feel. Too often lunch menus can feel like watered down versions of a restaurant’s main offering, but that is certainly not the case here. Every dish we sampled felt carefully considered, generously portioned and executed with confidence.

In fact, the portions were so generous that even sharing four dishes between two people proved wildly ambitious. Not that we regretted it of course.

As for what I will order when I inevitably return? I already have my eye on the Chicken Stack.

Watching plate after plate pass our table topped with pepper sauce was enough to convince me that it needs to happen. If that same heavenly sauce appears again, I will be very happy indeed.

Top Blade’s new weekend lunch menu is an absolute triumph. Delicious food, excellent service, fantastic cocktails and an atmosphere that instantly makes you feel welcome. Whether you are a steak lover, burger fanatic, pasta enthusiast or simply someone looking for a quality weekend lunch in Belfast, this menu deserves your attention.

A huge thank you to the restaurant owners, talented chefs and wonderful staff at Top Blade for their warm hospitality and for treating Pamela and me to such a memorable afternoon. We left full, happy and already planning our next visit and really, that is the highest compliment any restaurant can receive.

You can find Top Blade at - Unit 5, St Anne’s Square, Belfast BT1 2LD

Booking is advisable via their website topblade.co.uk though walk-in’s are welcome

EXPERIENCE EXCEPTIONAL

Stay - Spa - Golf - Conference

Delightful City Centre Dining Gourmet

The foodie scene in Belfast has been going from strength to strength, with many restaurants extending their opening hours, and exciting new eateries popping up almost every week. Here are four terrific experiences we’ve particularly enjoyed in the city over the past couple of months, from established favourites and hotel dining, to culinary schools and recent openings.

Academy Restaurant, Belfast. We had visited Academy Restaurant in the Cathedral Quarter in Belfast, for a number of evening events, including the amazing Culinary Salons, and were always very impressed, but to our shame, this was our first lunchtime experience. Needless to say, it was fantastic from start to finish.

Championing locally sourced, seasonal ingredients to create exceptional flavourful dishes, the restaurant is the flagship of the Ulster University’s culinary school, beverage school, and conference and meeting facilities.

Please note, this column is the opinion of the columinst and not that of GNI or Romeo & Julian Publiccations Ltd.

Here, Academy showcases the talents of students who are keen to learn about hospitality, whether as chefs, entrepreneurs or future leaders in the industry, which in turn encourages the growth of Northern Ireland as a top food and drink destination.

We chose from

there’s also an Express Specials Menu for those in a rush. We started with an earthy Pearl Barley, Asparagus & Pea Risotto with herb oil & a Parmesan crisp, creamy Keenan’s Seafood Linguine with peas, spinach, and broad beans, and a vibrant Goat’s Cheese Salad with roast beetroot and balsamic dressing.

Our Main Courses were Chicken Escalope with rocket, sage, and lemon, in garlic butter with fries, chunky Belfast Lager Battered Monkfish Scampi with pea purée and Parmesan fries, and a hearty Spiced Chickpea Stew with couscous, yoghurt, and pomegranate.

And the desserts are not to be missed; the light Mixed Berry Pavlova with strawberry sorbet and Chantilly cream, the zingy Lemon Posset with poached rhubarb and granola, and the sinfully indulgent Caramelised Banana Bread, with Bourbon Vanilla Ice Cream, toffee sauce, and golden honeycomb, were all sensationally good.

There’s also a comprehensive drinks menu and wine list;

ACADEMY RESTAURANT

the organic Finca Fabian Verdejo from Spain was the perfect, tropical, mouth-watering white to sip on a sunny spring lunchtime, relaxing with such wonderful food and service.

Lanting Chinese, Belfast. Lanting is a fantastic new Chinese restaurant in the heart of Belfast’s Queen’s Quarter. Serving up delicious plates packed with authentic Chinese flavours, the restaurant offers a terrific variety of options, from its extensive menu. From traditional sizzling stir fries to contemporary Asian specialities, there’s a brilliant selection of dishes to choose from.

We were seated in the opulently appointed dining room, with its dramatic red and black colour scheme, clever lighting touches, and trickling water features.

We started with some excellent cocktails to accompany our appetisers of crispy, sesame-

served in shot glasses, golden, sweet Caramel Chicken Wings, and Dim Sum of Fried Prawn Dumplings.

Then came the culinary theatre of the sensational, not-to-be-missed, Signature Beijing Roast Duck. Also known as Peking Duck, this iconic dish is presented and carved at the table; the dark, glossy skin, tender flavourful meat, and delicate pancake wrappings with sweet hoisin sauce, cucumber, and scallions, was utterly delicious.

To follow, we enjoyed a Signature Monkfish Duo in black pepper sauce and wasabi, a whole Thai Steamed Sea Bass, served on the bone with chilli, lime and herbs, and some fragrant, spicy Crispy Mala Tofu.

And we finished our meal with a plate of Fried Ice Cream to share, along with a couple of shots of Chinese Wine!

For stylish surroundings, friendly service, and superb Chinese cuisine, Lanting absolutely hits the spot!

Coppi, Belfast.

Dodging a downpour on a particularly wet Saturday afternoon, we ducked into Coppi, one of our favourite Cathedral Quarter spots, for a bite of lunch before a matinee at The Mac.

We always order some Cicchetti to start our meal; the Anchovy Crostini were umami-packed, with whipped ricotta to cut through the richness, and the dish of Whipped White Beans, with tangy Caponata and warm Pasta Crisps for dipping, was a wonderful mixture of smooth and crunchy textures.

We’re a sucker for cool, creamy Burrata, and Coppi’s is sensational, with hot honey, roasted grapes, and a sprinkle of fresh mint. And the lemony, garlicky Portavogie Prawns on Focaccia were utterly

Coppi’s freshly made pasta is always fantastic, and we loved the Gnocchi on a Smoked Gubbeen Fonduta, with soft Grilled Leeks, and a rich Truffle & Hazelnut Pesto, accompanied by a side of Hispi Cabbage, with a Burnt Chilli Butter & crunchy Pangratatto.

Contemporary, intimate and relaxed in style, Coppi has been serving up superb Italianinfluenced dishes since 2012, using the very best quality local ingredients. And we can’t wait to experience the newly “revamped” Coppi after its recent renovation, and try out

and the popular, buzzing Greyhound bar. The Malone chefs are passionate about locally sourced produce, warm hospitality, and delicious dishes.

Before our meal, we relaxed in the Lobby Bar with a couple of cocktails; a pleasantly sour “House No. 60” with Irish whiskey and lemon juice, and a spicy rum-based “Dark ‘n’ Stormy”. There’s also a leafy covered terrace overlooking Eglantine Avenue for a spot of people watching!

battered Onion Rings (one of our guilty pleasures), this was a delicious meal.

And to finish, we shared a cut glass tumbler piled high with fruity, creamy Eton Mess, rich with tart brambles, blackcurrants, and crisp meringue, topped with a sprig of mint.

some of the brand new dishes on the menu.

The Malone Hotel, Belfast.

Having recently attended a chic soirée to celebrate the definitive transformation of this BT9 icon, The Malone Hotel, located in South Belfast’s bustling yet charming Queen’s Quarter, has been boldly reimagined, and we couldn’t wait to return to check out the dining options.

The hotel is home to the elegantly classy Gallery Restaurant

We enjoyed a Sunday evening meal in The Malone Hotel’s modern Irish pub, The Greyhound, which serves bar food with a touch of refinement, alongside great wines, local beers, and a range of spirits.

We started with a light and fruity Sumo Cat Riesling to accompany our Small Plate starters of Penne Pasta with basil pesto, feta, & peppery rocket, and a Smoked Salmon Tart with a mixed leaf salad, crispy capers, & aged balsamic.

The classic signature dishes are exactly that. Chicken Supreme; oven roasted local free-range chicken breast with tenderstem broccoli, a selection of potatoes, and a wild

Follow @thegourmetboys. com website, also LinkedIn, Facebook, Instagram, Twitter, TikTok, & YouTube Email - hello@thegourmetboys. com

If you have any restaurant recommendations send us a message & we’ll get right back to you.

mushroom

Cauliflower Steak with

THE MALONE HOTEL

THE MALONE HOTEL

G Crete the greek island

reece offers the holiday maker so many stunning options to choose from the Amazing Capital Athens to the multitude of islands along its sun draped coastlines. Greece for me holds a very special place in my heart because back in the early 2000s I was a Holiday Rep for a local Greek operators called Libra Holidays & Sky Holidays and I was lucky enough to work on some of the best Islands like Corfu, Rhodes and the one I want to talk about Crete. Back then I was welcoming new coach loads every couple of days. Hosting welcome meetings for up to 200 guests at any one time, Selling excursions, guiding days out and how can I forget taking part int he weekly Reps Cabaret I know get me lol.

Anyways moving on from those memories Greek holidays have for so long offered excellent value for money for young and old holidaymakers but groups or solo travellers can also enjoy some amazing deals. The Greek culture food and overall atmosphere incapsulates from the minute the aircraft doors have opened and you start your disembarkation.

Crete is the largest of the Greek holiday islands and I have been very lucky to both visit and work here perviously. During the summer peak season it can be hugely popular not to mention extremely hot with temperatures hitting 40 degrees. I will admit Crete may not stand out instantly on your GAY holiday list of places to go but I want to tell you why you really should give it some thought because after all there is more to life than Drag Bars, Dark Rooms and Gays Saunas (Did I Just Say That?).

Overall Greece as a country is hugely welcoming to our LGBTQ+ family and the island of Crete is no different. Compared to some of the smaller greek island it offers a small LGBTQ scene centred around the islands capital Heraklion and Hersonissos. You will actually find some dedicated Gay bars in these locations such as YOLO.

As I have said many times when I have worked overseas or traveled I don’t book specific places simply because they are very LGBTQ friendly or offer gay friendly nightlife but its always nice to know they have the option should you want to.

For me going on holiday to Greece has to be first and foremost for the stunning weather in the summer and amazing beaches often many are nudist beaches that the country offers. Popular areas for gay tourists include Filaki beach near Chora Sfakion.

Anytime I go on holiday I pack as little as I can and take plenty of good books because I’m looking to chill and relax and experience the sights and sounds of greek culture and scenery and possibly mix in some Wellness experience along the way yes Olive Groves exit me just as much as beaches.

You might be surprised but Crete actually has its very own Pride event annually called HerPride which is held late June to early July. You can expect the area to be full of colour and offer up different events for both locals and tourists over a 3 day period. You will notice that it is more about Queer awareness and is more an activist driven protest compared to more commercial prides around the med such as Athens Pride.

Crete offers many different large and small resorts with large hotels to much smaller basic low key small rooms in places calle pensions to rent. The main resorts are Heraklion, Chania, Rethymon and Agro Nikolaos with the much more well known Malia being one of the best known to UK and Irish Holiday makers for its Young and Lively vibe aka think back to when Club 18-30 holidays was a thing.

One of my favourite brands when staying in Greece has to be the group called Domes and they offer a property called Domes Noruz Chain. If you have the money then this spot is really beautiful on the beach and often rates as one of the best LGBTQ spots in Greece.

Personally I don’t think when you come to Greece unless its Mykonos that you need to stay in gay owned or specific properties as thats not the vibe here in Crete. Its a much more chilled relaxed and maybe a mix of social nights out around food and drink and local culture with the option of gay nightlife bars and clubs or the madness of Malia for instance if you like.

the island and maybe even stay a few nights in the heart of the islands capitol.

If your going to be traveling alone or maybe as a couple staying in multi resorts would be a real option for you because this allows you to experience the different vibes of the resorts on

Holidays to Greece over the years have become a lot more expensive than previous years but in comparison to the likes of Spain and Portugal especially for more high end hotels or villas you defiantly get more for your pound. Greece has also stepped away from the recent introduction of an electronic passport entry and exit system for UK passports holders due to some teething issues Europe has been having so this could also be a winner for some if your a UK passport holder and didn’t want to be standing in long queue some of which have meant customers have missed flights already in 2026 from Italy with the likes of Ryanair and Easyjet.

As always its important I think to firstly think why you want to go on holiday in the first place and then once you decide to go to Crete then what you want to get out of it. This helps you both budget better and also helps you make sure you get the best resort and accommodations to suit your needs.

Budget accommodation all over Greece can initially seem ultra basic when you arrive but this is normal but will always be very clean and the staff or owners will always want to help and make sure your enjoying your holiday. Anytime when I’m on a Greek island I highly recommend hiring a car either for a few days or the duration of your holiday. This can help you see more of the island and also many of the hotels can both be situated on beaches but connecting properties or walks to resorts centre are not always like what you would expect in other parts of the med meaning access or walking could be difficult.

Crete has developed a lot over the years and so if your gong to be going self catering in ether an apartment or villa then I suggest shop like a local and you can find its much less than a UK shop. If your staying in hotels expect a real mix of traditional food with further Mediterranean dishes aswell as some speciality nights. All Inculsive options are still popular in Crete too and if your with a family or children then I would suggest this being one of the better options due to less hassle for yourself.

Summer 2026 will see Jet2 Holidays being the main direct flight operator to Crete with flights leading in from £106 the flight is just under 5 hours from Belfast international. If your booking a package with Jet2Holidays then the support from the brand will be from the minute you depart belfast until the time you return. You

will find from Belfast that Jet2Holidays would now be the top package holiday brand with the more well known TUI Holidays now operating a smaller program. Easyjet Holidays have also now been growing as a package holiday operator and offer similar deals to alternative med destinations which are growing year on year.

Remember Dublin is also an option and you may find departing from Ireland allows you more flexibility for both departure dates and durations and might be more competitive price wise if they have multi operators or low cost carriers.

I think it would also be stupid of me not to highlight that Greece is a fantastic option for Cruise customers to think about either as fly cruise from the UK or having the option as a Greek Island small mini cruise as part of maybe a 2 week or 10day break as this will allow you both experience many of the Greek islands as well as understand the different vibe each one has for any return trips in the future.

Regardless what you are planning this summer or into the autumn winter seasons planning ahead seems to be key. The cost of living crisis has seen prices rocket and airlines issue warnings about jet fuel shortages but as yet nothing too drastic has happened. If you have not yet booked keep an eye out for late bookings as it seems to be a trend at the moment due to some uncertainty caused by the Iran war also.

We all need and deserve a break so if you don’t get what you want this year then always remember you can try next year or book a trip further away to help you be able to pay it off. Operators often offer low deposit options and then monthly payments until your holidays paid rather than large lump sum payments.

Book what you want how you want and don’t forget to enjoy all the travel you can because its the best educational you will ever have trust me on that.

Have a great summer everyone and happy travels. Gavyn

A Few Feet Away

Hookups, Heartbreak and the Search for Connection: A Few Feet Away Captures

Queer Life in the Digital Age

There is a particular loneliness that comes with modern dating apps. Endless scrolling. Disposable conversations. Fleeting moments of intimacy that vanish as quickly as they appear. It is this emotional landscape that forms the beating heart of A Few Feet Away, the striking debut feature from Argentinian filmmaker Tadeo Pestaña Caro.

Fresh from its international premiere at BFI Flare, the queer drama arrives on digital platforms this May and is already being praised as one of the most honest portrayals of queer intimacy in the app generation.

At its centre is Santiago, played with quiet vulnerability by Max Suen, a twenty year old drifting through life in Buenos Aires. By day, he works in a dull data centre job. By night, he endlessly refreshes hookup apps looking for connection, validation and escape. Moving between sex clubs, strangers and late night encounters, Santiago slowly begins to realise that while sex may be everywhere, genuine intimacy is increasingly difficult to find.

It is a premise that will feel painfully familiar to many queer people navigating modern dating culture. Rather than focusing on traditional coming out struggles, A Few Feet Away explores something far more contemporary: how do you build a sense of identity and self worth in a world where people can disappear with a single tap of a screen?

For director Tadeo Pestaña Caro, the story came directly from personal experience.

“A Few Feet Away stems from the experiences my friends and I had in our early twenties, exploring sex and intimacy through the anonymity of the internet,” he explains.

“It captures a time when we were stepping into the adult world for the first time, with nothing but our phones and desires to guide us.”

Originally titled @seth, the project began life as a university assignment while Pestaña Caro studied Film Directing at Universidad del Cine in Buenos Aires. Under the mentorship of acclaimed filmmakers Rodrigo Moreno and Juan Villegas, the film evolved from a small academic exercise into a fully realised independent feature exploring queer loneliness, desire and identity in the digital age.

The screenplay was completed in 2019 and filming began shortly before the COVID pandemic forced production to shut down. Instead of abandoning the project, the creative team used the time to refine the script through workshops and development labs, ultimately strengthening the emotional depth of the story. One of the film’s greatest strengths is the chemistry and trust built between Pestaña Caro and lead actor Max Suen over several years of collaboration. Santiago feels heartbreakingly real throughout the film, balancing moments of sexual confidence with deep emotional uncertainty.

The supporting cast adds further authenticity to the film’s world. Jazmín Carballo and Esteban Kukuriczka, both drawn from Buenos Aires’ thriving independent theatre scene, bring a raw and grounded energy that helps the film move seamlessly between gritty realism and dreamlike introspection.

Visually, A Few Feet Away is stylish and hypnotic, capturing the neon glow, anxiety and emotional detachment of queer nightlife culture. Yet beneath the film’s sexual encounters and late night wanderings lies a surprisingly tender meditation on vulnerability. Santiago is not simply searching for sex. He is searching for reassurance that he matters to someone beyond a profile picture.

That emotional honesty is what makes the film resonate so strongly. Many LGBTQIA+ films of previous generations centred on secrecy or societal acceptance. A Few Feet Away instead examines the emotional consequences of hyper connectivity, where endless access to people can still leave someone feeling entirely alone.

The film has already earned praise for its fresh voice within queer cinema, with critics highlighting Pestaña Caro’s ability to portray modern gay life without judgement or cliché. It is intimate, messy, sometimes uncomfortable, but always deeply human.

Following its acclaimed screening at BFI Flare, A Few Feet Away will be released digitally on 25 May across Amazon Prime, Apple TV, Google Play/YouTube, Tubi, Pluto and additional VOD platforms in the UK and US.

For queer audiences who have ever stared at a glowing phone screen hoping to feel less alone, this may be one of the most relatable films of the year.

A FEW FEET AWAY DIGITAL RELEASE ON STREAMING PLATFORMS: 25th MAY

Available on the following platforms in UK/US: Amazon Prime, Apple TV, GooglePlay/YouTube, Tubi, Pluto, and additional VODs

Starring Max Suen, Jazmín Carballo, Esteban Kukuriczka

DANNY

Jayne Lewis-Orr The Woman Behind the Industry

When you work in hairdressing long enough you start to realise that the industry isn’t just about what happens behind the chair it’s about the people shaping it from every angle. One name that consistently comes up, whether you’re talking about education, awards or the bigger picture of where hairdressing is going.

For me, she’s always been one of those figures who sits slightly behind the scenes but has a massive impact on what we all do day to day. Not in a loud way, not chasing attention but in a way that actually builds the industry up and gives people real opportunities.

Jayne has been apart for over two decades and that alone says a lot. In an industry that moves

relevant for that length of time isn’t easy. But she hasn’t just stayed relevant she’s helped push things forward. Starting out in editorial and working her way right up to Executive Director, she’s seen every side of the business from the creative to the commercial.

What stands out to me is how much of a platform she’s helped create for others. Hairdressers

Journal isn’t just a magazine it’s been a launchpad for so many careers. Whether it’s showcasing new talent giving established names a bigger stage or being part of major events like Salon International and the British Hairdressing Awards her influence runs deep.

And that’s the thing a lot of people in the industry will have felt

don’t realise it straight away.

Personally, I’ve always believed that in this industry, opportunities don’t just appear out of nowhere. Someone opens a door and gives you a chance or backs you when it really counts. I’ve been lucky enough to experience that in my own journey and I don’t take it lightly. In my case that person has been herself. She’s given me opportunities along the way that have genuinely made a difference the kind that build your confidence and put you in rooms you might not have stepped into on your own and that’s something I’ll always be grateful for.

And when you look at Jayne’s career, that same theme comes through on a much bigger scale. She’s spent years helping create those moments for others whether that’s through recognition, exposure or simply putting the right people in the right place at the right time.

It’s easy to focus on the creative side of hairdressing the shoots, the stages, the finished looks but there’s a whole structure behind it that keeps everything moving. People like Jayne are a big part of that structure. They connect brands, stylists, educators and businesses making sure the industry doesn’t just survive but actually grows.

Another thing I respect is the consistency. Trends change, social media evolves, and the way we promote ourselves is completely different to what it was even ten years ago. But through all of that, she’s

remained a steady voice in the industry adapting where needed but still holding onto the core of what hairdressing is about.

There’s also something to be said for the way she represents the professional side of hairdressing. Through her work with organisations and industry bodies. she’s helped keep standards high and made sure hairdressing is taken seriously as a career, not just something people fall into.

At the end of the day the industry is built on relationships. It’s built on people supporting each other, opening doors and recognising talent. That’s something I’ve experienced personally and it’s something you can see clearly when you look at Jayne LewisOrr’s career.

And now, as she steps into her next adventure it’s clear that her influence isn’t slowing down it’s simply evolving into a new chapter.

And for me, that’s what real influence looks like

Thank you, Jayne for being you.

Danny Malone

Instagram-Theunderdogdm

Please note, this column is the opinion of the columinst and not that of GNI or Romeo & Julian Publiccations Ltd.

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